Instrumental Hip Hop 354 Items

Samurai Champloo Music Record: Departure is a soundtrack album, originally released on June 23, 2004. It is the second of four soundtrack albums released for the show. The album was produced by Japanese DJ / producer Nujabes, and American MC/producer Fat Jon, and featured Japanese rapper Shing02 and Japanese singer-songwriter MINMI on the album’s first and last tracks, respectively. Departure was critically lauded and is the best known album from the series, with especially high praise being reserved for “Battlecry”.

The music of the Samurai Champloo anime series was created by a group of producers: Japanese hip-hop producer Tsutchie of the rap group Shakkazombie, American hip-hop producer & emcee Fat Jon of the rap group Five Deez, Japanese hip-hop producer Nujabes, and Japanese DJ & production duo Force Of Nature. The music genre is primarily instrumental hip-hop.

Limited edition of 500 copies in tip-on cardboard sleeve.

Loft is an instrumental hip hop album inspired by the free and spiritual jazz played by the New York loft movement of the 1960s and 1970s. A difficult time, where economic decline and poor housing politics somehow led to some amazing, innovative music, often self-recorded to cassette tapes. This music was recorded to tape on a loft as well, far away from the original loft scene. Written during the corona pandemic, this album also emerged from a difficult time. The do-it-yourself spirit and freedom of the loft movement inspired this process a lot, and it was recorded mostly with instruments from that era. There are no static BPMs or software instruments on this LP, everything is kept as analog and authentic as possible. Vintage electric pianos, tape loops and hardware effects emulate the sounds of the 1970s and the
aesthetics of hip hop sampling.

The album features independent jazz legends Idris Ackamoor, Ralph Thomas and Wendell Harrison. Chicago-born Idris Ackamoor was a founding member of The Pyramids, an influential jazz ensemble that was formed in the 1970s, and still releases critically acclaimed music today. Another Chicago musician, multi-instrumentalist Ralph Thomas is best known for his 1980 cult-classic album Eastern Standard Time. Detroit-native Wendell Harrison founded the important record label and jazz collective Tribe Records, and, like Ralph Thomas, also performed together with Sun Ra among many others. All three musicians have been very inspiring to me, and are important to the legacy of free and spiritual jazz. I’m so grateful and
honored to have them featured on these loft tapes.

Ol’ Burger Beats plays: Fender Rhodes and Wurlitzer 200A electric pianos, Sequential Prophets, ARP Odyssey and Moog synthesizers, ring modulator and delay pedals, tape loops, vinyl percussion samples, drum machines and various percussion instruments.

Recorded in Vatne and Oslo, Norway.

Japanese import / Gatefold / First time on vinyl / Limited run

An independent label ‘’Hydeout Productions’’ releases the best compilation album for the first time.

Including from Nujabes’s fresh and passionate works only found in his early works to more emotional and metaphorical works which became the basis of his later success.

“Soothing Breeze” is a compilation of 21 carefully selected beats with oriental traditional instruments, soft drum loops and mystical appeal. The air is calm and pure - it’s time for absolute focus in this tranquil landscape.

2x 12” color vinyl (45 rpm) 180Gr Limited : 5000 copies Numbered

Off of the backs of the 2006 release a pair of 7-inch singles called the Shaolin Series, El Michels Affair would eventually drop the LP “Enter the 37th Chamber” in 2009, which covered classics by the Wu-Tang Clan. To commemorate the 15th anniversary of the landmark full-length, Fat Beats Records is not only re-releasing the original 45s in the Shaolin Series, but will be adding to the series with choice cuts from the LP. First up is “Shimmy Shimmy Ya,” a hauntingly unforgettable take on ODB’s classic single, with blaring horns and a chorus of children to sing the iconic hook. The b-side features a darker, moodier interpretation of Raekwon’s “Incarcerated Scarfaces,” perfectly representing El Michels Affair’s slow-riding style dubbed “Cinematic Soul.”

