Instrumental Hip Hop 323 Items

The album finds the Haitian born, Montreal raised producer delivering on the promise of his early self-released EPs and remixes.

Since the age of fourteen, when he first began to DJ and when his brother introduced him to music production software, his output has been relentless. He explains, “after he showed me the basics, from that day on I couldn’t stop making beats,” pumping out a handful of tracks per day for the next couple of years.

Having released singles like ‘Drive Me Crazy‘ with Vic Mensa and ‘Leave Me Alone‘ with Shay Lia, Kaytranada has since cemented his reputation and his sound; an undeniable swing of the drums comparable to Dilla’s, a signature soulful touch in the melodies, and a healthy dose of funky bass lines.

99.9% features guest turns from Anderson .Paak, Vic Mensa, Little Dragon, Syd, Craig David, Goldlink, Alunageorge, BADBADNOTGOOD and many more.

Fifth pressing, this time via Sekito.

Finally back on wax. Great album feat. Sach of The Nonce, Yesh, Count Bass D, Ladybug Mecca & other fine MCs!

6 fresh new joints by the one and only Hulk Hodn!

This modern classic, while previously available only in a plain sleeve, is given the proper treatment of a full color jacket.

2023 Repress on Black Vinyl.

The third album from London-based multi-instrumentalist, Robohands. ‘Shapes’ fuses elements of jazz, krautrock, hip hop and ambient music. For fans of Khruangbin, Yusef Dayes, CAN, Coltrane and 70s library music moods.

Shapes is the solo project of London based composer, instrumentalist and producer Andy Baxter. His debut LP Green was released on Village Live Records in 2018 and was received with much love and acclaim in the UK Jazz, hip hop and surrounding scenes.

His follow up full-length, 'Dusk’, dropped in 2019, combining soul, funk, Latin & experimental moods. It featured vocalists & musicians from around the world including legendary New York French horn player, John Clark, who has worked with Isaac Hayes, Gil Evans Orchestra, McCoy Tyner, Jaco Pastorius, Ornette Coleman and many more greats.

'Shapes' is inspired by 1970s library music and their legendary composers including Piero Umiliani, David Axelrod, Brian Bennett and co. The album builds on these influences and incorporates modern motifs, contemporary jazz/hip hop drumming styles with a nod to 1990s Mo Wax artists such as DJ Shadow. The theme for the record is future/nostalgia, mixing vintage & modern instruments and production techniques.

Much of ‘Shapes’ was recorded with JB Pilon at Buffalo Studios in Limehouse, London. Due to the COVID restrictions that changed everything in 2020, the remaining parts were recorded in Andy’s flat using a collection of old mixing desk preamps and instruments.

For the heads – ‘Shapes’ features an array of vintage snares, including a 1960's Ludwig Pioneer and a mono, overhead ribbon mic on the drum kit provided extra old school points! The kick drum was re-amped through a huge vintage bass amplifier on a couple of tracks to give it some real character. “My favourite guitar sound achieved on this LP project is a

Sontronics Sigma ribbon microphone in front of a WEM Dominator amp, which you can hear on the track 'Odysea'. The bass sound for all the tracks is a 1973 Fender Precision into an old Altec valve preamp, the one used on most Motown recordings.”

Zelda & Chill 2 features new remixes from Nintendo's beloved Legend of Zelda franchise. Mikel returns with instrumental arrangements of classic and modern Zelda music, and his signature lofi hip hop beats.

Seven years after the release of his first solo album Kabul Fire Vol. 1, Hamburg-based producer Farhot is now taking listeners on a journey to his biographical roots with the follow up Kabul Fire Vol. 2. While the previous album already included references to his Afghan homeland, this 13-track album completely centers around the country from which his family had to flee when he was still a kid – musically, but also thematically through the selection of samples and quotes. For the sound of this project, the beat nerd went on memory lane to his family roots in the Middle East, digging up the sounds of his childhood. He also embraced the classic Golden Era sound of hip hop in the 90s, the music of his adolescence. The result: organic hip hop beats with elaborate and dreamy melodies, infused with elements from traditional Afghan music that take you to the dusty streets of Kabul. Artfully hand-crafted and intricately arranged with loads of love for details – just like the carpets on the cover of the album. aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa This project, for which Farhot teamed up with some long-term friends and collaborators like Nneka, Juju Rogers or Maverick Sabre, will be released on his own label Kabul Fire Records. a

Here's another Huubaat nugget that we are very excited about to release. "Momentum" includes a collection of previously unreleased or digtial-only available works incl. the collaboration effort with Flako. The vinyl comes with a lovely soft-touch sleeve.

