Instrumental Hip Hop 262 Items

Limited edition of 300 copies on colored vinyl.

Paris-based producers Alcynoos and Parental team up again for "Night Shift", another beautiful instrumental outing delivering that mellow vibes to make your head nod. 13 delights with features by Soul Intellect, Lawiss and Dan Amozig. Tip!

Anthony "Ant" Davis' production style is often regarded for its rich, textured soundscapes that blend vintage and soulful elements with a deep emotional resonance. The second installment of his instrumental series, Collection of Sounds: Vol. 2, features smooth beats, intricate sampling, and lush, jazzy layers that create an immersive atmosphere. Here, he masterfully incorporates sly riffs and funk-laden grooves, evoking o senfimentality that highlights his ability to craft emofive and engaging music. The result is a sonically complex album where Ant seamlessly blends a mixture of funk, soul, classic R&B and hip-hop influences, awakening a nostalgic sense of bygone musical eras.

This is Apollo Brown's very first beat collection put together in 2007 a few years before winning the Red Bull Big Tune Championship in Detroit and then signing to Mello Music Group. The collection has been such a popular record around the Mello Music Group office for the past few years that we decided to make it available to everyone for a one time pressing on vinyl. Over 30 tracks from Apollo Brown.

Limited to 50 copies.

Jazz-infused instrumental flavours from great Swedish producer B.B.Z. Darney, who is also well known from his String Theory project together with Hex One.

Quar and Peace is an album of beats made during Covid-19 quarantine on IG Live sessions.

Tracks like "De Janeiro" and "Berimbau" have been streamed over a million times on various platforms, overflowing with saudade and stirring the listener's imagination. The artwork, designed by illustrator David Burnett, who has also worked on projects for Currency and Erykah Badu, will be reissued for the first time on a splatter color vinyl inspired by its coloring of the cover.

Test Pressing. Generic sleeve.

“Nostalgic, soulful and, of course, boogie-woogie.” That’s how Belgian DJ producer Boogie Belgique (aka Oswald Cromheecke) describes the enticing combination of styles and sources from different decades that make up his music. Taking vintage inspirations, most notably from swing and jazz eras, and merging them with contemporary beats and textures is the young producer’s forte. This is pleasingly evident on Volta, the latest Boogie Belgique album for the Cold Busted label. “Jungle Law” gives a glimpse into Boogie Belgique’s sonic palette. Tough hip hop beats and funky live guitar follow an intro of jungle ambience as a trumpet presents the melody. Soon some swingy big band jazz enters the song in an almost ghostly manner, while the insistent beat keeps the dance floor moving. Album opener “Go Slow” shows a different side to the coin giving the listener an uptempo broken beat rhythm, some bouncy bass guitar, snippets of string loops, and a lovely, forlorn vocal line that echoes the past. It’s a beautiful concoction, and Boogie Belgique delivers on many aspects of this style throughout his eleven track album. Volta is a satisfying trip in an aural time machine.

Japanese producer Boogie Mason pays homage to the LA Beat Scene with slooped samples, swung grooves, and MPC cuts that will make head-nodders out of rhythm skeptics. These 10 instrumental tracks weave a tale of reverence for the no rules, unquantized ethos that took Los Angeles beatmakers by storm in the early 2010s. Geared toward the inquisitive listener, Bonsai is the perfect companion to a smoked-out sunrise or a solo walk through Tokyo’s back alleyways.

A remix of the popular song "Guilty Luv" by rare lyricist "bron-k" on the mellow side, the remix by "Kenichiro Nishihara" was a bigger hit than the original. This 7inch, which has been difficult to find for a long time, has been re-released in a new guise, coupled with the original. The melancholic and lyrical piano melody is matched beautifully with the heart-wrenching and melancholic vocals. In addition to a remix by Kenichiro Nishihara, the flip side features the original by Loptimist. It will be re-released as a 7-inch single with completely new spec.

Limited to 50 copies.

