Instrumental Hip Hop Vinyl 223 Items

"Tonjen One" is an explosion of tasteful sounds and imagery. Deeply setup into modern electronic it mixes ambient robotic bleeps and soulful jazz hip hop beats. It's a multi-genre composition going easily from one world to the other and playing with the contrast between the two in a very satisfying way. The album flows as a continuous stream of sonic pleasure and comes out of the mind of Swiss producer YZNO (formerly known as Jazzo) releasing his first LP complemented by Isabel Seiffert's incredible artwork and under the Swiss label Boyoom Connective in collab with Urban Waves and HHV.

Limited edition picture disc of the “Travel At Your Own Pace “instrumentals!

Redefinition brings us the long-awaited instrumental versions of ”Travel At Your Own Pace” by Y Society aka Insight & Damu in conjunction with the “Travel At Your Own Pace 10 Year Anniversary Vinyl Edition”. The album was entirely produced by the Damu The Fudgemunk. This high-quality picture disc pressing is limited to 700 units only worldwide.

Brand nu Wun Two! 24 tracks feat. Anthony Drawn, Danae Greenfield & Hubert Daviz!

Regardless of producing underground classics like “Jazz auf Gleich” (2013) with Sichtexot rapper Eloquent, researching frequencies below 60 Hz with Hubert Daviz as a tag team (“Vapowavez”, 2018), or escorting you through the cold days of the year, making the experience of winter not being felt that bad (“Snow 1-4, 2016-18”). Wun Two‘s key motivation is the aesthetic standard, he applies to his works.

At the latest since “Pirata” (2019), a musical audio adventure in an English as well as in a German version (voice actors: Ugly God & Twit One), it is clear as daylight, that one does not only deal with a simple beat maker, but also a concept artist. In doing so, Wun Two‘s intention is not driven by binge-releasing his beats randomly rather than carefully selecting them in order to form them to a thoroughly illustrated album embedded in a lyrical frame work.

After the “Dolphi” EP as part of the “SXT Tracks“ series, the grand album “O Cavalo Vermelho” is being released in 2020. Based on an even more sophisticated sound, Wun Two takes the audience on a journey through a foggy but dry environment on the search for the “red horse”.
Musical support comes from his “partner in crime” Hubert Daviz, label mate Anthony Drawn (saxophone) and the exceptional artist Danae Greenfield (keys) from New York City.
The illustration and graphical concept is contributed by Robert Winter (Die Ottos).

Instrumental versions to Elzhi's (Slum Village) tribute to Nas "Illmatic" performed by Chicago funk band Will Sessions. Limited edition vinyl with free mp3 download card.

Limited edition of 300 copies!

Urban Waves Records presents "Some Alternate Timelines”, the new album by Canadian producer Liam Mansfield a.k.a. Vienna. Hailing from Montreal, the young producer is known for his unique sound, drawing inspiration from a rich blend of styles ranging from funk, electronic, jazz, hip hop and even disco. The album takes you on a visit to Vienna's world. As it’s name indicates, we're landing in a parallel universe where things took a different path but nuances are subtle. Rhythms are off kilter, synths are strangely crunchy, electric piano chords bubble up and fly away, and yet somehow it all pulls together beautifully. Discovering these unique sonic elements is part of the experience, and as you progress through the album it's hard not to become infatuated. Vienna's music has a very singular charm and feel that will take you by surprise, but once you're struck it feels natural and familiar.

The album comes along a very unique and limited vinyl edition with a special color, a marbled black on transparent. The perfect mastering gives the vinyl an extra punch specially on the basses that just feel otherworldly on the analog format.

As a producer you allways get inspired by a diverse range of musical genres and other producers. This first episode of “Twerk Life Balance” is initiated by the producer duo “Twerking Class Heroes” and it features three other artists (Meister Lampe, DJ Marcelle - Another nice mess and Candie Hank) with quite diverse production techniques. On the A side we have two Hip Hop oriented electronic bangers from the Twerking Class Heroes and Meister Lampe. Both tracks are inspired by either traditional arabic music or belly dance music. The B Side opens with a deep downbeat and electro song from the Twerking Class Heroes and gets followed by a kucek oriented acid game track from Candie Hank. The final track is a super distorted Club Banger made for a DJ Set like one of DJ Marcelle and produced by herself.

The Unseen Breaks is a Limited press, 7 inch vinyl experience of Gus Sutherland's "The Unseen - A Detroit Beat Tape", chopped and edited into a classic Detroit break record. Includes bonus production from the producers featured on the soundtrack and in the documentary (Amp Fiddler, Quelle Chris, J Dilla, Dakim, House Shoes, Slautah, Ahk, Hugh Whitaker, & Rafael Statin) curated by TaRaach. From the 1st clip of "Start Recording" to the blaring of the J Dilla Anthem "Ghetto Wish", this 7 inch serves its purpose for any DJ needing to improve their collection.

