International Hip Hop Vinyl 294 Items

Rapper Isao Bitoh dazzles with his flow. The legendary "Ashita no Joe Rap" was miraculously cut as a 7-inch single. Minimal loop of "Ashita no Joe" intro, Schoolly D - P.S.K's rabid drums, and the small scratch and so much perfection of the track.

The Silhouettes Project a new platform for up and coming Hip-Hop, Soul and Jazz artists from the UK. It is not a record label or management team, it is a community project. The Silhouettes Project provides an open space - a recording studio and live venue located within the Total Refreshment Centre in Hackney, London - where MCs, singers, musicians and producers can connect and create.The Silhouttes Project was founded by community organisers/artists Asher Korner (aka Kosher) and Jaden Osei-Bonsu (Eerf Evil) in 2019. When they told us about the project and played us some of the music we were instantly hooked and joined the collective as label partner. The art direction is executed by Sergio „SagaUno“ Alferez, an acclaimed designer and illustrator from Medellín, Columbia.Starting in September, we release a new single each Thursday from artists like Kofi Stone, Summers Sons, Enny, KeepVibesNear, Manik MC, Lex Amor, Louis The Hippie, Summer-Pearl, Joe Beard and many more.

Here is the story of the Silhouettes Project as told by its founders Jaden and Asher: „We started The Silhouettes Project in February 2019, to shine a light on the new generation ofunderground Hip-Hop, Jazz, and Soul music in the UK. Community is everything to us, and wewanted to show that with a proper support network, access to professional facilities, and theencouragement of a family of artists, our community could produce something incredible. We felt a joint frustration that the current music scene in the UK only had structures in placeto support talent of a certain genre whilst overlooking a buzzing alternative Hip-Hop culture.We wanted to unify artists who are making ground-breaking music but who are in need of asolid structure to work within - artists who we felt deserved more recognition. This led us tothe name ‘The Silhouettes Project’, as we wanted to shine a light on those artists in theshadows. The journey started by embarking on a collaborative album project which allowed us to bringtogether more than 30 artists on a single tape and to create a network of incredibly talentedartists of the same calibre. The album took more than a year, working almost every day at theRoot 73 studio, a community space in Hackney. We knew from the first few sessions that wewere on to something, and the energy around the project kept it moving. As artists ourselves we understood that the creative process can be challenging and sometimesisolating, especially when there is no clear support network to fall back on. This led us to bringour efforts into the physical realm by organising a series of free live music events for all ofthese artists to come to, showcase their work alongside our house band, and connect witheach other. These events take place at The Total Refreshment Centre in Dalston, anunderground studio complex and warehouse space, which gave the events an intimatecommunity feeling and the people a sense of belonging. There is a desperate need for spaces in which people can come together and develop theircreative potential, especially with the consistent withdrawal of funding from the arts sector inthe UK and with the constant threat of gentrification which has seen the closure of countlesscommunity and grassroots creative organisations. As we grew as a brand and organisation, webegan to fully understand the importance of what we were doing. From the studio sessions tothe events, we saw the impact on people’s outlooks on their own careers, we saw them growin confidence in performing and collaborating and even taking their own initiative to utilise thenetwork provided for them. We heard their feedback, we felt the excitement in theatmospheres at our events and studio sessions, and we saw the community grow every timewe brought it together.“

Una Jauria Llamada Ernesto(a Wolfpack called Ernesto)Original Motion Picture SoundtrackDirector Everardo GonzalezMusic by Andrés Sánchez Maher, Haxah, Konk ReyesLabel Plaza Mayor Company LtdCombines true stories to create its titular character, and parallels with the manufacturing of a gun. The two stories’ convergent paths twits in a double helix of violence which leaves one person dead by firearms every 41 minutes.This score is the voice they wanted us to hear. It's the sophistication of the street and the gang. A mixture in which space was given to two young men who belonged to the packs of Mexico City: Haxah, Konk Reyes and the extraordinary experience of Andrés Sánchez, who managed to articulate a sound discourse as a gateway to the world of violence, the need for revenge but also to that of repentance and the desire to return to a starting point when everything could be avoided.Enjoy this atmosphere and let's try together to break the stigma that surrounds our Latin American children.Everardo González - Director

