Instrumental Hip Hop 345 Items

Still in shrink but opened. Vinyl is close to NM. Tiny corner wear.

One of the nicest beatmakers and diggers in the game blesses Herring [or Hearing] with a collection of 24 killer instrumentals for your head nodding pleasure. Included are all the tracks from the Chipped Hearing Collection Plate Vol 1 7″ EP from 2019. Slam it on and hit a 20 sack yo!!!!

Yesterday & Tomorrow is more than just a beat tape. It’s the personal story of Val Murray’s gender transition. Evolving beautifully over three acts, each of the 15 songs is a necessary moment in an emotional arc that begins with Murray’s self-revelations at the start of the pandemic, through to her gradual acceptance and self-actualization in the summer of 2021.

The first act, discovery, is about Murray’s first steps into her transition, developing an acute awareness of her own gender dysphoria, or as she describes it: “searching for the keys to your true self and coming up empty handed.” In this act it’s fitting that beats like psilocybin and opal feel foggy and vaporous. trees featuring Floco Torres, asks us to ponder our undeniable inner truth and outer truth, so we can stay in touch with the world around us. Torres’ incisive lyrics on trees are an extension of an hour-long conversation with Murray after the police shooting of Jacob Blake, painting an intense picture of self-discovery in disorienting times. To end the act, Dysphoria sunshine and drown take us deeper into Murray’s 8 to 9 month period of dysphoria before glimmers of hope appear.

In act two, reflection, we are with Murray as she finds herself at the bottom of a proverbial mountain she doesn’t know she can climb. Dealing with new realizations about her true gender identity, a final grad class in theoretical computer science that feels beyond her capabilities, and a late in life autism diagnosis, she has no choice but to push herself further than she’s ever gone before. This is where she ascends, expanding her mind and growing more firm in who she is. Songs like the girl in the mirror and ikigai, show light entering through the clouds, and along with it, a new purpose for Murray: “live as me.” With prism, a track that began before her transition, Murray sees the world through her new self with life-affirming vividness and meaning.

In the final act, we enter the most recent stage of Murray’s transition: actualization. This is a stage on-going today, one full of questioning: what does it means to be oneself? What assumptions are accurate? What’s been an act all along? It’s a period of her life, and on the album, that’s deconstructive and lighter in tone, all while being abstract. Songs like parallel are meant to occupy two realities or timelines: the then and the now (the now being the only timeline that matters.) With the penultimate thank you, Murray creates an ode to close friends who’ve been supportive all along, whose positivity continue to bring comfort. Finally on see u again, Murray leaves us with a peaceful yet dissonant closer about living your truth and everything that comes with it. Including all the bad feelings that can creep in from time to time.

Yesterday & Tomorrow is a beat tape like no other, an intimate epic about Murray’s past and future. Although deeply personal, there’s a message for all of us to internalize: no matter how dark things get, there’s always hope. Even when you think it’s completely out of reach.

Long-time musical pen pals and partners David Madson (aka Odd Nosdam) and Markus Acher (aka Rayon) re-establish the connection between Weilheim, Germany and Berkeley, California for the first time since 2011, when US alt hip-hop innovators Themselves and German indie electrifiers The Notwist teamed up to form 13 & God. Nosdam & Rayon return with a heavy-hitting collaborative EP “From Nowhere to North”. Based on a shared love for “obscure albums and 60s/70s melancholy psychedelia,” they started working remotely in 2017, ultimately deciding to release four collaborative tracks that feature Madson’s beats, samples, and production, with Acher adding vocals, guitars, more samples, and various instrumental layers. Psychedelic pop melodies sail over steady beats on the opener “From Nowhere to North” – a track that perfectly sets the tone for the whole EP. Elsewhere, fuzzy lights over the “Desert” and more reassuring beatscapes serve as compass to stay the course, while “Bow and Arrow” feels fairly mesmerizing: fast-moving layers, moving up and down, floating over the Atlantic, northward bound. Closing out the EP is “Colours / Heavy Load”, an epic 10-minute finale: after the raw and gritty lo-fi acoustic intro, the first part comes with a grainy guitar tune that soon leads to a vast plateau; once up there, things feel surprisingly serene and soothing – like the last warm rays of October light slowly fading as we move further north. Both huge fans of Bristol’s late 90s DIY/post-rock scene (e.g. Flying Saucer Attack, Crescent, Third Eye Foundation, Movietone), Odd Nosdam & Rayon are happy to present their new EP with an artwork created by Movietone’s Kate Wright.

