Instrumental Hip Hop Vinyl 335 Items

Imagine. NY, NY. You see the city with different eyes. Architecture got redefined the moment you rolled down the street on your board for the very first time. Rails, curbs, ledges. 50/50 down that handrail. 1st try. Damn that feels good. “No Skateboarding”-signs left & right, the sirens are getting closer. Screw it, puts a mere smile on your face as you float through the concrete jungle, big city of dreams! Cut. Meanwhile in Venice Beach, CA. I’m still feeling the bruises from the abandoned backyard pools in San Diego last week. Sh*t man, the sun is burning on my skin. The wind feels good as I push past the palm trees. Let’s shred these bowls. Nothing beats the adrenaline rush when you land a handplant. The hours pass by. Sun down, city to city. Exhausted, yet happy. Gonna give that wrecked body some rest, grab a bite on the way home, watch some 411, play some Tony Hawk’s, and listen to the old hip-hop tapes, again and again. Cut.

There’s always been something magical about the soundtracks of the skate flicks you watched as a kid, and the music would echo in your head for days. 7apes and Enaka joined forces to provide the soundtrack for your next ripping session. „Brrrrr stick 'em, ha-ha-ha stick 'em“, that chant rings in your ears as you lock in for that crooked grind. Rattling drums meet crunchy ass basslines as you pop down that staircase. The beat halts as the world turns slo-mo while you catch that frontside flip half way through the air. Boom, landed, and the beat goes on, and on, and on. Everyone comes running up to you, screaming & shouting, the energy is at peak. 7apes and Enaka know that feeling oh too well. On GRIPTAPE, they’ve turned it into sound, a hundredfold.

S-K-A-T-E. Let’s play.

The sixth album from legendary hip-hop group Souls of Mischief, There Is Only Now, is a unique cinematic 90s crime
tale of love, loss, and revenge. A conceptual collaboration with producer Adrian Younge and the first release on his freshly launched Linear Labs Records label, There Is Only Now gets its inspiration from a near fatal incident involving group members A-Plus, Opio, Tajai, and Phesto early in their careers. Set in 1994, There Is Only Now serves as a bookend to two decades of music since the release of their seminal debut album, ‘93 Til Infinity.

There Is Only Now sees the Souls of Mischief crew members trading bars with a cast of hip-hop and soul luminaries.
Narrated by A Tribe Called Quest member Ali Shaheed Muhammed—as DJ for fictional local Oakland radio station K-NOW—the album’s story unfolds under his all-seeing eye. Busta Rhymes makes an appearance as the story’s villain, Womack, on “Womack’s Lament,” while William Hart of the legendary vocal soul group, The Delfonics, lends his buttery falsetto to the contemplative “Another Side of You.” Snoop Dogg drops knowledge on the situation between Stoney and Womack with an ice cold verse on the title track “There Is Only Now,” and Scarub from Living Legends goes in on “Stone Cold.”

Souls of Mischief and Adrian Younge have created a hip-hop album like no other. The result of a special moment for all
involved, There Is Only Now proves that after two decades in the rap game hip-hop’s Fab Four remains committed to
the expansion of their legacy as hip-hop innovators and pioneers.

Great instrumental hip-hop rap beats by Ahwlee, finally pressed on viynl.

Limited edition of 300 copies on colored vinyl.

Paris-based producers Alcynoos and Parental team up again for "Night Shift", another beautiful instrumental outing delivering that mellow vibes to make your head nod. 13 delights with features by Soul Intellect, Lawiss and Dan Amozig. Tip!

Fifth pressing, this time via Sekito.

This limited 7inch introduces Andreikelos with a catchy downtempo tune on which mediterranean flavour meets electronic sounds as the traditional Greek organ bouzouki smoothly flows over an abstract hip-hop beat. Also includes dubstep remix by Earthkeptwarm. Includes free download code with additonal track.

This is Apollo Brown's very first beat collection put together in 2007 a few years before winning the Red Bull Big Tune Championship in Detroit and then signing to Mello Music Group. The collection has been such a popular record around the Mello Music Group office for the past few years that we decided to make it available to everyone for a one time pressing on vinyl. Over 30 tracks from Apollo Brown.

