International Hip Hop Vinyl 247 Items

Roof lifting new single from Nicole Willis! Pending between soul and essence of hip-hop this is the best of many worlds: warm, sexy, cool, deep, funky and powerfull. B-side with superb stripped bass-horn-vocal version. Excellent heat from Jimi Tenors new label.

Moar’s back in the Hip-Hop game with a special 7inch featuring his brothers of arms Raashan Ahmad (Crown City Rockers - USA) and Kohndo (La Cliqua - Paris).

Inspired by “The Message” this production is the future of early hip-hop staring the godfather of soul on scratch!! Perfect for party it’s sure this track going in all DJ bags.

Limited to 400 copies.

Lunatika, The Hague's latest 'trap' or 'drill' rap sensation, for all heavy 'banteng' soldier man-boys' (and, sure, all the lady-boys too!) man drill and bass, whipping and kicking and booming, 'all dem a' Holland's 'Dirty Mud West Coast Sound' incl. quite some reggae dub and N.O.L.A. bass influences, I dare say, 'respect due to all'... Part 1/2. Mastered by Guy Tavares.

2 tracks lifted from RBB’s 2015 “Rhymes, Beats & Brass (Remixed)” digi-LP make it to vinyl for the first time - two superb remixes from 2 superb producers Chris Read & Sam Redmore – what’s not to like ?

Limited deluxe edition of 300 copies on black vinyl incl. all instrumentals!

After well-received collaborations with the likes of Philanthrope (Jazz Dialogue "Quintessenz Und Ihri Nuance") and Devaloop ("Hier & Jetzt!?"), Swiss MC Zaid teams up with one of the illest French beatmakers around, Parental of Kalhex fame. Lex (de Kalhex) provides a remix and Adlib Swayze is down for the cuts. Expect nothing but mellow and jazzy vibes with conscious lyricism.

Eternal is a piece of the best underground rap in Bogota. Shaby had already recorded songs that were classics not only in the rapper neighborhoods of the south of the city, but in all Colombia.

The new project, produced by Djar One and Kesta AKA Kool Kest, is a bundle of 2 limited edition items:
a 45 single with the two highlighted tracks, "Cheer Song" and "Let me wander", and the 10 tracks CD album !!!
The bundle has only 200 copies

Everyone knows the iconic Hip Hop anthem »Jump Around«. What about giving it the ultimate cover version twist by Japanese Jazz Trio Nautilus plus international artists Luvit from Japan, Flip (Texta) from Austria, Spax from Germany and MC Yinka from Greece who are spitting their rhymes in four different languages over it plus vinyl digger and producer Glueset who edited it to the perfect version? It took more than one year to get this project finished!

The flip side starts with the original version of »Rokucho«, a beautiful traditional Japanese song with dilla-esque beats by experienced Japanese singer Anna Sato and drummer Toshiyuki Sasaki from Nautilus. After that their song gets remixed by Berlin based duo Slick Walk (Merse & DJ Robert Smith) who give it a mysterious chopped up and laid back treatment to full effect.

Two versions - "golden" (hand-numbered 100 pieces) and classic "black" (150 copies worldwide).

The "ongakudō / droga muzyki" project is ("The way of music" in English). Initiated by Groh - head of the JuNouMi label (est. 2002 Polish hip-hop label), the project is the result of cooperation between Polish and Japanese artists. First, Twardowski created music based on samples from Japanese albums. Then MCs Kanetsugu (jp) and Prykson Fisk (pl) were invited. The next element were DJs - 1an from Tokyo and DJ Eprom from Warsaw (former IDA world champion). An important element of the project is the graphic design, for which Małgorzata "Mauko" Korczak is responsible - exploring the art of Japanese Shodō calligraphy. As many as three versions of covers were created. One limited edition (hand-numbered 100 pieces), a version with a black wax and a version exclusively for the Japanese market. This 7" is the first part of the Polish-Japanese series. It is the beginning of our journey.

Immerse yourself in the enchanting world of 'Perfections', Koralle's new EP, now available on Little Beat More!

