International Hip Hop Vinyl 131 Items

Limited sampler. Onuitgegeven materiaal en b-sides van Brihang, Bombataz, NTREK en Uberdope worden gecompileerd op de allereerste 'Fake Sampler 01'.

The longtime portuguese dj-producer DEDY DREAD lands on DJ’S CHOICE label for his first full-on original production. "Don't Wanna Wake Up" kicks off the collaboration with the soulful Hawaiian-born singer OLIVIA RUFF, a velvety warm r’n’b banger which will certainly tear through the airwaves. On the flip side, a “bikini-dub” version by THE REBEL - helped by the sax of Danilo Desideri (Funkallisto) - which will make you wish summer comes sooner rather than later. Published and worldwide distributed by the Italian cinematic label Four Flies Records.

McGyver is back in 2020 with "CARPE ORBEM" (Latin translation: Seize the World) following up on his 2019 album “MadmatiC”. His bilingual (English and Dutch) rhymes and unique harsh vocal sound, over hardcore boombap beats, topped by live instrumentation and killer scratches prove that there’s not one single artist like him.

This combination creates a stand alone record which conceptually revolves around the classic "The World is Yours" by NaS. Madmatic LP (2019, featuring production by
K-Def, Figub Brazlevic and others) already referenced to this classic once, but now McGyver returns to show the world a bigger picture and capture it while doing so - with even one of NaS - Illmatic’s original producers: Large Professor, on board.

A download code is included. 150 copies.

After a long hiatus, Tokyo-based french producer Dela comes back with Électrique, a new project paying tribute to hip-hop legends André 3000 and Big Boi, known together as OutKast. This new 7inch record includes three tracks of Électrique : Yosky Wosky Pisky Wisky, Dimanche Matin, and the bonus track Cergy. Known for his laid-back, jazz influenced, dreamy rap instrumentals, Dela introduced his music to the world with his Atmosphere Airlines mixtapes and his albums Changes Of Atmosphere (2008) and
Translation Lost (2011). A student of Q-Tip, Pete Rock and J-Dilla amongst others, Dela’s work foreshadowed today’s increasively popular lofi hip-hop / chillhop movement. Side A features Yosky Wosky Pisky Wisky, a remix of Stankonia’s classic Humble Mumble,
featuring Eykah Badu. Dela changes the mood of the original track, mixing samples and live instrumentation together to turn a salsa-breakbeat groove into a melody infused otherworldly superfunk. On side B, Dela remixes Sole Sunday, a Goodie Mob featuring Outkast track, edited to feature only the two ATLiens and renamed Dimanche Matin. The beat is reminiscent of his early work, layering boom bap drums over a haunting saxophone melody. Also on side B, the bonus cut Cergy turns a Brazilian MPB sample into an ode to Dela’s hometown with the help of live drums, bass, electric keyboards and a few of his friends singing.

"This intense Parisian drum-and-keys duo fuses the sound of melancholy ‘70s library music with hip-hop rhythms and a heavy dose of psychedelia. Émile Sornin (Forever Pavot) and Cédric Laban (Forever Pavot, Isaac Delusion) made a name for themselves on the French indie pop scene, earning tens of thousands of fans. For them, La Récré is a place where they can explore raw grooves and play with roaring delays and heavily reverbed keys." - Bandcamp Daily

Includes comic book!

The Dishonest Few is Prop Dylan, Henry Bowers, Follow Him To The End Of The Desert, Soulsaga, Logophobia and DJ Lo-Kut.

Special performances by Esoteric, Phonetik, Son Of Light and PH (Pumpkinhead).

Favorite Recordings presents an exclusive collaboration between French producer Bruno ‘Patchworks’ Hovart (Voilaaa, Mr President, Taggy Matcher, …) and Australian NYC-based rapper and poet Nelson Dialect. The two artists met two years ago after Nelson’s gig in Lyon and, of course, they discussed and seriously planned to collaborate one day, both having an everliving love for early nineties hip hop. Then came the quarantine and Covid-19 with Patchworks locked in Lyon, Nelson Dialect in NYC: it seemed to be the right time to do it. A few months later and they finally drop Blue Benz, the result of their long distance collaboration, coming as a beautiful 7inch filled with proper Jazz & Soul Hip Hop vibes. On A side, « Blue Benz » reminds indeed the best feelings of the nineties hip-hop with its infectious slapped bass rhythm and subtle Rhodes chords, all fiiting perfectly with Nelson Dialect’s serious flow! On B Side, « Jazzy Blue Benz » offers an alternate take on the same groove, focusing more on the electric guitar gentle slides with a more percussive beat and horns arrangements with a proper NYC jazz feeling. From Adelaide, Australia, Nelson Dialect now lives in New York working with Bronx label Red Apples 45 started by AG of Ditc and Ray West. Making music since he was 16, he has received critical acclaim for his work with producer Must Volkoff and their most recent album Magnetism. Before moving to New York, Nelson toured extensively in Australia supporting some of the biggest international Hip Hop acts including Mobb Deep, Lupe Fiasco, Ghostface Killah, GZA, RZA, Pharoahe Monch and DJ Premier among many more. He just released a new album Opal Mind with French producer NuTone.