Radio Juicy presents “Garden of Eden”, a complete collection of all the essential singles we’ve released from 2020 and 2021. Previously, these singles were all only available via digital streaming, and with “Garden of Eden'' we brought them all together in an exclusive, cohesive experience. It’s available now streaming on all DSPs, for digital purchase on our website / Bandcamp, and as a limited physical pressing on white vinyl as a part of a double LP gatefold package, illustrated and designed by modern artist Sandro Rybak.

Garden of Eden brings together all of the artists that have been contributing to what we refer to as the new Radio Juicy sound, and the compilation marks a significant chapter in our musical adventure; one that’s as jazzy, electronic and organic, expanding from our lofi roots and replacing sample-based loops with extended original compositions.

This compilation will take you back over the last couple of years of Radio Juicy releases in style, where you can (re)experience the music as if it was new, while also giving you a chance to own all of the songs for your collection and further more with this incredible physical collector's edition.

As the album marks a completed chapter for Radio Juicy as a label, it is also the beginning, or “genesis”, of our next adventure, and this body of work lays the foundation of what’s to come next.

Originally hailing from Indianapolis, Scott Matelic is a walking quiet storm. Scott grew up in a musical family, began making beats and digging for drum breaks and samples as a teen in the late 90's, and has not slowed down since. Living in Brooklyn for the past 11 years, the influences of New York have seeped into his music, which is full of soulful chops, psychedelic segues, fuzzy guitar loops, and slapping drum breaks from obscure origins.

Turkish/Greek Laiko Rock Band with bouzouki sounding guitars, groovy drums, and killer farfisa sounds. Limited to 500 copies.

Just like colors, music has countless shades. Fine nuances in both painting and music define the mood and a few strokes could decide on an evoked feeling, from melancholy to joy. The greatest jazz musicians thought in tone colors when they talked about sound. Having embraced historical and creative crossovers between jazz and hip hop, Don Philippe and Rzuma employ the same analogy to describe their newest work „All in blues“.

Vinyl is close to NM!

“Death Cult & Armenian Paper” is HONE's first and long awaited LP. The 12 tracks feature DMC World Supremacy Champion Nelson Scratch, IDA French Champion DJ Madpressure, DJ T-Killa & Mighty Vinc' and Bonzer.

The beats were crafted at HONE's Antechamber Studio on the MPC 2500 and feature obscure samples ranging from free jazz to electronic soundscape, recorded guitar leaks, synths, heavy drums and solid basses, the whole spiced with haunting percussions.

HONE’s sound is slow, heavy and represents the vanguard of the European beat making movement, while at the same time checking all the boxes of the hip hop code. A style he simply calls “Doom Bap”.

“Death Cult & Armenian Paper is a very personal work, representing the duality, a journey between day and night, sweet and sour, life and death, good and evil. It’s been a long time in the making”, the artist offers.

The LP is available on solid white vinyl with amazing graphic design by Bonzer.

Dal Bosco & König orchestrate a secret agent crime story in 4 thrilling chapters. The two Munich natives and members of the band “ooi” are fully set on analog tape, acoustic soundscapes, warm textures and melodic moogy wonkiness. And yet, the synthesized sound of the 80’s keeps sipping through and creates a symmetry of sound with the percussive appeal that is inherently present in the production style of the two live musicians.

Chapter 1: "Rope" Miami. Life is good when you’re living so close to the sun. Last night’s party was a drift. The go-fast city seems suspiciously calm from out here on this sunny Sunday morning though. Whatever. Gentle surf makes me doze off again. I’m not ready to leave this boat. Not yet.

Chapter 2: "Edgar" Edgar went missing. This just in. Tore me out of my dreams. And they chose me to find him. I’ve trained for this. Bootcamp like a madman, fast & furious. I’ll take the private jet to Mumbai later today.

Chapter 3: "Dead Lions" Edgar a double agent? Naw. This makes no sense. Yet all evidence makes me doubt I ever knew this person in the first place. This scumbag. Makes me chase him around the globe just to find out he’s training goddamn lions in the soviet backlands to plan a coup against the president, aha. I need more information. This doesn’t add up. None of it does. None of this makes sense.

Chapter 4: "Outro" Close. Too close. I know too much. Way too much. I gotta report back. But first, I gotta get back to civilization. I need a phone, food, a bath, sleep. Sleep. Why do my eyes feel so heavy all of a sudden, what’s happening? What was... in that drink? Zzzzz.

