Instrumental Hip Hop Vinyl 557 Items

Limited edition of 400 handnumbered copies! Dumbo Station is a dope nu-jazz ensemble out of Roma, Italy!

Limited edition of 150 hand-numbered copies only!
Shatter Days is the new EP by Shatter Hands, the tracks were produced in a series in 2017 and fans are already familiar with them but they weren't up for download back then.
The 7" vinyl edition includes 2 tracks, “Impressible” and “Let's Kryptonite” and is strictly limited.

he 2nd release on 823, a creative project founded by Ta-ku, is featuring the label debut of Portland wunderkind quickly, quickly.

823 is also the numerical representation of the phrase 'Thinking Of You'. It represents the appreciation for the people/ideas/places that inspire us and push us forward. As a label we are proud to present a series of musical releases that showcase the artists musical & visual endeavors. The artwork is shot by the artist themselves & each release has an accompanying photo zine that acts as a visual story that compliments the music they wrote at that time.

There’s a maturity to the sound of Portland, Oregon-based producer quickly, quickly that makes it difficult to believe he’s just 17 years old. Using elements of jazz, hip hop, and R&B, quickly, quickly weaves a tapestry of wispy productions that feel equally inspired by the dusty drums of early ’90s boom bap as they do by the whimsical electronics of head-turning contemporaries like Tennyson. Taking over on vocals, bass, drums, and piano, he offers insight into a greater understanding of musicality, There’s time devoted to each audible layer and it shows.

The vinyl edition is limited to 300 copies and comes in a sealed heavy old-fashioned cardboard sleeve, the record itself is packed in a protective poly-innersleeve. A free download code plus a BJINT logo sticker round up the packaging.

After Philanthrope's opener »Waking Dreams« on Beat Jazz International, we are blessed to announce the second release focusing on Beats, Jazz and Vinyl.

Leipzig's IAMPAUL of the Daily Concept camp delivers 14 mellow tracks on "Something Between" with jazzy bits and boombap pieces.

Following up his now sold out Redef debut (1996 Beat Tape, Vol 1), veteran producer DJ Spinna returns with another wave of hard hitting instrumentals. Entitled, Unpicked Treats Volume 2, the “Jigmasta” Spinna has prepared the second of an ongoing series of beats that all have a similar story. Making tracks for well over 2 decades, this latest project features a small collection of beats that were created with the intention of backing MC’s and vocalists, but were never officially used. Rather than archiving the material, DJ Spinna realized his fan base would appreciate these compositions in instrumental form. After all, he is the same producer who has garnered respect from the likes of J Dilla, Pete Rock, Jazzy Jeff and yes, the one & only Stevie Wonder himself. Without giving too much of his process away, Spinna challenged himself using a mix at the latest cutting edge software in tandem with some of his favorite gear from over the years. The end result is a glimpse into the spontaneous execution of top notch creativity. Listeners will have an unobstructed view into the ears and mind of the artist. Employing several different approaches, Unpicked Treats Volume 2 maintains a consistent vibe throughout its songs. Whether, you love beat tapes, instrumental music or are entertained by the art of sampling, this record is a commodity.

Here's another Huubaat nugget that we are very excited about to release. "Momentum" includes a collection of previously unreleased or digtial-only available works incl. the collaboration effort with Flako. The vinyl comes with a lovely soft-touch sleeve.

"Beatnicks Tape": All tracks produced by Hubert Daviz in April/May 2008. The original release "Beatnicks Tape #01" included 13 tracks. These tracks have been released for free download in summer 2008 on the Cologne based record label Up My Alley. The work on this beat tape started as an attempt of getting familiar with one's first own equipment. Original text from the back cover: "lots of vinyl, 1 MPC2500, 1 Microkorg, hands on."

"Damage Is Done": All tracks produced by Flako & Hubert Daviz between December 2007 & June 2008. Unreleased beat tape from the joint collaboration with Flako (going by the name of "Damage Is Done"). The original version was completed by Flako on June 21, 2008 and included 8 tracks. "Woop, Wooop.."

Deep jazz & hip hop meet on "DAYS PAST", a new LP from THE PETER FRANKS GROUP. Produced by SIMON S, "DAYS PAST" incorporates a lush, live vibe with hard drums, deep basslines, organic keys & standout solos alongside dusty samples. Remixes include stellar work from QUIET DAWN,BUSCRATES & MECCA:83.

