Indierock | Alternative 2321 Items

As The Love Continues Gold Vinyl Edition

Release: 2021 / US – Reissue

Genre: Rock & Indie

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Behold the Female Species! A once-in-a-decade discovery of two sisters, married to music for life, always charging forward, indefatigable, indomitable, at last seen and heard. From their origins as the archetypal mid-'60s southern California girl group to their destiny as top-flight songwriters in the '80s and '90s Nashville country-industrial complex, Vicki and Ronni Gossett have never been much further than 20 feet from stardom. Fifty-five years into their remarkable story, Tale Of My Lost Love is the Gossetts' debut album_an ode to what could have been, and still might be.

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Mogwai

2LP | 2021 | UK | Original (Rock Action)

Release: 2021 / UK – Original

Genre: Rock & Indie

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2LP | 2021 | US | Original (No Quarter)

Endless Boogie

Admontitions

Benjamin Lew / Steven Brown

Release: 2021 / US – Original

Genre: Rock & Indie

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Endless Boogie rejoins with its fifth proper studio album. It contains and is called Admonitions. Seven tracks of unrefined wisdom, mostly put to tape in improvised fashion with little to no warning. Recorded over two years and two sessions - at the pastoral tranquility of the Stockholm inland archipelago in 2018, and in the dank, cramped basement of a Fort Greene, Brooklyn studio in February 2020. Eklow on crude direction, Sweeney on stealth glamour, the obscurantist clarity of Paul Major is, as always, as ever, on full display, the fierce reality of Mike Bones is crucial, and the stoic solidity of The Harry Druzd lays beneath it all. Old pal Kurt Vile hovers over Counterfeiter. Full grease, delivered with ease. It is the band's humble wish that you immerse yourself and this offering.

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Douzième Journée: Le Verbe, La Parure, L'amour Remastered Edition

LP | 2021 | EU | Original (Crammed)

Release: 2021 / EU – Original

Genre: Rock & Indie

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How Long Do You Think It´S Gonna Last? Red Vinyl Edition

Big Red Machine

2LP | 2021 | US | Original (Jagjaguwar)

LP | 2021 | EU | Original (Tiny Global Productions)

Release: 2021 / US – Original

Genre: Rock & Indie

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Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music _ be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation at his Long Pond Studio in upstate New York, among many other projects. Through it all, Dessner has brought together an unlikely community of musicians that share his impulse to connect, celebrate and, most of all, process emotion and experience through music. This generous spirit and desire to push music forward has never been more deeply felt than on Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's evermorphing project with Bon Iver's Justin Vernon. In 2008, while assembling material for the charitycompilation "Dark Was the Night," Dessner sent Vernon a song sketch titled "big red machine". Vernon interpreted "big red machine" as a beating heart and finished the song accordingly _ a metaphor Dessner says "still sticks with me today. This project goes to many places and is always on some level about experimentation, but it shines a light on why I make music in the first place, which is an emotional need. It's one of my therapies and one of the ways I interrogate the past." Released in 2018, Big Red Machine's self-titled debut album evolved from improvisation and what Dessner calls "structured experimentalism," with an ear toward building tracks that would work well in a live setting alongside visual elements. When Dessner and Vernon started the Eaux Claires Music Festival in 2015, they staged the original "Big Red Machine" as an improvisation-based performance piece. They later took that show to the People collective's Berlin residency and festival, and to Dessner's Haven Festival in Copenhagen. "Big Red Machine started as this thing we would do for fun, and we fell in love with the feeling of it," says Dessner." Vernon agrees: "I remember it feeling really easy, but we never knew what would happen. It was exciting. As time went on, we just kept doing things together. And our friendship has grown strong, alongside all the collaborative stuff." New Big Red Machine material began taking shape in spring 2019, when Vernon came to visit Dessner at Long Pond. The first week produced songs such as "Reese," "8:22am" and eventual album opener "Latter Days," a haunting number sung by Vernon and Anaïs Mitchell that set the emotional tenor for what was to come. "It was clear to her that the early sketch Justin and I made of Latter Days was about childhood, or loss of innocence and nostalgia for a time before you've grown into adulthood _ before you've hurt people or lost people and made mistakes. Anaïs defined the whole record When she sang that, as these same themes kept appearing again and again," Dessner says. In the ensuing months, Vernon and Dessner would meet up when they could, and in the meantime, Dessner developed the existing material and wrote new instrumental tracks which he sent Vernon, always eager to hear what he would receive back. "Justin is incredibly gifted, but he's also disruptive in the best way," says Dessner, pointing to the first note of the song "Birch" as a prime example. "It's absolutely brilliant, but it was very surprising when I heard it the first time. I can't tell you what that interval is. There are many moments working with him where your head hits the wall in amazement like that." In the early stages of the pandemic, Swift approached Dessner to work with her on what would become the sister albums "folklore" and "evermore." Dessner describes this period as a "creative blur," during which he'd be writing material for Swift and Big Red Machine simultaneously. "I think this was an intense growing period for me, I was learning so much from Taylor and the process. Along the way, I shared all of our unfinished Big Red Machine songs with her and she really found them inspiring and gave me so much positive feedback and encouragement," he says. "I think that helped me realize how connected this Big Red Machine music was to everything else I was doing and that I was always supposed to be chasing these ideas. I was finding new sounds and ways of working through these songs. I just hadn't been able to finish them. So, I did." Beyond Vernon and Swift's encouragement, many of Dessner's previous collaborators and friends show up for him here, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold ("Phoenix"), Ben Howard and This Is The Kit ("June's a River"), Naeem ("Easy to Sabotage'), Sharon Van Etten, Lisa Hannigan and My Brightest Diamond's Shara Nova ("Hutch," a tune inspired by Dessner's late friend, Frightened Rabbit frontman Scott Hutchison) and Swift herself ("Birch" and "Renegade," the latter an instant-classic Taylor earworm summed up by the poignant lyric "Is it insensitive for me to say / get your shit together so I can love you." The song was recorded in Los Angeles at the Kitty Committee studio in March 2021, the same week when Swift and Dessner took home the Grammy for Album of the Year for "folklore.") "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together." As he continued writing prolifically on his own, Dessner noticed a theme emerging -- the idea of sitting with the uncomfortability of personal and family darkness from his childhood and reflecting on how emotional issues he dealt with growing up have reverberated through his adult life. It became clear that some of these he'd need to sing himself; songs such as "The Ghost of Cincinnati" and "Magnolia" address the disintegration of marriage and family and mental health, asking pointed questions of himself and those closest to him. "Brycie" is an ode to his aforementioned twin and National bandmate, who picked up on the musical vibes immediately when Dessner played the song for him for the first time backstage at a National show in Washington D.C. "He picked along to it with me and it immediately sounded like Aaron and Bryce playing the guitar in the basement as kids, which was my intent," Dessner remembers. "The words mean a lot to me. It's about my childhood with Bryce, and how I had pretty severe depression in high school. He was the one who kept me going and took care of me until I was back on my feet. I've lost close friends to depression and this song is about how important it was that Bryce was there for me at that time and is still here." In addition to being one of the more lyrically significant tracks on the album, Dessner says singing it himself felt like an important act of self-acceptance. "I always sing under my breath when I write music, but I usually hand it off to [National vocalist] Matt [Berninger] or others" he says. "When you're in a band for so long and somebody else is that person, you come to rely on it and I've always loved Matt's voice and his words. But singing `Brycie' myself helped rewire my brain to realize that maybe Big Red Machine is the project that not only enables me to create songs with other people, but also sometimes finish songs on my own." Recalling sessions at Sonic Ranch in Texas when Dessner recorded his vocal takes, Vernon says, "Aaron showed me `Brycie' a couple years ago now. I was like, this is beautiful, and you should do more singing. Not only would it be good for the future of your songwriting, but your voice sounds really good to me. It was exciting to see him flourish in that way _ to now be a part of that process and realize the hardships in that and also the victories. On this record, he's leading the charge, wholly and completely." Musically, "How Long Do You Think It's Gonna Last?" features what Dessner calls maybe the "clearest distillation" of his varying songwriting and production styles. Songs like "Reese," the Dessner-sung "Magnolia" and the elegiac "Hutch" are built on the kinds of tear-jerking piano melodies millions of fans have come to love from The National, but then move at their own pace toward unusual sonic destinations. "Aaron's greatest gift as a collaborator is his ability to evolve and experiment with the emotional sound that is so natural to him," Vernon says of the material. Elsewhere, the dream-like "Hoping Then" sets layered vocals by Vernon, Dessner and Hannigan ("It's the on the edge of why I can't sleep soundly") atop chopped and phased violin lines, programmed drums and countermelodies played on a rubber bridge guitar. His brother Bryce's orchestration ebbs and flows throughout this song and many others. The main instrumental track of the chugging, groovy "Easy to Sabotage" was stitched together from two different live recordings and later enveloped in warm keyboard textures and the head-nodding vocals of Naeem. "It just feels alive and electric, and it just happened," Dessner says of the song. That sense of shared experience extended to the new album's title, which was coined by Swift after Dessner told her he wasn't sure what to call the new album. Intuitively summing up the themes, she suggested titling it "How Long Do You Think It's Gonna Last?," a question which she pointed out could refer to multiple subjects addressed therein: "childhood, family, marriages, a depression, a losing streak, a winning streak or a creative streak. Taylor saw it all so clearly," Dessner says. "A year ago, we'd never even worked together. It's so cool that this community keeps extending and that everyone who contributed to this album connected so naturally to the emotions at the heart of the music."