A remix of the popular song "Guilty Luv" by rare lyricist "bron-k" on the mellow side, the remix by "Kenichiro Nishihara" was a bigger hit than the original. This 7inch, which has been difficult to find for a long time, has been re-released in a new guise, coupled with the original. The melancholic and lyrical piano melody is matched beautifully with the heart-wrenching and melancholic vocals. In addition to a remix by Kenichiro Nishihara, the flip side features the original by Loptimist. It will be re-released as a 7-inch single with completely new spec.

A classic in Japanese hip-hop history, released in 2001, is now available on analogue for the first time to celebrate the 25th anniversary of its debut!

The first major full-length album from Kumamoto, Kyushu's land of fire, which suddenly swept the scene and made a name for itself in the national arena, is now available on 2LP!

The first major full-length album "upper Jam" was released in 2001 by the core of the Japanese hip-hop world, Gakki Ranger, and received high acclaim from all quarters. The album features 21 thrilling tracks, with the 2 MCs Potemkin & Yoshi using the skills they have cultivated in their live shows to deliver unpredictable lyrical raps, and GP & DJ High Switch a.k.a. HIRO's ear-piercing, thick-boned backing tracks. Guest artists include Ken-1-raw from Volcano Posse, M.O.S.A.D. from Nagoya, Rappagaria, Fukuoka Yutaka from Pink, RYO the Skywalker from the reggae world and many more. It is a timeless classic with an uplifting feel brought about by the combination of unexpected and irregular rapping and the exquisite pauses that are meticulously orchestrated!

Eternal is a piece of the best underground rap in Bogota. Shaby had already recorded songs that were classics not only in the rapper neighborhoods of the south of the city, but in all Colombia.

Hiphop artist "pes" releases his first new song in 10 years, "Chillin'"! A limited edition 7inch, superb chill-out tune by the producer "Matt Cab" x "pes"!!

Standing tall against his best work, the record is a potent reminder of how Dizzee’s legendary status came to be, capturing him in incendiary form as he flows effortlessly through a collection of distinctly UK genres with unrivalled ease.

Centred by swaggering flows and formidable wordplay, Dizzee’s latest body of work is yet another victory lap on what is one of the defining rap music legacies, and as the bars continue to rain down, just remember - it’s nothing personal.

Standing tall against his best work, the record is a potent reminder of how Dizzee’s legendary status came to be, capturing him in incendiary form as he flows effortlessly through a collection of distinctly UK genres with unrivalled ease.

Centred by swaggering flows and formidable wordplay, Dizzee’s latest body of work is yet another victory lap on what is one of the defining rap music legacies, and as the bars continue to rain down, just remember - it’s nothing personal.

Standing tall against his best work, the record is a potent reminder of how Dizzee’s legendary status came to be, capturing him in incendiary form as he flows effortlessly through a collection of distinctly UK genres with unrivalled ease.

Centred by swaggering flows and formidable wordplay, Dizzee’s latest body of work is yet another victory lap on what is one of the defining rap music legacies, and as the bars continue to rain down, just remember - it’s nothing personal.

Chicago-born MC RacecaR and producer Grant Phabao met at Paris DJs' studio in 2014, thanks to an introduction from hip hop activist Miska with whom the French label has been doing hip hop-themed compilations. Soon they decided to try something new together. Grant Phabao had never produced any hip hop artist before. And RacecaR had never tried to write and record on afro, funk or reggae music in the past. So they planned to produce new tunes together, and blend RacecaR's unmistakable flow with Phabao's unique take on deeply funky American, African and Jamaican grooves. The album features Taiwan MC on "We Do Anything" and other great French musicians.

Back in the 90s, the Japanese hip-hop scene was flush with young ambitious voices spitting verses lit-up and energized, irrespective of their shadow in the west’s gaze.

