Indierock | Alternative 3523 Items

Release: 2020 / EU – Original

Genre: Rock & Indie

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DJ K-1 Featuring Dopplereffekt

Star Gazing EP.

12" | 2021 | US | Reissue (Puzzlebox)

7" | 2010 | US | Original (Old Flame)

Release: 2021 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

Limited Gold Edition.

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Cloud Nothings

Didn't You

7" | 2010 | US | Original (Mexican Summer)

Release: 2010 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Blue vinyl. tiny wear. Limited edition

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Gauntlet Hair

Out Don't. b/w Heave

LP | 2010 | US | Original (Underwater Peoples)

Release: 2010 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Yellow vinyl. Numbered. tiny wear.

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Andrew Cedermark

Moon Deluxe

Eddy Current Suppression Ring

Release: 2010 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Near Mint

Vinyl with a couple of light scuffs, closer to VG+

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Wet Cement

7" | 2010 | US | Original (Mexican Summer)

Tape | 2010 | US | Original (Sub Pop)

Release: 2010 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Copy n° 276 / 500

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Male Bonding

Daytrotter

Release: 2010 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 2020 | IE | Original (Strange Brew Rekkids)

Autre Monde

The Imaginary Museum

Release: 2020 / IE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 2020 | US | Original (Carpark)

Madeline Kenney

Sucker's Lunch

LP | 2021 | EU | Original (Glassnote)

Release: 2020 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Near Mint

Custard colored vinyl is slightly warped, but still enjoyable - looks unplayed. Still in shrink, but opened, with hype sticker

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Jade Bird

Different Kinds Of Light

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Glassnote)

Jade Bird

Different Kinds Of Light

Release: 2021 / EU – Original

Genre: Rock & Indie

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7" | 2020 | EU | Original (Unique Leader)

Katalepsy

Beast Of Nod

Release: 2020 / EU – Original

Genre: Rock & Indie

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CD | 2020 | EU | Original (Decor)

Jerry Joseph

The Beautiful Madness

Release: 2020 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

All Creatures Will Make Merry

Meursault

CD | 2010 | UK | Original (Song, By Toad)

Release: 2010 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

CD | 2021 | UK | Original (Polydor)

Elbow

Flying Dream 1

12,09 €* 21,99 € -45%

Release: 2021 / UK – Original

Genre: Rock & Indie

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Fat Pop Limited Standard CD

Paul Weller

CD | 2021 | EU | Original (Polydor)

12,09 €* 21,99 € -45%

LP | 2021 | EU | Original (Where It's At)

Release: 2021 / EU – Original

Genre: Rock & Indie

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We may be cursed to be in the midst a global pandemic, buffeted by all of its stresses and pain. But everyone knows that art provides succour, that music is the most reliable balm. And for many there is further significant comfort to be drawn from the knowledge that Paul Weller is in the midst of an unbelievably prolific purple patch. Paul Weller will not let us down when we need him most.

On May 14th, Paul Weller releases his 16th solo album since his self-titled debut in 1992, his fourth in as many years and his second in just under twelve months following June 2020’s magnificent, chart-topping On Sunset. It’s not hyperbole to state that this new album, titled Fat Pop (Volume 1), is among his most compelling collections, bar none, including all of his era-defining work in the 1970s and ‘80s with The Jam and The Style Council. It’s an absolute scorcher.

When lockdown was declared in March 2020, Paul Weller decided immediately that he wanted something to focus on, since it seemed unlikely he’d be able to tour On Sunset as planned that summer.

“I had lots of ideas stored up on my phone,” he explains down that same handset, speaking from outside his London home, “and at least this gave me an opportunity to develop them.” So he started to record songs on his own, doing just vocals, piano and guitar, then sending those sound files to his core band members such as drummer Ben Gordelier, Steve Cradock on guitar and various other instruments, and bassist Andy Crofts for them to add their parts. “It was a bit weird not being together, but at least it kept the wheels rolling. I’d have gone potty otherwise.”

The band reconvened at Weller’s Black Barn studio in Surrey during the summer when restrictions were lifted to finish the work, with several of the songs being cut live. By this stage, the shape of the album was clear to all. Weller wanted to deliver an album of singles, twelve short, distinct blasts, each strong enough that they could stand alone if so desired.

“That was a conscious decision,” he confirms. “I even thought about putting every song out as a single first then gathering them all on an album, but that wasn’t practical at the moment. They all have that strength and immediacy, I think, and they’re all short, three minutes or so maximum.”

Producer Jan ‘Stan’ Kybert was so taken with the concept that he half-jokingly suggested that the album be called Greatest Hits. “I quite liked the idea and every song does stand up as a single, I think,” chuckles Weller, “but no, we couldn’t do that really.”

Instead, he plumped for Fat Pop (Volume 1). “I thought we’d add Volume 1 to it just to keep my options open in the future for a second volume!” The title track, a tight, heavy blast of ultra-modern funk, is itself the conceptual key to the whole album. “It’s a celebration of music and what it’s given us all. No matter what situation you are in, and we’re in one now, music doesn’t let you down, does it?”

As ever, Weller’s sonic masterplan was to avoid whatever had recently preceded it. “After [2018’s] True Meanings I thought I wouldn’t have any acoustic guitars for a little while, so I’ve largely avoided those with On Sunset and with Fat Pop,” he says. “But more than anything I wanted something vibey, something we could play live.” He laughs ruefully at the irony of that. “God knows when that will be, bearing in mind where we are with the virus. But in the imaginary gig in my mind I can see us playing all of the songs on Fat Pop live, along with the songs from On Sunset, blending them with some of the old favourites too. What a great set that would be.”

Live is where he imagines On Sunset and Fat Pop (Volume 1) working in tandem, because they don’t act as companion piece albums otherwise. “On Sunset was quite lavish in places, whereas with this one I wanted to limit it in some ways, make the production less expansive.”

Beyond that desire to keep it frill-free and tight, sonically Fat Pop (Volume 1) is a diverse selection of sounds. No one style dominates. There’s the synth-heavy, future-wave strut of Cosmic Fringes, the stately balladeering of Still Glides The Stream, Testify’s moving-on-up soul, and the kind of dramatic three minute pop symphonies on Failed, True and Shades of Blue with which Paul Weller has hooked in generation after generation of devotee.

More than sonic plans, though, Weller set himself the same task as he does before any recording. “Whenever I make an album I’m always just trying to at least match what’s gone before because each time I think the bar’s been raised. If all goes to plan, sometimes I manage to go over that bar too.”

Sometimes he does, sometimes he really does.

Fat Pop (Volume 1), the story behind each song:

Cosmic Fringes

A dramatic entrance to Fat Pop (Volume 1). Cosmic Fringes pairs a minimal, pumping electro swing with a deadpan vocal that detonates an unspecified poseur and blowhard. “I’m a sleeping giant, waiting to awake/I stumble to the fridge/then back to bed”.

“It’s not about anyone in particular,” suggests Weller, “but I suppose it could be about a keyboard warrior, someone who is constantly brainstorming ideas but never gets around to doing them. Someone talking the talk, but never doing anything.”

“When I first did the demo it was quite punky, a bit like The Stooges. It doesn’t sound anything like that now because then I had the idea of stripping it all back to just the drums and bass, putting those synths on it. It’s got a bit of motoric feel to it and a little bit glam rock too, I think.”

True

A song with all the attributes of the greatest Paul Weller numbers: fire in its belly, questing lyrics, boss horns, flashes of guitar fury and a yearning melody you awake humming daily. It’s also a tremendous vocal, shared between Paul and Lia Metcalfe, the young Liverpudlian singer with The Mysterines.

“I really like her band and I really like her singing,” he says. “It makes a massive difference that we sang it live, in the same room. She’s got a really powerful voice and I wanted to write something for us to sing together, so I did. Then I just sent the phone demo to Lia and two weeks later we cut it. That was one of the last things we did for the album, in around September”.

Fat Pop

That brilliant, heavy bassline? “I did that. When we recorded it I was actually thinking about Cypress Hill, doing something that sounds like a DJ Muggs production. It’s got a bit of that. It’s my favourite song on the album, I think, about all the times music’s been there for me.”

Shades of Blue

A classic three-minute English pop kitchen sink drama, written by Paul Weller and his daughter Leah, who joins him on vocals. “Leah wrote the chorus for it and helped me finish it up. I wrote the verses. Reminds me of a suburban drama, a play.”

Glad Times

Sweeping, wistful, sparkling in shades of blue, Glad Times’ winning melancholia has been in the back of Weller’s mind for a while. “I wrote this with Tom (Doyle) and Ant (Brown). They usually send me a backing track and we work on it from there. It’s been around for a while, nearly made it onto On Sunset but didn’t quite fit. I really liked it, though, so I’m really glad it made it on to this album instead.”

Cobweb / Connections

Pastoral introspections, featuring a lovely acoustic solo by PW and a string score by Hannah Peel. “I think the song is saying that the more you can be yourself and be happy with yourself, the more you change into something better. It’s not just good for you, it’s good for everyone else as well. ‘Save yourself and save everyone around you too.’ It’s from observation but I suppose it’s about me too.”

Testify

Superfly strutting, cut live in the studio with Andy Fairweather Low adding distinctive vocals and Jacko Peake on fine flute and saxophone. When allowed out of the house, it’ll be a future live favourite.

