Instrumental Hip Hop 306 Items

The brand new one of Timeless Lo-fi series is here! A beat-maker crew called "Grey October Sound" gained international recognition not only in Japan but also overseas through their covers of Studio Ghibli songs titled "Lo-Fi Ghibli" and City Pop covers titled Lo-Fi City Pop. Even now, when they are globally known for their covers of Ghibli and City Pop, we still feel that their music is underrated. In order to overturn that evaluation, we confidently release this Timeless Lo-fi 2.

The brand new one of Timeless Lo-fi series is here! A beat-maker crew called "Grey October Sound" gained international recognition not only in Japan but also overseas through their covers of Studio Ghibli songs titled "Lo-Fi Ghibli" and City Pop covers titled Lo-Fi City Pop. Even now, when they are globally known for their covers of Ghibli and City Pop, we still feel that their music is underrated. In order to overturn that evaluation, we confidently release this Timeless Lo-fi 2.

"Grey October Sound", a lo-fi hip-hop production team that gained international recognition not only in Japan but also overseas through their covers of Studio Ghibli songs titled "Lo-Fi Ghibli" and City Pop covers titled Lo-Fi City Pop. The compilation of their early works is called "timeless vol.1," which gained attention upon its digital-only release in 2020, will be re-released under the new name "Timeless Lo-Fi" as an analog record, with the addition of bonus tracks.

"Grey October Sound", a lo-fi hip-hop production team that gained international recognition not only in Japan but also overseas through their covers of Studio Ghibli songs titled "Lo-Fi Ghibli" and City Pop covers titled Lo-Fi City Pop. The compilation of their early works is called "timeless vol.1," which gained attention upon its digital-only release in 2020, will be re-released under the new name "Timeless Lo-Fi" as an analog record, with the addition of bonus tracks.

Following the release of Lo-Fi Ghibli in 2022; lo-fi hip-hop covers of classic Ghibli songs, the underground hip-hop producer Grey October Sound and P-vine delight to release a cover album of lo-fi hip-hop arrangements of Japanese City-Pop classics!

After their succssesfully debut for worldwide with "Lo-Fi Ghibli", Grey October Sound is gaining recognition not only in Japan but also in overseas. The album features world-famous city-pop classics covered in lo-fi hip-hop arrangements, including covers of "Mayonaka no Door ~ stay with me" by Miki Matsubara, "Fly-Day Chinatown" by Yasuha and Taeko Onuki's "Tokai", which opened up the recent global popularity of city pop, as well as classic tracks by Tatsuro Yamashita, Mariya Takeuchi and Yumi Arai. The cute artwork with the traditional style of Lo-Fi Girl and city pop is by Rika Hase, who also designed the Lo-Fi Ghibli cover.

Following the release of Lo-Fi Ghibli in 2022; lo-fi hip-hop covers of classic Ghibli songs, the underground hip-hop producer Grey October Sound and P-vine delight to release a cover album of lo-fi hip-hop arrangements of Japanese City-Pop classics!

After their succssesfully debut for worldwide with "Lo-Fi Ghibli", Grey October Sound is gaining recognition not only in Japan but also in overseas. The album features world-famous city-pop classics covered in lo-fi hip-hop arrangements, including covers of "Mayonaka no Door ~ stay with me" by Miki Matsubara, "Fly-Day Chinatown" by Yasuha and Taeko Onuki's "Tokai", which opened up the recent global popularity of city pop, as well as classic tracks by Tatsuro Yamashita, Mariya Takeuchi and Yumi Arai. The cute artwork with the traditional style of Lo-Fi Girl and city pop is by Rika Hase, who also designed the Lo-Fi Ghibli cover.

The reputation of the Japanese hip-hop production team Grey October Sound is spreading both in Japan and abroad. While they have released quality albums such as "Timeless" and "The Cave," their two lo-fi hip-hop cover albums, "Lo-Fi Ghibli" and "Lo-Fi City Pop," have become hits in record stores around the world. For the third installment of this series, they have set their sights on Japan's world-famous anime songs!

They will be covering songs from "Bleach", "Saint Seiya", "Puella Magi Madoka Magica", "k-on! and "Dragon Ball", all of which are lo-fi arrangements of theme songs and insert songs of high quality, while still showing respect for the originals. The cover of this album was designed by Rika Hase, an illustrator who also created the artwork for "Lo-Fi Ghibli" and "Lo-Fi City Pop".

