Instrumental Hip Hop Vinyl 379 Items

We are excited to present Tom Misch and Yussef Dayes’ “What Kinda Music” – an astonishing collaboration between two artists of very different disciplines, and one of the most unique and seamlessly original projects of its ilk to date.

Moving fluidly through sleek electronica, avant-garde jazz, vintage hip hop and so much more, Misch and Dayes take you on a journey that is by turns surprising and spontaneous, heady and head spinning, and nothing less than compelling – a singular vision which fuses the DNA of both musicians with spectacular results, as can be seen in the title track, which comes backed by a gorgeously atmospheric video by XX.

Even though the fundamental bones of this project came together very quickly, its actual provenance stretches back much, much farther back, with the pair not only growing up in the same area of South East London, but Misch actually seeing Dayes play on drums in the school talent show for the first time when he was roughly 8 or 9. They both kept tabs on each other – Misch becoming a fan of Dayes’ act Yussef Kamaal, Dayes clocking his videos in 2014 – but it was only when they met at a launch party for Misch’s debut LP “Geography” in 2018 that the proverbial creative sparks began to fly. “As a musician you’re always looking for contemporaries who can push you and challenge you and make you better”, says Dayes. “I instantly felt that with Tom – he was such a gifted musician, and so prolific”. That summer they decided to go into the studio together, jam a little, and see what happens, with no other expectation placed upon it.

As it turns out, the music came fast and furiously. Two initial tracks were suddenly followed by a handful of others, and the pair found themselves contemplating what to do next. “Pretty soon, we knew that something was gelling”, Dayes says. “It didn’t feel like a one-off collaboration, it felt like a body of work”. What made the pair click, according to Misch and Dayes, were the exact same factors that meant it shouldn’t, by all rights, work. Misch says, “Yussef comes from a more experimental background, and he has a lot of loose, crazy ideas. I know how to write a catchy melody, but with interesting chords and have a good understanding of popular song forms, so I think I streamlined those ideas and made them accessible”. And certainly, in “What Kinda Music” you can sense the DNA of both musicians, but fusing so effortlessly and beautifully that it creates something else entirely, the appropriately named “Lift Off” sending goosebumps with its jazz flecked crescendo, and “Night Rider” hynotising with its deeply mesmeric grooves. “I have a love for harmony and chords”, Misch adds. “Working with someone like Yussef, who has such a gifted sense of rhythm allowed a perfect balance”.

Throughout the record, there is an utterly joyful feel of two musicians at the top of their game sparking off one another, picking up ideas and running with them – zigging where the other zags, ebbing where the other flows, with Misch producing the majority of the record and both having a hand in the overall sound and feel of the record.

“Working with Yussef has actually changed the way I work as a musician”, Misch muses. “He’s pushed me and unlocked a more experimental part of me that I hadn’t really allowed myself to explore before. I think we really did impact each other in a fundamental way”. Dayes is similarly effusive in his praise for Misch. “A musician like him, who’s at the top of his game, he doesn’t need to do this”, he raves. “He can just keep doing the same thing and why not? He’s killing it. The fact that he’s so humble, that he’s so curious about everything and open to collaboration, speaks a lot to him as an artist, because it’s not easy finding musicians who want to collaborate. Something always gets in the way, whether it’s ego or their team or whatever. But with Tom it felt like the intention was purely creative, and that’s what made it exciting”. In fact, Dayes says that the intentions of the record go even deeper than just music. “Both our parents who’d never met each other before, are now best friends as a result of this, they now see each other more than we do! I’d like to think, in some small way, that this album has a similar impact for people too – everything feels so divided these days, it would be nice for people to hear the record and hear two very different musicians coming together and realise it doesn’t have to be that way”.

