Indierock | Alternative 23017 Items

12" | 1991 | US | Reissue (Wax Trax!)

Release: 2021 / US – Original

Genre: Rock & Indie

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Drab Majesty's First Ever Release Was The 2012 Self-Released Cassette Tape "Unarian Dances". Originally Limited To 100 Copies, Tracks From This Tape Would Eventually Make Their Way Onto The Completely Careless Cd Collection As Bonus Cuts. Now, Along With The "Unknown To The I" 12" Also Released On March 26, These Songs Are Finally Made Available On Vinyl In 45 Rpm 12" Format, Bringing All Early Drab Majesty Material From The Careless Era (2012-2015) To Vinyl. Mastered By Josh Bonati With Beautiful New Packaging By Nathaniel Young. Drab Majesty Is The Project Of Deb Demure, The Androgynous Alter-Ego Of L.A.-Based Musician Andrew Clinco And Partner Mona D. With Its Combination Of Reverb-Drenched Guitars, Synth Bass Lines, Commanding Vocals, And Rhythmic Drum Machine Beats, This Project Is A Stark Departure From Clinco's Previous Stintsas Drummer In Marriages And Black Mare. Dubbed "Tragic Wave" And "Mid-Fi" By Demure, Drab Majesty Eloquently Blends Classic 80s New Wave And Hints Of Early 4ad With A Futuristic Originality. A Talented Multi-Instrumentalist, Demure Composes All Of The Elements Of Drab Majesty. However, Rather Than Taking Personal Credit For The Music, Demure Insists That The Inspiration For The Songs Is Received From An Other-Worldly Source And That Deb Is Merely A Vessel Through Which Outside Ideas Flow Inward. But Drab Majesty Is More Than Just A Musical Project _ It's A Methodical Experiment In The Identity Of Creativity. The Character Deb Demure Is An Enigma That Eludesall Expectations Of Gender And Ego. When Demure's Imposing 6' 4" Figure Assumes The Stage, Deb's Playful, Harlequin-Esque Appearance, Tempered By An Ominous Body Language, And Clashing With The Dreamy, Ethereal Melodies Comes Across As A Web Of Contrasts. The Result Is A Perfect Balance Between Seeminglyconflicting Messages, Between The High And The Low, The Drab And The Divine.

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Lead Into Gold

Low & Slow

Love's Secret Domain 30th Anniversar Edition

Release: 1991 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Originally scheduled as WAX 9151, this 1991 release from Paul Barker's side project Lead Into Gold was ultimately buried due to label complications at the time. Packaged in the original art, and including the additional unreleased track "Low & Slow", this marks the first time this release has been commercially available. Album includes a free download code.

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Coil

CD | 1991 | US | Reissue (Wax Trax!)

12" | 2021 | US | Original (Wax Trax!)

Release: 1991 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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The CD Edition includes the remastered 13 tracks and reproduces the original Wax Trax! booklet utilizing new photographs of the Steven Stapleton painting.

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Cocksure

TKO Mindfuck

LP | 2021 | EU | Original (Taxi Gauche)

Release: 2021 / US – Original

Genre: Rock & Indie, Electronic & Dance

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This project from Chris Connelly & Jason Novak includes a cameo from Mr. 23 of Front 242. This 2014 release was the first Wax Trax release in over 13 years.

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Adult Books

Grecian Urn

12" | 2021 | US | Original (Karma Chief)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Adult Books is the brainchild of Los Angeles-based writer and multi-instrumentalist Nick Winfrey. With the help of childhood friends Sina Salessi (drums) and Alex Galindo (guitar/synth), Winfrey crafts lyric-driven dark pop gems that recall the hook-heavy guitar work of Johnny Marr, the just-below-the-collar angst of Mission of Burma, and the doomsday bellow of early Echo and the Bunnymen.

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Neal Francis

Changes (Demos)

And Other Things Ep Coke Bottle Clear Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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This Is A Limited Edition, One-Time Pressing Of 2000 Copies On Black Vinyl. Here's Where It Started. The Initial Demos That Eventually Became Neal Francis' Debut Album, Changes. Since Releasing His Debut Album To Critical Acclaim From Kexp, Kcrw, Npr, And More. Neal Has Toured The Usa Headlining And Supporting Acts Such As Black Pumas, Cat Power, And The Revivalists. As He Prepares For His Sophomore Lp, We Get To Peek Into The Initial Sketches At The Onset Of His Career As A Singer And Songwriter.For Fans Of Dr John, Allen Toussaint, The Faces, Joe Cocker, Leon Russell, Buddy Miles, The Meters, Father John Misty.

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Routine

12" | 2021 | US | Original (Dead Oceans)

2LP | 2017 | EU | Original (Exile)

Release: 2021 / US – Original

Genre: Rock & Indie

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First Ep By New Band Routine That Consists Of Chastity Belt's Annie Truscott And Jay Som's Melina Duterte.When The Covid-19 Pandemic Hit The U.S., Chastity Belt's Annie Truscott Descended Into A State Of Mourning. Her Plan Had Been To Join Her Partner, Jay Som's Melina Duterte, As Violinist On Tour, A Privilege Rarely Afforded Since Both Maintain Busy Road Schedules, And For Truscott, The Prospect Of Spending Most Of The Year In A Van Wasn't Met With Exhaustion So Much As Exhilaration. At Long Last, She'd Be Making A Living Playing Music, No Side Hustle Needed. The Cancellation Of The Tour Represented A Sidelined Dream.Routine Was Born Of This Disappointment. Like The Phoenix Rising From The Ashes, Truscott And Duterte's Collaborative Project Offers A Glimpse Of The Creative Possibilities That Can Emerge From A State Of Defeat. Written And Recorded Over The Course Of A Month In Joshua Tree, Routine's Lush Debut Ep And Other Things Finds The Couple Trying On New Roles. Truscott, Who Plays Bass In Chastity Belt, Wrote The Bulk Of The Material And Sings On The Ep, While Duterte, Normally A Band Leader, Used The Project As An Opportunity To, In Her Words, "Take The Backseat," As Accompanist, Producer, And Engineer. Duterte Describes The Making Of The Ep As "Seamless." In The Mornings, Truscott Sat Outside Of The Cabin In The Not-Yet-Blazing Sun And Worked Out Chord Progressions On Guitar While Duterte Slept In. Staring Out At The Horizon, Truscott Could See A Smattering Of Houses And The Sharp Outline Of A Mountain Range, But Overall The Property Felt Remote, Far Removed From Home In Los Angeles. On Long Walks Truscott Admired The Recently Bloomed Spring Flowers And Pondered The Legacy Of Friendships And Experiences That Made Her. "I Spend A Lot Of My Time Thinking About The People Who've Impacted My Life," She Says. "Routine Gave Me An Opportunity To Explore Those Relationships Through Music." It Was On One Of These Walks That Truscott Began Writing 'Cady Road,' A Contemplative, Country-Tinged Pop...