These are the tales that I tell so well. It was the best of times, it was the worst of times, the duality that lies within all of us. 7apes is captured in a society that won’t allow him to focus, one that is saturated with trials and tribulations. Bound to the structures of modern day madness, he’s forced to compromise over and over again. Fit in. Assimilate. Obey the conventions. Until now. These right here are the “Tales of Two Cities”, the catharsis of one human’s boundless love of music. The outpouring of creativity, fed by talent, intellectual freedom and exchange of knowledge. Urban Jazz sprung from classic Hip-Hop roots. The organic, the Neo, the Nu.

Salomon Appiah, better known by his stage name 7apes, has come a long way, from playing in heavy metal & rock bands during his countryside teens and full on pop compositions as an upcoming producer to being the jack of all trades in each and every session he joins in the Berlin studio landscape and beyond.

For 'Tales of Two Cities', 7apes has worked with like minded musical libertines Joha, Packed Rich, Quinte, the intern, DJ Werd, Dead Rabbit and vocalist extraordinaire Kromanteng. Each song is a jam of its own and yet, part of an entity. One that was built on solid ground. One that was built together. The Yin und Yang bleed through the music subconsciously. Subtle references to classics from Funk & Soul, Afrobeat and Reggae equilibrate the unknown. Samples and additional instrumentation merge seamlessly with one another. Freed from musical boundaries and full of creative experimentation, 7apes has created a cosmos of music that is speaking his musical mind, letting go of the outside world, zooming in on the sole beauty of sound.

Krisengebeat (born 1980) is a Beatmaker, DJ, Rapper and Graffiti artist born and raised in Berlin, Germany. His strong passion & love for the Hip-Hop culture emerged in the early age instantly after hearing his big brother spinning many oldskool rap albums like "Raising Hell" by RUN DMC...

When Onyx "Bacdafucup" was released in '93 this LP had a strong influence on Krisnegebeat. Hardcore Hip-Hop along with black hoodies became his thing! In 1997 he started to drop bombs on the neighbourhood walls with chrome & black letters.

Krisengebeat experienced his first grooves by playing the real drum set back in the days. His first analog sampler / multitrack recorder was a Roland SP-808 combined with "two turntables and a mic" and some other studio gear. After trying to combine sounds for the first time on a borrowed MPC 2000XL it became his passion! He is surrounding himself with dusty drums and samples until this day!

In the early 2000's he started to record his first rap album "Nur die Besten Überleben" as a member of the German rap group Kritische Disstanz. This project was released 4 years later in collaboration with Berlin based Teroa Label by Akte One. This was also the first LP mastered by Chillerdt in the BKStudio (Berlin) and many more followed after! This collaboration tightened over the years and last until now!

One day at the beginning of the recent worldwide mix up which affected most of us, this led to a decision between moving to the studio and chill with the closest ones or just let it flow and push the pads on MPC Renaissance and start to release some instrumental music using extra free time in a productive way. That was definetely a good decision and after a plenty of motivating feedback it became the master plan to create the “ILL Vibe” instrumental LP!

Krisengebeat's - "ILL Vibe" album as a whole piece is a 34 minutes long journey through dimension of sounds inpired by the 90's Boombap golden era and filled with pure Hip-Hop flava which is now alive more than ever! Hard hitting drums combined with 12 bit samples and original noises of analog machines like the Akai S950, real vinyl crackles and all that highlighted with analog mastering! Enjoy the ride y’all!

This project is dedicated to all beatmakers & graffiti writers wordwide!

“Largely defined by her trailblazing play A Raisin in the Sun, Lorraine Hansberry died in 1965 at the age of thirty-four. A prolific and probing artist, she was also one of the most radical, courageous, and prescient artist-intellectuals of the twentieth century—and one of the least understood.” — Imani Perry

Drawing from Lorraine Hansberry’s recorded speeches and interviews, we’ve assembled a body of interrelated narratives and composed 12 tracks around them. These narratives address not only the burning issues of Lorraine’s past, present and future but, through her extraordinary vision, ours as well. Complimented by additional posthumous words from Coretta Scott King and EF Schumacher along with bridges to the present drawn by UK poet Mr Gee, a compelling portrait of an extraordinary woman emerges.