Bologna-based producer, DJ, and sound collector Godblesscomputers (122k Spotify listeners) has returned with the release of his fourth full-length record, "Faded Views." Godblesscomputers's latest LP "The Island" (2020, La Tempesta Dischi) earned him placement on Spotify playlists like "Brain Flood" and "Coffee Club." Since then, his appearance on Willie Peyote's track "La colpa al vento" landed GBC on "Best of Indie Italia 2022." On "Faded Views," it was Godblesscomputers's creative project to explore the sonic potentials of his direct environment, picking up recordings and threads of inspiration from the most commonplace occurrences. A sonic scavenger, Godblesscomputers explored the expanses of his-both digital and physical-soundscapes. "Faded Views" does the work of crafting a unified, yet complex compilation of the noises that mark the experience of being digital natives in ever-expanding dimensions.

Godblesscomputers's use of musique concrète and found-sound composition melds curiously with his undeniable electronic and techno acumen. Superimposing metallic electronica onto esoteric sound bytes creates the occasion for complex sound collage. "Faded Views" marks a decade since the genesis of the Godblesscomputers project; the entire LP testifies to how time warps perception and sound. Godblesscomputers's music seems to decorate time, both commemorating the moments passed with mind-melting sonic collages and looking forward to the infinitudes of the future with frenetic electronic experimentation.

Themes of impermanence and transience-hence "Faded Views"-pervade the record. Godblesscomputers blurs time as each track seeps into the next in what feels like a seamless transition. He makes these swift passages in genre as well-the record opens on "Colors" with a rich horn section which frictionlessly becomes a lo-fi dance groove. It is this melding of the analog and the electronic that makes sense of his found approach to beat-making: Godblesscomputers marries the found and the synthesized; the creator and the created; the past and the future. The process of sonic dissection and recomposition that drives much of Godblesscomputers's creative process yields not only assertive breakdowns and animated dance tracks, but also complex tapestries of sound that keep the listener ever-intrigued-piano, saxophone, and modular synthesis all find a natural home on tracks like "Hello." In an apt description, the producer's work has been described as "sounding like wood, metal, and microchip."

Godblesscomputers's artistic objective lies in blurring definitive lines, constantly shifting perspectives, genres, and origins of inspiration. On "Faded Views," this design cultivates a folktronica record that truly evades definition.

In honor of the 15-year anniversary of Glen Porter's debut album "Blessed by a Young Death," we are thrilled to present it as a limited edition 2xLP. This marks the first time the album has been available in its entirety on vinyl, with only 200 copies worldwide courtesy of Audio Recon, HHV, Inner Current Recordings, MISM, and Ooohh! That's Heavy.

“Blessed by a Young Death" holds a special place in our hearts and we’re sure many feel the same. The album's haunting melodies and compositions have captivated the listener since its original release in 2008. It's an album that evokes a wide range of emotions, from melancholy and introspection to moments of hope and tranquility.

In addition to celebrating the album's anniversary, this release serves as a tribute and 5 year memorial to the late Ryan Stephenson (Glen Porter). The album resonates with themes of loss, acceptance, and the bittersweet beauty of life, making it a perfect tribute to our friend and collaborator.

4 years after their groundbreaking debut album “Happily Confused”, Ghost In The Tapes return with a new full-length, “Holidays on Earth”. This new LP sonically expands multilingual hip-hop and rap towards spiritual jazz and uplifting electronica. Still following the same process of creation through international collaborations, they gathered 26 musicians and vocalists from all around the world, including Alabaster DePlume, Matt Gedrych (Neue Grafik Ensemble), Danalogue, Marysia Osuchowska (Levitation Orchestra), Susumu Mukai (Zongamin, Floating Points), Phil FMU (Vanishing Twin, Broadcast), The Brothers Nylon, Louis Treffel (ncy Milky Band), amongst many others. “Holidays on Earth” contains 13 new tracks that push the boundaries of hip-hop and jazz hybrids, 12 of which will be released on a limited edition of 300 LPs shaped by US designer Ruff Mercy (Nas, Thom Yorke, J Dilla, Nightmares On Wax…), via BMM Records on April 5th.

New release in the Gasoline EP series. This second volume features the following tracks: Introspection, Snap Your Neck back (part1), Danger Zone and 3 bonus scratch FX tracks.