The producer’s own mixes – recently rediscovered – of his seminal EP, expanded with bonus tracks and now available in a special instrumental edition.

When Ruff Draft saw its initial release in 2003, J Dilla possessed production skills on par with anyone in hip-hop – technically and creatively. “At the top of his game,” says longtime friend and collaborator, Karriem Riggins. After years of building while modestly deferring to others of both greater and lesser notoriety, Dilla finally completed the first solo endeavor on his own label, entirely on his own terms. The significance of such an autonomous success often gets overlooked, and partly accounts for why Ruff Draft is one of the lesser-referenced entries in Dilla’s oeuvre. “It’s a mysterious little project,” says his mother, Maureen Yancey. “But out of his entire career, that was the happiest time.”
Prior to recording the EP, Dilla found himself at a crossroads. Estranged from his label, MCA, and separated from the mother of his youngest daughter, frustration abounded both personally and professionally. Dilla spent parts of 2002 and 2003 working on an album for MCA that featured his rapping over contributions from other producers with whom he had connected and whose music he respected. At the time, he was known primarily for his beats, yet reviled for his MCing by most anyone not from his hometown of Detroit. The project was to be an intentional freak of the industry.
The project would go on to spur his collaborative album with Madlib, Jaylib, and would first showcase the template that he would take to his greatest heights with 2006’s Donuts. The Stones Throw reissue of Ruff Draft from 2008 featured remixes of the songs from the album, done without Dilla’s involvement. This version of the album takes Dilla’s recently discovered mixes of the album and restores his vision for the project.

Great instrumental hip-hop rap beats by Ahwlee, finally pressed on viynl.

Bluestaeb's evolution from a beatmaker to a producer is his sophmore album “Everything is Always a Process”.

He is one of the key figures of a new generation of up and coming HipHop beatmakers, who have emancipated from genre thinking and instead merge old school aesthetics with a new school attitude and organic instrumentation.

Everything Is Always A Process re-iterates Bluestaeb's overall approach to life (and thinking), but also has direct reference to the making of the album itself, which began with moving from Berlin to Paris in 2015 in the search of new influences and a new creative environment.
Created between 2015 and early 2018, EIAAP embodies the process of this transition - as well as collaboration with instrumentalists and vocalists from all over the world and recording in different studios in Paris, London & Berlin.

"Meeting all those musicians and trying out new ways of producing by using real analogue synths, Rhodes, drums and percussion etc. made it possible to overcome the creative boundaries of a home studio with just a midi keyboard" / Bluestaeb

Influenced by Madlib's "Shades Of Blue" and trained in African drum techniques such as Djembé and Daruka, Bluestaeb had been crafting his own beats since his teenage years and gradually found his sound identity through experimenting with HipHop and Jazz – first to be heard by a broader music community in 2013, when he released his debut album "1991 Extraterrestrial" (Radio Juicy). Since then the prolific young artist has released numerous solo and collaboration projects ("B.L.U.E. Friday" in 2015 and „Sidekicks“ with S. Fidelity in 2016). In 2016, he produced collaborative album "LIT - Lost In Translation“ with rapper JuJu Rogers, a keen manifesto against racism, xenophobia and the rise of anti-heroes such as Donald Trump.
Today, Bluestaeb lives and works in Paris and Berlin and is set to release his third solo album “Everything Is Always a Process”, a smooth Neo Soul-induced epic featuring artists such as Noah Slee, Harleighblu and Melodiesinfonie.

Following his critically acclaimed 2017 releases ‘Shurikens’ & ‘Koishiteru’ Kuartz returns with his new LP ‘KuartzFM’

A full-length LP of souful instrumental hiphop with call ins, radio jingles and skits throughout to add to the radio station theme

Limited edition of 250 black copies!
Fingerprints Vol.2 is inspired by & dedicated to: Ghostface Killah, Freddie Gibbs, Pharoahe Monch, Slum Village, Big-L, Jay-Z, Sean Price, MF Doom.
HipHop Instrumental Album Listen, Feel, Groove, Bounce!
The sound quality of vinyl records is highly dependent on the quality of the master. That's why we chose a full dynamic, high resolution, analog master which is running on 12 Inch/45rpm for better sound-quality.