On the outskirts of Bratislava, in the pulsating shadows of a refinery's burning chimneys, on the plot of a family house, there stood a small shack. Initially, it housed trials in domestic mushroom growing. Later, after a makeshift acoustic touch-up - lining the walls with old cardboard egg cartons - it became a shelter for music. Sensitive, evocative, nostalgic, lo-fi music by a man named Cadillac Face.
Today we would probably use the term 'safe space', but back then it was (in Cadillac's words) kutica, a cubbyhole. He hid there from a world that ached. Here, Cadillac secretly smoked, sang, and composed. And tried not to go crazy from anxiety. He wrote music unlike anything during his time.
Here, he struggled. With sound (unable to adjust it to his liking), with instruments (which he couldn't bring himself to play), with the world (with which, understandably, he was at odds).
Cadillac Face was a man who didn't belong here.
He wrote and sang in English (in a post-socialist and early-capitalist Slovakia, when command of English was no matter of course); he also wrote in Slovak (blogs and diaries, which, due to a stream-of-consciousness and surrealist style, were as incomprehensible as they were immersive and intimate); gave advice to teenagers (to their quasi-banal questions on talking forums [about relationships, life and adolescence], where they were often met with ridicule and mockery); he composed electronic and noise music (at a time when no one had a clue what the abbreviation DAW meant).
This Cadillac's compilation album is not aiming to compete with/replicate Noizy Days - a compilation of Cadillac's contributions to the project Noize Konspiracy. Underground compilations circulated through a local proto-social network. Borderline music without rules - open but often inaccessible. There, Cadillac contributed mostly with experimental-electronic compositions. Noizy Days was compiled by Ďuro Ďurček, one of the initiators of Noize Konspiracy. Both Ďuro and Cadillac have been dead for years.
Songs For The Trees is a selection from Cadillac's songwriting. The most intimate of his intimate recordings. Cadillac at his most fragile, brittle, and quiet. The most romantic, the most tormented, the most painful and direct of his songs I know.
Cadillac became an anthropomorphic grotesque tree. Neither broadleaf nor conifer. Or perhaps it's a candle slowly incinerating – bored, sad, playing the guitar. A tragicomedy. Sometimes it kindles what it doesn't mean to, and it can't put itself out. Or can it?

Death Knocks And He Shall Die” is the third album from Manchester MC/Producer Chalk. Inspired by Italian ‘Giallo’ movies and Film Noir, he created an imaginary motion picture soundtrack of instrumental Hip-Hop. Using film dialogue sampled and arranged across 16 tracks, the album tells a story of seduction, infidelity and murder over a soundtrack of jazzy grooves and horror soundscapes that are layered with seductive and haunting female singing. Production for the album started during the first covid lockdown of 2020 and took 4years to complete.

Limited to 500 copies.

Classic der Dicke & Snares release their new groundbreaking record titled '1990'. The EP contains six carefully selected songs that are characterized by personal experiences and thoughts. The lyrics are profound and offer an honest insight into the life of Classic der Dicke. The beats are thoughtful and powerful, literally carrying the listener through the tracks. With this album, the artists manage to create a perfect blend of honest lyrics and infectious beats. For the first time, Classic der Dicke shows a very open side - this is exactly how hip-hop should be!

Bastard Jazz is proud to present The Love EP from Cork, Ireland based DJ and producer Colm K. Colm, a 2009 graduate of the Red Bull Music Academy, has been making waves for a few years now through after his debut Basics 12" for Bastard Jazz and a 7" and a 10" released on sublabel BSTRD Boots (the latter of which is sold out and regularly changes hands for upwards of $50 on eBay and Discogs), and recently shared billing with Mr. Scruff on a Hypnotic Brass Ensemble remix 12" on Choice Cuts.

Limited to 50 copies.

Czartificial Intelligence debuted at #1 on Billboard’s Top New Artist Albums chart when it was released in November and was the #2 most-added at Hip-Hop That also makes it the #1 debut on the chart. The wins keep coming as the record also debuted on the genreless Top 200 chart, coming in the top half of all records and a top 10 debut for the week! The third full week of airplay for the LP saw 3s all around as it earned a third week on the Hip-Hop chart and another top 3 appearance! Over at Nacc top 200, the record cracked into the Top 50, 40+ spots up to a new peak and one of the top 10 greatest gainers for the week! The album peaked at the Nacc 200 in Week 4, just outside the Top 40! That week it also hit a peak at Earshot, topping that chart at #1! The album earned 5 weeks at #1 Nacc Hip-Hop, the record so far for the 2024 Nacc Hip-Hop Chart!

Czarface debuted with their self-titled album in 2013 though 7L, Esoteric and Inspectah Deck first worked together on the 12" single “Speaking Real Words” in 1999. The three continued to stay in touch, periodically working together and, in 2013, Esoteric approached Deck about a possible full-length project centered around a superhero character called “Czarface."

Limited to 250 tapes only!

Find yourself on an interstellar trip away from the solitude and darkness of a wasted and depleted home-world on its final demise. During this journey you will not only move unbelievable distances through space and time but furthermore make unforeseen progress in your inner-mind and deepest parts of your psyche – questioning yourself and your perception on what it is to be real. These questions of self-doubt lead to an identity crisis that ultimately results in the hope of discovering a fantastic new utopian world that can only be reached through an incredible wormhole of a very special kind.
But what does reality mean in this blurry timeless vision?

