Indierock | Alternative 2735 Items

Release: 2020 / US – Original

Genre: Rock & Indie

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Cranes In The Sky / It's You

Big Joanie

7" | 2020 | US | Original (Third Man)

Release: 2020 / US – Original

Genre: Rock & Indie

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7" | 2020 | US | Original (1-2-3-4 Go!)

Big Rig

Expansive Heart

Lavender Blues Black Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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BIG RIG was a very short lived project from Jesse Michaels (operation IVY, Common Rider, Classics OF Love), Doug Sangalang (screw 32, Limp, ONE Time Angels), Kevin Cross (the Nerve Agents, Pitch Black), Jeremy Goody (Pitch Black) and Brandon Riggen. The band rose and fell in 1993. They played a single show and left behind a demo and this EP which was originally on Lookout Records in 1994. 1-2-3-4 Go is extremely proud to be able to reissue this EP. This is a vastly under appreciated piece of East Bay punk and a hidden gem of the Lookout catalog. Includes a faithful reproduction of the original 8-panel booklet/sleeve.

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Big Scenic Nowhere

Vision Beyond Horizon Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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BIG Scenic Nowhere the supergroup led by Bob Balch from FuManchu is coming back with a new killer EP titled “lavender Blues” The band has a straight core of members as Gary Arce from Yawning Man and Tony Reed from Mos Generator, this time the album going to feature great names as Per Wiberg from Opeth, Spiritual Beggars at synth and piano, Daniel Mongrain from Voivod at the guitar and the mighty producer from Kyuss: Chris Goss from Masters Of Reality at the guitar. The sound once again has this mellow and psychedelic attitude, with pinches of space rock and a matrix of desert sound, but you can also hear some progressive passages, and old school hard rock riffing here and there. The album feature once again the cover art of the visionary Max Loeffler.

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Big Scenic Nowhere

Vision Beyond Horizon Purple Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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This album is a collaborative effort and even greater than the sum of its parts. The basic riffs and song structures were done by Bob Balch and Gary Arce, but the contributions from Tony Reed, Lisa Alley, Ian Graham, Mario Lalli, Nick Oliveri, Bill Stinson, Per Wiberg and Alain Johannes make this record what it is. There was never a discussion of what kind of music they wanted to make. This album is a unique gem, manufactured by multiple artists, including different atmospheres: from the melodic stoner mellowness, to faster tempos, to classic heavy sounds, but songwriting is never customary.We can say, "Fu Manchu's killer riffing meets the desert psychedelia of Yawning Man." For sure that is something that's never been tried before!Bob Balch and Gary Arce together give life to an amazing new adventure which sounds fresh and dynamic. The vocal parts are always choral and interesting. There's a variety in the songs which always keeps the listener focused and intrigued about what's next. This is a very special record and deserves your full attention, because we predict that over time you will hear different elements within it. So dig in and get lost. Let your journey begin.

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Big Scenic Nowhere

LP | 2017 | EU | Original (Saddle Creek)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Limited to 550 copies.This album is a collaborative effort and even greater than the sum of its parts. The basic riffs and song structures were done by Bob Balch and Gary Arce, but the contributions from Tony Reed, Lisa Alley, Ian Graham, Mario Lalli, Nick Oliveri, Bill Stinson, Per Wiberg and Alain Johannes make this record what it is. There was never a discussion of what kind of music they wanted to make. This album is a unique gem, manufactured by multiple artists, including different atmospheres: from the melodic stoner mellowness, to faster tempos, to classic heavy sounds, but songwriting is never customary.We can say, "Fu Manchu's killer riffing meets the desert psychedelia of Yawning Man." For sure that is something that's never been tried before!Bob Balch and Gary Arce together give life to an amazing new adventure which sounds fresh and dynamic. The vocal parts are always choral and interesting. There's a variety in the songs which always keeps the listener focused and intrigued about what's next. This is a very special record and deserves your full attention, because we predict that over time you will hear different elements within it. So dig in and get lost. Let your journey begin.

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Big Thief

Capacity

LP | 2020 | EU | Original (4AD)

Release: 2017 / EU – Original

Genre: Rock & Indie

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The trails that Brooklyn's Big Thief take us down on Capacity, the band's highly anticipated second record, are overgrown with the wilderness of pumping souls.

After last year's stunning Masterpiece, Capacity was recorded in a snowy winter nest in upstate New York at Outlier Studio with producer Andrew Sarlo.

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Big Thief

U.F.O.F.

36,99 €*

LP | 2020 | EU | Reissue (La Pochette Surprise)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker.

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Bikini Beach

Atoll

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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LP | 2013 | US | Original (Grapefruit)

Bill Dirren And The Hat

Flavour Of The Meat

Release: 2013 / US – Original

Genre: Rock & Indie

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LP | 2017 | US | Original (Drag City)

Bill MacKay

Esker

Release: 2017 / US – Original

Genre: Rock & Indie

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A Bad Wind Blows In My Heart

Bill Ryder-Jones

2LP | 2013 | UK | Original (Domino)

Release: 2013 / UK – Original

Genre: Rock & Indie

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Bill Wells & Aidan Moffat

Everything's Getting Older

CD | 2011 | UK | Original (Chemikal Underground)

9,99 €*

Release: 2011 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Billie Joe Armstrong of Green Day

No Fun Mondays

LP | 2020 | US | Original (Reprise / WEA)

