Instrumental Hip Hop Vinyl 222 Items

An awesome head noddin’ 10 track instrumental beat compilation curated by Grand CRU label founder Kats1r1s. Features tracks previously unreleased on vinyl by Tall Black GUY, Georgia Anne Muldrow, Jneiro Jarel, Afta-1, Birocratic and more. Full pic sleeve.

Beat Catz Jazz is an instrumental album from Polish beatmaker Emapea. The LP is full of chilled jazzy beats created with variety of dusty jazzy samples from vinyls, tapes and cassettes. Sounds been crafted with vintage samplers such as Akai s950 and s3000XL to add that lo-fi character. If you're into this such a vibe you'll definitely enjoy it.

Chill out this holiday season with 16 lo-fi Christmas tunes, perfect for your wintertime vibes. This compilation is a wonderful soundtrack to putting on your Christmas sweaters, lounging by the fire, and relaxing to A Chill Lo-Fi Christmas!

Building on the styles showcased on the first “Beatbox Studios” LP, Hi-Tek was clearly developing his own personal style on the studio’s in-house Akai MPC 60II sampler. The drums were swinging more; the grooves were deeper; the bass thumped harder. Even when choosing familiar samples, he was chopping them in fresh and unexpected ways, which would eventually help shape his signature sound.

As his reputation was becoming cemented in the local Cincinnati scene, his relationship with the rap group Mood was helping to catalyze more regular visits to New York City. The beats collected for “Beatbox Studios 2” were the ones that would stick in the auto-reverse tape deck for those road trips, as were the demo tapes he crafted with Mood, which would eventually earn them a record deal with Blunt Records in 1996—the same label and year where he would land his first major placement on Royal Flush’s “Ghetto Millionaire” album. It was also on one of those 1996 journeys to NYC that he would meet a young Brooklyn emcee named Talib Kweli—with whom he would form one of the most iconic duos of the indie-rap boom of the late-nineties.

“Beatbox Studios 2 (1996 MPC 60II)” showcases Hi-Tek as a hungry young talent on the rise, and his continued elevation would lead him to a career as one of the few producers who can claim to have worked with such a broad range of legendary artists; from superstars like Dr. Dre, Snoop Dogg, 50 Cent, and Anderson .Paak, to underground heroes like Mos Def, Common, and J Dilla.

The Debut Vinyl by 3Pointz ,Music Producer Beatmaker head of our beloved Label ,is back with a Extended Version now feat14 AMazing Beats n Basslines . Its Funky,Jazzy ,Soulfull ,tasty Instrumentals all the way... take ur time and enjoy this Gem on Vinyl !

It's rare to see Nassau, Covid and Grace Jones in the same sentence, but they were indeed part of the creative basis for DJ Vadim's brand new album, Feel UP.

As a busy international DJ, this was nothing short of armageddon for Vadim. The skies were darkened, but rather than sink into inactivity and hibernation, DJ Vadim created within himself his own tropical music festival, an alternative universe that would share some kind of kinship with the recordings made at Compass Point Studios, orchestrated by Chris Blackwell for Grace Jones (1980-1982), James Brown, Ac/dc, and many others...

It was a melting pot of world-class musicians, blending reggae, pop, soul and African rhythms and sounds... together creating one of the most influential albums of the period, and it was in this spirit that the inspiration and title of DJ Vadim's new album, Feel UP (literally 'Feel good' / 'Have the strength, the courage'), was born.

Forty years after those sessions at Compass Point Studios, the same quest for discovery took place in Vadim's Barcelona studio. The desire for growth, self-discovery and the creation of new sounds took hold. The dubcatcher with its 80s digital sounds went out and came back with a wide variety of musical tapas.

Inhale, exhale, Feel UP is the soundtrack you've been missing without even knowing it!

Brand new title from P-VINE's o-Fi series

Eclectic graffiti artist, DJ and producer Dj Marrrtin unveils his new album opus "Cyclothymix".
Following the success of his album "La Pie Bavarde", a duet with Tino, mc from Dayton, U.S.A., Marrrtin delivers a moody, intense, indeed psycho-musicographic psychomusicographic. He promises us a finely mixed set, at the heart of his inspirations: Hip Hop, Funk, Sound Illustration, Jazz...
Opening with "Awakening", straight out of a Dilla beat tape, followed by the Brazilian with the very Brazilian "Estrellas", an up-tempo theme sublimated by the gentle voice of Carla Vallet, who also infuses her suave voice on the track "Darjeeling", a bewitching call to let go. In his global wanderings, he takes us to New York with the track "L.O.V.E."an ode to love, featuring the Temple's guardian, A.G. of the mythical collective DITC and his protégée Hii Siddity, from the duo The Girll Codee. "Taraxacum" plunges us into a languorous atmosphere, sublimated by sublimated by the flute of Antoine Laloux from The Selenites Band. Then comes "Ben", a boom bap - melancholy jazz production, where the grain of vinyl mingles with the roughness of the Akai S950 sampler. Marrrtin's musical drifting and whirling is a tribute to breakdance culture to breakdance and hiphop culture with "Inspiration Medley", a nod to anthems such as SWAT, backed by the keyboards of his Funky Bijou teammate, Deheb. A duo whose famous classics are played for the biggest world Breakdance Battles. Sample culture, drum breaks, Abstract Hip Hop, for the tracks "True" and "Time for Love", in which a guru preaches pan-love in the time of the Apocalypse. "Indian Groove", an Indian echo of Marrrtin's many travels, which leaves us and saturates us with dopamine. "Cosmic Consciousness Without Transition", in the spirit of a mood-changing we plunge into the strange, scandalized prescription, guardian of the garden of love.
To close this essential album, "Headhunter", a dark Jazz Funk track with dusty soundtrack tinges, brings us to a close.
of dusty seventies soundtrack, with saturated clavinet responding to obsessive
melodies of Medline's flute.
Ultimately, "Cyclothymix" is conceived by Marrrtin as a mirror to our changing moodsand seasons.

