Instrumental Hip Hop 176 Items

Canadian beatdown master “eddie c” is back with fourth full length on endless flight! This new album is his unique mixture of laid back hip hop and lo-fi house sound which is inspired from late 80’s to early 90’s and much more darker than usual. The album kick off by old school hip hop tracks of “carbondate”,in the park” then new wave disco sound of “way uptown” it reminds us nyc post punk/new wave artist “konk”,dubby brazilian percus-sive disco track “batucada”,”berlina” is early 90’s nyc house like pal joy, probably most club friendly track “bad words” is wired new wavy vocal house madness and the album close with dreamy down tempo track “an der wedding” heavy kraut rock influenced stuff.

The producer’s own mixes – recently rediscovered – of his seminal EP, expanded with bonus tracks and now available in a special instrumental edition.

When Ruff Draft saw its initial release in 2003, J Dilla possessed production skills on par with anyone in hip-hop – technically and creatively. “At the top of his game,” says longtime friend and collaborator, Karriem Riggins. After years of building while modestly deferring to others of both greater and lesser notoriety, Dilla finally completed the first solo endeavor on his own label, entirely on his own terms. The significance of such an autonomous success often gets overlooked, and partly accounts for why Ruff Draft is one of the lesser-referenced entries in Dilla’s oeuvre. “It’s a mysterious little project,” says his mother, Maureen Yancey. “But out of his entire career, that was the happiest time.”
Prior to recording the EP, Dilla found himself at a crossroads. Estranged from his label, MCA, and separated from the mother of his youngest daughter, frustration abounded both personally and professionally. Dilla spent parts of 2002 and 2003 working on an album for MCA that featured his rapping over contributions from other producers with whom he had connected and whose music he respected. At the time, he was known primarily for his beats, yet reviled for his MCing by most anyone not from his hometown of Detroit. The project was to be an intentional freak of the industry.
The project would go on to spur his collaborative album with Madlib, Jaylib, and would first showcase the template that he would take to his greatest heights with 2006’s Donuts. The Stones Throw reissue of Ruff Draft from 2008 featured remixes of the songs from the album, done without Dilla’s involvement. This version of the album takes Dilla’s recently discovered mixes of the album and restores his vision for the project.

Cover has sticker rip offs due to PVC outersleeve.
Bonus disc in G+ condition.

Surprise drop for the hip-hop instrumental headz! A special instrumental LP with 6 instrumentals from the Scott Free EP (1993) and 6 instrumentals from the Swift project (1994)! All tracks produced by Danny Noiseman

Limited edition numbered copy. Still in shrink but opened.

New LP from the famous french beatmaker, available on black vinyl and a limited green vinyl edition 2LP. With Soul Food II, Kognitif remains consistent with his previous release, and delivers once again, a high-powered Soul-Electro album. The colorful, dancing universe of this beat-maker is filled with Hip-Hop, World Music and Jazz, mingled with Funky Trip-Hop beats. This is food for the soul. Kognitif is a self-taught musician and a Trip-Hop/Abstract Hip-hop producer.His music incorporates various influences and offers a plentiful Soul Groovy Funky Beats buffet. After Soul Food , his successful 3rd album, Soul Food II comes as the second volume of a great collection with the same ingredients, but a different recipee. Kognitif is now a major figure in the "à la française" Tip-Hop, in France and abroad.

Bluestaeb's evolution from a beatmaker to a producer is his sophmore album “Everything is Always a Process”.

He is one of the key figures of a new generation of up and coming HipHop beatmakers, who have emancipated from genre thinking and instead merge old school aesthetics with a new school attitude and organic instrumentation.

Everything Is Always A Process re-iterates Bluestaeb's overall approach to life (and thinking), but also has direct reference to the making of the album itself, which began with moving from Berlin to Paris in 2015 in the search of new influences and a new creative environment.
Created between 2015 and early 2018, EIAAP embodies the process of this transition - as well as collaboration with instrumentalists and vocalists from all over the world and recording in different studios in Paris, London & Berlin.

