Instrumental Hip Hop Vinyl 576 Items

Knx, aka Knxwledge, is a beat maker raised in central New Jersey and Philadelphia, now dialing-it-in at home in Los Angeles. "Anthology" is the essential instrumentals curation from the forty some-odd Knx Bandcamp releases 2009-2013.

Knx, aka Knxwledge, is a beat maker raised in central New Jersey and Philadelphia, now dialing-it-in at home in Los Angeles. "Anthology" is the essential instrumentals curation from the forty some-odd Knx Bandcamp releases 2009-2013.

Money $ex Records is the collaborative venture between Max Graef, Glenn Astro & Delfonic. The Berlin-based label’s exploits showcase a crooked blend of influence and originality, with releases from the likes of Christopher Rau, Knowsum, Gerry Franke, IMYRMIND, Alex Seidel, Hodini and Kickflip Mike, as well as its founders.

The label’s focus is on artist releases. LPs as well as EPs, exploring everything from Electronic Funk to Psychedelic Jazz and Contemporary Dance Music thrown in for good measure.

Limited to 300 copies including the bonus LP „I Play My Guitar Like I Don’t Care“ – being available exclusively at Sichtexot and HHV. Handnumbered with a linocut graphic by Sara Mosco, Printed by screenprint. Also includes a limited edition poster!

„This. Is. Just. An. Experience.“
The bonus LP „I Play My Guitar Like I Don’t Care“ does exactly what its title promises. Distorted guitars, bumpy rhythms and weird melodies with overdriven voices - but all with much love and dedication. There will be 300 copies of the limited bonus LP „I Play My Guitar Like I Don’t Care“ – being available exclusively as bundle with „Lush Space Daze“ at Sichtexot and HHV. Handnumbered with a linocut graphic by Sara Mosco. Printed by screenprint.

By releasing „Lush Space Daze“, Nelson Brandt aka Knowsum puts out his third solo album and accomplishes the transformation from Hip Hop beat maker to song writer and performer. Knowsum’s previous releases include a myriad of beat-EPs, various rap releases – especially under the name „Nepumuk“ and as 50% of the duo Luk&Fil – as well as the two solo LPs „Hyasynthus“ (Vol. 7 of the legendary beat series „Hi-Hat Club“ via Melting Pot Music, 2015) and „Play God & Shit Happens“ (via Money $ex Records, 2016). Regarding sound and groove, the discography of KNO is too unique and has too much confidence in style to ever becoming tired of listening to it. Now, „Lush Space Daze“ is the logical advancement within the sound universe of the musician from Offenbach (Germany) and probably his most complete album being released on his homebound label Sichtexot. „Did you know that your brain can play some silly games with yourself?“ (‚Jump‘) Guitar riffs, having been delicately effectuated to death, merge with synthesizer pads in 80’s style neon, and are, at the same time, overshadowed by a frontman, who probably would have risen to an all time legend during the golden age of the Krautrock underground. Despite the mix of almost a dozen of different styles, the album could not sound more homogeneous. Because Knowsum creates a bizarre sound image by the self-taught use of guitar, bass, synthesizer and drum computer blending in with his vocals. The special mood and the vocals function perfectly on a funky beat with a concise bass line (‚Late Night Things‘) as well as on a fragile e-piano soundscape (‚Plastic Dreams’, ‚Blue‘) or an acoustic guitar (‚Dispair‘, ‚Daydream‘). In spite of the often very experimental structures of the songs, with sometimes catchy, but in many cases weird melodies and the countless details, all of them stay harmonious and memorable. „Close your eyes and tell me what you see, is it us or is it just you and me?“ (‚Sweet Disguise‘) And for those, who by all means need to pinpoint a genre, may finally decide for themselves, if progressive-pop-nightmares in neon pink, experimental singer-songwriter-funk or yet the post-wave-neo-R’n’B-influences prevail... Love and champagne for the dance floor of those remaining.

Limited edition of 300 copies on black vinyl!