Essentials Summer 2022 picks up where we left off inside the Chillville metropolis. Here, our Raccoon mascot – alongside Milkshake the Bear and Mango the Toucan – settles into a new apartment, explores a new city, and surrenders to the seemingly endless Summer. The temperatures are climbing and the heat is inescapable. So grab a pool umbrella, find your favorite sunglasses, and turn up the boombox.

At 24 songs with 35 musicians, Essentials Summer 2022 marks the 26th seasonal compilation since beginning back in 2016. Lofi and lively, jazzy and upbeat, press play and take to the beach.

Do we have to write something great about Twit One? Not really, but we take the liberty of presenting the the album "Teenwolf". You won't hear standard boom bap beats. It consists of casually composed vocals and drums perfectly matched to the chopped chords. Enjoy 14 tracks with range of lofi beats, jazzy vibes & dope samples.

So if you're looking for soulful beats with a pinch of humor, you've come to the right place.

After the release of their critically acclaimed first album « Bluestaeb & S. Fidelity Present Underground Canopy » (menace - 2020), Underground Canopy (uc) was able to take time, due to the unforeseen period of doubt in 2020, to craft new compositions with a fresh approach. Throughout this forced period of introspection, the Parisian band experimented with more refined musical codes and colorful sounds.

Following the new additions of Raphaël Henry on drums and Christopher Johnson on electric guitar, UC was able to record and film a live rendition of four original pieces at the end of 2020, thanks to an invitation by the Centre des Arts d’Enghien-les-Bains’s artistic program and Sense. These music videos, each filmed in one shot by Romain Lalire, capture UC’s musical digressions away from their mainly hip-hop and groove-infused jams and into new territory.

The resulting new EP «Séquences : Live Session» celebrates cinematic aesthetics and the suspension of time. It stands as an audiovisual testimonial to the band’s continued progression. In this era marked by uncertainty but full of hope, what will come next?

Strictly limited edition of 500 hand-numbered copies on black vinyl of Digitalluc's 2018 release "re:ups". The sleeve comes with an UV-finish and extra sticker on front. 16 tracks in total, with features by Knowsum, Anthony Drawn, Made In M and Bill Adlib - finally available on vinyl for the very first time. Tip!

Your Old Droog season is upon us. The prolific Brooklyn artist has cemented his place as one of the most important figures in the modern hip-hop landscape, delivering a steady stream of acclaimed projects. Now, YOD is at it again, unveiling a physical release of his recent collection Yodney Dangerfield. With beats by Nicholas Craven, SadhuGold, Lee Scott, and Jonwayne, the album is another extraordinary body of work from the talented Ukrainian wordsmith. And yet, the music industry still gives him no respect. This edition includes the physical-only bonus track “Metal Face Medley”, a Your Old Droog live performance montage honoring dearly departed rap god MF Doom.

As the nights get colder and longer, we often lose touch with those around us. Nights when loneliness takes hold of us as our only dependable friend, and our imagination becomes the universe; forever questioning the existence of our own reality, while perpetually stuck in an emotional limbo.. Delve into your thoughts with ‘Lonely Nights’, the latest Lofi Girl compilation featuring 31 artists worldwide. Soft beats, melancholic pianos, lulling guitars and a range of other instruments are knitted together like a warm blanket to bring ease and comfort for as long as you need. Focus on the ingressing dawn light, close your eyes, and breathe in - this feeling is only temporary, and better days are on their way.

It’s midnight again and the deadline is looming! Luckily there is a brand new compilation album “12 Am. Study Session”, and with the help of 26 enchanting new beats from various talented artists around the world, the task at hand feels a lot smoother. Join Lofi Girl in her study - and finish that project together tonight.

Everything is an equation of time; the lessons we learn, the people we meet along the way... Hoogway explores this alluring concept in his album “Equation of Time”. Meditative drum loops and guitar melodies stem from the heart of the music, uplifted by careful arrangements and sound design. Observe the celestial bodies in the distance, they work in their own time frameworks and provide a glimpse of the past and the future. The universe is so much bigger than we know - but there’s always someplace you can call home.

Osaki is sharing a tender moment in his latest album “Evergarden”. Pianos, guitars, orchestral strings, and a sprinkle of modular synths provide you with the perfect setting for floating amongst the clouds. As you lay in a bed of flowers you hear the stories of each track, an invisible red string binds you with the warmest colours. Will you lay down in Evergarden and live forever?