"Beatnicks Tape": All tracks produced by Hubert Daviz in April/May 2008. The original release "Beatnicks Tape #01" included 13 tracks. These tracks have been released for free download in summer 2008 on the Cologne based record label Up My Alley. The work on this beat tape started as an attempt of getting familiar with one's first own equipment. Original text from the back cover: "lots of vinyl, 1 MPC2500, 1 Microkorg, hands on."

"Damage Is Done": All tracks produced by Flako & Hubert Daviz between December 2007 & June 2008. Unreleased beat tape from the joint collaboration with Flako (going by the name of "Damage Is Done"). The original version was completed by Flako on June 21, 2008 and included 8 tracks. "Woop, Wooop.."

Indie Exclusive * Rock Konducta is the fifth installment in Madlib’s Beat Konducta series. Previous entries include: Beat Konducta : Movie Scenes, Beat Konducta: in India, Beat Konducta: Dil Cosby and Dil Withers Suites and Beat Konducta in Africa. Rock Konducta grabs its source material from various worldwide rock scenes from the 60s through the 80s, from American psychedelia to Germany’s krautrock to acid-soaked Spanish prog to synthy, early-80s oddities. Tied together by Madlib’s unique sensibility, these scenes coalesce into a new whole. Who knew that rock music sounded like this? Well, there’s one obvious answer to that question.

Beat Konducta in Africa is a 37-track instrumental hip-hop album produced & mixed with Madlib, featuring J. Rocc. This album bases itself on the obscure vinyl gems from the afro-beat, funk, psych-rock, garage-rock & soul movements of African countries as diverse as Zambia, Nigeria, Ethiopia, Ghana, Botswana and Ivory Coast

Madlib follows 420 Chalice All Stars: All Jamaican Sounds with the fifth installment in his Madlib Medicine Show, History of the Loop Digga: 1990-2000. Back in the 90s, "beat tapes," as a Hip Hop producer's demo-reel is now quaintly referred to, were literally that: cassette tapes of beats that a producer made either for himself, his friends, or for potential collaborators. As you can imagine, Madlib made a bunch of ‘em in the days between his early productions for the Alkaholiks (circa ’92) and the release of his Quasimoto album (2000) – after which he took a couple of years off of the beats to focus on making jazz music with his fictional five piece, Yesterdays New Quintet. Bluntlib in the house!

Oonops's first encounter with Japanese producer Shin-Ski dates back six years when he asked him for an exclusive guest mix for his show on Brooklyn Radio. He became aware of him years ago through his group ShinSight Trio with Insight and DJ Ryow a.k.a. Smooth Current. After one more mix and two collaborations on his Resense-series plus »Oonops Drops - Vol.1« compilation via Agogo Records they started working together on a whole album of instrumentals.

For this 45 Oonops had the chance to dig through an amount of unreleased tracks and selected some of the essential essences with different influences from Jazz, Soul, Funk and much more.

Limited editon of 500 copies on black vinyl.

“Drivin’ Far Away” is not a way to avoid reality, but a process of going further to find your own paths, especially in harder times. A trip you don’t necessarily need to take alone. B Dom, Brous One and Greco Murillo found the route together in the search of a unique sound, crossing borders and finding travelers with different perspectives along the way.
With “Drivin’ Far Away” the three Chilean artists put together their first EP, a six-song selection with influences that ranges from Jazz, Funk, and Soul to Hip-Hop with a Lo-Fi aesthetic. It all began with Brous One looking for a team of musicians to create the perfect soundtrack to let you feel and release your emotions. A very intimate project with deep sensations and at times sexy feelings.

To round it all up, every single track was remixed by some of the best European producers at the moment. FloFilz, Psalm Trees, Philanthrope & Leavv, Retrogott, Spaze Windu, and Misha gave their own touch and perspective to make a good project even greater.

The third album from London-based multi-instrumentalist, Robohands. ‘Shapes’ fuses elements of jazz, krautrock, hip hop and ambient music. For fans of Khruangbin, Yusef Dayes, CAN, Coltrane and 70s library music moods.