“We had actually done it live two or three years ago,” says Weller, “but while I loved the groove I never really got a grip on the song. Then I did this charity gig in Guildford, one of the last things I’ve done probably, some Stax songs with Andy Fairweather Low. Our voices sound so good together and he’s such a lovely fellow, so I sent him the backing track. As soon as lockdown was lifted he came down to the studio for the afternoon. We cut it live and that was it.”

That Pleasure

In amongst those soulful strings there is some barely contained rage in Weller’s voice as he sings ‘Lose your hypocrisy.’ “I suppose it’s my reaction to the whole Black Lives Matter movement,” he explains. “You’re always on tender ground writing about that, but, regardless of my colour, any human being should be disturbed. You should be appalled and disgusted and shocked by those images of George Floyd being killed in the street. It has to stop. It’s a question for everyone.”

Failed

‘All the things I never get/and all the things I never meant/and all the things that make no fucking sense…I’ve failed.’

“Yes, I’m asking myself the question,” admits Weller, a man who has never been afraid of self-reflection in his songwriting. “It’s an angry song because I wrote it right after a massive row with my wife. But I like it. It’s honest. It’s not how I feel all the time, but it is how I feel some of the time. I’m just talking about me as a man. We all measure success in different ways.”

It’s also one of his favourite songs on the album, a stand-out.

Moving Canvas

A chunky, percussive groove, with the feel of Traffic but updated for the here-and-now.

“It’s going to be great live that one. I wrote it about Iggy Pop. I hope he likes it if he ever gets to hear it. It’s my tribute to him, even though it doesn’t sound anything like him. Aside from all the great records he’s made, as a performer he’s high art. It’s all about the Igster.”

In Better Times

A plaintive plea with some beautiful sax and guitar breaks. “Cold in your eyes, don’t you know you break my heart in two”.

“It’s me talking to a young person who is going through something, addiction or mental health pressure, or whatever, and just saying it’ll be alright. Just get through this bit and there’ll be better times to come, you’ll look back and you’ll see it differently.”

Still Glides The Stream

A stately collaboration between Weller and long-time guitar foil Steve Cradock.

“I had the chords and possibly the melody, which I sent to Cradock. And he sent me back a poem and I edited that, then we sent it back and forth by phone. Lockdown songwriting. I just liked the poem. In my mind, I was thinking about our road sweeper who’s a lovely fellow. I started thinking that there’s so many people in this country who form the infrastructure of it and without whom we’d be fucked. But they’re looked down upon, not really noticed. So I was imagining their story. I did find out that there’s a book of the same name (by Flora Thompson) and Cradock said he had seen it in a shop, so that’s where the title comes from. I just liked the poetry of it. Steve’s a very soulful fella.”

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Corvair

12,09 €* 21,99 € -45%

CD | 2021 | UK | Original (Forever Living Originals)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Corvair Is What Happens When You Trap Two Scorpio Songwriters In A House Together. Comprised Of A Portland-Based Husband / Wife Duo Of Two Seasoned Musicians (Brian Naubert And Heather Larimer), Corvair's Debut Album Charts A Starcrossed Love Story Over Three Decades, Five Cities, And Six Continents. Spanning From Atmospheric Pop To Jangly Confessional, 70s Am To 90s Fm, This Work Is Laden With Stunning Turns Of Phrase And Prodigious Melodies, Two Voices Leaping To Meet In The Ether. Corvair's Debut Album Was Largely Created During The Covid Pandemic Shut-Down Of Spring 2020. It Includes Work With Drummer Eric Eagle (Jesse Sykes, Wayne Horvitz) And Engineer Martin Feveyear (Brandi Carlile, Mark Lanegan, Mudhoney), Who Also Mixed The Record. Larimer Explains, "Being Stuck In A House Together With Very Little Outside Influence Made Us More Emotionally Raw, Definitely Weirder, And Also More Patient And Intricate In Developing The Songs. And Because We Were In A Bubble, Cooking Dinners From Paranoidly-Disinfected Groceries And Listening To Old Records, Really Disparate References From Some Of Our Favorite Music Ended Up Colliding In Odd Ways--An Emotional Judas Priest Bridge, An Anthemic Pixies Outro, A Spacey Keyboard Sound From Steve Miller, Jeff Lynne's Acoustic Guitar Tone, A Carpenters-Style Lush Harmony. I Think It's A Wonderfully Weird Record, But Also Very In-Your-Face Pop Because What Else Are You Going To Do When The World Feels Like It's Ending?" Separately, Naubert And Larimer Have Created Or Appeared On More Than 20 Records. Heather's Musical Mainstay Was The Garage Pop Band Eux Autres, Broadly Hailed As A "Veritable Cult Classic" Band, Radio-Debuted By The Legendary John Peel, And Featured In Many Shows, Movies And Commercials. Brian Is A Longtime Fixture Of The Northwest Rock Community, Having Played In Vital Bands Such As Tube Top, Pop Sickle, And The Critically-Lauded Ruston Mire, Since 1993. More Recently, Brian Released His First Solo Record, Hoffabus And A Record With The Nw Supergrou...

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Sault

NINE

12,34 €* 18,99 € -35%

Transmissions From The Upper Room

Release: 2021 / UK – Original

Genre: Rock & Indie

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Sault returns with a new album featuring Michael Ofo and Little Simz. NINE will be limited to a short press run of 16,000 units, never to be re-issued again!

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Hawel / Mcphail

LP | 2021 | EU | Original (La Pochette Surprise)

12,59 €* 17,99 € -30%

Release: 2021 / EU – Original

Genre: Rock & Indie

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Tj Cabot & Thee Artificial Rejects

LP | 2020 | EU | Original (Alien Snatch)

12,59 €* 17,99 € -30%

Release: 2020 / EU – Original

Genre: Rock & Indie

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This World Below Crystal Clear Vinyl Edition

Sirkus

LP | 2020 | EU | Original (Nasoni)

12,59 €* 17,99 € -30%

LP | 2020 | US | Original (Birs)

Release: 2020 / EU – Original

Genre: Rock & Indie

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,,What are they doing in heaven today? - I don't know but it's my business to stay here and sing about it.''
We neither know what they're doing in heaven, nor do we want to know that in the very religious way that Reverend Washington Phillips does.
So the question arises why we – as band SIRKUS – recorded four Christian gospel songs. Even though all six of us were raised in a more Christian way, we don't consider ourselves religious. On the other hand, we've often worked with deeply religious or spiritual music like gospel or blues over the years.
We are fascinated by their transcendental aspects and by how they portray moment of personal empowerment in times of struggle. Whether in the here and now, materially or metaphysically.
These issues have always been present for us when playing songs such as they are released here on the 12'' Maxi Single. Musically, the tension between our roots in blues and gospel and our previous development towards Krautrock, Afro-Psychedelica and Electronica is reflected in this record.

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C.M. Talkington

Not Exactly Nashville

12,59 €* 20,99 € -40%

LP | 2020 | US | Original (Birdwatcher)

Release: 2020 / US – Original

Genre: Rock & Indie

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Writer/Director C.M. Talkington's 2020 debut LP release will be worth the wait for his cult film fanbase and far beyond.

'Not Exactly Nashville' is a rock country album with eight songs delivered from the pulpit of Talkington's wide raspy baritone.

Multi-instrumentalist Cisco Deluna built 'Not Exactly Nashville' with help from Mother Hip's John Hofer and The Imperial Crown's James Carter.

Produced in Los Angeles at 64 Sound, Barn Star Studio, and Bernie Grundman Mastering.

Limited-edition 180g vinyl LP cut at Bernie Grundman, expertly stamped by RTI.
Hi-Res 24-bit digital, mastered by Patricia Sullivan.

'Not Exactly Nashville'
Street date:
Friday 3/13/2020.
Available on LP, CD, and online for the opening of SXSW.

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Bleach Day

As If Always

12,59 €* 20,99 € -40%

LP | 2021 | NL | Original (Lay Bare)

Release: 2020 / US – Original

Genre: Rock & Indie

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Bleach Day's sophomore LP 'As if Always' is the product of a two year studio binge, occurring in between all of these other projects. Mixing classic golden age pop sounds, cinematic progressions, and oddball tones, 'As if Always' composes a sonic language that takes the listener through a story of growth and self discovery in its most primeval form, which mirrors a full life cycle from birth to death. Through struggle you learn to confront your fears, your shadows, and your limitations to become the person you are meant to be. It's a journey to a place that feels far away ' until you realize it's actually within yourself, and always has been.