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Van Morrison

Roll With The Punches

Release: 2017 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2018 | EU | Original (Vohu Manah)

Coims

Blues In F Sharp

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2021 | US | Original (Young Turks)

Romy

Lifetime Remixes

Release: 2021 / US – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Mental Experience)

V.A.

Pyramid Edits

12" | 2020 | EU | Original (Six Tonnes De Chair)

Release: 2020 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Pyramid was an underground / homemade label created by Toby Robinson and his friend Robin Page (the Fluxus artist) while they were living in Cologne, Germany, in the ‘70s. Toby - aka The Mad Twiddler, aka Genius P. Orridge – is well-known to Krautrock collectors as one of a number of engineers working at Stockhausen’s WDR and Dierks Studio in Cologne in the mid-1970's, where he assisted on recordings by many famous Kraut bands such as Can, Birth Control, Mythos or Dzyan. Pyramid was home to a series of fascinating homemade albums by impossible and lost-in-time kraut-kosmische bands like Cozmic Corridors, Golem, Nazgul… all of them reissued by Mental Experience in the last years. One of the most celebrated tracks from the Pyramid catalogue is “Interstellar Shortwave” by The Astral Army, originally included on the “Cologne Curiosities” comp. It’s a heavy-disco-kraut-groove, DJ friendly, Hawkwind-inspired track recorded circa mid-70s, and it’s presented here in its original version - pressed at 45rpm for maximum and expanding sound quality - and also as an edit by Gareth Goddard aka Cherrystones, who also offers another edit of “The Dead Marshes”, one of the tracks included on The Nazgul album. Here, Cherrystones transforms the spooky, avant-garde sound of the track into a kind of cinematic, horror Spaghetti Western soundtrack. To round up the 12”, there’s an experimental Cherrystones rework of “Daruber”, a dark ambient / kosmische classic by Cozmic Corridors.

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Korto

Release: 2020 / EU – Original

Genre: Rock & Indie

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Heaven Is Over EP Crystal Clear Vinyl Edition

Bullion

LP | 2020 | EU | Original (Jagjaguwar)

Hifiklub + Matt Cameron + Daffodil + Reuben Lewis

Release: 2020 / EU – Original

Genre: Rock & Indie

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In Early 2018, Nathan Jenkins Returned From The Coast Of Arrábida To His New Home Studio,In A Cottage Tucked Behind The Grand Hotel Setting Of Wim Wenders' Lisbon Story. Breakingfor Lunches Under A Datura Tree In The Garden And A Far Cry From The Finsbury Park Basementflat He Rented The Previous Year, A Set Of Recordings Followed That Galvanised Into An E.P. - Wehad A Good Time. Music Informed By Out-Of-Town Trips In A 1987 Renault 9 Super, Pitchforkattributed `Remarkable Healing Powers' To Lead Song Hula.After Leaving London For A Spell In Portugal, Nathan Lost His Taste For The Night Life And Drewa Line Under A Long-Running Nts Radio Show. Much Of The Time Spent Abroad Was Dedicated Toa Longstanding Collaboration With Westerman, Whose Album They Recorded In A Remote Part Ofthe Algarve Countryside In 2019. Nathan's Own Discography Opened In 2007 With Pet Sounds:In The Key Of Dee, Before Pivoting In A More Electronic Direction Via Get Familiar And Youngheartache. From The Sampledelia Of 2011`S Too Right, The New Wave And Rave Of Say Arr Ee Tothe Robert Wyatt-Influenced Love Me Oh Please Love Me, He's Mapped A Deliberately Peculiarpath. 2015`S Rooster Was Eno & Byrne`S Bush Of Ghosts Given A Shangaan-Electro Lick Andclip. While Nathan's Partnership With Fellow Out-There Pop Auteur, Jesse Hackett, As Blluddrelations, Staggered Like A Half-Cut Prince.Collaged, Rhythmic Alternatives. Syncopated Avant-Garde Sambas. Off-Kilter Sci-Fi Jazz.Think Asha Putli In The Spot At The Star Wars Cantina. Arty, Angular. Rich, But Uncluttered.Frenetic, Electric, Blurring The Boundaries Between What Is Sampled, What Is Played. Nathan'sis A Wilfully Weird Pop, Showcased In 2016 On His Album, Loop The Loop. Wayward, Butwoven With Hooks That Come Out Of Nowhere. Lyrical, Often Beautiful, Solos On Violin, Oboe,And Desiccated Guitars. Songs That Demonstrate A Nose-Thumbing Playfulness, A Refusal To Sitstill. Where There's Always The Urge To Interrupt A Carnival Beat With A Burst Of Galloping...

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Rupture Pink Vinyl Edition

LP | 2020 | EU | Original (Electric Valley)

10" | 2020 | EU | Original (Stag-O-Lee)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Rupture", Hifiklub new album - recorded during quarantine - with French producer Daffodil, experimental jazz trumpet player Reuben Lewis and Pearl JAM / SOUNDGARDEN’s drummer Matt Cameron. In a way, spring 2020 has offered us the luxury of time. Eight unforeseen weeks of creation during which french experimental rock band Hifiklub was able, on the one hand, to provide the single "Staying At Home" with Jad Fair (Half Japanese) for Joyful Noise Recordings compilation 'Safe In Sound - Home Recordings From Quarantine' but also, on the other hand, remotely record this brand new album with producer Anthony "Daffodil" Belguise, drummer Matt Cameron (Pearl Jam, Soundgarden) and trumpet player Reuben Lewis (I Hold the Lion's Paw). That, while reformatting the internal balance of the group, returning to an “open trio” formula - and no longer a quartet around permanent members Pascal Abbattucci Julien, Jean-Loup Faurat and Régis Laugier. All this, above all, by having only the means at hand in such circumstances. The instrumental character of this new discographic stage, made up of six distinct movements, is only shaken by rare vocal interventions supporting passages where the music becomes more intense. This real sound puzzle assembled by Daffodil reveals the darkness and modernity characteristic of his latest productions. His meticulous mixing work allows this 25-minute musical piece, thought of as a whole, to evolve in the sandstone of unexpected rhythmic and harmonic breaks during which the trumpet and electronic sounds constantly revive the machine.

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V.A.

Gunsmoke 06

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Caroline)

Matt Berninger

Serpentine Prison

Release: 2020 / US – Original

Genre: Rock & Indie

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Tempo Tempo Limited Colored Vinyl Edition

Blackmail

LP+CD | 2020 | EU | Reissue (Unter Schafen)

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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12" | 2020 | EU | Original (FKJ)

FKJ

Ylang Ylang

Release: 2020 / EU – Original

Genre: Rock & Indie

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14.11.90 An Acoustic Psychogram

Arurmukha

LP | 1993 | EU | Reissue (Karl)

Release: 1993 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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A download code is included. Re-release of the album which Marc Weiser (rechenzentrum, zeitkratzer) and Jürgen Hendlmeier (producer for The Flaming Sideburns, Thee Ultra Bimboos) created as Arurmukha. With the use of soundbites, field recordings, and stylistically diverse tracks, they reprocess the clearing of 13 squats on Mainzer Straße in Berlin-Friedrichshain in November 1990, forming it into an acoustic scenography in the style of the “Maifestspiele” by Einstürzende Neubauten. 14.11.2020 marks the 30th anniversary of the clearing of 13 squats on Mainzer Straße in Berlin-Friedrichshain. The violent confrontation between the police and about 500 squatters, involving armored vehicles, helicopters, and 10 water cannons, was the biggest police operation in Berlin’s post-war history, with 4000 officers deployed, and is deemed to be the last big “battle” of left-wing squatters in Germany. The insert for the LP provides a detailed chronicle of the events (taken from the book “Berlin Mainzer Straße: Wohnen ist wichtiger als das Gesetz [Berlin Mainzer Straße: Housing is more important than the law]”, published in 1992 by Basis-Druck).

