Instrumental Hip Hop 331 Items

Eagle's sound sources are a global assemblage, as he scours second-hand shops from China to Dubai for rare records to source his beats. Even Eagle's residence is multicultural — born in the Ukraine but now based in Hong Kong, the producer and renowned scratch DJ draws upon a galaxy of influences to craft his jazzy lo-fi hip hop concoctions. Now he's powered up his MPC and loaded up the vintage wax for another Cold Busted excursion. Records from the Basement Session 2 continues the series started in early 2021, bringing Eagle's sharp-eyed beat constructions back to the masses. "Melody Maker" is the first of 15 extraordinary tracks, setting the scene with R&B flourishes, odd synthy effects, and minimal but tight rhythms. There's also "Nights In White Hong Kong," a hypnotic rush of electric piano chords, Asian flutes, a familiar-edged beat, and dollops of drama. "Magic Planet" instantly charms with its twinkling keys, wistful melodies, and slow-but-steady drum loop, transporting the listener to the title's domain. And "Let's Begin Again" takes on a lounge-flavor as shimmering vibraphone lines and mood-setting strings evoke a pensive journey. These are just a few of the many highlights found on Records from the Basement Session 2.

A collection of early beat creations from Detroit's J Dilla aka JAY DEE (circa 95-98). Originally recorded to cassette now remastered for a special vinyl release. The 928 LP includes 14 raw tracks in a magnificent jacket of artwork perfect for any collection.

Volume 3 beats are from the Golden Age of Hip Hop from 1993 to 1996. Some Of these tracks have never been heard before. While some of these tracks are very familiar records that had no instrumental to them. A lot of these tracks were kept Buried within K-DEF's original Mpc60 and 3000 disks. Some of the beats were damaged and would never load into the machines. Like Vol. 1 and 2, these beats were created in the 1990's and not created today. Preserving the old sound of the machines in its entirety. We hope you enjoy this rare collection of lost beats from the 90's

As the nights get colder and longer, we often lose touch with those around us. Nights when loneliness takes hold of us as our only dependable friend, and our imagination becomes the universe; forever questioning the existence of our own reality, while perpetually stuck in an emotional limbo.. Delve into your thoughts with ‘Lonely Nights’, the latest Lofi Girl compilation featuring 31 artists worldwide. Soft beats, melancholic pianos, lulling guitars and a range of other instruments are knitted together like a warm blanket to bring ease and comfort for as long as you need. Focus on the ingressing dawn light, close your eyes, and breathe in - this feeling is only temporary, and better days are on their way.

1988 is the follow up to Knxwledge’s official debut album Hud Dreems (Stones Throw, 2015). The same year Hud Dreems was released Knx worked with Kendrick Lamar on To Pimp a Butterfly, earning the producer his first Grammy. A duo with Anderson .Paak called NxWorries was formed around the same time. Their single “Suede” became a viral hit, vaulting the singer to R&B stardom, and their album Yes Lawd! followed through on that song’s immense promise. Knx and Paak have quietly continued collaborating, and some of the new work is heard on 1988.

A prolific artist in the extreme sense of the word, Knxwledge continues to redefine instrumental hip-hop almost in real-time with a stream of beat tapes numbering in the hundreds on Bandcamp, and video remixes on Instagram.

This prolific output began early. 1988 takes its name from the fact that much of the new record was created that very year, when Knx was an infant. As the story is told, little baby Knx was left alone by his mother for just a few moments and crawled to a family member’s vintage Sp–12 sampler. When his mother returned he had already produced his first beats and nearly mastered the machine. These tracks, all produced before nap time while rocking a Nike diaper, were stored over the years on floppy discs, then brought to his studio in recent months where they were finished up, mixed, and mastered.

this is my latest's album Kuroi Yume (Black Dreams). It is my love and culture blended with my love for asian culture. Cover work by the amazing Kidchan aka cyanparade

