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All Items / HHV Records / Vinyl, CD & Tape / Rock & Indie / Indierock | Alternative

Indierock | Alternative 4862 Items

Hip Hop 2116 Organic Grooves 7016 Rock & Indie 12183 Indierock | Alternative 4862 Classic Rock 1986 Punk | Hardcore 1122 Metal 1974 Folk 1173 Rock 'n' Roll 284 Electronic & Dance 3330 Reggae & Dancehall 1197 Pop 2721 Classical Music 169 Soundtracks 666 Childrens 20 Christmas 71 Halloween 3
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The Bolshoi - Friends White Vinyl Edition
The Bolshoi
Friends White Vinyl Edition
2LP | 1986 | UK | Reissue (Beggars Banquet)
27,99 €*
Incl. VAT plus Shipping Costs
Release: 1986 / UK – Reissue
Genre: Rock & Indie
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The Bolshoi were different. Their songs were dark and subversive, sufficient evidence for many critics to corral them under the"Gothic" banner at the time of their debut album Friends - but they really only "flirted" with Goth. They oozed dark, pensive lyrics supported with inventive pop-goth guitar making them nearly impossible to categorize.The suburban surrealism of the lyrics was rooted in the stories of characters onthe fringes of society rather than brooding romantics, with an undercurrent ofboredom, inadequacy, and violence. Not the usual themes for pop success! Based in London, the band consisted of Trevor Tanner (lead vocals, guitar), Nick Chown (bass), Jan Kalicki (drums), and Paul Clark (keyboards). With powerfullive shows The Bolshoi built a substantial following before disbanding in 1988.
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Die Kreuzen - October File
Die Kreuzen
October File
LP | 1986 | Reissue (Touch & Go)
21,99 €*
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Release: 1986 / Reissue
Genre: Rock & Indie
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Bad Brains - I Against I Punk Note Edition
Bad Brains
I Against I Punk Note Edition
LP | 1986 | US | Reissue (ORG Music)
32,99 €*
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Release: 1986 / US – Reissue
Genre: Rock & Indie
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Iron Maiden - Somewhere In Time
Iron Maiden
Somewhere In Time
LP | 1986 | EU | Reissue (Parlophone Label Group)
60,99 €*
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Release: 1986 / EU – Reissue
Genre: Rock & Indie
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Meat Puppts - Out My Way
Meat Puppts
Out My Way
LP | 1986 | Reissue (Megaforce)
26,99 €*
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Release: 1986 / Reissue
Genre: Rock & Indie
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The Fluid - Punch N Judy Blue Vinyl Edition
The Fluid
Punch N Judy Blue Vinyl Edition
LP | 1986 | US | Reissue (Sub Pop)
30,99 €*
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Release: 1986 / US – Reissue
Genre: Rock & Indie
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The Fluid are arguably the great unsung band from the fertile underground rock scene of the late '80s and early '90s. The Denver five-piece - John Robinson (vocals), James Clower (guitar), Matt Bischoff (bass), Garrett Shavlik (drums), and the dear departed Ricky Kulwicki (guitar) - fused the fire of '80s hardcore with crunching Detroit protopunk, '60s garage rock, and '70s rock swagger. Think MC5, Faces, '70s Stones, all cranked up and really high on Sex Pistols and Black Flag singles. Rising from the ashes of early-'80s Denver bands Frantix (whose "My Dad's a Fuckin' Alcoholic" is a true gem of American punk) and White Trash, The Fluid were the first non-Seattle band to sign to Sub Pop, and Clear Black Paper was the second full-length album the label ever released. The label honchos were fans of Frantix, and happily got involved with The Fluid when the opportunity arose via the label's European licensing partner, Glitterhouse. Witnessing The Fluid's dominant live presence helped - a particularly fiery early show at Seattle's Central Tavern featured The Fluid, Mudhoney, Mother Love Bone, and Soundgarden all trying to outdo one another on stage. The band fit right in on Sub Pop's nascent roster of acts who, wherever they stood on the spectrum of punk/rock/metal, shared a commitment to thunderous riffs and explosive live shows. Legendary for their ferocious stage presence, The Fluid toured all over the US and Europe, holding their own and then some on bills with Mudhoney, Nirvana, Soundgarden, Dinosaur Jr., and other powerhouses of the era. From 1986 to 1993, The Fluid put out four albums and a number of EPs and singles, including a split 7" with Nirvana in 1991, before doing one album for a major label and promptly disbanding.Yet, while their partners-in-crime bulldozed into the mainstream, The Fluid remained something of a cult band, their audience confined to those who got hip during the band's existence, and crate diggers who nabbed original vinyl or CDs, which had quickly become rarities after sellin...
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Elvis Costello - King Of America
Elvis Costello
King Of America
LP | 1986 | Reissue (Interscope)
28,99 €*
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Release: 1986 / Reissue
Genre: Rock & Indie
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Red Hot Chili Peppers - Uplift Mofo Party Plan
Red Hot Chili Peppers
Uplift Mofo Party Plan
LP | 1987 | US | Reissue (Capitol)
35,99 €*
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Release: 1987 / US – Reissue
Genre: Rock & Indie
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Dinosaur Jr - You're Living All Over Me
Dinosaur Jr
You're Living All Over Me
LP | 1987 | US | Reissue (Jagjaguwar)
26,99 €*
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Release: 1987 / US – Reissue
Genre: Rock & Indie
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Big Black - He's A Whore / The Model
Big Black
He's A Whore / The Model
7" | 1987 | US | Reissue (Touch & Go)
12,99 €*
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Release: 1987 / US – Reissue
Genre: Rock & Indie
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Big Black - Songs About Fucking
Big Black
Songs About Fucking
LP | 1987 | US | Reissue (Touch & Go)
27,99 €*
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Release: 1987 / US – Reissue
Genre: Rock & Indie
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The Smiths - Louder Than Bombs
The Smiths
Louder Than Bombs
2LP | 1987 | UK | Reissue (Warner)
36,99 €*
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Release: 1987 / UK – Reissue
Genre: Rock & Indie
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Official remastered reissue on 180 gram wax.
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The Smiths - Strangeways Here We Come
The Smiths
Strangeways Here We Come
LP | 1987 | UK | Reissue (Warner)
29,99 €*
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Release: 1987 / UK – Reissue
Genre: Rock & Indie
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Official remastered reissue on 180 gram wax.
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The Smiths - The World Won't Listen
The Smiths
The World Won't Listen
2LP | 1987 | EU | Reissue (Warner)
47,99 €*
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Release: 1987 / EU – Reissue
Genre: Rock & Indie
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Official remastered reissue on 180 gram wax.
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Pulp - Freaks
Pulp
Freaks
2LP | 1987 | UK | Reissue (Fire)
33,99 €*
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Release: 1987 / UK – Reissue
Genre: Rock & Indie, Pop
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The Sisters Of Mercy - Floodland
The Sisters Of Mercy
Floodland
LP | 1987 | US | Reissue (Mobile Fidelity)
37,99 €*
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Release: 1987 / US – Reissue
Genre: Rock & Indie
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Audiophile Vinyl, limited & numbered!
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AXEMEN - Derry Legend
AXEMEN
Derry Legend
LP | 1987 | US | Reissue (Luxury Products)
31,99 €*
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Release: 1987 / US – Reissue
Genre: Rock & Indie
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Long overdue re-issue of this cracked pop classic and Flying Nun rarity, "Derry Legend" was one of Kurt Cobain's top NZ platters and a staple of his mix-tapes.