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Rituals Of Mine

Hype Nostalgia

Release: 2020 / US – Original

Genre: Rock & Indie

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If you could recreate a time before you experienced the most extreme grief of your life, would you do it? For Rituals of Mine’s Terra Lopez, she did just that. With her latest album Hype Nostalgia – her first as a solo artist – Lopez wanted to create a soundscape from a pre-loss perspective, revealing how the darkness she experienced was just microcosms of her being. Hype Nostalgia reckons with the emotional rollercoaster Lopez has been riding the past few years, and reimagines it. In 2015, Lopez lost her father to suicide and six months later her best friend passed away in a water accident. “Those two events within that six month-period, forever changed me, and I'm only now starting to feel like I've processed it after all these years,” Lopez says. The same week her father died, she went on tour, and the same week that her friend died, Lopez signed to a major label, immediately working on new music. She never slowed down and neither did her emotions. Lopez went from being a high-functioning depressed person to encountering the most crippling mental health experience of her life. Art had always been her outlet, but it was no longer a coping mechanism that worked. Trauma had taken away her voice, leaving Lopez unable to sing for a year. It wasn’t until 2018 when she decided to go to therapy and began taking medication for the first time that she could process the trauma she had experienced, not only in the recent years, but intergenerational trauma she discovered in eye movement desensitization and reprocessing (emdr). Sure, there are heavy elements to the record: dark synths, future R&B undertones, propulsive bass and moody lyrics, but the softness of Lopez’s vocals elicits a quiet confidence. On the self-assured lead single “Come Around Me,” the most straightforward song Lopez has ever written, she confronts being taken advantage of as a gay woman of color in the music industry. “None of this fake shit when you come around me,” she sings breathlessly. Lopez enlists musician Kristina Esfandiari (King Woman, Nghtcrwlr), to tackle the same subject on the anthemic “Free Throw,” meditating on the fake support that comes from their male counterparts in the music industry.

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Dent May

Late Checkout

Exit In Darkness Milky Clear Haze Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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“Full speed ahead now, no more looking back.” Dent May confidently croons on his fifth LP, Late Checkout. The un-nostalgic sentiment and sobering clarity of May’s latest body of work signifies the 35-year-old songwriter from Mississippi taking a reflective rest-stop on the winding road of his now decade-long career. After relocating to Los Angeles in 2015, touring his last record Across the Multiverse around the world, and building his own Honeymoon Suite Recording Studio with friends Pat Jones and Michael Rosen, May suddenly found himself with the chance to take his time making a record. Through the dozen thematically-linked tracks on Late Checkout, May grapples with the swinging emotions of our contemporary reality with a rare optimism and distinguished sound. Bearing the torch of classic American songwriters that have inspired him like Harry Nilsson, Carole King, and Randy Newman, May has gingerly cultivated his iPhone note scribbles and subconscious melodies into songs that could stand the test of time. Leaving the comfort of home-recording, May set out to elevate the production quality on Late Checkout while maintaining some intimacy through sparse arrangements. After writing and performing parts for a bulk of the instruments on the album, May filled out his orchestrations by inviting string players, a horn section, background vocalists, and a pair of auxiliary drummers to play on the album. Contrary to the instant gratification permitted by modern home-recording, May made a conscious decision to slow down and pay careful attention to his songwriting on this album. He began to savor the minutiae of his daily life spent wandering around LA, not getting invited to hang with friends, and waking up in hotel rooms after DJing weddings. May drew on these moments in his lyrics and began assembling ballads at his new studio, mimicking the bittersweet tone and consistent work ethic of Motown. “I’ve been collecting stationery from almost every hotel I’ve stayed at for the past ten years.” May reveals about the album’s opener “Hotel Stationary.” “I’ve always been drawn to the nature of hotels. I think it relates to this sense of always feeling out of place and my constant wanderlust.” On Late Checkout’s first single, “I Could Use A Miracle,” May sings about the desperation of feeling down-and-out against a lush and upbeat pop instrumental. The groovy “Easier Said Than Done” is decorated with bright keys and syncopated drums while May sings about coming to the end of his journey to find love. “Sea Salt & Caramel,” spilled out of May as a saccharine love song to his girlfriend, adding pure sweetness to balance the record’s melancholy pallet. From beginning to end, May bares his soul on each track across Late Checkout, offering a reluctant goodbye to his former selves, before wandering home.

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Mono & A.A. Williams

10" | 2020 | EU | Original (Pelagic)

CD | 2020 | UK | Original (Forever Living Originals)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Second pressing in milky clear haze vinyl available from June 2020! Firmly placed as both progenitor and progressor within their field, Mono is like no other artist - visceral, engrossing and showing no signs of decay after two decades spent creating waves of beautiful and expansive rock music. Many an artist lays claim to setting the template - or many have this claim placed upon them - but this Japanese artist has long-since simply set their own template. Listening to Mono is like entering another world, where the majesty of the noise embraces you and the delicacy of the space around it breathes warmly in your ear. A.A. Williams came from nowhere. An EP arrived in January 2019, and a debut show at the prestigious Roadburn Festival three months later confirmed what this first taste of music had suggested: this is a special artist. The woman in black: one arm aloft after the delicate yet decisive strum of a chord, a stillness in the room focused on the graceful soaring of a unique voice. To arrive so fully formed is a feat in itself; to take the audience's breath away with such immediacy is something else entirely. As soon as Mono's Takaakira `Taka' Goto heard the music of A.A. Williams, an unwavering resonance was triggered. For A.A. Williams, the appreciation was emphatically mutual. A musical connection developed into a collaboration; introductions were made, ideas exchanged. At the end of Mono's 2019 summer tour, these ideas were committed to tape in London and the result is `Exit in Darkness' - a mesmeric coming together of two artists from opposite ends of the globe whose creative approach could not have melded more eloquently.

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Sault

CD | 2019 | UK | Original (Forever Living Originals)

Release: 2020 / UK – Original

Genre: Organic Grooves, Rock & Indie, Pop

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The second album of Sault follows their debut "5" which came out just three months prior to this one. Heads all over the world were still in awe of "5", when all of a sudden "7" dropped. Now, by the end of 2020, they are four critically acclaimed albums deep into buiding their own legacy.