Samurai Champloo Music Record: Impression is the fourth soundtrack album in the series of the anime show Samurai Champloo. It contains tracks by Nujabes, Force of Nature, Fat Jon and MINMI. The lyrics on “Hiji Zuru Style” are written and performed by S-Word and Suiken. The lyrics on “Who’s Theme” are written and performed by MINMI; vibraphone is by Yoshihiko Katori.

The music of the Samurai Champloo anime series was created by a group of producers: Japanese hip-hop producer Tsutchie of the rap group Shakkazombie, American hip-hop producer & emcee Fat Jon of the rap group Five Deez, Japanese hip-hop producer Nujabes, and Japanese DJ & production duo Force Of Nature. The music genre is primarily instrumental hip-hop.

Limited to 300 bundles.

Poly Poly are back with their second album “polytheism”!

Continuing their collaboration, Hans “Hu$tle” Heusterberg & Jona “Volt Age” Raischl delve deeper into the details and layers of the fabric that makes up their common musical space.

Synthesizing and refining their musical vision over the last three years, the duo used a plethora of different instruments. Old keyboards, various string instruments, samplers as well as live drums shape the sonics of this album, resulting in a unique sound. Poly Poly´s musical spacecraft is flying from Neo-Soul to Synthwave, from Beat Art to Jazz-Rock, from Synthesizer-Soul to Future-Funk, from the past to the future!

Poly Poly embarks on a journey between worlds supported by guest performers Carlile from Chicago, grasime from Leipzig, Matthias Lindermayer from Munich and Andreas Eiber from Würzburg. They contribute to the richness of the experience through voice, trumpet and electric bass.

Polytheism seeks to capture Poly Poly’s belief that there is no dark without light, no music without silence, and no happiness without sadness. The many different musical shapes and colors on PolyTHEISM represent these opposites - and the music cements the connection between them.

The "music / Saturn UP" 7inch is the natural extension of Poly Poly`s LP „Polytheism“. It opens another door and allows the listeners to dive deeper into their world of sound.
Exclusively available in this HHV bundle.

Legendary Cologne beat smith Hulk Hodn not only wrote German indie rap history with MC Retrogott, but also helped kickstart the instrumental beat movement in the late 2000s. Under the Hodini moniker, he dabbled in lo-fi house, but now he’s back with a vengeance under his original name: 19 sparkling beat jewels that float effortlessly between classic hip-hop, jazz influences and neo soul. »Sparklez« contains a half hour of summery, relaxed little gems that will perfectly soundtrack your next Beach Cruiser ride.

These instrumentals owe a lot to Californian lo-fi heroes like Madlib or Kankick, but some of them nod approvingly to South London or Southern Cologne as well. If you’re in need for some real jazz vibes, look no further – Hulk Hodn has got you covered: Blunted beats, muffled pianos and saxophones, vocal samples from the 41st Side of 1990s Queensbridge. There’s truly no lack of instrumental chill-out beat records out there, but »Sparklez« has something that doesn’t come in handy with a downloaded plug-in and sample pack: Character. And a whole lot of that.

(Text: Stephan Kunze)