Licensed and produced in full co-operation with the band, 100% analog remaster from the original tapes.
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Sonic Youth - Sister
Sonic Youth
Sister
LP | 1987 | US | Reissue (Goofin)
26,99 €*
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Release: 1987 / US – Reissue
Genre: Rock & Indie
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Gary Blanchard - Original Soundtrack
Gary Blanchard
Original Soundtrack
LP | 1987 | EU | Reissue (Domestica)
19,99 €*
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Release: 1987 / EU – Reissue
Genre: Rock & Indie, Pop
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This reissue includes insert with complete biography and track-by-track notes by Gary Blanchard himself.
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Dead Can Dance - Within The Realm Of A Dying Sun
Dead Can Dance
Within The Realm Of A Dying Sun
LP | 1987 | EU | Reissue (4AD)
27,99 €*
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Release: 1987 / EU – Reissue
Genre: Rock & Indie
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Dead Can Dance's third album. Within The Realm Of A Dying Sun, was originally released in the Summer of 1987. Recorded during an intense period of musical and personal growth for the band, the album’s eight songs are split equally between the duo with the first half being sung by Brendan and the second Lisa.

The album’s cover only adds to the album’s aura of mystery with a haunting photograph of the family grave at the Père-Lachaise cemetery in Paris of famed French biologist François-Vincent Raspail.
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Yung Wu - Shore Leave
Yung Wu
Shore Leave
LP | 1987 | US | Reissue (Bar None)
26,99 €*
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Release: 1987 / US – Reissue
Genre: Rock & Indie
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Limited Edition for Record Store Day 2018!

The initial record store day LP pressing comes with flexi disc. The flexi contains title track 'Shore Leave' along with a rare B-side 'Out Of Baby’s Reach'.
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The Sisters Of Mercy - Floodland
The Sisters Of Mercy
Floodland
LP | 1987 | CZ | Reissue (Warner)
26,99 €*
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Release: 1987 / CZ – Reissue
Genre: Rock & Indie
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The Clouds - Tranquil Red Vinyl Edition
The Clouds
Tranquil Red Vinyl Edition
7" | 1987 | EU | Reissue (Optic Nerve)
10,99 €*
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Release: 1987 / EU – Reissue
Genre: Rock & Indie
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Part of The Optic Sevens 3.0 Reissue Series . Limited to 800 copies worldwide. Pressed on Red Vinyl Printed inner sleeve. Includes postcard and poster. Glasgow based The Clouds only single was originally released in 1988 on Subway and became an indie top 20 hit. This version is pressed on Red vinyl with inner sleeve. Includes all 3 tracks from the 12”.
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Yapoos - Yapoos Keikaku
Yapoos
Yapoos Keikaku
LP | 1987 | EU | Reissue (P-Vine)
31,99 €*
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Release: 1987 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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Sonic Youth - Sister
Sonic Youth
Sister
Tape | 1987 | US | Reissue (Goofin')
17,99 €*
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Release: 1987 / US – Reissue
Genre: Rock & Indie
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“Let’s get something straight. There is no album in the entire corpus of indie rock—not Loveless, not Surfer Rosa, not Psychocandy—that reaches the heights of invention, joy, and magic of Sonic Youth’s sublime fifth album.... The haunted reveries of Sister remain with you for years, even if you only hear them once” — Stereogum.

1987’s Sister was another notch in the band's move away from No Wave, yet still maintained their experimental approach. Gordon, Moore, Ranaldo and Shelley were coming into their own at this point, combining elements of noise, punk and pop. They had also become better songwriters since their previous album, providing better context for their noisier elements and incorporating the dissonance of their earlier releases into more traditional song structures. To quote Stereogum once again, “Sister is the sonic manifestation of refracted light. It’s a record that changes you.”
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Redd Kross - Neurotica Turquoise & Orange Vinyl Edition
Redd Kross
Neurotica Turquoise & Orange Vinyl Edition
LP | 1987 | US | Reissue (Merge)
34,99 €*
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Release: 1987 / US – Reissue
Genre: Rock & Indie
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Merge Records is thrilled to release the 35th anniversary edition of Neurotica, the 1987 power pop and alternative rock opus by Redd Kross. This reissue includes the original album, remastered by JJ Golden (Pearl Jam, Thee Oh Sees), as well as 12 previously unreleased demos from the era (rediscovered recently in the archives of the band's original A&R guy, Geoffrey Weiss). The double vinyl edition-the album on translucent turquoise, the demos on translucent orange-arrives in a slick gatefold jacket.For Neurotica, brothers Jeff and Steven McDonald enlisted a grand crew of musicians that included guitarist Robert Hecker, keyboardist Paul Roessler (Screamers, Nervous Gender), and Roy McDonald (The Muffs) on drums. And in the producer's chair guiding the young bucks? Tommy Erdelyi, aka Tommy Ramone, one of the originators of punk rock melody. Unshakeable hooks on tracks like "Peach Kelli Pop" and title track "Neurotica" would inspire rave reviews at the time of the album's original release in 1987. The L.A. Times' Craig Lee wrote: "In an age when too many bands base their music either on calculated career moves or heavy-handed pretensions, Redd Kross is as breezy as a kiss in the wind, a band born to rock in a world that forgot how." Decades later, Pitchfork would revisit the album with a glowing write-up: "Pop culture nostalgia was to Redd Kross what LSD was to the Butthole Surfers; their music was delivered with just as furious a passion, but their love for Beatles-esque pop harmony shone through as much as any punk sensibility, and their Kinks influences, entirely free of irony, served as lyrical substance over their powerful, hi-octane hooks." Plain and simple, Neurotica is just a fantastic piece of art.
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La Strada - La Strada
La Strada
La Strada
LP | 1987 | EU | Reissue (Blind Dog)
27,99 €*
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Release: 1987 / EU – Reissue
Genre: Rock & Indie
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The Silos - Cuba 35th Anniversary Special Edition
The Silos
Cuba 35th Anniversary Special Edition
2LP | 1987 | EU | Reissue (Hanky Panky)
34,99 €*
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Release: 1987 / EU – Reissue
Genre: Rock & Indie
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The Silos, the still-kicking band Walter Salas-Humara co-founded in New York’s post-punk ‘80s scene played Alt-Rock, Alt-Country, and Americana before any critics coined those terms. They were named Best New Artist in the Rolling Stone magazine critics' poll in 1987 after the release of Cuba. The album has since been considered a stone-cold classic, being hugely influential in the so-called Americana or alternative country scene that followed in its wake. “Cuba is one of those albums that has become a kind of talisman among true music fans. Because you know that Cuba exists inside everyone, and this extraordinary album can take you there. It's a journey filled with longing and loss, warmth and wonder”. (Anthony DeCurtis) This gatefold double LP 35th anniversary special edition, includes the additional album The Bird Album Live On Kcrw. Recorded on April 18, 1990, shortly after the release of their self-titled third album for RCA Records, The Silos performed about 75 minutes of music for the Snap alternative music radio program. Broadcast on Kcrw in Santa Monica, California, near Los Angeles, it features versions of all but one song from that third album. Both of the singer-songwriter-guitarists from the band's early days, Walter Salas-Humara and Bob Rupe, were in the line-up for this broadcast which also included Graham Maby on bass, Brian Doherty on Drums, and Kenny Margolis on Keyboard. Salas-Humara’s legacy would seem secure; his name is on 24 albums, his Horse Paintings hang in homes and galleries around the world, and his WaltersDogs portraits even appeared in the film “Get Him to the Greek” (Nicholas Stoller, 20210). but he’s hardly ready to call it a day: The Silos have a new album out now called Family and are currently touring the world.
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Aroma Di Amore - Koudvuur
Aroma Di Amore
Koudvuur
LP | 1987 | EU | Reissue (Onderstroom)
19,99 €*
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Release: 1987 / EU – Reissue
Genre: Rock & Indie
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Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.
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The Cure - Kiss Me, Kiss Me, Kiss Me
The Cure
Kiss Me, Kiss Me, Kiss Me
2LP | 1987 | EU | Reissue (Polydor)
29,99 €*
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Release: 1987 / EU – Reissue
Genre: Rock & Indie
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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.
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Liege Lord - Master Control 35th Anniversary Edition
Liege Lord
Master Control 35th Anniversary Edition
LP | 1987 | EU | Reissue (Sony Music/Metal Blade)
24,99 €*
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Release: 1987 / EU – Reissue
Genre: Rock & Indie
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Guided By Voices - Sandbox
Guided By Voices
Sandbox
LP | 1987 | US | Reissue (Scat)
25,99 €*
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Release: 1987 / US – Reissue
Genre: Rock & Indie
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Even back in 1987, Guided By Voices was not content to release just one album in a year—Sandbox was released in the summer of that year following Devil Between My Toes’ appearance that February. Likewise, in similar GBV style, the sound and approach of the two albums could not be more different. Where Devil mostly mines a darker, lo-fi psychedia, along with several instrumental explorations, Sandbox is sunny, direct, has a bigger, crunchier sound, and zero instrumentals. Where Devil has a murky and impressionistic black and white photo of a rooster for a cover, Sandbox sports a full color photo of the band relaxing on a lawn on a sunny day. Let’s also recall that unlike today, in 1987 a full-color album jacket wasn’t just a little more expensive than a black and white one, it was way more expensive. Right up front, the band was communicating that this was a more commercially ambitious endeavor, while behind the scenes they rented better gear for a bigger sound, and tackled more sophisticated arrangements and honed in on the hooks and harmonies of the songs. Of all the band’s early self-released albums, Sandbox differs the most from the sound fans would later associate with the group, which is in itself a recommendation. Nowhere else will you hear the perfectly rendered three-part harmonies of “Long Distance Man,” direct Beatles quotes, or Robert Pollard reveling in his southern Ohio drawl. It’s also true that one of the more enjoyable aspects of the record is finding all the places where the band’s future is indeed foreshadowed. Simply put, Guided By Voices just can’t help but be a little weird, even when attempting something like a power pop album. At the close of the opening track, Pollard announces, “Ladies and gentlemen! Back by popular demand for your entertainment and spiritual enlightenment...Electric Jam Soul Aquarium!” a truly “wtf is happening here” moment. Or the stripped down gloom of “Trap Soul Door”—a track that could be right at home on nearly any later GBV album wherein Pollard intones, “Just one spark can start a hell of a fire.” Little did he know how true that statement would become.
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Felt - Gold Mine Trash Brown Vinyl Edition
Felt
Gold Mine Trash Brown Vinyl Edition
LP | 1987 | US | Reissue (1972)
26,99 €*
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Release: 1987 / US – Reissue
Genre: Rock & Indie
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Hot on the heels of their third album Forget The Curse (Mammas Mysteriska Jukebox, 2023), Fördämning Arkiv presents a Troth anthology compiling early non-album material and other odds and ends from the Australian duo. A massive 15-track retrospective, Uncut Flowers consists of the tracks from the Our Opaque Wreath cassette (Moontown Records, 2019), The Optimist (Essential Minerals, 2019), the Garland And Gauze 7" (Altered States Tapes, 2020) as well as various compilation contributions. 74 minutes.