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Severant

Closure

12,64 €* 22,99 € -45%

Release: 2021 / NL – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Sofaburn)

B. Hamilton

Nothing And Nowhere

12,64 €* 22,99 € -45%

Tape | 2021 | UK | Original (Lucky Number)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Moody, Atmospheric Guitar Riffs With A Decidedly Driven, Cinematic Feel. Riyl Black Crowes , Once And Future Band.What Started As A Bedroom Project In 2010 For Songwriter, Vocalist, And Guitarist Ryan Christopher Parks (Whose Collaborative Track With Boots Riley "Oyahytt" Features Heavily In Riley's 2018 Film "Sorry To Bother You.") With The Addition Of Parks' Good Friends Andrew Macy On Bass, And Raj Kumar Ojha On Drums (Once And Future Band, Shannon Shaw Band, Howlin' Rain), B. Hamilton Has Since Become One Of Oakland, California's Staple Rock And Roll Bands. With Parks' Moody, Atmospheric Guitar Riffs And Lyrical Ability To Encapsulate Entire Characters And Scenes Within A Few Short Minutes, There Is A Decidedly Driven, Cinematic Feel To B. Hamilton's Sound. B. Hamilton's Fourth Album "Nothing And Nowhere" Is An Album To Drive Late At Night To, Windows Down, Pounding Along With Ojha And Macy's Urgent, Yet Steadfast Tempos And Rhythms On The Roof Of The Car To Stay Awake. Parks' Vocals And Guitar Take Us Over Potholed, Winding, Terrain That Has Led Many From Adolescence Into Adulthood. In The Album Opener "North San Juan," Parks Describes The Fall Out Of 1960's San Francisco's "Summer Of Love" In Contemporary Northern California. A Situation Where "Peace And Love" Has Given Way To Addiction, False Prophets, And Youthful Recklessness. Numbers Like "45 And Straight" May Be More A Meditation On The Kind Of Adult One Hopes They Don't Become: Disillusioned, Entitled, Sitting On A Powder Keg Of Resentments. "Song For T.W." Cements The Album's Theme That Love Is Excruciating And Worth Fighting For, While Hate Is Easy And Designed For The Weak. Noteworthy: Ryan Wrote And Played On A "Oyahytt" From The 2018 Movie "Sorry To Bother You" With Writer And Director Boots Riley. Teddy Rankin-Parker (Iron And Wine) Plays Cello On "North San Juan" And "Sarajevo Roses." Joel Robinow (Once And Future Band, Shannon Shaw Band, Howlin' Rain, The Black Crowes) Sings And Plays Keyboards On The Entire Record.

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Bachelor

Doomin' Sun

12,74 €* 14,99 € -15%

Release: 2021 / UK – Original

Genre: Rock & Indie

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CD | 2021 | US | Original (Drag City)

Ty Segall

Harmonizer

12,74 €* 14,99 € -15%

Release: 2021 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Disco Queen / Color Wheel

Host Family

7" | 2021 | US | Original (Painted Pony)

12,95 €* 15,99 € -19%

Release: 2021 / US – Original

Genre: Rock & Indie

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Pretty (Ugly Before) Tri-Color Vinyl Edition

Elliot Smith

7" | 2010 | US | Reissue (Suicide Squeeze)

Good, The Bad & The Zugly, The

Release: 2010 / US – Reissue

Genre: Rock & Indie

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"Pretty (Ugly Before)" b/w "A Distorted Reality Is Now A Necessity To Be Free" holds the distinction of being the last recording by Elliott Smith to be released while he was still alive. Originally released as a single in August 2003, the songs were a part of the recording sessions that would ultimately yield the acclaimed posthumous album From A Basement On The Hill. The two songs serve as a powerful reminder of why Smith became the voice for a dejected generation. This repress is limited to 500 copies on tri-color vinyl - mustard, baby blue, and coke bottle green.

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Classic Oslo Attitude / I Hate Conversations

7" | 2021 | EU | Original (Fysisk Format)

Piano Nellie Ep Colored Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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2021 saw The Good The Bad and The Zugly return to the formula that birthed their now fading credibility almost a decade ago. This is the third release in a series of 7" split singles with exclusive new tracks only available on vinyl with artwork by Flu Hartberg. This time around we get a split between Tgtbtz, and... Tgtbtz.

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Poe Kats,The

7" | 2020 | EU | Original (El Toro)

Release: 2020 / EU – Original

Genre: Rock & Indie

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7" | 2020 | EU | Original (El Toro)

Elvis Presley

Sings Stan Kesler

Release: 2020 / EU – Original

Genre: Rock & Indie

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Tape | 2021 | US | Original (Fixation Music)

Robert Ellis Orrall

467 Surf And Gun Club

7" | 2021 | ES | Original (El Paso)

Release: 2021 / US – Original

Genre: Rock & Indie

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A return to 80's form, along with his original RCA band (1980-19840), Orrall's 10th album is a love letter to his favorite dive bar, Nahsville's 467 Surf And Gun Club.

'Very sophisticated and relentlessly appealing sunny SoCal folk pop a la Brian Wilson and Van Dyke Parks, the guys who invented it. Fully realized. Absolutely joyful.' - John Hiatt

'Melodic, colorful, emotional. A fun and bubbly trip through our dad's cosmic mind'. - Jeff The Brotherhood

'I've always been inspired by other recording artist's work. Robert Ellis Orrall is a composer who always says something we need to hear. In that way he remains relevant and timeless. His latest offering is no less.' - Michael McDonald

'If there's been a better record to come out of Nashville in the past few years let us know, cause we haven't heard it' - Diarrhea Planet

'reo has proved once again that he's one of the best songwriters in Nashville. This album encapsulates the warm nostalgia of summers spent with friends at 467.' - Daddy Issues

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Jesse-Lee Jackson

Love Him / Rudy Must Die

Release: 2021 / ES – Original

Genre: Rock & Indie

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Tape | 2021 | US | Original (Slumberland)

Kids On A Crime Spree

We Love You So Bad

Tape | 2021 | US | Reissue (Tapehead City)

Release: 2021 / US – Original

Genre: Rock & Indie

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Amazing Spector-ian power pop from this great Oakland group helmed by Mario out of From Bubblegum To Sky/Ciao Bella. Bandmates Bill and Becky add plenty of punky punch, and the tunes are pure hand-clapping, foot-stomping pop perfection. Excellent!

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Groupie

Ephemeral

Release: 2021 / US – Reissue

Genre: Rock & Indie

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Tape | 2021 | US | Reissue (Tapehead City)

Gunk

Gutwar

Release: 2021 / US – Reissue

Genre: Rock & Indie

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Tape | 2021 | US | Reissue (Tapehead City)

Nevva

Fer Sher

Release: 2021 / US – Reissue

Genre: Rock & Indie

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CD | 2021 | UK | Original (Polytechnic Youth)

Lone Bison

Transistor Memory

CD | 2021 | UK | Original (Polytechnuc Youth)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Polytechnic Youth’s enforced, quickfire pre-Christmas release schedule continues apace here with the wonderful debut full length from Lone Bison. As many small labels are discovering just now, one of the only viable alternatives to the current nightmarish world of vinyl pressing, is wandering back into yesteryear and -armed with a call from the PY devotees to ‘just keep getting the music out’- turning to the previously scorned upon compact disc. With ticks alongside the ‘cramming more music onto it’, having it look cool and charging £9.99 tops, we present this fabulous first Lone Bison full length. An incredible 13 track, electronic project for Ramsgate UK based Nick Bonell. Inspired by a love for ‘70s German electronic music and the current golden age of synthesizer based film soundtracks, it’s key theme as Nick says is “Repetition. I just like to lose myself in interlocking arpeggios which transport me away from the stresses of the day job. The tunes came out of me moving increasingly away from guitar and towards using hardware synths like the Korg Ms20, and, having made music as part of a band or a duo- I fancied something solo this time. The album was recreated very quickly, often with single takes and carefully choosing times when the family and neighbours were out!” Hugely recommended to fans of Tangerine Dream / Klaus Schulze or Edgar Froeses’ solo work as well as Cluster and lots on (label favourite) Sky records’ output. Musically, the album is wonderful but the sleeve is pretty neat too; Nick adds “I will be forever grateful for the amazing linocut cover art by Ieuan Edwards aka The Black Gold Press. I originally asked if I could use an existing print, but he insisted on a bespoke piece and chiselled lino all night to turn around the print in 24 hours. Then Jules Bigg (one of the original team behind the launch of Ramsgate Music Hall) did the photography and graphic design, the man is a wizard. I am truly lucky to live in an area where, if you chuck a rock in the air, it will land on an artist or musician. I had pretty much given up on making original music, after the untimely death of my songwriting partner some years ago. However, living in an area where new venues have mushroomed and great gigs are so plentiful, has inspired me to dig out the synths and fx pedals again”. Released in a one time pressing only of 500 with insert cards carrying more of Ieuan and Jules’ work, the album is released by Polytechnic Youth in December.

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Prison Of Winners

Vols. I & II

LP | 2021 | US | Original (Wild Honey)

Release: 2021 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Octobers’ other new Polytechnic Youth release represents something of a curveball for the label’s fanbase. To release any album exclusively on CD wouldn’t ordinarily place high in PY head Dom’s thought processes. But, such is the current grave situation within the vinyl pressing world, that when the opportunity arose to get out not just one, but two LPs- and package them together for a tenner in a fraction of the time and price it takes to do one vinyl instalment, of course he leapt at it; and when the music is this good- it begs to be unleashed earlier rather than later…. ‘The Prison of Winners’ is a brand new project consisting of David Mason of Listening Center and Martin Jensen of The Home Current. Between them, they have issued a range of acclaimed releases for labels such as Polytechnic Youth, Castles In Space, Ghost Box, Deep Distance and Woodford Halse, to name but a few. The collaboration’s two volume set contains a selection of music that came to life through a long-distance work routine back and forth across the Atlantic (David resides in New York and Martin is based in Luxembourg) between 2020 and 2021. Having been fans of each others’ work for years, it was only natural that they should eventually pool resources. “Volume 1” had long been earmarked for a vinyl release with PY, but with the aforementioned problems of world vinyl production currently being on its knees, and with a boom in lockdown recording seeing “Volume 2” quickly materialize; all parties quickly realized that a super value-for-money, lavish 2 x CD set might just come together perfectly. Thus, the double disc set is released late October in a beautiful sleeve featuring artwork from acclaimed photographer Geneviève Cygan and David Mason. Both volumes lean heavy on the pairs’ previous wonderful electronic experiments, minimal DIY pieces intercross with more uptempo synth workouts, which the artists themselves reckon “inhabit a space somewhere in between feeling lost in car parks and hazy memories of nights out clubbing, in what feels like a lifetime ago.”