Koralle, aKa Lorenzo Nada, musician, beatmaker and producer, formerly an underground legend under the moniker Godblesscomputers, returns to put his 'hands in the dough' a few months after the release of his third album 'Insomnia', fusing jazz vibes with the elements that characterise the deep roots of hip-hop in four stylish pearls that capture body and soul in an increasingly intimate dimension.

Listening begins with the EP's title track, "Perfections," a perfect chill awakening, accompanied by fleeting piano notes and a bass drum and snare rhythm in the tradition of the beatmaking masters.
The second track, "Leaf," hints at melancholic and mysterious nostalgic undertones, to be followed by the single "From the Heart," which features the extraordinary participation of Brooklyn lyricist Awon, a mainstay of American jazzrap, who fits in perfectly with Koralle's eclectic sound world.
Finally, the fourth track, 'Come Back to Me Baby,' is a homage to the blues and black music roots of the 1950s, an invitation to rewind the tape and listen to the album all over again.

The EP is enriched by the art of Bernardo "Beerbo" Raspanti: a brightly coloured and variegated coral that tells of the different influences that come together in the artist's work and of a profound and engaging musical experience that will enchant connoisseurs and fans of the noble art of beatmaking.

New release in the Gasoline EP series. This second volume features the following tracks: Introspection, Snap Your Neck back (part1), Danger Zone and 3 bonus scratch FX tracks.

“Classe Operaia” is the 2nd volume of “Moderna Sonorizzazioni”, a series of instrumental hip hop inspired to library music. The italian beat-genius JayBee Vibes tells the story of his half-tunisian half-sicilian family emigrated to Milan. 15 hip hop beats with evocative sample-chops and dope drums

Lifted from a lost CD with old premasters some 20 years ago. Newley remastered and sounding heavy, this is Great Ezcape at their ferocious best. Ahead of the curve back then, and still sounding fresher than ever.

The work of Malcolm R & Waseem started with “Peace, Love, Unity and having Fun”, the Hip-Hop motto according to Krs-One. Malcolm R, involved in the social processes of his country of origin (Chile), moved to Munich Germany to pursue better education. By participating in Munich’s Rap scene he got to know Waseem and DasDing (DSDNG), a collective of Mc’s, Dj’s, B-Boys/Girls. Waseem, also an activist, invited Malcolm R to join the collective marking the starting point of their first projects together. From that moment on their common work flourished with the necessary spirit and resources to produce their first professional work in the form of “The Motherland EP”, which refers to the search for justice and to the roots of these two Afro-Latinamerican MC’s. Malcolm R & Waseem also feature some local and international musicians/activists, giving this project a wider spectrum to the perspective of people looking for a better future - in their motherland or as immigrants.

The work of Malcolm R & Waseem started with “Peace, Love, Unity and having Fun”, the Hip-Hop motto according to Krs-One. Malcolm R, involved in the social processes of his country of origin (Chile), moved to Munich Germany to pursue better education. By participating in Munich’s Rap scene he got to know Waseem and DasDing (DSDNG), a collective of Mc’s, Dj’s, B-Boys/Girls. Waseem, also an activist, invited Malcolm R to join the collective marking the starting point of their first projects together. From that moment on their common work flourished with the necessary spirit and resources to produce their first professional work in the form of “The Motherland EP”, which refers to the search for justice and to the roots of these two Afro-Latinamerican MC’s. Malcolm R & Waseem also feature some local and international musicians/activists, giving this project a wider spectrum to the perspective of people looking for a better future - in their motherland or as immigrants.

This collaboration by Tokyo producers/musicians Shintaro Sakamoto (Yura Yura Teikoku, Mesh Key) and Videotapemusic, was the first of two EM Records 12"-only "tribute releases", in support of the film "Bangkok Nites", produced by Kuzoku. Based on samples from Dao Bandon [em1131cd/lp], Hongthong Dao-udon [em1142cd/lp] and Phairin Phonphibun [em1147cd/lp], Thailand and Tokyo dreamworlds meet in these songs.