Shapes is the solo project of London based composer, instrumentalist and producer Andy Baxter. His debut LP Green was released on Village Live Records in 2018 and was received with much love and acclaim in the UK Jazz, hip hop and surrounding scenes.

His follow up full-length, 'Dusk’, dropped in 2019, combining soul, funk, Latin & experimental moods. It featured vocalists & musicians from around the world including legendary New York French horn player, John Clark, who has worked with Isaac Hayes, Gil Evans Orchestra, McCoy Tyner, Jaco Pastorius, Ornette Coleman and many more greats.

'Shapes' is inspired by 1970s library music and their legendary composers including Piero Umiliani, David Axelrod, Brian Bennett and co. The album builds on these influences and incorporates modern motifs, contemporary jazz/hip hop drumming styles with a nod to 1990s Mo Wax artists such as DJ Shadow. The theme for the record is future/nostalgia, mixing vintage & modern instruments and production techniques.

Much of ‘Shapes’ was recorded with JB Pilon at Buffalo Studios in Limehouse, London. Due to the COVID restrictions that changed everything in 2020, the remaining parts were recorded in Andy’s flat using a collection of old mixing desk preamps and instruments.

For the heads – ‘Shapes’ features an array of vintage snares, including a 1960's Ludwig Pioneer and a mono, overhead ribbon mic on the drum kit provided extra old school points! The kick drum was re-amped through a huge vintage bass amplifier on a couple of tracks to give it some real character. “My favourite guitar sound achieved on this LP project is a

Sontronics Sigma ribbon microphone in front of a WEM Dominator amp, which you can hear on the track 'Odysea'. The bass sound for all the tracks is a 1973 Fender Precision into an old Altec valve preamp, the one used on most Motown recordings.”

Cypress Hill is widely respected and considered to be amongst the main
progenitors of West Coast rap and Hip Hop in the early 1990s.
With mega-hits like “Insane in the Brain”, “I Wanna Get High” or “Tequila
Sunrise” they crossed-over to mainstream breaking all records for a rap
band up until that time. Cypress Hill were the first Latino-American hiphop
group to have RIAA Certified platinum and multi-platinum albums.
As musicians they became famous for the crazy sounds produced by DJ
Muggs and Bobo and the stoner sympathetic lyrics of B-Real and Sen
Dog. They redefined and shattered the boundaries of hip-hop, crafting
gutter-dirty tracks that fused deep bass lines with blissful, stoned-out
melodies and aggressive hard rock riffs, creating a unique imprint.
.
This is an esential and powerful weapon for all the Hip Hop creators and
DJ´s.

Bluestaeb's evolution from a beatmaker to a producer is his sophmore album “Everything is Always a Process”.

He is one of the key figures of a new generation of up and coming HipHop beatmakers, who have emancipated from genre thinking and instead merge old school aesthetics with a new school attitude and organic instrumentation.

Everything Is Always A Process re-iterates Bluestaeb's overall approach to life (and thinking), but also has direct reference to the making of the album itself, which began with moving from Berlin to Paris in 2015 in the search of new influences and a new creative environment.
Created between 2015 and early 2018, EIAAP embodies the process of this transition - as well as collaboration with instrumentalists and vocalists from all over the world and recording in different studios in Paris, London & Berlin.

"Meeting all those musicians and trying out new ways of producing by using real analogue synths, Rhodes, drums and percussion etc. made it possible to overcome the creative boundaries of a home studio with just a midi keyboard" / Bluestaeb

Influenced by Madlib's "Shades Of Blue" and trained in African drum techniques such as Djembé and Daruka, Bluestaeb had been crafting his own beats since his teenage years and gradually found his sound identity through experimenting with HipHop and Jazz – first to be heard by a broader music community in 2013, when he released his debut album "1991 Extraterrestrial" (Radio Juicy). Since then the prolific young artist has released numerous solo and collaboration projects ("B.L.U.E. Friday" in 2015 and „Sidekicks“ with S. Fidelity in 2016). In 2016, he produced collaborative album "LIT - Lost In Translation“ with rapper JuJu Rogers, a keen manifesto against racism, xenophobia and the rise of anti-heroes such as Donald Trump.
Today, Bluestaeb lives and works in Paris and Berlin and is set to release his third solo album “Everything Is Always a Process”, a smooth Neo Soul-induced epic featuring artists such as Noah Slee, Harleighblu and Melodiesinfonie.