Indeed, Argentinian artist Gas Lab has made a name for himself with his unique sound. Combining elements of jazz, neo soul, and hip hop in his recent creation "Vision", he skillfully merges samples with his own craftsmanship of remarkable keys and resonant bass lines. This homage to Cool Jazz and past music eras exhibits a timeless style, effortlessly balancing a contemporary tone with a laid-back vibe. "Vision" has been lauded for its emotive power, consistently drawing smiles from listeners and audiophiles while leaving them eager for more of Gas Lab's captivating music.

Indeed, Argentinian artist Gas Lab has made a name for himself with his unique sound. Combining elements of jazz, neo soul, and hip hop in his recent creation "Vision", he skillfully merges samples with his own craftsmanship of remarkable keys and resonant bass lines. This homage to Cool Jazz and past music eras exhibits a timeless style, effortlessly balancing a contemporary tone with a laid-back vibe. "Vision" has been lauded for its emotive power, consistently drawing smiles from listeners and audiophiles while leaving them eager for more of Gas Lab's captivating music.

Galaktic Rogue is a Beatmaker from Russia and presents 8 Songs, 2 Vocal Tracks feat. PEN PALS from New York / USA included the both Instrumental Versions of this Songs.

The other four Tracks are Instrumentals, inspired by old Movies. PLUIE DE JULLIET and GODARD is dedicated to the great French director Jean-Luc Godard, one of the pioneers of the French New Wave film movement of the 1960s.

For Fans of MF Doom or Madlib.



This wonderful 7" called VIDEODROME EP is the 50. Release on Expanded-Art-Records, a German based Indie Label foundet 2010 in Bayreuth.

This is a limited Edition of 150 handnumbered Copies. Clear Green, with Black and White Marbled Wax and a full colored Sleeve and a Bonus Promo Sticker.



“With Videodrome, Galaktic Rogue teleports you straight into his universe. The ‘gritty poems’ by PENPALS lead both sides of the 7” into an instrumental odyssey with nods to vintage sci-fi horror, French new wave cinema, echoes of golden-era boom bap beats, and other library-tinged sample flips. It’s a trip—a highly recommended one!”

Danny Veekens (Rucksack Records, Amsterdam)



"A wildly tasteful bit of Hip-hop. You’ve got a beautifully chopped, library influenced backdrop, PENPALS on mic duties, and some stunning artwork. Plus extra points for any reference to Videodrome."

Spectacular Diagnostics (Producer from Chicago)



“Galaktiс Rogue makes beats dustier than my Dads VHS collection! Pen Pals flow effortlessly on each track, great collaboration and solid release!”

Ash The Author (Rapper from Reading, UK)

Franky A dedicated this album to his friend Dmitry Koltsov (Kop4ik), who passed away early. Time flies fast, but there is something .. that will remain out of time. These tracks were written between 2017-2021 in Los Angeles.

South London producer and musician Fr1th, presents Mind Blossom - a 13 track album displaying his creative output of over two years. It draws on influences as wide as J Dilla to Ludovico Einaudi. A blend of piano beats based production that spans true lo-fi, chill, ambient, electronic, jazz and Hiphop. Hypnotic head-nodding rhythms from this brilliant debut. Kaleidoscopic • Lush Lo-Fi • Keys Driven • Night Sky Beats

High Focus Records is proud to announce the First Official instalment in our brand new ‘Producer Spotlight’ series across digital and a Super Limited run of 50 cassette tapes. Following swiftly in the footsteps of lead single ‘I Been Surfing On A Marshmallow’, ‘Echo Of The Hidden Spruce’ is a collection of exquisite instrumental works, taking in a spectrum of styles ranging from soulful lo-fi beats, Ethereal head-nod hiphop to minimalist piano epics from the one-andonly Forest DLG. Sourcing inspiration from the likes of Portishead, DJ Shadow, J Dilla and Mobb Deep, ‘Echo of the Hidden Spruce’ offers an exquisite blend of exclusive instrumental works by Forest DLG, paired with a carefully curated collection of classic instrumentals from the High Focus highlight reel that include collaborations with Jam Baxter, Onoe Caponoe, Fliptrix and Truemendous.

