Instrumental Hip Hop Vinyl 508 Items

An instrumental beat ode to the Duke by Twit One, Flame & Lazy Jones, strictly limited to 300 copies on black vinyl. Respect the architect!

Strictly limited edition of 300 copies on black vinyl. Kutmah's "Isolation Tapes" contains a sweet selection of tracks from his Bandcamp tapes Volume 1-4 made while on lockdown in Berlin. The project is named after one of his favourite Joy Division songs and shows the variety of musical influences of Kutmah. Tip!

The second release of the label Dedicate is created by Kollege Schnürschuh. The producer collective, consisting of Phonk D, Clav Split, Iron and Jogging Jones, presents a cross-section of the past few years on the 12 instrumental tracks. Shoe School represents true hip hop without too much bling and flashy ice, somewhere between Old and New School.

Brand nu Wun Two! 24 tracks feat. Anthony Drawn, Danae Greenfield & Hubert Daviz!

Regardless of producing underground classics like “Jazz auf Gleich” (2013) with Sichtexot rapper Eloquent, researching frequencies below 60 Hz with Hubert Daviz as a tag team (“Vapowavez”, 2018), or escorting you through the cold days of the year, making the experience of winter not being felt that bad (“Snow 1-4, 2016-18”). Wun Two‘s key motivation is the aesthetic standard, he applies to his works.

At the latest since “Pirata” (2019), a musical audio adventure in an English as well as in a German version (voice actors: Ugly God & Twit One), it is clear as daylight, that one does not only deal with a simple beat maker, but also a concept artist. In doing so, Wun Two‘s intention is not driven by binge-releasing his beats randomly rather than carefully selecting them in order to form them to a thoroughly illustrated album embedded in a lyrical frame work.

After the “Dolphi” EP as part of the “SXT Tracks“ series, the grand album “O Cavalo Vermelho” is being released in 2020. Based on an even more sophisticated sound, Wun Two takes the audience on a journey through a foggy but dry environment on the search for the “red horse”.
Musical support comes from his “partner in crime” Hubert Daviz, label mate Anthony Drawn (saxophone) and the exceptional artist Danae Greenfield (keys) from New York City.
The illustration and graphical concept is contributed by Robert Winter (Die Ottos).

By releasing „Lush Space Daze“, Nelson Brandt aka Knowsum puts out his third solo album and accomplishes the transformation from Hip Hop beat maker to song writer and performer. Knowsum’s previous releases include a myriad of beat-EPs, various rap releases – especially under the name „Nepumuk“ and as 50% of the duo Luk&Fil – as well as the two solo LPs „Hyasynthus“ (Vol. 7 of the legendary beat series „Hi-Hat Club“ via Melting Pot Music, 2015) and „Play God & Shit Happens“ (via Money $ex Records, 2016). Regarding sound and groove, the discography of KNO is too unique and has too much confidence in style to ever becoming tired of listening to it. Now, „Lush Space Daze“ is the logical advancement within the sound universe of the musician from Offenbach (Germany) and probably his most complete album being released on his homebound label Sichtexot. „Did you know that your brain can play some silly games with yourself?“ (‚Jump‘) Guitar riffs, having been delicately effectuated to death, merge with synthesizer pads in 80’s style neon, and are, at the same time, overshadowed by a frontman, who probably would have risen to an all time legend during the golden age of the Krautrock underground. Despite the mix of almost a dozen of different styles, the album could not sound more homogeneous. Because Knowsum creates a bizarre sound image by the self-taught use of guitar, bass, synthesizer and drum computer blending in with his vocals. The special mood and the vocals function perfectly on a funky beat with a concise bass line (‚Late Night Things‘) as well as on a fragile e-piano soundscape (‚Plastic Dreams’, ‚Blue‘) or an acoustic guitar (‚Dispair‘, ‚Daydream‘). In spite of the often very experimental structures of the songs, with sometimes catchy, but in many cases weird melodies and the countless details, all of them stay harmonious and memorable. „Close your eyes and tell me what you see, is it us or is it just you and me?“ (‚Sweet Disguise‘) And for those, who by all means need to pinpoint a genre, may finally decide for themselves, if progressive-pop-nightmares in neon pink, experimental singer-songwriter-funk or yet the post-wave-neo-R’n’B-influences prevail... Love and champagne for the dance floor of those remaining.

Here's another Huubaat nugget that we are very excited about to release. "Momentum" includes a collection of previously unreleased or digtial-only available works incl. the collaboration effort with Flako. The vinyl comes with a lovely soft-touch sleeve.

"Beatnicks Tape": All tracks produced by Hubert Daviz in April/May 2008. The original release "Beatnicks Tape #01" included 13 tracks. These tracks have been released for free download in summer 2008 on the Cologne based record label Up My Alley. The work on this beat tape started as an attempt of getting familiar with one's first own equipment. Original text from the back cover: "lots of vinyl, 1 MPC2500, 1 Microkorg, hands on."