Instrumental version now available. AMERIGO GAZAWAY, the man behind BIZARRE TRIBE, YASIIN GAYE & FELA SOUL, brings to life an imagined studio session between Chicago's crowned prince of hip hop COMMON and Motown soul legend STEVIE WONDER. Double vinyl in full picture sleeve, limited to 500 copies.

Bluestaeb hooks up with Jakarta for the all new "Rodaquilar" album. Produced, recorded and mixed by Blue, features Blameful Isles on one track.

Classic Nas instrumentals combined on a 2LP, including tracks from his very first LP "Illmatic" as well as bunch of classic cuts like "Affirmative Action", "Hate Me Now" or "Nas Is Like".

Knx, aka Knxwledge, is a beat maker raised in central New Jersey and Philadelphia, now dialing-it-in at home in Los Angeles. "Anthology" is the essential instrumentals curation from the forty some-odd Knx Bandcamp releases 2009-2013.

In 2018, Meitei shook the ambient world with the release of his debut album “Kwaidan”, a transposition of Japanese folklore into intricate compositions, capturing what he would coin as the “lost Japanese mood”. The album almost instantly received critical acclaim from the likes of Pitchfork, where it was included in their Best Experimental Albums of 2018, Bandcamp, calling it “different than some of the ambient music that has been coming from Japan in recent years”, The Wire and more. Outside of press, he has also received nods from the likes of Rosalía and has collaborated with contemporaries Anthony Naples, DJ Python, Tourist, Chitose Hajime and more.

Cementing his name in the ambient and experimental world, Meitei has since continued to cultivate devoted fans globally, with monumental follow-up albums as part of his unique musical canon – Komachi, Kofu I and Kofu II, showcasing his immense musicianship in building a unique sonic world of his own.

5 years later and a collaboration between 2 Singaporean labels – Kitchen. Label (Kofu I & II) Evening Chants (Kwaidan), the anniversary sees the highly anticipated special 5th Anniversary Edition of Kwaidan with 2 unreleased bonus tracks. This will come in the long out-of-print vinyl format, with obi strip, 8-panel insert, new colour variant and the first ever CD version.

Mastered by Taylor Deupree, Kwaidan’s 5th Anniversary Edition will be released with 2 bonus tracks on a smoke haze variant LP, CD and digital formats, released via Kitchen. Label and Evening Chants.

2023 Repress on Black Vinyl.

The third album from London-based multi-instrumentalist, Robohands. ‘Shapes’ fuses elements of jazz, krautrock, hip hop and ambient music. For fans of Khruangbin, Yusef Dayes, CAN, Coltrane and 70s library music moods.

Shapes is the solo project of London based composer, instrumentalist and producer Andy Baxter. His debut LP Green was released on Village Live Records in 2018 and was received with much love and acclaim in the UK Jazz, hip hop and surrounding scenes.

His follow up full-length, 'Dusk’, dropped in 2019, combining soul, funk, Latin & experimental moods. It featured vocalists & musicians from around the world including legendary New York French horn player, John Clark, who has worked with Isaac Hayes, Gil Evans Orchestra, McCoy Tyner, Jaco Pastorius, Ornette Coleman and many more greats.

'Shapes' is inspired by 1970s library music and their legendary composers including Piero Umiliani, David Axelrod, Brian Bennett and co. The album builds on these influences and incorporates modern motifs, contemporary jazz/hip hop drumming styles with a nod to 1990s Mo Wax artists such as DJ Shadow. The theme for the record is future/nostalgia, mixing vintage & modern instruments and production techniques.

Much of ‘Shapes’ was recorded with JB Pilon at Buffalo Studios in Limehouse, London. Due to the COVID restrictions that changed everything in 2020, the remaining parts were recorded in Andy’s flat using a collection of old mixing desk preamps and instruments.

For the heads – ‘Shapes’ features an array of vintage snares, including a 1960's Ludwig Pioneer and a mono, overhead ribbon mic on the drum kit provided extra old school points! The kick drum was re-amped through a huge vintage bass amplifier on a couple of tracks to give it some real character. “My favourite guitar sound achieved on this LP project is a

Sontronics Sigma ribbon microphone in front of a WEM Dominator amp, which you can hear on the track 'Odysea'. The bass sound for all the tracks is a 1973 Fender Precision into an old Altec valve preamp, the one used on most Motown recordings.”

NOW PRESSED ON 180 GRAM VINYL!