Samurai Champloo Music Record: Departure is a soundtrack album, originally released on June 23, 2004. It is the second of four soundtrack albums released for the show. The album was produced by Japanese DJ / producer Nujabes, and American MC/producer Fat Jon, and featured Japanese rapper Shing02 and Japanese singer-songwriter MINMI on the album’s first and last tracks, respectively. Departure was critically lauded and is the best known album from the series, with especially high praise being reserved for “Battlecry”.

The music of the Samurai Champloo anime series was created by a group of producers: Japanese hip-hop producer Tsutchie of the rap group Shakkazombie, American hip-hop producer & emcee Fat Jon of the rap group Five Deez, Japanese hip-hop producer Nujabes, and Japanese DJ & production duo Force Of Nature. The music genre is primarily instrumental hip-hop.

The album finds the Haitian born, Montreal raised producer delivering on the promise of his early self-released EPs and remixes.

Since the age of fourteen, when he first began to DJ and when his brother introduced him to music production software, his output has been relentless. He explains, “after he showed me the basics, from that day on I couldn’t stop making beats,” pumping out a handful of tracks per day for the next couple of years.

Having released singles like ‘Drive Me Crazy‘ with Vic Mensa and ‘Leave Me Alone‘ with Shay Lia, Kaytranada has since cemented his reputation and his sound; an undeniable swing of the drums comparable to Dilla’s, a signature soulful touch in the melodies, and a healthy dose of funky bass lines.

99.9% features guest turns from Anderson .Paak, Vic Mensa, Little Dragon, Syd, Craig David, Goldlink, Alunageorge, BADBADNOTGOOD and many more.

2024 Repress!

Limited edition of 500 copies in tip-on cardboard sleeve.

Loft is an instrumental hip hop album inspired by the free and spiritual jazz played by the New York loft movement of the 1960s and 1970s. A difficult time, where economic decline and poor housing politics somehow led to some amazing, innovative music, often self-recorded to cassette tapes. This music was recorded to tape on a loft as well, far away from the original loft scene. Written during the corona pandemic, this album also emerged from a difficult time. The do-it-yourself spirit and freedom of the loft movement inspired this process a lot, and it was recorded mostly with instruments from that era. There are no static BPMs or software instruments on this LP, everything is kept as analog and authentic as possible. Vintage electric pianos, tape loops and hardware effects emulate the sounds of the 1970s and the
aesthetics of hip hop sampling.

The album features independent jazz legends Idris Ackamoor, Ralph Thomas and Wendell Harrison. Chicago-born Idris Ackamoor was a founding member of The Pyramids, an influential jazz ensemble that was formed in the 1970s, and still releases critically acclaimed music today. Another Chicago musician, multi-instrumentalist Ralph Thomas is best known for his 1980 cult-classic album Eastern Standard Time. Detroit-native Wendell Harrison founded the important record label and jazz collective Tribe Records, and, like Ralph Thomas, also performed together with Sun Ra among many others. All three musicians have been very inspiring to me, and are important to the legacy of free and spiritual jazz. I’m so grateful and
honored to have them featured on these loft tapes.

Ol’ Burger Beats plays: Fender Rhodes and Wurlitzer 200A electric pianos, Sequential Prophets, ARP Odyssey and Moog synthesizers, ring modulator and delay pedals, tape loops, vinyl percussion samples, drum machines and various percussion instruments.

Recorded in Vatne and Oslo, Norway.

After the 2019 release of their debut album "Dark Smoke", the Danish trio Athletic Progression has gone from strength to strength in Denmark. Multiple sold out shows in DK and abroad, as well two Danish Jazz Award nominations - and even one for Danish musician of the year! - later, the group is now ready to release their next album, an instrumental opus years in the making. Highly recommended for fans of Thundercat, J Dilla, Comet is Coming and the likes.