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Doug Tuttle

Pinecone

Andrew Gabbard / Kendra Morris

Release: 2021 / US – Original

Genre: Rock & Indie

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Wild Honey Records Is Proud To Announce The Release Of "Pinecone" A New Ep By American Songwriter Doug Tuttle. Throughout The Harrowed Edges Of The 2020 Pandemic, Doug Tuttle's Pinecone Ep Was Born From Hours Spent Whiling Uncertain Landscape Outside Frayed And Unraveled, Tuttle Turned His Task Towards Songwriting Constructed Around Stripped-Down Melodies And Simple, Self-Soothing Repetition. Like A Half-Recalled Tune That Sticks In Your Head Or A Mantra Meant To Focus The Mind, Each Of These Five Songs Is Steeped In The Nostalgic Remembrance Of Better Times Set Against A Wobbling, Unreliable Reality. At Times Adrift In Cyclical Jangly Pop As On "Lead Mask," Shimmering, Affected Piano And Sun-Blistered Guitar As On The Hook-Y "Weak Ends," Or Thoroughly Steeped In Wavering, Grief-Laden Guitar Slide As On "Darkness Under Blight," Pinecone Ep Feels Comfortably Well-Worn From Back And Forth Pacing, Or Rubbed Smooth Like A Worry-Stone Carried In The Pocket. Guitarist, Vocalist, Producer, And Songwriter Doug Tuttle's First Band, Mmoss, Was A Deeply Psychedelic Project And When It Split, Tuttle Shifted Musical Gears. Recording In A Home Studio, Tuttle Made Records Using Various Folk/Rock, Psych, And Classic Rock Elements; His First Two Were Lo-Fi Takes On Melancholy Psych Pop That Featured His Buzzing Guitar And Mournful Vocals. By The Time Of 2017's Peace Potato Though, He'd Switched Gears And Began Crafting Mid-Fi Versions Of Mainstream '70s Rock That Wouldn't Sound Out Of Place Next To Tom Petty On A Playlist.

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Don't Talk (Put Your Head On My Shoulder)

7" | 2021 | US | Original (Karma Chief)

Mi Enganaste Bien / Decimos Yeah!

Release: 2021 / US – Original

Genre: Rock & Indie

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Pink Vinyl. Two of Colemine/Karma Chief's newest signees, Kendra Morris and Andrew Gabbard present their renditions of Brian Wilson's classic "Don't Talk (Put Your Head On My Shoulder)." Both musicians have been active for well over 10 years: Kendra previously being signed to Wax Poetics, Andrew previously on Fat Possum with his group Thee Shams produced by Dan Auerbach.

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Fleshtones

7" | 2021 | EU | Original (Yep Roc)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Stack The Deck Feat. Bobby Oroza

El Michels Affair

7" | 2021 | US | Original (Big Crown)

7" | 2021 | US | Original (Seeland)

Release: 2021 / US – Original

Genre: Rock & Indie

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Big Crown Records is proud to present this rock solid two-sider from El Michels Affair. This 7" is part of a new Big Crown X El Oms collaboration that includes a custom deck of playing cards and a t shirt series illustrated by El Oms. The labels of this 45 are pulled from some of the King & Queen illustrations contained in the deck.To go with this project, El Michels teamed up again with Bobby Oroza for the A side tune which plays along with the collab theme called "Stack The Deck". These two proved their chemistry on 2020's "Reasons" which became a fast favorite around the globe. This time El Michels comes with a heavier more orchestrated track that Bobby finds the perfect groove on as he plays up the gamble of love.The B side is a speaker smashing cover of the late, great, Notorious B.I.G.'s "Things Done Changed" from his Ready To Die album. El Michels Affair stays close to the tone of the original Easy Mo Bee production but makes it their own with their signature horns and cinematic grit.

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Negativland

No Brain

7" | 2021 | EU | Original (Decor)

Release: 2021 / US – Original

Genre: Rock & Indie

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Four songs in just under nine minutes: what do they have in common? They’ve got No Brain, and they’re the new vinyl EP from your grandparents in Negativland. Just as all those decades of Media Literacy courses finally seemed to be sinking in, along came Social Media to scramble one’s lines of sight on where all these voices are really coming from. Every tactic modern citizens used to resist the one-way feeds of Broadcast Media—from skepticism, to research, to signal jamming—is just as easily used against them in today’s all-way environment. The four songs on this record juxtapose the voices of media experts from the ancient ’90s with voices culled from the modern landscape of Social Media—from the users still operating under the old rules, to the rationalizations of tech CEOs who invented the software that’s eaten them. How does one follow the money on a free platform? Who’s got the megaphone? Can non-sequiturs exist? What takes less time to update: a website’s auction to determine which ads are being loaded onto your page, or your own perceptual mechanism making a call on everything you don’t need to know? All of this and more, made hypnotically catchy through Negativland’s time-honored use of funny noises and weird beats, could be coming soon to a nervous system that is You. For a full Negativland stock list, please ask.

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The Delines

Little Earl

Honey Radar / Violent Change

Release: 2021 / EU – Original

Genre: Rock & Indie

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The brand new single from The Delines - whom will be releasing their new LP next Feb 2022 - much of which is inspired by Amy Boone and Willy Vlautin's shared love of Tony Joe White. Little Earl will be the lead track for the new album and Myrna and McCaughey will be exclusive to this single on physical formats. Recorded with longtime producer John Askew in Portland over 2019/2020 just before Covid hit. It features the classic line up of the band whom gave the world 'The Imperial' lp which was number 1 for two weeks on the official Americana charts with Amy Boone (vocals), Willy Vlautin (guitar/songwriting), Sean Oldham (drums), Freddy Trujillo (bass) plus the amazing arrangements by Cory Gray (keys and horns).

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Split

7" | 2021 | US | Original (Chunklet)

Wrong Wrong Wrong Transparent Red Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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While putting finishing touches on their next full length, we asked Philly’s Honey Radar if they wanted to do a split single with the Bay Area’s Violent Change. And like that, a release was born. The Honey Radar side is a bit of a departure for them. Instead of working as a band, the pandemic offered them each a chance to do their own individual material and it was all folded together into one gigantic Honey Radar suite featuring songs by the members of the band. Sprawling, baby. That’s the Honey Radar way! The Violent Change side is more of their shambolic home recordings somewhere between The Glands and the Swell Maps all crammed into a cassette tape. A love affair of the most innocent variety.” Edition of 200.

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M Ross Perkins

7" | 2021 | US | Original (Karma Chief)

Tape | 2021 | UK | Original (Partisan)

Release: 2021 / US – Original

Genre: Rock & Indie

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The First Single From Mr Ross Perkins' Forthcoming Lp On Karma Chief Records Is The Catchy "Wrong Wrong Wrong". A Classic Blend Of Psychedelic And Rock & Roll With Songwriting That's Progressing Into A Slightly Darker Tone To Reflect The Times. M Ross Perkins Released His Debut Album On Sofaburn Records, An Americana-Centric Ohio Record Label. Now Armed With A Growing Team Including The Indie Record Label Darlings At Colemine / Karma Chief, M Ross Is Ready To Stretch Out With Regard To Hissongwriting And Production.For Fans Of... Father John Misty, Badfinger, Andrew Bird, Etc.

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Geese

Projector

Release: 2021 / UK – Original

Genre: Rock & Indie

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Lucky XIII (Ten Of Swords) Flexi Disc Edition

Pale Shade

7" | 2021 | US | Original (Flesh And Bone)

12" | 2021 | EU | Original (Ink Music)

Release: 2021 / US – Original

Genre: Rock & Indie

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What a song! Perfectly arranged, suitable for summer's end and autumn's breakthrough. Loud, but no harm to your ears.

Pale Shade is a Shoegaze band from Southampton Township, New Jersey.

Pale Shade is: Josh O’Hara - guitars, vocals Evan Lynch - Bass Joe McLaughlin - Drums

This track was engineered and mixed by Josh O’Hara and mastered by Zac Montez at Timewell Recordings.