"In evidence throughout is Troth’s penchant for capturing and collecting sounds from their environments, transforming field recordings, organic and non-organic sonic sources into textures of a palette that they then compose and improvise with. There’s a virtuosity of sampling and sound manipulation. The recurrent sounds from Besseny and Bowman’s intrepid field and bush explorations often verge on an indistinguishability between the synthesised and the concrete-organic. Permutated hand percussion or the throbbing of a waterfall; xylophonic melody or the tape loop of a bird call. The clank and tings of unidentified objects, matter itself writhing in the veggie garden. An environment starts speaking from iron gates in a paddock anywhere, close to the damp leaf and loam of a forest floor far below unseen birds and their cacophony of song and chatter. Tracks often collapse into a grey zone stretched between composition and improvisation." - Chris Colla

Digipack in an edition of 500 copies including a 8-page booklet with liner notes, photos etc. Mastered by Joakim Karlsson. Artwork by Charlott Malmenholt. Fördämning Arkiv 10.
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Love And Rockets - Earth Sun Moon
Love And Rockets
Earth Sun Moon
LP | 1987 | UK | Reissue (Beggars Banquet)
27,99 €*
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Release: 1987 / UK – Reissue
Genre: Rock & Indie
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In 1987, the band"s third album, the acoustic leaning Earth, Sun, Moon was released and spawned the college radio hit "No New Tale To Tell". It was described as "at once gutsy and rootsy yet also rhapsodic and uplifting".
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Tom Waits - Frank's Wild Years
Tom Waits
Frank's Wild Years
LP | 1987 | CZ | Reissue (Island)
31,99 €*
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Release: 1987 / CZ – Reissue
Genre: Rock & Indie
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Tygers Of Pan Tang - Burning In The Shade Transparent Orange Vinyl Edition
Tygers Of Pan Tang
Burning In The Shade Transparent Orange Vinyl Edition
LP | 1987 | EU | Reissue (Cargo)
19,99 €*
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Release: 1987 / EU – Reissue
Genre: Rock & Indie
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Transparent Orange Vinyl, limited to 500 copies. The Tygers of Pan Tang were one of the foremost New Wave of British Heavy Metal Bands and they hit the album charts running when their 1980 debut album Wildcat reached #18 in the UK charts. After three further albums with MCA, they recorded this album for Zebra Records in 1987. Burning in the Shade is the most melodic of their releases and features the line-up of Jon Deverill (vocals), Steve Lamb (guitar), Brian Dick (drums) with guests Steve Thompson and Phil Caffrey.
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My Dad Is Dead - Peace, Love & Murder Black Vinyl Edition
My Dad Is Dead
Peace, Love & Murder Black Vinyl Edition
LP | 1987 | US | Reissue (Scat)
23,99 €*
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Release: 1987 / US – Reissue
Genre: Rock & Indie
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Peace, Love & Murder was the second album by Cleveland’s My Dad Is Dead, originally released in 1987 by Boston’s Birth Records. Like the debut, ...And He’s Not Gonna Take It Anymore, Mark Edwards wrote and performed all the music on his own. While not a significant departure from that album, Peace, Love & Murder does differ from its predecessor and has some qualities that make it unique in the voluminous Mdid discography. While combining live drums with drum machine is a hallmark of the Mdid style, on this album Edwards introduced the Roland Tr-505 into the mix, and in a bold move recorded the live drums first, which had the effect of making the rhythm tracks feel a bit more organic despite the presence, and occasionally the prominence, of the Tr-505. Modal guitar tunings remain de rigeur here, but Edwards’ abilities as a guitarist display a marked increase in proficiency and imagination. While the debut album sprawls a bit, PLM is a tight and focused ten song set, buoyed by a more impactful production job by Chris Burgess. Just as the debut album had a few lighter (or at least slightly less grim) songs, so does this album, but here they shine with a bit more pop sparkle. “Babe In The Woods” and “Hill O’ Beans” would go on to be fan favorites for many years, as would the utterly harrowing unstoppable bulldozer that is “Like A Vise.” All these years on, the album’s closer “Fireball” has become oddly relevant and chilling. Sung from the POV of a mass shooter to a droning riff that evokes Middle Eastern modes, the narrator intones, “I’m gonna go out in a blaze of glory / today’s the day I’m gonna make it to the headlines.” The whole album has remarkable cohesion and pacing, as well as variety, and, not to mention ,what a god-tier track “Breakdown” is. So grab a black overcoat and “Open Wide.”
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The Cult - Electric Blue Vinyl Edition
The Cult
Electric Blue Vinyl Edition
LP | 1987 | UK | Reissue (Beggars Banquet)
27,99 €*
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Release: 1987 / UK – Reissue
Genre: Rock & Indie
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Electric, their third album, came out in 1987 and really caused the band to explode to new levels of fame. It contains the massive hits "Love Removal Machine", Wild Flower" and "Lil" Devil" and was produced by Rick Rubin.Electric is a seminal work, featuring some of the band"s most iconic songs. It is a departure from the band"s previous work, with a raw, agressive and stripped-down sound. The album"s opening track, "Wild Flower," sets the tone with its pounding drums, blistering guitar riffs, and Ian Astbury"s wailing vocals.Electric was a commercial and critical success, propelling The Cult to the forefront of the hard rock scene and cementing their status as one of the most influential bands of the era. The album remains a touchstone for hard rock and heavy metal fans, a classic work that captures the spirit of rebellion and the power of rock and roll.The Cult has remained an important and enduring force in the rock music world. The band has sold millions of records worldwide and has earned critical acclaim for its powerful live performances. The Cult continues to tour and record new music, and their influence on rock music shows no signs of diminishing.
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The Cult - Electric Black Vinyl Edition
The Cult
Electric Black Vinyl Edition
LP | 1987 | UK | Reissue (Beggars Banquet)
27,99 €*
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Release: 1987 / UK – Reissue
Genre: Rock & Indie
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Electric, their third album, came out in 1987 and really caused the band to explode to new levels of fame. It contains the massive hits "Love Removal Machine", Wild Flower" and "Lil" Devil" and was produced by Rick Rubin.Electric is a seminal work, featuring some of the band"s most iconic songs. It is a departure from the band"s previous work, with a raw, agressive and stripped-down sound. The album"s opening track, "Wild Flower," sets the tone with its pounding drums, blistering guitar riffs, and Ian Astbury"s wailing vocals.Electric was a commercial and critical success, propelling The Cult to the forefront of the hard rock scene and cementing their status as one of the most influential bands of the era. The album remains a touchstone for hard rock and heavy metal fans, a classic work that captures the spirit of rebellion and the power of rock and roll.The Cult has remained an important and enduring force in the rock music world. The band has sold millions of records worldwide and has earned critical acclaim for its powerful live performances. The Cult continues to tour and record new music, and their influence on rock music shows no sign of diminishing.
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The Gun Club - Mother Juno
The Gun Club
Mother Juno
LP | 1987 | UK | Reissue (Manifesto)
40,99 €*
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Release: 1987 / UK – Reissue
Genre: Rock & Indie
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Grateful Dead - In The Dark
Grateful Dead
In The Dark
LP | 1987 | EU | Reissue (Rhino)
33,99 €*
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Release: 1987 / EU – Reissue
Genre: Rock & Indie
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Blaine L. Reininger, Stockholm Monsters, The Durutti Column - Greetings From S.G.V. Record Store Day 2024 Edition
Blaine L. Reininger, Stockholm Monsters, The Durutti Column
Greetings From S.G.V. Record Store Day 2024 Edition
LP | 1987 | EU | Reissue (Lantern)
23,99 €* 29,99 € -20%
Incl. VAT plus Shipping Costs
Release: 1987 / EU – Reissue
Genre: Rock & Indie
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Overdue re-issue of the first three 12” in the record series dedicated to musicians who took part to the Greetings festival. It happened in 1987, it was time for Materiali Sonori 10th anniversary, an historic goal for the label/collective born in the small Tuscany village of San Giovanni Valdarno. The small celebration brought to life a box collecting the first 3 Eps of the Greetings from S.G.V. series. The series was intended as symbolic sound postcard, made with various musicians with whom the collective label shared a path, whether small or long. The Durutti Column, The Stockholm Monsters and Blaine R. Reininger (Tuxedomoon) are among the artist who took part to the project, here collected for the very first time. Lantern is pleased to pay tribute to the work of people whose passion, attitude, commitment and genuineness inspired this adventure still true to these days. "Our presence in this small tuscan town is almost casual... physically we were born and grew up here, while our hearts and our minds were travelling to Paris, Berlin, Brussels, New York or London" (Giampiero Bigazzi of Marteriali Sonori , taken from the original inner sleeves notes).
