Instrumental Hip Hop Tape Sale 22 Items

"Grey October Sound", a lo-fi hip-hop production team that gained international recognition not only in Japan but also overseas through their covers of Studio Ghibli songs titled "Lo-Fi Ghibli" and City Pop covers titled Lo-Fi City Pop. The compilation of their early works is called "timeless vol.1," which gained attention upon its digital-only release in 2020, will be re-released under the new name "Timeless Lo-Fi" as an analog record, with the addition of bonus tracks.

Edition of 150 | JAPAN IMPORTw/ Photo & Collage Booklet (10,5 x 12,7cm) by Alex Besikian

“There’s Only One” is the latest beat tape by from hip-hop producer, Slautah. Born and raised in Detroit, Michigan and a member of the crew, Almighty Dreadnaughtz since 1994. He is a pure original on the boards. He has linked up again with (iN)Sect records with the follow-up to his 2013 project, “The Redroom Experiment”. In just under 30 minutes, he has put together a beat tape that asserts Slautah is making some of his best music in 2022. A quick message from the artist: “I’ve been producing since ‘97. My favorite collaboration is with Guilty Simpson, “Let’s Smoke One”. I’ve been in Almighty Dreadnaughtz since ‘94. For my production: I use the Asr10, Reason, Pro Tools and the Sp-404 FX. I’ve been focusing on more movement in my beats and just trusting in my ability to create something good. Yes, born and raised in Detroit!! Home of the greats!. A true force of musicianship, “There’s Only One” takes a drive through hard beats, love stories, friendship, loyalty and a will to stay on top of the game. We all know there’s something about the music in Detroit. We are humbled to be a very small part of it by supporting Slautah on his journey. There are so many great artists from the region but, “There’s Only One” you need to hear right now. Slautah.

Yesterday & Tomorrow is more than just a beat tape. It’s the personal story of Val Murray’s gender transition. Evolving beautifully over three acts, each of the 15 songs is a necessary moment in an emotional arc that begins with Murray’s self-revelations at the start of the pandemic, through to her gradual acceptance and self-actualization in the summer of 2021.

The first act, discovery, is about Murray’s first steps into her transition, developing an acute awareness of her own gender dysphoria, or as she describes it: “searching for the keys to your true self and coming up empty handed.” In this act it’s fitting that beats like psilocybin and opal feel foggy and vaporous. trees featuring Floco Torres, asks us to ponder our undeniable inner truth and outer truth, so we can stay in touch with the world around us. Torres’ incisive lyrics on trees are an extension of an hour-long conversation with Murray after the police shooting of Jacob Blake, painting an intense picture of self-discovery in disorienting times. To end the act, Dysphoria sunshine and drown take us deeper into Murray’s 8 to 9 month period of dysphoria before glimmers of hope appear.

In act two, reflection, we are with Murray as she finds herself at the bottom of a proverbial mountain she doesn’t know she can climb. Dealing with new realizations about her true gender identity, a final grad class in theoretical computer science that feels beyond her capabilities, and a late in life autism diagnosis, she has no choice but to push herself further than she’s ever gone before. This is where she ascends, expanding her mind and growing more firm in who she is. Songs like the girl in the mirror and ikigai, show light entering through the clouds, and along with it, a new purpose for Murray: “live as me.” With prism, a track that began before her transition, Murray sees the world through her new self with life-affirming vividness and meaning.

In the final act, we enter the most recent stage of Murray’s transition: actualization. This is a stage on-going today, one full of questioning: what does it means to be oneself? What assumptions are accurate? What’s been an act all along? It’s a period of her life, and on the album, that’s deconstructive and lighter in tone, all while being abstract. Songs like parallel are meant to occupy two realities or timelines: the then and the now (the now being the only timeline that matters.) With the penultimate thank you, Murray creates an ode to close friends who’ve been supportive all along, whose positivity continue to bring comfort. Finally on see u again, Murray leaves us with a peaceful yet dissonant closer about living your truth and everything that comes with it. Including all the bad feelings that can creep in from time to time.

Yesterday & Tomorrow is a beat tape like no other, an intimate epic about Murray’s past and future. Although deeply personal, there’s a message for all of us to internalize: no matter how dark things get, there’s always hope. Even when you think it’s completely out of reach.

We welcome our newest SIC Records Recording Artist!! YungGrunge with his Debut EP!!

A Refreshing Enhanced Aural Journey Of The New G-Funk ERA!!!

Fiendsh returns to Cold Busted with Hayashi Reborn, the Bangkok-based producer’s long-awaited follow-up to 2016’s To The End. The title refers to the Hayashi, a group of instrumentalists in Japanese Noh theater. Noh often revolves around themes of life, so with this album the Fiendsh alter-ego takes on the role of the Hayashi of the young beat-producer’s life. The album’s sounds are introspective and rich, combining deep rhythms and warm melodies. Sometimes a hint of Fiendsh’s Thai culture drops in, but mostly the influences are straight from the well of hip-hop, soul, and jazz classics.

Limited edition of 50 C-35 music grade type 1 tape, lime green shells with blue imprint and blue & clear Norelco boxes, 3 panel J-cards printed both sides. Featuring Westside Gunn and Baby Aztro