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Band Of Holy Joy

Dreams Take Flight

LP | 2021 | US | Original (Jagjaguwar)

Release: 2021 / EU – Original

Genre: Rock & Indie

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The Apotheosis Of Band Of Holy Joy's Bile Toward Today's Pathetic State Of Affairs Will Be Released Shortly - A Blistering Remix Of "The Devil Has A Hold On The Land" From Their Last Album, Neon Primitives. Remixed By Youth (Killing Joke Bassist, Paul Mccartney Collaborator, Producer Of Melanie C And U2!), Who Was So Taken By The Song As To Remix It Gratis, The Remix Will Be Part Of A Series Of 23 Discrete 7" 45s By Jon Langford Of The Mekons And An Assortment Fellow Travellers From Around The Globe. Dreams Take Flight Transitions From Political Discourse Into A Post-Virus Rebirth Of Human Relationship And The Inevitable Fumblings Of The Society's Psychological Reconstruction Over The Forthcoming Year. Have You Ever Wondered What Purpose Your Joy Or My Pain? All Those Moments Shared Together To Be Washed Away By The Rain . . . Have You Ever Doubted Our Super Hipster Being Love-In At All? Just A Pair Of Urbane Fools Passing Through Waiting For Our Call . . . Take A Leap Into The Great Unknown. Almost Perversely Heart-On-Sleeve, Johny Brown And Compatriots Have Never Fitted Well Within A Particular Scene - Nor Have They Ever Seem To Try. Although Recorded Under The Existence Of Quarantine And A Healthy Amount Of Paranoia, In Search Of The Joy Of Greatly Hindered Collaboration, The Band Has Opted To Turn Over Each Song To A Different Visionary Video Artist For An Exhibition Which Will Take Place For A Week At London's Gallery 46 Beginning At The End Of February And Open To The Public. The Video Exhibition Will Subsequently Be Available Online, Before The Album's Release.While Still Featuring Some Of The Band's Strongest Songs, Dreams Take Flight Has A Strange Film-Like Ambience In Parts, Almost As If Planned As A Soundtrack, A Thought Mirrored In Inga Tillere's Sublime, Dream-Like Sleeve, Best Seen In Real Life. "A Leap Into The Great Unknown" And "Notes From A Gallery" Will Likely Be Heard As Too Disarmingly Direct For Radio, And The Videos Will Likely Never See The Entry Door To Mtv, But Dreams Tak...