Release: 2020 / US – Original

Genre: Rock & Indie

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7" | 2017 | CH | Original (La Suisse Primitive)

Billy Changer

Over There

10,19 €* 11,99 € -15%

Release: 2017 / CH – Original

Genre: Rock & Indie

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Zerwee, Pt. 2 Black Smoke w/ Splatter Vinyl Edition

Billy Cobb

LP | 2020 | US | Original (Needlejuice)

Zerwee, Pt. 2 Red-In-White Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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180 gram vinyl Blue and white galaxy vinyl Download card Obi-strip Lyric insert

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Billy Cobb

LP | 2020 | US | Original (Needlejuice)

Zerwee, Pt. 2 Tri Color Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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180 gram vinyl Red-in-white vinyl Download card Obi-strip Lyric insert

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Billy Cobb

LP | 2020 | US | Original (Needlejuice)

LP | 2020 | US | Reissue (Invada)

Release: 2020 / US – Original

Genre: Rock & Indie

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180 gram vinyl Blue, red and white tri-color vinyl Download card Obi-strip Lyric insert

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Billy Nomates

Release: 2020 / US – Reissue

Genre: Rock & Indie

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Billy Nomates Yellow Vinyl Edition

Billy Nomates

LP | 2020 | UK | Original (Invada)

Release: 2020 / UK – Original

Genre: Rock & Indie

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Highwaymen In Midnight Masks

Birds Of Passage

10" | 2011 | EU | Original (Denovali)

Release: 2011 / EU – Original

Genre: Rock & Indie

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LP | 2013 | EU | Original (Randale)

Birds Of Prey

18,99 €*

Release: 2013 / EU – Original

Genre: Rock & Indie

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LP | 2020 | CH | Original (La Suisse Primitive)

Bitter Moon

The World Above

Release: 2020 / CH – Original

Genre: Rock & Indie

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LP | 2020 | CH | Original (La Suisse Primitive)

Bitter Moon

The World Above

Release: 2020 / CH – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

2LP | 2011 | UK | Original (One Little Independet)

Björk

Biophilia

Release: 2011 / UK – Original

Genre: Rock & Indie

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Forever Comes To An End White Vinyl Edition

Bjorn Riis

LP | 2017 | EU | Reissue (Karisma)

34,99 €*

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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Saturdays And Space Travels

Black Bombaim

LP | 2020 | EU | Original (Lovers & Lollypops)

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2013 | EU | Original (Suburban)

Black Bottle Riot

Soul In Exile

12,99 €*

Release: 2013 / EU – Original

Genre: Rock & Indie

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7" | 2013 | UK | Original (Invictus)

Black Dogs

Hellhole

Release: 2013 / UK – Original

Genre: Rock & Indie

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3LP | 2013 | EU | Reissue (Earmusic Classics)

Black Label Society

Unblackened

38,99 €*

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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2LP | 2013 | US | Original (Republic)

Black Sabbath

43,99 €*

Release: 2013 / US – Original

Genre: Rock & Indie

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LP | 2017 | US | Reissue (1332)

Black Tarpoon

A Macing Graze

LP | 2017 | EU | Original (Repertoire)

Release: 2017 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

Before this South Texas ensemble of sin known as Black TarPoon decided to start on a music project that would be different then any project they had ever done before, they made their way to a place the locals called the "neither here nor there", "betwixt and between", to meet a man who is said to have dressed in black, whom some call the Devil but others call the demon Mephistopheles, and made a deal with this well dressed man at the darkest of crossroads... They left the path of what they knew to start forging their way through the roots... The roots of Americana music that is. Their distinctive sound is a blend of delta blues, outlaw country, and folk with a hillbilly punk twist. Their lyrics have a horror movie essence, they are dark yet soulful, loving yet hateful and tell the stories that few would tell yet all can identify with. Black TarPoon's music can be best described as hillbilly blues inspired horror folk fused with murder country while keeping a punk rock mentality. This soulful ensemble of sinners will soon be slashing their way into your hearts with a Texas chainsaw massacre edge!

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Black Widow

III

Release: 2017 / EU – Original

Genre: Rock & Indie

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Black Wing (Dan Barrett of Have A Nice Life)

No Moon

2LP | 2020 | US | Original (The Flenser)

32,99 €*

LP | 2020 | EU | Original (La Pochette Surprise)

Release: 2020 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Dan Barrett—the man behind Have A Nice Life, Giles Corey, and Enemies List Home Recordings—has unveiled his sophomore album as the electronic project Black Wing on The Flenser. No Moon is a gorgeous chillwave / post-punk record with nine bleak yet blissful songs and is a fitting close out to the year 2020. Written over the course of the last few years, with about half of the songs penned over the last six months (mostly due to pandemic “free time”), No Moon is a heart-wrenchingly honest outpour of emotion. Throughout the writing process, Barrett was having recurring dreams and felt a strange sense of timelessness—that, combined with quarantine is what he simply describes as “a weird experience.” Barrett explains, “Quarantine was profoundly isolating. With writing this record, more than anything I just wanted to prove to myself that I could make something out of it. That ended up being a lot of songs about feeling isolated, a lot of ‘trapped in my own head’ moments. I think that was a lot of people’s experience as well.” Barrett formed Black Wing in the mid-2010s as an opposite to his project Giles Corey; where Giles started as “only acoustic instruments allowed,” Black Wing started with only digital instruments. In 2015, Black Wing released its first proper full length, …Is Doomed, to great critical acclaim. Much like that album, No Moon bubbles with electronica and indie-pop with earworm melodies and affecting lyrics. But No Moon is a transitional change from Black Wing’s debut; the songs here are a bit more experimental and there’s a significantly wider emotional range to them. The lyrics are haunting and personal and resonate deeply with the listener. The nine new tracks on No Moon are gloomy yet glorious, heavy while ambient, overwhelming yet alluring, and offer an earnest and honest look into one’s self during such a troubling and confusing year—something everyone can relate to.

