Instrumental Hip Hop Vinyl 277 Items

"Tonjen One" is an explosion of tasteful sounds and imagery. Deeply setup into modern electronic it mixes ambient robotic bleeps and soulful jazz hip hop beats. It's a multi-genre composition going easily from one world to the other and playing with the contrast between the two in a very satisfying way. The album flows as a continuous stream of sonic pleasure and comes out of the mind of Swiss producer YZNO (formerly known as Jazzo) releasing his first LP complemented by Isabel Seiffert's incredible artwork and under the Swiss label Boyoom Connective in collab with Urban Waves and HHV.

Austin Boogie Crew had to do something special for our first vinyl release of 2019, and with that we present H1NDS1GHT , a killer double 7” modern funk EP by the one and only XL Middleton! Hailing from Pasadena, California, XL has established himself as one of the premiere musicians, label owners (MoFunk Records), and tastemakers in the game. Using outstanding and mostly unreleased material from his archives as the foundation for this project (hence the name H1NDS1GHT), XL reimagined these songs and penned fresh lyrics specifically for the release. We divided the EP into two 45s, each with its own distinct vibe, and with the help of illustrator Austin Cashell and designer Rene Cardenas, created a unique album jacket that forms one image when the two records are held side by side. Viewed as a whole, this EP is an exceptional ride that will carry you from spring into summer!

Vol. 2 A: “Gamin’” (120 BPM) - Broken beat inspired drums and soaring chords lay the groundwork for this exceptional jam about approaching a woman with respect and care. With a sick solo and some vocoder peppered into the mix, this is a winner in more ways than one.

B: “Enjoyable Sunburn” (116 BPM) - XL crafts a playful yet smooth instrumental that would sound at home in an Outrun video game or on the Beverly Hills Cop soundtrack. But it isn’t just the nostalgia factor that will keep you coming back to this one, it’s the compositional finesse, amazing synth sounds, and heart.

Austin Boogie Crew had to do something special for our first vinyl release of 2019, and with that we present H1NDS1GHT , a killer double 7” modern funk EP by the one and only XL Middleton! Hailing from Pasadena, California, XL has established himself as one of the premiere musicians, label owners (MoFunk Records), and tastemakers in the game. Using outstanding and mostly unreleased material from his archives as the foundation for this project (hence the name H1NDS1GHT), XL reimagined these songs and penned fresh lyrics specifically for the release. We divided the EP into two 45s, each with its own distinct vibe, and with the help of illustrator Austin Cashell and designer Rene Cardenas, created a unique album jacket that forms one image when the two records are held side by side. Viewed as a whole, this EP is an exceptional ride that will carry you from spring into summer!

Vol. 1 A: “Nervous” (112 BPM) - Making a lasting impression out the gate, “Nervous” is a modern funk anthem for anyone who’s struggled with the confidence to approach someone romantically. On top of the endearing and refreshing songwriting, the instrumentation on this one is crisp and way funky.

B: “Digital Devils” (113 BPM) - Originally featured on the 2014 cassette compilation Is This The Future?, this irresistible instrumental is long overdue for the vinyl treatment. The slapping drums and wet, punchy bass on this one immediately demand attention. With lovely changeups and 16-bit style leads, this is an ace in the hole on any dance floor.

Brand nu Wun Two! 24 tracks feat. Anthony Drawn, Danae Greenfield & Hubert Daviz!

Regardless of producing underground classics like “Jazz auf Gleich” (2013) with Sichtexot rapper Eloquent, researching frequencies below 60 Hz with Hubert Daviz as a tag team (“Vapowavez”, 2018), or escorting you through the cold days of the year, making the experience of winter not being felt that bad (“Snow 1-4, 2016-18”). Wun Two‘s key motivation is the aesthetic standard, he applies to his works.

At the latest since “Pirata” (2019), a musical audio adventure in an English as well as in a German version (voice actors: Ugly God & Twit One), it is clear as daylight, that one does not only deal with a simple beat maker, but also a concept artist. In doing so, Wun Two‘s intention is not driven by binge-releasing his beats randomly rather than carefully selecting them in order to form them to a thoroughly illustrated album embedded in a lyrical frame work.