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Junglepussy

JP4

LP | 2010 | US | Original (Dead Oceans)

Release: 2021 / US – Original

Genre: Hip Hop, Rock & Indie

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With a name as bold as Junglepussy and an artistry to match, Shayna McHayle is New York's premier rap rule-breaker. Honest, funny, and freaky, her rhymes span from the explicitly audacious to the tenderly relatable. Her unfailingly confident flow accentuates her roots in Brooklyn (her parents are from Trinidad and Jamaica), and her bars land with cool impact. In the universe that is Junglepussy, relationships are complicated, vegetables are magic, and an excellently delivered flex on an ex is one punchline away. Jp4 is Junglepussy's stellar next phase. With contributions from vocalist Ian Isiah, rapper Gangsta Boo, and producers Dave Sitek and Nick Hook, Jp4 is Junglepussy ascended. After almost a decade of experimenting, Junglepussy feels she's finally living up to her name. The numerology of four, in its foundational symbolism, is an apt frame for Jp4. Over an eight year career, Junglepussy's music has led her to lecture at Yale and Columbia, create her own Junglepussy Juice, star in 2018 feature film Support The Girls, and embark on sold-out domestic and international tours. For Junglepussy, Jp4 is a culminating moment_one that holds the essence of closure while hinting at an exciting and expansive future.

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Tallest Man On Earth

The Wild Hunt

Release: 2010 / US – Original

Genre: Rock & Indie

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LP | 2021 | US | Reissue (Capitol)

Poison

Flesh & Blood

Release: 2021 / US – Reissue

Genre: Rock & Indie

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2LP | 2010 | EU | Reissue (Dot Matrix)

Clem Snide

Your Favorite Music

38,99 €*

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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Public Storage Clear & White Marble Vinyl Edition

Hana Vu

LP | 2021 | US | Original (Ghostly International)

Joachim Franz Büchner Band

Release: 2021 / US – Original

Genre: Rock & Indie

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Storage units hold possessions on pause from the outside world, objects capable of reconnecting us to a time or place. Hana Vu (born in 2000s California) grew up with her family making regular use of public storage spaces in Los Angeles, moving every few years, leaving a mix of the sacred and the mundane to sit inside concrete and steel. Public Storage builds on the sound of Vu's early work underscoring her strengths as a songwriter with a deeper sense of luster, sophistication, and urgency. She calls it "very invasive and intense sounding music," refreshingly out of step with contemporary trends; this is music to engage with rather than lean back to. Co-producer Jackson Phillips (Day Wave) helped Vu create a vast, grainy, multifaceted world to stretch into vocally, her distinct contralto drifting freely between evocative low-lit ruminations and soulful, skyward bursts. Vu opens the album fixed on a force that recurs throughout. The first sounds we hear are charming: isolated piano keys cycle into warm strums and self-harmonies on "April Fool," as Vu's protagonist dismisses her surroundings and ability to communicate. The soft amber glow diffuses into the album's title track, a darker, murkier, louder place. Vu rips through "Public Storage'' with a series of defiant rejections (failure, family, magic) and cathartic demands. It's a rare and powerful display of vulnerability from a lyricist who favors the abstract over autobiographical. Built on a disco synth pattern and grooving bass stabs, "Aubade" has the bright bounce of its morning namesake, cleverly at odds with its downbeat subject. The contrast continues on "Keeper," a pulsating new wave cut, replete with soaring dreamy synths and a cooly snarling narrator, again challenging that force. "Gutter" returns to the grungy lowlight, with muscular guitar riffs striating above a bed of feedback, swelling alongside orchestral strings to a roaring finish. The back half of Public Storage features some of its most striking moments: the rhythmic, hook-heavy "Everybody's Birthday" speaks to the evil absurdity of the present, the end of times. The night is red, the mood is blue, and her character's shame is painted gold. Vu saves "Maker" for last, a final go at the existential.

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Ich Bin Nicht Joachim Franz Büchner

LP | 2021 | EU | Original (Buback)

15,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Tape | 2021 | US | Original (Sacred Bones)

Molchat Doma

S Krysh Nashikh Domov

11,99 €*

Tape | 2021 | US | Original (Sub Pop)

Release: 2021 / US – Original

Genre: Rock & Indie

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When S Krysh Nashikh Domov The Debut Album By Molchat Doma, Was Released In 2017, It Announced A Bold New Voice In Underground Music. The Album Found A Passionate Audience On Bandcamp And Other Streaming Services And Was Released On Cd And Cassette. Sacred Bones Records Is Proud To Present The Album On Vinyl For The First Time. Molchat Doma (Translated As "Houses Are Silent"), Founded In 2017 In Minsk, Belarus, Stands At The Intersection Of Post-Punk, New-Wave And Synth-Pop. Dark Yet Danceable, And With A Heavy Dose Of Goth Ethos, Their Music Is Reminiscent Of The Masters That Predate Them, But Make No Mistake: Molchat Doma Creates A Sound And Meaning That Is Immediately Recognizable As All Their Own. The Band Is Comprised Of Egor Shkutko, Who Sings The Russian Lyrics In His Deep Monotone, Roman Komogortsev On Guitar, Synths, And Drum Machine, And Pavel Kozlov On Bass And Synths.Riyl: Depeche Mode, New Order, Drab Majesty, Black Marble

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Chai

Wink

12,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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Songs From A Haunted Ballroom

Skids

LP | 2021 | EU | Original (Cleopatra)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Garbage Remastered Edition

Garbage

2LP | 2021 | EU | Original (BMG Rights Management)

Release: 2021 / EU – Original

Genre: Rock & Indie

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My Father Will Guide Me Up A Rope...

Swans

LP | 2010 | EU | Reissue (Mute)

15,99 €*

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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This Dungeon Earth / Remove Your Skin Please

Chat Pile

LP | 2021 | Original (Reptilian)

Release: 2021 / Original

Genre: Rock & Indie

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Zink Crystal Black Vinyl Edition

Dans Dans

2LP | 2021 | EU | Original (Unday)

2LP | 2021 | US | Original (Ato0448lpx)

Release: 2021 / EU – Original

Genre: Rock & Indie

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2LP on black vinyl. In these trying times, where intimacy and closeness are fraught with danger, Dans Dans (Dance Dance) brings you the sound of connection, communication, passion and togetherness.

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Nilüfer Yanya

Miss Universe

Release: 2021 / US – Original

Genre: Rock & Indie

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2LP | 2021 | EU | Original (Repertoire)

Colosseum

Live At The BBC

38,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Ajo Sunshine Colored Vinyl Edition

J.C.R.G.