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Sault

Savoir Faire - The Best Of (Director's Cut) Record Store Day 2020 Edition

Release: 2019 / UK – Original

Genre: Organic Grooves, Rock & Indie, Pop

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The first album by Sault started a series of now four albums in two years that scored big time with critics all over the world.

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Family Fodder

LP | 2020 | UK | Original (Jungle)

No Ordinary Love Record Store Day 2020 Edition

Release: 2020 / UK – Original

Genre: Rock & Indie

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Record Store Day 2020 Release.

First time on vinyl. Limited Color Vinyl. A 'best of' collection of their series of eccentric post-punk singles and albums between 1979 and 1982. Described as ‘entertaining idiosyncratic experimentalism’ (‘Who’s Who of Indie and New Wave’), but they also have very evident pop sensibilities. Best known for their indie-chart hits such as ‘Debbie Harry’, ‘Playing Golf With My Flesh Crawling’ and ‘Savoir Faire’, today they sound like a forerunner of Stereolab. A group of musicians based around songwriter Alig Fodder, with vocals regularly contributed by French chanteuse Dominique Levillain, who met through mutual friends This Heat. This is an edited vinyl version of their 1998 'best of' CD, issued on Douglas Wolk's Dark Beloved Cloud label in the USA, with newly concise versions of some lengthier tracks. Since then they've regenerated and have issued new albums on various labels and also on Bandcamp, and had their songs covered by a number of their many artist admirers.

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Quarry

12" | 2020 | UK | Original (Epic)

LP | 2020 | US | Original (Red Scare Industries)

Release: 2020 / UK – Original

Genre: Rock & Indie

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Record Store Day 2020 Release.

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Broadway Calls

Sad In The City

Release: 2020 / US – Original

Genre: Rock & Indie

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We’ve been fans of Broadway Calls for a while now and after years of pestering they finally gave in and joined the team. Their exact words were, “It would take a catastrophic act of god that destroyed the music industry for us to consider working with Red Scare.” And what do ya know! Thank you, 2020. (Ironically, the record is about the impending civil war and apocalypse… so maybe this is all their doing?!) Then we sent ‘em down to the Bay Area to work with Scott Goodrich (Culture Abuse, Direct Hit!, etc.) and they emerged with the best 11 songs we’ve ever heard from this Oregon trio. Sad In The City is fast, it’s loud, and most of all it is catchy as hell. It’s their finest full length and it’ll likely go down as one of the top releases in our entire catalog.

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Madeline Kenney

Sucker's Lunch

LP | 2020 | EU (Hellnation)

Release: 2020 / US – Original

Genre: Rock & Indie

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Oakland artist Madeline Kenney bounds toward the unknown on her third album, Sucker’s Lunch, expanding on the idea of what a love song could be – a little more cautious than exuberant, more nuanced than blazing devotion. Sonically, the album expands upon Kenney’s earlier, guitar-driven sound – a definitive step forward from an artist adept at communicating universal sentiments in a voice unmistakably her own.

To help realize her vision, Kenney once again enlisted Wye Oak’s Jenn Wasner and Andy Stack, previous collaborators and friends. Together, the trio carefully constructed the songs in a few compact sessions in Oakland, San Francisco, and Durham. Stack and Wasner’s rhythm section trace circles around Kenney’s off-kilter guitar, with verdant curls of synths, saxophone, and complex harmonies. Lambchop’s Kurt Wagner lends his distinctive tenor to lead single “Sucker.” The resulting songs are immediate and deeply moving, somehow feeling familiar while they defy expectations at every turn.

“I’m not interested in something easy or immediately apparent,” Kenney says. “My experience writing these songs wasn’t easy, it was painful and difficult. I was terrified of falling in love, and as much as I’d like to write a sticky sweet song for someone, it doesn’t come naturally to me. Instead I wanted to explore the tiny moments; sitting alone in my room guessing what the other person was thinking, spiraling into a maze of logical reasons to bail and finding my way out again. When I spoke with friends about the theme of the ‘idiot’, it became apparent that everyone understood that feeling and was relieved to hear it echoed in someone else.”

Thematically, Sucker’s Lunch sees Kenney soberly contrasting the risks and rewards of falling in love, eventually deciding to dive headfirst into her own foolishness and relish in the unknowing. The tracks explore new love from every angle – “Picture of You” is a soundtrack- worthy lamentation of never truly knowing what someone has been through (“growing up is so hard, I don’t know why”) while tender vulnerability shines on “Tell You Everything” (“When your eyes say ‘we’ve had a day, love’, I get to fall in”). Kenney audibly loses her mind on “Double Hearted,” where the playful arrangement and lyrics spark a firestorm of heartache and wild abandon. “Cut The Real” pairs synth drones with syncopated lyrics to work through a depressive mind state, and the near-devotional “White Window Light” accepts uncertainty as a beautiful gift.

“There’s so much love in it,” Wasner says of Sucker’s Lunch. “It’s the story of someone figuring out how to be a person in the world, and how to be with another person without losing oneself.” Sucker’s Lunch shines in its ability to speak the strange, ambiguous, impossible truth – nothing less than a balanced meal for the wise fool in us all.

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Dalton

Papillon

LP | 2020 | EU | Original (This Charming Man)

Release: 2020 / EU

Genre: Rock & Indie

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New album from Rome Italy's pub rockers Dalton, their third one. Riyl: Giuda, Eddie & The Hot Rods, Rino Gaetano.

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Mountain Witch

Extinct Cults

Release: 2020 / EU – Original

Genre: Rock & Indie

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Chaotic Good Transculent Red Vinyl Edition

Johanna Warren

LP | 2020 | EU | Original (Wax Nine)

All Things Being Equal Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Chaotic Good is J. Warren’s fifth full-length album and first for Wax Nine/Carpark Records. It represents a moment of rupture in the singer-songwriter’s career as she transitions away from the quiet, folk-adjacent work that defined her early solo albums with a bold statement piece that demonstrates the breadth of her ambition.

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Sonic Boom

Ken Fox & Knock Yourself Out

Release: 2020 / US – Original

Genre: Rock & Indie

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It’s auspicious that Sonic Boom—the solo project and nom-de-producer of Peter Kember (Spectrum, Spacemen 3)—returns in 2020 with its first new LP in three decades. Kember’s drawn to the year’s numerological potency, and this intentionality shines into every corner of All Things Being Equal. It’s a meditative, mathematical record concerned with the interconnectedness of memory, space, consumerism, consciousness—everything. Through regenerative stories told backwards and forwards, Kember explores dichotomies zen and fearsome, reverential of his analog toolkit and protective of the plants and trees that support our lives.