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Leyya

Longest Day Of My Life

Release: 2021 / EU – Original

Genre: Rock & Indie

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Tape | 2021 | US | Original (Hardly Art)

La Luz

LP | 2021 | EU | Original (Clear)

Release: 2021 / US – Original

Genre: Rock & Indie

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Initial run of the LP will be pressed on an Eco-Friendly Recycled Vinyl Mystery Colour! On their self-titled fourth album, La Luz launch themselves into a new realm of emotional intimacy for a collection of songs steeped in the mysteries of the natural world and the magic of human chemistry that has found manifestation in the musical ESP between guitarist and songwriter Shana Cleveland, bassist Lena Simon, and keyboardist Alice Sandahl. To help shape La Luz, the band found a kindred spirit in producer Adrian Younge. Though primarily known for his work with hip-hop, soul, and jazz acts, Younge saw in La Luz a shared vision that transcended genre. "We both create music with the same attitude, and that's what I love about them," he says. "They are never afraid to be risky and their style is captivating. It was an honor to work with them." The result is an album that is both the most naturalistic and psychedelic of the band's career. All the elements of classic La Luz are still present-the lush harmonies, the impeccable musicianship, the gorgeous melodies-but it's a richer, earthier iteration, replete with inorganic sounds that mimic the surreality of nature-the humming of invisible bugs, the atmospheric sizzle of a hot day. After spending the last few years living in rural northern California, Cleveland's lyrics have become more grounded, less interested in traveling to other dimensions than in peeking behind the curtain of this one. With sounds ranging from ghostly electric guitar shimmers, charging fuzz-guitar rock, soulful organ-driven dream-funk, galactic synths, and breezy '70s folk-pop, La Luz is an album that celebrates love - of music, of friendship, of life in all its forms.

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Stacian

Fractal Id

12,99 €* 25,99 € -50%

Cold Turkey / Instant Karma! Record Store Day 2021 Edition

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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A project based variously in the Midwest, the Bay Area, and currently Nashville, Stacian has produced two full length LP’s, a smattering of EP’s, including the very recent “x2020” EP (Death Decay Magic, 2020) and now Fractal ID: an album that deconstructs and expands upon the cold-wave refinements and dystopian soundscapes of its predecessors “Songs for Cadets” (Moniker, 2012) and “Person L” (Night School, 2017). Stacian is a longtime vehicle for dance floor alchemist, electronic artist, and producer Dania Luck, who delivers for Chicago’s Clear a collection that synthesizes a wide breadth of influences; from varying strains of minimal wave, to the darker baroque flourishes of German new-wave and post-industrial— all while scavenging the displaced futurism of early analog electronic music. From the glam-spattered invocation of “Dance With Me” to the frenzied snare-hits of “Read Me”, to the post-industrial stomp of “We Are War”; Fractal ID unfolds like a map of hypnagogic states. By the time we reach “The Well” and “Idea of Home” a trapdoor in the dance floor has opened to an otherworldly abyss, where pulsating analog beats materialize, and glimmering arpeggiations illuminate the icy well of our shared technological isolation. Stacian’s Fractal ID is a propulsive and perilous journey to the depths, of dynamic rhythmic modulations and expansive sonic textures; a lone ray of light that bounces and refracts along the cavernous sub-levels of the club floor.

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Walter Verdin

7" | 2021 | EU | Original (Pas De Disx)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Record Store Day 2021 release on photoluminescent vinyl. In 1981 Walter Verdin recorded the demos for two songs of Lennon's Plastic Ono Band before he formed the group Pas De Deux, the Belgian entry for the Eurovision Song Contest 1983.The artwork of this 7" is inspired by the artwork of the original record sleeves. Walter Verdin is the Belgian chameleon changing constantly between different musical styles and audiovisual art. At the end of the seventies, he released 'Storingen', a Flemish reggae single with some musical friends under the name of Specimen & The Rizikoos. In 1980 he had a number one hit in Flanders with 'Er is iets', taken from the album 'Cinema'. In the same year he started to work as a video director in the studios of the Audiovisual Services at the KULeuven. At night he experimented with video and sound. For the next 20 years, the studios became the cradle for his video art and musical experiments. In 1981, before he formed the group Pas De Deux (the Belgian entry for the Eurovision Song Contest 1983), he recorded the demos for two songs of Lennon's Plastic Ono Band. These songs ended on the B side of their mini-LP 'Des Tailles'. On this 7" vinyl: the demo versions of 'Cold Turkey' and 'Instant Karma!'. They are recorded ping-ponging between two stereo tape recorders. All the instruments were programmed and played by Walter Verdin without the possibility of mixing or 'picking in'. Adding an instrument or a voice meant another copy from beginning to end. The roughness and the spontaneity of these recordings are remarkable, especially when you compare the tracks with the professional recordings that were made later at the famous ICP studios in Brussels with Pas De Deux, where the cheap Boss rhythm box was replaced by a Linn Drum and other instruments were added. Walter Verdin is a big fan of Lennon's music and social engagement. These demos were made only a couple of months after his passing in December 1980. The choice for the specific songs is not accidental: they are the songs with which John Lennon started a new musical adventure. Also, for Walter Verdin it was the start for a new way of music making, after a very short career as a 'Flemish singer songwriter'. The text -the message- of both songs is more topical in 2021 than it was at the beginning of the eighties, when they were recorded.

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Chai

Wink

Release: 2021 / US – Original

Genre: Rock & Indie

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Oh Inverted The World 20th Anniversary Remastered Edition

The Shins

Tape | 2021 | US | Reissue (Sub Pop)

Sell Your Gun By A Guitar Black Vinyl Edition

Release: 2021 / US – Reissue

Genre: Rock & Indie

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Oh, Inverted World, the earth-shattering, indie-rock-redefining 2001 debut album by The Shins, is presented here in its finest form, dressed up all nice for its 20th birthday. The classic tunes get new life by way of a full remastering job under band leader James Mercer's watchful eye, the art is given a little extra zest via a die-cut jacket and a classy inner sleeve, and the package is rounded off with a big ol' booklet with vintage photos, handwritten lyrics, and more. The music, of course, is obviously essential. Aside from a friendly reminder that this is the album with the smash hit "New Slang," as heard in the hit movie Garden State, we just need to note that the remastering job truly makes this the album James Mercer always wanted it to be. Never quite satisfied with the sonics of the original, Mercer took the 20th anniversary of the album as his opportunity to finally set the (literal!) record straight. And the results sound stellar: great for new fans, and well worth the attention of those already on board! For old times' sake, here's what we had to say about this record back when it came out: Hailing from Albuquerque, NM, The Shins sprung from the ashes of Flake/Flake Music in 1997 (though those previous incarnations date back nearly a decade) - same members, different instruments, different approach. Counterpoint guitars have given way to a single guitar pitted against calculated keyboard passages; swarming indie rock machinations led to pop-based melodic endeavors (who knew?).

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The Gabbard Brothers

7" | 2021 | US | Original (Karma Chief)

Archive Series Volume 5: Tallahassee Recordings

Release: 2021 / US – Original

Genre: Rock & Indie

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For Fans Of The Buffalo Killers, The Black Keys, Neil Young & Crazy Horse.From The Ashes Of The Acclaimed Ohio Rock Band Buffalo Killers, Singers/Songwriters/Siblings Zachary And Andy Gabbard Have Re-Emerged As The Gabbard Brothers. And While There Are Still Similarities To Their Previous Band, With Nods To Greats Like Neil Young, James Gang And Buffalo Springfield, There's A Hazier, Organic, Earthy-Psych Vibe Running Through The Brothers' New Music.Fresh From Their Black Keys Tour (Zachary And Andy Are Current Bassist And Guitarist, Respectively, In The Keys' Expanded Tour Group), The Gabbard Bros. Are Releasing Their Debut Single 'Sell Your Gun Buy A Guitar' Via Colemine Records' Imprint Karma Chief, Which Citybeat Music Editor Mike Breen Called A "Great '60s-Flavored Pop Nugget." The B-Side, 'Too Much To Feel' - A Musical Middle Finger To The Bigots, Racists And Folks Holding On To An Old, Outdated Way Of Thinking. This New Single Will Be Included In Their Forthcoming Debut Studio Album.

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Iron & Wine

Release: 2021 / US – Original

Genre: Rock & Indie

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Archive Series Volume No. 5: Tallahassee is the lost-in-time debut album from Iron & Wine. A collection of songs recorded three years prior to his official Sub Pop debut, The Creek Drank the Cradle (2002). A period before the concept of Iron & Wine existed and principal songwriter Sam Beam was studying at Florida State University with the intent of pursuing a career in film. Tallahassee documents the very first steps on a journey that would lead to a career as one of America's most original and distinctive singer-songwriters. Creek arrived like a thief in the night with its lo-fi, hushed vocals and intimate nature, while almost inversely Tallahassee comes with a strange sense of confidence. Perhaps an almost youthful discretion that likely comes from being too young to know better and too naïve to give a shit. The recordings themselves are more polished than Creek and give a peak into what a studio version of that record might have offered up. Tallahassee was recorded over the course of 1998-1999 when Beam and future bandmate EJ Holowicki moved into a house together. Beam had not been performing publicly, however he was known for playing an original song or two in the early morning glow of a long night. Holowicki also in the film program and who would go onto a career as a sound designer at Skywalker Sound, had a mobile recording device and after some prodding convinced his friend to record these late-night meditations. Together they would record close to twenty-four songs, ideas and sketches, with EJ on bass and Sam on vocals, guitar, harmonica and drums. The recordings - all captured in the house where they lived - have a "live in the room" feel akin to say Neil Young's Harvest or Nick Drake's Five Leaves Left, rather than the homespun lo-fi 4-track home recording experiment taking place at the time. These recordings, minus one track, have never been made available and were instead left preserved on a hard drive for the last twenty years. The one track that floated out there, called "In Your Own Time" was shared without a title to childhood friend Ben Bridwell (Band of Horses) at some point. The song became known as the "Fuck Like A Dog" song and Ben shared it with more than a few folks during the golden era of mix cd's. Two of those folks were Jonathan Poneman from Sub Pop and journalist Mike McGonigal, who included it on his best songs of 2001 mix cd, passed out to friends and acquaintances. And for many that is where the Iron & Wine story begins, until now_ Tallahassee is the foreword to your favorite book that you've somehow skipped over time and time again. It's an alternative history mixed with some revisionist history told over the course of eleven songs. It's also the debut record by Iron & Wine some twenty years after the fact.