"Meeting all those musicians and trying out new ways of producing by using real analogue synths, Rhodes, drums and percussion etc. made it possible to overcome the creative boundaries of a home studio with just a midi keyboard" / Bluestaeb

Influenced by Madlib's "Shades Of Blue" and trained in African drum techniques such as Djembé and Daruka, Bluestaeb had been crafting his own beats since his teenage years and gradually found his sound identity through experimenting with HipHop and Jazz – first to be heard by a broader music community in 2013, when he released his debut album "1991 Extraterrestrial" (Radio Juicy). Since then the prolific young artist has released numerous solo and collaboration projects ("B.L.U.E. Friday" in 2015 and „Sidekicks“ with S. Fidelity in 2016). In 2016, he produced collaborative album "LIT - Lost In Translation“ with rapper JuJu Rogers, a keen manifesto against racism, xenophobia and the rise of anti-heroes such as Donald Trump.
Today, Bluestaeb lives and works in Paris and Berlin and is set to release his third solo album “Everything Is Always a Process”, a smooth Neo Soul-induced epic featuring artists such as Noah Slee, Harleighblu and Melodiesinfonie.

Limited edition of 400 handnumbered copies! Dumbo Station is a dope nu-jazz ensemble out of Roma, Italy!

Limited cassette edition!
Only one copy per customer!
Hip Hop producer L-One from Munich presents his new album “Medusa”. “Medusa” is a 44-minute long instrumental album that includes a vocal-feature by Akere.

he 2nd release on 823, a creative project founded by Ta-ku, is featuring the label debut of Portland wunderkind quickly, quickly.

823 is also the numerical representation of the phrase 'Thinking Of You'. It represents the appreciation for the people/ideas/places that inspire us and push us forward. As a label we are proud to present a series of musical releases that showcase the artists musical & visual endeavors. The artwork is shot by the artist themselves & each release has an accompanying photo zine that acts as a visual story that compliments the music they wrote at that time.

There’s a maturity to the sound of Portland, Oregon-based producer quickly, quickly that makes it difficult to believe he’s just 17 years old. Using elements of jazz, hip hop, and R&B, quickly, quickly weaves a tapestry of wispy productions that feel equally inspired by the dusty drums of early ’90s boom bap as they do by the whimsical electronics of head-turning contemporaries like Tennyson. Taking over on vocals, bass, drums, and piano, he offers insight into a greater understanding of musicality, There’s time devoted to each audible layer and it shows.

On 11 October 2010, Brainfeeder released the debut album by a 23 year old ex-skater, painter and music producer from Chino Hills called Teebs (real name Mtendere Mandowa). The title 'Ardour' means great enthusiasm, love or passion and was a fitting descriptor for his inherently warm, lushly textured beats. It’s an undisputed classic in the Brainfeeder canon and more widely considered an essential chapter in the ever-evolving puzzle of the global “beat scene”.

Brainfeeder and Teebs are celebrating the 10th anniversary with a limited special edition reissue of this landmark record. Pressed on deep pink 2LP and housed in a beautiful gatefold sleeve with artwork by Teebs himself, the new edition features six previously unreleased bonus tracks.

With roots at the ‘My Hollow Drum’ collective, Dublab and Low End Theory, Teebs has been a staple in Los Angeles music. “My creative family in LA is so important,” he explains. “It’s a part of who I am when I step outside and how others in LA view me. I love the feeling of community and trying to understand how I can be useful in it.”

Following 'Ardour' (2010), Teebs released 'Collections' (2011), 'Estara' (2014) and, after a 5 year hiatus, his most recent album 'Anicca' in 2019, with the help of a host of musical friends including Panda Bear (Animal Collective), Sudan Archives, Ringgo Ancheta aka MNDSGN, Miguel Atwood-Ferguson and Anna Wise. Universally acclaimed, Pitchfork gave 'Anicca' a glowing 7.8 review hailing Mandowa’s “effortless, shape-shifting tracks that make time stand still.” Meanwhile, FADER described the record as “deeply atmospheric... cool-headed and uncanny.”

Still shrink wrapped but opened.
Dogeared cover.
Records are close to NM.

Fifth pressing, this time via Sekito.

Cover with a beginning seam split at the spine.
Small light scuff on side D.

Beat Konducta in Africa is a 37-track instrumental hip-hop album produced & mixed with Madlib, featuring J. Rocc. This album bases itself on the obscure vinyl gems from the afro-beat, funk, psych-rock, garage-rock & soul movements of African countries as diverse as Zambia, Nigeria, Ethiopia, Ghana, Botswana and Ivory Coast

Instrumental version now available. AMERIGO GAZAWAY, the man behind BIZARRE TRIBE, YASIIN GAYE & FELA SOUL, brings to life an imagined studio session between Chicago's crowned prince of hip hop COMMON and Motown soul legend STEVIE WONDER. Double vinyl in full picture sleeve, limited to 500 copies.

