Instrumental Hip Hop Vinyl 415 Items

Apart from the overall trend in the contemporary music industry, the second collection album on the Hydeout Productions label, a rare independent label that has gained a large following among listeners by releasing purely sound=works without any advertising activities, the 2nd Collection is the second 2LP album on the label. It was released on. It is another world of Hydeout, parallel to the Nujabes' albums Metaphorical Music and Modal Soul, with a wider range of works and people. The album is a label collection album, including 'Another Reflection', which is another chapter of 'Reflection Eternal' from the last album 'Modal soul', but also shows the label's direction after Nujabes' second album 'Modal Soul'. This work shows the direction of the label after Nujabes' second album 'Modal Soul'.

The album finds the Haitian born, Montreal raised producer delivering on the promise of his early self-released EPs and remixes.

Since the age of fourteen, when he first began to DJ and when his brother introduced him to music production software, his output has been relentless. He explains, “after he showed me the basics, from that day on I couldn’t stop making beats,” pumping out a handful of tracks per day for the next couple of years.

Having released singles like ‘Drive Me Crazy‘ with Vic Mensa and ‘Leave Me Alone‘ with Shay Lia, Kaytranada has since cemented his reputation and his sound; an undeniable swing of the drums comparable to Dilla’s, a signature soulful touch in the melodies, and a healthy dose of funky bass lines.

99.9% features guest turns from Anderson .Paak, Vic Mensa, Little Dragon, Syd, Craig David, Goldlink, Alunageorge, BADBADNOTGOOD and many more.

Limited to 300 copies on purple vinyl, available at HHV only.

"Insomnia" is the third solo album of the Italian jazz beat maestro Koralle for Melting Pot Music. Without exaggerating, the Bologna-born producer's album can be described as his most mature and progressive work. On "Insomnia" Koralle unites a few of his favorite artists and musicians, exchanging sounds, ideas, beats, melodies and lyrics with them. The guest list consists of fellow producers FloFilz, Pachakuti, Figub Brazlevic, Kuranes, Phoniks and Brous One, as well as vocalists Kid Abstrakt, KeepVibesNear and Ryshon Jones.

We're thrilled to present our first-ever compilation "Don't Sleep Records: The Instrumentals Volume One". This collection features a blend of our most popular records and personal favorites, including some slept-on beats that deserve a second chance to shine.

These tracks represent the diverse range of sounds and styles that have shaped the unique sonic fingerprint of Don't Sleep Records over our ten-year history. From jazzy, soulful tunes to hard-hitting boom bap and soulful bangers, this compilation offers something for every discerning listener.

We're excited to share this collection with our fans and we hope you'll enjoy it as much as we've enjoyed putting it together.

- Don't Sleep Records

They all started small. But it all - the art - has become so big for very few of them. Dexter has: The Stuttgart native has been involved as a producer in the last 13 years on iconic albums by Deichkind, Cro and Casper, he was responsible for three successful Fatoni albums and, together with Max Herre, most recently put together a showcase of the GDR label AMIGA ("hallo 22"). With three instrumental albums of his own and later with the producer supergroup Betty Ford Boys, he led the way for the new self-confidence of an entire generation of local hip-hop beatmakers - fewer service providers, more attention.

The fact that Dexter himself had once started out as a rapper was often forgotten. It wasn't until "Haare nice, Socken fly" (2017) that he released his first rap solo album, and with "Yung Boomer" in 2020 he got to the heart of how his very own Grown-Man Rap works in the field of tension between trap and jazz. The fact that he brought old-school legend Lakmann on an album with Lugatti & 9ine is just one of many proofs of Dexter's exceptional position in the scene.

With his new project, Dexter goes back to the beginnings, more precisely to the era in which he celebrated his breakthrough with "Jazz Files". That instrumental album from 2010 remains a milestone in the genre-defining "Hi-Hat Club" series (Melting Pot Music). "Jazz Files" brought him overnight onto the iPods of favorite rappers and post-Dilla beat nerds, into clubs, festivals and beat fights, and into the collective consciousness of a German rap landscape in upheaval.

From this era comes a hard drive with about 400 beats thought lost, which Dexter was able to rescue a few months ago. Dexter is now releasing 25 of these instrumentals for the first time on the album "BABY STEPS (BEATS 2010-2013)", which will be available digitally and on vinyl from July 14, 2023. The productions flow and push, rumble and clatter, are remastered, but otherwise unchanged Dexter - full of jazz, psych rock and soul. And the artwork? That's by Dexter's kids and was laid out by Dexter's sister.

Family first!

Fifth pressing, this time via Sekito.

Strictly limited edition of 500 copies in funky textile cover plus printed innersleeve.

DJ Buzz is repping his Vienna hood with the next episode in the KEATS series. The original Waxolutionist drops 16 beats based on slices of Jazz, Funk and Soul with the typical loop digger approach. Available on limited vinyl as well as digitally on all platforms.

Finally back on wax. Great album feat. Sach of The Nonce, Yesh, Count Bass D, Ladybug Mecca & other fine MCs!