We are excited to announce the exclusive release of Fight Vol.1 by Stonam on apple red vinyl.

Pre- sale is now live and orders will be shipped on January 22, 2021

Stonam (formerly Royce Birth) is a multi-genre recording artist that believes “the music makes
the person” and not the other way around. Consider him a playlist in human form (without the
‘skip ad’ button). With influences ranging from Stevie Wonder, Common, George Clinton, David
Axelrod, John Coltrane, Feist, Mos Def and many more to add to this list.
Born in Toronto, Stonam started on the hip hop scene, and eventually progressed into areas of
jazz, indie, R&B and pop. Sometimes altogether as a melting pot. Sometimes individually.
What’s the common purpose? That it is all soulful.
Set to release his next creation, “Fight..Vol.1”, due in November 2020. The album sums up the
story of the perfect comeback, while the message is “we are ALL fighters”. Through life, love,
labour, and values that we stand for.
The mission for this artist, is creating ideas that can still mean something 30 years from now.
Made for your headphones only.

The Silhouettes Project a new platform for up and coming Hip-Hop, Soul and Jazz artists from the UK. It is not a record label or management team, it is a community project. The Silhouettes Project provides an open space - a recording studio and live venue located within the Total Refreshment Centre in Hackney, London - where MCs, singers, musicians and producers can connect and create.The Silhouttes Project was founded by community organisers/artists Asher Korner (aka Kosher) and Jaden Osei-Bonsu (Eerf Evil) in 2019. When they told us about the project and played us some of the music we were instantly hooked and joined the collective as label partner. The art direction is executed by Sergio „SagaUno“ Alferez, an acclaimed designer and illustrator from Medellín, Columbia.Starting in September, we release a new single each Thursday from artists like Kofi Stone, Summers Sons, Enny, KeepVibesNear, Manik MC, Lex Amor, Louis The Hippie, Summer-Pearl, Joe Beard and many more.

Here is the story of the Silhouettes Project as told by its founders Jaden and Asher: „We started The Silhouettes Project in February 2019, to shine a light on the new generation ofunderground Hip-Hop, Jazz, and Soul music in the UK. Community is everything to us, and wewanted to show that with a proper support network, access to professional facilities, and theencouragement of a family of artists, our community could produce something incredible. We felt a joint frustration that the current music scene in the UK only had structures in placeto support talent of a certain genre whilst overlooking a buzzing alternative Hip-Hop culture.We wanted to unify artists who are making ground-breaking music but who are in need of asolid structure to work within - artists who we felt deserved more recognition. This led us tothe name ‘The Silhouettes Project’, as we wanted to shine a light on those artists in theshadows. The journey started by embarking on a collaborative album project which allowed us to bringtogether more than 30 artists on a single tape and to create a network of incredibly talentedartists of the same calibre. The album took more than a year, working almost every day at theRoot 73 studio, a community space in Hackney. We knew from the first few sessions that wewere on to something, and the energy around the project kept it moving. As artists ourselves we understood that the creative process can be challenging and sometimesisolating, especially when there is no clear support network to fall back on. This led us to bringour efforts into the physical realm by organising a series of free live music events for all ofthese artists to come to, showcase their work alongside our house band, and connect witheach other. These events take place at The Total Refreshment Centre in Dalston, anunderground studio complex and warehouse space, which gave the events an intimatecommunity feeling and the people a sense of belonging. There is a desperate need for spaces in which people can come together and develop theircreative potential, especially with the consistent withdrawal of funding from the arts sector inthe UK and with the constant threat of gentrification which has seen the closure of countlesscommunity and grassroots creative organisations. As we grew as a brand and organisation, webegan to fully understand the importance of what we were doing. From the studio sessions tothe events, we saw the impact on people’s outlooks on their own careers, we saw them growin confidence in performing and collaborating and even taking their own initiative to utilise thenetwork provided for them. We heard their feedback, we felt the excitement in theatmospheres at our events and studio sessions, and we saw the community grow every timewe brought it together.“

