Instrumental Hip Hop 367 Items

It's THE Same OLD Style" turns Chicago on its head, and shakes out its pockets, only to find a pile of dusty beats and a kaleidoscope of vintage sound & ephemera! Ranging from comical to serious, this mix tape explores the past, present, and recurring themes of everything Chicago. From loyalty and sports, to gentrification this 23 minute beat tape is packed tighter than a Swaporama moving van. Featuring Dennis Farina, vintage Old Style commercials, Chicago teenage gang interviews from the 1970s, SNL's Bill SWERSKI's superfans, and Many Many more. Full pic sleeve.

Here's another Huubaat nugget that we are very excited about to release. "Momentum" includes a collection of previously unreleased or digtial-only available works incl. the collaboration effort with Flako. The vinyl comes with a lovely soft-touch sleeve.

"Beatnicks Tape": All tracks produced by Hubert Daviz in April/May 2008. The original release "Beatnicks Tape #01" included 13 tracks. These tracks have been released for free download in summer 2008 on the Cologne based record label Up My Alley. The work on this beat tape started as an attempt of getting familiar with one's first own equipment. Original text from the back cover: "lots of vinyl, 1 MPC2500, 1 Microkorg, hands on."

"Damage Is Done": All tracks produced by Flako & Hubert Daviz between December 2007 & June 2008. Unreleased beat tape from the joint collaboration with Flako (going by the name of "Damage Is Done"). The original version was completed by Flako on June 21, 2008 and included 8 tracks. "Woop, Wooop.."

“The spiritual successor to The Gospel According To Budgie mixtapes and The Good Book albums with Alchemist. Holy Ghost Zone picks up right where they left blending 90's Gospel with a 2018 bounce.”

Bluestaeb's evolution from a beatmaker to a producer is his sophmore album “Everything is Always a Process”.

He is one of the key figures of a new generation of up and coming HipHop beatmakers, who have emancipated from genre thinking and instead merge old school aesthetics with a new school attitude and organic instrumentation.

Everything Is Always A Process re-iterates Bluestaeb's overall approach to life (and thinking), but also has direct reference to the making of the album itself, which began with moving from Berlin to Paris in 2015 in the search of new influences and a new creative environment.
Created between 2015 and early 2018, EIAAP embodies the process of this transition - as well as collaboration with instrumentalists and vocalists from all over the world and recording in different studios in Paris, London & Berlin.

"Meeting all those musicians and trying out new ways of producing by using real analogue synths, Rhodes, drums and percussion etc. made it possible to overcome the creative boundaries of a home studio with just a midi keyboard" / Bluestaeb

Influenced by Madlib's "Shades Of Blue" and trained in African drum techniques such as Djembé and Daruka, Bluestaeb had been crafting his own beats since his teenage years and gradually found his sound identity through experimenting with HipHop and Jazz – first to be heard by a broader music community in 2013, when he released his debut album "1991 Extraterrestrial" (Radio Juicy). Since then the prolific young artist has released numerous solo and collaboration projects ("B.L.U.E. Friday" in 2015 and „Sidekicks“ with S. Fidelity in 2016). In 2016, he produced collaborative album "LIT - Lost In Translation“ with rapper JuJu Rogers, a keen manifesto against racism, xenophobia and the rise of anti-heroes such as Donald Trump.
Today, Bluestaeb lives and works in Paris and Berlin and is set to release his third solo album “Everything Is Always a Process”, a smooth Neo Soul-induced epic featuring artists such as Noah Slee, Harleighblu and Melodiesinfonie.

Strictly limited edition of 300 copies on black vinyl. Kutmah's "Isolation Tapes" contains a sweet selection of tracks from his Bandcamp tapes Volume 1-4 made while on lockdown in Berlin. The project is named after one of his favourite Joy Division songs and shows the variety of musical influences of Kutmah. Tip!

Volume 3 beats are from the Golden Age of Hip Hop from 1993 to 1996. Some Of these tracks have never been heard before. While some of these tracks are very familiar records that had no instrumental to them. A lot of these tracks were kept Buried within K-DEF's original Mpc60 and 3000 disks. Some of the beats were damaged and would never load into the machines. Like Vol. 1 and 2, these beats were created in the 1990's and not created today. Preserving the old sound of the machines in its entirety. We hope you enjoy this rare collection of lost beats from the 90's

An instrumental beat ode to the Duke by Twit One, Flame & Lazy Jones, strictly limited to 300 copies on black vinyl. Respect the architect!