LP | 2021 | US | Original (Castle Face)

Release: 2021 / US – Original

Genre: Rock & Indie

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6LP | 2021 | EU | Original (Earmusic)

Deep Purple

Turning To Crime

73,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Turning To Crime Creamy Vinyl Edition

Deep Purple

2LP | 2021 | EU | Original (Earmusic)

21,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Heaven In Hiding Yolk Vinyl Edition

Imminence

2LP | 2021 | EU | Original (Arising Empire)

Release: 2021 / EU – Original

Genre: Rock & Indie

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7" | 2021 | EU | Original (La Vida Es Un Mus)

Dorothy

I Confess / Softness

14,99 €*

LP | 2021 | EU | Original (Insomniac)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Industrial Records - The Label Of Throbbing Gristle First Released This Pop Gem In October 1980 And It Was Possibly The Straightest Yet Weirdest Release The Label Ever Did. Dorothy Was Described As A 19 Year Old With No Prior Releases, But Was Actually Max The Drummer From Rema Rema With Help In The Song Writing Department From Alex Ferguson From Alternative Tv And Genesis P-Orridge. I Confess Is A Perfect Super Cute Pop Ditty With Lyrics That Sound Like A Catholic Confession. The Flipside Softness Is A Diy Disco Dancefloor Nugget With Dorothy's Silky Smooth Vocals.

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Poets Of The Fall

Carnival Of Rust

33,99 €*

LP | 2021 | US | Original (RCA)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Gatefold. Poets Of The Fall Releases A Vinyl Of Their Iconic Carnival Of Rust Album The Indie-Meets-Stadium-Rock Phenomenon Poets Of The Fall Is Releasing A Long Awaited, Remastered Vinyl Of Their Legendary And Timeless Second Album, Carnival Of Rust. The Album Will Be In Stores On The 20th Of August 2021.

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Wolf Alice

Blue Weekend

LP | 2021 | Original (Bachelor)

Release: 2021 / US – Original

Genre: Rock & Indie

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Blue Weekend is the highly anticipated third album from one of Britain's most revered bands, Wolf Alice. Blue Weekend is the follow-up to the band's 2017 Mercury Prize-winning album Visions of a Life. Personal storytelling is at the core of Blue Weekend, an album that sees Wolf Alice embrace a newfound boldness and vulnerability in equal measure. For Blue Weekend, the band decamped to an Airbnb in Somerset, and it was there that they reconfigured who they were together, and set to work on some fledgling demos in a converted church. These demos evolved into Blue Weekend, a record produced by Markus Dravs (Arcade Fire, Bjork, Brian Eno, Florence + The Machine) who has aided the band in refining their sound to an even sharper point. Wolf Alice are Ellie Rowsell (vocals, guitar), Joff Oddie (guitar, vocals), Theo Ellis (bass) and Joel Amey (drums, vocals). It has been a decade since the band began as a duo of Ellie Rowsell and Joff Oddie, then later expanded to a four-piece, with Joel Amey and Theo Ellis joining the group. Since then, the band saw their 2015 debut album My Love Is Cool soar to #2 on the UK charts, earned a Grammy nomination for Best Rock Performance and had their sophomore album Visions Of A Life win the 2018 Mercury Prize. Blue Weekend is the next chapter for Wolf Alice, and it's the work of a band who raise the bar with every release. Track Listing: 1. The Beach 2. Delicious Things 3. Lipstick On The Glass 4. Smile 5. Safe From Heartbreak (if you never fall in love) 6. How Can I Make It OK 7. Play The Greatest Hits 8. Feeling Myself 9. The Last Man On Earth 10. No Hard Feelings 11. The Beach II

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The Whiffs

Another Whiff

Release: 2021 / Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Because Music)

Gaspard Auge

Escapades

16,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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10" | 2021 | EU | Original (South Of North)

CV Vision

In Time

Beak> (Geoff Barrow of Portishead, Billy Fuller & Matt Williams)

Release: 2021 / EU – Original

Genre: Rock & Indie

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With relationships, as with music, timing is everything. When the elements sit together in the pocket, it just feels right - and that groove can’t be forced. Lovers and players can fall in and out of time, depending on the rhythms of their lives, and how they react in the moment. In the end, we’re simply either in sync or not - because Time plays its beat on all our hearts without exception.

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Beak

2LP | 2010 | UK | Reissue (Invada)

39,99 €*

Release: 2010 / UK – Reissue

Genre: Rock & Indie

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LP | 2021 | Reissue (Rhino)

War

Greatest Hits

41,99 €*

Release: 2021 / Reissue

Genre: Rock & Indie

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Orchestre Tout Puissant Marcel Duchamp

The Thing That Everything Else Is About

LP | 2010 | EU | Original (Red Wig)

Release: 2010 / EU – Original

Genre: Rock & Indie

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Lucy Kruger & The Lost Boys

Transit Tapes Coke Bottle Green Vinyl Edition

LP | 2021 | EU | Original

Release: 2021 / EU – Original

Genre: Rock & Indie

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7" | 2021 | EU | Original (Beluga)

Mike Bell Cartel

Wait!

9,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Elvis Costello & The Imposters

The Boy Named If

2LP | 2021 | EU | Original (EMI)

Release: 2021 / EU – Original

Genre: Rock & Indie

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7" | 2021 | US | Original (Third Man)

Gina Birch

Feminist Song

10,99 €*

LP | 2021 | Original (Pias)

Release: 2021 / US – Original

Genre: Rock & Indie

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Debut solo release from Gina Birch, founding member of Dorothy, The Hangovers and The (hugely influential) Raincoats. "Feminist Song" made it’s way into recent Raincoats gigs and Gina’s longtime collaborator and fellow Raincoat Ana da Silva contributes monotron on this recording. Mixed by Youth.

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Oscar And The Wolf

The Shimmer

Release: 2021 / Original

Genre: Rock & Indie

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Les Talismans & Les Jaguars

Surf Quebecois: L'interplanetaire / Guitare Jet

7" | 2021 | EU | Original (Radio Martiko)

13,99 €*

Horizon / East Neon Yellow & Violet Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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High quality 45 in a silk screen sleeve. Surf !!! 2 raw monster tracks from French Canada

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Thrice

LP | 2021 | EU | Original (Epitaph)

White Light White Heat White Trash

Release: 2021 / EU – Original

Genre: Rock & Indie

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To emerge from a global pandemic with a renewed sense of situational awareness, hard won insight, and a new album is the kind of move we’ve come to expect from Thrice over the last twenty years. With Horizons/East, Dustin Kensrue and his bandmates address, with candor and courage, the fragile and awkward arrangements that pass for civilization, while inviting us to dwell more knowingly within our own lives. Without surrendering any of the energy and hard edge of their previous albums, they’ve given us a profoundly meditative work which serves as a musical summons to everyday attentiveness.