Waxfed is Mat Young (rpm) and Dj Mayonnaise Produced, mixed and arranged By Waxfed Words on 'Frank Zamboni' written and performed by jesse the Tree Mastered By MJC for Filthy Broke Recordings Artwork By Mat Young

There’s nothing better than a good friend - except a good friend who shares your taste in music! ‘Better Together’ by Sátyr and marsquake is a creative, jazz-infused project born from trips back and forth between studios in Munich and Berlin, from jamming sessions in early summer afternoons into the late night. Relaxing pianos, drums, cellos, ukuleles and a few familiar faces contribute to the sound of good vibes and lasting memories.

Now, imagine this: your hopes, dreams, greatest aspirations and favourite childhood memories... That is what the new album ‘Blue Note’ sounds like, by dream duo HoKø and Lucie Cravero. A refreshingly unique lofi project, with jazz and classical influences from piano, strings and woodwinds that breathe life into every track, like a gentle breeze on a hot summer day. Who are you sharing this special moment with?

Dimension 32 is back with ‘The Legend of Orpheus’: a modern reinterpretation of the mythical tale of Orpheus and Eurydice, a tragic love story that underscores the power of music. Mystical guitars with a tinge of exoticism interlope with cinematic strings and drums, with earthly ambience of foreign lands. Would you go to the depths of the underworld and back if it meant everything you loved?

Sometimes, an album is not just music, but a gateway into the world of a musician. In his latest album ‘The Realisation’, Kinissue leads you personally through his recent experiences. Diverse melodies and accompanying strings convey a range of emotions, from melancholy to enlightening hopefulness. Each song tells a different story about the process of growing up and breaking away from what we take for granted; is there a part of you inside that relates?

softy is delivering all the emotions in ‘Frozen Lands’; a barren, ice-ridden landscape with copious secrets hidden in the twists and turns of a snowflake, from mysterious guitars and melancholic strings to wistful clarinets. Comforting old-school lofi beats feel warm as a blanket of snow. The whole album is lavish with contributions from a total of ten artists - a chilling refuge of sounds for the scorching summer ahead.

After rejoicing pet lovers around the world with his last album, Krynoze is back with the sequel called ‘Take A Paws’. From the tallest Great Danes to the smallest of pups, everyone’s invited to spend some time with their loved ones. Tender pianos, gentle guitars and mellow drums are as inviting as sitting in an empty large field with nothing but flowers, rain, stars, and a bright full moon.

Sun’s out, vibes are out - summer’s officially here! Bathe in the warm sunlight, or take a refreshing dip in crystal-blue water with Lofi Girl in the latest compilation ‘’, featuring __ lofi artists worldwide; a handful of new faces have come to join the beach party, along with some old-school favourites. Exotic instruments from ukuleles to maracas, sizzling melodies and grainy beats will whirl you far away to a lush tropical paradise. Lay down in the cool shade, press play, and feel your worries slip away below the rocks…

Sun’s out, vibes are out - summer’s officially here! Bathe in the warm sunlight, or take a refreshing dip in crystal-blue water with Lofi Girl in the latest compilation ‘’, featuring __ lofi artists worldwide; a handful of new faces have come to join the beach party, along with some old-school favourites. Exotic instruments from ukuleles to maracas, sizzling melodies and grainy beats will whirl you far away to a lush tropical paradise. Lay down in the cool shade, press play, and feel your worries slip away below the rocks…

Feel the tension leave your body as you step into the tranquil oasis of Loafy Building’s ‘Aquilla’. Smooth guitars, nurturing pianos and steady drums come together to produce a sound with healing abilities, carefully crafted for the listener. Relaxing like a long, hot bath - just you, the sounds of nature, and crystal-blue water quietly bubbling as it laps against your skin.

Statik Selektah embarks on another trip to Honolulu for the 2nd chapter of his Hawaiian instrumental series! Once again recorded at the Laylow Hotel in Honolulu and with the help of Aloha Got Soul Records, Boston made and New York based producer has crafted another beautiful set of tracks to enjoy a beautiful day in the crystal celar waters with a fresh pacific breeze!

Hailing from Hiroshima, Meitei, unveils the final chapter of his transformative Kofū trilogy. “Kofū Iii” marks the apex of a musical journey that began in 2020, unraveling an introspective exploration of the artist's psyche while delving deep into the essence of Japanese culture. This latest release invites listeners into the innermost sanctums of Meitei's existence — a passage filled with serenity, self-discovery, and the triumphant conquest of personal demons.