Limited cream white edition, 300 made. German beatmaker FloFilz announces new project "handful" set for summer release

Berlin-based beatmaker FloFilz is gearing up to unveil his latest musical journey "handful" via Cologne beat label casual low grind this summer. With a career spanning over a decade, FloFilz has earned international acclaim for his distinctive production, capturing the attention of listeners worldwide.

His new release serves as a culmination of 10 tracks crafted over a two-year period, showcasing FloFilz's skill as an artist. Collaborating with both longtime friends (Hubert Daviz, Wun Two) and new musical companions (Rob Araujo, Hnny, Gabiga), the record reflects his diverse influences and experiences, including a stay at a songwriting camp in France in late summer '23. The impressive roster of internationally renowned producers and the additional feature by talented Los Angeles-based singer Kallitechnis, adding a dynamic dimension to the project.

Describing the project FloFilz shared, "It’s kind of a breather, a way to remind myself of the journey so far and what’s to come. A handing to old and new listeners, a waypoint and a thank you."

The „handful" EP will be released on limited vinyl with only 500 copies available including two vinyl only bonus tracks. Release date: July 5th, 2024.

a casual low grind service!

Limited black vinyl edition, 200 made. German beatmaker FloFilz announces new project "handful" set for summer release

Berlin-based beatmaker FloFilz is gearing up to unveil his latest musical journey "handful" via Cologne beat label casual low grind this summer. With a career spanning over a decade, FloFilz has earned international acclaim for his distinctive production, capturing the attention of listeners worldwide.

His new release serves as a culmination of 10 tracks crafted over a two-year period, showcasing FloFilz's skill as an artist. Collaborating with both longtime friends (Hubert Daviz, Wun Two) and new musical companions (Rob Araujo, Hnny, Gabiga), the record reflects his diverse influences and experiences, including a stay at a songwriting camp in France in late summer '23. The impressive roster of internationally renowned producers and the additional feature by talented Los Angeles-based singer Kallitechnis, adding a dynamic dimension to the project.

Describing the project FloFilz shared, "It’s kind of a breather, a way to remind myself of the journey so far and what’s to come. A handing to old and new listeners, a waypoint and a thank you."

The „handful" EP will be released on limited vinyl with only 500 copies available including two vinyl only bonus tracks. Release date: July 5th, 2024.

a casual low grind service!

Strictly limited edition of 500 copies in funky textile cover plus printed innersleeve.

Flitz&Suppe is representing his playground Cologne with KEATS 15. 13 tracks in total with features by buddies B-Side, AK420, Nick Mitdemkopf, leaf beach & PRGMT. Available on limited vinyl as well as digitally on all platforms.

Underworld Soundz [Ghetto Beatz] Tape by Flash27 [808 Muzik / NCV Germany]

100% Old School/Memphis/South/Bass-Music and more x 100% Beatz

‘Lightweight Heavy’, Fat Jon’s third solo offering, is a concoction of “loping beats, dub bass lines, classical piano, breathy vocals and sparkling harmonies…” (bbc). From the gentle piano-led intro of ‘Talk to Me’ and threading through the album’s 14 dazzling tracks, Fat Jon’s subtle use of vocals and his bass-heavy beats take listeners on a heartfelt journey. “I lived in Japan while I made this record and produced the whole album there. Being able to make a project like this from beginning to end the way I had envisioned it was a dream come true,” Jon reflects. “I recorded and produced the whole album in my friend Nujabes’ studio. I told him about my concept for the album, and he said I could use his studio while I was there. We had similar studio setups so it was a very easy transition and fun experience.” We are very pleased to announce that ‘Lightweight Heavy’ is getting its first vinyl reissue via YHS Records, a vinyl-focused imprint of Detroit label Young Heavy Souls.

Like a thief in the night, and almost 4 for years after his critically acclaimed full-length album Kabul Fire Vol 2, beat virtuoso Farhot has returned to the (crime) scene with his latest all-instrumental record "stealing from cats".

While on his last LP, he took listeners on a journey to his birthplace Kabul, he is now taking them along as he goes out stealing sounds from fellow musicians (label mates) and dusty Jazz archives and. Reminiscent of that time when Blue Note invited Madlib into their catacombs to create the seminal "Shades of Blue" LP, this slow-paced record sees Farhot eclectically fusing Jazz samples with downtempo, instrumental hip-hop art. From the hazy, chopped vocal samples of the intro tune "selfish" to the dreamy closer "they need me", this 12-song masterpiece is as much an homage to the virtuosity of Jazz cats like Silvan Strauss as it is to the fine art of sampling that Farhot cheekily calls stealing.