Since forming Thrice with guitarist Teppei Teranishi, bassist Eddie Breckenridge, and drummer Riley Breckenridge in 1998, Kensrue has never been one to back down from a mental fight. This mood is set by the opening synth-driven number “Color of the Sky,” which sounds well-suited to accompany the closing credits of the Stranger Things season finale. Think Flying Lotus giving way to Elbow and setting the listener down in a new dimension. A self-recorded effort, Horizons/East conveys a palpable sense of danger, determination, and possibility.

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Social Distortion

LP | 2010 | EU | Reissue (Music On Vinyl)

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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LP | 2021 | EU | Original (Papercup)

Keshavara

Kabinett Der Phantasie

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Mri)

Charlie Benante

Silver Linings

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Fun In The Church)

Os Barbapapas

Doowoodoowoo

20,99 €*

2LP | 2010 | US | Original (Saddle Creek)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Ready for take-off: Brazilian psychedelic quartet Os Barbapapas will release their first record DooWooDooWoo on 30rd April. Berlin-based record label Fun In The Church celebrates an LP release perfectly in line with their motto “Outernational Music For Interplanetary People”: DooWooDooWoo by Os Barbapapas will be the international debut of a highly talented band straight from the hip psychedelic scene in São. São Paulo meets Berlin – contemporary interplanetary diplomacy at its best. The result is a wondrous trip propelling us into outer space, to a lyrically unmanned space station where instrumental needles pierce the membrane of our planetary horizon, making way for a holistic psychedelic experience of our world.
Our tour guides are Barbara Mucciollo (Drums, Percussion), Selva
Rubens (Electric Guitar), Fernando Lima (Percussion, Drums) and Tomás Oliveira (Glass Harp, Bass), who is also responsible for production and mix. In times like these, producing a record like DooWooDooWoo is not a trivial thing at all, especially in Brazil, where Covid struck hard. The four artists had to improvise: since the initial plan to record an album in a studio was made impossible, the already drafted songs where postponed in favor of a new concept. Everyone recorded ideas for themselves, to which the others would contribute their tracks later, eventually building the 13 track-long interstellar journey that is the album. Collective improvisation chronologically untangled.
Though DooWooDooWoo was created in physical distance, the LP still became a 25-minute-long monument to the extraordinary vibe of the band. Its unpretentious and playful sound can only originate from the natural bond of those who speak the same musical language. And while listening to the first bars of the album and asking oneself if this could also be The Residents or Hermeto Pascoal producing Khruangbin’s next record, one has already been befallen by the spell of the four Brazilian mages. At the very latest, the third song “Sanga” will draw in even the most reluctant sceptic, when Selva Rubens sounds his self-made pot guitar. Welcome to the desert jungle.
Here, Tropicália meets exotica. Space meets desert. Surf meets western. The evoked visions maintain their wonder throughout the whole album, supported by the varied rhythms of the two drummers Mucciollo and Lima, who alternate skillfully between funky grooves, electronic sounds and classic percussion patterns, awarding the album a continuous flow. Brought together with Oliveira’s science-fiction sounds produced by his Glass Harp and the absence of vocals, they unfold a hypnotizing force that seems to slow down time. This unique sound is glued together by Selva Rubens’ guitar, always present with twangy melodies and reverberating harmonies. That way, Os Barbapapas weave us a sound that could only have been created in the cultural melting pot that is São Paulo. All the more exciting that Fun In The Church will deliver us that sound on vinyl.
The recording process has been a lifeline to the four Brazilians in Covid-induced isolation. Tomás Oliveira writes: “It’s been a great source of good mental health and daydreams”. This feeling perforates the music. And sounds truly outernational!

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Land Of Talk

Cloak And Cipher

30,99 €*

Delta Kream Black Vinyl Edition

Release: 2010 / US – Original

Genre: Rock & Indie

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incl. Fun and Laughter EP!
etched 4th side !!!

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The Black Keys

2LP | 2021 | EU | Original (Nonesuch)

Release: 2021 / EU – Original

Genre: Rock & Indie

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2LP | 2010 | EU | Reissue (Modular)

Tame Impala

Innerspeaker

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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LP | 2021 | EU | Original (Island)

PJ Harvey

Let England Shake Demos

13,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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2LP | 2021 | UK | Original (Two Gentlemen)

The Young Gods

Release: 2021 / UK – Original

Genre: Rock & Indie

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2LP | 2021 | US | Original (Allman Brothers Band)

Allman Brothers Band

Final Note

Release: 2021 / US – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Undamento)

Laila Al Habash

Mystic Motel

30,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Gadzooks Volume 1 Red Vinyl Edition

Caleb Landry Jones

LP | 2021 | US | Original (Sacred Bones)

Identity (2021 Remaster) White Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Caleb Landry Jones is a continual creator. The Texan-born star found fame as an actor - you'll recognise him from key roles in X-Men: First Class, Three Billboards Outside Ebbing, Missouri, amongst others - but music is perhaps his first love, and his source of greatest comfort. A chance encounter with famed auteur Jim Jarmusch brought him into the orbit of Sacred Bones, and the stalwart independent released Caleb's 2020 debut album The Mother Stone. Psychedelic in a defiantly non-retro way, this indulgent, freewheeling trip won critical acclaim, but masked a secret - he'd already finished another album. Filming alongside Tom Hanks in dystopian themed Finch, Caleb found himself writing during those long evenings after the shoot in locations across New Mexico, idling away his hours by focusing on creativity. "I need it," he says, "I've tried working without it. On one acting job, I intentionally didn't bring a guitar to try and do it without music... but that didn't last long. I need to create something - it could be a drawing, it could be a song - because otherwise I feel like I'm wasting time. Which is something I do plenty of on my own!" With his creative faculties burning, Caleb knew he had to get straight back into the studio when filming stopped. Linking with the same cast who formed The Mother Stone, he resumed his partnership with producer Nic Jodoin, based out of the elegant Valentine Recording Studio in Los Angeles. A studio steeped in history - everyone from Bing Crosby to Frank Zappa worked there - he interrupted mixing sessions for his own debut album in order to focus on something different. Gadzooks Vol. 1 is unlike anything you've heard before - comparisons range from Skip Spence's fractured masterpiece Oar through to skewed troubadour Robyn Hitchcock, via John Lennon's black moods on The White Album and Frank Zappa's caustic surrealism. Recording to tape, Caleb would hack away at each take, re-assembling the songs like Escher diagrams. "It's like when you're swimming in the pool," he smiles, "and you're doing a bit of butterfly, and then that gets old after a while. So then you start doing breaststroke, and then that gets old after a while. I think it's just a reaction from the place where we were before." Part of a flood-tide of creativity - as its title suggests, a second half to this album is already on the horizon - Gadzooks Vol. 1 is thrilling, shocking, and wonderfully entertaining. Each song starts and finishes in entirely unique places, often totally divorced from each other. "I'm trying to write something very simple," he says, "And it gets really abstract because I don't know any other way."