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These Immortal Souls - Get Lost Don't Lie!
These Immortal Souls
Get Lost Don't Lie!
LP | 1987 | UK | Reissue (Mute)
28,99 €*
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Release: 1987 / UK – Reissue
Genre: Rock & Indie
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Primal Scream - Sonic Flower Groove
Primal Scream
Sonic Flower Groove
LP | 1987 | US | Reissue (1972)
24,99 €*
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Release: 1987 / US – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
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Pulp - Freaks
Pulp
Freaks
2LP | 1987 | UK | Reissue (Fire)
27,99 €*
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Release: 1987 / UK – Reissue
Genre: Rock & Indie, Pop
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Features a second bonus disc packed with singles and b-sides from the
Freaks era. Pulp had changed significantly since their debut 'It'. By this time every member bar Jarvis had moved on but the addition of
Russell Senior proved to be a pivotal turning point for the band. No longer did Pulp sound pastoral, easy-natured; now they were darkly
romantic, brooding, noisy and a little bit Gothic, in the way young folk who brush their hair a certain way are always a little bit Gothic.
Pulp were out-of-tune with the times: but the times didn't satisfy Pulp. The album is quite marvellous. Most of these songs stand the
distance of time: it was here, possibly even more than 1992's Separations, that Pulp started coming into their own as a band with a fullyrealised aesthetic. The first disc is the original album, unaltered and in its entirety. The second is a bonus disc comprising of tracks from
the two big non-album singles from the same era, 'Little Girl (With Blue Eyes)' and 'Dogs are Everywhere'. Two further b-sides 'Tunnel'
and 'Manon' complete the second disc for the definitive 'Freaks' period release. Pulp's 'It' and 'Separations' will be repressed at the
same time for the complete Pulp on Fire collection.
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Laibach - Opus Dei Remastered Edition
Laibach
Opus Dei Remastered Edition
LP | 1987 | UK | Reissue (Mute)
28,99 €*
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Release: 1987 / UK – Reissue
Genre: Rock & Indie, Electronic & Dance
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The Gun Club - Mother Juno
The Gun Club
Mother Juno
LP | 1987 | UK | Reissue (Cooking Vinyl)
59,99 €*
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Release: 1987 / UK – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: VG+
Yellow translucent vinyl!
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Jeremy Gluck With Nikki Sudden & Rowland S Howard - I Knew Buffalo Bill Record Store Day 2024 Edition
Jeremy Gluck With Nikki Sudden & Rowland S Howard
I Knew Buffalo Bill Record Store Day 2024 Edition
LP | 1987 | UK | Reissue (Glass Modern)
22,99 €*
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Release: 1987 / UK – Reissue
Genre: Rock & Indie
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Reissue of the classic 1987 LP by former Barracudas vocalist, Jeremy Gluck in collaboration with Nikki Sudden (Swell Maps + Jacobites) & Rowland S Howard (The Birthday Party + These Immortal Souls) with contributions from Jeffrey Lee Pierce (The Gun Club) and Epic Soundtracks (Swell Maps + Crime & The City Solution). The original LP track 'Hymn' has been removed (Jeremy never liked the vocal) and replaced with a different sounding reprise of the opening track 'Looking For a Place To Fall' at the end of side one, making it feel like a suite. New liner notes by Jeremy Gluck. Soviet Red Vinyl
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Rollins Band - Life Time Metallic Gold Vinyl Edition
Rollins Band
Life Time Metallic Gold Vinyl Edition
LP | 1987 | US | Reissue (2.13.61)
24,99 €*
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Release: 1987 / US – Reissue
Genre: Rock & Indie
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Vinyl reissue of debut full-length, originally released in 1987.
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Meat Puppets - Mirage
Meat Puppets
Mirage
LP | 1987 | US | Reissue (Megaforce)
28,99 €*
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Release: 1987 / US – Reissue
Genre: Rock & Indie
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Julian Cope - St. Julian
Julian Cope
St. Julian
LP | 1987 | EU | Reissue (Universal)
30,99 €*
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Release: 1987 / EU – Reissue
Genre: Rock & Indie
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Fabi Silvestri Gazze - Il Padrone Della Festa Orange Transparent & Black Vinyl Edition
Fabi Silvestri Gazze
Il Padrone Della Festa Orange Transparent & Black Vinyl Edition
2LP | 1987 | EU | Reissue (Columbia)
41,99 €*
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Release: 1987 / EU – Reissue
Genre: Rock & Indie
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Caroline K - Now Wait For The Last Year
Caroline K
Now Wait For The Last Year
LP | 1987 | EU | Reissue (Mannequin)
29,99 €*
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Release: 1987 / EU – Reissue
Genre: Rock & Indie
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The Brandos - Honor Among Thieves Black Vinyl Edition
The Brandos
Honor Among Thieves Black Vinyl Edition
LP | 1987 | Reissue (Blue Rose)
23,99 €*
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Release: 1987 / Reissue
Genre: Rock & Indie
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Lubricated Goat - Plays The Devil's Music
Lubricated Goat
Plays The Devil's Music
LP | 1987 | US | Reissue (Sorcerer)
33,99 €*
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Release: 1987 / US – Reissue
Genre: Rock & Indie
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Sorcerer Records present a reissue of Lubricated GOAT's debut LP Plays The Devil's Music, originally released in 1987. It's been out of circulation for over two decades, and Sorcerer Records presents this classic slice of underground Australiana in all its glory. Recorded over two recording sessions in mid-1986, one in Perth and one in Adelaide, Plays The Devil's Music wasn't really seen by LG founder/mainstay STU Spasm (ex-BEASTS OF Bourbon, Salamander JIM, et al.) as a part of any grand musical plan. He recorded these tracks with his friends Martin Bland, Brett Ford, and Pete Hartley and went back to Sydney with the tapes. John Foy of Black Eye Records loved the results and the band known as Lubricated Goat was born. Over the course of several more full-lengths and an EP or two, the band made themselves a reputation as one of Australia's finest purveyors of post-punk noise-rock before relocating to the US. The musical scene centered around the Black Eye label in Sydney at the time, with bands such as the 'Goat, Thug (featuring a young Tex Perkins), No More Bandicoots, Box The Jesuit, etc. remains one of Australia's richest, weirdest and most inventive conglomeration of musicians and artists, and Stu and company were right in the thick of it. Lubricated Goat were (perhaps correctly) often compared to the Butthole Surfers at the time, and their mix of punk, post-punk, noise, and a taste for the absurd puts them firmly in the same camp. Throw in a little bit of Stooges/Birthday Party-style grunt and a distinctly Australian sense of humor and you're getting close to the magic of early Lubricated Goat. This edition comes remastered c/o Mikey Young. Comes in original artwork and inner sleeve; Includes download card; Includes new liner notes from Stu Spasm detailing the history of the recording. Recommended for fans of: Butthole Surfers,Killdozer, Pere Ubu, Big Black, Birthday Party.
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The Pandoras - It's About Time
The Pandoras
It's About Time
LP | 1987 | EU | Reissue (Munster)
25,99 €*
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Release: 1987 / EU – Reissue
Genre: Rock & Indie
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Meat Puppts - Huevos
Meat Puppts
Huevos
LP | 1987 | Reissue (Megaforce)
26,99 €*
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Release: 1987 / Reissue
Genre: Rock & Indie
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The Proclaimers - This Is The Story Curacao Vinyl Edition
The Proclaimers
This Is The Story Curacao Vinyl Edition
LP | 1987 | UK | Reissue (Parlophone Records / Rhino Records)
31,99 €*
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Release: 1987 / UK – Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-11-15
The Proclaimers, formed by twin brothers Charlie and Craig Reid emerged in 1987. The duo are renowned for their singing style with a distinct Scottish accent and their infectiously melodic songs about love, politics, and life in Scotland. Well-known for their most memorable songs "Sunshine on Leith", "I'm On My Way", "Letter from America" and of course, the hit single "I'm Gonna Be (500 Miles)”.