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Lael Neale

Acquainted With Night

7" | 2021 | EU | Original (Stroom)

Release: 2021 / US – Original

Genre: Rock & Indie

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It Is The Simple Thing That Is So Hard To Do. This Is The Paradox That Musician Lael Neale Has Lived Within Throughout Her Development As An Artist. It Is The Reason She Became Enthralled With Poetry. Poems Are A Distillation. Lael Says, "This Challenge To Winnow Away What Is Unessential Is The Most Maddening And, Ultimately, Rewarding Part Of Writing A Song."Lael's New Album Acquainted With Night Is A Testament To This Poetic Devotion. Stripped Of Any Extraneous Word Or Sound, The Songs Are Lit By Lael's Crystalline Voice Which Lays On A Lush Bed Of Omnichord. The Collection Touches On Themes That Have Been Thread Into Her Work For Years: Isolation, Mortalit...

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Betty Arden / Saskia

Funny Bells / Sloopy

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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"Goodmorning. I wish you, a merry merry christmas. As you sit by the fire. I see your sadness on your face. You hear the funny bells inside your head. And I do look into your pretty eyes. So gray. The Funny Bells. You are my friend. Today." au

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Kiwi Jr.

Cooler Returns

Tape | 2020 | EU (Radiation)

Release: 2021 / US – Original

Genre: Rock & Indie

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Kiwi Jr. Is A Phenomenal "Rock" And/Or "Punk" And/Or "Indie-Rock" (Whichever You Like More) Band From Canada, Made Up Of Jeremy Gaudet (Mic, Guitar), Brohan Moore (Drums), Mike Walker (Bass), And Brian Murphy (Guitar). Cooler Returns Is Their Second Album, And Their First For Sub Pop. Despite Being A Snapshot Of The Pandemic-Infused Beginnings Of This Decade, Cooler Returns Is Truly A Whole Lot Of Fun. Riyl Indie-Pop From Down Under, Things That Are Smart/Exuberant/Catchy All At Once. Buildings Burning In Every Direction; Macabre Unknowns In Your Friendly Neighbor's Basement; Undecided Voters Sharpening Their Pencils: Under Pressure We Could Call Kiwi Jr.'S Cooler Returns "Timely." But What Year Is It, Again? On Cooler Returns, Kiwi Jr. Cycle Through The Recent Zigs & Looming Zags Of The New Decade, Squinting Anew At New Year's Parties Forgotten And Under-Investigated Small Town Diner Fires, Piecing Together Low-Stakes Conspiracy Theories On What's Coming Down The Pike In 2021. Put Together Like A Thousand-Piece Puzzle, Assembled In Flow State Through The First Dull Stretch Of Quarantine, Sanitized Singer Shuffling To Sanitized Studio By Streetcar, Masked Like It's The Kind Of Work Where Getting Recognized Means Getting Killed, Cooler Returns Materializes As A Sprawling Survey From The First Few Bites Of The Terrible Twenties, An Investigative Exposé Of Recent History Buried Under The Headlines & Ancient Kings Buried Under Parking Lots. Not So Long Since Their Debut Football Money In Archaeological Time, Unending Gray Eons Later In The Dog Years Of Quaran-Time, Spiritually Antipodean Canadians Kiwi Jr Return To Disseminate This Year's Annual Report To The Shareholders, Burying The Incriminating Numbers In The Endless Appendices Of A Longform Narrative Record, A 3,000 Word Tract For Stakeholders To Pore Over. These Stories - Memories Of Augusts Past, Unrepressed & Transcribed Fast - Go Down Easier Thanks To Meaningful Changes Enacted In 2019's Kiwicares Pledge: Delivering On A Promise To Transition F...

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Dinosaur Jr

Hand It Over

Ascension Of The Watchers

Release: 2020 / EU

Genre: Rock & Indie

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Limited edition of 350 only copies on cassette! Formed in 1984, Dinosaur Jr carved a singular path through the latter half of the 1980s and first half of the 1990s, issuing a number of highly influential albums in the process. “Hand It Over”, their seventh record, appeared in the spring of 1997 following a lengthy absence, and would prove to be the band’s final album-length offering for a decade. Performed primarily by J Mascis, “Hand It Over” appeared at a time of declining international interest in American alternative rock, but nevertheless received widespread approval and appreciation amongst critics and reviewers. The album was accompanied, unusually, by an EP of non-album songs recorded for the Matt Dillon movie Grace Of My Heart and, later, a vinyl only ‘I’m Insane’ 7” single, all of which are collected here alongside a previously unreleased concert recording made in Stockholm and two tracks performed for ABC TV in Australia. Accompanied by in-depth sleevenotes from Mojo’s Keith Cameron (based on recent and exclusive interviews with J Mascis), this edition provides a final view of a band about to disappear from the limelight but still as engaging and powerful as ever.

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Apocrypha Clear Vinyl Edition

2LP | 2020 | EU | Original (Back On Black)

7" | 2020 | EU | Original (K)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Industrial Gothic Rockers Ascension Of The Watchers, are set to release their brand new album "Apocrypha". "Apocrypha" has been a decade long journey of writing and recording, from California, Pennsylvania, New York and Wales. In 2018 the band decided to utilize the crowdfunding platform PledgeMusic to jumpstart the project. After a very successful campaign, raising 124% of their goal, PledgeMusic went into administration, eventually declaring bankruptcy! and in turn, would never release any of the funds dedicated to Ascension of the Watchers. Nevertheless, Ascension of the Watchers persevered to complete the album. After ten years of writing and recording, along with reflection on the very personal nature of this project, Ascension of The Watchers will renew it’s journey in 2020! A creative, and innovative journey of pioneering vocalist Burton C. Bell (Co founder and vocalist of Fear Factory). Their latest recording Apocrypha is a vision untold!

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Ribbon Stage

My Favorite Shrine EP

7" | 2020 | EU | Original (Knekelhuis)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Ribbon Stage "My Favorite Shrine"this is international pop underground CXLV.The best love songs aren't really about a romance.Dolly mixing candied pleasure, fuzzed pressure and a little painjump on the bedcar ride to the beach cry in the driveway til it falls like ribbons all around,enshrined in place. 5 tracks 45rpm Ribbon Stage are a trio from NYC with no small amount of love for the noise pop days of Dolly Mixture and the Shop Assistants. The group does perfectly what only punks playing pop music can do- create chaotic noise in tandem with the sugary hooks and sweet sophisticated nihilism. Ribbon Stage makes noise pop so catchy you swear you've heard before then can't get out of your head.Featuring Dave Sweetie (Ratas del Vaticano, Tercer Mundo, Exotica, and Pobreza Mental) as well as scene stalwart Jolie M-A (Juicy II Boys Online) and newcomer Anni Hilator.Recorded by Sweetie on a cassette 4 track in Brooklyn NY and mixed by Capt. Tripps Ballsington in Olympia WA. This release continues the rich tradition of DIY bands crafting instant pop hits entirely on their own terms, which has long been the hallmark of the International Pop Underground series.

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De Ambassade

Standhouden

Dream Hunting In The Valley Of The In-Between

Release: 2020 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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On this third, consecutive 7" for Knekelhuis they showcase a slightly darker side, undoubtedly influenced by these current viral times. Still, shadows are always in need of light. These two anxious tunes are full of metal clanking, eerie synths and rolling basslines taking you straight into industrial territory, albeit with avant-pop leanings. De Ambassade will firmly hold their ground in the dead of night until the smoke clears and the agony of daylight returns.