Recorded at Avantdale Bowling Club’s sold out headline date at Auckland’s iconic Powerstation in August 2019 – the album includes extended live versions of four tracks from his self-titled debut album – awarded the 2019 Taite Music Prize and Album of the Year at the 2019 Vodafone New Zealand Music Awards – plus To Live and Die in Ad.

New release in the Gasoline EP series. This second volume features the following tracks: Introspection, Snap Your Neck back (part1), Danger Zone and 3 bonus scratch FX tracks.

David Kiledjian is the creator behind a number of projects (Fowatile, Hila, the successful Dowdelin...), producer of albums by Armenian pianist Tigran Hamasyan and Malian band BKO,and collaborator with Talib Kweli, Piers Faccini, Miguel Atwood-Ferguson, Vaudou Game…Lyon-based musician and producer, David Kiledjian is now releasing « The Otium Mixtape », his first opus under his own name. Built around the idea of active idleness cherished by the citizens of ancient Rome, these 10 tracks build bridges between languages and folklore from the 4 corners of the world, jazz, hip-hop and electronic avant-garde.

After two EPs with his punk-jazz duo La Récré, a recent solo album on Born Bad Records and two soundtracks for Monia Chokri films "Babysitter" and "Simple Comme Sylvain", Forever Pavot is everywhere yet never where you expect him to be. He now returns to BMM with a new rap album titled "Forever XP". On the other side of the globe, LA-based rapper and street activist XP The Marxman received a beat with a nice sample from one of his producers. XP traced the sample back to Forever Pavot, and decided to reach out to him to collaborate. That's how the atypical Forever XP album was born. Pavot's first time working with a rapper was also XP's first time working with a composer, yet they managed to blend both their universes in such a flawless way that it's like they were meant to create music together.

Standing tall against his best work, the record is a potent reminder of how Dizzee’s legendary status came to be, capturing him in incendiary form as he flows effortlessly through a collection of distinctly UK genres with unrivalled ease.

Centred by swaggering flows and formidable wordplay, Dizzee’s latest body of work is yet another victory lap on what is one of the defining rap music legacies, and as the bars continue to rain down, just remember - it’s nothing personal.

Standing tall against his best work, the record is a potent reminder of how Dizzee’s legendary status came to be, capturing him in incendiary form as he flows effortlessly through a collection of distinctly UK genres with unrivalled ease.

Centred by swaggering flows and formidable wordplay, Dizzee’s latest body of work is yet another victory lap on what is one of the defining rap music legacies, and as the bars continue to rain down, just remember - it’s nothing personal.

Standing tall against his best work, the record is a potent reminder of how Dizzee’s legendary status came to be, capturing him in incendiary form as he flows effortlessly through a collection of distinctly UK genres with unrivalled ease.

Centred by swaggering flows and formidable wordplay, Dizzee’s latest body of work is yet another victory lap on what is one of the defining rap music legacies, and as the bars continue to rain down, just remember - it’s nothing personal.

A classic in Japanese hip-hop history, released in 2001, is now available on analogue for the first time to celebrate the 25th anniversary of its debut!

The first major full-length album from Kumamoto, Kyushu's land of fire, which suddenly swept the scene and made a name for itself in the national arena, is now available on 2LP!

The first major full-length album "upper Jam" was released in 2001 by the core of the Japanese hip-hop world, Gakki Ranger, and received high acclaim from all quarters. The album features 21 thrilling tracks, with the 2 MCs Potemkin & Yoshi using the skills they have cultivated in their live shows to deliver unpredictable lyrical raps, and GP & DJ High Switch a.k.a. HIRO's ear-piercing, thick-boned backing tracks. Guest artists include Ken-1-raw from Volcano Posse, M.O.S.A.D. from Nagoya, Rappagaria, Fukuoka Yutaka from Pink, RYO the Skywalker from the reggae world and many more. It is a timeless classic with an uplifting feel brought about by the combination of unexpected and irregular rapping and the exquisite pauses that are meticulously orchestrated!