After the “Dolphi” EP as part of the “SXT Tracks“ series, the grand album “O Cavalo Vermelho” is being released in 2020. Based on an even more sophisticated sound, Wun Two takes the audience on a journey through a foggy but dry environment on the search for the “red horse”.
Musical support comes from his “partner in crime” Hubert Daviz, label mate Anthony Drawn (saxophone) and the exceptional artist Danae Greenfield (keys) from New York City.
The illustration and graphical concept is contributed by Robert Winter (Die Ottos).

Vinyl with a couple of light scuffs. Cover has some light wear on the back. Witho Flexi 7". Overall copy closer to VG+

Limited edition of 300 copies on black vinyl!

Italian beatsmith wuf comes up with his all new album "Interface" on vinyl and all digital platforms. Mellow lo-fi jams and cosmic waves for your listening pleasure guaranteed. Tip!

In a repeatedly rephrased metaphor of vinyl archaeologists digging for samples and re-constructing music from tiny pieces and fractions of long lost sounds, Weedy of 40 Winks is actually a rare example of this image being executed to perfection. His puzzling way of piecing together intricate beats, rich in details, breaks and variations, is rather analogous to surrealist art than to most of his fellow contemporary beat-smiths. On top he adds his own instrumentation to perfect these compositions, being like a conservator creating mosaics of rhythms, grooves and harmonies, giving the listeners imagination ample space to wander about.

Yellow-Black-Transparent-Splatter vinyl. Still in shrink, but opened, with hype sticker

Limited edition of 300 copies!

Urban Waves Records presents "Some Alternate Timelines”, the new album by Canadian producer Liam Mansfield a.k.a. Vienna. Hailing from Montreal, the young producer is known for his unique sound, drawing inspiration from a rich blend of styles ranging from funk, electronic, jazz, hip hop and even disco. The album takes you on a visit to Vienna's world. As it’s name indicates, we're landing in a parallel universe where things took a different path but nuances are subtle. Rhythms are off kilter, synths are strangely crunchy, electric piano chords bubble up and fly away, and yet somehow it all pulls together beautifully. Discovering these unique sonic elements is part of the experience, and as you progress through the album it's hard not to become infatuated. Vienna's music has a very singular charm and feel that will take you by surprise, but once you're struck it feels natural and familiar.

The album comes along a very unique and limited vinyl edition with a special color, a marbled black on transparent. The perfect mastering gives the vinyl an extra punch specially on the basses that just feel otherworldly on the analog format.

Copy closer to NM

As a producer you allways get inspired by a diverse range of musical genres and other producers. This first episode of “Twerk Life Balance” is initiated by the producer duo “Twerking Class Heroes” and it features three other artists (Meister Lampe, DJ Marcelle - Another nice mess and Candie Hank) with quite diverse production techniques. On the A side we have two Hip Hop oriented electronic bangers from the Twerking Class Heroes and Meister Lampe. Both tracks are inspired by either traditional arabic music or belly dance music. The B Side opens with a deep downbeat and electro song from the Twerking Class Heroes and gets followed by a kucek oriented acid game track from Candie Hank. The final track is a super distorted Club Banger made for a DJ Set like one of DJ Marcelle and produced by herself.

The Silhouettes Project a new platform for up and coming Hip-Hop, Soul and Jazz artists from the UK. It is not a record label or management team, it is a community project. The Silhouettes Project provides an open space - a recording studio and live venue located within the Total Refreshment Centre in Hackney, London - where MCs, singers, musicians and producers can connect and create.The Silhouttes Project was founded by community organisers/artists Asher Korner (aka Kosher) and Jaden Osei-Bonsu (Eerf Evil) in 2019. When they told us about the project and played us some of the music we were instantly hooked and joined the collective as label partner. The art direction is executed by Sergio „SagaUno“ Alferez, an acclaimed designer and illustrator from Medellín, Columbia.Starting in September, we release a new single each Thursday from artists like Kofi Stone, Summers Sons, Enny, KeepVibesNear, Manik MC, Lex Amor, Louis The Hippie, Summer-Pearl, Joe Beard and many more.