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Man Man

Tape | 2020 | US | Original (Sub Pop)

Tape | 2020 | US | Original (Sub Pop)

Release: 2020 / US – Original

Genre: Rock & Indie

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Honus Honus (aka Ryan Kattner) has devoted his career to exploring the uncertainty between life's extremes, beauty, and ugliness, order and chaos. The songs on Dream Hunting in the Valley of the In-Between, Man Man's first album in over six years and their Sub Pop debut, are as intimate, soulful, and timeless as they are audaciously inventive and daring, resulting in his best Man Man album to date. The 17-track effort, featuring "Cloud Nein," "Future Peg," "On the Mend" "Sheela," and "Animal Attraction," was produced by Cyrus Ghahremani, mixed by S. Husky Höskulds (Norah Jones, Tom Waits, Mike Patton, Solomon Burke, Bettye LaVette, Allen Toussaint), and mastered by Dave Cooley (Blood Orange, M83, DIIV, Paramore, Snail Mail, clipping). Dream Hunting...also includes guest vocals from Steady Holiday's Dre Babinski on "Future Peg" and "If Only," and Rebecca Black (singer of the viral pop hit, "Friday") on "On The Mend" and "Lonely Beuys." The album follows the release of "Beached" and "Witch," Man Man's contributions to Vol. 4 of the Sub Pop Singles Club in 2019. At the end of 2015, Man Man went on an unexpected hiatus, and thus began a period of creative reinvention for Honus Honus. He worked in music supervision and on scores (The Exorcist, Superdeluxe, Do You Want to See a Dead Body?). He acted in the indie film Woe ("I played a park ranger, a nice guy in a sad movie."), So It Goes, a short musical film with Mary Elizabeth Winstead, and starred in the award-winning tour documentary Use Your Delusion. He also developed an animated series, wrote film scripts, a graphic novel, a neo-noir TV pilot, and briefly penned a music column for The Talkhouse all while continuing to work on new music, such as an unreleased kids' record, another Mister Heavenly album, a self-released Honus Honus record, and a conceptual art/noise project Mega Naturals. In the midst of this surreal exile from Man Man, Honus began piecing together what would become Dream Hunting in the Valley of the In-Between. He recruited longtime-collaborator Cyrus Ghahremani to help him produce. Written in a friend's LA guesthouse that had "an old upright piano, a thrift store lamp, and nothing else," it was an arduous, three-and-a-half-year process, "I had chord progressions that looked like chicken scratch and lyrics on pieces of paper stuck all over the walls. It looked like I was about to break the big case, catch the killer," he says, laughing. "There was a lot of self-doubt, fighting the urge to throw in the towel. It wasn't fun but it definitely forced the best album of my career out of me. Sometimes you just gotta tear it all down to rebuild things the right way. Trust the process."

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Wolf Parade

Thin Mind

Release: 2020 / US – Original

Genre: Rock & Indie

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Tape | 2020 | EU | Original ([PIAS])

Turbostaat

Uthlande

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2021 | UK | Original (Partisan)

Geese

Projector

LP | 2010 | US | Original (Mexican Summer)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM. Original inner sleeve. Tiny wear.

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The Young

Voyagers Of Legend

7" | 2020 | US | Original (Slumberland)

Release: 2010 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl close to VG+. Still in shrink, but opened, with hype sticker. Copy n° 200 / 1000

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Flowers

Erik

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2020 | UK | Original (Counter)

Pictures Of Vernon

Bug

12,99 €* 19,99 € -35%

Release: 2020 / UK – Original

Genre: Rock & Indie

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I'm So Glad I Feel This Way About You

Insignificant Others

LP | 2020 | UK | Original (Counter)

12,99 €* 19,99 € -35%

Release: 2020 / UK – Original

Genre: Rock & Indie

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CD | 2010 | UK | Reissue (Salvo)

The Frames

Fitzcarraldo

Release: 2010 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

LP | 2021 | UK | Original (Hood Faire)

Dean McPhee

Witch's Ladder

13,19 €* 23,99 € -45%

Release: 2021 / UK – Original

Genre: Rock & Indie

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LP | 2021 | US | Original (Kill Rock Stars)

Onetwothree

13,19 €* 23,99 € -45%

Release: 2021 / US – Original

Genre: Rock & Indie

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LP | 2021 | US | Original (Born Yesterday)

Spirits Having Fun

Two

13,19 €* 23,99 € -45%

7" | 2021 | US | Original (Infinity Cat)

Release: 2021 / US – Original

Genre: Rock & Indie

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Spirits Having Fun records are ones made from and for shows and spaces—arrangements rooted in a deeply collaborative process, that come to life through intuitive and locked-in live improvisation. Following their 2019 debut Auto-Portrait, Two finds the New York and Chicago based four-piece continuing to challenge ideas of what a rock band can be, pulling apart their musical experiences and reimagining them as kinetic compositions, equally studied but palpably organic.

Two is constructed around gut feelings and strong grooves, elastic rhythms and playful pacing. Its twelve songs expand, contract, and make sharp turns between melodies under singer-guitarist Katie McShane’s meditative lyrics. “Broken Cloud,” which was also released last year on a compilation in support of Chicago Community Jail Support, offers a glimpse into her reflections on the natural world: "A city grew out of the ground / to a mountain it's only a blur."

True to its name, the internal logic of the band is also just a lot of fun, built on trust and deep-rooted musical relationships. Before there was Spirits Having Fun, McShane, bassist Jesse Heasly, guitarist-vocalist Andrew Clinkman, and drummer Phil Sudderberg had performed together in various arrangements over the years. McShane, Heasly and Clinkman met in a specific corner of the Boston underground in 2013, a time when a scene had coalesced around students from local music conservatories frequently collaborating with punk bands and noise artists, exchanging ideas and warping musical worldviews. Heasly and Clinkman played together in Cowboy Band, making mutant, free jazz-inspired takes on old country tunes. When Clinkman moved to Chicago, Heasly and McShane played in experimental groups like EKP and Listening Woman; in Chicago, Clinkman met Sudderberg playing in projects like jazz scene fixture Ken Vandermark’s high-powered band Marker.

Spirits first came together as an attempt at a long-distance collaboration among friends in 2016, driven by the simple feeling of missing each other; they’d meet up for marathon weekends here and there to practice, playing small loops through dive bars and art spaces around the Midwest—just enough for McShane and Heasly to afford plane tickets back home. Being split between Chicago and New York forced the project into a deliberate pace. “We tried to take it slow and let it be what it was,” said McShane. That sense of patience unexpectedly prepared them for March of 2020, when their planned tours and the release of Two were indefinitely delayed.

Two was mostly recorded in the summer of 2019 with the help of omnipresent Chicago engineer Dave Vettraino and DPCD’s Alec Watson, whose contributions on organ, synths, and piano are laced throughout the record. The album reflects a synthesis of solitary and communal songwriting processes—each song drawing on fragments written by individuals, which McShane threaded together and shaped through her distinct compositional lens, making the songs whole before returning to them to the band to mature collectively. When composing, McShane writes first on the keyboard before adapting parts for guitars played by herself and Clinkman. Their dueling approaches to guitar are complementary: McShane, being a newer guitarist, brings a freshness to the project (“I'm just discovering the whole time,” she says) while Clinkman has been playing since childhood.

“There's a lot more collaboration on this record,” says Clinkman, “in terms of all of us letting stuff bloom a little bit more.” The record’s first single, “Hold The Phone” is a good example of this process—it started with a playful intro riff from Clinkman, a melody and bridge added by McShane, a wobbly outro groove added by Heasly, which Sudderberg brought to life. Another single, the dynamic “See a Sky,” written primarily by Heasly, underscores the rhythm section chemistry at play across the record, the song ebbing and flowing around Heasly and Sudderberg’s eclectic percussive palettes.

“Entropy Transfer Partners” is the only song on the record with lyrics by Clinkman, and the album’s most politically direct—a call for solidarity in the face of systemic failures, an acknowledgment of the shared material devastation caused by our country’s ongoing healthcare and housing crises: “These are not things we're experiencing individually. We struggle through them collectively. And we could actually declare, all of us, that it doesn't have to be this way, and fight and organize to ameliorate some of those conditions.” (“We won't work to create the shit you monetize, to run our lives,” they sing.)

From front to back, Two is an absorbing listen simply for its impressive range. But as the members explain themselves, the complexity of the record is about more than its intricate riffs, or how often they count out an odd time signature, but how they reject the notion of boxing the songs in, letting the melodies take on lives of their own. “Making music that feels alive is important to us,” says Clinkman. “Music feels most powerful to me when it deepens our sensation of feeling alive and connected to other humans. It’s so easy to feel worn down and isolated; that your life’s value is fixed to your productivity at your job, or the things that you have or don’t have. Making music that feels joyful and fun seems like one effective antidote to that feeling.”

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Jeff The Brotherhood

Garbage Man

13,49 €* 14,99 € -10%

LP | 2020 | NL | Original (Red Wig)

Release: 2021 / US – Original

Genre: Rock & Indie

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Two new destroyed rippers from Jeff The Brotherhood featuring Kunal Prakash (Silver Synthetic) and Jack Lawrence (Dead Weather, Raconteurs). Featuring buzzsaw guitars, filthy sewage bass, brain driller synths and bog lord drums. "Garbage Man" and "Mountains" are among the more low-fi, noisy recordings they've ever released. Both are loaded with whooshing white noise, alongside the big riffs and bashing drums you expect."

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La Plie

Club Sandwich

Release: 2020 / NL – Original

Genre: Rock & Indie

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Autosarcophagy Purple Vinyl Edition

Cross Stitched Eyes

LP | 2021 | EU | Original (Ruin Nation)

Release: 2021 / EU – Original

Genre: Rock & Indie

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12" | 2021 | EU | Original (Pias)

Blanketman

National Trust

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Ramalama)

Marriage Limited Edition

13,49 €* 26,99 € -50%

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Munster)

Modificacion

LP | 2021 | EU | Original (Lovely)

Release: 2020 / EU – Original

Genre: Rock & Indie

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HIGHLIGHTSThis LP brings together for the first time all the songs comprised in the three singles published by Valencia'scult band Modificación in the early 70s as well as the remaining unreleased recordings from the samesessions, crafted under the influence of bands like Grand Funk Railroad, Iron Butterfly, Vanilla Fudge, Rare Earth, Led Zeppelin_Includes the legendary freakbeat number "Across the Time", that has found its rightful place, over the years,as one of the most admired and sought-after Spanish singles from that period.This is an accomplished portrait of one of the most legendary Spanish underground bands from those yearswhose fans, unable to find the elusive -and now very expensive- records, were crying out for an urgent reissue of their work.Extensive liner notes by the renowned specialist Vicente Fabuel and previously unseen pictures have beenincluded here, rounding off the release. The artwork featured on the cover is based on iconic graphic elements taken from promotional printed ephemera used by Modificación during those years.DESCRIPTIONThe group Modificación is a prime example of what 70s underground and prog rock meant on the Valencia scene. Bands encountered a series of obstacles when making their much freer and more versatile music, which was demanded by the international planet rock. These hurdles varied from the serious difficulty of recording modern andinnovative records, impositions by the record label and frequent desertion by band members to pursue interests that were more professional than artistic.The group's origins date back to early 1969, in Valencia's Ruzafa neighbourhood, with an average age of around 16 among its founding members. They adopted the name Modificación, an intriguing name that flagged up their creative intentions and interest in underground sounds, under the influence of bands like Grand Funk Railroad, Iron Butterfly, Vanilla Fudge, Rare Earth, Led Zeppelin_ While the bulk of the Valencia rock scene revolved aro...