Meitei's journey has been deeply intertwined with his surroundings. His move from bustling Kyoto to the tranquil rural town of Onomichi in Hiroshima wasn't just a change of location but a profound shift in his life. Navigating through the ebbs and flows of mental well-being, Meitei found solace in the quiet, low-key energy of Onomichi, where he began creating his distinctive brand of "ambient" music dedicated to resurrecting ‘lost Japanese moods’.

"Kofū Iii" is not just a collection of songs; it's a window into Meitei's mind, where he reflects on ‘the Japanese mental landscape,’ as experienced during the period of his return to his hometown. This album stands as a testament to Meitei's evolution, from his tentative inner quest to a state of deep healing.

"Kofū” and its precursor, "Kwaidan,” germinated in the solitude of Onomichi, embodying the mysterious, vanishing essence of Japan that Meitei unearthed in the shadows of his hometown. With "Kofū III," this exploration reaches its zenith, weaving musical landscapes that transcend temporal bounds. Each track vividly paints bygone eras and vignettes, all while drawing on the rich tapestry of Japanese literature and mindscapes.

Meitei introduces listeners to the tranquil Hiroshima countryside in 'Reimei,' while 'Hiroshima' reflects upon the city's transformation. It explores Meitei's intricate relationship with the city and contemplates the ever-changing visage of contemporary Japanese progress.

Within the sonic fabric of "Kofū III," "Shisei" brings listeners to Japan's past, when tattoos bore the name "Shisei." Fueled by Junichiro Tanizaki's "Shisei" narratives, the song paints a sensual tale of a tattooed man adorning a woman with a spider tattoo.

Meitei's authenticity shines through in "Kofū III," where complex emotions metamorphose into a kaleidoscopic fusion of lo-fi bliss. In "Yume-jūya," Meitei recounts a peculiar dream and the lingering anxiety it left behind. Also, inspired by the famous Japanese writer Soseki Natsume's "Yume-jūya," Meitei's interpretation offers his own perspective on this comical and bizarre tale.

"Edogawa Ranpo" stands as a mind-bending loop track that pays homage to the genius of the lesser-known Japanese author Edogawa Ranpo, a pioneer of the mysterious and bizarre. This experimental piece melds folklore, electronic rapture, and distortion, echoing Meitei's fascination with Ranpo's work since his elementary school days.

At the core of "Kofū Iii" lies "Heiwa," originally titled "1945," encapsulating Meitei's profound reflection on peace education in his hometown and the weighty significance of acknowledging historical tragedies. Its renaming as "Peace" symbolizes his personal odyssey towards understanding and reconciliation.

As Meitei concludes his Kofū trilogy, global listeners are invited to embark on this voyage to unearth the hidden treasures of Japanese culture and the depths of the human soul. "Kofū Iii" is a meditation on the intangible threads that bind us to our past - a portal to Japan's veiled history, capturing the essence of Japan's elusive spirit through the enigmatic landscapes of Meitei's inner terrains.

"Kofū Iii" is slated for release on December 1, 2023, in 180g LP, CD, and digital formats via Kitchen. Label. Both LP and CD format are presented in a debossed sleeve with obi strip and include an accompanying 32-page booklet. This album is mastered by Chihei Hatakeyama in Tokyo, Japan.

Limited to 25 copies.

Limited to 25 copies.

Eclectic Edison, New Jersey-born, Philadelphia-raised producer Wino Willy releases his highly anticipated latest album, Wino From Another Planet This expansive, conceptual project is centered around the story of The Wino (Wino Willy), an escaped producer on the run from his home planet. Reflecting the theme with its astral, psychedelic instrumentation and futuristic sound palette, Wino From Another Planet is a potent dose of forward-thinking boom-bap that further proves Wino Willy’s place among the echelon of today’s most creative underground hip-hop producers. Chock full of boundless, spacey sounds laced with Afro-futuristic influences, Wino From Another Planet refuses to be placed in a box from the get-go. Taking the listener on a vibrant head-trip through time and space, the album finds the perfect median between atmospheric, ethereal sonics and grimy boom-bap aesthetics. Wino From Another Planet is a mind-expanding record that puts Willy’s eclectic, progressive boom-bap sound at the forefront, featuring standout names like billy woods of Armand Hammer, Fatboi Sharif, Daniel Son, Da Buze Bruvaz, Gabe ‘Nandez, and more. Set to be one of the most creative, engaging underground hip-hop releases of the year, the record’s 16 tracks take the listener on a surreal ride soundtracked by Willy’s space-age sampling and dusty, hypnotic percussion.

Limited to 300 copies. Only available at HHV in clear vinyl.

Acclaimed Jazzbeat-Producer FloFilz teams up with experimental HipHop/Jazz quartet Bokoya for collabo album Yurika on Melting Pot Music.

What happens when a four-headed human drum computer meets a classical trained vilonist turned beatmaker to spend time in the studio? A beautiful lily blossoms. At least this was the case when Bokoya and FloFilz entered Atelier 21 in Aachen (a Produzentengalerie für globale Kunst) for a musical encounter with no goals set. The music that was born out of these sessions is simply amazing, and we are more than happy to release them as an album under the name “Yurika” - which is a Japanese name that means “beautiful lily”. The artwork was created by Jens Roth & Jeremias Diekmann who are responsible for almost all Bokoya artworks yet. The 19-track strong instrumental album includes one vocal track featuring Japanese singer Kan Sano. FloFilz is one of Europe's most acclaimed Jazzbeat-producers with four albums on MPM under his belt. His last album “Close Distance” came out in 2022 and featured artists Alfa Mist, Blue Lab Beats, Jerome Thomas and Summers Sons. FloFilz is a classical-trained musician who not only plays the SP 404 but also violin. Bokoya describe themselves as a four-headed human drum machine that play improvised beat music. You can call it jazz if you like (all four members are graduated jazz musicians) but be ready to stumble over some Dilla, Kraut Rock, Ambient or Dub in the mix. In 2022 Bokoya released their second album Hausensession on MPM, followed by a collabo album with Cologne-based producer Ginanni Brezzo (Jakarta Records) called „Minari“.