"Transcendent Hawaiian vibes, in a mind meld suffused with Thai stick" - Japan Blues

2021 repress. New mastering/cutting at D&M, Berlin.

Vinyl edition of "The Art of Losing". Promoe's fist album in English since 2007! Produced by Isak'sSon (Cosmic LTR).

Jaw dropping album from Egypt's Dijit, featuring his own vocals for the first time alongside a star studded roster! A vast array of moods fluctuate throughout the album, from gnarly drill & trap with the help of Brodinski, to wayward folk & ambience with vocals from Lella and Sarah Shedid, encompassed with tinges of pop and Kelesh's own trip-hop style. It's also the first time Dijit uses his own vocals, which creates an introspective and deep feel to the LP, with his voice being a constant throughout. Kelesh has exuded everything in to this piece of work, a true culmination of his personal experiences over the last five years, which ultimately converts into a supremely diverse but beautiful album.

Standing tall against his best work, the record is a potent reminder of how Dizzee’s legendary status came to be, capturing him in incendiary form as he flows effortlessly through a collection of distinctly UK genres with unrivalled ease.

Centred by swaggering flows and formidable wordplay, Dizzee’s latest body of work is yet another victory lap on what is one of the defining rap music legacies, and as the bars continue to rain down, just remember - it’s nothing personal.

Standing tall against his best work, the record is a potent reminder of how Dizzee’s legendary status came to be, capturing him in incendiary form as he flows effortlessly through a collection of distinctly UK genres with unrivalled ease.

Centred by swaggering flows and formidable wordplay, Dizzee’s latest body of work is yet another victory lap on what is one of the defining rap music legacies, and as the bars continue to rain down, just remember - it’s nothing personal.

Yo-Sea and HIYADAM’s single “Dreaming City” was a summer hit in 2020 - a relief to many spending a lot of their days propped up against walls, dreaming of the outside. The light, crisp star-gazing production of the a-side enveloped by Yo-Sea’s bouncing R&B vocals link up with HIYADAM’s style in natural harmony. Ever the collaborator to expand his horizons, the b-side of this 7” features a joint single with Taeyoung Boy on “ON Mission” where together they flex their trap intuitions, and call out to Travis Scott fans from the shores of Japan.

Two versions - "golden" (hand-numbered 100 pieces) and classic "black" (150 copies worldwide).

The "ongakudō / droga muzyki" project is ("The way of music" in English). Initiated by Groh - head of the JuNouMi label (est. 2002 Polish hip-hop label), the project is the result of cooperation between Polish and Japanese artists. First, Twardowski created music based on samples from Japanese albums. Then MCs Kanetsugu (jp) and Prykson Fisk (pl) were invited. The next element were DJs - 1an from Tokyo and DJ Eprom from Warsaw (former IDA world champion). An important element of the project is the graphic design, for which Małgorzata "Mauko" Korczak is responsible - exploring the art of Japanese Shodō calligraphy. As many as three versions of covers were created. One limited edition (hand-numbered 100 pieces), a version with a black wax and a version exclusively for the Japanese market. This 7" is the first part of the Polish-Japanese series. It is the beginning of our journey.

Poly Dance Theatre presents its new show: Warning: killer track! Let's start with side A: an international adventure. Backstage, we meet up with rico OBF, who has recorded MC Waraba, the Malian singer and pioneer of the "Balani show" for his forthcoming album on Blanc Manioc Records, at the dubquake studio. Still backstage, we come across androo, the little pictureditor hanging around, who offers to do a re-interpretation by re-creating a riddim from the vocal.

So here's poet rapper MC Waraba, singing in Bambara and French, telling us a story about a girl's difficult choices over a riddim made in androo. The result is a strange, solid, bewitching and melancholy blend of dub, wave and drill trap music. The references are many and scattered, as always with androo (just take a look at his bedroom). After the pop-epic poem, dub mix versions unfold, from dub vocal, with reminiscence of the delay-cut poem, to deep, robust instrumental straight.

