Indierock | Alternative 6193 Items

In The Flesh / Pathetic Fuck

Release: 2021

Genre: Rock & Indie

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Record Store Day 2021 release. Due for release straight off the back of the hotly anticipated Baby Strange EP ‘Land of Nothing’ in March, this double A-Side 7” has been created exclusively for Record Store Day 2021 and features a brand-new Baby Strange studio release ‘In the Flesh’ alongside a cover of Icons Creating Evil Art label mate Nicky William’s ‘Pathetic Fuck’. In the flesh is a commentary on the role social media continues to play within people’s lives. Now more so than ever, leading to life in a post-pandemic world, the gap in behaviour between on-screen personalities & the same people In The Flesh has never been greater! “Is your lighting right, will you swipe tonight? Never in The Flesh” With angst laden vocals laid over the rhythmic urgency of the bass and drums, this is a Baby Strange song that will strike hard with the bands ever increasing fan base. Picking the song for the session, Johnny Madden remembers: After signing with ICEA, I was browsing their catalogue and just fell in love with Nicky William, his baritone voice and his style is so unique. I came across Pathetic Fuck and just knew we had to do it. It went so well in fact, that Baby Strange recorded their version in the studio, with Chris Marshall (Gerry Cinnamon), and release it to their fans as a collectors edition single for Record Store Day 2021. Fans can expect a stripped back punk purist aesthetic blended with the undoubtedly Baby Strange style that their fans have come to expect.

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Baby Strange

7" | 2022 | EU | Original (Icons Creating Evil Art)

7,49 €* 9,99 € -25%

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Revolver)

Baby Of The Bunch

Pretty But It Has No Use

20,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | JP | Original (Jet Set)

B.O.L.T

Weather

58,99 €*

Release: 2022 / JP – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Sofaburn)

B. Hamilton

Nothing And Nowhere

12,64 €* 22,99 € -45%

LP | 2022 | EU | Original (Ink Music)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Moody, Atmospheric Guitar Riffs With A Decidedly Driven, Cinematic Feel. Riyl Black Crowes , Once And Future Band.What Started As A Bedroom Project In 2010 For Songwriter, Vocalist, And Guitarist Ryan Christopher Parks (Whose Collaborative Track With Boots Riley "Oyahytt" Features Heavily In Riley's 2018 Film "Sorry To Bother You.") With The Addition Of Parks' Good Friends Andrew Macy On Bass, And Raj Kumar Ojha On Drums (Once And Future Band, Shannon Shaw Band, Howlin' Rain), B. Hamilton Has Since Become One Of Oakland, California's Staple Rock And Roll Bands. With Parks' Moody, Atmospheric Guitar Riffs And Lyrical Ability To Encapsulate Entire Characters And Scenes Within A Few Short Minutes, There Is A Decidedly Driven, Cinematic Feel To B. Hamilton's Sound. B. Hamilton's Fourth Album "Nothing And Nowhere" Is An Album To Drive Late At Night To, Windows Down, Pounding Along With Ojha And Macy's Urgent, Yet Steadfast Tempos And Rhythms On The Roof Of The Car To Stay Awake. Parks' Vocals And Guitar Take Us Over Potholed, Winding, Terrain That Has Led Many From Adolescence Into Adulthood. In The Album Opener "North San Juan," Parks Describes The Fall Out Of 1960's San Francisco's "Summer Of Love" In Contemporary Northern California. A Situation Where "Peace And Love" Has Given Way To Addiction, False Prophets, And Youthful Recklessness. Numbers Like "45 And Straight" May Be More A Meditation On The Kind Of Adult One Hopes They Don't Become: Disillusioned, Entitled, Sitting On A Powder Keg Of Resentments. "Song For T.W." Cements The Album's Theme That Love Is Excruciating And Worth Fighting For, While Hate Is Easy And Designed For The Weak. Noteworthy: Ryan Wrote And Played On A "Oyahytt" From The 2018 Movie "Sorry To Bother You" With Writer And Director Boots Riley. Teddy Rankin-Parker (Iron And Wine) Plays Cello On "North San Juan" And "Sarajevo Roses." Joel Robinow (Once And Future Band, Shannon Shaw Band, Howlin' Rain, The Black Crowes) Sings And Plays Keyboards On The Entire Record.

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Aze

Hotline Aze

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Squirrel)

Axids

Kids With An Axe

12,09 €* 21,99 € -45%

Release: 2022 / EU – Original

Genre: Rock & Indie

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2LP+CD | 2022 | EU | Original (Steamhammer)

Axel Rudi Pell

Lost XXIII Deluxe Boxset

59,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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2LP | 2022 | EU | Original (Steamhammer)

Axel Rudi Pell

Lost XXIII

32,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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No Matter How The World Turns

Awake Again

LP | 2022 | EU | Original (Odyssey Music Network)

22,09 €* 25,99 € -15%

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Atlantic)

Avril Lavigne

Love Sux

Release: 2022 / EU – Original

Genre: Rock & Indie

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Floating On A Dream Opaque Bone Vinyl Edition

Avi Kaplan

LP | 2022 | EU | Original (Concord)

LP | 2010 | UK | Reissue (Domino)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Limited to 1800 copies with obi strip & sleeve notes. Rare Soul-Jazz-Funk album from 1985. First ever vinyl reissue. Jazz guitarist Calvin Keys is a legend among soul-jazz-funk fans for both his work as a session & touring musician and for the catalog of classic releases under his own name. Key’s playing style is lean & muscular and his unique phrasing balances sophisticated jazz harmonics with funky R&B & soul grooves. Since the 1960s Calvin Keys has performed/recorded with renowned artists such as Ahmad Jamal, Ray Charles, Pharoah Sanders and Joe Henderson. He is also a mentor to young talent, offers private lessons, and is a frequent teacher at the yearly happening ‘Jazz Camp West’.