Acclaimed Jazzbeat-Producer FloFilz teams up with experimental HipHop/Jazz quartet Bokoya for collabo album Yurika on Melting Pot Music. What happens when a four-headed human drum computer meets a classical trained vilonist turned beatmaker to spend time in the studio? A beautiful lily blossoms. At least this was the case when Bokoya and FloFilz entered Atelier 21 in Aachen (a Produzentengalerie für globale Kunst) for a musical encounter with no goals set. The music that was born out of these sessions is simply amazing and we are more than happy to release them as an album under the name “Yurika” - which is a Japanese name that means “beautiful lily”. The artwork was created by Jens Roth & Jeremias Diekmann who are responsible for almost all Bokoya artworks yet. The 19-track strong instrumental album includes one vocal track featuring Japanese singer Kan Sano. FloFilz is one of Europe's most acclaimed Jazzbeat-producers with four albums on MPM under his belt. His last album “Close Distance” came out in 2022 an featured artists Alfa Mist, Blue Lab Beats, Jerome Thomas and Summers Sons. FloFilz is a classical trained musician who not only plays the SP 404 but also violin. Bokoya describe themselves as a four-headed human drum machine that play improvised beat music. You can call it jazz if you like (all four members are graduated jazz musicians ) but be ready to stumble over some Dilla, Kraut Rock, Ambient or Dub in the mix. In 2022 Bokoya released their second album Hausensession on MPM , followed by a collabo album with Cologne-based producer Ginanni Brezzo (Jakarta Records) called „Minari“.

Ill Sugi has been DJ’ing in Tokyo since 2006, and has gained in international popularity, particularly throughout Europe and North America. In addition to working with prominent artists in Japan, such as Budamunk on the 2016 Urbnet release of “Spirit of the Golden Era”. Ill Sugi has released beat releases on Cold Busted, Radio Juicy, and Jazzy Sport and collaborated with the likes of Bugseed and San Francisco’s Dregs One. On December 9th, 2022 Ill Sugi will release his new 10 track instrumental album available via Urbnet entitled ‘ZYPressen’. The album features his signature laid back and dreamy rhythmic sounds. "Keep an eye on ILL Sugi, he represents the real from the golden past to the best of now and beyond. Don't sleep!” - NTS Radio

Indeed, Argentinian artist Gas Lab has made a name for himself with his unique sound. Combining elements of jazz, neo soul, and hip hop in his recent creation "Vision", he skillfully merges samples with his own craftsmanship of remarkable keys and resonant bass lines. This homage to Cool Jazz and past music eras exhibits a timeless style, effortlessly balancing a contemporary tone with a laid-back vibe. "Vision" has been lauded for its emotive power, consistently drawing smiles from listeners and audiophiles while leaving them eager for more of Gas Lab's captivating music.

Indeed, Argentinian artist Gas Lab has made a name for himself with his unique sound. Combining elements of jazz, neo soul, and hip hop in his recent creation "Vision", he skillfully merges samples with his own craftsmanship of remarkable keys and resonant bass lines. This homage to Cool Jazz and past music eras exhibits a timeless style, effortlessly balancing a contemporary tone with a laid-back vibe. "Vision" has been lauded for its emotive power, consistently drawing smiles from listeners and audiophiles while leaving them eager for more of Gas Lab's captivating music.

Following in the footsteps of his famed brother Madlib, Oh No has become one of the most celebrated independent hip-hop artists of the 21st century. His storied career has included not only rap success but an impressive resume behind the boards, with production credits for Mos Def, Freddie Gibbs, De La Soul, Action Bronson, Talib Kweli, Ab-Soul, and more. An innovator in the art of sampling with a history of exploring diverse source material, Oh No is now back with Good Vibes / Bad Vibes, a new instrumental album deconstructing the work of iconic vibraphonist Roy Ayers. A split collection with two thematically distinct halves, the album is entirely constructed from the early, jazz-centric realm of the Ayers archive. Good Vibes is "light and vibrant, with colorful layers radiating under the sun shine,” Oh No explains, while Bad Vibes contains “dark murky atmospheric tones for the angry moments, those times when it’s necessary to step in the mud.”

Tapestry, first LP of Namas; a modern jazz band from Rennes BZH, is a self-produced piece mixing the traditional sound of a trio and modern hip-hop grooves. It is where night falls that Namas finds his universe through dreamlike compositions, influenced both by the London jazz scene and pictorial art.

12" Yellow Vinyl of monsoon flavour by ommood Pressed by Mind The Wax

Dj Taek has been a well known and respected figure on the Polish hip-hop scene for around two decades. Over the last few years he has been playing gigs for thousands of people and in the meantime been working on music in his home studio. It's mostly where “Local Filozophy” LP has been created. The title of an LP refers to the Lo-Fi style of production, full of saturated sounds combined with swinging fat drums. DJ Teak also took care of a scratches (just as a real DJ does) and spiced the compositions with vocal samples containing deep thoughts. ''Local Filozophy'' is a journey through 12 tracks with the guest appearance from Emapea. Beat Catz Salute!