One such record and a classic in the P-VINE discography is Libro’s debut album Taidou. To mark 25 years since its first release, P-VINE will be reissuing Taidou for the first time on vinyl format.
Across these ten tracks, Libro’s rapping is always on point; his high-energy rhythms imposing addictive authority and control.
Production from DJ Tonk takes full liberties with the 90s under his belt, and album highlight ‘Taiwa’ looks beyond with its stripped-down sampling, sounding fresh to this day.
This is definitely not to miss for the hip-hop historians.

Eritrean-born and Amsterdam-based singer-songwriter Rimon returns with her latest six-track effort, I Shine, U Shine. Rimon brings some rather high-profile friends along for the ride, tapping Denzel Curry for "Got My Back" and Darrell Cole for the title track. I Shine, U Shine showcases a dynamic range of sounds, from the emotional electric guitar solos on "The Morning" to the soulful saxophone backing on the Denzel-assisted "Got My Back."

After two EPs with his punk-jazz duo La Récré, a recent solo album on Born Bad Records and two soundtracks for Monia Chokri films "Babysitter" and "Simple Comme Sylvain", Forever Pavot is everywhere yet never where you expect him to be. He now returns to BMM with a new rap album titled "Forever XP". On the other side of the globe, LA-based rapper and street activist XP The Marxman received a beat with a nice sample from one of his producers. XP traced the sample back to Forever Pavot, and decided to reach out to him to collaborate. That's how the atypical Forever XP album was born. Pavot's first time working with a rapper was also XP's first time working with a composer, yet they managed to blend both their universes in such a flawless way that it's like they were meant to create music together.

David Kiledjian is the creator behind a number of projects (Fowatile, Hila, the successful Dowdelin...), producer of albums by Armenian pianist Tigran Hamasyan and Malian band BKO,and collaborator with Talib Kweli, Piers Faccini, Miguel Atwood-Ferguson, Vaudou Game…Lyon-based musician and producer, David Kiledjian is now releasing « The Otium Mixtape », his first opus under his own name. Built around the idea of active idleness cherished by the citizens of ancient Rome, these 10 tracks build bridges between languages and folklore from the 4 corners of the world, jazz, hip-hop and electronic avant-garde.

Edition of 300 copies

New album by this Spanish rap duo. G-Funk, Talkbox, catchy melodic choruses and double tempos.

Malcolm R (Aka El Indio Jiux) is a MC hailing from Iquique Chile. Inspired by Oldschool HipHop and Jazz, he started playing the sax and rapping with a very early age and released his first mixtape "Técnicas de supervivencia" in 2014, recorded by Patricio Cabezas member of the group "Cerro" and in 2017 the mixtape "InI speech" recorded by Leinad Producciones. In 2021 he released “The Motherland EP” alongside Waseem a political activist and rapper from Munich, Germany. His raps deal with the social problems of present-day Chile as well as injustice, inequality and racism undeveloped countries are facing worldwide. His goal is to mobilize people and make these problems visible to those who can’t see this, or just ignore them on a regular basis.

Now in 2022 he releases his first full length album “Drapetomania” via German label Pigeon Records. For the album he has been working with the Chilean producers Agresonido from the Reclaf Crew, Oscar Guerrero from the group Bajo linaje and Crenshett from his hometown of Iquique and the Munich producers L One from the ATP Crew, Tony Crisp and DJ Rude Teen from ArOzA Crew.

The album title derives its name from Drapetomania, a supposed mental illness that was hypothesized as the cause of enslaved Africans fleeing captivity. Slave life was so pleasant, the official view was, that only the mentally ill would want to run away. The title shell implicate that the people of Chile are not free yet and need to stand up for they rights. They live under a flag that does not represent the majority of the country but discriminates them on economical and racial basis. His music is characterized by straight forward lyrics, very frontal messages with heavy pan-african political content and hard beats.

To celebrate the 10th anniversary of Rome-based DJ’s Choice events, founder The Rebel, in line with the underground, collaborative and multicultural spirit of the project, has decided to bring Rome and New York together as if they were two stops on the same subway line. Rome is represented by the ‘Jedi Master’ of Roman hip hop, Danno, who raps on The Rebel’s instrumental in track one. New York hip hop duo The Good People perform on the same instrumental in track two, "Body Rockin'', to which Italian hip hop legend Ice One gives the remix treatment. Happy anniversary, DJ’s Choice!