The Silhouettes Project a new platform for up and coming Hip-Hop, Soul and Jazz artists from the UK. It is not a record label or management team, it is a community project. The Silhouettes Project provides an open space - a recording studio and live venue located within the Total Refreshment Centre in Hackney, London - where MCs, singers, musicians and producers can connect and create.The Silhouttes Project was founded by community organisers/artists Asher Korner (aka Kosher) and Jaden Osei-Bonsu (Eerf Evil) in 2019. When they told us about the project and played us some of the music we were instantly hooked and joined the collective as label partner. The art direction is executed by Sergio „SagaUno“ Alferez, an acclaimed designer and illustrator from Medellín, Columbia.Starting in September, we release a new single each Thursday from artists like Kofi Stone, Summers Sons, Enny, KeepVibesNear, Manik MC, Lex Amor, Louis The Hippie, Summer-Pearl, Joe Beard and many more.

Here is the story of the Silhouettes Project as told by its founders Jaden and Asher: „We started The Silhouettes Project in February 2019, to shine a light on the new generation ofunderground Hip-Hop, Jazz, and Soul music in the UK. Community is everything to us, and wewanted to show that with a proper support network, access to professional facilities, and theencouragement of a family of artists, our community could produce something incredible. We felt a joint frustration that the current music scene in the UK only had structures in placeto support talent of a certain genre whilst overlooking a buzzing alternative Hip-Hop culture.We wanted to unify artists who are making ground-breaking music but who are in need of asolid structure to work within - artists who we felt deserved more recognition. This led us tothe name ‘The Silhouettes Project’, as we wanted to shine a light on those artists in theshadows. The journey started by embarking on a collaborative album project which allowed us to bringtogether more than 30 artists on a single tape and to create a network of incredibly talentedartists of the same calibre. The album took more than a year, working almost every day at theRoot 73 studio, a community space in Hackney. We knew from the first few sessions that wewere on to something, and the energy around the project kept it moving. As artists ourselves we understood that the creative process can be challenging and sometimesisolating, especially when there is no clear support network to fall back on. This led us to bringour efforts into the physical realm by organising a series of free live music events for all ofthese artists to come to, showcase their work alongside our house band, and connect witheach other. These events take place at The Total Refreshment Centre in Dalston, anunderground studio complex and warehouse space, which gave the events an intimatecommunity feeling and the people a sense of belonging. There is a desperate need for spaces in which people can come together and develop theircreative potential, especially with the consistent withdrawal of funding from the arts sector inthe UK and with the constant threat of gentrification which has seen the closure of countlesscommunity and grassroots creative organisations. As we grew as a brand and organisation, webegan to fully understand the importance of what we were doing. From the studio sessions tothe events, we saw the impact on people’s outlooks on their own careers, we saw them growin confidence in performing and collaborating and even taking their own initiative to utilise thenetwork provided for them. We heard their feedback, we felt the excitement in theatmospheres at our events and studio sessions, and we saw the community grow every timewe brought it together.“

Fruit Company presents their new release “Schlafende Hunde” featuring Thelonious Coltrane, Duktus, Wilczynski and others.
This sampler is dedicated to all humans. We didn´t believe in differences, hate or fear. We believe in love and the endless power of music. The company is an open house. We know where we come from: mother earth!

Limited edition of 150 copies. Every bundle is unique as every single print is unique that's included. Like the pages of a flipbook, each of the 900 made prints is unique. Only very few for retail, so if you want the whole package with the fine prints by Markus Oberndorfer, be quick. Comes in white cut-out sleeve with sticker. The REVISIT Soundtrack was initiated by Markus Oberndorfer as part of his media art project REVISITED which features 360 video, media installation, photography, collage, and an artist book. Six befriended musicians were invited to provide three tracks each and given the assignment to send contributions representing their interpretations of the 360 videos recorded of the Sunset Strip in 2016 as part of REVISITED.

REVISIT OST is part of the installations virtual experience in form of radio broadcasts and subject of digital release and three limited physical releases on split 12“ vinyl. The vinyl is available in two versions à 150 copies: 1. Rhythm-Section (sound) and Rhythm- & Sequence-Frame-Section (sound & visual concept).