New album by pioneering German beatmaker FloFilz. On Close Distance, the lofiturned-hifi producer blends hip-hop inspired beats with contemporary jazz, alt r&b and a little rap. Featuring Alfa Mist, Blue Lab Beats, Jerome Thomas, KeepVibesNear, Summers Sons & C.Tappin, Dal & Hunter Rose. Close Distance is his fourth album for Melting Pot Music. Since 2013, the self-taught bedroom producer and classically trained violinist has sold more than 10k LPs and gained 200 million streams. Close Distance literally means “near in space or time” (or “nah dran”, as we say in German). The 16 songs on Close Distance came to life over the past two years. Many sketches were birthed at FloFilz's old home studio in Aachen. Some songs were made from scratch in London, where Flo did sessions with UK jazz supremos Alfa Mist and Blue Lab Beats at their studios. One was recorded in a kitchen in Streatham, where rap duo Summers Sons and pianist C.Tappin reside. More sessions were already in planning when lockdown kicked in and travelling was no longer an option. Around the same time, Flo was about to move from Aachen to Berlin which he eventually did in November 2020. Once installed, he started sharing beats and files out of his makeshift studio in Moabit. Beat folders were sent to London where two of our favourite new alt R&B vocalists – Jerome Thomas and KeepVibesNear – live. Another one went to Dartmoor where the jazz/hip-hop trio Dal added their magic touch while Hunter Rose processed her sultry vocals in Cape Town - 12 flying hours away from Berlin. The album artwork has been created by Indonesian illustrator Fatchurofi, who caught FloFilz's attention through his work for everybody’s favourite band Khruangbin. Taking influences from Japanese Ukiyo-e art, Fatchurofi is adding a zen-like clarity (and tranquility) that resonates very well with the album. It is no exaggeration to say that FloFilz has not only created another inspiring album with Close Distance but one that demonstrates how music can close

2011's NoMaps traces a transitional period between two coasts, soundtracking Mndsgn’s transplant from New Jersey to Los Angeles. The 15 tracks take their own detours, in and out of softsynth compositions, textured loops and hard bops to illustrate relocation and it’s reflective nature. Collage by Yuk.

Limited edition of 300 copies on black vinyl!

Italian beatsmith wuf comes up with his all new album "Interface" on vinyl and all digital platforms. Mellow lo-fi jams and cosmic waves for your listening pleasure guaranteed. Tip!

Strictly limited edition of 500 copies in funky textile cover plus printed innersleeve.

The KEATS series is back fresh for 2022. New outfit, still classic beat flavour. Der Ralle is kickin' it off with a brand new cinematic beat tape filled with jazzy vibes for funky headnods!

"Dark Smoke" is the debut release from the Danish Jazz & Hip Hop outfit Athletic Progression. 9 tracks with the help of Minna Forouzandeh, Isatta Sheriff and Blacc El.

"When we recorded Dark Smoke in late 2016, Athletic Progression was a quartet featuring our main man Ole Koefoed Larsen on guitar. Our group composition and sound has changed since then, but reflecting our common background in hiphop, Dark Smoke is where our story began, and a fitting introduction to our musical universe." - Athletic Progression

Marble variant, limited to 300 hand-numbered copies.

Once again it’s about that time, Jazzsoon returns with not one but two new volumes of his archives series (basement tapes), volumes 6 & 7. Available for a short time only! Limited to 100 cassettes each volume. Jam packed with that traditional funky New York sound that we all know and love. Act now before they’re gone! Peace

Latest release from beatsqueeze records for lovers of donuts and 90's hiphop boombap.

As the nights get colder and longer, we often lose touch with those around us. Nights when loneliness takes hold of us as our only dependable friend, and our imagination becomes the universe; forever questioning the existence of our own reality, while perpetually stuck in an emotional limbo.. Delve into your thoughts with ‘Lonely Nights’, the latest Lofi Girl compilation featuring 31 artists worldwide. Soft beats, melancholic pianos, lulling guitars and a range of other instruments are knitted together like a warm blanket to bring ease and comfort for as long as you need. Focus on the ingressing dawn light, close your eyes, and breathe in - this feeling is only temporary, and better days are on their way.

There’s no limit to space exploration - the sea of stars is an endless adventure to be embarked on. Join Purrple Cat as she ventures further than ever into the unknown in “Distant Worlds Iii”, the triquel of the well-acclaimed series, and an album full of curiosity and dreamy landscapes. Tranquil sounds are characterised by soft guitars, mellow drums and faraway melodies that call out to you, waiting to be discovered beyond the velvety night sky - where to, next?

Jealous Hours is the first full-length LP by the Tel-Aviv based DJ & producer Lily Haz. Featuring nine genre-bending tracks in her affirmed electro-dub style, Lily takes us for a tour in her obscure, ethereal universe where hip hop’s supremacy is undisputed. Flirting with the club realm while fearlessly determined in her style, each of one of her core influences is essential to this parallel universe. Out there, pitched-down rap verses top obscure beats and rolling liquid jungle drums ; extended intros and outros riffle through the whole spectrum of human emotion.