Traditionally the liner notes of an album take on a kind of third-party address, where a writer is delivering their thoughts about how an album makes them feel without breaching that space where they are representing themselves or the moment in time directly to the reader. The goal is typically a kind of timelessness, but as we live in unprecedented times, unconventional methods take on new life, and hopefully importance. In the spirit of that idea... man, is this the kind of album we all need right now. So many of us feel like we're constantly walking a tightrope, are feeling like we can't unwind, are in genuine need of a few moments of respite. Every so often an album emerges from an artist that most likely did not realize when they were composing how timely the results would be, and Lofi Dimensions is exactly that kind of record. It doesn't really matter why it's coming when it is, what's important is that it's here, offering peace to the perturbed and inspiration for the downcast. The American Dollar have long been one of those artists operating in a kind of middle ground, a band with a long history of creating moving instrumental rock that has somehow avoided ever becoming synonymous with modern American post-rock acts. They retain a sort of autonomy in a valued position just outside the boundaries of classification. Blending electronic textures with moving guitar and keyboard melodies, their music has always traveled somewhere in the spaces between trip-hop, electronic, post-rock and ambient, and this inability to be defined is ultimately what sets them apart from the trappings of genre, allowing them to be whatever they want The American Dollar to be in a given moment, always on their terms.

The original Jazz Playa from New Mexico, Mackjunt. releases his first full length album SIC Intentions with 12 original tracks. Creating new footprints in the jazz genre with this release. He returns solely from his joined conquest he contributed to in Jazz Playaz Quartet's LP - International Jazz Playaz.

Hand Numbered / Autographed By Kevinthecreep Aka Lil Creepshow Edition Of 125 Copies

Without a pandemic, you’d now be listening to an album wholly recorded in Cuba with local musicians. Back in 2020, everything was organised, so that in May 2021 we could get started. Yet, the sanitary measures proved to be a fierce adversary, so rather than giving up entirely we decamped to Dakar in October the same year – a compromise that ended up being a positive event in itself.
Cuba has a long African history. Under mass enslavement and the Transatlantic trade, Africans were forced from their homelands, against their will, taking their music along with them. Merging throughout the centuries, taking on European influences, led to the birth of a distinctive Afro-Cuban musical tradition. Highly percussive, brass-based, simmering, full of danceable rhythms. The spirit etched into thousands of recordings, forever turning towards Africa. The departure point here is not to keep things the same. Rather, a return to the source enacts a loop – much the same as those providing the foundations for hip-hop beats.
The flame when it’s re-lit illuminates everything. Thanks to the Senegalese musicians in Dakar, the Cubans who crossed the Atlantic to join us and my usual family of musicians, this music – a cross-section of covers and original compositions - exists as a homage to Afro-Cuban music. Made in Africa, in Senegal. Three worlds, three languages, three colours. Recorded over 17 days, non-stop, germinating the seed born in Cuba at the end of 2020 so that the most beautiful fruits might be cultivated in Dakar, 2022.
When the world doesn’t seem big enough, we look up to the sky where even the blackness is lit up, where those I loved who are now gone shine as stars, shining as brightly as all the others. Each time I think I’m not going to make it; I recall the star of my mother. Then the path becomes clear.
Pandemic, visa problems, cultural clashes, bank transfers that didn’t go through, a fractured foot – this project sometimes felt like a series of accumulated challenges. The only thing linking us, a shared love for the music, each of us invoking our personal star and all that we have overcome.
In this way, the music is born as a call to our stars.

The third album in the Soulphonic series. Ohbliv takes you on a journey through 90's influenced instrumentals full of heart, soul, and endless grooves.

Meitei’s 2020 album 'Kofū' was the bold bookend to an expedition, where sounds were first navigated and then subverted in 2018’s 'Kwaidan' and 2019’s 'Komachi'.

All three albums were Meitei’s attempt at immersive storytelling, reimagining moments of Japanese history he felt were being washed away – not least by the unforgiving sands of time – through wistful compositions that stretched across ambient music, hauntology, and musique concrete.

When it came to finalizing 'Kofū', Meitei found he was left with over 60 fully realized tracks, bursting with ideas that fired in divergent, curious directions. Meitei was content with the 13 tracks he had selected. But when it came time to begin his next album, he found that it had been sitting in front of him all along. He realized his work wasn’t over yet.

Meitei sounds right at home celebrating the past he first reimagined in his previous work. The merriment is palpable in its first two tracks of 'Kofū II' – a loop of cheery whistling amidst the clanking of wood leads into strings, cricket sounds and flutes, all united in bustling harmony.

'Happyaku-yachō' is where it comes into focus. Pitch-shifted vocal samples roam around in the crowded sonic field. “My image of this music is that it expresses the vibrant mood of Edo's merchant culture,” says Meitei, “where old Japanese dwellings were densely packed together in a vast expanse of land.” The affair becomes bittersweet as the track leads into the desolate 'Kaworu', a compositional piece lifted from his 'Komachi' sessions – a final requiem to his late grandmother.