DROOM-01: Parental, Sirlensalot
DROOM-02: Devaloop, Lex (de Kalhex)
DROOM-03: Kompact, Dday One)

It is the year 2020, a year that addresses our awareness of diversity, tolerance and sustainability in an assorted, socio-cultural way. We translate this demand into music. “Nuthin’ But A She Thang” focuses on a marginalised view of instrumental beat music. This sampler, reflects a cross-section of the international female producer scene: 14 female artists, 8 countries, 4 continents, one language - music! The 14 instrumentals take the listener on a musical journey, which creates a tension between classic sample sound and modern current productions. The many facets of female beat producing are presented by exclusive contributions by Ainie (de) o Aygyul (at) o Courtney Hawkins (us) o Da Chick (pt) o Georgia Anne Muldrow (us) o Gnarly (uk) o Jillesque (us) o Josi Miller (de) o Julie Schatz (us) o Lisa Vazquez (us) o Sadiva (aus) o Saltyyyy V (de) o Sowall (kor) o Usagi (jp). Together with Stylefile as a cooperation-partner, we were able to persuade none other than Hera (de). She implanted an even more artistic approach and added an exclusive artprint to this piece of music. Our latest Release Ddct003 is in the end not only a musical project, it is a statement, it is an attitude.

2LP comp of those fire L.A. Producer 10"s that came out a decade ago. Includes a 36 page photo booklet from photographer, B+ . Dope. TIP! "Back in 2010 we released a series of 10" records from L.A., the series featured 22 artists across 11 records representing the various generations and approaches that made up the beat scene, both in LA and around the world. On every cover was a snapshot of the city viewed through the lens of L.A. based Irishman, Brian Cross AKA B+. To mark a decade we have compiled and remastered 24 tracks from the series on 2LP and cassette and bundled a 36 page B+ photo booklet inside and included liner notes from author of forthcoming book “Bedroom Beats & B-Sides” Laurent Fintoni."

A download code is included. First Dezi-Belle Records Compilation. Limited edition of 100 copies.

Celebrating ten years of Brainfeeder Records. 4 x 12” LPs in 3mm spined sleeves with printed inners housed in a rigid board box with outer slipcase featuring “Brainfeeder X” laser die cut logo, spot gloss details and obi-style band. Artwork by Charles Munka. Includes MP3 download code.

Ta-ku & Jakarta Records present 823’s very 1st label sampler featuring a diverse & international Line-Up of Lo-Fi - Producers. After the very successful EP releases of quickly, quickly’s “Over Skies” in mid 2018 (27m spotify-streams) and Please Wait’s “Black & White” in late 2019 (6,4m spotify-streams to this day) Jakarta Records and Ta-ku take their joint label to the next level presenting 823’s very 1st longplayer - a compilation feat. an international line-up of already established as well as up & coming Lo-Fi producers, handpicked and curated by none other than 823 label-head Ta-ku himself. 1st single to be released on 21st of August is „Serenity“ by prolific 27 year old producer eevee (1,5m monthly listeners) from the Netherlands aka „the queen of Lo-Fi“ delivering a loopy and very hypnotic tune w/ quite jazzy horns feeling like watching the sunset on a desert planet like Dune - from outer space. 2nd single will be a double-single, coming on September 11th w/ finnish indie-producer Idealism (2,5m monthly listeners) and his tune “Somehow” – a steady and softened beat w/ colorfull and chilled piano chords – on the one side and Ta-ku’s “Remember Me” - another powerful Lo-Fi anthem by the Australian allrounder and 823 patron - on the flipside. The compilation’s 3rd drop will be a double-single as well featuring 19 year old, US-based self made producer Peachy! (2,6m monthly listeners), delivering his Shanghai inspired, very spheric walk-by tune “Stroll” on one side while Laguna contributes his slowly uplifting but very keen “Lone Rider” on the flipside, catching that specific moment when switching from boredom to euphoria right away. All singles off the compilation will be accompanied by customized visuals from different filmmakers catching the songs’ very own vibes. The compilation’s artwork comes along in its very own and unique 823-style. Worldwide web promotion for this release will be handled and taken care of by Jonathan Kim.

Include A2 sized poster.

New instrumental release on Farhot’s Kabul Fire label with contributions from a who’s who of the German producer scene including internationally known names such as DJ Desue, Suff Daddy, Brenk Sinatra, Dexter (Betty Ford Boys), Bluestaeb and others! Make beats not borders! Germany’s producer elite comes correct on this new instrumentals-only release from Kabul Fire Records.

Label honcho Farhot has assembled an all-star cast of heat providers to not only celebrate beat culture but also take a powerful stand against global exploitation and national isolationism. Expect exclusive contributions from literally everybody who’s somebody on the German hip-hop circuit, many of them proudly repping their migrant backgrounds – Bazzazian, The Krauts, Dexter, KitschKrieg, Brenk Sinatra, Ghanaian Stallion, Suff Daddy, Samy Deluxe, DJ Desue, and many more. All proceeds go to Visions for Children’s current school project in Afghanistan.

An instrumental beat ode to the Duke by Twit One, Flame & Lazy Jones, strictly limited to 300 copies on black vinyl. Respect the architect!