In 2008 I came across a box of 7” tapes at an estate sale in Altadena. The woman there said that they had belonged to her father and were “field recordings” of a turn-of-the century orchestra. It took me maybe another year to actually load them up and transfer them to the computer. When I did, what I found was an incredible documentation of indigenous folkloric music that was meticulously recorded and then later transferred to 2-track tape sometime in the 1960’s. The tapes were labeled “Contact Field Orchestra”-- a collection of field recordings that seem to date from sometime around the turn of the 20th century (possibly a little earlier). After transferring the tapes and cleaning them up as best I could, I discovered that due to the frequency range, they must have been recorded largely with hand-made piezo transducers of some sort. Some of the tapes were partially destroyed, so I found that I had to re-play or play over the songs as best I could to fill-in and augment the original ideas. I tried to stay as true to the original recordings as much as possible. I’ll admit I took some liberties with the EQ (perhaps too much...) and where applicable added a small amount of delay and reverb to accent the track. (Okay, and maybe a few electric guitars...sue me.) The result, I think, is an amazing collection of esoteric folk recordings of a mysterious band of San Gabriel miners turned musicians. Apparently having given-up after the gold boom, these folks stayed in what would later become Upper Mallard Canyon in Altadena -- living in the old Dawn’s Mine shaft, and crafting their own instruments from discarded mining equipment and whatever small guitars and banjos they had brought with them. The sound this orchestra created is like something out of a Jim Jarmusch film, and reminds me of an old Library of Congress or Folkways recording. The music itself is full of opposites -- hypnotizing and odd; meditative and jarring. It’s strangely familiar, but also distantly unrecognizable. Some songs are more minimalist in their approach, building up a rhythm with mbiras and percussion, while others seem to have much more harmony and tonal structure and almost Blues/Country feel. Either way, they had me hooked from the first bar, and I find myself returning to it again and again, irregardless of my heavy-handed noodling... I’m really happy to have discovered this, and I hope you are too. All the best, Damon Aaron / “Sounds like Tom Waits and Augustus Pablo smoking opium on the bayou.” - Kutmah

The Unseen Breaks is a Limited press, 7 inch vinyl experience of Gus Sutherland's "The Unseen - A Detroit Beat Tape", chopped and edited into a classic Detroit break record. Includes bonus production from the producers featured on the soundtrack and in the documentary (Amp Fiddler, Quelle Chris, J Dilla, Dakim, House Shoes, Slautah, Ahk, Hugh Whitaker, & Rafael Statin) curated by TaRaach. From the 1st clip of "Start Recording" to the blaring of the J Dilla Anthem "Ghetto Wish", this 7 inch serves its purpose for any DJ needing to improve their collection.

Doggystyle' is a compilation of footwork/juke tracks made between 2017-2018

Pete Rock is widely recognized as one of the greatest hip hop producers of all time. His name is oft included in the pantheon of the greatest, alongside DJ Premier, RZA and J Dilla. In addition, Pete has one of the world’s most extensive vinyl collections, the sort of collection who’s size can only be estimated – and that estimate stands in excess of 100,000 LPs. 2019 will see the launch of Pete Rock’s own imprint, Tru Soul Records. And being a lover of all things vinyl, he’s decided that the label’s inaugural release has to be for Record Store Day. Rock’s production forte is the melding of Jazz with early 90s East Coast boom bap, as demonstrated though his work with partner in rhyme CL Smooth. But there was a time before Pete met CL, a time before the world came to know Pete Rock & CL Smooth, a time when Pete was a 19 year old in his basement in Mount Vernon, NY making beats with his SP-1200. These are those beats. Released for the first time ever on “Return Of The SP-1200” debuting on Record Store Day 2019.

Off of the backs of the 2006 release a pair of 7-inch singles called the Shaolin Series, El Michels Affair would eventually drop the LP “Enter the 37th Chamber” in 2009, which covered classics by the Wu-Tang Clan. To commemorate the 15th anniversary of the landmark full-length, Fat Beats Records is not only re-releasing the original 45s in the Shaolin Series, but will be adding to the series with choice cuts from the LP. First up is “Shimmy Shimmy Ya,” a hauntingly unforgettable take on ODB’s classic single, with blaring horns and a chorus of children to sing the iconic hook. The b-side features a darker, moodier interpretation of Raekwon’s “Incarcerated Scarfaces,” perfectly representing El Michels Affair’s slow-riding style dubbed “Cinematic Soul.”