Sonic Boom’s second album and first for Carpark began in 2015 as electronic jams. The original sketches of electronic patterns, sequenced out of modular synths, were so appealing that Stereolab’s Tim Gane encouraged Kember to release them instrumentally. “I nearly did,” confesses Kember, “but the vibe in them was so strong that I couldn't resist trying to ice the cake.” Three years later, a move to Portugal saw him dusting off the backing tracks, adding vocals inspired by Sam Cooke, The Sandpipers, and the Everly Brothers (which he admits “don’t go far from the turntable pile”), as well as speculative, ominous spoken word segments. His new home Sintra’s parks and gardens provided a different visual context for Kember’s thoughtful observations, and he thematically incorporated sunshine and nature as well as global protests into the ten resulting tracks. “Music made in sterility sounds sterile,” he says, “And that is my idea of hell.”

Over the vivid, calculating arps of opener “Just Imagine,” Kember nudges listeners to do as the title suggests. It’s based on a story he read about a boy who healed his cancer by picturing himself as a storm cloud, raining out his illness. “The Way That You Live,” a rollicking drone powered by drum machine rattles and bright chord beds, morphs political distrust into a revolutionary mantra about ethical living. “I try and live my life by voting every day with what I do and how I do it, who I do it with and the love that I can give them along the way,” offers Kember.

An unusually curated gear list accompanies each song, unexpected layers reinforcing the monophonic skeletons. Mystery soundscapes and grinding sweeps were teased from EMS synths, synonymous with and evocative of ‘60s BBC scoring and ‘70s Eno. Pacing basslines oscillating into warbling heartbeats came from a cheap ‘80s Yamaha. A modern OP-1 generated subtle kicks and eerie theremins, while his toy Music Modem—an unused holdover from sessions Kember produced for Beach House and MGMT—finally found its recorded home.

It’s rare to see liner notes where synthesizers rather than humans are credited (other than guest vocal stints from “co-conspirators” Panda Bear and Britta Phillips), but Kember is masterful at finding the unique personality in his machines. “I tried to find the deepest essence of the instruments & let them play,” he offers. What emerges from these considerations on technology and humanity is a honed collection both philosophical and grooving, spacious even as it fills to its brim. It’s distinctly Kember—more than that, it’s distinctly Sonic Boom.

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Ken Fox

LP | 2020 | EU | Original (Rum Bar)

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Taxi Gauche)

Calvin Love

Night Songs

Columbiahalle October 21, 2009 Berlin DE

Release: 2020 / EU – Original

Genre: Rock & Indie

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There is a palpable mood at the heart of Canadian perennial Calvin Love’s work. Only once in a blue moon comes an artist that seems so familiar yet out of space. Love arrives as an enigma, a crooning, haunted voice.

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Sonic Youth

2CD | 2020 | US | Original (Nugs.Net)

LP | 1983 | DE | Original (Rough Trade)

Release: 2020 / US – Original

Genre: Rock & Indie

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This Sonic Youth concert recorded at Berlin's Columbiahalle in 2009 and presented from the band's live archive.
Originally available only via Nugs.net.
Recorded and mixed by Aaron Mullan.

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Aztec Camera

High Land, Hard Rain

LP | 2020 | EU | Original (Elefant)

Release: 1983 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl is close to NM. Original inner sleeve. Small tear on cover.

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A Girl Called Eddy

Been Around

Release: 2020 / EU – Original

Genre: Rock & Indie

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Remain In Light Unreleased Outtakes

Talking Heads

12" | 2019 | US | Original (Sire)

Release: 2019 / US – Original

Genre: Rock & Indie

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Exit In Darkness Black Vinyl Edition

Mono & A.A.Williams

10" | 2020 | Original (Pelagic)

Release: 2020 / Original

Genre: Rock & Indie

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Live In Trafalgar Square 1983

Johnny Moped

LP | 2019 | Original (Damaged Goods)

Release: 2019 / Original

Genre: Rock & Indie

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LP | 2018 | UK | Original (Domino)

Hookworms

Microshift

LP | 2019 | EU | Original (General Purpose)

Release: 2018 / UK – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

printed PVC sleeve. Vinyl is close to NM. Tiny wear. 180gr vinyl. Original inner sleeve

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Ex Ponto

Neka Neka

King Salami & The Cumberland Three

Release: 2019 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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A download code is included. ‘Neka Neka’ (on General Purpose) is the first solo release by multi-disciplinary artist, Ex Ponto (Ivan Mašic). Coming of age during the mid-90s Melbourne rave scene, Ivan was infected with music by the legendary Kate Bathgate on 3RRR community radio. Hearing music by the likes of Oliver Lieb, Will E Tell, HMC & and other producers of the time, an infection quickly turned into a music obsession that lives on today. In the following years Ivan would go on to manage one of Melbourne’s longest running record stores (Dixons Records) and in 2005 built a recording studio, aptly named The Womb. From 2005-15, he produced and played on over 20 albums for improvisation collective, Council of Elders and experimental, no-wave band, Wunderlust. ‘Neka Neka’ is a nod to ex-Yugoslavian experimentalists of the 80s (Rex Ilusivii, Kozmetika, Miha Kralj etc) and the thriving, late-night hedonism of Belgrade’s Club 20/44.

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Kiss My Ring

LP | 2019 | EU | Original (Damaged Goods)

Everything Else Has Gone Wrong

Release: 2019 / EU – Original

Genre: Rock & Indie

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Kiss My Ring is the fourth full-length studio album from London-based rhythm 'n' blues garage rockers, the follow-up to 2017's Goin' Back To Wurstville. It features fourteen tracks, a mix of brand new original compositions and the band's eclectic choice of covers. The album was recorded at London's legendary Gizzard Studios by Ed Deegan (Holly Golightly).The band truly represents the best of multi-cultural London, the members having a mix of Caribbean, French, Japanese and Spanish heritage. With a repertoire influenced by many of the great songs of the '50s and '60s made to sound fresh and new to modern ears, you won't be able to help but move your feet when the Cumberland Three are blasting out of your speakers. The King howls like Screaming Jay Hawkins with Bo Diddley chasing his coat-tail whilst Andre Williams tries to offer up some of his bacon fat, and the Trashmen do the Surfin' Bird behind him. This is a man that never stops shakin' and twistin' and groovin'. The Cumberland Three (former members of punk rock bands, including The Parkinsons) rock up a storm with their own branded mix of vintage rockabilly, desperate rock 'n' roll and stomping soul, with fire, energy, gusto and, above all, fun!The band has played pretty much everywhere in Europe, plus Australia, the USA and Japan, and more recently in China (Shanghai, Beijing, Nanjing, Wuhan, and elsewhere from big cities to rural villages), the Middle East, Turkey, and recently the South Pacific, and have shared a stage with the likes of the Standells, Pretty Things, Trashmen, and the Mummies, to name a few. You might have catch them starring on BBC's TV series UK'S BEST PART-TIME BAND (presented by Rhod Gilbert), and they also have 2 songs in the soundtrack of the Hollywood movie Death Race 2050 (remake of Death Race 2000) produced by the legendary Roger Corman!Equal parts rock 'n 'roll and soul, with a healthy dose of blues and rockabilly and a good bit of punk rock attitude, Kiss My Ring is a record you NEED in your collection!