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Blackbird Mantra

High And Dry

Release: 2020 / EU – Original

Genre: Rock & Indie

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Blackfield V Limited Picture Disc Vinyl Edition

Blackfield

LP | 2017 | Original (Kscope)

37,99 €*

Release: 2017 / Original

Genre: Rock & Indie

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LP | 2011 | US | Reissue (Dead Oceans)

Blackout Beach

Fuck Death

2LP+CD | 2017 | UK | Original (Transgressive)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Vinyl included coupon for download of the record. Blackout Beach's Carey Mercer is one of Canada's acclaimed cult songwriters, and also one of its most prolific, also performing in Frog Eyes and Swan Lake."The record is a sibling to the last Blackout Beach record, Skin of Evil. But the longing in Fuck Death is not romantic; these are deserter's songs, coward's songs. I am all for reassessing cowardice. The most important lyric on Fuck Death is "run away". It's a bit heavy, especially because the dominant 2011 story is that kids want to live on an invisible beach within their hearts and party this stuff away. But not all kids scorn uneasiness. And not all music is made for kids. -- Carey Mercer, Blackout Beach[GER]Vinyl mit Downloadcode. Carey Mercer von BLACKOUT BEACH ist ein kanadischer Kultsongwriter - und einer der produktivsten Musiker, denn er spielt ebenfalls mit FROG EYES und SWAN LAKE. ,Das Album ist ein Geschwister der letzten BLACKOUT BEACH Platte ,Skin Of Evil". Doch die Sehnsucht auf ,Fuck Death" ist nicht romantisch; dies sind Songs für Deserteure, für Feiglinge. Ich bin dafür, dass Feigheit neu eingeschätzt wird. Das wichtigste Textstück auf ,Fuck Death" ist ,run away". Das Album ist ein wenig...

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Blaenavon

That's Your Lot

Blanche Blanche Blanche, Blanche Blanche Blanche

Release: 2017 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. Limited edition. Coloured vinyl.

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Scam / Press Dumps

7" | 2013 | DE | Original (Adagio830)

4,99 €*

LP | 2011 | US | Reissue (Captured Tracks)

Release: 2013 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

stamped white label. With insert

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Blank Dogs

Land And Fixed

LP | 2011 | US | Reissue (Captured Tracks)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Mike Sniper never meant to be one of Brooklyn's 'most mysterious musicians'. Things just ended up that way, as the singer/multi-instrumentalist released a steady stream of limited singles and EPs on such reputable indie labels as Sacred Bones, HoZac and Woodsist. Not to mention's Sniper's own Captured Tracks imprint-a carefully-curated roster that's grown as quickly as Blank Dogs itself, thanks to such buzz-stirring releases as Dum Dum Girls' debut EP and recent records by Beach Fossils, Wild Nothing and Minks.

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Blank Dogs

On Two Sides

12" | 2011 | US | Reissue (Captured Tracks)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Vinyl only reissue of the first Blank Dogs full-length from 2008, originally released on Troubleman Unlimited. "Blank Dogs is a one-man enterprise that within the space of approximately one year has somehow managed to release a dozen or so releases; On Two Sides has previously done the rounds thanks to physical releases on Fuck It Tapes and Troubleman, suggesting this Brooklynite is hanging out in all the right crowds. As for the music itself, it's all very much conceived in a lo-fi dungeon, piling on the no-def fuzz and drum machine beats in a manner that's likely to register favourably on the barometer of hipness. At its best the record delivers wafer-thin new wave jams like 'Meltdown Cloud' (like an emaciated Jay Reatard record) or Cure-style pop like 'Blaring Speeches', and it's certainly worth your while ploughing through all that grime and distortion to get to all this jagged excitement." - Boomkat

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Blank Dogs

Phrases EP

Release: 2011 / US – Reissue

Genre: Rock & Indie

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LP | 2020 | US | Original (Birdwatcher)

Bleach Day

As If Always

12,59 €* 20,99 € -40%

12" | 2017 | US | Original (Dead Oceans)

Release: 2020 / US – Original

Genre: Rock & Indie

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Bleach Day's sophomore LP 'As if Always' is the product of a two year studio binge, occurring in between all of these other projects. Mixing classic golden age pop sounds, cinematic progressions, and oddball tones, 'As if Always' composes a sonic language that takes the listener through a story of growth and self discovery in its most primeval form, which mirrors a full life cycle from birth to death. Through struggle you learn to confront your fears, your shadows, and your limitations to become the person you are meant to be. It's a journey to a place that feels far away ' until you realize it's actually within yourself, and always has been.

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Bleached

Can You Deal?’

14,99 €*

LP | 2013 | US | Original (Dead Oceans)

Release: 2017 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

White vinyl!