Calvin Keys was born in 1943 in Omaha, Nebraska. His first musical influence was his father Otis, a well-known drummer in the city's music scene…he passed the music bug on to Calvin, who picked up the guitar early. Keys landed his first notable gig as a member of Eddie 'Cleanhead' Vinson's band when he was 17 and then went on to play with Preston Love (of the Count Basie Orchestra). Later on, he would also join The Jimmy Smith Trio and then worked through the rest of the 1960’s with legends such as Jimmy McGriff, Richard 'Groove' Holmes and Brother Jack McDuff.

After moving to Los Angeles in the 1970’s, he signed to Gene Russell's now-legendary Black Jazz label where he cut his first two albums: Shawn-Neeq (1971) & Proceed with Caution (1974). Next to his own output on Black Jazz Records, Calvin Keys also did session work for the label and played on several of its hit records. At this point in time Keys also auditioned for the Ray Charles Orchestra…his unique phrasing and his ability to balance sophisticated jazz harmonics with tough R&B and soul grooves were showcased nightly in Charles’ band. Before relocating to San Francisco in 1975, he also played on Billy Brooks' jazz-funk classic ‘Windows of the Mind’ (1974) and focused on more live and session work. Keys then joined Ahmad Jamal's group and spent close to a decade with the pianist, touring the globe and recording six albums with him.

The 1980’s and 1990’s also proved similarly fruitful for Calvin Keys…he was a ‘first-call’ studio & live sideman and amassed massive credits for touring with all-stars from the likes of Tony Bennett, Pharoah Sanders and Sonny Stitt. He released two more fantastic solo albums: Full Court Press (1985) & Maria’s First (1985), this time on Olive Branch Records. In 1991 he was featured on the recordings for the original score of the film ‘Dying Young’ composed by James Newton Howard. Next to all of this, his session and live work with his own trio continued at a relentless pace. He settled down in the Bay area and played a multitude of gigs throughout the 1990’s.

After being sidelined in 1997 by heart surgery, Calvin Keys entered the new millennium with a bang! He released five widely acclaimed Jazz-charting albums & worked with major players from the likes of Taj Mahal (Santana, Miles Davis), Chester Thompson (Tower Of Power), Big John Patton (Blue Note), Phil Ranelin (Tribe), Sonny Fortune (Roy Ayers, Strata East), Buell Neidlinger (Lionel Richie, Quincy Jones), Peter Erskine (Joni Mitchell, Weather Report) and Lonnie Smith. There’s no such thing as ‘slowing down’ for Mr. Keys!

On the album we are proudly presenting you today (Full Court Press) you’ll find seven sublime tracks recorded in 1984 and released in 1985 on the Olive Branch label. This was Calvin Key’s first solo album since his recordings for Black Jazz Records back in the 1970’s. Full Court Press features an impressive arsenal of working road dogs that Keys had shared the stage with over the years. Included are: Maxayn Lewis (The Ikettes, Morris Day), Mike Thompson (Freddie Hubbard), James Gadson (Marvin Gaye, Herbie Hancock), Donny Beck (Buddy Miles, Bobby Lyle)…and many others.

Full Court Press is THE dictionary definition of smooth (yet funky) soul-jazz, with washes of warm, laid back grooves pinned under Keys’ endless dancing up and down the fretboard. The playing is ‘deep in the pocket’ and comes off elegant and effortless. Fluid rhythmic fingerpicking that makes you forget all about time and space. This essential release deserves a prominent place in your record collection!

Tidal Waves Music now proudly presents the First ever vinyl reissue of “Full Court Press” (originally released on Olive Branch Records in 1985). This rare record (vintage copies are not easy to come by) now comes as a deluxe 180g vinyl edition, strictly limited to 1800 copies worldwide with obi strip and features the original artwork by John Heard (Azar Lawrence, Count Basie) & sleeve notes by Sherman Ferguson (Pharoah Sanders Quartet). Released exclusively for Record Store Day 2022 and available in participating stores on April 23, 2022.

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Avey Tare

Down There

Release: 2010 / UK – Reissue

Genre: Rock & Indie

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LP | 2010 | US | Original (Ramseur)

Avett Brothers

Emotionalism

44,99 €*

Release: 2010 / US – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Mom's Basement)

Avem

Three Birds Stoned

22,99 €*

CD | 2022 | US | Original (Mom's Basement)

Release: 2022 / US – Original

Genre: Rock & Indie

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Look no further than the forest and wetlands of southern Ontario to find Avem. A bubblegum punk rock band with songs about birds and human lived experiences as told through the perspective of birds. The subject matter may seem as crazy as a loon, but their infectious sound will have you bopping along instantly.