Here is the story of the Silhouettes Project as told by its founders Jaden and Asher: „We started The Silhouettes Project in February 2019, to shine a light on the new generation ofunderground Hip-Hop, Jazz, and Soul music in the UK. Community is everything to us, and wewanted to show that with a proper support network, access to professional facilities, and theencouragement of a family of artists, our community could produce something incredible. We felt a joint frustration that the current music scene in the UK only had structures in placeto support talent of a certain genre whilst overlooking a buzzing alternative Hip-Hop culture.We wanted to unify artists who are making ground-breaking music but who are in need of asolid structure to work within - artists who we felt deserved more recognition. This led us tothe name ‘The Silhouettes Project’, as we wanted to shine a light on those artists in theshadows. The journey started by embarking on a collaborative album project which allowed us to bringtogether more than 30 artists on a single tape and to create a network of incredibly talentedartists of the same calibre. The album took more than a year, working almost every day at theRoot 73 studio, a community space in Hackney. We knew from the first few sessions that wewere on to something, and the energy around the project kept it moving. As artists ourselves we understood that the creative process can be challenging and sometimesisolating, especially when there is no clear support network to fall back on. This led us to bringour efforts into the physical realm by organising a series of free live music events for all ofthese artists to come to, showcase their work alongside our house band, and connect witheach other. These events take place at The Total Refreshment Centre in Dalston, anunderground studio complex and warehouse space, which gave the events an intimatecommunity feeling and the people a sense of belonging. There is a desperate need for spaces in which people can come together and develop theircreative potential, especially with the consistent withdrawal of funding from the arts sector inthe UK and with the constant threat of gentrification which has seen the closure of countlesscommunity and grassroots creative organisations. As we grew as a brand and organisation, webegan to fully understand the importance of what we were doing. From the studio sessions tothe events, we saw the impact on people’s outlooks on their own careers, we saw them growin confidence in performing and collaborating and even taking their own initiative to utilise thenetwork provided for them. We heard their feedback, we felt the excitement in theatmospheres at our events and studio sessions, and we saw the community grow every timewe brought it together.“

Small deeper scratch on side 2 track 4.

It is the year 2020, a year that addresses our awareness of diversity, tolerance and sustainability in an assorted, socio-cultural way. We translate this demand into music. “Nuthin’ But A She Thang” focuses on a marginalised view of instrumental beat music. This sampler, reflects a cross-section of the international female producer scene: 14 female artists, 8 countries, 4 continents, one language - music! The 14 instrumentals take the listener on a musical journey, which creates a tension between classic sample sound and modern current productions. The many facets of female beat producing are presented by exclusive contributions by Ainie (de) o Aygyul (at) o Courtney Hawkins (us) o Da Chick (pt) o Georgia Anne Muldrow (us) o Gnarly (uk) o Jillesque (us) o Josi Miller (de) o Julie Schatz (us) o Lisa Vazquez (us) o Sadiva (aus) o Saltyyyy V (de) o Sowall (kor) o Usagi (jp). Together with Stylefile as a cooperation-partner, we were able to persuade none other than Hera (de). She implanted an even more artistic approach and added an exclusive artprint to this piece of music. Our latest Release Ddct003 is in the end not only a musical project, it is a statement, it is an attitude.

2LP comp of those fire L.A. Producer 10"s that came out a decade ago. Includes a 36 page photo booklet from photographer, B+ . Dope. TIP! "Back in 2010 we released a series of 10" records from L.A., the series featured 22 artists across 11 records representing the various generations and approaches that made up the beat scene, both in LA and around the world. On every cover was a snapshot of the city viewed through the lens of L.A. based Irishman, Brian Cross AKA B+. To mark a decade we have compiled and remastered 24 tracks from the series on 2LP and cassette and bundled a 36 page B+ photo booklet inside and included liner notes from author of forthcoming book “Bedroom Beats & B-Sides” Laurent Fintoni."

Japanese import / Gatefold / First time on vinyl / Limited run

An independent label ‘’Hydeout Productions’’ releases the best compilation album for the first time.

Including from Nujabes’s fresh and passionate works only found in his early works to more emotional and metaphorical works which became the basis of his later success.

Hansi's Room is my Room in Munich, where Music Producers, MC's and Dj's can present themselves and their own Music.