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Bleached

Ride Your Heart

Release: 2013 / US – Original

Genre: Rock & Indie

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2LP | 2020 | EU | Original (Svart)

Blight

Temple Of Wounds

16,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP+CD | 2017 | EU | Original (Voodoo Rhythm)

Blind Butcher

Alawalawa

16,99 €*

Release: 2017 / EU – Original

Genre: Rock & Indie

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Violent Pop Random Colored Vinyl Edition

Blind Channel

LP | 2020 | EU | Reissue (Svart)

28,99 €*

Maybe Baby / I Don't Know What

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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Surprise Color Edition, with 500 copies on black, 300 on Lime Green vinyl and 199 on XXX on Violet vinyl.

"With this album we perfected a style that we now want to grow until we're the biggest band in the world."

The third Blind Channel album presented in a definitive edition with gatefold covera and liner notes by James Hickie.

Svart Records enters into a vinyl partnership with Ranka Kustannus and will in the future release select albums from their ever growing catalog on vinyl. The co-operation starts with Blind Channel, who've by now become a household name and one of the most important music export items currently out of Finland.

Svart Records will release definitive vinyl editions of all three albums Blind Channel released on Ranka - Revolutions, Violent Pop and Blood Brothers. All three shall be presented in a limited edition of 999 copies, split into classic black vinyl and two color editions, which are randomly available to customers. All three feature extensive liner notes and interviews by James Hickie.

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Blitzen Trapper

7" | 2011 | US | Reissue (Sub Pop)

LP | 2013 | EU | Original (Lojinx)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Record Store Day Exclusive!

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Blitzen Trapper

VII

Release: 2013 / EU – Original

Genre: Rock & Indie

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Blood Orange (Dev Hynes aka Lightspeed Champion of Test Icicles)

Coastal Grooves

LP | 2011 | EU | Original (Domino)

Release: 2011 / EU – Original

Genre: Rock & Indie

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Blood Orange (Dev Hynes aka Lightspeed Champion of Test Icicles)

Cupid Deluxe

2LP | 2013 | EU | Original (Domino)

43,99 €*

LP | 2013 | US | Original (Captured Tracks)

Release: 2013 / EU – Original

Genre: Rock & Indie

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The album was produced by Hynes in his adopted hometown of New York City, mixed by Jimmy Douglass, and features amazing guest appearances by David Longstreth (Dirty Projectors), Caroline Polachek (Chairlift), Samantha Urbani (Friends), Clams Casino, Despot, Adam Bainbridge (Kindness), Skepta and many more.

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Blouse

Imperium

7" | 2011 | US | Reissue (Sub Pop)

Release: 2013 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink but opened with hype sticker. Clear with black smoke vinyl. Original inner sleeve. With insert and cardboard artwork. Limited edition

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Blouse

Shadow

Under 1 House White Vinyl Editoin

Release: 2011 / US – Reissue

Genre: Rock & Indie

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a 7" single by the Portland, OR band Blouse. Blouse are a 3-piece consisting of frontwoman Charlie Hiltion, Patrick Adams on bass, and Jacob Portrait on drums & production. They have a bit of Cureish sound and are very nice folks who are making very nice music. The single will consist of the A-side "Shadow" (which will appear on our RSD comp.) and the B-side "Nights and Days." The band self-recorded and produced the 7"in their art space in Portland and at Jackpot studios, also in Portland. The band's full length is scheduled to be released on the Captured Tracks label out of NYC.

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Blue Hawaii

LP | 2020 | EU | Reissue (Arbutus)

LP | 2011 | US | Original (Rvng Intl.)

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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Under 1 House is the blazing new mixtape from Blue Hawaii - a six track tour-de-force showcasing the duo's trademark blend of liquid beats, dance-floor euphoria, and soaring diva-vocals.Under 1 House was written during Blue Hawaii's 2019 North American and European tours, and recorded at a wood cabin in rural Québec. Finding each other trapped on different sides of the Atlantic, the record was then finished over long-distance between Montreal and Berlin due to COVID-19 travel restrictions. This music is dedicated to the spirit of togetherness. Unity achieved through confidence, in the seductive redemption of one's own sexuality, finding power in feelin' one's self. Under 1 House honours the magnetism of impulse and first takes. This flow can be found in the brooding, early Warp Records reminiscent "Where are the Keys???", the sub-heavy, lustful organ groove of "Feelin'", the lo-fi high energy "I Felt Love" or the chanting of "I'm my own damn woman" during the screeched ending of "Not my Boss!". Blue Hawaii have been around for a decade, having released 3 full length albums and two EPs to date. Consisting of Ra and Ag, the duo met throwing parties and shows in Montreal and continue to create together despite living in separate cities - split between Montreal and Berlin.

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Blues Control & Laraaji

FRKWYS Vol. 8

LP | 2017 | Original (Bella Union)

Release: 2011 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Copy closer to NM

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BNQT

Volume 1

11,99 €*

LP | 2013 | US | Original (Stones Throw)

Release: 2017 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover is close to NM.

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Boardwalk

16,19 €* 17,99 € -10%

7" | 2013 | US | Original (Stones Throw)

Release: 2013 / US – Original

Genre: Rock & Indie

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Easy sounds straight from California from Stones Throw's new signing Boardwalk. Tip!