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Bombay Bicycle Club

LP | 2019 | EU | Original (Caroline)

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Gunner)

Mobina Galore

Don't Worry

Release: 2019 / EU – Original

Genre: Rock & Indie

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Now For Example Black Vinyl Edition

Thigh Master

LP | 2019 | US | Original (Goner)

LP | 2019 | EU (Self Release)

Release: 2019 / US – Original

Genre: Rock & Indie

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Here it is! Brisbane (via Melbourne), Australia-based quartet Thigh Master are back with the long awaited second album Now For Example—the follow up to their 2016 debut Early Times. Following a string of sold-out singles as well as tours of U.S., Japan and Europe, the guitar-pop-guardians of the Brisbane underground deliver this latest, a twelve song hook-laden exertion, filled with imperious string bends and riffage framing witty tales of lethargic social observation, concocted by band leader Matthew Ford.

Now For Example sees the most compelling and virtuosic combination of Thigh Master members to date, with Innez Tulloch (guitar / keys), Dusty Anastassiou (drums) and Daniel Ford (bass) contributing heavily to its foundations and creating a bulk of their parts off-the-cuff during recording sessions, which took place in various houses between Melbourne and Brisbane. The intervals of ragged, jangly guitar riffs interspersed with waves of distorted sonic mischief recall the late ’80s / early ’90s Flying Nun sound of The Clean, Bats and 3Ds.

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London Underground

Four

Release: 2019 / EU

Genre: Rock & Indie

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LP | 2019 | US | Original (Taxi Gauche)

Tracy Bryant

Hush

LP | 2019 | US | Original (Castle Face)

Release: 2019 / US – Original

Genre: Rock & Indie

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Tracy Bryant first gained recognition in 2011 as founder and frontman of Los Angeles group Corners. The band became a staple of the underground L.A. music scene with their highly regarded live shows and three well-received releases. Corners toured the U.S. and Europe extensively before Bryant decided to end the band in early 2016 to fully focus on his solo endeavors.

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Mikey Young

You Feelin Me?

LP | 2019 | EU | Original (Caroline)

Release: 2019 / US – Original

Genre: Rock & Indie

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The path is finally revealed by a splash of light, and it is
dazzling. You cover your eye-bones with a claw and can
make out a reflection of the perfect being—there is a whiff
of you in there. There is a bit of everyone in there. There are
cars and bells and birds and fruits and water and night skies
and laughter and heavy woe…motioning for you to dive in.
All things are in this ethos swirling in its core.
This album is the armored nucleus of sound and vision;
it carries you along on its lumbering back, it tosses you
through space and pulls you down a hole…a trip indeed!
Mikey Young (Total Control, Eddy Current Supression
Ring) can do no wrong in our eyes and he has held the
door open for you again (a gentleman, as always). Listen
up, the higher power music hour has cracked their mighty
knuckles and laid down some deep trips for you to view
the city swaying and swarming like a field of grass flecked
with insect transport.

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Sleater-Kinney

The Center Won't Hold

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | US | Original (Yep Roc)

Los Straitjackets

Channel Surfing

LP | 2019 | EU (Swing Shift)

Release: 2019 / US – Original

Genre: Rock & Indie

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The masked men known as Los Straitjackets have tuned in to put their signature surf rock twist on some of television's greatest theme songs on their forthcoming EP, Channel Surfing. The themes covered include Game of Thrones, The Andy Griffith Show, Ken Burns' The Civil War, and a medley of Dancing with the Stars and Sex and the City. The vinyl features all of the tracks on both sides of the record and a digital download included.

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The Cure

World War - The Demos

Release: 2019 / EU

Genre: Rock & Indie

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2x7" | 2019 | US (Sympathy For The Record Industry)

Mr. Airplane Man

Smashville

Release: 2019 / US

Genre: Rock & Indie

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LP | 2006 | US | Reissue (Castle Face)

Thee Oh Sees

Grave Blockers

LP | 2019 | EU (Future Folklore)

Release: 2006 / US – Reissue

Genre: Rock & Indie

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Reissued extremeley limited, long out-of-print EP from long-running garage rock band’s early formative period in San Francisco! Encased in a brown paper wrapping like a forgotten bit of smut from behind the beaded curtain, this unassuming disc is a time-capsule back to John Dwyer’s early SF days, janglingly fingerpicked wisps of melody and electronics baking in the all-too anemic sunshine of San Francisco’s elusive summer. Like a seashell to the ear, one can hear within it Baker Beach bike ride excursions, holding court and gently harassing passers-by on a Haight street stoop, and midnight rambles with friends from out of town, daring the sun to come up. Somewhere chronologically between the folky whisper of Songs About Death And Dying and the recently reissued Cool Death Of Island Raiders, this one’s been vexing to find for way too long and Castle Face has decided to give it “the treatment”. May it awaken the gentle glow of possibility dappled with the dancing shadow of danger that it stirs around this castle.

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UV Race

Made In China

Release: 2019 / EU

Genre: Rock & Indie

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LP | 2019 | EU | Original (End Hits)

Swain

Howl + Heavy Dancing

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | US | Original (Dirtnap)

Martha

Love Keeps Kicking

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 2019 | US | Original (Castle Face)

Pow!

Shift

Der Bürgermeister Der Nacht

Release: 2019 / US – Original

Genre: Rock & Indie

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Just when one thought one knew what to expect from POW! they surprise everyone with a vigorous and rabid album’s worth of moody cybernetic punk that’s frankly their best yet. Their fourth album is oil-dipped in a rainbowed slick of dread, yet the songs are buoyed by tight tunes that seem to have a lot of fun among the ruins of the future, perhaps with an eye to a less gloomy horizon? Melissa Blue’s sharp elbowed synths jostle with Byron Blum’s zap gun guitar in an ominous fog of oscillations, and yet somehow it gets the toe a-tapping. The band got darker and more catchy at the same time, for which some credit is due to the excellent drumming of Cameron Allen and the fantastically future savvy production by Byron Blum and Tomas Dolas. Lots of sticky punk heart resin-layered in a futuristic-scanning bionic bop.

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Viel Spaß In Der Zukunft

LP | 2019 | EU | Original (Misitunes)

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | UK | Original (Xtra Mile)

Skinny Lister

The Story Is...

Release: 2019 / UK – Original

Genre: Rock & Indie

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Dzjenghis Khan Transparent Orange Vinyl Edition

Dzjenghis Khan

LP | 2007 | EU | Reissue (Heavy Psych Sounds)

Fleetingly, But Completely

Release: 2007 / EU – Reissue

Genre: Rock & Indie

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One of the most important psych - acid rock albums of the new millennium. The Dzjenghis Khan self-titled debut album was released in 2007 by the Dutch independent label Motorwolf. The San Francisco based band Dzjenghis Khan featured basist Carson Binks (also in Wild Eyes and Saviours). This record reflectsthe musical scene of that era and it's still a raw acid rock pearl!!! Heavy Psych Sounds Records is so proud to bring back to the current audience a piece of real Acid Rock, Dzjenghis Khan was one of the first bands to bring back the Psych sound, in a time where there was not a real audience, we can say they've been pioneers after the pioneers! The Album is composed by 10 killer tracks, the sound is dirty, fuzzy, raw the atmosphere is nearly lo-fi but the riffing will melt your face.