Newly born label and Berlin-based collective Get Together drops her first release with its GTVA series: 4 various artist mini LPs geared for DJs with 7 tracks each. They contain a mixture of Afro, Disco, Jazz-influenced and Experimental House tracks topped off with a few spicy Hip Hop instrumentals. The release is a well-curated blend of styles from the scene's most appreciated up-and-coming artists as well as a few undiscovered talents. Its diversity makes it a default in any DJs record bag - with club tracks for warm ups, peak moments or experimental after hours.

Limited to 500 copies. Cut corner sleeve.

Welcome to BLOCK001 - Day X has arrived. For our pilot project, 16 renowned producers from Germany, Austria and Switzerland combined talents to deliver a unique acoustic testament of our time to posterity. “Cosmic Void” blends elements of Hip-Hop, Electronica, Boombap, Lo-Fi, Ambient, 808, Experimental, Trip-Hop and Pop into a stimulating soundscape, presenting the many facets of instrumental Hip-Hop in 2019.
Exclusive contributions by 7apes, Robot Orchestra, Brenk Sinatra, NiteNite, the intern, Torky Tork, Drum Quixote, Enaka, Cap Kendricks, Dexter, Funky Notes, Twit One, Dienst&Schulter, Maniac, Smoke Trees and Dead Rabbit turn “Cosmic Void” into a must-have for Beat-Art-enthusiasts. Produced and designed meticulously, each Cosmic Void’s packaging is handmade. Limited to 500 vinyl copies.
„Cosmodrome Baikonur. It is merely a matter of time until our atmosphere topples. Recent calculations predict our life-sustaining measures are no longer capable to prevent the decomposition of the organics. Not efficiently, that is. Time is running out, people are seeking salvation. There is hope, though. The relentless efforts of Sergeant Appiah and Prof. Dr. Heitech drove their team of elite scientists to finalize the ESI-analysis of the anticipated 1140b-fractal just in time. The latest seminal developments in tech granted us to dream the impossible. Every piece of information we acquired could have been our last. The Secretary-General of our Reunited Nations let us know, and I quote: „There can be no distance too long, no challenge too great, for the benefit of humankind.“ The crew of W-58025 is ready for takeoff, project CV001 begins according to schedule. We’re here for you - over and out.“

A download code is included. First Dezi-Belle Records Compilation. Limited edition of 100 copies.

After the extraordinary success of the debut release in the series, we thought it was only right to make this beautiful release accessible once again.

Test pressing. Generic sleeve.

Ta-ku & Jakarta Records present 823’s very 1st label sampler featuring a diverse & international Line-Up of Lo-Fi - Producers. After the very successful EP releases of quickly, quickly’s “Over Skies” in mid 2018 (27m spotify-streams) and Please Wait’s “Black & White” in late 2019 (6,4m spotify-streams to this day) Jakarta Records and Ta-ku take their joint label to the next level presenting 823’s very 1st longplayer - a compilation feat. an international line-up of already established as well as up & coming Lo-Fi producers, handpicked and curated by none other than 823 label-head Ta-ku himself. 1st single to be released on 21st of August is „Serenity“ by prolific 27 year old producer eevee (1,5m monthly listeners) from the Netherlands aka „the queen of Lo-Fi“ delivering a loopy and very hypnotic tune w/ quite jazzy horns feeling like watching the sunset on a desert planet like Dune - from outer space. 2nd single will be a double-single, coming on September 11th w/ finnish indie-producer Idealism (2,5m monthly listeners) and his tune “Somehow” – a steady and softened beat w/ colorfull and chilled piano chords – on the one side and Ta-ku’s “Remember Me” - another powerful Lo-Fi anthem by the Australian allrounder and 823 patron - on the flipside. The compilation’s 3rd drop will be a double-single as well featuring 19 year old, US-based self made producer Peachy! (2,6m monthly listeners), delivering his Shanghai inspired, very spheric walk-by tune “Stroll” on one side while Laguna contributes his slowly uplifting but very keen “Lone Rider” on the flipside, catching that specific moment when switching from boredom to euphoria right away. All singles off the compilation will be accompanied by customized visuals from different filmmakers catching the songs’ very own vibes. The compilation’s artwork comes along in its very own and unique 823-style. Worldwide web promotion for this release will be handled and taken care of by Jonathan Kim.

Include A2 sized poster.