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Boardwalk

I'm To Blame

6,99 €*

Release: 2013 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

CD | 2020 | US | Original (Merge)

Bob Mould

Blue Hearts

14,44 €* 16,99 € -15%

Release: 2020 / US – Original

Genre: Rock & Indie

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Blue Hearts Black Vinyl Edition

Bob Mould

LP | 2020 | US | Original (Merge)

23,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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Bob & The Pluto Walkers Irwin

Coffin Dragger

7" | 2013 | UK | Original (Spin Out)

13,99 €*

Release: 2013 / UK – Original

Genre: Rock & Indie

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Don't Walk Away / Dub Walk

Bobby Birdman

7" | 2011 | US | Reissue (K)

8,99 €*

Bohren & Der Club Of Gore

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Bobby Birdman is the ultraego of west coast musician Rob Kieswetter and he graces us with his musical interludes on "Don't Walk Away" b/w "Dub Walk". Born in San Diego, raised in Nevada City, braised in San Luis Obispo, grazed in Portland, OR, Bobby Birdman is currently living aloha in Los Angeles.Bobby Birdman has released music with Fryk Beat, States Rights Records, Not Not Fun and HUSH. He appears on records by K-related artists GIGI, Little Wings, Adam Forkner and YACHT. Lately, Bobby Birdman has been ripe with many musical projects. He remixed Young M.C.'s "Fastest Rhyme", released on Delicious Vinyl, produced music for L.A.'s Guy Fantastico and Nevada City's Golden Shoulders and composed music and sound installations for visual artist Geo_ McFetridge. He also contributed to new albums by YACHT, Ben Butler and Mousepad.

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Patchouli Blue

2LP | 2020 | DE | Original ([PIAS])

12" | 2011 | UK (Let's Get Lost)

Release: 2020 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Copy closer to NM

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Bombay Bicycle Club

Let's Get Lost Vol. 10

7,99 €*

LP | 2011 | US | Original (Jagjaguwar)

Release: 2011 / UK

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Promo copy.

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Bon Iver

28,99 €*

Bon Iver 10th Anniversary Edition

Release: 2011 / US – Original

Genre: Rock & Indie

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Perth, Minnesota & Calgary get their own songs, it's a good winter in this bad summer!

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Bon Iver

2LP | 2011 | UK | Reissue (4AD)

37,99 €*

2LP | 2017 | EU | Original (Domino)

Release: 2011 / UK – Reissue

Genre: Rock & Indie

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Diesen Juni feierte das zweite Bon Iver Album „Bon Iver, Bon Iver“ seinen 10. Geburtstag. Um das, wenn auch ein wenig verspätet, zu feiern, veröffentlicht 4AD am 14.01.2022 die „Bon Iver, Bon Iver (10th Anniversary Edition)“ dieses Klassikers auf CD und Doppel-LP. Neben dem Originalalbum enthält die limitierte Neuausgabe fünf bis dato unveröffentlichte Aufnahmen aus der AIR Studios Session. Eingespielt wurden die Songs gemeinsam von Justin Vernon und Sean Carey als Duo mit Klavier und Gesang.

Das ikonische Artwork der LP und CD wurde gänzlich neu gestaltet. Statt dem ursprünglichen Aquarell des Originals ziert bei der Anniversary-Edition nun eine Blindprägung auf weißen Grund das Cover. Dazu gibt es noch ein persönliches Essay von Phoebe Bridgers über ihre Liebe zu diesem Album und wie es sie als Künstlerin geprägt hat.

Begleitend zum Release spielen Bon Iver im Oktober zwei Shows im neu eröffneten YouTube-Theater in Inglewood in Kalifornien. Es sind Bon Ivers erste Shows seit Beginn der Pandemie und stellen das zweite Album und seine Produktion in den Fokus.

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Bonnie "Prince" Billy

"Best Troubador"

Release: 2017 / EU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2017 | EU | Original (Sunny Bastards)

Bonsai Kitten

Mindcraft

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2013 | EU | Original (Virgin Music Las)

Born Of Osiris

The New Reign

23,99 €*

Release: 2013 / EU – Original

Genre: Rock & Indie

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LP | 2013 | EU | Reissue (Yep Roc)

Born Ruffians

Birthmarks

28,99 €*

LP | 2017 | US | Original (In The Red)

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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Canadian indie rockers Born Ruffians released their 2013 album Birthmarks to critical acclaim, with Pitchfork declaring it "their most refined release to date." Birthmarks features some of the most beloved tracks in the band's entire discography, including hits like "Needle" and "Ocean's Deep." The limited edition 10th anniversary LP reissue of Birthmarks is pressed on transparent blue vinyl and features reimagined die-cut artwork by Born Ruffians' lead vocalist Luke Lalonde.

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Boss Hog

Brood X

LP | 2020 | EU | Original (Pure Noise)

Release: 2017 / US – Original

Genre: Rock & Indie

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Boss Hog returns from the wild with their most subversive record — this is the seductive soundtrack for the second coming of militant rock’n’roll, and the groove has never been stronger.

Brood X — emerging from the dirty streets of New York City after seventeen years of gestation — is a futuristic brew of 21st Century blues, toxic punk rock beat music, and hyper-focused, outer-space psycho assaults. Thermonuclear chanteuse Cristina Martinez blisters the hypocrites, the haters, the heartless, and the clueless hangers-on with a full-tilt microphone attack. A sex-bomb salvo for troubled times, Martinez gives voice to America’s pain while pulling no punches.