Phoniks' latest album "Dreams" is a captivating journey that seamlessly blends live instrumentation and chopped samples across 19 tracks. The beats are carefully crafted to create a unique atmosphere and mood, taking the listener on an immersive journey through lush soundscapes and jazzy hip-hop beats. Phoniks' skillful layering of sounds from a diverse range of sample sources results in richly textured compositions that delicately capture the listener's attention.

As the spiritual successor to Phoniks' popular 2018 instrumental album "Down To Earth," "Dreams" builds upon the groundwork laid by its predecessor and elevates it to new heights. From the soulful chops of "That's All" to the mellow groove of "Ghosts," each track invites the listener to sit back, relax, and get lost in the dreamy vibes.

Strictly limited edition of 500 copies in funky textile cover plus printed innersleeve.

Delicious Chrischuzz shines a light on his Hildesheim area with 18 beats full of jazzy loops and dusty drums. One for the headnodders out there!

Indie Exclusive * Rock Konducta is the fifth installment in Madlib’s Beat Konducta series. Previous entries include: Beat Konducta : Movie Scenes, Beat Konducta: in India, Beat Konducta: Dil Cosby and Dil Withers Suites and Beat Konducta in Africa. Rock Konducta grabs its source material from various worldwide rock scenes from the 60s through the 80s, from American psychedelia to Germany’s krautrock to acid-soaked Spanish prog to synthy, early-80s oddities. Tied together by Madlib’s unique sensibility, these scenes coalesce into a new whole. Who knew that rock music sounded like this? Well, there’s one obvious answer to that question.

The sounds on this tape were collected from a series of transmissions sent from Helios Prime. The recordings depict the culture of those who lived on the utopic planet, however, the current status of the civilization is unknown.

Phoniks' latest album "Dreams" is a captivating journey that seamlessly blends live instrumentation and chopped samples across 19 tracks. The beats are carefully crafted to create a unique atmosphere and mood, taking the listener on an immersive journey through lush soundscapes and jazzy hip-hop beats. Phoniks' skillful layering of sounds from a diverse range of sample sources results in richly textured compositions that delicately capture the listener's attention.

As the spiritual successor to Phoniks' popular 2018 instrumental album "Down To Earth," "Dreams" builds upon the groundwork laid by its predecessor and elevates it to new heights. From the soulful chops of "That's All" to the mellow groove of "Ghosts," each track invites the listener to sit back, relax, and get lost in the dreamy vibes.

Danisogen has a unique treat in store with his latest album ‘The Gate to Serenity’. A profusion of ethnic instruments come together, sourced from various corners of East Asia - airy flutes and piano melodies echo from sacred mountain tops, while perfectly-hitting drums sound from the depths of the wild jungle. Even the strongest-minded samurai may not live forever, but his music will echo in eternity.

Beat Konducta in Africa is a 37-track instrumental hip-hop album produced & mixed with Madlib, featuring J. Rocc. This album bases itself on the obscure vinyl gems from the afro-beat, funk, psych-rock, garage-rock & soul movements of African countries as diverse as Zambia, Nigeria, Ethiopia, Ghana, Botswana and Ivory Coast

Madlib follows 420 Chalice All Stars: All Jamaican Sounds with the fifth installment in his Madlib Medicine Show, History of the Loop Digga: 1990-2000. Back in the 90s, "beat tapes," as a Hip Hop producer's demo-reel is now quaintly referred to, were literally that: cassette tapes of beats that a producer made either for himself, his friends, or for potential collaborators. As you can imagine, Madlib made a bunch of ‘em in the days between his early productions for the Alkaholiks (circa ’92) and the release of his Quasimoto album (2000) – after which he took a couple of years off of the beats to focus on making jazz music with his fictional five piece, Yesterdays New Quintet. Bluntlib in the house!

Strictly limited edition of 500 copies in funky textile cover plus printed innersleeve.

Expect 16 classic cuts from producer/MC Diggy Mac Dirt repping his lively neighborhood on KEATS drop number 14. Available on limited vinyl as well as digitally on all platforms.

2023 Repress on Black Vinyl.

The third album from London-based multi-instrumentalist, Robohands. ‘Shapes’ fuses elements of jazz, krautrock, hip hop and ambient music. For fans of Khruangbin, Yusef Dayes, CAN, Coltrane and 70s library music moods.

Shapes is the solo project of London based composer, instrumentalist and producer Andy Baxter. His debut LP Green was released on Village Live Records in 2018 and was received with much love and acclaim in the UK Jazz, hip hop and surrounding scenes.

His follow up full-length, 'Dusk’, dropped in 2019, combining soul, funk, Latin & experimental moods. It featured vocalists & musicians from around the world including legendary New York French horn player, John Clark, who has worked with Isaac Hayes, Gil Evans Orchestra, McCoy Tyner, Jaco Pastorius, Ornette Coleman and many more greats.

'Shapes' is inspired by 1970s library music and their legendary composers including Piero Umiliani, David Axelrod, Brian Bennett and co. The album builds on these influences and incorporates modern motifs, contemporary jazz/hip hop drumming styles with a nod to 1990s Mo Wax artists such as DJ Shadow. The theme for the record is future/nostalgia, mixing vintage & modern instruments and production techniques.