After the 2019 release of their debut album "Dark Smoke", the Danish trio Athletic Progression has gone from strength to strength in Denmark. Multiple sold out shows in DK and abroad, as well two Danish Jazz Award nominations - and even one for Danish musician of the year! - later, the group is now ready to release their next album, an instrumental opus years in the making. Highly recommended for fans of Thundercat, J Dilla, Comet is Coming and the likes.

Aver created the first draft of the album between finding out about Joey's passing and attending his funeral. He arranged musical collages out of voice messages and breaks he and Joey had sent one another alongside previously unreleased material he made during lockdown with Doron Segal. The process initially served as a form of musical therapy, but after completing it and sharing it with a few friends, Aver realised that it might also bring joy to other people that knew Joey, as well as introducing those that didn't to the lovely ginger fellow behind Village Live.

The finished album features cuts by Jazz T, Evil Ed and Omas, as well as additional voice messages donated by Kuartz and Matt Smith. Mr. Krum has done all the design work for the the booklet and the gatefold cover, which features a photo-collage by Aver of the Aroe piece outside Rarekind Records, as well as the huge blockbuster at Black Rock, Brighton.

RIP Joey Deez

4 drum heavy, dystopian instrumentals on a limited edition 45 in picture sleeve

Debut vinyl release by underground producer Big Shawn of San Francisco’s iconic rap group Bored Stiff. Album features 19 new instrumentals showcasing B.I's love of Brazilian jazz and 70's funk fusion on fresh green vinyl.

Limited to 50 copies.

Limited Edition of 3000!

Yeah, this is the 1st real album by Matthew Tavares (Keys), Chester Hansen (Bass) & Alex Sowinski (Drums).

Beastie Boys Instrumentals - Make Some Noise, BBoys!

Radio Juicy proudly presents blnkspc_ the collab project by two very talented producers B-Side and Tesk. Queens is their debut album together, an ode to the fabulous and regal, where strength meets elegance. You can feel the influence of both producers on the music if you are familiar with their respective work, and blnkspc_ is a luxurious taste of both worlds. Queens plays out as an intrepid escapade into the heart of the city, where cultures blend together and inhibitions are left behind. Come in for a while and enjoy the smooth beats with this unique selection.

The vinyl edition is incredible for this one, the art is printed on the reverse uncoated side to give the colors a more pastel feel, almost like a painting. The vinyl itself comes with a white with red marble also giving a pastel feel. The entire piece is literally like a work of art. Specially with the perfected mastering which will give the best possible audio experience!

Note the vinyl is a limited edition and the shipping will start at the end of August due to annual holidays. The safest bet is to expect it at the start of September.

Violettes Doppelvinyl (180g) Reissue des Blockhead Klassikers ’Interludes After Midnight’ (2012) inklusive Downloadcode.

Quar and Peace is an album of beats made during Covid-19 quarantine on IG Live sessions.

We teamed up with Radio Juicy & Urban Waves again to make Bluestaeb's out of print title "1991 Extraterrestrial" available again on vinyl. This is one hell of a producer album that shouldn't be missed by any beat conaisseur. Lyrical features are provided by Teknical Development of Obba Supa & Man Of Boom fame as well as Eloquent & NaNo. Bonus remix provided by Antitune, cuts provided by Grizzly Adams of the Beat Evolutioners and the mastering was made by Figub Brazlevic.

Bluestaeb's evolution from a beatmaker to a producer is his sophmore album “Everything is Always a Process”.

He is one of the key figures of a new generation of up and coming HipHop beatmakers, who have emancipated from genre thinking and instead merge old school aesthetics with a new school attitude and organic instrumentation.

Everything Is Always A Process re-iterates Bluestaeb's overall approach to life (and thinking), but also has direct reference to the making of the album itself, which began with moving from Berlin to Paris in 2015 in the search of new influences and a new creative environment.
Created between 2015 and early 2018, EIAAP embodies the process of this transition - as well as collaboration with instrumentalists and vocalists from all over the world and recording in different studios in Paris, London & Berlin.