This band does not negotiate. This is scorched earth rock’n’roll for the resistance, barbed-wire blues battling for the future of the planet. Recorded and mixed at the fabled Key Club, using Sly Stone’s legendary There’s A Riot Goin’ On console, the album channels the subversive mojo of the underground and brings next-level sonics to save your very soul.

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Boston Manor

Glue

Release: 2020 / EU – Original

Genre: Rock & Indie

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Bouncing Souls / Hot Water Music

Split

7" | 2011 | Original (Chunksaah)

14,99 €*

Release: 2011 / Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Pure Noise)

Bouncing Souls

Volume 2

Release: 2020 / EU – Original

Genre: Rock & Indie

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7" | 2011 | EU | Reissue (Riptide)

Boy Omega | Paper Bird

Split

8,99 €*

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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2LP | 2013 | US | Original (Load)

Brainbombs

Singles Collection 2

31,99 €*

Release: 2013 / US – Original

Genre: Rock & Indie

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The Devil And God Are Raging Black Vinyl Edition

Brand New

2LP | 2013 | EU | Original (Music On Vinyl)

35,99 €*

LP+CD | 2020 | EU | Reissue (Two Gentlemen)

Release: 2013 / EU – Original

Genre: Rock & Indie

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The Devil and God Are Raging Inside Me is the third studio album by American alternative rock band Brand New, released in 2006. Formed in Long Island in 2000, Brand New gained a large fanbase with a clever blend of Indie Rock & Emo.

The album debuted at number 31 on the Billboard 200, and yielded two singles – "Sowing Season" and "Jesus". The Devil and God Are Raging Inside Me was rated the best album of 2006 by Punknews.org and was placed at number 74 in NME's list of the 100 best albums of the 2000s. This is an excellent record which is in great demand. Don't sleep on this one!

180 gram audiophile vinyl
Printed innersleeves

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Brandao, Faber, Hunger

Ich Liebe Dich

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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LP | 2020 | US | Original (ATO)

Brandi Carlile

Firewatcher's Daughter

36,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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Brant Bjork Black Viny Edition

Brant Bjork

LP | 2013 | US | Reissue (Dead Oceans)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Even before you know it’s self-titled, and even before you read the LP liner notes, you know it’s all Brant Bjork.
The man who has become the ambassador of Californian desert rock indeed plays every instrument across his 13th studio full-length, Brant Bjork. This in itself is something of a departure from recent offerings, as on 2018’s Mankind Woman, Bjork worked closely with guitarist Bubba DuPree (Void), and both 2016’s Tao of the Devil and 2014’s Black Power Flower were constructed around the Bjork-led Low Desert Punk Band. Maybe revisiting his 1999 debut, Jalamanta, for a Heavy Psych Sounds 20th anniversary reissue last year had some effect on Bjork’s mindset in terms of working solo, but he’s come too far in the ensuing decades to repeat himself, and the songs on Brant Bjork – recorded and mixed by Yosef Sanborn in Joshua Tree and mixed by John McBain (ex-Monster Magnet) – show that, whether it’s the mellow roll of “Duke of Dynamite” or the signature take on classic heavy rock in “Jesus Was a Bluesman” and percussion-backed funk of opener “Jungle in the Sound.” There’s no mistaking Brant Bjork, and on Brant Bjork, he strips his songwriting style to its core and brings out the organic vibe that’s made him desert rock’s most crucial practitioner.

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Brazos

Saltwater

LP | 2020 | EU | Original (Hollywood)

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Martin McNulty Crane V comes from a long line of exceptional Martins. There's an orphan who became attorney general of Texas and fought the KKK, a lieutenant who fought in WWI, an airline pilot who raised his family in Iran, and a scient...

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Breaking Benjamin

Aurora Vinyl Edition

31,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | UK | Original (All Saints)

Brian Eno & John Cale

Wrong Way Up

31,99 €*

Release: 2020 / UK – Original

Genre: Rock & Indie

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LP | 2011 | US | Original (Alive)

Brian Olive

Two Of Everything

Release: 2011 / US – Original

Genre: Organic Grooves, Rock & Indie

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7" | 2013 | EU | Original (Randale)

Bricktop

8,99 €*

Release: 2013 / EU – Original

Genre: Rock & Indie

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Down In The Weeds, Where The World Once Was

Tape | 2020 | US | Original (Dead Oceans)