The album is bursting with spectral vignettes of wandering samurais, red lanterns, ninjas, puppet theatres, poets, even a vengeful assassin ('Shurayuki hime', known to Western audiences as ‘Lady Snowblood’).

'Saryō' is as elegant and refined as you would expect. It induces stillness in its repetition, with each synth note a brushstroke. It was inspired by a Sengoku-era tea house he once visited, designed by national icon Sen no Rikyū. Meitei tied it to the reaction he felt while poring over the ink paintings in his grandmother’s house. “The decayed earthen walls and faded tatami mats gave me an emotional impression,” he says. “And the cosmic flow of time drifting in the small room. I decided to put my impression of this into music.”

In 'Akira Kurosawa', an appropriately thunderous track, Meitei finds deep resonance in his vast filmography, which drew equally from Japan’s rich heritage and troubled circumstances post-WWII.

'Kofū II' is not a leftovers album, nor is it a straightforward companion piece. In this album, Meitei has his biggest reckoning with the Japanese identity yet. Over the years, he has attempted to peel back what he believes has defined Japan and its people. After seeking answers with three full-length albums, his fourth poses more questions.

If his first three albums inspired a sense of longing – or, perhaps inevitably, fed an irreparable nostalgia doomed to history – 'Kofū II' compels us to reassess our relationship with the past. By constantly looking back, are we ever afforded a clearer present? After capturing the “lost Japanese mood”, where does that leave its country in the modern world? Meitei offers no immediate answers with 'Kofū II'. It forces you to sit with its disparate moods, to meditate amidst the textured fragments.

'Kofū II' will be released on 180g LP, CD and digital format on December 10, 2021 (LP expected to land January 28, 2022) via KITCHEN. LABEL. Both LP and CD format are presented in a debossed sleeve with obi strip and include a 16-page insert with words in Japanese and English from Meitei, printed on premium paper stock with design by KITCHEN. LABEL founder Ricks Ang, and is mastered by Chihei Hatakeyama in Tokyo, Japan.

Colle Der Fomento e Tuff Kong Records sono orgogliose di presentare "Adversus Instrumentals", tutte le strumentali dell’album più una traccia scratch inedita con gli effetti utilizzati nel disco in doppio vinile a tiratura di 500 copie numerate a mano: 200 su vinile arancio e 300 su vinile nero.

Colle Der Fomento and Tuff Kong Records are proud to present "Adversus Instrumentals", all the instrumentals from the full-length plus a an exclusive scratch effect track used in the record, limited edition of 500 hand-numbered copies.

Following the success of Aesop Rock's most recent solo album, Spirit World Field Guide, he returns to deliver the instrumental version of those interdimensional adventures. Aesop has long been celebrated for his talents as a lyricist, but he has continually grown and evolved as a producer as well. While the original Spirit World Field Guide was packed with insightful chapters of firsthand know-how into the terrain, wildlife, and social customs of our parallel universe, the Spirit World Field Guide Instrumentals not only set the tone but also provide the roadmap for you to take your own journey. Welcome to the Spirit World. Explore with intention.

Gas Lab (Argentina) and Kazumi Kaneda (Japan), having never met in person, collaborate across an ocean and blend their unique styles to make pure magic. Trans Pacific is one of those moments in time when two amazing producers come together to create something incredibly special. Gas Lab with his undeniable funky bass guitar and loose beats, mixed with Kazumi’s incredible piano playing stemming from the Japanese school of jazz. Combined with their favourite collaborators (David Lavoie on Trumpet, Andrew Gould on Saxophone, Hector Mario on Flute), this recipe is an entirely new flavour!