Dj Taek has been a well known and respected figure on the Polish hip-hop scene for around two decades. Over the last few years he has been playing gigs for thousands of people and in the meantime been working on music in his home studio. It's mostly where “Local Filozophy” LP has been created. The title of an LP refers to the Lo-Fi style of production, full of saturated sounds combined with swinging fat drums. DJ Teak also took care of a scratches (just as a real DJ does) and spiced the compositions with vocal samples containing deep thoughts. ''Local Filozophy'' is a journey through 12 tracks with the guest appearance from Emapea. Beat Catz Salute!

Hailing from Aarhus, Denmark, the quartet Clapper juxtaposes classic soul- and fusion jazz vibes with inspiration from instrumental hip hop and future beats. Their debut album "On Tempo" is showcasing the group’s knack for melodic improvisation and neck-snapping switch-ups, and, once and for all, underlining the potential on the young Danish scene today.

The four members - Frederik Emil Bülow (drums), Adrian Christensen (bass), Jeppe Lavsen (Guitar), and Malthe Jepsen (Piano & Rhodes) - are well-known faces in Danish music, also playing in acts such as Abekejser, Hvalfugl, Karmen Rõivassepp Quartet, Bangin’ Bülows Nice Jazz Quartet, and Casper Hejlesen Kvartet, respectively. Together, they’re able to strum out new music instinctively:

”It’s not important for us to adhere to any particular genre or style”, Jeppe remarks. “We just meet up, have fun, and improvise over riffs we’re digging. Having played together for so many years, it takes a very short time to click and move in the same direction. And from there, it’s simply a matter of picking and working with the best ideas from our improvised sessions.”

The same energy translates to their live shows - regular tour de forces in beat-focused jazz that, although the melodic cheerfulness might deceive new listeners, often end up in high-octane fusion workouts with crowds and musicians alike on their feet.

Franky A dedicated this album to his friend Dmitry Koltsov (Kop4ik), who passed away early. Time flies fast, but there is something .. that will remain out of time. These tracks were written between 2017-2021 in Los Angeles.

After 25 years of living his dream as one of hip hop’s most respected producers, Hi-Tek is digging back into his roots with a brand new trio of instrumental vinyl LPs in 2023. “Beatbox Studios (1995 MPC 60ii)” is the first of the series, each featuring a selection of restored and remastered beats, carefully chosen from an archive of DAT tapes. These LPs manage to both provide a window into Tek’s development and to shine light on the work of an already enormously-talented musician whose beats would’ve sounded right at home on classic releases from the mid-1990s. Having learned to make beats off of borrowed equipment as a teenager, the aspiring DJ/producer born as Tony Cottrell achieved a break of sorts when he was hired in 1995 to manage one of the rooms at Beatbox Studios, a sprawling complex in the Clifton neighborhood in Cincinnati. It became the go-to-spot in town for emerging talent, giving him a chance to learn about the intricacies of recording and to sharpen his communication skills with artists to maximize their performance The gig also gave Tek plenty of down time to practice on and to master the studio’s Akai MPC 60ii while making his own music. It was around this time he began to collaborate with the top rap talent in Cincinnati, and he started regularly visiting New York City to plant seeds for new relationships in the industry. Though his work eventually evolved far beyond the styles present on “Beatbox Studios,” here you’ll find many signature elements of that era’s contemporary New York sound: some snappy drums reminiscent of A Tribe Called Quest or Easy Mo Bee, plenty of horn stabs a la Pete Rock or Lord Finesse, and the kind of dark pianos and filtered basslines that producers like the Beatminerz were steadily employing. These were his biggest influences at the time, and that was the sound of 1995. As it turns out, that classic sound remains in demand today, and while Hi-Tek was not a well-known name in hip hop circles at that time, the caliber of beats on “Beatbox Studios” prove that he was a talent to be reckoned with, even then.

Limited edition of 300 copies on vinyl of the 7th solo album by Kalhex-member Lex. "When We Will Return" is the next step in the artistic evolution of Alex Besikian, shaping his dreamy melodics combined with jazzy rhythms into an eclectic scenery of mostly instrumental hip hop. 10 tracks in total including a feature by legendary Substantial on the mic.

What happens when an American musician gets stuck in Munich during a worldwide pandemic? A specially concocted audible brew of Crow Bref is stewed to perfection: a collaboration between NorthernDraw & LeoLex, So fresh! You'll say, as it blends together a medley of diverse genres and guest features reaching from London, Berlin, Munich, Oakland and of course special spices from the Rose City.

Crow Bref Is a collaborative album between Portland native NorthernDraw & Munich rapper LeoLex that was recorded in München, Germany from 2020-2022, featuring a kaleidoscope of lo-fi beats and international boom bap rap.

Limited to 300 copies!

Introducing "Lab Progression" the exciting collaborative project of Midan and Jammin Berries. This talented duo brings together contemporary Neo-Jazz beats and groovy lofi-esque tunes, creating a captivating blend of musical genres.