Limited edition repress with a slightly switched up cover. Inspired by Ultraman and Norwegian nature, Torb the Roach and Floppy McSpace joined forces and cooked up their instrumental debut. The result, Tape Echo Gold Floppies. It tickles your senses with low fidelity rhythms, time warping space echo, rare world spices and psychedelic field recordings. Along with the project they’ve also released a 15-minute motion picture revealing the extraordinary story of how the record came to be; a dramatic piece involving ski accidents, black coffee magic and brutal fight scenes. The album is a combination of beats from the SP1200/S950 combo as well as dubs & effects from the Roland 201 Space Echo. Torb collects rare, obscure, world funk and rare groove records from India, Thailand, China & Japan. There are a bunch of dusty loops on the record made from his digs.

Inspired by Ultraman and Norwegian nature, Torb the Roach and Floppy McSpace joined forces and cooked up their instrumental debut. The result, Tape Echo Gold Floppies. It tickles your senses with low fidelity rhythms, time warping space echo, rare world spices and psychedelic field recordings.
The album is a combination of beats from the SP1200/S950 combo as well as dubs & ef-fects from the Roland 201 Space Echo. Torb collects rare, obscure, world funk and rare groove records from India, Thailand, China & Japan. There are a bunch of dusty loops on the record made from his digs.

The cover design is a mix of hand drawn illustrations, pictures of equipment and a picture of Floppy McSpace by Ocht & Torb.

This instrumental debut LP with download card is limited to 300 copies!

We're very happy to offer you this amazing 2x Vinyl LP project including Melancholy & Melancholy Pt.2 by Toonorth.. Toonorth is bringing you his sophomore EP "Melancholy Pt.2". After the incredible reception of the first Melancholy EP back in 2015 people were left wanting for more, that was his first project on Urban Waves Records and probably one of his most listened and acclaimed album to date. So we thought we had to deliver you with the follow up and wrap things up with a surprise 2xLP vinyl edition that will have both albums in one, so you're in for a real treat!

(Quoting our text from Melancholy)
From start to end Melancholy is the kind of album that sinks in, with a perfect flow every track complement each other in harmony and emotion. You end up listening again and again and wanting more.
With this imprint Toonorth shared his feelings, a bit of sorrow and a hell lot of love. The magical sound of Melancholy will definitely heighten your senses and bring you that feeling of nostalgia.

Only 115 hand numbered copies pressed on Clear Gold Vinyl.

We are excited to present Tom Misch and Yussef Dayes’ “What Kinda Music” – an astonishing collaboration between two artists of very different disciplines, and one of the most unique and seamlessly original projects of its ilk to date.

Moving fluidly through sleek electronica, avant-garde jazz, vintage hip hop and so much more, Misch and Dayes take you on a journey that is by turns surprising and spontaneous, heady and head spinning, and nothing less than compelling – a singular vision which fuses the DNA of both musicians with spectacular results, as can be seen in the title track, which comes backed by a gorgeously atmospheric video by XX.

Even though the fundamental bones of this project came together very quickly, its actual provenance stretches back much, much farther back, with the pair not only growing up in the same area of South East London, but Misch actually seeing Dayes play on drums in the school talent show for the first time when he was roughly 8 or 9. They both kept tabs on each other – Misch becoming a fan of Dayes’ act Yussef Kamaal, Dayes clocking his videos in 2014 – but it was only when they met at a launch party for Misch’s debut LP “Geography” in 2018 that the proverbial creative sparks began to fly. “As a musician you’re always looking for contemporaries who can push you and challenge you and make you better”, says Dayes. “I instantly felt that with Tom – he was such a gifted musician, and so prolific”. That summer they decided to go into the studio together, jam a little, and see what happens, with no other expectation placed upon it.

As it turns out, the music came fast and furiously. Two initial tracks were suddenly followed by a handful of others, and the pair found themselves contemplating what to do next. “Pretty soon, we knew that something was gelling”, Dayes says. “It didn’t feel like a one-off collaboration, it felt like a body of work”. What made the pair click, according to Misch and Dayes, were the exact same factors that meant it shouldn’t, by all rights, work. Misch says, “Yussef comes from a more experimental background, and he has a lot of loose, crazy ideas. I know how to write a catchy melody, but with interesting chords and have a good understanding of popular song forms, so I think I streamlined those ideas and made them accessible”. And certainly, in “What Kinda Music” you can sense the DNA of both musicians, but fusing so effortlessly and beautifully that it creates something else entirely, the appropriately named “Lift Off” sending goosebumps with its jazz flecked crescendo, and “Night Rider” hynotising with its deeply mesmeric grooves. “I have a love for harmony and chords”, Misch adds. “Working with someone like Yussef, who has such a gifted sense of rhythm allowed a perfect balance”.

Throughout the record, there is an utterly joyful feel of two musicians at the top of their game sparking off one another, picking up ideas and running with them – zigging where the other zags, ebbing where the other flows, with Misch producing the majority of the record and both having a hand in the overall sound and feel of the record.