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Fred Lee & The Restless

Sleepwalking In Daylight

13,74 €* 24,99 € -45%

LP | 2020 | US | Original (Park The Van)

Release: 2021 / EU – Original

Genre: Rock & Indie

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"Sleepwalking In Daylight" Contains 10 Tracks. While The Sound Is Heavily Influenced By Folk-Rock, There's Something Undoubtedly Subversive In Fredrik's Expressions. His Background In The Punk Movement Is Clearly Demonstrated On Tracks Like "Capitalist Market", "These Times Are So Fucking Dark", And On The Album Opener "Who Do You Want To Be", Which Immediately Sets The Mood Of The Album With The Opening Line "Dressed Up To The First Of May March_."Fred Lee Or Fredrik Lindkvist, Mostly Knowns As The Former Singer And Frontman Of Swedish Hardcore Band Totalt Jävla Mörker, Has Signed To Lövely Records. Under The Artist Name Fred Lee & The Restless, He Has Release His Solo Debut Album "Sleepwalking In Daylight". Embracing A Completely Different Sound And Style Of Songwriting, Fredriks Solo Project Sounds Like Nothing He's Done Before. Traditional Storytelling, Bittersweet Vocal Melodies, And Clean Guitar Licks Ads Up To A Colorful And Exciting Take On Folk-Rock. Capturing The Feeling Of A Live Performance, "Sleepwalking In Daylight" Was Recorded In Two Days, After Only Four Rehearsal Sessions Together With Fredrik's Studio Backup Band. "If The Recording Felt Right, We Simply Kept It" Fredrik Comments. The Album Is Mixed By Henrik Wiklund And Mastered By Magnus Lindberg.

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Okey Dokey

Once Upon One Time

13,74 €* 24,99 € -45%

LP | 2021 | EU | Original (Sofabum)

Release: 2020 / US – Original

Genre: Rock & Indie

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The new album finds Johny Fisher and Aaron Martin expanding their swinging rock music to encapsulate cosmic orchestral pop, squishy funk, swelling folk rock, and everything in between--shattering any boundaries they'd previously set for themselves. Once Upon One Time is the latest evolution in a creative partnership that dates back to 2016, when Fisher--who'd previously been in a carousel of bands with Martin--grew tired of work as a hired-gun touring musician and made the latter an artistic offer he couldn't refuse: "I went back to Aaron and said, 'Please, start a band with me, I'm dying to,'" he recalls with a laugh. Since then, the duo's released two full-lengths--2017's Love You, Mean It and last year's Tell All Your Friend--that attracted an increasingly rabid fan base and eventually caused the group to be a regular touring act as well.

"Okey Dokey has never just been Johny, Jeremy, and I," Martin states. "It takes far more than the three of us to make our records--it takes our family and friends, our team, our video directors, photographers, press agents, our beautiful audience, and our love. We're done just being a band. We're a community now

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Starlight Cleaning Co.

13,79 €* 22,99 € -40%

Haunted Painting Colored Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Debut From This Mojave Desert Pop Rock Bandstarlight Cleaning Co. Is A Mojave Desert Band Fronted By Rachel Dean And Tim Paul Gray. Dean Had Previously Played Under Her Own Name, Having Released An Album Titled Indian Summer, Produced By Rob Campanella (Brian Jonestown Massacre) And The Late, Great Neal Casal (Chris Robinson Brotherhood, Ryan Adams, Circles Around The Sun). She Also Fronted Two Bands Prior-War Children And The Hot Fudge Sunday (Pappy And Harriet's Sunday House Band). Gray Fronted Orange County-Based Bands The Delusions And Charles Mansion. As A Duo, Dean And Gray Have Toured With Tommy Stinson (The Replacements, Bash And Pop, Guns 'N' Roses) And On Their Own Throughout The Country. Their Paths Were Interwoven For Nearly A Decade Before Formally Meeting In May 2015 When They Played A Show Together At Pappy And Harriet's In Pioneertown, Ca. Three Years Ago, The Duo Did Something They Had Wanted To Do For A While: They Turned Their Solo Acts Into A Full Band. Featuring Gray's Timeless Songwriting And Dean's Versatile Vocals, Starlight Cleaning Co. Is A Soulful And Beautifully Focused Operation That Somehow Sounds Like They Could Have Thrived In Both The Seventies And Eighties As Well As Recent Decades, Drawing Inspiration From Elvis Costello, Chrissie Hynde, Alex Chilton, Dwight Twilley, Sixties Girl Groups, And Even Early Punk And Power-Pop. Recently, The Band Brought A Crew Out To The High Desert To Hole Up For A Week And Record An Album. The Songs Were Tracked At Dean And Gray's Home Studio, Starlight Sound, Where Vetiver Recorded Their 2019 Record Up On High. Their Recording Crew Comprised The La/Sf Blue-Eyed-Soul And Soft Rock Troubadour Bart Davenport (The Bedazzled, The Loved Ones, The Kinetics) And La's "Indie King" Joel Jerome (Dios, Cherry Glazerr, La Sera). Davenport, Acting As Producer And Jerome As Engineer, Worked With The Band To Create A Powerful And Sincere Record.

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Sad13

LP | 2020 | US | Original (Wax Nine)

13,79 €* 22,99 € -40%

LP | 2020 | EU | Original (Emotional Rescue)

Release: 2020 / US – Original

Genre: Rock & Indie

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Haunted Painting is the return to Sadie Dupuis' pop-oriented solo project Sad13. Previous releases include 2016's Slugger and a handful of tracks across compilations such as Adult Swim's Singles series. Since Slugger, Dupuis' other project Speedy Ortiz has released a new record and toured heavily and Dupuis has also published a poetry manuscript titled Mouthguard. It all finds Dupuis, already one of the sharpest lyricists of her generation, leveling up as an arranger and producer. Drawing inspiration from 1980s British pop-rock à la Tracy Ullman and Joan Armatrading, as well as the contemporary digital gloss of post-PC Music electronica, she calls Haunted Painting 'decidedly non-minimal,' mixing technicolor synth-pop and math-rock dynamism. The first track from Haunted Painting, 'WTD?', was also featured as part of the Adult Swim Singles series.

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Delay Tactics

Imperfect Strangers

13,79 €* 22,99 € -40%

LP | 2021 | EU | Original (Island)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Carl Weingarten and Multiphase Records return to Emotional Rescue with a collection of the music of Delay Tactics and their live, reel-to-reel and collaborative experimentation, that spawned two remarkable albums.
After meeting guitarist Reed Nesbit from the St. Louis new wave scene , Weingarten joined forces for a series of concerts, performing with guitars running through tape looping delay systems similar to Robert Fripp's 'Frippertronics' ideals.
Producer and engineer Walter Whitney joined to record the debut album, Out-Pop Options (1982), when it became clear his skills were a perfect addition. Recording to 4-track analog tape, the sound developed from drone based to proto-techno pop. Digital technology, drum machines, guitar pedals and digital effects offered creative freedom that resulted in rhythmic, kraut inspired pieces.
These Kosmiche leanings retain a unique US aesthetic and continued after Nesbit's departure. When guitarist David Udell joined for Any Questions? (1984), greater explorations - now recorded to 8 track - pushed the envelope to a wider sound.
In an age of endless holy grails, the work of Delay Tactics has a resonance, spanning Eno to Ashra but with a place and sense beyond Europe and towards to new age and fourth world leanings of Laraaji, Hassel and Karma.

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PJ Harvey

Let England Shake Demos

Release: 2021 / EU – Original

Genre: Rock & Indie

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Torn In Two Grey & Bone Pinwheel Vinyl Edition

Real Friends

LP | 2021 | EU | Original (Pure Noise)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Runway / Me Suive Record Store Day 2021 Edition

La Femme

12" | 2021 (Disque Pointu)

Tape | 2021 | US | Original (Keeled Scales)

Release: 2021

Genre: Rock & Indie

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Record Store Day 2021 Release. French band La Femme are releasing their 3rd album Paradigmes worldwide on April 2nd 2021. For Record Store Day, they have decided to please their fans with an exclusive 12" featuring the tracks Runway and Me Suive which were originally created for fashion shows in collaboration with Hedi Slimane. Both tracks have never been released physically.

Tracklisting: 01. Runway 02. ME Suive

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Katy Kirby

Cool Dry Places