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Airbag

2LP | 2021 | EU | Original (Karisma)

31,99 €*

LP | 2021 | UK | Original (FatCat)

Release: 2021 / EU – Original

Genre: Rock & Indie

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2021 Re-master of Identity the debut album from Oslos biggest prog band – Airbag!! Airbag has created their own, unique sound with elements of classic and progressive rock, chill and jazz, influenced by artists from a wide range of genres, from Pink Floyd and Porcupine Tree to Talk Talk, Radiohead and Marillion (Steve Hogarth era). The album comprises eight songs with Airbag’s unique sound of classic progressive rock blended with scenic soundscapes, epic guitars and soulful vocals Classic Rock Magazine said: “prog at its most chilled, honeyed and soothing”. “Identity” has been re-mastered by Jacob Holm-Lupo (White Willow, The Opium Cartel, + + +), and is finally made available on vinyl again – in a special limited deluxe version with a 12 page booklet and die-cut sleeve! Airbag has managed to create a loyal fan base from all over the world, and their latest studio album “A Day at the Beach” has already been pressed in more than 13000 copies.

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Holiday Ghosts

North Street Air

36,99 €*

Release: 2021 / UK – Original

Genre: Rock & Indie

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Magica Musica Orange Vinyl Edition

Venerus

2LP | 2021 | EU | Reissue (Asian Fake)

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Vertigo Days Black Vinyl Edition

The Notwist

2LP | 2021 | EU | Reissue (Morr Music)

12" | 2021 | US | Original (Asthmatic Kitty)

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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On Vertigo Days, the first album in seven years for The Notwist, one of Germany’s most iconic independent groups are alive to the possibilities of the moment. Their music has long been open-minded and exploratory, but from its engrossing structure, through its combination of melancholy pop, clangorous electronics, hypnotic Krautrock and driftwork ballads, to its international musical guests, Vertigo Days is both a new step for The Notwist, and a reminder of just how singular they’ve always been. Most importantly, the core trio of Markus and Micha Acher and Cico Beck are reaching out: as Markus reflects, “we wanted to question the concept of a band by adding other voices and ideas, other languages, and also question or blur the idea of national identity.”

It’s been seven years since The Notwist’s last album, Close To The Glass, and in that time the various members of the group have been busy with side projects (Spirit Fest, Hochzeitskapelle, Alien Ensemble, Joasihno), guest appearances, a record label (Alien Transistor), movie scoring, helping organise the Minna Miteru compilation of Japanese indie pop & running a festival (Alien Disko). Those divergent paths feed back into Vertigo Days in surprising ways, from its structure, built from group improvisations, with songs flowing and melting into one another in a collective haze, to its spirit, which feels refreshed and alive. There’s something cinematic about Vertigo Days too, reflective of the group’s time working on soundtracks, and reflected in the rich, moody photographic artwork by Lieko Shiga that adorns the cover.

The first sign of this newfound openness was the album’s lead single, “Ship”, where the group were joined by Saya of Japanese pop duo Tenniscoats, her disarmingly hymnal voice sighing over a propulsive, Krautrocking beat. Elsewhere, American multi-instrumentalist Ben LaMar Gay sings on “Oh Sweet Fire”, also contributing “a love lyric for these times, imagining two lovers in an uprising hand in hand.” American jazz clarinettist and composer Angel Bat Dawid adds clarinet to the spaced-out dream-pop of “Into The Ice Age”, while Argentinian electronica songwriter Juana Molina gifts some gorgeous singing and electronics to “Al Sur”. Saya also reappears as a member of Japanese brass band Zayaendo, who guest on the album. Throughout, The Notwist also capture the openness of their live performances, too, where they mix and link their songs in unexpected ways.

Indeed, what’s most impressive about Vertigo Days is the way it sits together as one long, flowing suite, the album conceptualised as a whole entity – it’s perfect for the long-distance, dedicated listening experience. This is also captured by the album’s lyrics, which Markus states, “feel more like one long poem.” The dimensions of that poem are multi-faceted, something intensified by the geopolitical weirdness of its times: “As the situation changed so dramatically, while we were working on the record, the theme of ‘the impossible can happen anytime,’ more about personal relationships in the beginning, became a global and political story.” But it also works at a level of poetic abstraction, such that each song gestures in multiple directions – the deeply private pans out to the global. The one certainty is that there is no certainty. “It’s maybe mostly about learning and how you never arrive anywhere,” Markus concurs. To sit within uncertainty is brave, but it’s also where we feel most alive, and Vertigo Days is an album that is brimming with life, with enthusiasm and love for music and for community, all wide-eyed and dreaming.

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Sufjan Stevens

America

Release: 2021 / US – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Rude)

Stand Atlantic

Sidewinder

18,99 €*

LP | 2021 | US | Original (Sub Pop)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Stand Atlantic are a female fronted band from Sydney, Australia. Their fresh blend of melodic hooks and power-driven instrumentals allow them to sit atop of the genre. With their honest lyrical nature and relentless ability to move an audience live, the band are being tipped to be the next to break through the Australian scene. At the end of 2016 Stand Atlantic entered Electric Sun studio to record their new EP 'Sidewinder' with producer Stevie Wright (With Confidence). The EP shows the band mixing accessible song writing and exceptional musicianship, balancing out both the 'pop' and 'rock' aspects of their sound

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Father John Misty

Fear Fun

As Days Get Dark Black Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Reissued - Father John Misty's First From 2012! Father John Misty Is The Nom-De-Plume Of Josh Tillman, Who Has Been Recording And Releasing Solo Albums Under His Own Name Since 2003, And Who Left Seattle's Fleet Foxes After Playing Drums With Them From 2008-2011. When Discussing Father John Misty, Tillman Paraphrases Philip Roth: "'It's All Of Me And None Of Me, If You Can't See That, You Won't Get It.'" Fear Fun, Father John Misty's Debut Album, Began Gestating During What Tillman Describe...