"Meeting all those musicians and trying out new ways of producing by using real analogue synths, Rhodes, drums and percussion etc. made it possible to overcome the creative boundaries of a home studio with just a midi keyboard" / Bluestaeb

Influenced by Madlib's "Shades Of Blue" and trained in African drum techniques such as Djembé and Daruka, Bluestaeb had been crafting his own beats since his teenage years and gradually found his sound identity through experimenting with HipHop and Jazz – first to be heard by a broader music community in 2013, when he released his debut album "1991 Extraterrestrial" (Radio Juicy). Since then the prolific young artist has released numerous solo and collaboration projects ("B.L.U.E. Friday" in 2015 and „Sidekicks“ with S. Fidelity in 2016). In 2016, he produced collaborative album "LIT - Lost In Translation“ with rapper JuJu Rogers, a keen manifesto against racism, xenophobia and the rise of anti-heroes such as Donald Trump.
Today, Bluestaeb lives and works in Paris and Berlin and is set to release his third solo album “Everything Is Always a Process”, a smooth Neo Soul-induced epic featuring artists such as Noah Slee, Harleighblu and Melodiesinfonie.

Bluestaeb hooks up with Jakarta for the all new "Rodaquilar" album. Produced, recorded and mixed by Blue, features Blameful Isles on one track.

Japanese producer Boogie Mason pays homage to the LA Beat Scene with slooped samples, swung grooves, and MPC cuts that will make head-nodders out of rhythm skeptics. These 10 instrumental tracks weave a tale of reverence for the no rules, unquantized ethos that took Los Angeles beatmakers by storm in the early 2010s. Geared toward the inquisitive listener, Bonsai is the perfect companion to a smoked-out sunrise or a solo walk through Tokyo’s back alleyways.

Strictly limited edition of 300 copies on splattered vinyl.

Here's the 2nd drop of Boora's "Soundogolism" jams with beats produced between 2016 and 2020. Boora is a beatmaker, sound producer, crate digger and hip-hop DJ hailing from Sovetsk (Tilsit), Russia, now based in Moscow. His new album was produced on drum machines like the Akai MPC 3000 and E-mu SP1200 plus synthesizer's and Logic X mainly using soviet samples. Guest musicians include Roman Miussky, Yarik Hvos, Craig Crofton and Dmitriy Artemyev. Tip!

Strictly limited edition of 300 copies.

A creative union of 90s hiphop production techniques, live instrumentation, turntablism and spoken word poetry. Performed by Dan Broak, Herbal Bert and Lion El Hämpton at Odd Funk Records studio under the dope quality control surveillance of the notorious production-duo The Blassics.

A remix of the popular song "Guilty Luv" by rare lyricist "bron-k" on the mellow side, the remix by "Kenichiro Nishihara" was a bigger hit than the original. This 7inch, which has been difficult to find for a long time, has been re-released in a new guise, coupled with the original. The melancholic and lyrical piano melody is matched beautifully with the heart-wrenching and melancholic vocals. In addition to a remix by Kenichiro Nishihara, the flip side features the original by Loptimist. It will be re-released as a 7-inch single with completely new spec.

Limited edition of 500 for the world! Nice remix action by Jonti, Peanut Butter Wolf, James Pants, Vex Ruffin, Prince Language, Jonwayne, The Stepkids & Samiyam!

The prolific and mysterious bsd.u from Vancouver Island follows up his highly acclaimed "lighter" tape on Inner Ocean with 21 brand new lofi gems on his new record "pook"! This release delivers every ounce of that low key, lofi hiphop sound that you know and love from the ultra talented bsd.u. Pook is that feeling you get when the party is winding down, but the groove won’t let up.

“The spiritual successor to The Gospel According To Budgie mixtapes and The Good Book albums with Alchemist. Holy Ghost Zone picks up right where they left blending 90's Gospel with a 2018 bounce.”

More digging in the gospel section...

Possibly less obscure but definitely deeper. Made up of tracks that were started in Wyoming for Kanye/Sunday Service and then finished in LA and transposed to this project…

Includes 7 tracks exclusive to the vinyl release.

Limited to 50 copies.