Moar is a French Beatmaker making beats since 1995 with a traditional vibe of digging & sampling wax with all in one sets as MPC or SP just like the most influential beat makers in the Hip-Hop culture (Dj Premier, Pete Rock,Large Pro, Nottz, Diamond D...) Moar is back again with a vault of old school beats produced between 2002 & 2006.

-3 track EP on 7" vinyl
-Including hand-numbered Artwork A Insert
-Limited to 25 copies
-brown kraft discobag
-Mastered by SterilOne / Staub Audio Engeering

It’s that time of the day again to relax with a warm cup of coffee, and let your mind slowly wake up to a new day. “Morning Coffee” is a compilation showcasing calming vibes from a multitude of talented artists around the world. Sit down and look outside the window - there’s an endless amount of possibilities today.

Tropical Dreams !

We're very excited to share with you our new digital and vinyl compilation called Tropical Dreams by Retro Jungle Records.

This 10 tracks project will make you feel the sun on your skin and the fresh vibes of this lo-fi hip hop project, featuring so many great artists !

The instrumental album "Gumbo", released in 2008, marked the beginning of Brenk Sinatra's international career as a producer. Voted one of the top 20 best instrumental albums of all time by the German JUICE magazine, "Gumbo" made the leap out of Austria with its rough and at the same time very soulful, sample-based instrumentals and put Brenk’s producer skills in the spotlight for the first time.

The follow-up "Gumbo II" was released in 2011 via the Cologne-based label MPM, which helped ignite the growing hype around instrumental hip-hop with Brenk Sinatra and other exceptional producers on board. Brenk's uncompromising second part of the Gumbo series catapulted him into the ranks of the most sought-after beat producers in Europe. Since then, the third and final part of the Gumbo series was also in the planning stage, but the ever-increasing number of musical projects and not least the pressure to top the first two album parts prevented Brenk from completing his instrumental trilogy. The folder with the instrumentals selected for it grew to well over 100 beats, was partially deleted and constantly changed in its composition, until Brenk stopped the targeted collection of Gumbo material in 2017 for the time being. At that time, Brenk made a stylistic shift that led him away from classic, sample-based beats to those laid-back trap hybrids that are now known as his trademark sound. Also, the mindset to complete "Gumbo III" would not settle and other projects were brought forward until the album took a complete back seat. Over the years, fans and journalists were repeatedly put off by Brenk when asked about a release date and "Gumbo III" became an eagerly awaited phantom project.

Fast forward to the year 2021: for the first time in four years Brenk clicks through the folder with the interludes, musical sketches and already finished beats once produced for "Gumbo III". With a new label and publishing situation in the background (in 2021 Brenk founded the music label Wave Planet Records as well as the associated publishing company Wave Planet Publishing) he makes the decision that the time is now ripe for the completion of the Gumbo trilogy and Wave Planet Records must become the new home of this project. This is followed by weeks of painstaking restoration of the instrumentals produced between 2012 and 2016. Brenk's focus was to keep the musical spirit of the instrumentals unchanged and not to modernize the sound. From today's perspective, "Gumbo III" bursting with countless vinyl samples sounds like Brenk's earlier beats, anachronistic and refreshingly different precisely because of that. The only update allowed for the "Gumbo III" instrumentals was a new mix by Brenk and mastering by his top-notch producer colleague Dexter.

The perfect visual complement to the Gumbo sound universe is provided by the playful cover artwork, bursting with details, by Cone The Weird, who already provided the striking artwork for the "Gumbo II" album.

The completion of the trilogy will be celebrated among other things with a very special "Gumbo Trilogy Box", which will be released in November 2022 and will make the heart of every passionate collector beat faster.

»Jazz'n'Beats« is a new mini-compilation selected by Oonops and it's named as the eponymous »Oonops Drops«-series on Brooklyn Radio.