Limited to 500 copies. Legendary Hip Hop Producer and Emcee Large Pro aka The Large Professor returns with his highly anticipated 3rd instrumental album, Beatz Volume 3. Back with his traditional signature Boomp Bap sound, LP brings you more well-crafted soulful Beatz that you can rhyme to, DJ with, skateboard, or even dance to! This album features 10 bangers that are sure to make DJs want doubles to back spin! Large Professor states: "Beatz Vol. 3 was made to lift the spirits. From the youthful "Let It Fly" to the ghetto love story sounds of "Rooftop Love", all of the Beatz on this project were made to make the listener feel good. After learning more about my family history, I had to dedicate the song "Ancestors" to my predecessors who are in the "Friendly Skies". Overall, I want to keep that original Boomp Bap style of hip hop alive for my generation, and the real ones to follow." Large Professor is a founding member of the Hip Hop group Main Source. In 1991 their classic debut album "Breaking Atoms" introduced the world to NAS, who was featured on the track "Live at the Barbeque". Some of Large Pro's production and remix credits include tracks for NAS, Eric B. & Rakim, A Tribe Called Quest, Slick Rick, Pete Rock & CL Smooth, Tragedy Khadafi, Mobb Deep, Busta Rhymes, Big Daddy Kane, Lord Finesse, Akinyele, Masta Ace, Czarface, Cormega and many more. Recent production credits: RawWattage "Eyez" (2020), "Pressure" Soundtrack (2020), The Lox/Westside Gunn & Benny "Think of the Lox" (2021), Al Skratch "Be Original" (2021), Neek The Exotic ft. Large Pro "XtraExotic" (album) (2021), K.McGyver Hemisphere (2021), Papoose "Represent" (2021), Papoose "Cold Winter" (2021) and the "All The Streets are Silent" Motion Picture Soundtrack (2021).

Ockham's Blazer is a mysterious 7 piece nomad jazz group combining the talents of PremRock, Fresh Kils, Anthony Rinaldi, Guido Spannocchi & Praq!. Hailing from NYC, Toronto, London, and Vienna, the making of this project spanned the talents of 7 musicians across 4 countries and 2 continents. Singles include "Prison of Gold," "Dirtbell," and "The Overtaxed Heart's Club Band." Released via renowned independent hip-hop label Fake Four Inc., this album fits with the label's standard of pushing the boundaries of experimental hip-hop.

Vienna’s 4th studio album, exploring deeper into the world of jazz and electronics. For fans of BADBADNOTGOOD:)

Netherlands jazz beat maker teams up with jazz band .multibeat to create an album that is the sound of jazz today; ultra fun and fresh, blending electronics with beats but firmly rooted in jazz.

Edition of 150 Copies.

Originally released in 2020 on the leading lo-fi hip-hop label Chillhop Music, ‘On the Rhodes’ is best-known work from Austrian Lo-Fi beat-maker "Mr Kaffer". The recent lo-fi classic is now available on splatter colored vinyl for the first time!

The instrumentals to the acclaimed 2019 collaborative album from Freddie Gibbs & Madlib, now available on vinyl.

September 2021 marks the 10th anniversary of Dome of Doom. Collecting 30 tracks spanning from 2011-2021, label founder Wylie Cable put together Decade of Doom as a reflection of the first pillar in a long and continuing story—and the many phases the label has experienced thus far. Decade of Doom comprehensively serves as a homage to many of the artists, people and experiences that tell the label’s story, splintering outward toward an abundance of communities that continue to nourish one another. These tentacles all leading back to the hand-selection of releases Cable has diligently been at the heart of since the first vinyl and cassettes were pressed.

Limited to 100 black vinyl with OBI

Stro Elliot has risen to prominence as the percussionist for The Roots and was previously a producer and MC for The Procussions.

Long before being a nightly part of The Tonite Show with Jimmy Fallon as a part of The Roots, Stro released a collection of vaulted tracks called “Stro’s Old Beat Farm”.

This collection of tracks were created between 2004 and 2010, and gave a glimpse of greatness to those that scoured the internet for the best in beats.

SCM presents Stro’s Old Beat Farm in physical form for the first time, ten years after its release. It is a document of a man who would soon be well on his way.

“Soothing Breeze” is a compilation of 21 carefully selected beats with oriental traditional instruments, soft drum loops and mystical appeal. The air is calm and pure - it’s time for absolute focus in this tranquil landscape.

2x 12” color vinyl (45 rpm) 180Gr Limited : 5000 copies Numbered

Inspired by the music of one of the most iconic pop culture licenses of all time, main composition was assigned to Tee Lopes, the talent behind the music of Sonic Mania and Streets of Rage 4: Mr X’s Nightmare. His musical vision echoes the spirit of the turtles and this specific game specificities: tributes to classic Tmnt tunes with a good dose of fun and switching fluidly between 80s/90s electro, funk, rock, and jazzy tunes with chiptune vibes.

On top of that, prestigious guests were added to the line-up. Kid Katana Records are proud to host legends such as Raekwon The Chef and Ghostface Killah from the legendary rap band Wu-Tang Clan, and Mike Patton, frontman of Faith No More and Mr Bungle. They all performed exclusive tracks recorded specifically for the game and the OST.