The Silhouettes Project a new platform for up and coming Hip-Hop, Soul and Jazz artists from the UK. It is not a record label or management team, it is a community project. The Silhouettes Project provides an open space - a recording studio and live venue located within the Total Refreshment Centre in Hackney, London - where MCs, singers, musicians and producers can connect and create.The Silhouttes Project was founded by community organisers/artists Asher Korner (aka Kosher) and Jaden Osei-Bonsu (Eerf Evil) in 2019. When they told us about the project and played us some of the music we were instantly hooked and joined the collective as label partner. The art direction is executed by Sergio „SagaUno“ Alferez, an acclaimed designer and illustrator from Medellín, Columbia.Starting in September, we release a new single each Thursday from artists like Kofi Stone, Summers Sons, Enny, KeepVibesNear, Manik MC, Lex Amor, Louis The Hippie, Summer-Pearl, Joe Beard and many more.

Here is the story of the Silhouettes Project as told by its founders Jaden and Asher: „We started The Silhouettes Project in February 2019, to shine a light on the new generation ofunderground Hip-Hop, Jazz, and Soul music in the UK. Community is everything to us, and wewanted to show that with a proper support network, access to professional facilities, and theencouragement of a family of artists, our community could produce something incredible. We felt a joint frustration that the current music scene in the UK only had structures in placeto support talent of a certain genre whilst overlooking a buzzing alternative Hip-Hop culture.We wanted to unify artists who are making ground-breaking music but who are in need of asolid structure to work within - artists who we felt deserved more recognition. This led us tothe name ‘The Silhouettes Project’, as we wanted to shine a light on those artists in theshadows. The journey started by embarking on a collaborative album project which allowed us to bringtogether more than 30 artists on a single tape and to create a network of incredibly talentedartists of the same calibre. The album took more than a year, working almost every day at theRoot 73 studio, a community space in Hackney. We knew from the first few sessions that wewere on to something, and the energy around the project kept it moving. As artists ourselves we understood that the creative process can be challenging and sometimesisolating, especially when there is no clear support network to fall back on. This led us to bringour efforts into the physical realm by organising a series of free live music events for all ofthese artists to come to, showcase their work alongside our house band, and connect witheach other. These events take place at The Total Refreshment Centre in Dalston, anunderground studio complex and warehouse space, which gave the events an intimatecommunity feeling and the people a sense of belonging. There is a desperate need for spaces in which people can come together and develop theircreative potential, especially with the consistent withdrawal of funding from the arts sector inthe UK and with the constant threat of gentrification which has seen the closure of countlesscommunity and grassroots creative organisations. As we grew as a brand and organisation, webegan to fully understand the importance of what we were doing. From the studio sessions tothe events, we saw the impact on people’s outlooks on their own careers, we saw them growin confidence in performing and collaborating and even taking their own initiative to utilise thenetwork provided for them. We heard their feedback, we felt the excitement in theatmospheres at our events and studio sessions, and we saw the community grow every timewe brought it together.“

Fifth pressing, this time via Sekito.

Finally back on wax. Great album feat. Sach of The Nonce, Yesh, Count Bass D, Ladybug Mecca & other fine MCs!

Indie Exclusive * Rock Konducta is the fifth installment in Madlib’s Beat Konducta series. Previous entries include: Beat Konducta : Movie Scenes, Beat Konducta: in India, Beat Konducta: Dil Cosby and Dil Withers Suites and Beat Konducta in Africa. Rock Konducta grabs its source material from various worldwide rock scenes from the 60s through the 80s, from American psychedelia to Germany’s krautrock to acid-soaked Spanish prog to synthy, early-80s oddities. Tied together by Madlib’s unique sensibility, these scenes coalesce into a new whole. Who knew that rock music sounded like this? Well, there’s one obvious answer to that question.

Edition of 150 Copies.

Essentials Summer 2022 picks up where we left off inside the Chillville metropolis. Here, our Raccoon mascot – alongside Milkshake the Bear and Mango the Toucan – settles into a new apartment, explores a new city, and surrenders to the seemingly endless Summer. The temperatures are climbing and the heat is inescapable. So grab a pool umbrella, find your favorite sunglasses, and turn up the boombox.