"Teklife presents Afterlife, the first release on the new Teklife Records label. The album is a celebration of the life and music of the late, great DJ Rashad and features 15 previously unreleased tracks, each a collaboration between DJ Rashad and friends from the Teklife crew and beyond. A limited edition double vinyl will accompany the digital release.

Afterlife is testament to an incredible breadth of influences and love of music with soul, hip-hop, house, techno and many more all brought together at 160bpm. Rashad's presence is felt throughout in the boundless energy and creativity which run through the album, whilst each collaborator brings their personal touch to the compositions.

With such a prolific body of work as both a solo artist and in collaboration with other musicians, it would be impossible to present a definitive collection of DJ Rashad's music and many many classics will remain unreleased for ever.

Afterlife is our tribute to our friend and our inspiration. Rest In Peace DJ Rashad.

A percentage of the profits from the album will be donated to Rashad’s family.

An instrumental beat ode to the Duke by Twit One, Flame & Lazy Jones, strictly limited to 300 copies on black vinyl. Respect the architect!

Limited edition. Numbered. Tiny wear.

Promo copy! Limited edition. Handnumbered: promo/300. With foldover die cut gimmick.

The incomparable Twit One drops KEATS 08. Only 1 per customer!

Limited edition of 500 copies on black 2LP vinyl. Comes in gatefold sleeve with a funky artwork by Boggie Cramb!

Skipping through endlessly boring 70s flics from Eastern Germany and digging in the crates for 1€ records crammed with scheisse Volksmusik is something Torky does all the time. Don`t ask yourself why. Listen!

Only 115 hand numbered copies pressed on Clear Gold Vinyl.

We are excited to present Tom Misch and Yussef Dayes’ “What Kinda Music” – an astonishing collaboration between two artists of very different disciplines, and one of the most unique and seamlessly original projects of its ilk to date.

Moving fluidly through sleek electronica, avant-garde jazz, vintage hip hop and so much more, Misch and Dayes take you on a journey that is by turns surprising and spontaneous, heady and head spinning, and nothing less than compelling – a singular vision which fuses the DNA of both musicians with spectacular results, as can be seen in the title track, which comes backed by a gorgeously atmospheric video by XX.

Even though the fundamental bones of this project came together very quickly, its actual provenance stretches back much, much farther back, with the pair not only growing up in the same area of South East London, but Misch actually seeing Dayes play on drums in the school talent show for the first time when he was roughly 8 or 9. They both kept tabs on each other – Misch becoming a fan of Dayes’ act Yussef Kamaal, Dayes clocking his videos in 2014 – but it was only when they met at a launch party for Misch’s debut LP “Geography” in 2018 that the proverbial creative sparks began to fly. “As a musician you’re always looking for contemporaries who can push you and challenge you and make you better”, says Dayes. “I instantly felt that with Tom – he was such a gifted musician, and so prolific”. That summer they decided to go into the studio together, jam a little, and see what happens, with no other expectation placed upon it.

As it turns out, the music came fast and furiously. Two initial tracks were suddenly followed by a handful of others, and the pair found themselves contemplating what to do next. “Pretty soon, we knew that something was gelling”, Dayes says. “It didn’t feel like a one-off collaboration, it felt like a body of work”. What made the pair click, according to Misch and Dayes, were the exact same factors that meant it shouldn’t, by all rights, work. Misch says, “Yussef comes from a more experimental background, and he has a lot of loose, crazy ideas. I know how to write a catchy melody, but with interesting chords and have a good understanding of popular song forms, so I think I streamlined those ideas and made them accessible”. And certainly, in “What Kinda Music” you can sense the DNA of both musicians, but fusing so effortlessly and beautifully that it creates something else entirely, the appropriately named “Lift Off” sending goosebumps with its jazz flecked crescendo, and “Night Rider” hynotising with its deeply mesmeric grooves. “I have a love for harmony and chords”, Misch adds. “Working with someone like Yussef, who has such a gifted sense of rhythm allowed a perfect balance”.

Throughout the record, there is an utterly joyful feel of two musicians at the top of their game sparking off one another, picking up ideas and running with them – zigging where the other zags, ebbing where the other flows, with Misch producing the majority of the record and both having a hand in the overall sound and feel of the record.