With his acclaimed debut album Seeds, Roots & Fruits, an inclusion on Mark Farina’s Mushroom Jazz 8, and notable Cold Busted compilation appearances, the Polish beat-master Emapea has been a producer to watch. Early in 2018 he unveiled Zoning Out, Volume 1, an album intended for chilling while deep in thought, or for getting into that crucial head-nod zone, like when the DJ drops the dopest beat. With listeners ready for more rhythmic brain-food, Emapea provides with the anticipated next installment: Zoning Out, Volume 2. Developing the theme of Volume 1, Emapea takes his jazzy sensibilities and fresh drum patterns and ups the ante, delivering 18 mandatory cuts that swerve and shimmy while exhibiting pure dopeness. Take “Last Cypher,” which is an infectious funk-hip-hop hybrid that flows with more than a few surprise embellishments. There’s also the low-rider spy-hop of “Big Small Talks”; “Tantra” with its smooth, old school ride; the sensual boom bap of “Blue Almonds”; and the infectious, latin-lounge-tinged “Rainy Day”. These are no-nonsense beat compositions, perfect for thinking, for grooving, for dreaming, for zoning out. Emapea and Cold Busted come correct once again.

Limited to 250 copies.

vinyl is close to NM, tiny wear

Limited edition of only 500 copies. Still sealed!

Limited to 100 copies.

Tokyo's own beat maker and multi-instrumentalist, Kazumi Kaneda, brings us another Jazz opus full of dazzle and wonder. Following up his 2017’s album Hardlight, Morpheme Tone sets a new bar in original jazz & hip hop production, continually refining his particular flavour and style. Kaneda presents his work as gritty and complex, smooth and subtle with equal parts bebop and hip hop, coalescing into a project of ultimate coolness.

Jazz heads and Hip Hop heads worldwide are keeping tabs on Kazumi Kaneda, watching and waiting for those next brilliant moves. Morpheme Tone is one of those moves.

i just want to give a huge thanks for all my fans and supporters for being so patient for this release. this isn't an official release but i felt like its been so long i had to drop something for you guys longer than 1 minute. i worked really hard on this and i hope you enjoy :)

//C28 White Cassette. 150 copies.

Once again Jazzsoon returns with another, soon to be rare and sought after release entitled "Heavy Archives".
This time taking a break from the conceptual beat tapes like "Taxi" or the most recent "Cosby Tape" the one known as Jazzsoon went back into his Archive and compiled 3 to 4 albums worth of music that hasn't seen the light of day for some years until now.
The cassette will be packaged in an O-Card and will contain 5 more minutes of music.
This will be the first installment in the "Heavy Archives" series brought to you by Strictly Cassette and distributed by Red Line Music Distribution, Inc. Be sure not to miss out on this gem.

An outstanding 2LP compiling the best instrumentals of the greatest white rap group ever: the Beastie Boys. New Yorkers Ad-Rock, MCA and Mike D crossed over into the mainstream in the mid 80s with their full-length Licensed to Ill and exploded any notions of one-dimensionality with its ambitious followups such as Paul’s Boutique, On Check Your Head and Ill Communication. Taking influences from hardcore and hip hop, these innovators performed most of the music while integrating an array of rock samples, 808 beats and witty wordplay into an everintriguing sonic smorgasbord. This 2019 comes with a new limited version presented in White Color Vinyl to enjoy in both ways of this wonderfulLP.

Still in shrink but opened. Vinyl is close to NM.

Still in shrink but opened. Tiny wear.

10 years after Hi_hat Club Hulk Hodn and Twit One have recorded a second Testiculo Y Uno album called “Two”. The LP comes in a special punch-cover with printed inner sleeve.

Canadian beatdown master “eddie c” is back with fourth full length on endless flight! This new album is his unique mixture of laid back hip hop and lo-fi house sound which is inspired from late 80’s to early 90’s and much more darker than usual. The album kick off by old school hip hop tracks of “carbondate”,in the park” then new wave disco sound of “way uptown” it reminds us nyc post punk/new wave artist “konk”,dubby brazilian percus-sive disco track “batucada”,”berlina” is early 90’s nyc house like pal joy, probably most club friendly track “bad words” is wired new wavy vocal house madness and the album close with dreamy down tempo track “an der wedding” heavy kraut rock influenced stuff.