In the mix are renowned beatproducer DJ Mitsu The Beats from Japan who joined forces with 1Co.INR for a laid back instrumental tune with a well known core melody. Next up label-graphic design head honcho is back with a new'n'sweet mini beat called »Parakeets« before we get to the flipside. This gets started with German underground rap & producer duo 4Trackboy & Echomann a.k.a. Retrogott & Twit One who drop a sharp and jazzy dope tune for this release which gets rounded down with a beautiful jazzy hip-hop instrumental by Japanese jazz musician and composer Kazumi Kaneda.

Get your hands on these limited pieces of recycled vinyl, be that the colored or the black version (or the digital version).

Without a pandemic, you’d now be listening to an album wholly recorded in Cuba with local musicians. Back in 2020, everything was organised, so that in May 2021 we could get started. Yet, the sanitary measures proved to be a fierce adversary, so rather than giving up entirely we decamped to Dakar in October the same year – a compromise that ended up being a positive event in itself.
Cuba has a long African history. Under mass enslavement and the Transatlantic trade, Africans were forced from their homelands, against their will, taking their music along with them. Merging throughout the centuries, taking on European influences, led to the birth of a distinctive Afro-Cuban musical tradition. Highly percussive, brass-based, simmering, full of danceable rhythms. The spirit etched into thousands of recordings, forever turning towards Africa. The departure point here is not to keep things the same. Rather, a return to the source enacts a loop – much the same as those providing the foundations for hip-hop beats.
The flame when it’s re-lit illuminates everything. Thanks to the Senegalese musicians in Dakar, the Cubans who crossed the Atlantic to join us and my usual family of musicians, this music – a cross-section of covers and original compositions - exists as a homage to Afro-Cuban music. Made in Africa, in Senegal. Three worlds, three languages, three colours. Recorded over 17 days, non-stop, germinating the seed born in Cuba at the end of 2020 so that the most beautiful fruits might be cultivated in Dakar, 2022.
When the world doesn’t seem big enough, we look up to the sky where even the blackness is lit up, where those I loved who are now gone shine as stars, shining as brightly as all the others. Each time I think I’m not going to make it; I recall the star of my mother. Then the path becomes clear.
Pandemic, visa problems, cultural clashes, bank transfers that didn’t go through, a fractured foot – this project sometimes felt like a series of accumulated challenges. The only thing linking us, a shared love for the music, each of us invoking our personal star and all that we have overcome.
In this way, the music is born as a call to our stars.

Without a pandemic, you’d now be listening to an album wholly recorded in Cuba with local musicians. Back in 2020, everything was organised, so that in May 2021 we could get started. Yet, the sanitary measures proved to be a fierce adversary, so rather than giving up entirely we decamped to Dakar in October the same year – a compromise that ended up being a positive event in itself.
Cuba has a long African history. Under mass enslavement and the Transatlantic trade, Africans were forced from their homelands, against their will, taking their music along with them. Merging throughout the centuries, taking on European influences, led to the birth of a distinctive Afro-Cuban musical tradition. Highly percussive, brass-based, simmering, full of danceable rhythms. The spirit etched into thousands of recordings, forever turning towards Africa. The departure point here is not to keep things the same. Rather, a return to the source enacts a loop – much the same as those providing the foundations for hip-hop beats.
The flame when it’s re-lit illuminates everything. Thanks to the Senegalese musicians in Dakar, the Cubans who crossed the Atlantic to join us and my usual family of musicians, this music – a cross-section of covers and original compositions - exists as a homage to Afro-Cuban music. Made in Africa, in Senegal. Three worlds, three languages, three colours. Recorded over 17 days, non-stop, germinating the seed born in Cuba at the end of 2020 so that the most beautiful fruits might be cultivated in Dakar, 2022.
When the world doesn’t seem big enough, we look up to the sky where even the blackness is lit up, where those I loved who are now gone shine as stars, shining as brightly as all the others. Each time I think I’m not going to make it; I recall the star of my mother. Then the path becomes clear.
Pandemic, visa problems, cultural clashes, bank transfers that didn’t go through, a fractured foot – this project sometimes felt like a series of accumulated challenges. The only thing linking us, a shared love for the music, each of us invoking our personal star and all that we have overcome.
In this way, the music is born as a call to our stars.