“Working with Yussef has actually changed the way I work as a musician”, Misch muses. “He’s pushed me and unlocked a more experimental part of me that I hadn’t really allowed myself to explore before. I think we really did impact each other in a fundamental way”. Dayes is similarly effusive in his praise for Misch. “A musician like him, who’s at the top of his game, he doesn’t need to do this”, he raves. “He can just keep doing the same thing and why not? He’s killing it. The fact that he’s so humble, that he’s so curious about everything and open to collaboration, speaks a lot to him as an artist, because it’s not easy finding musicians who want to collaborate. Something always gets in the way, whether it’s ego or their team or whatever. But with Tom it felt like the intention was purely creative, and that’s what made it exciting”. In fact, Dayes says that the intentions of the record go even deeper than just music. “Both our parents who’d never met each other before, are now best friends as a result of this, they now see each other more than we do! I’d like to think, in some small way, that this album has a similar impact for people too – everything feels so divided these days, it would be nice for people to hear the record and hear two very different musicians coming together and realise it doesn’t have to be that way”.

The prodigious 20-year old South East Londoner Tom Misch releases Beat Tape 2 through his own label Beyond The Groove. The project is a soulful extension of the themes explored on Beat Tape 1, this time featuring a host of collaborations including Carmody, the beautifully delicate soulful singer who just happens to be one of his friends older sister; fast-rising wordsmith, Loyle Carner and Melbourne native Jordan Rakei, who since striking a friendship up with Tom online, has taken the plunge and moved from Oz to East Dulwich himself.

It's been four years since Sweatbox Dynasty, the fourth solo LP from Pennsylvanian experimentalist Tobacco. In that time, Tom Fec's project has toured with Nine Inch Nails, provided the theme song to HBO series Silicon Valley, and teamed with Aesop Rock for a collaborative album as Malibu Ken. He now returns to Ghostly International for Hot Wet & Sassy, a full-length album oozing with his most playful and approachable songs to date, which, conversely, express notions of antilove, self-hate, and disappointment in others. Pop impulses have always surged beneath the surface of his sound - blown-out bass, analog synths, drum machines, and Fec's unmistakable analog gurgle and hiss - here they've bubbled to the top. "I feel like it's the most I've been able to refine what I'm doing," says Fec. "For the past decade I've had this motherfxcker on my shoulder that makes me pick away at structure and melody. Purposely covering up moments because I can. That really came to a peak on Sweatbox. So I wanted the opposite this time. Write the songs without ripping them in half. I went from 'what would the Butthole Surfers do?' to 'what would Cyndi Lauper do?'" And what would Trent Reznor do? Fec found his answer straight from the source. Their collaborative track, "Babysitter," fuses their voices into one deranged presence: "I'm the new babysitter," they alert, before pivoting into a menacingly saccharine bridge. The track tumbles on a tom fill, then a punishing synth line rips into a cacophony of drums and feedback like a lawnmower gnawing through the living room carpet. "This was new for me, but I wanted to write a song that was everything I am and have been, and then like one notch further. Trent was the notch further," adds Fec. The collaboration is a work of alchemy seamlessly blending Tobacco's trademarks with Reznor's industrial rust and sonic gore. Downcast, sincere, woozy, "Jinmenken" might be the closest Fec has come to a ballad. "Maybe you can find me down the line," his vocoded delivery bounces along the beat. "It's me trying to write a Jets song," says Fec. Album opener "Centaur Skin" presents the stylistic concoction that has been the Tobacco MO from the beginning, crossing dreamy melodic shimmer with the sinister tones and slime. This has become easier to digest, but also far more potent. A motorik beat steadies the track's galloping arpeggio, acting as a springboard for Fec's dark ruminations as well as an uncharacteristically crystalline synth solo. "It's my feel good self hate anthem. Don't worry, I'm good. It was fun to write." Tobacco hasn't been reinvented, but it has been refined and distilled. Brighter, sharper, and far more dangerous because of it. Hot Wet & Sassy is practically staring at the sun without shades and feeling those corneas roast. Everything looks good as your vision fades. The pop-forward structures exert their undeniable hooks with baneful precision, pulling listeners into their clutches; once there, sugary melody rewards submission.

Warp & LuckyMe unite for a mixture of minimal, bass-bleeding hip-hop beats!

A bunch of the legendary dance-floor hitmakers' instrumentals combined on one album. Essential!

Limited edition of 250 hand numbered copies, feat. Eloquent, Peter Manns, Kevoe West, Kasia Konstance, Turkish Soulcat and others!

Limited edition of 250 hand numbered copies, feat. Eloquent, Peter Manns, Kevoe West, Kasia Konstance, Turkish Soulcat and others!