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Avem

Three Birds Stoned

11,99 €*

Avem/Cobra And The Daggers

Release: 2022 / US – Original

Genre: Rock & Indie

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CD | 2021 | US | Original (Mom's Basement)

10,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Glitterbeat)

Avalanche Kaito

23,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | Original (Glitterbeat)

Avalanche Kaito

19,99 €*

Release: 2022 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2022 | EU | Original (Dot Matrix)

Autour De Lucie

L'echapee Belle

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Dot Matrix)

Autour De Lucie

Immobile

Release: 2022 / EU – Original

Genre: Rock & Indie

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Autointitulado Limited Colored Vinyl Edition

Autoramas

LP | 2022 | EU | Original (Soundflat)

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2021 | US | Original (Stones Throw)

Automatic

Signal Remixes

31,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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Excess Colored Vinyl Edition

Automatic

LP | 2022 | US | Original (Stones Throw)

27,99 €*

Excess Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Automatic’s second album Excess rides the imaginary edge where the ‘70s underground met the corporate culture of the ‘80s – or, as the band puts it, “That fleeting moment when what was once cool quickly turned and became mainstream, all for the sake of consumerism.” Using this point in time as a lens through which to view the present moment, Excess takes aim at corporate culture and extravagance. The overarching themes of alienation and escapism emerged as Automatic put Excess together, taking writing retreats to flesh out the new songs before decamping to the studio for sprint recording sessions with producer Joo Joo Ashworth (Sasami, FROTH).

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Automatic

LP | 2022 | CA | Original (Stones Throw)

Release: 2022 / CA – Original

Genre: Rock & Indie

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2LP | 2022 | EU | Original (Relapse)

Author & Punisher

Krueller

Release: 2022 / EU – Original

Genre: Rock & Indie

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Autarkh 3 Live At Roadburn Redux 2021

Autarkh

LP | 2022 | EU | Original (Roadburn)

23,99 €*

LP | 2022 | EU | Original (Plaisphere)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Form In Motion moves from a confrontation with the limits of reality to a state of catharsis, self-government and independence through a process of growth and transformation; the timeline of AUTARKH III moves in the opposite direction but is also occurring in the present, in an attempt to counter the linearity of man's perception of existence. The trio reinterpreted, rearranged and inverted their existing work and added a new composition inspired by the essay collection 'Tijd van onbehagen' by Dutch philosopher Ad Verbrugge, which also features glimpses back to Nienhuis's former band Dodecahedron.AUTARKH III focuses on ambient and drone atmospheres, alternated with sections that are leaning more towards improvisation and heavier down-tempo arrangements. Subtle glitches and dreamy atmospheres are countered with subcutaneous growly whispers and bursts of harmonic epiphanies, only to be brought down by the inevitable doom that the inverted timeline prescribes.Michel comments: "This year's unique edition of Roadburn provides us with an exceptionally fitting opportunity to show the two current faces of the Autarkh project: a metal band and a trio. The music of AUTARKH III is generally a more introverted circular recreation of the songs on Autarkh's album Form In Motion and can be interpreted as an inverted timeline of the album."

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Ausgang 256

Essai 256

LP | 2021 | EU (Mind Control)

Release: 2022 / EU – Original

Genre: Rock & Indie

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On this first record, entirely self-produced, the Parisian trio Ausgang 256 joyfully offers us pop songs that would have been melted in experimental junk like sugar in water, overtly inspired by bands like Broadcast, Animal Collective or by the composer Sonic Boom. Indeed, the music of these young dreamy electronicians slips through our fingers but flows gently into us. Carefully, patiently, meticulously assembled in a small living room in the 18th arrondissement of Paris, the debut album of these devoted disciples of the Japanese magician Cornelius works like a pointillist painting. Too close and it's completely abstract. From too far away, you lose the flavour and the craftsmanship. But at the right distance, all the details come together as if by magic.The ten fragments of the album oscillate between experimental pop, space rock, theremin folk ballads and other unstructured melodies. The Essai 256 will be released on 21 October on Planisphère.

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Audioslave

Hultsfred Festival

16,99 €*

Release: 2021 / EU

Genre: Rock & Indie

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La Historia De Abraham Marbled Red Vinyl Edition

Audion

LP | 2021 | EU | Original (Interstellar Smoke)

20,39 €* 23,99 € -15%

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Crazysane)

Aua

The Damaged Organ

Release: 2022 / EU – Original

Genre: Rock & Indie

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Au Suisse Limited White Vinyl Edition

Au Suisse

LP | 2022 | EU | Original (City Slang)

Au Suisse Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Born from the collective mind of producer Morgan Geist (Storm Queen, Metro Area) and songwriter/multi-instrumentalist Kelley Polar, AU Suisse is a new project that promises to stake a milestone in both its members' already storied careers. Crafting immersive soundscapes using a patchwork of electro, synthpop, funk and disco, AU Suisse's self-titled debut album evokes both a post-rave comedown on a tropical beach and a weekend alone icy chalet, ruminating on life and love. Guest players include friends and labelmates Dan Snaith (Caribou) and Jeremy Greenspan (Junior Boys).

Having met in college in the early '90s and continued to forge a close friendship throughout the years, AU Suisse is the first time Geist and Polar have set out to gel their creative relationship into its own musical project. But this is no bashed-together collection of random tunes — this is a band, through and through, and Geist and Polar's shared expertise give the album its own indelible identity.

'Savage' is the second single release in this campaign with which we will announce the album to be released this August 19th (digitally) and September 16th (physically).