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The Victoriana

LP | 2019 | US | Original (Dream)

Release: 2019 / US – Original

Genre: Rock & Indie

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Summertime Blues Black Vinyl Edition

'68

10" | 2018 | US | Original (Cooking Vinyl)

Release: 2018 / US – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Xtra Mile)

Larry And His Flask

This Remedy

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (In The Red)

Jon Spencer

Spencer Sings The Hits!

LP | 2018 | US | Original (In The Red)

Release: 2018 / US – Original

Genre: Rock & Indie

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Jon Spencer, the Blues Explosion man who put the “Bellbottoms” on Baby Driver! The top cat who spread the secret sauce in Boss Hog! The rockabilly right-hook from heavyweight outlaws Heavy Trash! The swank-fucking master of Pussy Galore! Jon Spencer is back! Often imitated, never duplicated, the original NYC underground-rock legend returns from the wilderness with twelve red-hot hits, each more powerful than the last!

This is Garage Punk for Now People! A wizard’s brew of rhythm and blues and subversive dance grooves, weaponized with sci-fi skronk and industrial attitude, calibrated for the Revolution, a Molotov cocktail of sound guaranteed to destroy any post-modern hangover. Pulsing with energy, clanging with excitement, and dripping with radioactive soul and raw emotion, Spencer opens up his heart like never before, exploring man’s modern condition with caustic guitars and outerworld crooning, asking and answering the musical question, “Is it possible to torch the cut-throat world of fake news and pre-fab, plastic-coated teen rebellion with the power of rock ’n’ roll?” The answer is yes—on Spencer Sings The Hits! This is the truth serum America has been craving, the beginning of a rock ’n’ roll rebellion that takes no prisoners and puts the squares on ice!

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Ty Segall

Fudge Sandwich

Exit Group (ex Useless Eaters)

Release: 2018 / US – Original

Genre: Rock & Indie

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Take a tour through Ty Segall’s musical psyche with his new solo album, Fudge Sandwich, a collection of Segall’s take on eleven songs that were originally done by other people. These aren’t just cover versions. Cover versions happen at weddings and high school band battles. The songs here are what happens when someone loves a song so much, they need to get inside it and let it propagate and transform into what it would have been if they had actually written it.

Equal parts reverence and reimagination, this album shows Segall inhabiting the world of a song’s intent, filtering it through the muse that drove this year’s exceptional Freedom’s Goblin. Cluttered, passionate and inspired, the songs are barely recognizable, irresistible and by album’s end, present a cohesive collection that stands proudly alongside the best of Segall’s considerable output.

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Adverse Habitat

LP | 2018 | US | Original (Castle Face)

LP | 2018 | EU | Original (Morr Music)

Release: 2018 / US – Original

Genre: Rock & Indie

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From the dank warehouse recesses that brought us Useless Eaters and Dry Erase, Castle Face introduces Exit Group—sharply futuristic post-punk with a pissed-off lean, antisocial lyrics spit over an abnormally locked-in guitar / bass / drums triangle, wound up tighter than a Swiss watch. Post-everything sample tweakery and chrome-dipped guitar tonality lend a darkly robotic sheen, abraded riffs pop up everywhere but where you think they should be, clanging and clanking inhumanly around elaborate Rube Goldberg patterns, tessellating under flickering municipal neon. Adverse Habitat is bone-dry furious, turning on a dime just to slap the drink out of your hand.

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Spirit Fest

Anohito

LP | 2018 | US | Original (Spiritual Pajamas)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Flowing and brimming with life, ‚Anohito’, the second album by indie supergroup Spirit Fest, has come ashore. The group is comprised of Tokyo-based duo Tenniscoats (Saya and Takashi Ueno), Markus Acher (The Notwist, Rayon), Cico Beck (Aloa Input, The Notwist) and Mat Fowler (Jam Money, Bons).

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The Skiffle Players

Skiff

LP | 2018 | US | Original (Slovenly)

Release: 2018 / US – Original

Genre: Rock & Indie

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Their second album, Skiff, is a new direction for The Skiffle Players. Now, they all sing and write. There is no leader. Recorded at Infinitespin Recorders in Van Nuys CA, with engineer Matt “Linny” Linesch, the album begins with a bold opening; the Farmer Dave Scher-penned “Cara,” heavy information for the soul. Then, into classic Cass McCombs insanity on “Local Boy,” a wild ride on the run from the cops. Third is a touching tribute to a bygone companion, “Miss It When It’s Gone,” written and led by Neal Casal.

The album’s revolving perspective continues to bounce around, leaving no apparent land to stand upon. In that, it is deeply subversive. For there is nothing to defend, but the ability to transform and imagine.

The album continues to unfold back to McCombs with a satire on justice, “The Law Offices Of Dewey, Cheatum And Howe.” It goes from the saloon “Long Horns, Long Necks, Long Legs,” to the rainforest “Herbamera.” Casal blasts in again with the sun-bleached rambler, “Los Angeles Alleyway.” Scher’s “Skiffleman” sings a song for everyone. McCombs plays with memory in a song about coming of age in the Bay Area on “Oakland Scottish Rite Temple Waltz.” Penultimately, “Santa Fe” is an elliptical broadside about materialism and waste. The album concludes by pushing off again, out into the familiar waters of a traditional skiffle number, “Sweet Georgia Brown,” each member taking a perhaps all-too casual solo.

This is acoustic dance music at its finest. It is also refreshingly contradictory, irreverent and mystical, deeply personal and communal, and traditional and profane—the ever revolving and disintegrating ship known as Skiff.

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Tommy And The Commies

Here Come

Release: 2018 / US – Original

Genre: Rock & Indie

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2LP | 2018 | DE | Original (Caroline)

Pale Waves

My Mind Makes Noises

Release: 2018 / DE – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (One Little Indian)

Manu Delago

Parasol Peak

Release: 2018 / US – Original

Genre: Rock & Indie

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The Jingling Word Of The Skygreen Leopards

Skeygreen Leopards

LP | 2018 | US | Original (Soft Abuse)

Release: 2018 / US – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (In The Red)

Lavender Flu

Mow The Glass

LP | 2018 | EU | Original (Damaged Goods)

Release: 2018 / US – Original

Genre: Rock & Indie

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The new Lavender Flu album Mow The Glass was recorded in the living room of a small house on a cliff overlooking the Pacific Ocean. One can hear it in the music: the Oregon coast, the dream life of an Axolotl, the open sound of a band playing to an audience of endless water, sun, and sky. A bald eagle flew by the window every few hours as if to remind the band where they really were. Still, the laughter was real, the freedom was magic, and the tambo was sprinkled like sugar.
Heavy Air, the previous album, was a home recording project. The songs started with Chris Gunn (The Hunches) on a guitar or a synth or a bowl of cereal and were built up from there. A rotating cast of friends and family helped flesh out the material. It could have been made in deep space or at the bottom of the ocean. Transmissions from a bedroom at the bottom of Pill Hill.
This new album is a reflection of the live experience. Four people playing together; working within the template of pop classicism. thirty-five minutes of music. This time, the Flu comes out of the water and spends a little more time on land: pop kicks, psychedelic derangement, beauty, spells cast via hate raga and rocker. The band moves backward, forward and sideways; often within the same piece. The music breathes. It doesn’t deal in nostalgic regression or self conscious futurism. It just sounds like the Lavender Flu.