16,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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A lone pair of footsteps meanders down a street in Omaha, into the neighborhood bar and then into a near-imperceptible tangle of conversations - about wars, sleepless nights - a surrealist din pushing against the sound of ragtime. Then, as the background quiets, a line rings out clearly: "I think about how much people need - what they need right now is to feel like there's something to look forward to. We have to hold on. We have to hold on." Thus we enter the fitting, cacophonic introduction to Bright Eyes' tenth studio album and first release since 2011. Down in the Weeds, Where the World Once Was is an enormous record caught in the profound in-between of grief and clarity - one arm wrestling its demons, the other gripping the hand of love, in spite of it. The end of Bright Eyes' unofficial hiatus came naturally. Conor Oberst pitched the idea of getting the band back together during a 2017 Christmas party at Bright Eyes bandmate Nathaniel Walcott's Los Angeles home. The two huddled in the bathroom and called Mike Mogis, who was Christmas shopping at an Omaha mall. Mogis immediately said yes. There was no specific catalyst for the trio, aside from finding comfort amidst a decade of brutal change. Sure, Why now? is the question, but for a project whose friendship is at the core, it was simply Why not? The resulting Bright Eyes album came together unlike any other of its predecessors. Down in the Weeds is Bright Eyes' most collaborative, stemming from only one demo and written in stints in Omaha and in bits and pieces in Walcott's Los Angeles home. Radically altering a writing process 25 years into a project seems daunting, but Oberst said there was no trepidation: "Our history and our friendship, and my trust level with them, is so complete and deep. And I wanted it to feel as much like a three-headed monster as possible." As a title, as a thesis, Down in the Weeds, Where the World Once Was functions on a global, apocalyptic level of anxiety that looms throughout the record. But on a personal level, it speaks to rooting around in the dirt of one's memories, trying to find the preciousness that's overgrown and unrecognizable. For Oberst, coming back to Bright Eyes was a bit of that. A symbol of simpler times, vaguely nostalgic. And even though it wasn't actually possible to go back to the way things were, even though there wasn't an easy happy ending, there was a new reality left to work with. And here, there is a bleary-eyed hopefulness - earnest, emotive recommitments to love appear on "Dance and Sing" and "Just Once in the World." And throughout, Down in the Weeds features snippets of Oberst's loved ones speaking, in late-night conversations. The fleeting loveliness of intimate moments punctuates the bleakness of the record's existential crisis, crackling like lightning bugs illuminating the long night. Down in the Weeds is a distillation of a prolific, enduring canon. It's immediate and urgent, the product of its creators' growth across a decade apart, as well as the need to make a record together to find solace from loss. Through deliberate, fearless experimentation in process, the trio made the truest Bright Eyes sound: the sound of a deep bond, of a band coming home, but also a seamless continuation, like Bright Eyes never went away. It's the impossible, sprawling mess of human experience that Bright Eyes has always sought to put to tape, since the beginning - the sound of holding on. Why now? Why not?

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Down In The Weeds, Where The World Once Was

LP+LP+All Media | 2020 | US | Original (Dead Oceans)

Release: 2020 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs. Still in shrink, but opened, with hype sticker

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Down In The Weeds, Where The World Once Was Black Vinyl Edition

2LP | 2020 | US | Original (Dead Oceans)

Release: 2020 / US – Original

Genre: Rock & Indie

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2xLP packaging features die-cut jacket and Side 4 phenakistoscope etching!

A lone pair of footsteps meanders down a street in Omaha, into the neighborhood bar and then into a near-imperceptible tangle of conversations - about wars, sleepless nights - a surrealist din pushing against the sound of ragtime. Then, as the background quiets, a line rings out clearly: "I think about how much people need - what they need right now is to feel like there's something to look forward to. We have to hold on. We have to hold on." Thus we enter the fitting, cacophonic introduction to Bright Eyes' tenth studio album and first release since 2011. Down in the Weeds, Where the World Once Was is an enormous record caught in the profound in-between of grief and clarity - one arm wrestling its demons, the other gripping the hand of love, in spite of it. The end of Bright Eyes' unofficial hiatus came naturally. Conor Oberst pitched the idea of getting the band back together during a 2017 Christmas party at Bright Eyes bandmate Nathaniel Walcott's Los Angeles home. The two huddled in the bathroom and called Mike Mogis, who was Christmas shopping at an Omaha mall. Mogis immediately said yes. There was no specific catalyst for the trio, aside from finding comfort amidst a decade of brutal change. Sure, Why now? is the question, but for a project whose friendship is at the core, it was simply Why not? The resulting Bright Eyes album came together unlike any other of its predecessors. Down in the Weeds is Bright Eyes' most collaborative, stemming from only one demo and written in stints in Omaha and in bits and pieces in Walcott's Los Angeles home. Radically altering a writing process 25 years into a project seems daunting, but Oberst said there was no trepidation: "Our history and our friendship, and my trust level with them, is so complete and deep. And I wanted it to feel as much like a three-headed monster as possible." As a title, as a thesis, Down in the Weeds, Where the World Once Was functions on a global, apocalyptic level of anxiety that looms throughout the record. But on a personal level, it speaks to rooting around in the dirt of one's memories, trying to find the preciousness that's overgrown and unrecognizable. For Oberst, coming back to Bright Eyes was a bit of that. A symbol of simpler times, vaguely nostalgic. And even though it wasn't actually possible to go back to the way things were, even though there wasn't an easy happy ending, there was a new reality left to work with. And here, there is a bleary-eyed hopefulness - earnest, emotive recommitments to love appear on "Dance and Sing" and "Just Once in the World." And throughout, Down in the Weeds features snippets of Oberst's loved ones speaking, in late-night conversations. The fleeting loveliness of intimate moments punctuates the bleakness of the record's existential crisis, crackling like lightning bugs illuminating the long night. Down in the Weeds is a distillation of a prolific, enduring canon. It's immediate and urgent, the product of its creators' growth across a decade apart, as well as the need to make a record together to find solace from loss. Through deliberate, fearless experimentation in process, the trio made the truest Bright Eyes sound: the sound of a deep bond, of a band coming home, but also a seamless continuation, like Bright Eyes never went away. It's the impossible, sprawling mess of human experience that Bright Eyes has always sought to put to tape, since the beginning - the sound of holding on. Why now? Why not?