At 24 songs with 35 musicians, Essentials Summer 2022 marks the 26th seasonal compilation since beginning back in 2016. Lofi and lively, jazzy and upbeat, press play and take to the beach.

Beat Konducta in Africa is a 37-track instrumental hip-hop album produced & mixed with Madlib, featuring J. Rocc. This album bases itself on the obscure vinyl gems from the afro-beat, funk, psych-rock, garage-rock & soul movements of African countries as diverse as Zambia, Nigeria, Ethiopia, Ghana, Botswana and Ivory Coast

Madlib follows 420 Chalice All Stars: All Jamaican Sounds with the fifth installment in his Madlib Medicine Show, History of the Loop Digga: 1990-2000. Back in the 90s, "beat tapes," as a Hip Hop producer's demo-reel is now quaintly referred to, were literally that: cassette tapes of beats that a producer made either for himself, his friends, or for potential collaborators. As you can imagine, Madlib made a bunch of ‘em in the days between his early productions for the Alkaholiks (circa ’92) and the release of his Quasimoto album (2000) – after which he took a couple of years off of the beats to focus on making jazz music with his fictional five piece, Yesterdays New Quintet. Bluntlib in the house!

Another collection of early cassette recordings from J Dilla feat. more raw unreleased Dilla originals. "genius" includes 14 remastered tracks showcasing Dilla's sonic growth in the late 90s—including him rapping and singing, working out a track. Packaged in full color sleeve.

New album by pioneering German beatmaker FloFilz. On Close Distance, the lofiturned-hifi producer blends hip-hop inspired beats with contemporary jazz, alt r&b and a little rap. Featuring Alfa Mist, Blue Lab Beats, Jerome Thomas, KeepVibesNear, Summers Sons & C.Tappin, Dal & Hunter Rose. Close Distance is his fourth album for Melting Pot Music. Since 2013, the self-taught bedroom producer and classically trained violinist has sold more than 10k LPs and gained 200 million streams. Close Distance literally means “near in space or time” (or “nah dran”, as we say in German). The 16 songs on Close Distance came to life over the past two years. Many sketches were birthed at FloFilz's old home studio in Aachen. Some songs were made from scratch in London, where Flo did sessions with UK jazz supremos Alfa Mist and Blue Lab Beats at their studios. One was recorded in a kitchen in Streatham, where rap duo Summers Sons and pianist C.Tappin reside. More sessions were already in planning when lockdown kicked in and travelling was no longer an option. Around the same time, Flo was about to move from Aachen to Berlin which he eventually did in November 2020. Once installed, he started sharing beats and files out of his makeshift studio in Moabit. Beat folders were sent to London where two of our favourite new alt R&B vocalists – Jerome Thomas and KeepVibesNear – live. Another one went to Dartmoor where the jazz/hip-hop trio Dal added their magic touch while Hunter Rose processed her sultry vocals in Cape Town - 12 flying hours away from Berlin. The album artwork has been created by Indonesian illustrator Fatchurofi, who caught FloFilz's attention through his work for everybody’s favourite band Khruangbin. Taking influences from Japanese Ukiyo-e art, Fatchurofi is adding a zen-like clarity (and tranquility) that resonates very well with the album. It is no exaggeration to say that FloFilz has not only created another inspiring album with Close Distance but one that demonstrates how music can close

Berlin-based producer, beatmaker, and all-around big papa Suff Daddy returns with an irresistibly-bouncy instrumental long player to herald in the new year, aptly titled “Basically Sober,” releasing on Jakarta Records February 25, 2022.

Here's another Huubaat nugget that we are very excited about to release. "Momentum" includes a collection of previously unreleased or digtial-only available works incl. the collaboration effort with Flako. The vinyl comes with a lovely soft-touch sleeve.