This Is the Story is the debut studio album from The Proclaimers, originally released in 1987 and celebrating its 30th anniversary this year. It contains the Gerry Rafferty-produced full band version of "Letter from America", which reached number 3 in the UK Single Chart.
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George Harrison - Cloud Nine
George Harrison
Cloud Nine
LP | 1987 | EU | Reissue (BMG Rights Management)
28,99 €*
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Release: 1987 / EU – Reissue
Genre: Rock & Indie
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The Sisters Of Mercy - Floodland Black Ice Galaxy Vinyl Edition
The Sisters Of Mercy
Floodland Black Ice Galaxy Vinyl Edition
LP | 1987 | UK | Reissue (Warner Music Uk)
31,99 €*
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Release: 1987 / UK – Reissue
Genre: Rock & Indie
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At the end of their US tour in June 1985 The Sisters of Mercy effectively split up. Returning in November 1987 with ‘Floodland’ (UK #9), and still aided by the trusty Doktor Avalanche, Eldritch hired former Gun Club and Fur Bible bassist Patricia Morrison to complete the new line-up. Featuring the hit singles ‘This Corrosion’ (UK #7), ‘Dominion’ (UK #13) and ‘Lucretia My Reflection’ (UK #20), production duties were shared with none other than famed Meat Loaf writer Jim Steinman. Available for National Album Day on 1LP black ice galaxy vinyl for a limited run. Limited to 3000 copies for National Album Day UK.
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Tom Waits - Frank's Wild Years Limited Opaque Gold Vinyl Edition
Tom Waits
Frank's Wild Years Limited Opaque Gold Vinyl Edition
LP | 1987 | Reissue (Island)
31,99 €*
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Release: 1987 / Reissue
Genre: Rock & Indie
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Frank Chickens - Get Chickenized!
Frank Chickens
Get Chickenized!
LP | 1987 | EU | Reissue (Lantern)
25,99 €*
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Release: 1987 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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Fully licensed, ltd to 500 copies. What if Japanese city pop met no wave? Neither in your wildest dream such occurrence could be real, but let’s make things clear. Frank Chickens could have been possibly forerunners for several famous alternative band, Cibo Matto on top of all, but sure had a development on their own. Our history began in London, early eighties, art duo Frank Chickens is the original creation of Japanese performers Kazuko Hohki and Kazumi Taguchi. All of a sudden the band debuts with a pair of singles and a full length on Kaz Records, it’s 1984, but could have been easily 1994, or even 2004. Backed by the likes of Steve Beresford (Alterations, The Slits, General Strike, London Improvisers Orchestra), Annie Whitehead (Penguin Cafe Orchestra, Robert Wyatt), Lol Coxhill, Tony Coe and Clive Bell (the top of the cream of the English avantgarde) the band soon became a case in history. Now we have the pleasure – 37 years after its original release – to reissue their second album: Get Chickenized! The record came out in 1987 on the british label Flying Lecords and showed a different side of the project, with a major focus on the so-called synth wave counterculture, still maintaining a certain avant feel. With original conspirator Steve Beresford still on board, the band was propelled in the studio by another key figure of the London underground: journalist, composer and producer David Toop. Being John Peel’s favorite for a while, the band built a cult following retaining some absurd live performances, well known for their idiosyncratic choreography. Later revamped in the year 2000 - thanks to cult label Ninja Tune – the band enjoyed a second wave of success, with a remix album featuring the likes of Pizzicato 5, Fink and Neotropic. With a cover embellished by the labor of Pere Ubu David Thomas, this second influential album is finally available for your listening pleasure. Here’s your chance to dive deep into this exotic pop extravaganza.
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Jane's Addiction - Nothing's shocking
Jane's Addiction
Nothing's shocking
LP | 1988 | DE | Reissue (Rhino)
32,99 €*
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Release: 1988 / DE – Reissue
Genre: Rock & Indie
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180g vinyl
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Spacemen 3 - Performance
Spacemen 3
Performance
LP | 1988 | UK | Reissue (Fire)
21,99 €*
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Release: 1988 / UK – Reissue
Genre: Rock & Indie
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180 gram vinyl
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Dinosaur Jr - Bug
Dinosaur Jr
Bug
LP | 1988 | EU | Reissue (Jagjaguwar)
23,99 €*
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Release: 1988 / EU – Reissue
Genre: Rock & Indie
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The Church - Starfish
The Church
Starfish
LP | 1988 | EU | Reissue (Music On Vinyl)
28,99 €*
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Release: 1988 / EU – Reissue
Genre: Rock & Indie
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180g vinyl with insert.
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Sonic Youth - Daydream Nation
Sonic Youth
Daydream Nation
2LP | 1988 | US | Reissue (Goofin)
29,99 €*
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Release: 1988 / US – Reissue
Genre: Rock & Indie
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Daydream Nation was Sonic Youth’s sixth full-length, their first double-LP, and their last for an indie label before signing with Geffen. Widely considered to be their watershed moment, the album catapulted them into the mainstream and proved that indie bands could enjoy wide commercial success without compromising their artistic vision. More recently, Daydream Nation has been recognized as a classic of its time: Pitchfork ranked it #1 on their “100 Greatest Albums of the 1980s”; Spin listed it at #13 on their “125 Best Albums of 1985-2010”; Rolling Stone put it at #45 on their “100 Best Albums of the Eighties” list and #328 on their “500 Greatest Albums of All Time.” It was one of 50 recordings chosen by the Library of Congress to be added to the National Recording Registry in 2006.
2007 saw the release of an expanded four-disc vinyl box set, but now the album is back in its original form after years of being out of print and highly sought after. As a special 21st century bonus, the vinyl now includes a digital download card—radical adults rejoice!
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Nick Cave & The Bad Seeds - Tender Prey
Nick Cave & The Bad Seeds
Tender Prey
LP | 1988 | EU | Reissue (Mute)
26,99 €*
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Release: 1988 / EU – Reissue
Genre: Rock & Indie
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Recorded in Berlin and London between 87 and 88!
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Soundgarden - Ultramega OK
Soundgarden
Ultramega OK
2LP | 1988 | US | Reissue (Sub Pop)
29,99 €*
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Release: 1988 / US – Reissue
Genre: Rock & Indie
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Dead Can Dance - The Serpent's Egg
Dead Can Dance
The Serpent's Egg
LP | 1988 | UK | Reissue (4AD)
27,99 €*
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Release: 1988 / UK – Reissue
Genre: Rock & Indie
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Joy Division - Atmosphere Remastered Edition 2020
Joy Division
Atmosphere Remastered Edition 2020
12" | 1988 | EU | Reissue (Rhino)
16,99 €*
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Release: 1988 / EU – Reissue
Genre: Rock & Indie
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The Stone Roses - Stone Roses Clear Vinyl Edition
The Stone Roses
Stone Roses Clear Vinyl Edition
LP | 1988 | EU | Reissue (Sony)
27,99 €*
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Release: 1988 / EU – Reissue
Genre: Rock & Indie
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Peter Murphy - Love Hysteria Indigo Vinyl Edition
Peter Murphy
Love Hysteria Indigo Vinyl Edition
LP | 1988 | UK | Reissue (Beggars Banquet)
25,99 €*
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Release: 1988 / UK – Reissue
Genre: Rock & Indie
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my bloody valentine - Isn't Anything Deluxe Edition
my bloody valentine
Isn't Anything Deluxe Edition
LP | 1988 | EU | Reissue (Domino)
31,99 €*
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Release: 1988 / EU – Reissue
Genre: Rock & Indie
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Litfiba - Litfiba 3
Litfiba
Litfiba 3
LP | 1988 | EU | Reissue (East West)
36,99 €*
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Release: 1988 / EU – Reissue
Genre: Rock & Indie
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V.A. - Las Vegas Grind Volume 2 Aka Louie's Limbo Lounge
V.A.
Las Vegas Grind Volume 2 Aka Louie's Limbo Lounge
LP | 1988 | EU | Reissue (Strip-Tease)
19,19 €* 23,99 € -20%
Incl. VAT plus Shipping Costs
Release: 1988 / EU – Reissue
Genre: Rock & Indie
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Wacked, Honk'n'grind Sax/Guitar/Grunt-Laden Buttshake Tunes From The 50s & Early 60s. Now Back In Soon!! Remastered!! Exotic Deluxe Gatefold Edition!!
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Fury In The Slaughterhouse - Fury In The Slaughterhouse
Fury In The Slaughterhouse
Fury In The Slaughterhouse
LP | 1988 | EU | Reissue (..In Myself)
21,99 €*
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Release: 1988 / EU – Reissue
Genre: Rock & Indie
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my bloody valentine - Isn't Anything Heavyweight Vinyl Edition
my bloody valentine
Isn't Anything Heavyweight Vinyl Edition
LP | 1988 | UK | Reissue (Domino)
31,99 €*
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Release: 1988 / UK – Reissue
Genre: Rock & Indie
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S.O.B Kaidan - Noise,Violence & Destroy
S.O.B Kaidan
Noise,Violence & Destroy
LP | 1988 | JP | Reissue (Alchemy)
36,99 €*
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Release: 1988 / JP – Reissue
Genre: Rock & Indie
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Sabotage Organized Barbarian, best known by their acronym S.O.B were part of a hardcore punk movement in the 80s that envigorated Japanese youth along with other acts like Gism and Gauze. The ravaging tempos and punishing aural densities grappled with the ears, and their sphere of influence quickly broke the banks of their native Osaka, with acts like Napalm Death acknowledging the bands importance for their own sound and grindcore to come.