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Arab Strap

LP | 2021 | UK | Original (Rock Action)

Knebworth 1996 Limited Edition Box Set

Release: 2021 / UK – Original

Genre: Rock & Indie

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"It's about hopelessness and darkness,” says Aidan Moffat. “But in a fun way.” The Arab Strap frontman is speaking about the band’s 7th studio album and their first since 2005’s The Last Romance. The band's exciting return saw the much lauded The Turning of Our Bones single achieve Record of the Week on Jo Whiley's BBC Radio 2 show and hit the B-list at BB6Music. The new album will appeal to longtime fans and pick up new ones who weren't ready for Arab Strap first time round!

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Oasis

Box | 2021 | UK | Original (Big Brother)

139,99 €*

LP | 2021 | EU | Original (Balcoon)

Release: 2021 / UK – Original

Genre: Rock & Indie

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This year marks 25 years since Oasis’ two iconic record breaking live concerts at Knebworth Park in Hertfordshire on the 10th and 11th August 1996. The shows were both the pinnacle of the band’s success and a landmark gathering for a generation of young people. Released alongside the cinema debut of the feature length documentary film of the event, ‘Oasis Knebworth 1996’ is the definitive live recording featuring a setlist packed with stone cold classics album taken from across both nights of the concert, from the opening salvoes of ‘Columbia’ and ‘Acquiesce’, to ‘Champagne Supernova’, ‘Don’t Look Back In Anger’, ‘Live Forever’, an orchestra backed ‘I Am The Walrus’, and ‘Wonderwall’ the first song from the 1990’s to reach over one billion streams on Spotify and universally loved anthem. The DVD and Blu-ray formats feature ‘Oasis Knebworth 1996’ - the eagerly anticipated feature length documentary telling the story of the special relationship between Oasis and their fans that made the largest concert of the ‘90’s possible, directed by Grammy Awardwinner Jake Scott. It is told entirely in the moment through the eyes of the fans who were there, built around extensive and never before seen archive concert and backstage footage from the event, with additional interviews with the band and concert organisers. Both formats also include the full concerts from both nights edited by Dick Carruthers with audio mixed by Will Shapland in Dolby 5.1 surround sound.

This set contains: 3LP, 2CD, 2xMC / Cassette Tapes, 3DVD

Super Deluxe Box Set including Triple LP on Heavyweight Vinyl (Cat. No. RKIDLP98), Double CD (Cat. No. RKIDCD98), Yellow Cassette (Cat. No. RKIDMC98-1), Red Cassette (Cat. No. RKIDMC98-2), Triple DVD (Cat. No. RKIDDVD98) containing documentary plus Saturday and Sunday night concerts in full, replica of numbered concert ticket for Saturday 10th August at Knebworth, replica of AAA pass for Loch Lomond, Knebworth & Cork plus lanyard holder, replica of Knebworth concert info booklet, Knebworth Park site map art print and event binoculars gifted to VIP guests at the show. All housed in a black case with silver logos.

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Bachar Mar Khalife

Ya Balad

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | UK | Original (Wrecking Light)

Still Corners

The Last Exit

22,99 €*

Nepal Death Red Vinyl Edition

Release: 2021 / UK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. Original inner sleeve

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Nepal Death

LP | 2021 | SE | Original (Kommun2)

31,99 €*

Release: 2021 / SE – Original

Genre: Rock & Indie

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LP+7" | 2010 | US | Reissue (Kill Rock Stars)

Xiu Xiu

Dear God, I Hate Myself

Warsaw Silver/Grey Vinyl Edition

Release: 2010 / US – Reissue

Genre: Rock & Indie

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The two biggest constants throughout Xiu Xiu's catalog are honesty and evolution. This remains true with Dear God, I Hate Myself as it delivers a look at responsibility, fear, healing, and societal roles wrapped in rich gothic pop music. The sound is still distinctly Xiu Xiu, but Jamie Stewart's vocals are finally effortless paired with vibrant melodies full of subtlety and the distinct sonic accents expected of this anticipated Xiu Xiu release. The result is a record that proves that art can be pop and pop can challenge you to look inside yourself. Each new Xiu Xiu release has evolved alongside the lives of Jamie Stewart and company. On this record you'll find more intensity and introspection than ever before, but sonically and lyrically it continues to move forward with a subtly new perspective ' hyper-focused yet aware of a larger, external picture unfolding. The pace of the record grips you, the music offers layers of detail, and the themes focus on not just the past or stark present but hint towards vespers of the future as well. Dear God, I Hate Myself will challenge you and force you to look inside yourself, but only after you get lost in the music. It's passionate, it's energetic, and it affects you. Dear God, I Hate Myself is a beautiful piece of humanist art. It's an important addition to the growing body of intelligent music from Xiu Xiu. And it's a brilliant gothic pop record that can stand next to anything.

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Warsaw

LP | 2021 | EU | Original (Outsider)

2LP | 2021 | EU | Original (Staatsakt)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Warsaw was the planned debut album by the English post-punk band Joy Division, while they were briefly associated with RCA Records. Recorded in May 1978, it comprised eleven tracks now known collectively as the "rca Sessions". However, the band were disappointed with the label's post-production work and the deal fell through, the album being scrapped. Four of the songs recorded during the RCA sessions had previously been recorded at the end of 1977, and it was these older recordings that the band would release the following month as their debut An Ideal for Living EP.