“Classe Operaia” is the 2nd volume of “Moderna Sonorizzazioni”, a series of instrumental hip hop inspired to library music. The italian beat-genius JayBee Vibes tells the story of his half-tunisian half-sicilian family emigrated to Milan. 15 hip hop beats with evocative sample-chops and dope drums

A remix of the popular song "Guilty Luv" by rare lyricist "bron-k" on the mellow side, the remix by "Kenichiro Nishihara" was a bigger hit than the original. This 7inch, which has been difficult to find for a long time, has been re-released in a new guise, coupled with the original. The melancholic and lyrical piano melody is matched beautifully with the heart-wrenching and melancholic vocals. In addition to a remix by Kenichiro Nishihara, the flip side features the original by Loptimist. It will be re-released as a 7-inch single with completely new spec.

Una Jauria Llamada Ernesto(a Wolfpack called Ernesto)Original Motion Picture SoundtrackDirector Everardo GonzalezMusic by Andrés Sánchez Maher, Haxah, Konk ReyesLabel Plaza Mayor Company LtdCombines true stories to create its titular character, and parallels with the manufacturing of a gun. The two stories’ convergent paths twits in a double helix of violence which leaves one person dead by firearms every 41 minutes.This score is the voice they wanted us to hear. It's the sophistication of the street and the gang. A mixture in which space was given to two young men who belonged to the packs of Mexico City: Haxah, Konk Reyes and the extraordinary experience of Andrés Sánchez, who managed to articulate a sound discourse as a gateway to the world of violence, the need for revenge but also to that of repentance and the desire to return to a starting point when everything could be avoided.Enjoy this atmosphere and let's try together to break the stigma that surrounds our Latin American children.Everardo González - Director

Rapper Isao Bitoh dazzles with his flow. The legendary "Ashita no Joe Rap" was miraculously cut as a 7-inch single. Minimal loop of "Ashita no Joe" intro, Schoolly D - P.S.K's rabid drums, and the small scratch and so much perfection of the track.

DEV Large, the creator of Buddha BRAND's "Ningen Hatsudenjo" (Human Power Plant) with over 10 million views on Youtube, has unearthed a 16-verse version of the song, which was released for the first time in Japan, and is now available with his friend Nipps and CQ's Saikoro52 Remix!

Two versions - "golden" (hand-numbered 100 pieces) and classic "black" (150 copies worldwide).

The "ongakudō / droga muzyki" project is ("The way of music" in English). Initiated by Groh - head of the JuNouMi label (est. 2002 Polish hip-hop label), the project is the result of cooperation between Polish and Japanese artists. First, Twardowski created music based on samples from Japanese albums. Then MCs Kanetsugu (jp) and Prykson Fisk (pl) were invited. The next element were DJs - 1an from Tokyo and DJ Eprom from Warsaw (former IDA world champion). An important element of the project is the graphic design, for which Małgorzata "Mauko" Korczak is responsible - exploring the art of Japanese Shodō calligraphy. As many as three versions of covers were created. One limited edition (hand-numbered 100 pieces), a version with a black wax and a version exclusively for the Japanese market. This 7" is the first part of the Polish-Japanese series. It is the beginning of our journey.

Two versions - "golden" (hand-numbered 100 pieces) and classic "black" (150 copies worldwide).

The "ongakudō / droga muzyki" project is ("The way of music" in English). Initiated by Groh - head of the JuNouMi label (est. 2002 Polish hip-hop label), the project is the result of cooperation between Polish and Japanese artists. First, Twardowski created music based on samples from Japanese albums. Then MCs Kanetsugu (jp) and Prykson Fisk (pl) were invited. The next element were DJs - 1an from Tokyo and DJ Eprom from Warsaw (former IDA world champion). An important element of the project is the graphic design, for which Małgorzata "Mauko" Korczak is responsible - exploring the art of Japanese Shodō calligraphy. As many as three versions of covers were created. One limited edition (hand-numbered 100 pieces), a version with a black wax and a version exclusively for the Japanese market. This 7" is the first part of the Polish-Japanese series. It is the beginning of our journey.

B.O.L.T. Warhead was one of the pioneers in the Norwegian hip hop scene. They grew out of the A-Team crew, and took their music in a rougher and more militant direction. The peace signs and positivity of the A-Team was replaced by black military pants and doomsday poetry. The Re-Enforcement was the only album released by B.O.L.T. Warhead, and it is considered a classic in britcore circles nevertheless, with the CD and the tape going for more than 100 EUR. Now it is available on vinyl for the first time.