“Working with Yussef has actually changed the way I work as a musician”, Misch muses. “He’s pushed me and unlocked a more experimental part of me that I hadn’t really allowed myself to explore before. I think we really did impact each other in a fundamental way”. Dayes is similarly effusive in his praise for Misch. “A musician like him, who’s at the top of his game, he doesn’t need to do this”, he raves. “He can just keep doing the same thing and why not? He’s killing it. The fact that he’s so humble, that he’s so curious about everything and open to collaboration, speaks a lot to him as an artist, because it’s not easy finding musicians who want to collaborate. Something always gets in the way, whether it’s ego or their team or whatever. But with Tom it felt like the intention was purely creative, and that’s what made it exciting”. In fact, Dayes says that the intentions of the record go even deeper than just music. “Both our parents who’d never met each other before, are now best friends as a result of this, they now see each other more than we do! I’d like to think, in some small way, that this album has a similar impact for people too – everything feels so divided these days, it would be nice for people to hear the record and hear two very different musicians coming together and realise it doesn’t have to be that way”.

Vinyl close to NM. Cover with beginning of seam split on top spine.

The prodigious 20-year old South East Londoner Tom Misch releases Beat Tape 2 through his own label Beyond The Groove. The project is a soulful extension of the themes explored on Beat Tape 1, this time featuring a host of collaborations including Carmody, the beautifully delicate soulful singer who just happens to be one of his friends older sister; fast-rising wordsmith, Loyle Carner and Melbourne native Jordan Rakei, who since striking a friendship up with Tom online, has taken the plunge and moved from Oz to East Dulwich himself.

It's been four years since Sweatbox Dynasty, the fourth solo LP from Pennsylvanian experimentalist Tobacco. In that time, Tom Fec's project has toured with Nine Inch Nails, provided the theme song to HBO series Silicon Valley, and teamed with Aesop Rock for a collaborative album as Malibu Ken. He now returns to Ghostly International for Hot Wet & Sassy, a full-length album oozing with his most playful and approachable songs to date, which, conversely, express notions of antilove, self-hate, and disappointment in others. Pop impulses have always surged beneath the surface of his sound - blown-out bass, analog synths, drum machines, and Fec's unmistakable analog gurgle and hiss - here they've bubbled to the top. "I feel like it's the most I've been able to refine what I'm doing," says Fec. "For the past decade I've had this motherfxcker on my shoulder that makes me pick away at structure and melody. Purposely covering up moments because I can. That really came to a peak on Sweatbox. So I wanted the opposite this time. Write the songs without ripping them in half. I went from 'what would the Butthole Surfers do?' to 'what would Cyndi Lauper do?'" And what would Trent Reznor do? Fec found his answer straight from the source. Their collaborative track, "Babysitter," fuses their voices into one deranged presence: "I'm the new babysitter," they alert, before pivoting into a menacingly saccharine bridge. The track tumbles on a tom fill, then a punishing synth line rips into a cacophony of drums and feedback like a lawnmower gnawing through the living room carpet. "This was new for me, but I wanted to write a song that was everything I am and have been, and then like one notch further. Trent was the notch further," adds Fec. The collaboration is a work of alchemy seamlessly blending Tobacco's trademarks with Reznor's industrial rust and sonic gore. Downcast, sincere, woozy, "Jinmenken" might be the closest Fec has come to a ballad. "Maybe you can find me down the line," his vocoded delivery bounces along the beat. "It's me trying to write a Jets song," says Fec. Album opener "Centaur Skin" presents the stylistic concoction that has been the Tobacco MO from the beginning, crossing dreamy melodic shimmer with the sinister tones and slime. This has become easier to digest, but also far more potent. A motorik beat steadies the track's galloping arpeggio, acting as a springboard for Fec's dark ruminations as well as an uncharacteristically crystalline synth solo. "It's my feel good self hate anthem. Don't worry, I'm good. It was fun to write." Tobacco hasn't been reinvented, but it has been refined and distilled. Brighter, sharper, and far more dangerous because of it. Hot Wet & Sassy is practically staring at the sun without shades and feeling those corneas roast. Everything looks good as your vision fades. The pop-forward structures exert their undeniable hooks with baneful precision, pulling listeners into their clutches; once there, sugary melody rewards submission.

Warp & LuckyMe unite for a mixture of minimal, bass-bleeding hip-hop beats!