On the outskirts of Bratislava, in the pulsating shadows of a refinery's burning chimneys, on the plot of a family house, there stood a small shack. Initially, it housed trials in domestic mushroom growing. Later, after a makeshift acoustic touch-up - lining the walls with old cardboard egg cartons - it became a shelter for music. Sensitive, evocative, nostalgic, lo-fi music by a man named Cadillac Face.
Today we would probably use the term 'safe space', but back then it was (in Cadillac's words) kutica, a cubbyhole. He hid there from a world that ached. Here, Cadillac secretly smoked, sang, and composed. And tried not to go crazy from anxiety. He wrote music unlike anything during his time.
Here, he struggled. With sound (unable to adjust it to his liking), with instruments (which he couldn't bring himself to play), with the world (with which, understandably, he was at odds).
Cadillac Face was a man who didn't belong here.
He wrote and sang in English (in a post-socialist and early-capitalist Slovakia, when command of English was no matter of course); he also wrote in Slovak (blogs and diaries, which, due to a stream-of-consciousness and surrealist style, were as incomprehensible as they were immersive and intimate); gave advice to teenagers (to their quasi-banal questions on talking forums [about relationships, life and adolescence], where they were often met with ridicule and mockery); he composed electronic and noise music (at a time when no one had a clue what the abbreviation DAW meant).
This Cadillac's compilation album is not aiming to compete with/replicate Noizy Days - a compilation of Cadillac's contributions to the project Noize Konspiracy. Underground compilations circulated through a local proto-social network. Borderline music without rules - open but often inaccessible. There, Cadillac contributed mostly with experimental-electronic compositions. Noizy Days was compiled by Ďuro Ďurček, one of the initiators of Noize Konspiracy. Both Ďuro and Cadillac have been dead for years.
Songs For The Trees is a selection from Cadillac's songwriting. The most intimate of his intimate recordings. Cadillac at his most fragile, brittle, and quiet. The most romantic, the most tormented, the most painful and direct of his songs I know.
Cadillac became an anthropomorphic grotesque tree. Neither broadleaf nor conifer. Or perhaps it's a candle slowly incinerating – bored, sad, playing the guitar. A tragicomedy. Sometimes it kindles what it doesn't mean to, and it can't put itself out. Or can it?

Death Knocks And He Shall Die” is the third album from Manchester MC/Producer Chalk. Inspired by Italian ‘Giallo’ movies and Film Noir, he created an imaginary motion picture soundtrack of instrumental Hip-Hop. Using film dialogue sampled and arranged across 16 tracks, the album tells a story of seduction, infidelity and murder over a soundtrack of jazzy grooves and horror soundscapes that are layered with seductive and haunting female singing. Production for the album started during the first covid lockdown of 2020 and took 4years to complete.

Limited to 500 copies.

Classic der Dicke & Snares release their new groundbreaking record titled '1990'. The EP contains six carefully selected songs that are characterized by personal experiences and thoughts. The lyrics are profound and offer an honest insight into the life of Classic der Dicke. The beats are thoughtful and powerful, literally carrying the listener through the tracks. With this album, the artists manage to create a perfect blend of honest lyrics and infectious beats. For the first time, Classic der Dicke shows a very open side - this is exactly how hip-hop should be!

Colle Der Fomento e Tuff Kong Records sono orgogliose di presentare "Adversus Instrumentals", tutte le strumentali dell’album più una traccia scratch inedita con gli effetti utilizzati nel disco in doppio vinile a tiratura di 500 copie numerate a mano: 200 su vinile arancio e 300 su vinile nero.

Colle Der Fomento and Tuff Kong Records are proud to present "Adversus Instrumentals", all the instrumentals from the full-length plus a an exclusive scratch effect track used in the record, limited edition of 500 hand-numbered copies.

Bastard Jazz is proud to present The Love EP from Cork, Ireland based DJ and producer Colm K. Colm, a 2009 graduate of the Red Bull Music Academy, has been making waves for a few years now through after his debut Basics 12" for Bastard Jazz and a 7" and a 10" released on sublabel BSTRD Boots (the latter of which is sold out and regularly changes hands for upwards of $50 on eBay and Discogs), and recently shared billing with Mr. Scruff on a Hypnotic Brass Ensemble remix 12" on Choice Cuts.