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The Senior Service

King Cobra

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (L.M. Dupli-cation)

A Hawk And A Hacksaw

Forest Bathing

Release: 2018 / US – Original

Genre: Rock & Indie

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LP+CD | 2016 | US | Original (First International)

Primal Scream

Chaosmosis

Rock Island Black Vinyl Edition

Release: 2016 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Includes bonus CD!

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Palm

LP | 2018 | US | Original (Carpark)

LP | 2017 | EU | Original (Born Bad)

Release: 2018 / US – Original

Genre: Rock & Indie

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On Rock Island, their second LP, Palm produces evidence of a distinct musical language, developed over time, in isolation, and out of necessity. On the island, melodies are struck on what might be shells or spines. Rhythms are scratched out, swept over, scratched again. Individual instruments, and sometimes entire sections, skip and stutter. There is the sense of a music box with wonky tension or a warped transmission in which all the noise is taken for signal.

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Forever Pavot

La Pantoufle

Blue Bucket Of Gold / Hotline Bling Feat. Gallant

Release: 2017 / EU – Original

Genre: Rock & Indie

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2017 album by Forever Pavot, the brain-child and solo venture of Emile from the Parisian psych/prog band Arun Tazieff. Musically Emile blends influences from both '60s and contemporary psych, Ennio Morricone, French and Italian movie soundtracks, library music and more.

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Sufjan Stevens

12" | 2017 | US | Original (Asthmatic Kitty)

LP | 2017 | EU | Original (Lullabies For Insomniacs)

Release: 2017 / US – Original

Genre: Rock & Indie

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Limited edition for Record Store Day 2017!

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Million Brazilians

Red Rose And Obsidian

Outrage! Is Now Black Vinyl Edition

Release: 2017 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Millions Brazilians formed in Portland, Oregon in 2006. Founding members Grant Corum and Suzanne Stone have been central to the band since it’s inception, while a rotating line-up backs them depending on the latest vision for the sound. TIP!
.

The band carry out their own interpretation of a genre bending ethos that has evolved throughout the American underground. Drifting between boundless compositions, focused energetic improvisations and experimental collaborations that embrace a weird sort of transcendence.

Their next installment Red Rose and Obsidian was recorded in Maine and engineered by Big Blood’s Caleb Mulkerin. Both he and the band deliver a powerful yet fragile and personal release. The mythical and evocative recordings are inspired by Maine's rugged coastlines; mournful ripples of sound wash up on the shore, whilst a lonesome, at times harrowing saxophone drifts through the rolling mountains, providing unsettling melodic interludes. Electronic treatments veil organic sounds, a fleeting whistle meets spontaneously with spacey flutes, mutated rock rhythms are topped off with the soaring vocals of Suzanne Stone who leads the listeners into the magical world of the Million Brazilians.

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Death From Above

LP | 2017 | EU | Original (Last Gang)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Rolling Blackouts Coastal Fever

Talk Tight

LP | 2017 | US | Original (Sub Pop)

Release: 2017 / US – Original

Genre: Rock & Indie

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LP | 2016 | UK | Original (Warner Bros.)

Biffy Clyro

Ellipsis

12" | 2017 | EU | Original (Sony)

Release: 2016 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Near Mint

Still in shrink with hype sticker. Original inner sleeve. Vinyl has scuffs. With download card.

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Arcade Fire

Everything Now

Release: 2017 / EU – Original

Genre: Rock & Indie

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Fabrication Of Silver Dreams

Praed

LP | 2017 | UK | Original (Discrepant)

LP | 2017 | EU | Original (Audiolith)

Release: 2017 / UK – Original

Genre: Rock & Indie

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Now also available on vinyl! Founded by Lebanese visual artist and musician Raed Yassin and Swiss musician Paed Conca, PRAED offers a mind bending mixture of Arabic popular music, psychedelic rock, free jazz, space jazz and electronics. Truly hallucinatory!

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Frittenbude

Plörre

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 1977 | DE | Reissue (Chrysalis)

Blondie

Release: 1977 / DE – Reissue

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

LP | 2016 | UK | Original (4AD)

Liima

LP | 2016 | UK | Original (Rock Action)

Release: 2016 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Original inner sleeve. Green vinyl. Tiny wear.

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Sacred Paws

Strike A Light

Release: 2016 / UK – Original

Genre: Rock & Indie

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LP | 1984 | EU | Reissue (Damaged Goods)

The Milkshakes

Thee Knights Of Trashe

LP | 2016 | US | Original (Sacred Bones)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Classic beat album by the milkshakes available once again.

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Marching Church

Telling It Like It Is

Release: 2016 / US – Original

Genre: Rock & Indie

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The New Generation Of Turkish Psychedelic Volume 1

V.A.

LP | 2016 | EU | Original (Ironhand)

Throw Me A Ten Clear / Blue Vinyl Edition

Release: 2016 / EU – Original

Genre: Rock & Indie

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Comprised of previously unpublished psychedelic songs by contemporary Turkish bands, 'The New Generation Of Turkish Psychedelic Volume 1' is the first compilation album released by Ironhand Records. On this collection you will find new and mind blowing sounds of Turkish psychedelia. Included are tracks by Yarimada, Irtifakaybediyoruz!, Help! The Captain Threw Up, Balina, Milankundura and Lopenstraat.

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Diners

LP | 2016 | US | Original (Lauren)

LP | 2016 | US | Original (Assophon)

Release: 2016 / US – Original

Genre: Rock & Indie

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Phoenix, AZ-based musician Tyler Broderick has been writing music under the Diners moniker since he began to write what would be become his 1st album, "Throw Me A Ten", in 2011 & "Always Room" in 2014 - both tightly focused & dreamy guitar pop records equally indebted to the pop proclivities of Brian Wilson as much as the humble, earnest qualities of Dear Nora. The sentimental hooks & heartfelt lyrics of the LP proves equally undeniable in the live setting, as the band toured extensively & shared the stage with pop & punk acts as varied as Frankie Cosmos, Tony Molina, Porches, the Smith Street Band, & fellow Phoenicians Andrew Jackson Jihad.

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Eddy Detroit

Black Crow Gazebo

Release: 2016 / US – Original

Genre: Rock & Indie

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Of Palm Trees And Decomposition

Charbel Haber

LP | 2016 | UK | Original (Discrepant)