Blue Sky Black Death is a production duo based in the San Francisco Bay Area. It consists of Ryan Maguire, better known by his stage name Kingston, and Ian Taggart, better known by his stage name Young God.

Deniro Farrar, is an American rapper from Charlotte, North Carolina. He has collaborated with other artists such as Ryan Hemsworth, Shady Blaze and Flosstradamus.

It’s midnight again and the deadline is looming! Luckily there is a brand new compilation album “12 Am. Study Session”, and with the help of 26 enchanting new beats from various talented artists around the world, the task at hand feels a lot smoother. Join Lofi Girl in her study - and finish that project together tonight.

Tropical Dreams !

We're very excited to share with you our new digital and vinyl compilation called Tropical Dreams by Retro Jungle Records.

This 10 tracks project will make you feel the sun on your skin and the fresh vibes of this lo-fi hip hop project, featuring so many great artists !

It’s that time of the day again to relax with a warm cup of coffee, and let your mind slowly wake up to a new day. “Morning Coffee” is a compilation showcasing calming vibes from a multitude of talented artists around the world. Sit down and look outside the window - there’s an endless amount of possibilities today.

Flight is a collection of music from American beat maker Artifakts featuring a continuous mix of widespread emotion tied together with a warm, genuine aesthetic. From the opening synth arpeggio, Flight will have the listener engaged in a sonic journey that blends golden era hip-hop drums, space-traversed synthesis and trance inducing sample selections.

THE Sounds OF Flight feature various samples of the soul genre, while a larger portion revolve around a particular series of music created and licensed in the mid 70’s to late 80’s. With collections such as April Orchestra, KPM Music and Bruton Music Library, many of the selected samples (better known as "Library Music") were originally recorded to evoke a particular mood for accompanying other media (movies, television, etc). While much of the Library Music genre remain uncirculated, abandoned in an era with a consumer of a smaller caliber, Artifakts breathes new life into each with every passing beat. Focusing on minimal methodology, Flight utilizes a prime selection of samples and classic MPC style drum programing, all woven with vintage sounding synthesis.

As it was birthed, Flight is best enjoyed with a glass of whiskey or smoke of choice in a low lit atmosphere.

Samurai Champloo Music Record: Departure is a soundtrack album, originally released on June 23, 2004. It is the second of four soundtrack albums released for the show. The album was produced by Japanese DJ / producer Nujabes, and American MC/producer Fat Jon, and featured Japanese rapper Shing02 and Japanese singer-songwriter MINMI on the album’s first and last tracks, respectively. Departure was critically lauded and is the best known album from the series, with especially high praise being reserved for “Battlecry”.

The music of the Samurai Champloo anime series was created by a group of producers: Japanese hip-hop producer Tsutchie of the rap group Shakkazombie, American hip-hop producer & emcee Fat Jon of the rap group Five Deez, Japanese hip-hop producer Nujabes, and Japanese DJ & production duo Force Of Nature. The music genre is primarily instrumental hip-hop.

Samurai Champloo Music Record: Impression is the fourth soundtrack album in the series of the anime show Samurai Champloo. It contains tracks by Nujabes, Force of Nature, Fat Jon and MINMI. The lyrics on “Hiji Zuru Style” are written and performed by S-Word and Suiken. The lyrics on “Who’s Theme” are written and performed by MINMI; vibraphone is by Yoshihiko Katori.

The music of the Samurai Champloo anime series was created by a group of producers: Japanese hip-hop producer Tsutchie of the rap group Shakkazombie, American hip-hop producer & emcee Fat Jon of the rap group Five Deez, Japanese hip-hop producer Nujabes, and Japanese DJ & production duo Force Of Nature. The music genre is primarily instrumental hip-hop.

Only 200 copies available!

This limited "Gumbo Trilogy Box" packaged in a high-quality paperboard slipcase contains:

- "Gumbo III – The Gorilla Diaries 2012 - 2016" vinyl, cover design by Cone The Weird
- "Gumbo II" vinyl with a brand-new, customized Pantone colorway by Cone The Weird
- "Gumbo I" double LP vinyl available in full length for the first time, cover artwork by Aro
- An exclusive photo book designed by Robert Winter and Jeremias Diekmann which lets you dive into the creation process of the Gumbo Trilogy. Includes rare photographs, cover sketches by Aro and Cone The Weird and essays by Brenk Sinatra and Stephan Kunze