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Au Suisse

LP | 2022 | EU | Original (City Slang)

26,99 €*

LP | 2021 | EU | Original (Trikont)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Attwenger

Drum

26,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Dancing Is Depressing Expanded Red Vinyl Edition

Attic Abasement

LP | 2022 | US | Original (Father / Daughter)

26,99 €*

Space Ghost Pink Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Over the past decade, many of the best songwriters have come to the fore without explicitly trying to. They've written and recorded records in their homes, posted them on the internet, and all but avoided self-promotion. Yet, somehow, those songs have caught on. And in the case of Attic Abasement's Mike Rheinheimer, even as his band's profile has been raised, he still follows that approach, creating work that speaks entirely for itself. Having been the driving force of Attic Abasement for over a decade now, Rheinheimer, a Rochester, New York native has amassed a back catalog of lo-fi albums and EPs. Each one was distributed via Bandcamp and short-run CD-Rs, and it was through those means that Attic Abasement's name spread. In 2016, the band would release Dream News with Father/Daughter Records, giving Attic Abasement a home for the band's music without trying to change the ethos Rheinheimer had developed. And now, Father/Daughter is proud to reissue Attic Abasement's cult classic sophomore album, Dancing Is Depressing, on vinyl for the first and only time. Not only that, Dancing Is Depressing (Expanded Edition) will feature a pair of songs that originally appeared on local Rochester compilation albums.Dancing Is Depressing (Expanded Edition) takes Rheinheimer's work and offers more insight into the moment in which it was created. Written and recorded by himself in 2009, the songs contained on Dancing Is Depressing are both plainspoken and complex, allowing Rheinheimer to not only reflect on his own personal experiences, but encourage intimate reflection within his listeners. There's a reason why Dancing Is Depressing would routinely see people cite the likes of Stephen Malkmus, Bill Callahan, and David Berman when discussing the record, but even with those influences present, what Rheinheimer created was singular.

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Attia Taylor

LP | 2022 | US | Original (Lame-O)

LP | 2022 | EU | Original (Through Love)

Release: 2022 / US – Original

Genre: Rock & Indie

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Attia Taylor is a NYC based musician, writer, and content producer. She is the founder of Womanly Magazine, The Dorothy and a member of The Art Dept Collective. Her work is rooted in social justice, art, and design, to bring inclusive and culturally relevant content to sound, print and digital realms.She is passionate about building and cultivating communities through journalism, music, storytelling, and research. "Space Ghost" is her debut solo album, recorded with Jeff Ziegler (Kurt Vile, The War on Drugs) in Philadelphia.

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Atem

Concrete Americana

20,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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7" | 2022 | CH | Original (Ish)

Astronauts, Etc.

Cherry Plum / Nature 45

16,99 €*

LP | 2022 | UK | Original (Duophonic Super 45s)

Release: 2022 / CH – Original

Genre: Rock & Indie

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Both of the songs found here were released digitally by Tony in 2021 in a loosey goosey fashion, "while the music industry figures itself out" - he wrote. Stepping away from the broader band format, Tony recorded and mixed everything himself on these two songs, and the result feels very intimate and warm. Unconsciously or not, the added retro sound aesthetic of the two songs are instantly charming and the warm tones are transporting us back a little - think Bill Withers goes George Franklin Smallwood. The way he poured Soul into the Pop makes these two outstanding songs a perfect fit for a 45 drop.

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Astrel K

Flickering I

LP | 2021 | EU | Original (Space Rock Productions)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Astrel K is Rhys Edwards of Ulrika Spacek. Astrel K's debut single 'You Could If You Can' was released via Duophonic Super 45s - a label which has a history of releasing limited edition abstract releases from Stereolab, Broadcast & Yo La Tengo. 500 copies of the 7" were made, hand stamped and numbered, quickly selling out in selected record shops. Following the loss of KEN, a shared house in which Ulrika Spacek band members lived and worked from, Edwards relocated to Stockholm, Sweden where he began making music on his own: "At this time, I didn't really know anyone in Stockholm so kinda retreated into making music just by myself. The album title definitely reflects this period; I was on my own making music and sometimes nothing would be happening and sometimes there would be little sparks of ideas that could keep me going" Edwards would spend nights writing and recording in a shared rehearsal space producing music rich with layers and texture, synonymous with the work of Ulrika Spacek but with perhaps a greater focus on the art of 'song writing'. Tracks with verse's and chorus's are surrounded by instrumental interludes; inspired by old library music and compositions for film as well as being reminiscent of bands such as Broadcast. The album doesn't sound like one made in either London or Stockholm, rather somewhere in the nether region. Written pre pandemic but mixed in the past year, the music led Edwards to finding like minded musicians from the Stockholm music scene: "Though I'm now glad I can say I wrote an album by myself, I was definitely confronted with my own musical strengths and weaknesses. Sometimes when you have an A/B decision you want some perspective and you'd be in the studio, turn around and no one is there. It really made me curious to bring in more people into the fold, not to compromise any original vision or anything, but to have other energy in the room, to exorcise out any lazy tricks I may fall into". Stockholm musicians (including Lili Holényi, Milton Öhrström, Niklas Mellbe...

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Astral Magic

Visions Of Infinity

23,99 €*

Magical Kingdom Yellow White Splatter Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Astral Magic is a new Finnish Space Rock project lead by Santtu Laakso (Dark Sun).This album is highly inspired by ‘Hawkwind’ and the ‘Spirits Burning Project’. All music, instruments, vocals and lyrics by Santtu Laakso. + guest Musicans: Guitar by Martin Weaver (ex-Dark and Wicked Lady) on 6 of the 9 tracks, Ukulele by Samuli Sailo on ‘Winds of Time’ Additional synths by Scott Heller (øsc, Dr Space, ...) on 'Winds of Time'

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Astral Magic

LP | 2022 | EU | Original (Tonzonen)

35,99 €*

LP | 2022 | EU | Original (Club AC30)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Astral Magic is a new solo project by Santtu Laakso aka Dj Astro. He used to play bass and Moog in Finnish psychedelic space rock band Dark Sun. Astral Magic has no definitive style or form, but everything is and will be spacey and psychedelic. Since the project was started in March 2020, around 300 tracks have been created. Some of the tracks are cosmic, ambient excursions into other dimensions, some are more space/kraut/psych/prog rocking in the vein of Hawkwind, Gong, Eloy, Pink Floyd, NEU! etc.