"Beatnicks Tape": All tracks produced by Hubert Daviz in April/May 2008. The original release "Beatnicks Tape #01" included 13 tracks. These tracks have been released for free download in summer 2008 on the Cologne based record label Up My Alley. The work on this beat tape started as an attempt of getting familiar with one's first own equipment. Original text from the back cover: "lots of vinyl, 1 MPC2500, 1 Microkorg, hands on."

"Damage Is Done": All tracks produced by Flako & Hubert Daviz between December 2007 & June 2008. Unreleased beat tape from the joint collaboration with Flako (going by the name of "Damage Is Done"). The original version was completed by Flako on June 21, 2008 and included 8 tracks. "Woop, Wooop.."

Originally released in 2020 on the leading lo-fi hip-hop label Chillhop Music, ‘On the Rhodes’ is best-known work from Austrian Lo-Fi beat-maker "Mr Kaffer". The recent lo-fi classic is now available on splatter colored vinyl for the first time!

It’s midnight again and the deadline is looming! Luckily there is a brand new compilation album “12 Am. Study Session”, and with the help of 26 enchanting new beats from various talented artists around the world, the task at hand feels a lot smoother. Join Lofi Girl in her study - and finish that project together tonight.

Late arrival, coming next week.
Black Friday Record Store Day 2022 Original Release. Color: Black. Limitation: unknown. For RSD Black Friday, Pete Rock debuts Return Of The Sp-1200 Volume 2 in an exclusive opaque red pressing Pete Rock is widely recognized as one of the greatest hip hop producers of all time. His name is oft included in the pantheon of the greatest, alongside DJ Premier, RZA and J Dilla. In addition, Pete has one of the worlds most extensive vinyl collections, the sort of collection whose size can only be estimated, and that estimate stands in excess of 100,000 LPs. In 2019 Rock launched his own imprint, Tru Soul Records, with the release of Return Of The Sp-1200 which debuted exclusively on RSD 2019. For Black Friday, Pete Rock goes back to his roots - the Sp-1200 and his vinyl - to debut Return Of The Sp-1200 Volume 2.

»Jazz'n'Beats« is a new mini-compilation selected by Oonops and it's named as the eponymous »Oonops Drops«-series on Brooklyn Radio.

In the mix are renowned beatproducer DJ Mitsu The Beats from Japan who joined forces with 1Co.INR for a laid back instrumental tune with a well known core melody. Next up label-graphic design head honcho is back with a new'n'sweet mini beat called »Parakeets« before we get to the flipside. This gets started with German underground rap & producer duo 4Trackboy & Echomann a.k.a. Retrogott & Twit One who drop a sharp and jazzy dope tune for this release which gets rounded down with a beautiful jazzy hip-hop instrumental by Japanese jazz musician and composer Kazumi Kaneda.

Get your hands on these limited pieces of recycled vinyl, be that the colored or the black version (or the digital version).

After the release of their critically acclaimed first album « Bluestaeb & S. Fidelity Present Underground Canopy » (menace - 2020), Underground Canopy (uc) was able to take time, due to the unforeseen period of doubt in 2020, to craft new compositions with a fresh approach. Throughout this forced period of introspection, the Parisian band experimented with more refined musical codes and colorful sounds.

Following the new additions of Raphaël Henry on drums and Christopher Johnson on electric guitar, UC was able to record and film a live rendition of four original pieces at the end of 2020, thanks to an invitation by the Centre des Arts d’Enghien-les-Bains’s artistic program and Sense. These music videos, each filmed in one shot by Romain Lalire, capture UC’s musical digressions away from their mainly hip-hop and groove-infused jams and into new territory.

The resulting new EP «Séquences : Live Session» celebrates cinematic aesthetics and the suspension of time. It stands as an audiovisual testimonial to the band’s continued progression. In this era marked by uncertainty but full of hope, what will come next?