"Coming Up For Air" is a fantastic journey in the mind of the young producer from San Jose, California, the one and only Knowmadic. The album takes you along to an adventure through an urban jungle of vintage light signs, street stalls and autumn leaves. When suddenly the street is covered with people crowding in front of something that you can't see but the urge to know is overwhelming so you push your way forward to finally come up for air. Like opening a door to discover a room filled with people lounging and talking to each other with drinks and smokes, a familiar music is playing and you wanna know what it is, that's when you see Knowmadic playing his latest album in the corner of the room.

It's a very simple concept but true to its nature, everything is on point. Knowmadic expertly brings you this album that is full of joy and sorrow and will make you unconsciously reflect and progress.

Introducing 'Planet Sp1200' by Klim. Klim, the producer and beatmaker based in Kyiv, draws inspiration from classic hip-hop, chill music, and boombap to craft music that combines fresh soulful vibes with a hard-knocking style. With over 4 million streams across various platforms, including lo-fi beat staples such as 'Night Café' and 'Butterfly,' Klim returns with fifteen tracks created using the EMU Sp-1200 and Akai S900 samplers, infusing a '90s vibe throughout the project.

Influenced by artists like Pete Rock, Lord Finesse, Jay Dee, George Fields, and Mr. Brown, Klim's music is a reflection of the magic found in everyday moments that surround him. It's a product of the emotions that stir within him, where the world serves as his artistic canvas, and each sound and melody is a heartfelt attempt to capture his experiences and thoughts. In his words, "My music is a bridge between my soul and the world, and I hope it can touch the hearts of others, just as it touches mine". Join Klim on this musical journey, where the past and present harmonize in a symphony of emotions and experiences.

When There’s Love Around is an album of two halves. The first is “about feeling small and insignificant and stressed,” Kiefer says. “It’s about things that cause me to worry, but at the end of the day, are probably unimportant from a larger cosmic perspective.”

The nostalgia of looking through old childhood pictures in one of the lead tracks, “I remember this picture,” is reflected on the album cover, a Polaroid of Kiefer and his sister, painted by Mikey Yates.

The album’s second half is more reflective and spiritual, its cathartic mood occasioned by the loss of Kiefer’s beloved grandmother. While grief and loss are main themes, the tone is still largely positive – Kiefer describes himself as an optimist.

Kiefer assembled a band of his favorite musicians, including DJ Harrison, Andy McCauley, Josh Johnson, Will Logan, Sam Wilkes and other jazz luminaries. They laid the album down in three sets of sessions over 2020, including one stint at Jazzy Jeff’s studio after the DJ invited Kiefer to record there. Several songs were recorded in one or two takes, with any mistakes left in, true to Kiefer’s preference for music that feels spontaneous and from the heart. Kiefer has long performed with a live band, and found the setup suited the communal spirit he was striving for on this album: “I find something about the Herculean type of jazz performer really alienating. I want to celebrate human connection,” he explains.

When There’s Love Around is an album of two halves. The first is “about feeling small and insignificant and stressed,” Kiefer says. “It’s about things that cause me to worry, but at the end of the day, are probably unimportant from a larger cosmic perspective.”

The nostalgia of looking through old childhood pictures in one of the lead tracks, “I remember this picture,” is reflected on the album cover, a Polaroid of Kiefer and his sister, painted by Mikey Yates.

The album’s second half is more reflective and spiritual, its cathartic mood occasioned by the loss of Kiefer’s beloved grandmother. While grief and loss are main themes, the tone is still largely positive – Kiefer describes himself as an optimist.

Kiefer assembled a band of his favorite musicians, including DJ Harrison, Andy McCauley, Josh Johnson, Will Logan, Sam Wilkes and other jazz luminaries. They laid the album down in three sets of sessions over 2020, including one stint at Jazzy Jeff’s studio after the DJ invited Kiefer to record there. Several songs were recorded in one or two takes, with any mistakes left in, true to Kiefer’s preference for music that feels spontaneous and from the heart. Kiefer has long performed with a live band, and found the setup suited the communal spirit he was striving for on this album: “I find something about the Herculean type of jazz performer really alienating. I want to celebrate human connection,” he explains.