Their debut album is a collection of authentic jams recorded in the studio. Despite both being beatmakers, their collaboration feels more like a band, thanks to their shared musicality and creativity.

Jammin Berries is a skilled pianist and guitarist, while Midan shines as a bassist and multi-instrumentalist. Influenced by oldschool Jazz legends like Oscar Peterson and Jammin Berries interest in classical artists such a Bach, the duo has engaged in numerous discussions on how to infuse Hip Hop beats with a fresh, melodic twist including more interesting and complex Jazzy chord progressions. Hence the origin of their name “Lab Progression”.

Inspired by contemporary artists such as the Jazzbois, FloFilz and Kiefer, as well as the timeless creations of J Dilla, Lab Progression strives to combine the best of both old and new, resulting in a unique and captivating album.

The duo is eager to share their project with the world and there's no sign of them slowing down. Stay tuned for more exciting releases from Midan and Jammin Berries as they continue to push musical boundaries.

Limited to 50 copies.

Limited to 50 copies with sticker cover

"Some albums act as tickets to travel through time and space, ones where you hear history and venture to worlds familiar, yet undeniably foreign and exciting. RBGxDD, the inaugural release for indie-label Uno Loop Records, is one of these albums. The LP is the beginning of a collaboration between two virtuosos you’ll want to keep an eye (and ear) on: producer Abderraouf B Grissa (Pink Siifu, Abstract Abder on Radio alHara) and drummer/producer Dan Drohan (Nick Hakim, Olden Yolk, Carrtoons, Andrew VanWyngarden of Mgmt).

Think CAN, Makaya McCraven, Sun Ra, or Madlib, and you’ll scratch the surface of what this LP has to offer, what it reminds you of, what it's inspired by. Grissa says of its creation, ""what began as a clear cut, beat-album featuring blistering acoustic drums evolved into a fluid, sonic journey that throws time- signature and structure to the wind."" RBGxDD is an album that expands the notion of how live instrumentation and sampling can continually innovate in unexpectedly catchy ways. The arrangements give space for both dancing and relaxing, with no shortage of finding the groove.

Joining them are artists who have perfected their craft upon arrival. Bobbie Johnston(Ear Yoga Ensemble,élan)delivers guitar riffs so smooth that they somehow blend into the music yet stand out in crispness and quality. Jarrett Gilgore (Heart of the Ghost; Jaimie Branch) takes a scorching approach to the saxophone that rejuvenates us, feeling as if we've been hit with a splash of cold water. Ahmad Kafari's (Sudan Archives, Pink Siifu, Jaw Gems, Chakram) piano playing is a gift, you hear expertise - years of influence by spiritual jazz and classical piano music emerge in a language first developed by Dorothy Ashby and honed by Dilla. Mastering was done by Kelly Hibbert (The Heliocentrics, Knxwledge, Flying Lotus, Karriem Riggins) who sends your ears to another sonic planet.

The LP is physically surrounded by something just as beautiful as the music it houses. We have artist Carol Summers and designer Daniel Rocha to thank for that. LP and artwork was licensed directly from Summers’ family. One of America's foremost printmakers with a career spanning over half a century, Summers has his works found in the Moma Lacma, NGA, and more. Rocha's LP designs are impeccably on cue with the music contained within, making the release look like it could’ve been released in 1973 or 2023. "

This is the first Vinyl LP ever released featuring a woman playing the Rudra Veena. Madhuvanti Pal is from Kolkata, teaches the Rudra Veena and builds her own instruments. Dhrupad is the oldest form of North Indian classical music that is still performed today. The term is said to come from two Sanskrit roots, dhruva (‘fixed’ or ‘permanent’) and pad (‘verse’). Although the earliest source naming dhrupad specifically comes from Abdul Fazl in the 16th century, some scholars of Hindustani music suggest that dhrupad music finds its origin in the Samaveda, an ancient Sanskrit scripture dating back roughly 3000 years. The name rudra veena derives from two Sanskrit roots: Rudra, which is a name for Shiva, and veena, which means ‘instrument.’ According to Hindu mythology, the Rudra Veena has a unique origin. It is said that Shiva saw his beautiful wife Parvati sleeping, with her arm over her breasts, and decided to build an instrument in her form. It is a stick zither, with two large gourds attached to a hollowed neck. The first historical accounts of the instrument are given in the Vedas, and then the Puranas. The first courtly descriptions are from the 15th to 17th centuries. During the Mughal period, the rudra veena was a popular Dhrupad instrument, and was often played in courts throughout north India. Dhrupad musicians, including rudra veena artists, enjoyed the patronage of various Kings and Princes. In recent years the rudra veena has gained some popularity, in part thanks to interest from musicians outside of India. Madhuvanti Pal is one of the new generation of rudra veena artists who is teaching students in India and abroad. Early documentation of the rudra veena suggests that women played the instrument. This can be seen in sculptures in Hindu temples—some dating back more than 2000 years—which depict only women playing the rudra veena, and miniature paintings from the 15th - 17th centuries often depict a woman playing the rudra veena. However, in more recent times there has been significant stigma around women playing the instrument. Some earlier texts went as far as to suggest that women could not play the instrument, lest they be subject to a “curse.” Jyoti Hegde, who is perhaps the most famous female rudra veena artist, broke this barrier; her courage enabled younger musicians like Madhuvanti Pal to learn. However, while Jyoti Hegde plays the so-called traditional rudra veena, Madhuvanti plays a modified Dagar-style instrument. Very few recordings of the rudra veena have been released; most current recordings are of Ustad Asad Ali Khan, Ustad Zia Mohiuddin Dagar and his son, Bahauddin Dagar. This is for a number of reasons, including that the rudra veena is notoriously difficult to capture in recorded form. Instead of traveling to a studio and availing technicians more accustomed to modern instrument needs, these recordings have been made in Madhuvanti’s apartment. In preparing the album, she has used her own equipment to record, mix, and master each raga. (Limited Edition Double LP spanning over 90 minutes in length, full-color Gatefold with extensive liner notes inside.)