Many international musician friends have participated in the recordings.

"Magical Kingdom" can be considered as the first psychedelic prog rock album by Astral Magic. The listener is taken into another mysterious, magical world. Other musicians on the album include multi-instrumentalist Jay Tausig (US, drums, guitar, saxophone, flute), Gregory Curvey (US, guitar, glockenspiel), Peter Dingham (UK, guitar), Markku Helin (FI, guitar), Anton Barbeau (US, guitar) and Perttu Lindberg (FI, drums). The album was mastered by Eroc for maximum sound quality.

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Asteroid No.4,The

Tones Of The Sparrow

27,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Tape | 2022 | UK | Original (Kitchen Label)

Altar Of Dreams

15,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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Aspidistrafly, the Singaporean duo comprising April Lee and producer Ricks Ang, return with Altar of Dreams, their first studio album in a decade.

While their last album A Little Fable introduced the world to their bucolic and wispy brand of folk songwriting, Altar of Dreams sees the duo – also the founders of Kitchen. Label – harness their experiences over the past decade to create a wholly new and inspired vision. In this new and third album, they drew upon a rich palette of shapes, sounds and movement: straddling between the visionary photography of Serge Lutens and Dora Maar, 80s Japanese ambient pop, musique concrète and the mournful strings of Béla Bartók.

The world in which Aspidistrafly once inhabited was foggy and awash in faded memory. A feeling of being suspended in time felt inescapable with each listen. In Altar of Dreams, the fog is clearing up. At nine songs under 35 minutes, the album possesses all the defining hallmarks of Aspidistrafly – poetic lyricism, cosmic introspection, lush strings, surrealism, tenderness and texture. But what was once seemingly inscrutable has now been explored with astounding clarity, the duo maneuvering through a space-time continuum with delicate leaps.

‘How To Find A Marblewing’, the opening track, is a heady sound collage of early internet sounds, film, anime, and chopped-and-screwed 90s J-pop. It’s a presence deeply embedded throughout the record, a method Lee describes as “a form of environmental/tape treatment”.

The compositions glimmer with sincerity, addressing all at once destruction, mystery, uncertainty, hopes and dreams. The resulting music is backed by an opulence only possible with a line-up of guest musicians. ‘The Voice of Flowers’ is stirring in its balance of flute, clarinet, tenor saxophone and piano, bolstered by a string quartet. Kitchen. Label artist haruka nakamura features on the track alongside Kyo Ichinose (who arranged the strings for the album) and wind instrumentalist Araki Shin.

‘Interlude: Chrysalises and Larvae’ takes the heavy path downward, adopting its name from the 1973 surrealist odyssey The Hourglass Sanatorium. It leads into ‘Companion to Owls’, a gothic pop paean to mortality inspired by the Book of Job.

Before the namesake centrepiece of the album, another interlude arrives in ‘A Ceremonial Ode’, both of which were stirred by a series of regal Shiseido ads from the 1980s starring model Sayoko Yamaguchi. ‘Altar of Dreams’ is haunted by the lucid dreams that once provided escapism for Lee. Its tranquility belies a simmering tension, just as how a lucid dream would offer control in the face of the unknown. “In one of them, I was floating in a vast darkness safe and secure, and then I fell into a turbulent mirage where I willingly allowed myself to be swept away further and further from reality, hoping that I would never wake up,” she says. “Needless to say I did, and ended up writing this song on one of these dead nights.”

If the title track replicates the feeling of falling deep into that spiral, ‘Silk and Satins’ is a direct analysis of the phenomenon. Warped frequencies collide with nature and television sound effects – the latter sourced from 80s Singaporean horror series Mystery – within an inter-dimensional music world. The track was made with featured artist Sugai KEN, whose own work is an endless scroll of intoxicating found sounds.

‘Quintessence’, the sweeping closing track, distills all the elements scattered across the album into a coda that beautifully refuses to resolve. At first an exercise in guitar looping, the song was then written without a beginning and end in mind. “I’d like to think of it as poetry that’s sung,” says Lee.

In Altar of Dreams, Aspidistrafly are renewed and hopeful. They’ve emerged from a decade spent reframing the world they see through vivid dreams and memories. Now, it’s all yours to experience.

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CD | 2022 | UK | Original (Kitchen Label)

Altar Of Dreams

Release: 2022 / UK – Original

Genre: Rock & Indie

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LP | 2022 | UK | Original (Kitchen Label)

Altar Of Dreams

Release: 2022 / UK – Original

Genre: Rock & Indie

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LP | 2022 | UK | Original (Kitchen Label)

A Little Fable

LP | 2021 | EU | Original (Better Noise)

Release: 2022 / UK – Original

Genre: Rock & Indie

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“I went mourning without the sun; I am a companion to owls.”

In the autumn/winter of 2010, Singapore-based April Lee and Ricks Ang of Aspidistrafly (also founders of Kitchen. Label) embarked on the recording of their second album A Little Fable in Japan in collaboration with several artists. Fascinated by the patina of time and themes of folklore, A Little Fable narrates a surrealist procession of tales, twelve compositions simmering one into the other lyrically and picturesquely. This album sees the duo returning to a warm, organic palette of closely-whispered vocals, fingerpicked guitar, string arrangements and their trademark texture-focused arrangements. Featuring guest collaborators Kyo Ichinose, Seigen Tokuzawa, haruka nakamura, Junya Yanagidaira (ironomi), honagayoko, Akira Kosemura, Janis Crunch and more.