Esbe is a multi-genre music producer from Los Angeles, California. He is known for his atmospheric instrumental production which incorporates sound elements from extensive use of jazz and soul samples. His latest release, Bloomsday, is a collection of 19 essential instrumentals. "If you were to grab tracks at random from Bloomsday, you might not have guessed that those songs came from the same album. However, when you listen to the album in the way that it was arranged, it will all start to make sense, and you can start to hear how Esbe connects the dots from one song to the next. Esbe draws from a lot of different styles and influences, whether it be soul, hard bop, cool jazz, bossa nova, boom bap, down tempo, jungle, house, or drum and bass, just to name a few. This might sound like he’s unfocused or trying to do too much with his music, but Esbe has a good sense for not overcrowding his individual tracks. Each song might bring in a couple of different elements, but he keeps his arrangements clean, with just the right amount of interesting samples to build from, and the patience to let them unfold at a steady pace, without forcing anything. There are plenty of obscure samples that you won’t place, but he also manages to pick a few key spots to drop some well-known samples, but then re-purposes them in interesting ways in which to give them new life. Bloomsday will take more than one listen to really sink in, but it will eventually sneak up on you and reveal its cleverness in really subtle and interesting ways. Esbe has a large musical vocabulary, but he also knows when to pick his spots, piling it on thick at key moments, and backing away at others, giving the listener space to breathe and soak in all the different musical ideas floating around here." - scratchedvinyl.com

Various grooves and rhythms. From chilled vibes to obscure beats with heavy drums and deep bass. Old School and New School sampling techniques combined.

Nerd Info: MPC 1000, MPC X, Akai s950, Akai s3000XL, Linnstrument 128, Mikrokorg, Fl20, Roland Integra 7, Yamaha Mv1602.

Beat Catz Jazz is an instrumental album from Polish beatmaker Emapea. The LP is full of chilled jazzy beats created with variety of dusty jazzy samples from vinyls, tapes and cassettes. Sounds been crafted with vintage samplers such as Akai s950 and s3000XL to add that lo-fi character. If you're into this such a vibe you'll definitely enjoy it.

In Emanuele Triglia's 'Moon Kin' we embark on a captivating journey where the worlds of Contemporary Jazz, Hip Hop, and Global Rhythms converge in a seamless tapestry of sound. Inspired by the likes of Karriem Riggins, Herbie Hancock, J Dilla this album pushes the boundaries of traditional jazz while embracing the raw energy of hip hop and the diverse textures of worldwide music.

At its core, "Moon Kin" is a celebration of the synchronicity between musicians and listeners, where every note, beat, and rhythm feels like a shared experience. Each track serves as a testament to the interconnectedness of musical expression, weaving together intricate melodies and infectious grooves that resonate with the soul. From the hypnotic rhythms of the drums to the sultry melodies of the trumpet, the album is a testament to the power of organic instrumentation. Layers of live instrumentation create a rich sonic landscape, where every instrument has its voice and contributes to the overall narrative of the music. "Moon Kin" is more than just an album—it's a testament to the power of music to bring people together and create moments that transcend any musical language or culture. With its innovative blend of Jazz, Hip hop, and World Music influences, this album is sure to leave a lasting impression on listeners everywhere.

Elmo and Nico Harris present their first album “Liquid Fusion” which can be described as a ride through space, where we discover different planets in an electronic-jazz universe. Visiting planets of different flavors like jazz fusion, R&B, 80s disco, you name it. The ride starts with an orchestral composition: "Liquid Fusion", then further dives into the fun and high-energy jazz fusion tracks like “Mirage”, “Nylon”, “Savannah” and “Where to Go”. Including a taste of side B with “Nocturn Lights” and the dance track “Freeze”, the mood begins to change to a deeper blend of emotions. First with the interlude “Worlds Apart”, before reaching the album's climax with tracks like “Noir”, “Hypnosis” and “Sounds of Flores”. The journey ends with “Out of the Dark” that sends us off on a cinematic type outro. The album has such a well-rounded story and feels like the soundtrack of an adventure. Combining all the fusion styles in one album to make the listeners feel like they are being taken off world into an incredible universe made out of all these musical genres!