Kill Your Darlings brings together a unique concept where Dutch producer Kid Sublime samples and flips records which are then interpreted by Amsterdam-based band of the moment Radiohop.

Operating within the same local scene, it didn’t take long for Radiohop and Kid Sublime to cross paths. Hot off the press that is the Conservatory of Amsterdam, the former set out to dominate the local underground jazz scene, playing and producing together, sitting in with other bands and frequent visitors of club nights and concerts. The latter has been cheffing up records on a consistent basis for over two decades. Meeting each other at those concerts, they were quick to turn towards the studio to align thoughts: too many good phrases, pockets, and progressions.

Kill Your Darlings is a project that probably a bag full of producers and bands dream of doing, yet we still do not see enough of. Luckily for Kid Sublime and Radiohop, they managed to succeed in conceptualizing this format."

Iconic New York-born, San Francisco-based rapper and producer, Aesop Rock, joined forces with Rhymesayers to release his sixth studio album, Skelethon in 2012. Skelethon marks his first wholly self-produced effort. This is the instrumental version, also featuring different artwork.

Strictly limited edition of 300 copies on black vinyl of the sixth installment in the "Beats For Brothels" saga. Matter Ov Fact & EP just did it again on 14 tracks, so better get your cloaks on and bump to this!

The vinyl edition is limited to 300 copies and comes in a cardboard sleeve.

Here we have "Jazz Mince", the all new album by Kiev-based producer KLIM beats. 14 tracks in total full of jazz-infected beats straight from the E-mu SP-1200 and Akai S-900 to your channels. Play it loud!

Available on vinyl and all digital platforms.

"Los Angeles artist Jay 305 links with producer Girl Talk for their release 'Hard Times Don’t Last.' Jay 305 always releases high quality music and Girl Talk never disappoints."

Boldy James & Nicholas Craven's "Fair Exchange No Robbery" instrumental LP available on limited edition vinyl.

Loud & Clear / N.O.R.E (Buttas Remix) b/w Cherry Blossoms (Love Notes Mix) by Strictlybutters | Galaxy Sound Co. – GSC 45-038 | Summer time vibes are here & @galaxy_sound_company is back at it with another sure-shot #hiphop donut via @strictlybutters. I got my hands on an advance copy of a limited-run test pressing & it is cut loud! Ya know ya will be boomin’ in ya, boomin’ in ya, boomin’ this in ya jeep!

Galaxy Sound Co. started taking these occasional fire #hiphopinstrumental interlude breaks from their 45 edit series to shine light on the Michigan skateboarder, cyclist, sneaker-head & bedroom b-boy beat maker Strictlybutters. With the 38th donut in the GSC 45 series, he is making his 3rd appearance on the label & it is another banger.

Side A1’s “Loud & Clear” is a straight-up, warm-up boom-bap banger. It effortlessly, teases along by MC royalty with a sweet soulful piano riff rolling along MPC delights. A joyful crowd is weaved through a familiar GWJ break calling you do get up & get down. A2’s “N.O.R.E. (Buttas Remix)” teases with a buttery-soul laced rework of with a snippet from Noreaga’s “SuperThug”. The only fault here being SB only gives us a taste at just over a minute long. More please.

Side B’s “Cherry Blossoms (Love Notes Mix)” is a killer joint in the vein of 90s hip-hop love jams, with the core sample being one of my fav sweet soul songs from Detroit, 1969’s “Maybe So Maybe No” by the New Holidays (Soulhawk Records 1008). SB lets this beat breathe to perfection, rolling fa-la-la-la’s that slide into a sexy outro.

Limited to 500 handnumbered & signed copies

Mini LP with 10 tracks featuring Reginald Omas Mamode IV, Anthony Drawn, C.Tappin, Miles Bonny & Don Rattray.

Bologna-based producer, DJ, and sound collector Godblesscomputers (122k Spotify listeners) has returned with the release of his fourth full-length record, "Faded Views." Godblesscomputers's latest LP "The Island" (2020, La Tempesta Dischi) earned him placement on Spotify playlists like "Brain Flood" and "Coffee Club." Since then, his appearance on Willie Peyote's track "La colpa al vento" landed GBC on "Best of Indie Italia 2022." On "Faded Views," it was Godblesscomputers's creative project to explore the sonic potentials of his direct environment, picking up recordings and threads of inspiration from the most commonplace occurrences. A sonic scavenger, Godblesscomputers explored the expanses of his-both digital and physical-soundscapes. "Faded Views" does the work of crafting a unified, yet complex compilation of the noises that mark the experience of being digital natives in ever-expanding dimensions.