A dusty bottom drawer of forgotten memoirs is unlocked, and the album opens with a mourning, solitary cello while a harmonium drone forebodes an oscillating motif of glockenspiel tones, or sprinkled stars if you will. In Landscape With A Fairy, a tale of loss and longing during the earliest dawn mist – the world in its daily transition – is daubed in the hues of intensified sunlight, foliage or shadows, only to be diffused and faded by time, not unlike Andrei Tarkovsky’s polaroids of the Russian countryside. April Lee’s intimate vocals and acoustic guitar gently break the silence of a cold morning, backed by graceful string flourishes arranged by Kyo Ichinose. Kitchen. Label’s very own haruka nakamura and Junya Yanagidaira (ironomi) add harmonizing colors of the guitar and piano respectively.

Tracing the mysterious migration routes of nocturnal animals, Homeward Waltz skips home along a breadcrumbed-path with ephemeral glimpses of forest sights, ornamented by violins and other curious sounds before fulminating into a amorphous guitar drone, as Seigen Tokuzawa’s improvised cello strokes drift and wander with split-second apparitions in the night sky. Sounds of wooden creaks and early morning spoon-in-coffee stirrings permeate the spontaneous atmosphere of Cocina. honagayoko’s quaint and chopped piano phrases waltz with spliced vocals and flute.

Emerging from the darkened foliage into a vast, cryptic hemisphere, the second half of the album teeters on the frailty and transitoriness of the world. A Little Fable’s voyage reaches a turning point by SEA OF Glass. Ricks Ang constructs a prolonged arpeggio of sonorous looping guitar motifs that float in and out of focus, reverberating almost like a narcotic percussion across tumultuous oceans. Now distanced and gauzy, sounds of surging waves open Countless White Moons in a misty indefiniteness, yet held together charmingly by Akira Kosemura’s luminous piano. The elusive narration in Language OF Flowers tells of a deliberate escape from the passage of time with a folkloric enchantress who wordlessly casts her spells. In Gensei, April Lee relates an unspoken anguish in her tender, wavering vibrato while Janis Crunch’s somber piano and chorus vocals loom like a harbinger of death. The last chapter Twinkling Fall, the second track to feature haruka nakamura, now shuts the drawer of secrets, dissipated monochrome colours restored once again to full bloom.

A Little Fable is available on CD and the digital format on 15th December 2011. The physical CD copy comes in a 48-page artbook edition (21 x 15cm) featuring photographs and collages by April Lee and Miu Nozaka, with styling by Rika M. Orrery, who have, from their expeditions during the making of this album, directed a dream sequence around the encompassing atmosphere of a secluded hilltop cottage, a forest hued in the splendor of autumn and distant, rocky shores.

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Asking Alexandria

See What's On The Inside

21,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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2LP | 2022 | EU | Reissue (X-Ray Production)

Tank Remastered Edition

37,99 €*

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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R.A.F.I. 25th Anniversary Edition

2LP | 2022 | EU | Original (X-Ray Production)

39,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Enemy Of The Enemy Remastered Edition

2LP | 2022 | EU | Reissue (X-Ray Production)

39,99 €*

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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Access Denied Deluxe Edition

2LP | 2021 | EU | Original (X-Ray Production)

37,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Heat Of The Moment, Live In Tokyo, 2007

Asia

12" | 2022 | EU | Original (BMG Rights Management)

17,24 €* 22,99 € -25%

Release: 2022 / EU – Original

Genre: Rock & Indie

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Asia In Asia-Live At The Budokan, Tokyo, 1983

Asia

2LP | 2022 | EU | Original (BMG Rights Management)

Release: 2022 / EU – Original

Genre: Rock & Indie

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The Apotheosis Of Vavavoom

Ashtray Navigations

LP | 2022 | US | Original (Vhf)

27,99 €*

LP | 2021 | EU | Original (Blue Tapes And X-Ray)

Release: 2022 / US – Original

Genre: Rock & Indie

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Third VHF dispatch from the mighty and prolific Ashtray Navigations, following 2020’s mega and extremely popular Imaginary Greatest Hits package. The curiously titled The Apotheosis of VaVaVoom is one of Phil Todd & Melanie O’DUBHSHLAINE’s most direct and rocking packages, with mucho ripping lead guitar action backed by some absolutely fun bubbling synth and drum grooves. “Irons Three” kicks off with wicked wah’d out leads, followed by the subdued ambience of “Tasteful Grey Putting” and “Appropros Tower” and a segue into the driving “Hinges on the Clapometer.” Side 2’s opening combo of “Slush Puppy Window” and “Avatar Down The Highway” sounds like a head on collision between Terje Rypdal and Tangerine Dream on a dark bender, with laser guitar over a bed of tumbling electronics and tiny noises. The closing “Crack Another Bloodcapsule” is one of Ashtray Nav’s all time best, like a lost krautrock classic jam with a driving rhythm from guest drummer Alex Neilson.