Cold Busted has navigated the smooth seas to unearth Sailing, the new album from Moroccan guitarist and beat-flinger saib. The Casablanca-based producer has steered his sound into warmer waters. Mixing tempered hip hop beats with jazzy vibes and a lounge sensibility, saib. touches on a style that's both chill and opulent. The album's opener, "Archipelago," sets the scene with gentle piano, swirling strings, and beachside sounds that would make Martin Denny proud. "Tropics" pushes the agenda further, featuring delightful vibraphone lines, stand-up bass, and boom bap beats, providing the perfect soundtrack for poolside cocktails. The sleepy crooning of "Blue Memories," the future-retro sing-a-long of "Mermaid Dreams," and the guitar/vibes interplay of "Pastel" provide other highlights. Sailing's twelve songs show saib. as an artist capable of bringing a sunny climate to any listening environment.

Oddisee's finest instrumental album to date. A Hiphop, Electro-Soul classic.

Instrumental version of Kid Abstrakt & Emapea - Jazzy Vibes LP. 250 copies.

Here's my new EP called unexpected I already had chosen the title but unfortunately my dad died unexpected so this is for you dad, I hope you found peace I love you - Eevee.

"Nothing Less" is the newest studio album from hip hop group Awon & Phoniks and their first full length release since starring in the 2020 Netflix documentary "Underdogs". The album is laced with Phoniks signature jazz-infused, boom bap production style and Awon's raw, honest lyricism. Produced on vintage samplers like the gritty Emu Sp-1200 and Akai MPC 2000xl the music evokes memories of classic east coast "golden era" hip hop. The songs were predominantly written under quarantine and center around political and social commentary of these tumultuous last few years.

Features include Masta Ace, Blu, Dephlow, Anti-Lilly, Tiff The Gift, Ill Conscious, Kid Abstrakt, DJ Ill Digitz, DJ Eveready, and Av Hamilton.

After releasing his first beat & instrumental album “Alltimers” in 2020, Berlin based multi-talent V.Raeter is back and kicking off the champagne for his upcoming sophomore LP “Sunday on a Monday” – this time released via Kabul Fire Records, also known as the nourishing home of high class instrumental releases in proud HipHop fashion. Sunday on a Monday is a sample based instrumental gem that pays tribute to the laid-back atmosphere of late summer days.

Limited to 4500 copies worldwide. Madlib reissues his long out of print collaboration with legendary Brazilian drummer Ivan “Mamao” Conti, propellant for lauded jazz fusion archetypes Azymuth, on his own imprint. Alternate cover artwork, photography by B+. When Madlib went to Brazil in 2002 with Mochilla to participate in the production of the Brazilintime documentary, his one mission was to meet Ivan “Mamao” Conti, the drummer of the legendary trio Azymuth. Madlib had made an Azymuth tribute record he wanted to play for him. On a rainy night in Rio, Mamao and Madlib went in the studio. Several hours later the rhythm tracks that make up Sujinho were laid and the process began. Featuring the music of Madlib, Mamao, Edu Lobo, Chico Buarque de Hollanda, Luiz Eca, Baden Powell, Vinicius De Moraes, Marcos Valle, Joao Donato, Dom Um Romao, Airto Moreira and even George Duke… and with guest vocals by Thalma De Freitas — Sujinho is a unique and classic record. Filled with the angularity and edge of a Madlib production and underwritten by the polyrhythmics of Mamao — Sujinho takes Brazilian music into places it has never been, bringing oft forgotten classics like “Upa Neguinho” to 21st century ears.

Given his noted love of anime, scoring a fantastical retelling of a 16th-century samurai warrior of African descent serving under a Japanese daimyo, must be a dream project for Flying Lotus. But, as we’ve come to expect from the man who brought us the mind-bending 2019 LP Flamagra and his own written, directed and scored full-length surrealist fever dream Kuso back in 2017, Steve Ellison is anything but predictable.

Where his recent work has ventured deep into the hitherto unexplored avant-garde reaches of contemporary electronic music, jazz and hip-hop, FlyLo’s score to renowned anime creators Studio MAPPA’s Netflix original series Yasuke — on which he also acts as story consultant and executive producer — sees FlyLo eschew his digital maximalism with rumblings of traditional instrumentation, sweeping romanticism and widescreen cinematic scope.