The second release of the label Dedicate is created by Kollege Schnürschuh. The producer collective, consisting of Phonk D, Clav Split, Iron and Jogging Jones, presents a cross-section of the past few years on the 12 instrumental tracks. Shoe School represents true hip hop without too much bling and flashy ice, somewhere between Old and New School.

Brand nu Wun Two! 24 tracks feat. Anthony Drawn, Danae Greenfield & Hubert Daviz!

Regardless of producing underground classics like “Jazz auf Gleich” (2013) with Sichtexot rapper Eloquent, researching frequencies below 60 Hz with Hubert Daviz as a tag team (“Vapowavez”, 2018), or escorting you through the cold days of the year, making the experience of winter not being felt that bad (“Snow 1-4, 2016-18”). Wun Two‘s key motivation is the aesthetic standard, he applies to his works.

At the latest since “Pirata” (2019), a musical audio adventure in an English as well as in a German version (voice actors: Ugly God & Twit One), it is clear as daylight, that one does not only deal with a simple beat maker, but also a concept artist. In doing so, Wun Two‘s intention is not driven by binge-releasing his beats randomly rather than carefully selecting them in order to form them to a thoroughly illustrated album embedded in a lyrical frame work.

After the “Dolphi” EP as part of the “SXT Tracks“ series, the grand album “O Cavalo Vermelho” is being released in 2020. Based on an even more sophisticated sound, Wun Two takes the audience on a journey through a foggy but dry environment on the search for the “red horse”.
Musical support comes from his “partner in crime” Hubert Daviz, label mate Anthony Drawn (saxophone) and the exceptional artist Danae Greenfield (keys) from New York City.
The illustration and graphical concept is contributed by Robert Winter (Die Ottos).

Japanese Instrumental band Sairu's frontman Kohei launches solo project 'dubfrank'!! Releases limited edition 7-inch vinyl. Gently, soothingly, and with a warm melody, Dubfrank creates a nostalgic soundscape. A precious piece that, while downtempo, can also shine on the dance floor.

A download code is included. First Dezi-Belle Records Compilation. Limited edition of 100 copies.

After the 2019 release of their debut album "Dark Smoke", the Danish trio Athletic Progression has gone from strength to strength in Denmark. Multiple sold out shows in DK and abroad, as well two Danish Jazz Award nominations - and even one for Danish musician of the year! - later, the group is now ready to release their next album, an instrumental opus years in the making. Highly recommended for fans of Thundercat, J Dilla, Comet is Coming and the likes.

Get into the spooky sounds of the season with our new instrumental hip hop compilation, "urbnet Halloween Beat Tape." Featuring over 40 minutes of blood-curdling and spine-chilling beats, this continuous mix features music by Danny Miles, Moka Only, DJ Unknown, Nickelman, Swamp Thing, K-Rec, and a few more surprise visitors. The 14-track beat tape is the perfect soundtrack for scaring trick-or-treaters, fireside ghost stories, and stormy night drives. "Halloween Beat Tape" will be available on cassette tape, digital download, and your favorite music streaming service this October.

Limited edition of 250 hand numbered copies, feat. Eloquent, Peter Manns, Kevoe West, Kasia Konstance, Turkish Soulcat and others!

Midnight Hiss is the first hip-hop / jazz instrumental LP by Fed Nance. The sound reflects its place of birth: Fed’s hometown is next to a big river and a gigantic factory, where beautiful sunsets and huge smoke stacks are the daily panorama. The album is free of music samples: everything is written, played and produced by Fed. Midnight Hiss is a unique and dense mix of crooked-jazzy guitars, high-flying saxophones, drunk synthesizers, smooth piano riffs, syncopated bass lines and sharp drum brakes. The tracks are recorded into vintage reel-to-reel tape machines which give to the sound that particular flavor. The album cover is the original package of the magnetic tape that has been used for the mastering process of the album.

Nothing but beats … new album from Anette's own Dot! Unconditionally recommended.

The vinyl edition is limited to 300 copies and comes in a sealed heavy old-fashioned cardboard sleeve, the record itself is packed in a protective poly-innersleeve. A free download code plus a BJINT logo sticker round up the packaging.

After Philanthrope's opener »Waking Dreams« and the follow-up by IAMPAUL’s “Something Between” on Beat Jazz International, we are blessed to announce the third release focusing on Beats, Jazz and Vinyl. Cologne’s Flitz&Suppe delivers 13 mellow tracks on "Ijin" with features by Kupla and Leavv.