"Damage Is Done": All tracks produced by Flako & Hubert Daviz between December 2007 & June 2008. Unreleased beat tape from the joint collaboration with Flako (going by the name of "Damage Is Done"). The original version was completed by Flako on June 21, 2008 and included 8 tracks. "Woop, Wooop.."

Bluestaeb's evolution from a beatmaker to a producer is his sophmore album “Everything is Always a Process”.

He is one of the key figures of a new generation of up and coming HipHop beatmakers, who have emancipated from genre thinking and instead merge old school aesthetics with a new school attitude and organic instrumentation.

Everything Is Always A Process re-iterates Bluestaeb's overall approach to life (and thinking), but also has direct reference to the making of the album itself, which began with moving from Berlin to Paris in 2015 in the search of new influences and a new creative environment.
Created between 2015 and early 2018, EIAAP embodies the process of this transition - as well as collaboration with instrumentalists and vocalists from all over the world and recording in different studios in Paris, London & Berlin.

"Meeting all those musicians and trying out new ways of producing by using real analogue synths, Rhodes, drums and percussion etc. made it possible to overcome the creative boundaries of a home studio with just a midi keyboard" / Bluestaeb

Influenced by Madlib's "Shades Of Blue" and trained in African drum techniques such as Djembé and Daruka, Bluestaeb had been crafting his own beats since his teenage years and gradually found his sound identity through experimenting with HipHop and Jazz – first to be heard by a broader music community in 2013, when he released his debut album "1991 Extraterrestrial" (Radio Juicy). Since then the prolific young artist has released numerous solo and collaboration projects ("B.L.U.E. Friday" in 2015 and „Sidekicks“ with S. Fidelity in 2016). In 2016, he produced collaborative album "LIT - Lost In Translation“ with rapper JuJu Rogers, a keen manifesto against racism, xenophobia and the rise of anti-heroes such as Donald Trump.
Today, Bluestaeb lives and works in Paris and Berlin and is set to release his third solo album “Everything Is Always a Process”, a smooth Neo Soul-induced epic featuring artists such as Noah Slee, Harleighblu and Melodiesinfonie.

Old Souls Carnival is the most accomplished Medline’s album so far, presenting his new direction in composition and his multi-instrumentalist approach. The project is driven by a strong spiritual background with a deep 70's soul jazz fusion influence, raised into a movie soundtrack dimension.

Each piece reveals a facet of Medline's music, origins, tastes and character. Playing with shamanic and exotic harmonies, hybridized with distorded psych funk sound and solidely pulsed by unique polyrythmic drum beats.

The natural flows of his expression speaks deeply and truely to the senses, traducing 6 months of gathering emotions, traducing feelings, during meditative recordings sessions on the world evolution and reality. The entire album was produced, mixed and mastered by Medline at the family's house, in Messac, offering a perfect immersion in his spiritual and material universe.

The fabulous and mysterious handmade drawings of Stéphane Carricondo, are the perfect rendition of Medline's mestized artwork. Rich with a wide variety of colors and influences, channeled by Medline's own hands, this first 12" record released on his label My Bags lives up to expectation. This French-Chilean producer always works outside of boundaries and styles frames, and with this LP shows that extraordinary projects can be expected from him for years to come.

colors vary

200 copies on white wax limited edition. Stamped with a stamp designed by Moar himself!

We teamed up with Radio Juicy & Urban Waves again to make Bluestaeb's out of print title "1991 Extraterrestrial" available again on vinyl. This is one hell of a producer album that shouldn't be missed by any beat conaisseur. Lyrical features are provided by Teknical Development of Obba Supa & Man Of Boom fame as well as Eloquent & NaNo. Bonus remix provided by Antitune, cuts provided by Grizzly Adams of the Beat Evolutioners and the mastering was made by Figub Brazlevic.

An ambitious collection of veteran musicians, Cross My Heart Hope to Die is the eclectic multimedia project of legendary Cypress Hill founder DJ Muggs, producer Andrew Kline, vocalist Brevi, and artistic curator Sean Bonner.

Japanese Instrumental band Sairu's frontman Kohei launches solo project 'dubfrank'!! Releases limited edition 7-inch vinyl. Gently, soothingly, and with a warm melody, Dubfrank creates a nostalgic soundscape. A precious piece that, while downtempo, can also shine on the dance floor.

In celebration of the exit of the most trash president in the history of the United States, SCM brings you 14 flips of possibly the most sampled song in hip hop. Masterfully mixed together by one of the greatest dj's on Earth, this will be a document that will stand the test of time. Limited to 500 copies and a one time pressing, this is a must have.

After releasing his first beat & instrumental album “Alltimers” in 2020, Berlin based multi-talent V.Raeter is back and kicking off the champagne for his upcoming sophomore LP “Sunday on a Monday” – this time released via Kabul Fire Records, also known as the nourishing home of high class instrumental releases in proud HipHop fashion. Sunday on a Monday is a sample based instrumental gem that pays tribute to the laid-back atmosphere of late summer days.