Osaki is sharing a tender moment in his latest album “Evergarden”. Pianos, guitars, orchestral strings, and a sprinkle of modular synths provide you with the perfect setting for floating amongst the clouds. As you lay in a bed of flowers you hear the stories of each track, an invisible red string binds you with the warmest colours. Will you lay down in Evergarden and live forever?

Samurai Champloo Music Record: Impression is the fourth soundtrack album in the series of the anime show Samurai Champloo. It contains tracks by Nujabes, Force of Nature, Fat Jon and MINMI. The lyrics on “Hiji Zuru Style” are written and performed by S-Word and Suiken. The lyrics on “Who’s Theme” are written and performed by MINMI; vibraphone is by Yoshihiko Katori.

The music of the Samurai Champloo anime series was created by a group of producers: Japanese hip-hop producer Tsutchie of the rap group Shakkazombie, American hip-hop producer & emcee Fat Jon of the rap group Five Deez, Japanese hip-hop producer Nujabes, and Japanese DJ & production duo Force Of Nature. The music genre is primarily instrumental hip-hop.

Limited edition of 300 copies on black vinyl of Soulmade's new instrumental full-length "Divergenz" in collaboration with Daily Concept.

15 all new tracks with features by Shubangi and Hubert&Mehmet. The beautiful artwork is again provided by Giza with the help of Julian Kramer and Pims.

“Soothing Breeze” is a compilation of 21 carefully selected beats with oriental traditional instruments, soft drum loops and mystical appeal. The air is calm and pure - it’s time for absolute focus in this tranquil landscape.

2x 12” color vinyl (45 rpm) 180Gr Limited : 5000 copies Numbered

Strictly limited edition of 300 copies.

A creative union of 90s hiphop production techniques, live instrumentation, turntablism and spoken word poetry. Performed by Dan Broak, Herbal Bert and Lion El Hämpton at Odd Funk Records studio under the dope quality control surveillance of the notorious production-duo The Blassics.

Strictly limited edition of 500 copies in funky textile cover plus printed innersleeve.

The KEATS series is back fresh for 2022. New outfit, still classic beat flavour. Der Ralle is kickin' it off with a brand new cinematic beat tape filled with jazzy vibes for funky headnods!

Instrumental version now available. AMERIGO GAZAWAY, the man behind BIZARRE TRIBE, YASIIN GAYE & FELA SOUL, brings to life an imagined studio session between Chicago's crowned prince of hip hop COMMON and Motown soul legend STEVIE WONDER. Double vinyl in full picture sleeve, limited to 500 copies.

Knx, aka Knxwledge, is a beat maker raised in central New Jersey and Philadelphia, now dialing-it-in at home in Los Angeles. "Anthology" is the essential instrumentals curation from the forty some-odd Knx Bandcamp releases 2009-2013.

1988 is the follow up to Knxwledge’s official debut album Hud Dreems (Stones Throw, 2015). The same year Hud Dreems was released Knx worked with Kendrick Lamar on To Pimp a Butterfly, earning the producer his first Grammy. A duo with Anderson .Paak called NxWorries was formed around the same time. Their single “Suede” became a viral hit, vaulting the singer to R&B stardom, and their album Yes Lawd! followed through on that song’s immense promise. Knx and Paak have quietly continued collaborating, and some of the new work is heard on 1988.

A prolific artist in the extreme sense of the word, Knxwledge continues to redefine instrumental hip-hop almost in real-time with a stream of beat tapes numbering in the hundreds on Bandcamp, and video remixes on Instagram.

This prolific output began early. 1988 takes its name from the fact that much of the new record was created that very year, when Knx was an infant. As the story is told, little baby Knx was left alone by his mother for just a few moments and crawled to a family member’s vintage Sp–12 sampler. When his mother returned he had already produced his first beats and nearly mastered the machine. These tracks, all produced before nap time while rocking a Nike diaper, were stored over the years on floppy discs, then brought to his studio in recent months where they were finished up, mixed, and mastered.