Finally new material from suisse wonderboy Dimlite, now on Stones Throw's Now Again label.

Cypress Hill is widely respected and considered to be amongst the main
progenitors of West Coast rap and Hip Hop in the early 1990s.
With mega-hits like “Insane in the Brain”, “I Wanna Get High” or “Tequila
Sunrise” they crossed-over to mainstream breaking all records for a rap
band up until that time. Cypress Hill were the first Latino-American hiphop
group to have RIAA Certified platinum and multi-platinum albums.
As musicians they became famous for the crazy sounds produced by DJ
Muggs and Bobo and the stoner sympathetic lyrics of B-Real and Sen
Dog. They redefined and shattered the boundaries of hip-hop, crafting
gutter-dirty tracks that fused deep bass lines with blissful, stoned-out
melodies and aggressive hard rock riffs, creating a unique imprint.
.
This is an esential and powerful weapon for all the Hip Hop creators and
DJ´s.

Vinyl closer to NM

Vinyl with a couple of light scuffs, close to VG+

Limited Edition. Black Vinyl.

Small light scuff on side B.
Includes original insert.

Marbled vinyl.

Cover with seam split.
Record is close to VG+.

Few paper scuffs, tiny wear. Limited edition. OBI is missing.

Cover and red vinyl are very close to NM. Limited edition. OBI is missing.

very close to NM. OBI is missing

marbled vinyl. tiny wear.

Welcome to BLOCK001 - Day X has arrived. For our pilot project, 16 renowned producers from Germany, Austria and Switzerland combined talents to deliver a unique acoustic testament of our time to posterity. “Cosmic Void” blends elements of Hip-Hop, Electronica, Boombap, Lo-Fi, Ambient, 808, Experimental, Trip-Hop and Pop into a stimulating soundscape, presenting the many facets of instrumental Hip-Hop in 2019.
Exclusive contributions by 7apes, Robot Orchestra, Brenk Sinatra, NiteNite, the intern, Torky Tork, Drum Quixote, Enaka, Cap Kendricks, Dexter, Funky Notes, Twit One, Dienst&Schulter, Maniac, Smoke Trees and Dead Rabbit turn “Cosmic Void” into a must-have for Beat-Art-enthusiasts. Produced and designed meticulously, each Cosmic Void’s packaging is handmade. Limited to 500 vinyl copies.
„Cosmodrome Baikonur. It is merely a matter of time until our atmosphere topples. Recent calculations predict our life-sustaining measures are no longer capable to prevent the decomposition of the organics. Not efficiently, that is. Time is running out, people are seeking salvation. There is hope, though. The relentless efforts of Sergeant Appiah and Prof. Dr. Heitech drove their team of elite scientists to finalize the ESI-analysis of the anticipated 1140b-fractal just in time. The latest seminal developments in tech granted us to dream the impossible. Every piece of information we acquired could have been our last. The Secretary-General of our Reunited Nations let us know, and I quote: „There can be no distance too long, no challenge too great, for the benefit of humankind.“ The crew of W-58025 is ready for takeoff, project CV001 begins according to schedule. We’re here for you - over and out.“

Record has light scuffs and hairlines.

SIMON S' debut album of sonic soul & dusty hip hop. "MUSIC 4 ALTERNATIVE SOULS" features DEBORAH JORDAN , MC JACK JONES & NICOLA KRAMER. GEORGIE SWEET, J MCFYSIAN & NATHAN THOMAS also deliver stunning soulful soundscapes . Remixes by K15, SIMON S, MARC RAPSON & MECCA:83

The instrumentals Hip Hop label CDR-SI has the honor of advertise the new double LP of the successful collections of Hip Hop instrumentals. Now is the turn for NOTORIOUS B.I.G. Here you have the most importants cuts and tracks of its trayectory in
instrumental version in a double lp format. This is a esential and powerful weapon for all the Hip Hop creators and DJ´s. This 2019 comes with a new limited version presented in Orange Crush Color Vinyl to enjoy in both ways of this wonderful LP.

The most anticipated … what more can we say? Double gatefold vinyl with printed innersleeves!