B side: Warning: killer track again! Warning: another kind of Wave-dub-trap. Warning: Identity is theft. Warning: Sound system style: 4 parts! Here, starting with a badly cut sample (against American transparency! long live Brecht!), we wander through a heavy chorus-stepper-weird-club-dub, ranging from the most pop to the most ruff, via the most experimental to the deepest. 4 episodes. One season. To see again and again. To play again and again (if need be). 4 episodes (Warning again: Sound system style: 4 parts!) A series of versions in which the dub mix experiments and pushes the track to its limits.

Translated with deepl

Mvten, the frontman of Oneness, a crew that has gained support from core hip-hop fans in Japan, and Boogie Mason, a leading Japanese beat maker from Shizuoka, have collaborated on the long-awaited 7inch release of a new song!! From the collaboration works of the two artists based in Tokyo and Shizuoka, respectively, the new song "Feel", which was released digitally in 2023 and received high acclaim, and their signature song "True School" have been newly remixed by Boogie Mason himself (only on 7inch) for a physical release on 7inch for club use! Boogie Mason, who has experienced worldwide releases on the US label "No Sabes", has an outstanding sense of melody.

Based on the principles of the Native Tongues and the Soulquarians they craft soulful, laidback and jazzy hip-hop evoking feelings of summer sunsets, small gatherings of people, Soul-food and inner- city living. It’s easy to hear the influences of early De la Soul and Common on some of their songs, while others would fit in the LA beat scene of Flying Lotus or in the more introspective landscape of Nujabes.

Last year we welcomed Grup Ses to our sister label Sucata Tapes with “Program #01”, a mystically mixed soundtrack of far-out new age and film sountracks from Turkey circa 1986. A new set of Turkish delights were prepared for this year's release. “Deli Divan” it’s a two-part record with incredibly crafted beats that tell a different story depending on the version you chose to listen. A side captivates by its voracity. Hi-tech and fierce beats drop with the sharp voice and flow of Ethnique Punch, delivering 14 – yes, f-o-u-r-t-e-e-n – short and punchy tracks. The diggin’ liveliness of Grup Ses is well present in the samples used, manufacturing beats that serve well the fast paced and nocturnal voice of Ethnique Punch. The first part of “Deli Divan” is pretty much a straight story. A good one.

Up-and-coming Kobe-based rapper hyunis1000 releases his first 7" single!

Featuring underground hits including How About Some Hardcore, and M.O.P., whose Ante Up was a worldwide hit.Real hip-hop with raps by Lil' Fame and Billy Danze matched with rockin' sampled beats by Kazahaya.

Hiphop artist "pes" releases his first new song in 10 years, "Chillin'"! A limited edition 7inch, superb chill-out tune by the producer "Matt Cab" x "pes"!!

Lifted from Daichi Yamamoto and Aaron Choulai’s 2018 collaborative album Window, this 7” pressing of album closer “All Day Remix” features guests Gapper and Senninsho. P-vine is delighted to present the release on limited edition 7” vinyl for the first time.

Never colonized, Thailand has remained purely itself across the years even while developing, evolving and selectively adopting international influences; the same can be said of Thai popular music, and can be clearly heard in previous releases of Thai music on EM Records. Perhaps the exception to this instinct of “pattana” (Thai for development or evolution) has been the luk thung genre, which, despite great forward leaps in the 1960s and 1970s, has been stagnant since the 1990s. New Luk Thung is here, however, as Juu and his friends update the luk thung genre with keyboards, drum machines, and samples from luk thung classics. Contemporary hip hop and trap are fused with luk thung and ramwong elements, as well as the traditional Isan/Lao instruments khaen and phin. Ex-biker Juu has been musically active since the 1990s as a respected rapper, musician and producer, relocating from Bangkok to the musically rich Isan region. His lyrics, in Thai, English, Khmer and Japanese, deal predominantly, humorously and punningly with ganja. New Luk Thung features 10 new tunes, recorded 2017-2019, produced by Juu and Young G (stillichimiya). Vocal guests include G. Jee, Chinza DOPENESS, Dengaryu, MMM, Big Ben, Mr. Maro and Young-G. Songs here include a tribute to Dao Bandon’ s 70s luk thung classic “Man on a Water Buffalo”, a theme song for the mystery group OMK (One Mekong), a cover of a hit from a 1977 film, and other new treats. Available on vinyl and CD with English translations of the lyrics and Soi48’ s liner notes. Cover art by Shinsuke Takagi (Soi48).