The aphelion is the point in the orbit of an object when it is furthest from the sun. Metaphorically speaking, the world of today feels further from the light than ever before. Lorraine Hansberry was among the few in her time who recognised that we are heading in perilous directions. Through her depth of historical knowledge she understood that this hadn’t changed much over many centuries as we’ve remained unable to widely perceive the underlying mechanics of our world. Alas, the world she fought so hard to illuminate still has a dangerously dim outlook. We need her light now more than ever to help guide us out of the darkness.

This tribute is, perhaps selfishly, a way of keeping Lorraine Hansberry alive and hopefully expanding the reach of her legacy. As long as she’s still talking and people are still listening, some part of her lives in the present. To us, in these dark times, that is a deeply comforting thought.

Aphelion: a tribute to Lorraine Hansberry can now be pre-ordered on Limited Edition Clear Marbled Vinyl.

This time we get startet with a super tuff killer tune. A slow burner to roast wake MC's on the spot. The other half was completed by a Sunz of Man remix to get you naturally high. Mission complete!

After five years of producing, 10 beat tapes and over 150 beats under his belt, msnthrp creates his holy grail: the 30-min album “Synthese” full of dark melancholic lo-fi tones, fuzzy textures and fat, hard-hitting beats.

Working with well-known German lo-fi heavyweights, who inspired msnthrp to start making music, the Cologne beatmaker creates a crazy mixture of different styles on the record. Artists like upper class, Plusma, Flitz & Suppe and many others enriched the album with their own touch on a number of collabs.

Highly recommended for all fans of gritty, textured, uncompromised lo-fi sound and artists like emune, jhfly and Made In M.

We welcome our newest SIC Records Recording Artist!! YungGrunge with his Debut EP!!

A Refreshing Enhanced Aural Journey Of The New G-Funk ERA!!!

Eight LPs in numerous groupings as well as various EPs and singles after his appearance on Sichtexotica III, Tajima Hal sets foot on European soil again with his next LP.

This means: intercontinental flavour for the German beat scene.

Breakbeats, Latin vibes, slow jams and disco dreams roar from energizingly to thoughtfully and calmingly through the Tokyo/Kanagawa-based producer’s basement club. His lush drum-arrangements and lovingly chosen instrumentals lead through a musical cosmos, in which everything between atmospheric layers, nested vocal cuts and acoustic guitars is reconciled. Guiding through multiple musical epochs, this is a homage to our dealing with things, our contemporary history and our togetherness.

Tajima Hal kind of loops, kind of beats, kind of love.

„Minor Sights“ is being released on 15th October 2021 on vinyl LP and in a digital version via Sichtexot Records.

This project started from beats videos, where I had the most fun making music during this weird period that impact creativity and inspiration. I added some of my favorites beats, blended together in a 16 minutes mix oscillating between short and longer pieces. It went from the idea to the final product in the shortest amount of time, and it was exactly what I wanted, what I was looking for: something that was particularly effective, memorable, and familiar: something that just ring the bell.

Boyan is a producer, DJ and radio-host hailing from Bulgaria’s capital Sofia. With more than 1M plays across all major DSPs in just the last 12 months alone, the producer saw support by both official editors (2 times feature in Apple Music’s BEATstrumentals) and independent curators like Indie Shuffle, Sidekick, College Music, The Jazzhop Cafe, Chill Beats Music, freshgoodies and Hip Dozer.

Closure is a centerpiece in the sonic universe he has been creating since joining the Stereofox Records family. A micro-cosmos within, the genre-bending 5-track EP follows a series of events and spans beyond the borders of sound. The producer uses the release to share his story and the flow of emotions that have been building up since the start of last year.

Besides the digital release which comes with a radio promotion and social advertising, Boyan alongside the creative team of Stereofox, has planned his first-ever vinyl pressing, a limited merch drop, and a release party. All of that designed to enhance the experience of Closure.

Because this is very intimate and personal release, this is the storyline written by Boyan for anyone who wants to truly submerge into the world of the EP.

This summer Oatmello suffered deep personal tragedy as two close family members passed from Coronavirus. After a period of morning, he headed to NYC and poured himself into eight days of back to back studio sessions (and late night whiskey drinking sessions) with the best lofi beat makers in NYC. Jazzinuf, Hippo Dreams, Birocratic, Sleepdealer and Jacuzzi Jefferson.

The goal from the start was for the project to be as free and in the moment with the production as possible, incorporating live recordings of guitar, bass, keys, flute, and harp. The end result is a medley of sounds, incorporating inspirations from 90’s boombap, early lofi beats, and jazz. Sections of the album would sound equally at home on a 70’s blue note records release or the Jazz Vibes lofi playlist on Spotify.