Godblesscomputers's use of musique concrète and found-sound composition melds curiously with his undeniable electronic and techno acumen. Superimposing metallic electronica onto esoteric sound bytes creates the occasion for complex sound collage. "Faded Views" marks a decade since the genesis of the Godblesscomputers project; the entire LP testifies to how time warps perception and sound. Godblesscomputers's music seems to decorate time, both commemorating the moments passed with mind-melting sonic collages and looking forward to the infinitudes of the future with frenetic electronic experimentation.

Themes of impermanence and transience-hence "Faded Views"-pervade the record. Godblesscomputers blurs time as each track seeps into the next in what feels like a seamless transition. He makes these swift passages in genre as well-the record opens on "Colors" with a rich horn section which frictionlessly becomes a lo-fi dance groove. It is this melding of the analog and the electronic that makes sense of his found approach to beat-making: Godblesscomputers marries the found and the synthesized; the creator and the created; the past and the future. The process of sonic dissection and recomposition that drives much of Godblesscomputers's creative process yields not only assertive breakdowns and animated dance tracks, but also complex tapestries of sound that keep the listener ever-intrigued-piano, saxophone, and modular synthesis all find a natural home on tracks like "Hello." In an apt description, the producer's work has been described as "sounding like wood, metal, and microchip."

Godblesscomputers's artistic objective lies in blurring definitive lines, constantly shifting perspectives, genres, and origins of inspiration. On "Faded Views," this design cultivates a folktronica record that truly evades definition.

The legend continues in Zelda & Chill III. Mikel returns with a third installment in the beloved lofi series, and fourteen brand-new beats from the Legend of Zelda universe.

With the release of Zelda & Chill in 2018, Mikel & GameChops broke new ground. The album was met with overwhelmingly positive reactions and paved the path for many more videogame music and lofi concept albums to come. Mikel released a follow-up, Zelda & Chill II, in 2020 — and it was once again met with rave reviews. Now, he returns in Zelda & Chill III: a fourteen-track album filled with classics and deep cuts from the Legend of Zelda series.

Mikel is a music producer and engineer based in Germany. His sound is characterized by organic grooves and instrumentation, and a minimalist lofi vibe. While the Zelda & Chill series stands as his most popular work, he is also the creator of Poke & Chill, and frequently collaborates with his brother, Jokabi (known for the Chilltendo series).

Zelda & Chill III includes tunes from the GameBoy hand-held Link’s Awakening, the Nintendo 64-era Ocarina of Time and Majora’s Mask, Twilight Princess for GameCube and Wii, and the 2010s’ A Link Between Worlds for 3DS and Breath of the Wild for Nintendo Switch. Composers heard on the album include Koji Kondo, Manaka Kataoka, Yasuaki Iwata, and Toru Minegishi.

Zelda & Chill III is pressed on heavyweight 180g collector's grade frosted-glass vinyl, with mastering by Nick Townsend.

Introducing Thallus' latest album, "Infinite Layers," a genre-bending space odyssey in sound that is sure to take you on a journey through the vast expanse of the cosmos. The album features 16 intricate tracks, each with its own distinct flavor and texture, making it a true feast for the senses. With its multi-layered soundscapes, "Infinite Layers" is the perfect album for fans of experimental hip-hop music who are looking for something new and exciting.

Introducing DJ STR's highly anticipated album "3001" – a bold fusion of boom bap beats and futuristic soundscapes. Immerse yourself in a symphony of relentless rhythms and timeless melodies that pay homage to hip-hop's roots. Available on high-quality vinyl and CD, "3001" transports you to the heart of the underground, where authenticity and craftsmanship reign supreme. Experience the future of boom bap, etched forever in DJ STR's passionate compositions. Get your copy today and embark on a sonic journey unlike any other. Welcome to "3001" – where the beats speak volumes.

As time moves forward, it becomes increasingly clear that the need for emotional expression through artistry is more important than ever, especially in the wake of emerging AI technology that threatens to replace human creativity. Minus & MRDolly's new album, "Giant Stops," is a testament to the enduring power of art to connect with audiences on a deep emotional level. Named in direct reference to arguably one of the greatest albums ever created, "Giant Steps" by John Coltrane, "Giant Stops" pays homage to the rich legacy of jazz while pushing the boundaries of the genre with a contemporary twist. The album seamlessly blends jazz, hip-hop, and electronic elements to create a unique sonic landscape that is both nostalgic and modern. For Minus & MRDolly, "Giant Stops" represents a new chapter in his evolution as a musician, showcasing his growth and commitment to pushing boundaries in his genre-bending style. Taking inspiration from the creative process of Makaya McCraven, the album features dynamic instrumentals backed by a live band, with Minus & MRDolly's signature lyricism and storytelling shining through both the instrumentals and the lended work of guest musician such as Meta_ or Luca Argel. By using this production method the album takes a bold stand for the importance of sampling as an art form hoping to encourage listeners to appreciate the rich history and evolution of hip hop and to recognize the essential role that sampling has played in shaping the genre. As a nod to his Portuguese roots, "Giant Stops" represents a deeper exploration of the artist's identity and a commitment to looking inward to find creative inspiration. With this album, Minus & MRDolly hopes to inspire others to embrace their own unique perspectives and use them to create art that connects with audiences on a deeply emotional level. In a world where technology threatens to replace human creativity, "Giant Stops" is a reminder that the power of art to connect with people on a fundamental level is enduring and will continue to shape our world for generations to come.