The foundation stone for DC+ (lp) was laid in spring 2020 during the lockdown. The studio in the Deltaareal in Langendorf near Solothurn, Switzerland became a place of refuge and making music together became a creative outlet.The two Musicians often met by chance for sound sessions in which the first sounds of the instrumental LP were created. Electronic and yet acoustic. Relaxing and yet driving. Sometimes abstract, sometimes straightforward. With influences of jazz, hip-hop, soul, funk and electronic sounds. In collaboration with Waynemaster Studio in Bern, an album with a warm, mellow sound and high dynamics was created which stands out pleasantly from the current "loudness war" of over-compressed productions. Two Artists, close Friends of many years and masters of their trade have been enlisted to design the album cover. With the release of DC+ (lp) in winter 2023, Delta Collective is setting a first sign and inviting the listener to immerse themselves in to their cosmos.

Finnish producer Desto returns to Rwina to deliver his first full length album, ‘Emptier Streets’. As with his previous releases on the Dutch label, Desto strips the music back to its bare-bone essentials, fulfilling the album’s title with a sound that’s spacious and eerie, bleak and punishing yet still offers warmth in its apparent coldness. Stylistically the album is most obviously aligned with the aesthetics of Dirty South hip hop and the dubstep diaspora, deploying booming drums, rolling hats and cold synthetic melodies and voices inside cavernous sonic landscapes.

Cover and vinyl are close to NM.

colors vary

After the sucess of their collaborations on Bentley Bass Music and Trad Vibe's compilations, as severals DJs gigs in Europe, long time friends Dj Cam and Moar teamed for Beats.

Beats is a special instrumental album, influenced by the great J Dilla, Pete Rock, New York in the 90's... and looking also into the futur of the beats in 2016.

Tiny wear. Limited edition of 300 copies!

After the success of volume 1, Stereophonk unveils the long-awaited sequel with Bunch Of Funk Vol.2. This album features 18 unreleased tracks, available for the first time on vinyl, including two never-before-released tracks created in collaboration with the talented Medline (My Bags).

DJ Marrrtin, an iconic figure in the breakdance scene, delivers a powerful and organic sound that celebrates the heritage of breakdance while reinventing it for future generations. His tracks, played at the biggest battles, competitions, and break events around the world, are a true ode to dance.

Whether solo or with his group Funky Bijou, Marrrtin drops hard-hitting breaks that set the dance floor on fire. Each track is an invitation to let loose, express your style, and showcase your best moves.

Get ready to feel the contagious energy of Bunch Of Funk Vol.2 and dance without restraint!

NO Limits is a powerful compilation of old hard unreleased tracks by the Ukrainian machine, DJ Twi$t II. Recently teaming up with underground kings DoomShop Records and Sixset from the US.

The compilation features 15 heavy, hard-hitting beats with a blend of Boombap Instrumentals and Dirty South influenced Phonk with features of Sixset and Doomshop rapper ''Cursed'' as well as Occvlt, Ksetdex and Ned Bundy.

Doctor Zygote is an alter ego I use for hip hop tempos alongside The Maghreban for the dancier stuff. I have a lot of beats lying around that I keep meaning to use for something. File under "Beats to Use". I thought I'd put them together on a little beat tape.
In my folders, my beats have random names like "beats 114 S_Z - 82" so in needing to give these ones names and in homage to "Special Herbs" I have named them all after drugs. Broadly these beats are pretty menacing, and have a big electronic influence. I use all the same sounds for this slower stuff and The Maghreban material.
I thought they sat well together and alongside the vocal feature from Jam Baxter. Some beat tapes are full of vocal samples or play continuously. I wanted this one to hark back to some of the beat albums of the late 90s that were meant for beat juggling with, cutting or rapping over. So here we are.

Still in shrink but opened. Tiny wear.

Loneliness, networking, climate change, big data, the Anthropocene, science fiction. In 2022, musician and producer Sebastian Birkl, alias DOT, begins work on an instrumental, narrative music project that spans an arc between these themes and draws a dystopian climate fiction with an uncertain outcome. The interplay of electronic sound and warm jazz sounds creates a futuristic dualism, the avant-garde mood is repeatedly broken up, here and there the theme lapses into a frenzy of beats: powerful, gloomy, relaxed and driving. Synthesizer pads and poetic text fragments form collages that are repeatedly accompanied by jazz elements and trumpet solos. The poetic, dark thoughts and memories of the narrating voices accompany the listener through a world that once was and a tomorrow that is blurred behind glass curtains. The lyrics were recorded by the French-Egyptian vocal artist Doc Holiday and the Iranian singer Meshkat "Meshcut" Mosavat. The trumpet solos were recorded by the renowned Munich jazz trump artist Matthias Lindermayr. The album will be released digitally and on vinyl via the Berlin label Anette Records on January 31, 2024. In times of short-lived singles & streams, the artist has deliberately opted for the concept album format in order to counter the rapid consumption of individual tracks with a kind of deceleration.

Continuing the successful V.38 here you have the Volume 2, 27 special cuts and tracks of one of the most influential Rappers of all the times, Dr. D.R.E.!