This project is part of the limited collectors series: "Zodiac Series" hosted by Aviary Bridge. "nyc Stories" by Oatmello is edition 8 (out of 12) representing the zodiac sign Leo. Previous editions in this series featuring artists like Remulak, Deeb, Hoffy Beats can be found on the Aviary Bridge Records Bandcamp page and Qrates.

Speiz Bois is a trio of three seasoned Hungarian musicians active in countless other projects (think of the already cult Jazzbois outfit) playing a unique fusion of hip-hop, spaced out psychedelic grooves and melancholic 80's guitar sounds. 'SpeizBanger' on side A is one of those timeless songs that are hard to be described, but we are pretty sure this is what an imaginary demo by random members of BadBadNotGood and Khruangbin, recorded in a smokey Budapest home studio would sound like. 'BreakBottle' on the flip starts off as a more conventional live groove until the ethereal synths and guitar harmonies come in, from then it sounds like the fictional demo described above. The single is limited to 300 copies.

Limited edition of 50 copies.

A musical diary taking the listener on a journey through the times of lockdown and the pandemic from the French-Canadian producer Tabi his point of view. As a skilled sound designer Tabi grew his love for the LoFi Hip-Hop genre and is now presenting his first album 'Journey' consisting of 8 well crafted instrumental hiphop beats.

EAR.DRUM aka QThree returns to the next installment of the Deaf saga. His new approach to sample selection, meshed together with a refined presentation of his “neo blaxploitation” sound, presents a new wave of “aquatic soul.” Deaf WAV is an evident experience of EAR.DRUM’s growth as a producer, and sharpened skill as an engineer. The audio graphic novelistic approach expands into more of a cinematic production throughout the entire project. EAR.DRUM utilizes more flavor in a great illustration of time.

Vanguard captures the iconic Bristol Sound. The early days of the iconic Bristol Sound are captured in a new album including an exclusive re-release of the very first track from Massive Attack and tracks from Smith & Mighty, Purple Penguin and more. The curated tracks are also linked in that all were originally released with bespoke original covers from legendary Bristol street artists, including Banksy and Will Barras, tying its release toVanguard’s current exhibition Bristol Street Art: The Evolution of a Global Movement at M Shed, Bristol, running until October. Compiled by DJ Boca 45 (Scott Hendy), Vanguard brings together the seminal tracks that defined the rebellious era which saw the birth of the Bristol Sound for the first time. Featured tracks include an exclusive re-release of Any Love - the first ever track by Massive Attack released on Massive Attack Records in 1988, Smith & Mighty’s breakout hit Walk On, Purple Penguin’s downtempo classic Memphis and other trip hop classics. The LP celebrates the globally recognised Bristol Sound whose experimental breakbeat rhythms and influence still dominate the scene today. Along with classic tracks from the ‘90’s into the ‘00’s and beyond, the album uncovers lesser known cuts by some of Bristol’s pioneering musicians such as One Cut and West Country hip hop’s finest Aspects. The explosion of the Bristol Sound coincided with the boom in UK street art which led to fruitful collaborations between artists and musicians. Finding inspiration in each other’s work, street artists frequently designed rave posters, logos and cover art while DJs provided the beats to accompany street artists’ clandestine painting. Vanguard The Album pays homage to these relationships with a beautifully put together gatefold LP featuring iconic cover art designed by some of the biggest names in street art such as Inkie, Dicy, Will Barras and Nick Walker. These early works capture the boisterous energy of the era and confirm Bristol’s status as an extraordinary cultural melting pot. The double vinyl record also features extensive sleeve notes written by Bristolian writer and curator Jamie Hombre as he reflects on these ground breaking cover art collaborations.