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Ashtray Navigations

Before You Play This

34,99 €*

LP | 2021 | US | Original (Felte)

Release: 2021 / EU – Original

Genre: Rock & Indie

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"We Were Always Too Rock For The Art Crowd And Too Artsy For The Rock & Roll Crowd," Phil Todd - The Musician Behind Yorkshire Kosmische Institution Ashtray Navigations For The Past 30 Years - Explained To The Quietus In A Recent Career-Examining Feature. "I've Always Been A Big Fan Of Playfulness. I Take Great Pleasure In The Unexpected And Illogical Aspects Of Recording Music." The Music Of 'Ash Nav', As The Project Is Known To Its Devoted Admirers, Has Traversed The Fields Of Drone, Noise, Krautrock, Lo-Fi, Psychedelia And Ambient Across 180 Or So Releases Since 1994. But As Phil Indicates, One Of The Determining Characteristics Of This Project Is A Sharply-Honed Sense Of Playfulness. These Sonic Explorations Might Be Dedicated To Exploring The Weirdest Of Unnamed Feelings And Perverse Half-Thoughts Scuttling Around The Back Of Our Minds, But It Is Never Not Joyful. And Ash Nav's New Lp, Before You Play This, Might Well Be The Most Joyful Of The Lot. Before You Play This Is Such An Unashamedly Pleasure-Embracing Album That It's Hard Not To Think Of It As A Kind Of Psychedelic Pop Music. Its Textures Are Bright And Shiny, Its Structures - For A Band Sometimes Mistakenly Thought Of As Creating Formless, Abstract Splurges Of Sound - Are Concise, Catchy, And, On Tracks Like The Case At Least, Almost Danceable. Sure, It Still Feels Like Your Eyeballs Are Melting And Your Brain Is Fizzing, But In A Happy Way? Thanks To 2020's Universally Acclaimed Greatest Imaginary Hits Retrospective, Compiled By Long-Time Celebrity Fans Including Henry Rollins, A New Generation Of Music Fans Are Discovering Ashtray Navigations For The Very First Time. Before You Play This Proves That Ash Nav Continues To Confound, Surprise, And Innovate - That This Is Modern, Forward-Looking Music, Forever Pointing Out Possible New Futures For Sound.

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Ashley Shadow

Only The End

Tape | 2022 | US | Original (Mom & Pop)

Release: 2021 / US – Original

Genre: Rock & Indie

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Ashley Shadow winks at darkness, but she won't lead you towards it. It's easy to fall under the spell of Ashley's haunting voice. The Vancouver, B.C. based songwriter forged her own identity as a songwriter with 2016's eponymous self-titled debut. Her sophomore effort, Only the End, maintains the moody introspection that is ingrained in Pacific Northwest life, but now comes armed with a palpable hope complementing her signature melancholy. Ashley explains, "I wanted to make a more upbeat album, something you could play with some friends over. Some of the songs I wrote were initially bummers, but when we went to record them, we lightened them up." Balancing a couple of jobs and navigating life and love in increasingly unstable times, the album was written over two years by Ashley at her apartment. Her confident vibrato above lightly, distorted guitars mirrors the album's theme of resilience, if not triumph, over adversity. There is comfort in these warm songs that endorse the realism of contented acceptance, rather than the naïve search for non-existent utopias. While the songs were conceived in contemplative solitude, Ashley invited some very capable collaborators for their journey into the studio. Ashley's first album saw her take center stage after more than a decade of gracing friends' projects in a supporting role. The move to the front was a cautious one. "First record was, can I do a solo album? This time, I know what I'm doing. It's way more clear." "Don't Slow Me Down" reunites Ashley with Bonnie "Prince" Billy for the first time on record when she sang vocals on Bonnie's Lie Down In Light album in 2018. The album also includes contributions from Paul Rigby (Neko Case), Colin Cowan (Elastic Stars), Joshua Wells (Black Mountain, Lightning Dust) and Ryan Beattie (Himalayan Bear). It's clear to anyone listening. It's Only the End. If only all endings were so glorious.

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Ashe

Rae

17,99 €*

LP | 2021 | US | Original (Mom & Pop)

Release: 2022 / US – Original

Genre: Rock & Indie

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Like a character out of your favorite movie or a novel you can’t put down, Ashe possesses her own mystique rooted in quiet wisdom, yet amplified with vibrance and spirit. For as much as she embodies timeless California cool (northern or southern, take your pick), she’s got enough gusto and moxie to hang on the East Coast or down South. Musically, she slides untouchable hooks over dusty instrumentation, connecting Laurel Canyon eloquence with UK rock scope. After an injury sidelined her future as a gymnast, she immersed herself in music as a kid. Attending Berklee College of Music in Boston, she kickstarted her journey with the single “Used To It” in 2017 followed by The Rabbit Hole EP a year later. Teaming up with Finneas as producer, she reached critical mass on 2019’s Moral of the Story: Chapter 1 EP. The single “Moral of the Story” appeared in NETFLIX’s To All the Boys: P.S. I Still Love You and exploded on streaming platforms, going platinum in the US and Silver in the UK. Her 2021 full-length debut, Ashlyn, arrived to widespread critical acclaim from Variety, Nylon, Billboard, and more. Beyond tallying nearly 2 billion total streams, she took over television with performances on Today, Jimmy Kimmel Live!, American Idol, The Late Late Show with James Corden, Late Night with Seth Meyers, and The Ellen DeGeneres Show. Now, she turns the page on another chapter of her story on her second full-length album, Rae [Mom + Pop] out on October 14th. Rae was produced by Leroy Clampitt (Jennifer Lopez, Justin Bieber), mixed by Manny Marroquin (Kanye West, Alicia Keys, Rihanna) and mastered by Michelle Mancini (Kid Cudi, Camila Cabello, Halsey).