In 1988, S.O.B teamed up with Alchemy Records founder Jojo Hiroshige, and his prolific Japanoise band Hijokaidan to form S.O.B Kaidan. With Hiroshige’s crushing distortion squeals stacked on top of S.O.B’s high-tempo percussive aggression, the two made quick work of anything that dared to obstruct their path at the cross-sections of hardcore and noise.

Their only LP Noise Violence and Destroy remains the only relic of their collaboration, and has become hard to find. The initial batch of 3000 LPs were quickly snapped up, and the brief CD runs that followed are now rare items. As part of the Alchemy Records Essential Collections series, P-vine is thrilled to reissue Noise Violence and Destroy on limited edition vinyl for the first time with an iconic Japanese obi strip attached.
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Psychic TV - Allegory & Self Clear With Yellow Splatter Vinyl Edition
Psychic TV
Allegory & Self Clear With Yellow Splatter Vinyl Edition
LP | 1988 | US | Reissue (Sacred Bones)
24,99 €*
Incl. VAT plus Shipping Costs
Release: 1988 / US – Reissue
Genre: Rock & Indie
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Ozric Tentacles - Sliding Gliding Worlds Black Vinyl Edition
Ozric Tentacles
Sliding Gliding Worlds Black Vinyl Edition
2LP | 1988 | EU | Reissue (Kscope)
34,99 €*
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Release: 1988 / EU – Reissue
Genre: Rock & Indie
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Roxy Gordon - Crazy Horse Nver Died
Roxy Gordon
Crazy Horse Nver Died
LP | 1988 | US | Reissue (Paradise Of Bachelors)
32,99 €*
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Release: 1988 / US – Reissue
Genre: Rock & Indie
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The Choctaw, Assiniboine, and Texan poet, journalist, visual artist, American Indian Movement activist, and musician Roxy Gordon (First Coyote Boy) (1945-2000) was above all a storyteller, known primarily as a writer of inimitable style and unvarnished candor, whose wide-ranging work encompassed poetry, short fiction, essays, memoirs, journalism, and criticism. Over the course of his career he recorded six albums, wrote six books, and published hundreds of shorter texts in outlets ranging from Rolling Stone and The Village Voice to the Coleman Chronicle and Democrat-Voice, in addition to founding and operating, with his wife Judy Gordon, Wowapi Press and the underground country music journal Picking Up the Tempo. Along the way he cultivated close friendships with fellow Texan songwriters such as Lubbockites Terry Allen, Butch Hancock, and Tommy X. Hancock, as well as Ray Wylie Hubbard, Billy Joe Shaver, and, most famously, Townes Van Zandt, whom he called his brother. Although his work covered a vast array of topics exploring strata personal, local, global, and cosmic alike, Gordon's primary subject as a writer, musician, and visual artist was always American Indian culture, specifically the ways it collided and coexisted with European American culture in the South and West-and within the context of his own life and braided identity. The ten songs on Crazy Horse Never Died, his first officially released and distributed album, were recorded in Dallas in 1988. "Songs" is perhaps an imprecise taxonomy for what Roxy captured on this and his other albums, all of which remain out of print or were released in instantly obscure limited editions of homebrew cassettes and CD-R's. (Paradise of Bachelors plans to reissue remastered, expanded editions of his catalog; Crazy Horse is the first.) He only occasionally attempted to sing, and his musical recordings are primarily corollaries of, and vehicles for, his poems. His sharp West Texan drawl, tinged by formative years of reservation living in Montana and unmistakable once you hear it-high, lonesome, flat, and cold-blooded as a bare rusty blade-instead patiently unfurls in skewed sheets of anecdotal verse and discursive narrative rants. Although Gordon's music at times incorporated powwow style drumming, fiddling, or unaccompanied ballad singing, the majority of it hews to an idiosyncratic spoken word style, accompanied by atmospheric, sometimes synth-damaged country-rock that skirts ambient textures and postpunk deconstructions. His songs are essentially recitations over backing tracks of finger picked guitars, rubbery washtub bass, and buzzing, oscillating keyboards. On the stark yellow and red jacket of Crazy Horse, which he designed himself, Gordon describes these recordings as innately ambivalent in terms of form, content, and identity: These are poems and/or songs about the American West, white and Indian. My life has been Indian and/or white. Maybe there's not a lot of difference-maybe. I guess that's mostly according to which white person or which Indian you're talking about. That's probably what this album's about. Crazy Horse Never Died comprises songs that span the personal and political arcs of his writing practice and the poles of his native and white ancestries.
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Degrees Of Freedom - China
Degrees Of Freedom
China
12" | 1988 | EU | Reissue (Thank You)
22,99 €*
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Release: 1988 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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Degrees of Freedom is a Canadian musical group founded in 1984 in Montreal by Janet Cadman (vocals and percussion), Martin Chartrand (bass, guitar, rhythm programming and vocals) and David Curtis (keyboards, vocals, and percussion). Established as a 5-piece New Wave cover band, Degrees of Freedom evolved into its classic quartet configuration following the departure of the original guitarist and drummer, and the subsequent enlistment of Santino Mastrocola on drums. With this lineup change came a new musical mission: the writing, recording and live presentation of original material only. Since Santino's withdrawal from the band in 1988, Degrees of Freedom has carried on as a trio in the studio while augmenting concert performances with additional musicians.

In February 1985, Degrees of Freedom performed at the newly formed S.O.S. (Save Our Songwriters) Club in Montreal. Like other participants in the S.O.S. project, Degrees of Freedom was rewarded with studio time to record some of its own songs. One of these, "August is an Angel" was selected to close out the locally produced 1985 band anthology album "Listen - A Faze Compilation of Montreal Music." The next year, a new track "In This Room," was included in the follow-up release "Listen 2." Both songs, with four newly recorded works, were issued in 1988 as Degrees of Freedom's eponymous sole vinyl release, informally known as the “China” album.