Vanguard captures the iconic Bristol Sound. The early days of the iconic Bristol Sound are captured in a new album including an exclusive re-release of the very first track from Massive Attack and tracks from Smith & Mighty, Purple Penguin and more. The curated tracks are also linked in that all were originally released with bespoke original covers from legendary Bristol street artists, including Banksy and Will Barras, tying its release toVanguard’s current exhibition Bristol Street Art: The Evolution of a Global Movement at M Shed, Bristol, running until October. Compiled by DJ Boca 45 (Scott Hendy), Vanguard brings together the seminal tracks that defined the rebellious era which saw the birth of the Bristol Sound for the first time. Featured tracks include an exclusive re-release of Any Love - the first ever track by Massive Attack released on Massive Attack Records in 1988, Smith & Mighty’s breakout hit Walk On, Purple Penguin’s downtempo classic Memphis and other trip hop classics. The LP celebrates the globally recognised Bristol Sound whose experimental breakbeat rhythms and influence still dominate the scene today. Along with classic tracks from the ‘90’s into the ‘00’s and beyond, the album uncovers lesser known cuts by some of Bristol’s pioneering musicians such as One Cut and West Country hip hop’s finest Aspects. The explosion of the Bristol Sound coincided with the boom in UK street art which led to fruitful collaborations between artists and musicians. Finding inspiration in each other’s work, street artists frequently designed rave posters, logos and cover art while DJs provided the beats to accompany street artists’ clandestine painting. Vanguard The Album pays homage to these relationships with a beautifully put together gatefold LP featuring iconic cover art designed by some of the biggest names in street art such as Inkie, Dicy, Will Barras and Nick Walker. These early works capture the boisterous energy of the era and confirm Bristol’s status as an extraordinary cultural melting pot. The double vinyl record also features extensive sleeve notes written by Bristolian writer and curator Jamie Hombre as he reflects on these ground breaking cover art collaborations.

Vanguard captures the iconic Bristol Sound. The early days of the iconic Bristol Sound are captured in a new album including an exclusive re-release of the very first track from Massive Attack and tracks from Smith & Mighty, Purple Penguin and more. The curated tracks are also linked in that all were originally released with bespoke original covers from legendary Bristol street artists, including Banksy and Will Barras, tying its release toVanguard’s current exhibition Bristol Street Art: The Evolution of a Global Movement at M Shed, Bristol, running until October. Compiled by DJ Boca 45 (Scott Hendy), Vanguard brings together the seminal tracks that defined the rebellious era which saw the birth of the Bristol Sound for the first time. Featured tracks include an exclusive re-release of Any Love - the first ever track by Massive Attack released on Massive Attack Records in 1988, Smith & Mighty’s breakout hit Walk On, Purple Penguin’s downtempo classic Memphis and other trip hop classics. The LP celebrates the globally recognised Bristol Sound whose experimental breakbeat rhythms and influence still dominate the scene today. Along with classic tracks from the ‘90’s into the ‘00’s and beyond, the album uncovers lesser known cuts by some of Bristol’s pioneering musicians such as One Cut and West Country hip hop’s finest Aspects. The explosion of the Bristol Sound coincided with the boom in UK street art which led to fruitful collaborations between artists and musicians. Finding inspiration in each other’s work, street artists frequently designed rave posters, logos and cover art while DJs provided the beats to accompany street artists’ clandestine painting. Vanguard The Album pays homage to these relationships with a beautifully put together gatefold LP featuring iconic cover art designed by some of the biggest names in street art such as Inkie, Dicy, Will Barras and Nick Walker. These early works capture the boisterous energy of the era and confirm Bristol’s status as an extraordinary cultural melting pot. The double vinyl record also features extensive sleeve notes written by Bristolian writer and curator Jamie Hombre as he reflects on these ground breaking cover art collaborations.

Pie Eye Collective has been a part of the Albert’s Favourites family for a little while, working with Hector Plimmer and Scrimshire on studio and live performances, he has also played alongside Emma-Jean Thackray and And Is Phi. Pie Eye Collective is the solo project of sound scientist and explorer Matthew Gordon. While at its heart electronica, Gordon creates an organic collage of influences and evocative noises, even drawing from jazz and soul music. Time signatures and rhythms, sometimes hard to pin down, only lead to a more hypnotic sense of being afloat in a sea of harmonics and strangely familiar musical memories. It is music that wants you to completely free yourself and let it move through you.

Limited edition of 50 copies

Limited edition of 100 copies

Mackjunt. The Original Jazz Playa from New Mexico, contributes his summer madness with Waves of Vapor-Infused Playa Jazz. Daytona Drive LP includes 14 songs filled with Serotonin Inducing Smooth Sounds. Human Hope within Frequency

Mackjunt. The Original Jazz Playa from New Mexico, contributes his summer madness with Waves of Vapor-Infused Playa Jazz. Daytona Drive LP includes 14 songs filled with Serotonin Inducing Smooth Sounds. Human Hope within Frequency

Hand numbered pressing!