The vinyl edition is limited to 300 copies and comes in a sealed heavy old-fashioned cardboard sleeve, the record itself is packed in a protective poly-innersleeve. A free download code plus a BJINT logo sticker round up the packaging.

After Philanthrope's opener »Waking Dreams« on Beat Jazz International, we are blessed to announce the second release focusing on Beats, Jazz and Vinyl.

Leipzig's IAMPAUL of the Daily Concept camp delivers 14 mellow tracks on "Something Between" with jazzy bits and boombap pieces.

The vinyl edition is limited to 500 copies and comes in a sealed heavy old-fashioned cardboard sleeve, the record itself is packed in a protective poly-innersleeve. A free download code plus a BJINT logo sticker round up the packaging.

Philanthrope's longplayer »Waking Dreams« marks the very first release on our newly founded Beat Jazz International label, born out of our love and passion for Beats, Jazz and Vinyl.

After well-received output on respected labels like Radio Juicy, Chillhop or Dezi Belle, we are stunned to present Philanthrope's all new full-length with illustrous guests like Mono:Massive, Sugi.wa, Kupla and tusken.

A bright and colourful scenery: Shrill blinding sights, piercing foreign sounds, a fusion of disparate scents blended into a cocktail of curiosity. Fleeting attempts embrace a thousand senses in one single second. Bustling around in the shadows of buildings as high as mountains, an almost eerily overwhelming sense of contentment is omnipresent - but something doesn't appear to be right...
Stranded on a lonely island in the midst of a chaotic metropolis, disconnected - a feeling of drowning in an ocean of overstimulus and importunities of disproportionately inflated personalities, without ever even being registered or taken notice of.
What's left is nothing more than the ghost of a young soul, wandering about and curiously studying the surrounding, forever looking for answers that would otherwise seem trivial.

After “Kidsuke” the critically acclaimed collaboration project with Daisuke Tanabe, “Tokyorkshire” based producer kidkanevil continues his fascination with Japan and readies his latest solo album My Little Ghost. Inspired by a summer spent in Tokyo collaborating, exploring and generally refusing to grow up, the double vinyl is due May 2nd on Project: Mooncircle and features a wide range of guests including PMC's own submerse and Tokyo vocalist Cuushe.

'My Little Ghost' comes out worldwide on limited gatefold, double, pink vinyl (including download code (on the insde of the cenetr fold)) as well as a limited edition CD including a bonus track via flau records - http://www.flau.jp/ in Japan.

Limited to 50 copies.

The long-awaited 7-inch version of the classic Japanese Lo-Fi~Jazzy Hip Hop song "yoru WO Matte / RE:Vibe" by Dweet x Kenichiro Nishihara. The hit single "yoru WO Matte" by the smash hit producer "Kenichiro Nishihara" and the remarkable rapper "Dweet" is now available on 7-inch. Inspired by Ahmad Jamal's "Dolphin Dance," this song combines a beautiful piano line with an exquisite beat and is hailed as one of Japan's greatest Lo-Fi~Jazzy Hip Hop songs. Also included on the flip side is "RE:Vibe," a beautiful, gentle track that blends Dweet's positive lyrics perfectly. The long-awaited rebirth after five years of absence of the original 12inch, a masterpiece that is often sold at a high price.

- 12” 135g Vinyl Pressing - Matte Jacket Print - Poly-lined Innersleeve - PVC Overbag -Limited Pressing of 100 copies

Limited edition of 250 hand numbered copies, feat. Eloquent, Peter Manns, Kevoe West, Kasia Konstance, Turkish Soulcat and others!

Musical maverick Mark de Clive-Lowe returns to his roots with a new electro-acoustic record ‘Dreamweavers’, displaying his talent as a pianist and composer in partnership with creative collaborators bass player Andrea Lombardini and drummer Tommaso Cappellato. The two Italians have been a consistent presence on Mark de Clive-Lowe’s European tours for several years now, and it was during a road trip from Italy to Switzerland that Lombardini and Cappellato envisioned producing an MdCL album themselves. ‘Dreamweavers’ reflects on and celebrates the sounds that de Clive-Lowe grew up loving and finding inspiration in – from Sakamoto’s meditative melancholy and Ahmad Jamal’s soulful playfulness, to the rhythms of broken beat, boom bap and global rhythms. With the Italian rhythm section in empathetic support from start to finish both in their playing and producing, de Clive-Lowe embraces new found freedoms on ‘Dreamweavers’.