Double album set featuring instrumentals of 14 Roots' classics. Hard to find mixes all collected together here. Includes "Disortion To Static", "Adrenaline", "Clones", and many more. Pressed from the original master tapes, perfect sound quality.

Killer anthology of all the good one's Biggie was spitting over. Tip!

Here we have the first full length Release from The Breed on Chillhop Records ! The Beatmaker from Germany will please you with a well selected Mix of Westcoast G-Funk and laid-back Rhodes Chords. The perfect Soundtrack for the pre-summer Season. Enjoy!

Traditionally the liner notes of an album take on a kind of third-party address, where a writer is delivering their thoughts about how an album makes them feel without breaching that space where they are representing themselves or the moment in time directly to the reader. The goal is typically a kind of timelessness, but as we live in unprecedented times, unconventional methods take on new life, and hopefully importance. In the spirit of that idea... man, is this the kind of album we all need right now. So many of us feel like we're constantly walking a tightrope, are feeling like we can't unwind, are in genuine need of a few moments of respite. Every so often an album emerges from an artist that most likely did not realize when they were composing how timely the results would be, and Lofi Dimensions is exactly that kind of record. It doesn't really matter why it's coming when it is, what's important is that it's here, offering peace to the perturbed and inspiration for the downcast. The American Dollar have long been one of those artists operating in a kind of middle ground, a band with a long history of creating moving instrumental rock that has somehow avoided ever becoming synonymous with modern American post-rock acts. They retain a sort of autonomy in a valued position just outside the boundaries of classification. Blending electronic textures with moving guitar and keyboard melodies, their music has always traveled somewhere in the spaces between trip-hop, electronic, post-rock and ambient, and this inability to be defined is ultimately what sets them apart from the trappings of genre, allowing them to be whatever they want The American Dollar to be in a given moment, always on their terms.

Multi-instrumentalist, producer and DJ Tenderlonious presents this collection of lo-fi beats and soundscapes courtesy of the lockdown studio sessions from his home in South London.

On 11 October 2010, Brainfeeder released the debut album by a 23 year old ex-skater, painter and music producer from Chino Hills called Teebs (real name Mtendere Mandowa). The title 'Ardour' means great enthusiasm, love or passion and was a fitting descriptor for his inherently warm, lushly textured beats. It’s an undisputed classic in the Brainfeeder canon and more widely considered an essential chapter in the ever-evolving puzzle of the global “beat scene”.

Brainfeeder and Teebs are celebrating the 10th anniversary with a limited special edition reissue of this landmark record. Pressed on deep pink 2LP and housed in a beautiful gatefold sleeve with artwork by Teebs himself, the new edition features six previously unreleased bonus tracks.

With roots at the ‘My Hollow Drum’ collective, Dublab and Low End Theory, Teebs has been a staple in Los Angeles music. “My creative family in LA is so important,” he explains. “It’s a part of who I am when I step outside and how others in LA view me. I love the feeling of community and trying to understand how I can be useful in it.”

Following 'Ardour' (2010), Teebs released 'Collections' (2011), 'Estara' (2014) and, after a 5 year hiatus, his most recent album 'Anicca' in 2019, with the help of a host of musical friends including Panda Bear (Animal Collective), Sudan Archives, Ringgo Ancheta aka MNDSGN, Miguel Atwood-Ferguson and Anna Wise. Universally acclaimed, Pitchfork gave 'Anicca' a glowing 7.8 review hailing Mandowa’s “effortless, shape-shifting tracks that make time stand still.” Meanwhile, FADER described the record as “deeply atmospheric... cool-headed and uncanny.”

Swarvy presents his new album “Bop” on Paxico Records

"Songs of love sung by robots."

From the moment this machine is booted BOP begins buzzing with kinetic warmth. This is something characteristic of Swarvy's sound, the LA-by-way-of-Philly musical polymath with a vast catalog including sun-soaked live instrumentals, jazz-infused loops and lo-fi gems. With BOP, he is musical mad scientist, flaunting his technical finesse as he plunges into the realm of abstraction.

Swarvy makes his mark in BOP even while grappling with its colder, industrial elements. With broken rhythms and jagged textures, he pieces together tunes of emotive beauty. The result is undeniably playful and delightfully odd, something like songs of love sung by robots.

Through its wavy ambience runs a current of aural ephemera - bits of speech samples, bossa riffs, and R&B with opaque origins. BOP's genre-bending tracks will take you to ten compelling dimensions, forming an archeology of cyberspace and musical artifacts that'll leave your cold robotic heart melting in the LA sun..