19 tracks feat. Noah23, Icon The Mic King, Lady Daisey, Chefket and many more, rapping in English, Spanish, Dutch, Bosnian, German and other languages.

Space Chandelier's single "gonna Make Life feat. Ritto", a member of k-city's original Hiphop crew lulico. is now available as a limited 7"! Osaka-based Space Chandelier, a member of lulico., a k-city original HipHop crew consisting of dancers, DJs, and rapers active around the world, makes his best effort to release this single. The guest player is Ritto from Akazuchi Crew, representing Okinawa. The track is provided by Chin THA Asia, a member of Yellow Dragon Band, a close friend of theirs from Osaka. Mix/Mastered by K-city Prince (in-sist).

A limited number of 7-inch records, single cuts from the collaborative album "Bochibochi Ikoka" by Watt & Takase, will be released! The A-side song "Osukini Douzo" (As You Like It) is a highly addictive killer tune that features an impressive beat with a bewitching ethnic sample, intertwined with the tight rapping of the two. The B-side includes "Sorega Doushita" (What about it) with a lyric that warmly celebrates the listener's daily efforts and self-affirmation, and a soulful sound/melody that will catch your ears. This release, which will be useful not only for listening, but also for a wide range of time slots at various sites, is a welcome addition to the analog DJ's collection.

The long-awaited 7-inch version of the classic Japanese Lo-Fi~Jazzy Hip Hop song "yoru WO Matte / RE:Vibe" by Dweet x Kenichiro Nishihara. The hit single "yoru WO Matte" by the smash hit producer "Kenichiro Nishihara" and the remarkable rapper "Dweet" is now available on 7-inch. Inspired by Ahmad Jamal's "Dolphin Dance," this song combines a beautiful piano line with an exquisite beat and is hailed as one of Japan's greatest Lo-Fi~Jazzy Hip Hop songs. Also included on the flip side is "RE:Vibe," a beautiful, gentle track that blends Dweet's positive lyrics perfectly. The long-awaited rebirth after five years of absence of the original 12inch, a masterpiece that is often sold at a high price.

Mahbie, a DJ/beatmaker with solid credibility, drops a NEW 7inch record! The A-side features "the Light" featuring Shizuoka MC TAMAAN.jp of Kotobukicrew, and the B-Side features a lo-fi beat version of the well-known closing BGM "Hotaru no Hikari", which has become a smash hit on digital streaming.

Kenichiro Nishihara's very popular song "my leaving feat. mabanua" is finally available on 7inch! The popular song "my leaving feat. mabanua" from the 4th album "Jazzy Folklore" is finally available on 7inch. The flip side features the Esno Remix, which had not previously been released. In contrast to the original, the electro-oriented remix of this track reveals the unfathomable potential of Kenichiro Nishihara and this song.

Rapper Isao Bitoh dazzles with his flow. The legendary "Ashita no Joe Rap" was miraculously cut as a 7-inch single. Minimal loop of "Ashita no Joe" intro, Schoolly D - P.S.K's rabid drums, and the small scratch and so much perfection of the track.

A remix of the popular song "Guilty Luv" by rare lyricist "bron-k" on the mellow side, the remix by "Kenichiro Nishihara" was a bigger hit than the original. This 7inch, which has been difficult to find for a long time, has been re-released in a new guise, coupled with the original. The melancholic and lyrical piano melody is matched beautifully with the heart-wrenching and melancholic vocals. In addition to a remix by Kenichiro Nishihara, the flip side features the original by Loptimist. It will be re-released as a 7-inch single with completely new spec.