There's a very special 200 edition which counts as the first edition. We thought that for this art a black vinyl will be a perfect match and also have the classic feel that the album has.

Toronto Producer Elaquent is back with an all-star lineup of underground bubblers inlcuding Ivan Ave, Chester Watson and Skyzoo. The new album is cosmopolitan jazz rap - smooth production with velvet lyricists from around the globe.

Toronto Producer Elaquent is back with an all-star lineup of underground bubblers inlcuding Ivan Ave, Chester Watson and Skyzoo. The new album is cosmopolitan jazz rap - smooth production with velvet lyricists from around the globe.

Off of the backs of the 2006 release a pair of 7-inch singles called the Shaolin Series, El Michels Affair would eventually drop the LP “Enter the 37th Chamber” in 2009, which covered classics by the Wu-Tang Clan. To commemorate the 15th anniversary of the landmark full-length, Fat Beats Records is not only re-releasing the original 45s in the Shaolin Series, but will be adding to the series with choice cuts from the LP. First up is “Shimmy Shimmy Ya,” a hauntingly unforgettable take on ODB’s classic single, with blaring horns and a chorus of children to sing the iconic hook. The b-side features a darker, moodier interpretation of Raekwon’s “Incarcerated Scarfaces,” perfectly representing El Michels Affair’s slow-riding style dubbed “Cinematic Soul.”

Originally released on Fat Beats Records in 2009, El Michels Affair’s landmark album “Enter the 37th Chamber” is celebrating its 15th Anniversary in 2024. Featuring reinterpretations of hip hop anthems from the Wu-Tang Clan, the album took stripped-down, raw hip hop bangers and flipped them into richly-arranged instrumentals. Cover versions of tracks such as “C.R.E.A.M.” and “Can It All Be So Simple” instantly sounded as vintage as the records that RZA had sampled to create the originals, with the familiar melodies and driving rhythms elevated by expertly-arranged horns and strings. The gritty and bottom-heavy style of these analog recordings—dubbed “Cinematic Soul”—has been both widely celebrated and often imitated. El Michels Affair namesake Leon Michels has since gone on to produce for and collaborate with artists as diverse as Adele, Black Thought, Lana Del Rey, and The Carters (Beyonce & Jay-Z). Now 15 years from its initial release, “Enter the 37th Chamber” has proven to be one of the true classic instrumental albums of its era, every bit as enduring as the music it had meant to pay homage to.

After scoring a surprise hit in 2006’s red-hot 7” funk market with their cover of “C.R.E.A.M.,” El Michels Affair quickly turned around another smash 7” double-single of re-imagined takes of the Wu-Tang Clan. “Duel of the Iron Mics” sees the hypnotic piano hook of the “Liquid Swords”-classic elevated to intriguing heights with dramatic strings and Catch the blast of a hype version on the b-side, where “Bring Da Ruckus” is brought to life in imaginative ways not hinted at on the bulletproof original. The raw sample stabs and sub-bass of the stripped-down Wu-Tang stunner are replaced with mind-bending bass notes, and the re-played organ hook turned way up. Both of these tracks would eventually feature prominently on El Michels Affair’s landmark LP “Enter the 37th Chamber,” celebrating its 15th Anniversary in 2024.

In 2006, the slight buzz of a Brooklyn band called El Michels Affair started to sound a bit more like a swarm of killer bees when their instrumental rendition of Wu-Tang Clan’s “C.R.E.A.M.” was released as a 7” vinyl single. The band’s namesake Leon Michels and his production partner Jeff Silverman dropped the single on their boutique label called Truth & Soul, and it created such commotion that it would spawn an entire album of Wu-based covers. In honor of the 15th anniversary of that LP— “Enter The 37th Chamber”—the single is now getting its first vinyl repress in years. “C.R.E.A.M.” is featured on Side A, with its prominent guitars and powerful horns complementing the signature baseline and unforgettable piano hook that practically defined an era of New York hip hop. The B-side “Glaciers of Ice” offers a deeper, melancholic interpretation of the hard-driving “Cuban Linx” banger, with a mood consistent to the A-side, as the drums take a comfortable backseat to the melodic guitars and punchy horn lines. Originally released in 2009, El Michels Affair’s “Enter The 37th Chamber” LP on Fat Beats Records is celebrating its 15th Anniversary in 2024.