After a couple of years without a new solo release & makin moves with his
Betty Ford Boys Brenk & Dexter, it was time for Suff Daddy to lay another
egg in the form of a new album entitled „Birdsongs“.
Deeply rooted in the Suff Daddy signature sound, it is also proof of an
evolutionary process. A little less sample chops, a little more synth, a little
less straight hip hop, a little more melody. This doesn’t mean that you won’t
be able to recognize the bird by its call anymore, it’s just a slight change in
tonality.
After extending his stomping grounds to neighboring European countries by
frequently playing international shows, including a London Boiler Room, he
also opened for the mighty Anderson.Paak during his German shows in
early 2016. Suff Daddy also remixed Lion Babe's “Wonder Woman” for
Gilles Peterson Worldwide. He'll also be featured on the next “Spring in
Jakarta“ compilation.
The album features some of the fellow birds Suff Daddy is known to fly
with. Betty Ford Boy's Dexter adds drums and baselines, and Mayer
Hawthorne delivers some vocals.

Le premier album d’un des producteurs Hip-Hop les plus en vue du moment est là, prêt à être savouré par votre audition ! 'Seeds' est un projet de 14 titres produit avec patience et élégance afin de vous faire voyager dans l'univers de StuckInWaveForms, un univers avec une musique souple et ondée, aux basses prononcées, le tout, dans des productions pointues et parfois insaisissables. Un véritable concentré de groove, où l’on navigue entre hip-hop, electronic, funk, jazz et sons à grosse basse sur 14 titres, tous plus chill-out les uns que les autres.

Under the StuckInWaveForms name Théodore has served up the impeccable ’seeds’, a sublime, sunshine-y hip-hop electronic and jazzy infused debut album, and one with some sweet artwork courtesy of French artist Lou.

KingUnderground presents the debut album - Instrumental beat tapes Volume 1-2, produced in 2008-2009 from Swedish producer Sun Raw aka SRAW.

The ”Beat Week” concept came about in 2008 when Myspace still was the main internet platform for spreading independent music. SRAW wanted to use the social media platform to his advantage and make a release that was adapted to the specific ways of posting music and maintaining an audience on Myspace. He came up with the idea to publish one song a day for the duration of a week so that it would exist as a whole in the Myspace player after the week had passed.
The beats were simply named after the day it was published, making the final beat tape hold 7 tracks. Beat Week #1 was received very well so a year later Beat Week #2 was released in the same way. Around this time Myspace had lost most users to Facebook, and Soundcloud slowly began to take over as the new platform for musicians.

“I guess this is my tribute to the (for many of us) important MySpace days!” - SRAW

this is my latest's album Kuroi Yume (Black Dreams). It is my love and culture blended with my love for asian culture. Cover work by the amazing Kidchan aka cyanparade

Limited edition of 150 hand-numbered copies only!
Shatter Days is the new EP by Shatter Hands, the tracks were produced in a series in 2017 and fans are already familiar with them but they weren't up for download back then.
The 7" vinyl edition includes 2 tracks, “Impressible” and “Let's Kryptonite” and is strictly limited.

Samiyam returns to Stones Throw again. “Pizza Party” is Sam's second album on the label.
Samiyam’s Pizza Party is 24 minutes of off-kilter mobster music mixed with a warm soul sound that is unmistakably the trademark of L.A. producer and beatmaker Samiyam. Sam’s independent beat tape ventures and instrumental albums are revered by many rappers as respected by producers.
“Pizza Party” is free of samples from the characteristically dusty vinyl grooves and beloved past recordings. Instead, you’ll find originally-played synthesizers and FX in unison with the off-the-grid drum patterns and typical Samiyam sonic swagger. “What Can I Do,” was co-produced by Jonwayne.
Samiyam grew up Sam Baker in Michigan. Soon he became part of a post “Donuts” producers network focusing on instrumental hip-hop beats, who found themselves migrating west and huddling in the scene around Low End Theory in East Los Angeles. That's when Flying Lotus and Samiyam met and Rap Beats Vol. 1 was released as Samiyam’s debut album on Brainfeeder in 2008.

The Content Label, Los Angeles’s ‘experiential’ hip hop imprint, rarely signs an artist based on a demo, but an impressive delivery from Japan recently broke the trend. Recorded by Salty – AKA Tokyo-based producer / videographer Naoya Ninomiya – the demo arrived as a nearly complete object, ready for dissemination to the global hip-hop headz-space. The songs have been mastered by legendary Japanese hip-hop studio engineer ‘The Anticipation Illicit’ Tsuboi and, with Dday One acting as executive producer it is now ready to be unveiled as the thirteen track album Camera. It’s a fantastic audio journey that gives a glimpse into Japanese beat-making prowess while sitting proudly within the instrumental hip hop echelon. With “Camera”, Salty showcases a diverse set of styles and an acumen for rhythmic patterns and tone, developed through his years of crate-digging and experimentation. And there are many moments to claim as highlights … “Remonoganac” with its gentle piano, atmospheric textures, and tough beats; the laid-back hip hop funk and scratches of “ADSL”; the smoky downtempo vibe of “The Sea Came At Midnight” is reminiscent of sounds of classic Dj Krush; and “Melting In The Dark” with its cinematic layers and haunting vocal. These all qualify for honors, among other possible choices. With Camera, a compelling portrait of Salty as a rising star on the beat-making scene has emerged and The Content Label is on the case.
Vinyl version is limited to 300 copies worldwide. The executive Producer is Dday One.