Broadening the canvas of show creators LeSean Thomas and Takeshi Satou’s alternative-historical Sengoku period of magic and swordplay, with a soundtrack of Morricone-style epic tones, traditional Japanese percussion instruments and West African percussion, the feudal yet futuristic world of Yasuke is summoned.

The drum-driven drama of ‘Your Armour’ and ‘Your Lord’ simmer with synth flutes, strings and koto, as the bubbling arps of ‘War Lords’ recall the cyberpunk noir of Vangelis’ Blade Runner score, while frequent collaborators Thundercat and Niki Randa, also make an appearance in this parallel universe.

Another spellbinding FlyLo release even without the stylish animations of the show, Yasuke is set to be one of Ellison’s most prized releases.

Italian Jazz Fusion quartet H-Owl Project are releasing their next single ‘Sea of Tranquility’ via the alternative label Group BraCil. The two-track release realises the groups’ modern jazz roots, but with shades of Progressive Rock, Soul and Hip Hop all being present throughout. Founded in 2019 of Apulian and Lucanian descent, the four piece is made up of Rossella Palagano (Vocals), Nicolò Petrafesa (Piano), Vito Faretina (Bass) and Graziano Pennetta (Drums). The group had recently been making waves at the 2019 Novi Sad Jazz Marathon in Serbia and even went on to win the Onyx Jazz Festival as best musical act in the same year. Alas, Covid has made a group that once thrived on the environment of live music now start to venture the dark resources of the web to make their music heard

In celebration of the exit of the most trash president in the history of the United States, SCM brings you 14 flips of possibly the most sampled song in hip hop. Masterfully mixed together by one of the greatest dj's on Earth, this will be a document that will stand the test of time. Limited to 500 copies and a one time pressing, this is a must have.

Musical off-season is over now, because Brenk Sinatra opens the summer semester at his Boss Spieler University. It continues Summer 2019’s sequel of the Midnight Ride series seamlessly. It’s no coincidence that the album is to be released during the summertime, as it is heavily inspired by a Dirty South flavor of the 1990s, well brought into the year 2021 by Brenk. Which sound could fit a hot, hopefully post-pandemic summer better?

Once again, Brenks new album is filled with vibes and spheric sounds. One can surely hear Brenks considerable collection of vintage synthesizers as well as new, sung elements – analogue Vocoders, as well as a Talkbox, which is used by Brenk himself on almost every song to sing hooks and vocal parts. Of course, you can also find the typical wah-wah guitars, cowbells and booming 808s. The term “Boss Player” (Brenk Germanized the term into “Boss Spieler”) is omnipresent in the lyrics of the above-mentioned protagonists of Westcoast and Down South rappers all through the 90s and defines the feeling captured within the album like no other term. Playas and Playarettes of the world are able to graduate from Brenk Sinatra’s Boss Spieler University from July 9 on. Instead of books and laptops, you will need casino dices and cool drinks as correct learning utensils.

On 11 October 2010, Brainfeeder released the debut album by a 23 year old ex-skater, painter and music producer from Chino Hills called Teebs (real name Mtendere Mandowa). The title 'Ardour' means great enthusiasm, love or passion and was a fitting descriptor for his inherently warm, lushly textured beats. It’s an undisputed classic in the Brainfeeder canon and more widely considered an essential chapter in the ever-evolving puzzle of the global “beat scene”.

Brainfeeder and Teebs are celebrating the 10th anniversary with a limited special edition reissue of this landmark record. Pressed on deep pink 2LP and housed in a beautiful gatefold sleeve with artwork by Teebs himself, the new edition features six previously unreleased bonus tracks.

With roots at the ‘My Hollow Drum’ collective, Dublab and Low End Theory, Teebs has been a staple in Los Angeles music. “My creative family in LA is so important,” he explains. “It’s a part of who I am when I step outside and how others in LA view me. I love the feeling of community and trying to understand how I can be useful in it.”

Following 'Ardour' (2010), Teebs released 'Collections' (2011), 'Estara' (2014) and, after a 5 year hiatus, his most recent album 'Anicca' in 2019, with the help of a host of musical friends including Panda Bear (Animal Collective), Sudan Archives, Ringgo Ancheta aka MNDSGN, Miguel Atwood-Ferguson and Anna Wise. Universally acclaimed, Pitchfork gave 'Anicca' a glowing 7.8 review hailing Mandowa’s “effortless, shape-shifting tracks that make time stand still.” Meanwhile, FADER described the record as “deeply atmospheric... cool-headed and uncanny.”