The work of Malcolm R & Waseem started with “Peace, Love, Unity and having Fun”, the Hip-Hop motto according to Krs-One. Malcolm R, involved in the social processes of his country of origin (Chile), moved to Munich Germany to pursue better education. By participating in Munich’s Rap scene he got to know Waseem and DasDing (DSDNG), a collective of Mc’s, Dj’s, B-Boys/Girls. Waseem, also an activist, invited Malcolm R to join the collective marking the starting point of their first projects together. From that moment on their common work flourished with the necessary spirit and resources to produce their first professional work in the form of “The Motherland EP”, which refers to the search for justice and to the roots of these two Afro-Latinamerican MC’s. Malcolm R & Waseem also feature some local and international musicians/activists, giving this project a wider spectrum to the perspective of people looking for a better future - in their motherland or as immigrants.

Jahmal Padmore’s debut solo album, Esparonto, arrives via Telephone Explosion Records on May 28th, 2022. Padmore has been honing his producing, songwriting, and drumming skills since 2007, working with artists like Mstrkrft, The Carps, Just John and Brendan Philip. This extensive studio & collaboration experience has primed Jahmal for a standout debut, one that encompasses the diversity of his past musical work. Esparonto is a stunning collection of ten post-Afropunk R&B tracks that are languid, sexy and wry.

There is an undeniable sense of self-reflection that runs throughout Esperanto. Lyrics about distant regrets, ego detachment, and unconditional self-love are reoccurring, sung through Padmore’s signature lyrical croon. “... I can’t give you the things you need, without forsaking a part of me,” sings Padmore in the chorus of album opener Sorted, perfectly encapsulating the overarching vibe of Esperonto. Guitarist Benja’s foggy haze of abstract jazz chords provide a welcoming and warm atmosphere required for such deep contemplation.

Esperonto kicks it up a notch on the more hip hop-leaning tracks. Operator (ft: Matthew Progress), Ingestion (ft: Keita Juma) and Pretty are all rife with energy, with the latter taking the cake as the song most likely to be stuck in your head for the next 10 months, at least! The classic combination of a sample pack-worthy beat and a massive chorus are at work here. The song begins with the lyrics “I can’t help it if god made me pretty,” setting the hook for a stadium-sized chorus where Padmore proclaims “My ego gets me high/My ego tells me who I really am.” A follower of spiritual guru Ram Dass, Padmore appears to be one step closer to his goal of enlightenment, and is not ashamed of it.

The album closes with “So Cold,'' its most delicate track and a perfect come-down after such tireless self-evaluation. The epic crescendo sees Padmore repeatedly announcing “I’ve lost myself.” It’s clear that he has shed some unnecessary facets of his personality and is ready to move forward. Recording at Telephone Explosion’s Studio Z, the trio of Padmore, Benja and OBGMs drummer/keyboardist Colanthony Humphries began with lengthy jam sessions which eventually became the cores of each track. Padmore plucked the most progressive bass and percussion

elements from the sessions and added samples to create Esperonto’s uniquely live aesthetic. The album was then mixed by Louis Cremades at House Of Balloons (The Weeknd) and mastered by Kevin McPhee at East End Mastering.

Esparonto’s title is drawn from the name of the constructed language that Polish ophthalmologist L.L. Zamenhof created in the late 1800s. On this album, Padmore constructs a musical language all his own, with songs firmly rooted in R&B that expand to include elements of jazz, ambient, house, hip hop and pop. After years of holding space for other artists and productions, Padmore’s thrilling debut is a clear proclamation from an artist who is ready to step out of the shadows and into his own light.

We live in divisive times. Multiculturalism rises hand-in-hand with racial tensions, and politicians seem powerless to even bring people within earshot of their convoluted message. It's time for a different perspective. On his second studio album, More Arriving, Sarathy Korwar blasts out his own vibrant, pluralistic missive for the world to hear. This is not necessarily a record of unity; it's an honest reflection of Korwar's experience of being an Indian in a divided Britain. Recorded over two and a half years in India and the UK, More Arriving draws on the nascent rap scenes of Mumbai and New Delhi, incorporating spoken word and Korwar's own Indian classical and jazz instrumentation. This is a record born of confrontation; one for our onfrontational times.