NOW PRESSED ON 180 GRAM VINYL!

Cold Busted has navigated the smooth seas to unearth Sailing, the new album from Moroccan guitarist and beat-flinger saib. The Casablanca-based producer has steered his sound into warmer waters. Mixing tempered hip hop beats with jazzy vibes and a lounge sensibility, saib. touches on a style that's both chill and opulent. The album's opener, "Archipelago," sets the scene with gentle piano, swirling strings, and beachside sounds that would make Martin Denny proud. "Tropics" pushes the agenda further, featuring delightful vibraphone lines, stand-up bass, and boom bap beats, providing the perfect soundtrack for poolside cocktails. The sleepy crooning of "Blue Memories," the future-retro sing-a-long of "Mermaid Dreams," and the guitar/vibes interplay of "Pastel" provide other highlights. Sailing's twelve songs show saib. as an artist capable of bringing a sunny climate to any listening environment.

“A Safe Place to Be Naked” is S.Fidelity’s debut album, which will be released on May 5th via Jakarta Records. It features 12 tracks, capturing the producer’s quest for a fresh sound, which he elaborated over the last two years, locked in his tiny basement studio in Berlin. Evolving from there the he has also released an EP with Feelin Music in 2014, and “Sidekicks”, a joint project with long-term friend and collaborator Bluestaeb in 2016.
By working with artists like Tru Thoughts singer Harleighblu and label mate JuJu Rogers as well as fellow producers Bluestaeb and Shuffle Jack, his LP “A Safe Place to Be Naked” plays with sampled vocals and even his own voice – often distorted, but still present.
S. Fidelity was born in St. Gallen, Switzerland, mainly works in Berlin and currently resides in London. As a producer he developed a unique and always driving sound, combining sampling techniques and classic beat making with unusual drum patterns, modern synth and atmospheric sound effects. S. Fidelity’s laid-back eclecticism is marked by a deep knowledge and fascination for Pop culture as a whole. His idea of fresh HipHop references to various genres, including Jazz, Ambient, Disco and Electronica.
The LP contains an A2 poster & metall sticker.

A download code is included. Here it is! The first EP from "zero Netcost", a project by Romain Bezzina with the help of Simon Mills (Bent) plus a few guests. A sweet mashup of easy-listening and downtempo tracks with nostalgic and dreamy vibes. God damn, this is some good-ass ice cream.

The Philly hip-hop veteran RJD2 will return with a new album this spring. Titled "Dame Fortune", it features guest vocalists including Son Little, Phonte Coleman, Blueprint and more. According to the press release, the album’s centerpiece is an orchestral composition inspired by Ferguson titled ‘PF Day One’ (PF standing for ‘Post-Ferguson’).

Village Live Records is hyped to unveil the highly anticipated repress of Remulak's critically acclaimed debut album, 'Earth,' originally released in 2017. This special edition includes a limited run of only 100 copies on stunning blue splatter vinyl, along with the standard black vinyl edition presented in a gatefold package.

'Earth' not only enchants listeners with its captivating music but also creates a nostalgic atmosphere through its visual presentation. The album cover showcases a charming childhood snapshot of Remulak from the early 80s, while the gatefold image, captured by Remulak's mother in the early 90s, adds to the album's evocative aesthetic.

Remulak's 'Earth' serves as an impressive display of his versatility as a producer, featuring a range of moods from funky and emotive to darker, atmospheric tones. Despite its diversity, the album maintains a cohesive and consistent sound, embodying Remulak's artistic vision and talent. Vinyl enthusiasts and fans of Remulak's work will have the opportunity to secure their copies of this special repress.

Village Live Records is hyped to unveil the highly anticipated repress of Remulak's critically acclaimed debut album, 'Earth,' originally released in 2017. This special edition includes a limited run of only 100 copies on stunning blue splatter vinyl, along with the standard black vinyl edition presented in a gatefold package.

'Earth' not only enchants listeners with its captivating music but also creates a nostalgic atmosphere through its visual presentation. The album cover showcases a charming childhood snapshot of Remulak from the early 80s, while the gatefold image, captured by Remulak's mother in the early 90s, adds to the album's evocative aesthetic.

Remulak's 'Earth' serves as an impressive display of his versatility as a producer, featuring a range of moods from funky and emotive to darker, atmospheric tones. Despite its diversity, the album maintains a cohesive and consistent sound, embodying Remulak's artistic vision and talent. Vinyl enthusiasts and fans of Remulak's work will have the opportunity to secure their copies of this special repress.