The long-awaited LP release of the debut album by the young and talented members of the super JAM POP band "lagheads"!! The music is based on the jazz, fusion, and R&B style of performance that is in the lineage of instrumental groups such as Snarky Puppy and Vulfpeck. The songs with guest vocalists have a fun sound that swings in a J-Pop direction. "だきしめたいよ feat Himi (DJ Mitsu The Beats Remix)" is also included!!

Sometimes you need to look to the past as much as the future. 'The Overview Effect' by emcee-producer duo Jermiside & The Expert is a vast musical collage of psychedelic soundscapes merged with hip hop’s golden age. A socially conscious psychedelic hip-hop album inspired by Marvin Gaye’s narrative on ‘What’s Going On’ mixed with tripped-out beats reminiscent of Edan’s ‘Beauty & The Beat.’

The production on 'The Overview Effect' takes on late-60s psychedelic folk/rock, viewed through a 90s b-boy mentality of heavy drums and dope breaks. Built with a keen ear for detail, The Expert densely layered his productions with tons of samples, seamlessly weaved together. Swirling strings, sitars, Moogs and crunchy guitars are all present, accompanied by trippy sound effects. “In terms of songwriting, very few songs on this record have a ‘classic song structure’,” says The Expert. “Key influences include bands like The Zombies, The Beach Boys, The Left Banke, and Love’s 1967 cult classic, 'Forever Changes.'”

This album was a way of paying tribute to the artists and music Jermiside & The Expert love, but done in their own way. 'The Overview Effect' is an album that never overstays its welcome and demands repeated listening. “I wanted the songs to have multiple layers, different sections, and intriguing arrangements so there’s something new to discover every time,” adds The Expert.

The carefully crafted collage on the album cover reflects war, greed, injustice, racism, and social ecology. Jermiside’s vivid imagery paints his own picture of a broken world yet one where the power is still in our hands to change it. “I came across a podcast with an astronaut describing his experience in space,” recalls Jermiside. “The feeling was described as ‘the overview effect,’ which is essentially a keen sense of awareness astronauts feel after viewing planet earth from the vantage point of space for the first time.”

Jermiside’s ‘overview effect’ confronts the state of the world we now live in and the struggles we face. This starts on the opening track “I Love You, Still?” with Jermiside questioning his love for his home country. “Black Tears” sees Jermiside and Stik Figa trade experiences about racial challenges and inequalities, while “Bullet shock” deals with police and the use of authority. The album then ends on a positive note with “A Little Love” stating that love conquers all. A closing message in line with the sampled spirit of the 60s.

Includes comic book!

The Dishonest Few is Prop Dylan, Henry Bowers, Follow Him To The End Of The Desert, Soulsaga, Logophobia and DJ Lo-Kut.

Special performances by Esoteric, Phonetik, Son Of Light and PH (Pumpkinhead).

Mess a.k.a. MessIAH THE FLY is a Japanese hip hop MC who is from the bay coast area in Tokyo and debuted as a member of a crew called Juswanna with Mega-g and DJ Muta. His first and only long play as a solo artist Mess -king OF Dope- was originally released in 2010 after the crew went on a long hiatus and is still a huge influence for new generation artists as one of the milestones of Japanese hip hop of the 2010's era.

19 tracks feat. Noah23, Icon The Mic King, Lady Daisey, Chefket and many more, rapping in English, Spanish, Dutch, Bosnian, German and other languages.

"This intense Parisian drum-and-keys duo fuses the sound of melancholy ‘70s library music with hip-hop rhythms and a heavy dose of psychedelia. Émile Sornin (Forever Pavot) and Cédric Laban (Forever Pavot, Isaac Delusion) made a name for themselves on the French indie pop scene, earning tens of thousands of fans. For them, La Récré is a place where they can explore raw grooves and play with roaring delays and heavily reverbed keys." - Bandcamp Daily