In 2015, the music of Degrees of Freedom experienced a renaissance thanks to a new generation of club DJs, traditional and internet-based radio hosts, vinyl disc collectors, and other aficionados of synth-based music. Local and international recognition has come in the form of record sales to fans in Canada as well as in the USA, Germany, Scotland, England, Ireland, Belgium, The Netherlands, France, Spain, Lithuania, Sweden, Bulgaria, Australia, Vietnam, and Japan. Responding to the resurgence of interest, Degrees of Freedom has twice re-issued the disc (2017 and 2019). Today, with eyes on the future and the past, Janet, Martin and David continue to collaborate on new material including the songs, "Metal Flesh" and "Be This Way" both accessible on the band's YouTube channel.
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Guided By Voices - Self-Inflicted Aerial Nostalgia Clear Yellow Vinyl Edition
Guided By Voices
Self-Inflicted Aerial Nostalgia Clear Yellow Vinyl Edition
LP | 1988 | US | Reissue (Scat)
27,99 €*
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Release: 1988 / US – Reissue
Genre: Rock & Indie
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Self-Inflicted Aerial Nostalgia was Guided By Voices’ third album, self-released by the band in 1988 in a pressing of 500. While both of the band’s earlier albums exhibit strong songwriting and plenty of vision, it is here that the GBV sound really begins to coalesce. While Devil Between My Toes is rife with contrasts, variety, and dark psychedelia, and its follow up Sandbox is a cohesive ’60s-influenced affair, Self-Inflicted Aerial Nostalgia marries the two approaches to outstanding effect. Unsurprisingly, recording began before Sandbox was even done pressing. These sessions would yield an aborted LP titled Learning To Hunt, but after personnel changes and second thoughts, Robert Pollard shelved most of the tracks, dismissing them as too similar to those on Sandbox. Fair enough, as many of Pollard’s more recent songs were simply on another level than previously. Here are the first of the classic Pollard slow-burners, often built on a simple melodic or rhythmic figure that circles itself ever outward, accumulating heft, variation, and inevitability as the song evolves into something unexpected yet inevitable. It’s the aural equivalent to watching a butterfly grow out of its cocoon. A few things are unique to this particular LP. Original powerhouse drummer Peyton Eric returns for nearly half the tracks, while engineer and lead guitarist Steve Wilbur shines at his brightest, resulting in some of the most thoroughly rocking GBV songs to ever be cut to lacquer, such as “Earful o’ Wax,” which simply explodes out of the speakers when the solo section begins. On the other end of the spectrum, you get Pollard recording perfect pop gems at home with just voice and guitar, which would become a calling card on later GBV albums. There’s simply a tremendous variety of material, all strung together in such a way that the album is all of one piece, a mosaic.
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Guided By Voices - Self-Inflicted Aerial Nostalgia Black Vinyl Edition
Guided By Voices
Self-Inflicted Aerial Nostalgia Black Vinyl Edition
LP | 1988 | US | Reissue (Scat)
24,99 €*
Incl. VAT plus Shipping Costs
Release: 1988 / US – Reissue
Genre: Rock & Indie
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Self-Inflicted Aerial Nostalgia was Guided By Voices’ third album, self-released by the band in 1988 in a pressing of 500. While both of the band’s earlier albums exhibit strong songwriting and plenty of vision, it is here that the GBV sound really begins to coalesce. While Devil Between My Toes is rife with contrasts, variety, and dark psychedelia, and its follow up Sandbox is a cohesive ’60s-influenced affair, Self-Inflicted Aerial Nostalgia marries the two approaches to outstanding effect. Unsurprisingly, recording began before Sandbox was even done pressing. These sessions would yield an aborted LP titled Learning To Hunt, but after personnel changes and second thoughts, Robert Pollard shelved most of the tracks, dismissing them as too similar to those on Sandbox. Fair enough, as many of Pollard’s more recent songs were simply on another level than previously. Here are the first of the classic Pollard slow-burners, often built on a simple melodic or rhythmic figure that circles itself ever outward, accumulating heft, variation, and inevitability as the song evolves into something unexpected yet inevitable. It’s the aural equivalent to watching a butterfly grow out of its cocoon. A few things are unique to this particular LP. Original powerhouse drummer Peyton Eric returns for nearly half the tracks, while engineer and lead guitarist Steve Wilbur shines at his brightest, resulting in some of the most thoroughly rocking GBV songs to ever be cut to lacquer, such as “Earful o’ Wax,” which simply explodes out of the speakers when the solo section begins. On the other end of the spectrum, you get Pollard recording perfect pop gems at home with just voice and guitar, which would become a calling card on later GBV albums. There’s simply a tremendous variety of material, all strung together in such a way that the album is all of one piece, a mosaic.
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Mudhoney - Touch Me I'm Sick
Mudhoney
Touch Me I'm Sick
7" | 1988 | US | Reissue (Sub Pop)
13,99 €*
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Release: 1988 / US – Reissue
Genre: Rock & Indie
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Mudhoney - Superfuzz Bigmuff 35th Anniversary Vinyl Edition
Mudhoney
Superfuzz Bigmuff 35th Anniversary Vinyl Edition
LP | 1988 | US | Reissue (Sub Pop)
26,99 €*
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Release: 1988 / US – Reissue
Genre: Rock & Indie
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My Life With The Thrill Kill Kult I - See Good Spirits... Green Vinyl Edtion
My Life With The Thrill Kill Kult I
See Good Spirits... Green Vinyl Edtion
LP | 1988 | US | Reissue (Wax Trax!)
35,99 €*
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Release: 1988 / US – Reissue
Genre: Rock & Indie, Electronic & Dance
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My Life With The Thrill Kill Kult I - See Good Spirits.. Limited 2lp Edition
My Life With The Thrill Kill Kult I
See Good Spirits.. Limited 2lp Edition
2LP | 1988 | US | Reissue (Wax Trax!)
46,99 €*
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Release: 1988 / US – Reissue
Genre: Rock & Indie, Electronic & Dance
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My Life With The Thrill Kill Kult I - See Good Spirits... Black Vinyl Edition
My Life With The Thrill Kill Kult I
See Good Spirits... Black Vinyl Edition
LP | 1988 | US | Reissue (Wax Trax!)
29,99 €*
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Release: 1988 / US – Reissue
Genre: Rock & Indie, Electronic & Dance
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The Charlottes - Are You Happy Now
The Charlottes
Are You Happy Now
LP | 1988 | UK | Reissue (Optic Nerve)
14,99 €*
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Release: 1988 / UK – Reissue
Genre: Rock & Indie
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Formed in Huntingdon, Cambridgeshire after drummer Simon Scott met Guitarist Graham Garduilo in local band The Giant Polar Bears.