Much of ‘Shapes’ was recorded with JB Pilon at Buffalo Studios in Limehouse, London. Due to the COVID restrictions that changed everything in 2020, the remaining parts were recorded in Andy’s flat using a collection of old mixing desk preamps and instruments.

For the heads – ‘Shapes’ features an array of vintage snares, including a 1960's Ludwig Pioneer and a mono, overhead ribbon mic on the drum kit provided extra old school points! The kick drum was re-amped through a huge vintage bass amplifier on a couple of tracks to give it some real character. “My favourite guitar sound achieved on this LP project is a

Sontronics Sigma ribbon microphone in front of a WEM Dominator amp, which you can hear on the track 'Odysea'. The bass sound for all the tracks is a 1973 Fender Precision into an old Altec valve preamp, the one used on most Motown recordings.”

Hailing from Aarhus, Denmark, the quartet Clapper juxtaposes classic soul- and fusion jazz vibes with inspiration from instrumental hip hop and future beats. Their debut album "On Tempo" is showcasing the group’s knack for melodic improvisation and neck-snapping switch-ups, and, once and for all, underlining the potential on the young Danish scene today.

The four members - Frederik Emil Bülow (drums), Adrian Christensen (bass), Jeppe Lavsen (Guitar), and Malthe Jepsen (Piano & Rhodes) - are well-known faces in Danish music, also playing in acts such as Abekejser, Hvalfugl, Karmen Rõivassepp Quartet, Bangin’ Bülows Nice Jazz Quartet, and Casper Hejlesen Kvartet, respectively. Together, they’re able to strum out new music instinctively:

”It’s not important for us to adhere to any particular genre or style”, Jeppe remarks. “We just meet up, have fun, and improvise over riffs we’re digging. Having played together for so many years, it takes a very short time to click and move in the same direction. And from there, it’s simply a matter of picking and working with the best ideas from our improvised sessions.”

The same energy translates to their live shows - regular tour de forces in beat-focused jazz that, although the melodic cheerfulness might deceive new listeners, often end up in high-octane fusion workouts with crowds and musicians alike on their feet.

Following the release of Lo-Fi Ghibli in 2022; lo-fi hip-hop covers of classic Ghibli songs, the underground hip-hop producer Grey October Sound and P-vine delight to release a cover album of lo-fi hip-hop arrangements of Japanese City-Pop classics!

After their succssesfully debut for worldwide with "Lo-Fi Ghibli", Grey October Sound is gaining recognition not only in Japan but also in overseas. The album features world-famous city-pop classics covered in lo-fi hip-hop arrangements, including covers of "Mayonaka no Door ~ stay with me" by Miki Matsubara, "Fly-Day Chinatown" by Yasuha and Taeko Onuki's "Tokai", which opened up the recent global popularity of city pop, as well as classic tracks by Tatsuro Yamashita, Mariya Takeuchi and Yumi Arai. The cute artwork with the traditional style of Lo-Fi Girl and city pop is by Rika Hase, who also designed the Lo-Fi Ghibli cover.

The vinyl edition is limited to 300 copies and comes in a cardboard sleeve.

Here we have "Jazz Mince", the all new album by Kiev-based producer KLIM beats. 14 tracks in total full of jazz-infected beats straight from the E-mu SP-1200 and Akai S-900 to your channels. Play it loud!

Available on vinyl and all digital platforms.

6 fresh new joints by the one and only Hulk Hodn!

Here's another Huubaat nugget that we are very excited about to release. "Momentum" includes a collection of previously unreleased or digtial-only available works incl. the collaboration effort with Flako. The vinyl comes with a lovely soft-touch sleeve.

"Beatnicks Tape": All tracks produced by Hubert Daviz in April/May 2008. The original release "Beatnicks Tape #01" included 13 tracks. These tracks have been released for free download in summer 2008 on the Cologne based record label Up My Alley. The work on this beat tape started as an attempt of getting familiar with one's first own equipment. Original text from the back cover: "lots of vinyl, 1 MPC2500, 1 Microkorg, hands on."

"Damage Is Done": All tracks produced by Flako & Hubert Daviz between December 2007 & June 2008. Unreleased beat tape from the joint collaboration with Flako (going by the name of "Damage Is Done"). The original version was completed by Flako on June 21, 2008 and included 8 tracks. "Woop, Wooop.."

The reputation of the Japanese hip-hop production team Grey October Sound is spreading both in Japan and abroad. While they have released quality albums such as "Timeless" and "The Cave," their two lo-fi hip-hop cover albums, "Lo-Fi Ghibli" and "Lo-Fi City Pop," have become hits in record stores around the world. For the third installment of this series, they have set their sights on Japan's world-famous anime songs!

They will be covering songs from "Bleach", "Saint Seiya", "Puella Magi Madoka Magica", "k-on! and "Dragon Ball", all of which are lo-fi arrangements of theme songs and insert songs of high quality, while still showing respect for the originals. The cover of this album was designed by Rika Hase, an illustrator who also created the artwork for "Lo-Fi Ghibli" and "Lo-Fi City Pop".