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Ashe

Ashlyn

39,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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LP+LP+All Media | 2021 | US | Original (Mom + Pop)

Ashe

Ashlyn

44,99 €*

Meltdown Splatter Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Original inner sleeves with seam splits. Copy close to NM

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Ash

LP | 2022 | EU | Original (BMG Rights Management)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Free All Angels Splatter Vinyl Edition

Ash

LP | 2022 | EU | Reissue (BMG Rights Management)

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | EU | Original (Concord)

As It Is

I Went To Hell And Back

Release: 2022 / EU – Original

Genre: Rock & Indie

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Happier. Record Store Day 2024 Orange Splatter Pink Vinyl Edition

As December Falls

LP | 2021 | EU | Reissue (Adf)

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Fingers Crossed Light Blue Vinyl Edition

Artsick

LP | 2022 | US | Original (Slumberland)

19,99 €*

Tape | 2022 | US | Original (Slumberland)

Release: 2022 / US – Original

Genre: Rock & Indie

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Artsick was formed in June 2018 when Christina Riley was feeling "artsick" and writing songs, but missing the inspiration and excitement of collaborating with her old band, Burnt Palms. Christina was soon joined by Mario Hernandez (Kids On A Crime Spree, Ciao Bella) on drums and Donna McKean (Lunchbox, Hard Left) on bass and a band was born. Following up their terrific 2018 7" single they are back with their debut album "Fingers Crossed," a thrilling, compelling and downright fun record that surveys a vast swathe of indie and indiepop history, from DIY progenitors like Dolly Mixture through the punkier side of C86 (think Talulah Gosh, Fat Tulips) to the 90s K Records-centered International Pop Underground and straight through more recent exemplars like Vivian Girls and Colleen Green. Across its 11 songs "Fingers Crossed" is packed with great songs and memorable moments, indelible melodies and heartfelt lyrics. Christina says that she was "always been drawn to fuzzy guitars, melodies with emotion and songs with urgency" and that is readily apparent on every moment of this excellent album.

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Artsick

Fingers Crossed

12,99 €*

Long Long Road Clear Red Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Arthur Brown

LP | 2022 | UK | Original (Prophecy / Magnetic Eye)

41,99 €*

Long Long Road Black Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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Pretty much everyone into rock music knows Arthur Brown – and not just because of his iconic, career-defining transatlantic hit single 'Fire' from the 1968 album "The Crazy World of Arthur Brown" but also through his many collaborations with other outstanding artists, such as a cameo in the cult film "Tommy", in which his dramatic vocals were backed by Eric Clapton and THE WHO, as well as working with THE Alan Parsons Project, David Gilmore, THE Prodigy, Bruce Dickinson, THE Stranglers, Kula Shaker, DIE Krupps, and many others. Scheduled for release on Arthur's 80th birthday on June 24, 2022, "Long Long Road" effortlessly shifts from progressive rock and soul to pristine blues rock, with the much-loved singer summoning his full vocal range with a mature mastery that comes only with the experience of a lifetime. Wild, vibrant, and crammed with rich musical textures, this album is quintessentially Arthur Brown, and can easily be construed as the apex and summary of a fascinating career that has spanned several decades. Arthur is widely credited as a pioneer of shock rock and progressive rock, and a significant influence on heavy metal. His live performances include iconic classics, dance, poetry, visuals and a subliminal soundtrack of new electronic music. Whenever he plays, Arthur still brings the dramatically elegant and always extravagant style that he established as the gold standard onstage. With each note on "Long Long Road", Arthur Brown makes the impressive statement that he remains as authentic, challenging, creative, and compelling as he was at his career's fiery beginning. This record is not a swansong, but the thrilling beginning of the final phase of an utterly singular career.

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Arthur Brown

LP | 2022 | UK | Original (Prophecy / Magnetic Eye)

37,99 €*

LP | 2022 | EU | Original (Anti)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Art Moore

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | CA | Original (Paper Bag)

Art D'ecco

After The Head Rush

29,99 €*

Release: 2022 / CA – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Improved Sequence)

Arrington De Dionyso

Bobcat Flamethroat

19,99 €*

Box Set | 2022 | EU | Original (Onderstroom)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Originally released on cassette in 1993 and now for the first time on vinyl, this is an incredible document from a teenage Arrington de Dionyso. All the seeds of his 30+ career are engrained on these fully formed Tascam recordings. "Bobcatflamethroat" was originally released as "Pine Cone Alley Cassette #9" in August of 1993. The songs were recorded on a Tascam Porta-One 4 Track cassette studio inside a secret area in the basement of the College Activities Building at the Evergreen State College, known as "Happyland". This album has never before seen a digital release of any kind, however there is one song "Everything is Broken" which later became part of the original "canon" of Old Time Relijun after that band was formed in 1995. That song was re-recorded on the first Old Time Relijun album "Songbook Vol. I" released in 1997. I still dig most of the tunes on this one- these were all written and recorded while preparing to welcome a new young life into the world (my daughter Lucinda, born August 22, 1993). So while not specifically "Children's Music" per se, the tunes are wild, hopeful, optimistic yawps of playful abandon for all ages. There are a number of "inside jokes" that only would have made sense to the very tight knit inner circle hat I considered my "core" group of friends at that point in my life. I also think there are more than a few "hits" on here. I was 18 years old! Anyone who has followed the last thirty years of my musical career should find something of interest and delight on this album. For some reason I chose to record most of the guitar and bass parts "direct" without an amplifier- I'm not sure why I did that but it's a unique sound in retrospect. There's a decent dose of throatsinging and other odd vocal techniques, proving that I dove deep into this territory of vocal exploration at a very young age. Also plenty of mouth harps, flutes, kazoos, and clarinet, although this was just BEFORE I bought my first bass clarinet. The song "Kite Dragon Hypnosis" showcases the very first ti...

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Aroma Di Amore

Zwarte Doos

144,99 €*