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Down In The Weeds, Where The World Once Was Red & Transparent Orange Vinyl Edition

2LP | 2020 | US | Original (Dead Oceans)

Release: 2020 / US – Original

Genre: Rock & Indie

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First pressing on limited edition Transparent Red + Transparent Orange vinyl - 2xLP packaging features die-cut jacket and Side 4 phenakistoscope etching!

A lone pair of footsteps meanders down a street in Omaha, into the neighborhood bar and then into a near-imperceptible tangle of conversations - about wars, sleepless nights - a surrealist din pushing against the sound of ragtime. Then, as the background quiets, a line rings out clearly: "I think about how much people need - what they need right now is to feel like there's something to look forward to. We have to hold on. We have to hold on." Thus we enter the fitting, cacophonic introduction to Bright Eyes' tenth studio album and first release since 2011. Down in the Weeds, Where the World Once Was is an enormous record caught in the profound in-between of grief and clarity - one arm wrestling its demons, the other gripping the hand of love, in spite of it. The end of Bright Eyes' unofficial hiatus came naturally. Conor Oberst pitched the idea of getting the band back together during a 2017 Christmas party at Bright Eyes bandmate Nathaniel Walcott's Los Angeles home. The two huddled in the bathroom and called Mike Mogis, who was Christmas shopping at an Omaha mall. Mogis immediately said yes. There was no specific catalyst for the trio, aside from finding comfort amidst a decade of brutal change. Sure, Why now? is the question, but for a project whose friendship is at the core, it was simply Why not? The resulting Bright Eyes album came together unlike any other of its predecessors. Down in the Weeds is Bright Eyes' most collaborative, stemming from only one demo and written in stints in Omaha and in bits and pieces in Walcott's Los Angeles home. Radically altering a writing process 25 years into a project seems daunting, but Oberst said there was no trepidation: "Our history and our friendship, and my trust level with them, is so complete and deep. And I wanted it to feel as much like a three-headed monster as possible." As a title, as a thesis, Down in the Weeds, Where the World Once Was functions on a global, apocalyptic level of anxiety that looms throughout the record. But on a personal level, it speaks to rooting around in the dirt of one's memories, trying to find the preciousness that's overgrown and unrecognizable. For Oberst, coming back to Bright Eyes was a bit of that. A symbol of simpler times, vaguely nostalgic. And even though it wasn't actually possible to go back to the way things were, even though there wasn't an easy happy ending, there was a new reality left to work with. And here, there is a bleary-eyed hopefulness - earnest, emotive recommitments to love appear on "Dance and Sing" and "Just Once in the World." And throughout, Down in the Weeds features snippets of Oberst's loved ones speaking, in late-night conversations. The fleeting loveliness of intimate moments punctuates the bleakness of the record's existential crisis, crackling like lightning bugs illuminating the long night. Down in the Weeds is a distillation of a prolific, enduring canon. It's immediate and urgent, the product of its creators' growth across a decade apart, as well as the need to make a record together to find solace from loss. Through deliberate, fearless experimentation in process, the trio made the truest Bright Eyes sound: the sound of a deep bond, of a band coming home, but also a seamless continuation, like Bright Eyes never went away. It's the impossible, sprawling mess of human experience that Bright Eyes has always sought to put to tape, since the beginning - the sound of holding on. Why now? Why not?

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CD | 2011 | EU | Original (Saddle Creek)

The People's Key

5,99 €*

Release: 2011 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

CD comes in a soft case, instead of the original crystal case. All booklets included.

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The People's Key Tangerine Orange Vinyl Edition

2LP | 2011 | EU | Reissue (Dead Oceans)

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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LP | 2013 | UK | Original (The Ghost Is Clear)

Brighter Arrows

Dreamliner

15,99 €*

Brigid Dawson & The Mother's Network

Release: 2013 / UK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Green vinyl. tiny wear. With insert

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Ballet Of Apes

LP | 2020 | US | Original (Castle Face)

From The Sea To The Land Beyond

Release: 2020 / US – Original

Genre: Rock & Indie

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Tip-top of Castle Face’s osmosis list is the first quiver of tunes from Brigid Dawson and her newly minted Mothers Network: wise warnings dyed in dark hues, knotted and hard-won torch songs from the edge of a turbulent sea, bittersweet balladry spun in defense against evils familiar and unknown. Lovely though it may seem from a distance, the striation of loss quicksilvered throughout provides weighty balance to her contralto lilt. Those familiar with her harmonic counterpoint from her time in Thee Oh Sees or in OCS know she can belt as well as lullaby but there’s a fresh and smolderingly heavy swing in her step on display here that Castle Face mightily digs. Ballet Of Apes tapestries together sessions that read like a who’s who from outside the label’s castle walls—in Australia with Mikey Young (Total Control / Eddy Current Suppression Ring), in San Francisco with Mike Donovan (ex-Sic Alps), Shayde Sartin (ex-Fresh & Onlys / lifetime ringer) and Mike Shoun (ex-Oh Sees / Peacers), and in Brooklyn with instrumental heavy-weights Sunwatchers—and the results are spellbinding. At the focal point of this maelstrom, the lady, as if illumed by candlelight, intones, pleads, consoles—white magic perhaps, but it carries with it the anodized tang of blood.

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British Sea Power

LP | 2013 | UK | Reissue (Rough Trade)

Release: 2013 / UK – Reissue

Genre: Rock & Indie

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LP | 2020 | US | Original (Red Scare Industries)

Broadway Calls

Sad In The City

17,99 €*