Poly Dance Theatre presents its new show: Warning: killer track! Let's start with side A: an international adventure. Backstage, we meet up with rico OBF, who has recorded MC Waraba, the Malian singer and pioneer of the "Balani show" for his forthcoming album on Blanc Manioc Records, at the dubquake studio. Still backstage, we come across androo, the little pictureditor hanging around, who offers to do a re-interpretation by re-creating a riddim from the vocal.

So here's poet rapper MC Waraba, singing in Bambara and French, telling us a story about a girl's difficult choices over a riddim made in androo. The result is a strange, solid, bewitching and melancholy blend of dub, wave and drill trap music. The references are many and scattered, as always with androo (just take a look at his bedroom). After the pop-epic poem, dub mix versions unfold, from dub vocal, with reminiscence of the delay-cut poem, to deep, robust instrumental straight.

B side: Warning: killer track again! Warning: another kind of Wave-dub-trap. Warning: Identity is theft. Warning: Sound system style: 4 parts! Here, starting with a badly cut sample (against American transparency! long live Brecht!), we wander through a heavy chorus-stepper-weird-club-dub, ranging from the most pop to the most ruff, via the most experimental to the deepest. 4 episodes. One season. To see again and again. To play again and again (if need be). 4 episodes (Warning again: Sound system style: 4 parts!) A series of versions in which the dub mix experiments and pushes the track to its limits.

Translated with deepl

Mvten, the frontman of Oneness, a crew that has gained support from core hip-hop fans in Japan, and Boogie Mason, a leading Japanese beat maker from Shizuoka, have collaborated on the long-awaited 7inch release of a new song!! From the collaboration works of the two artists based in Tokyo and Shizuoka, respectively, the new song "Feel", which was released digitally in 2023 and received high acclaim, and their signature song "True School" have been newly remixed by Boogie Mason himself (only on 7inch) for a physical release on 7inch for club use! Boogie Mason, who has experienced worldwide releases on the US label "No Sabes", has an outstanding sense of melody.

qu’s debut album where did the sun go? presents his sonic transformation from a producer to a producer artist in his own right, not only engineering beats, but writing songs, arranging instrumentation and directing his own vision onto a full length album. where did the sun go? features prominent artists like Jay Prince (uk) and Serious Klein (ger), emerging artists Josh Kye (uk) and Malaya (us) as well as Kabul Fire artists agajon and Ninja Kidsoul. on 15 tracks qu proves his versatility in creating an alternative sound that is inspired by the music traditions of hiphop, rnb & jazz.

Introducing “Psyche Gems”, the Jakarta Records debut LP from LA based Rapper Juicebox & Norwegian producer duo Myeye. Debut LP “Psyche Gems,” a collaborative musical venture sparked by an impromptu Instagram jam session in 2021, is poised to mesmerize audiences. The brainchild of Juicebox, a versatile artist known for his roles as a singer, songwriter, rapper, and one half of the acclaimed group Figmore (with 10.4 Rog), “Psyche Gems” emerged from Juicebox's admiration for Simen Hallset's psych-pop band Gold Celeste (over 20 million Streams on Spotify). After reaching out to Simen, they swiftly connected with Henrik Norbakk, the other half of Myeye, igniting the genesis of the collaborative project. An Instagram jam session in 2021 gave sonic birth to LP “Psyche Gems”. Buttery vocals meet funky, soul-driven beats, meticulously recorded live, then chopped and repurposed to create an experience that transcends sonic definition. From vibrant head-nodding energy to lush beats seamlessly melded with an inimitable vocal delivery, “Psyche Gems” captures the essence of past and present, offering a kaleidoscope snapshot of life reflected through timeless grooves. The album's distinctive sound is characterized by meticulous layering, where each element is meticulously played, chopped, looped, and jammed over until achieving sonic perfection. United by their shared passion for old soul and jazz records, ‘90’s + ‘00’s hip hop, lo-fi indie, and psychedelic music, Juicebox and Myeye seamlessly fuse their diverse influences to craft a musical experience that resonates with listeners on a profound level. "We wanted to create something that inspires, provokes, and sheds light on the truths we all carry inside us," explains Juicebox. "Psyche Gems is more than just an album; it's an infinite journal entry of reflection, a testament to the power of music to illuminate the human experience."