They were tour buddies to Ride and most of the late 1980s shoegaze bands. Simon Scott was stolen by Slowdive after a gig at the White Horse in Hampstead in 1990, where the Boo Radleys opened the three-band bill.

They split after releasing two albums. John Peel loved them and NME gave debut album Lovehappy 9 out of 10.
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my bloody valentine - Isn't Anything Deluxe Edition
my bloody valentine
Isn't Anything Deluxe Edition
LP | 1988 | EU | Reissue (Domino)
29,99 €*
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Release: 1988 / EU – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
2021 repress, full analog cut.
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The Jazz Butcher - Fishcotheque Record Store Day 2020 Edition
The Jazz Butcher
Fishcotheque Record Store Day 2020 Edition
LP | 1988 | UK | Reissue (Fire)
23,99 €*
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Release: 1988 / UK – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
OBI is missing!
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my bloody valentine - Isn't Anything
my bloody valentine
Isn't Anything
LP | 1988 | EU | Reissue (Domino)
33,99 €*
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Release: 1988 / EU – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: Sealed
Still sealed with hype sticker. 2021 reissue.
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Degrees Of Freedom - China
Degrees Of Freedom
China
12" | 1988 | EU | Reissue (Thank You)
22,99 €*
Incl. VAT plus Shipping Costs
Release: 1988 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
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The Jazz Butcher - Fishcotheque Record Store Day 2020 Edition
The Jazz Butcher
Fishcotheque Record Store Day 2020 Edition
LP | 1988 | UK | Reissue (Fire)
30,99 €*
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Release: 1988 / UK – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
OBI is missing! Record Store Day edition 2020. tiny wear
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AC/DC - Blow Up Your Video 50th Anniversary Golden Vinyl Edition
AC/DC
Blow Up Your Video 50th Anniversary Golden Vinyl Edition
LP | 1988 | EU | Reissue (Sony Music Catalog)
31,99 €*
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Release: 1988 / EU – Reissue
Genre: Rock & Indie
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Winger - Winger Green Vinyl Edition
Winger
Winger Green Vinyl Edition
LP | 1988 | Reissue (BMG Rights Management)
30,99 €*
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Release: 1988 / Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-11-15
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Ministry - The Land Of Rape And Honey Deluxe Edition
Ministry
The Land Of Rape And Honey Deluxe Edition
2LP | 1988 | Reissue (Rhino)
45,99 €*
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Release: 1988 / Reissue
Genre: Rock & Indie
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The Fluid - Clear Black Paper Yellow Vinyl Edition
The Fluid
Clear Black Paper Yellow Vinyl Edition
LP | 1988 | US | Reissue (Sub Pop)
30,99 €*
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Release: 1988 / US – Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-12-06
The Fluid are arguably the great unsung band from the fertile underground rock scene of the late '80s and early '90s. The Denver five-piece - John Robinson (vocals), James Clower (guitar), Matt Bischoff (bass), Garrett Shavlik (drums), and the dear departed Ricky Kulwicki (guitar) - fused the fire of '80s hardcore with crunching Detroit protopunk, '60s garage rock, and '70s rock swagger. Think MC5, Faces, '70s Stones, all cranked up and really high on Sex Pistols and Black Flag singles. Rising from the ashes of early-'80s Denver bands Frantix (whose "My Dad's a Fuckin' Alcoholic" is a true gem of American punk) and White Trash, The Fluid were the first non-Seattle band to sign to Sub Pop, and Clear Black Paper was the second full-length album the label ever released. The label honchos were fans of Frantix, and happily got involved with The Fluid when the opportunity arose via the label's European licensing partner, Glitterhouse. Witnessing The Fluid's dominant live presence helped - a particularly fiery early show at Seattle's Central Tavern featured The Fluid, Mudhoney, Mother Love Bone, and Soundgarden all trying to outdo one another on stage. The band fit right in on Sub Pop's nascent roster of acts who, wherever they stood on the spectrum of punk/rock/metal, shared a commitment to thunderous riffs and explosive live shows. Legendary for their ferocious stage presence, The Fluid toured all over the US and Europe, holding their own and then some on bills with Mudhoney, Nirvana, Soundgarden, Dinosaur Jr., and other powerhouses of the era. From 1986 to 1993, The Fluid put out four albums and a number of EPs and singles, including a split 7" with Nirvana in 1991, before doing one album for a major label and promptly disbanding.Yet, while their partners-in-crime bulldozed into the mainstream, The Fluid remained something of a cult band, their audience confined to those who got hip during the band's existence, and crate diggers who nabbed original vinyl or CDs, which had quickly become rarities after sellin...
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