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Ja, Panik

Money Years

Release: 2021 / EU – Original

Genre: Rock & Indie

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3CD | 2021 | UK | Original (XL)

Radiohead

Kid A Mnesia

20,99 €*

LP | 2021 | US | Original (Culture Factory)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Radiohead announces KID A Mnesia, a multiple format triple-album release marking the 21st anniversary of Kid A and Amnesiac, out November 5th via XL Recordings. KID A Mnesia collects Radiohead’s fourth and fifth albums alongside the debut of a newly compiled third disc titled Kid Amnesiae. Exclusive to this release, Kid Amnesiae is comprised of unearthed material culled from the Kid A / Amnesiac sessions. Along with alternate versions and elements of Kid A and Amnesiac album tracks and B-Sides, Kid Amnesiae features the never-before-heard "If You Say the Word” (available now as a digital single) and a previously unreleased studio recording of "Follow Me Around.”

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Rare Earth

32,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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Legacy Of The Anointed Clear Vinyl Edition

Spiral Grave

LP | 2021 | EU | Original (Argonauta)

16,99 €*

I Just Don't Know What To Do With Myself

Release: 2021 / EU – Original

Genre: Rock & Indie

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Spiral Grave, comprised of extraordinary vocalist Screaming Mad Dee, Iron Louis Strachan (bass), Mot Waldmann on drums and former Lord guitarist Willy Rivera, was born in 2018 after the tragic death of their longtime band mate, Alfred Morris III, founding member of iconic Iron MAN. Setting the mood for a classic heavy as hell and in your face doom, Spiral Grave quickly carved a place for themselves in North America’s heavy music scene, playing well-received sets at New England Stoner Doom Fest or the Maryland Doomfest. The Doom Legacy continues!

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Colin Hay

LP | 2021 | EU | Original (Compass)

20,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Fat Possum)

Wavves

Hideaway

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Nowhere Special)

Cleopatrick

Bummer

Release: 2021 / EU – Original

Genre: Rock & Indie

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King Gizzard & The Lizard Wizard

Live In London 2019 Black Vinyl Edition

3LP Box | 2021 | UK | Original (Fuzz Club)

31,99 €*

Peter And The Test Tube Babies

Release: 2021 / UK – Original

Genre: Rock & Indie

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Triple LP box-set on black 180g vinyl. Includes 62x62cm poster. Artwork and remaster exclusive to Fuzz Club Bootlegs. Limited to 334 copies.

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Banned From The Pubs

7" | 2021 | EU | Original (Sniffin' Glue)

14,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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7" | 2021 | EU | Original (Cleopatra)

Vibrators

Baby Baby

15,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Unique Leader)

Korpse

Insufferable Violence

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2010 | EU | Reissue (Atlantic Curve/Schubert Music)

Blue Angel Lounge

Narcotica

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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Levitation Sessions Volume II Transparent Red & Blue Splatter Colored Vinyl Edition

Osees (Thee Oh Sees)

2x12" | 2021 | CA | Original (The Reverberation Appreciation Society)

Release: 2021 / CA – Original

Genre: Rock & Indie

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Henki Black Vinyl Edition

Richard Dawson & Circle

2LP | 2021 | UK | Original (Domino)

Release: 2021 / UK – Original

Genre: Rock & Indie

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2LP | 2021 | EU | Original (Music On Vinyl)

Billy Talent

Hits Black Vinyl Edition

30,99 €*

LP | 2021 | US | Original (The Flenser)

Release: 2021 / EU – Original

Genre: Rock & Indie

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After four highly successful albums and two live albums, it was time for Canadian punk rockers Billy Talent to release their first greatest hits compilation in 2014, simply called »Hits«. The album contains 12 of the band’s most popular singles, including »Try Honesty«, »Red Flag«, »Fallen Leaves«, »Devil on My Shoulder« and »Viking Death March«. The album also includes two new songs, »Kingdom of Zod« and »Chasing the Sun«. It charted well in both the band’s native Canada as well as Germany and Switzerland.

Whether you’re a punk rocker looking to get to know Billy Talent in 14 incredible songs, or you’re a longtime fan of the band who already knows all their songs by heart, this compilation is an absolute must have. It comes in a UV matte finished gatefold sleeve and contains a 4-page booklet as well as an art print by Ken Taylor.

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Midwife

Luminol

2LP | 2021 | US | Original (Scat)

Release: 2021 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Midwife is the moniker of multi-instrumentalist Madeline Johnston. She lives and works in San Miguel, New Mexico by way of Denver, Colorado, where she spent the better half of the past decade developing her experimental pop project. As a self taught guitarist and recording engineer, Midwife explores dark subject matter in her anthemic, soft-gaze hits. Self-described as “Heaven Metal,” or emotive music about devastation - catharsis.

When 2020 began, Johnston had several national and international tours planned, but the pandemic shifted her focus back to recording, and back to her internal landscape. Midwife’s third full length record, Luminol, was written and produced during quarantine.

Luminol is a chemical used by forensic investigators to reveal trace amounts of blood left at a crime scene. When it reacts with blood, luminol emits a chemiluminescent blue glow that can be seen in a darkened room. In the same way this chemical reveals evidence at a scene, Midwife is interested in profound truth - turning trial and tribulation into sources of light.

Luminol navigates themes of incarceration, locus of control, clarity, self harm, confinement, agency, and truth-seeking, all erupting in a bioluminescent Rothko color-field of blue.

The Luminol album cover shows a dark figure standing at the edge of a body of water. It symbolizes the way humanity had been on a precipice throughout 2020, to later find out they had been there all along. Being one of Midwife’s most personal records, Luminol's cover artwork is a picture of Madeline Johnston's mother taken in the 1980’s, when she was the same age as Madeline at the time of recording. By redacting the figure, Johnston hopes that anyone could see themselves there, by the water, as a form leftover when all the elements of their lives are stripped away and what is left is a host.

Luminol features collaborations from Tucker Theodore, Angel Diaz (Vyva Melinkolya), Zachary Cole Smith, Ben Newman, and Colin Caulfield (diiv), and Dan Barrett (Have A Nice Life).

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Bill Fox

Shelter From The Smoke

Free / Down With The King

Release: 2021 / US – Original

Genre: Rock & Indie

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Scat Records offers up a definitive edition of Bill Fox's debut solo disc, Shelter from the Smoke, back in print after more than half a decade. Originally self-released in 1997 and reissued the following year by SpinArt, both previous versions featured different tracklists. This edition includes all songs from both versions, as well as the two tracks from a scarce 1996 Scat 7-inch. This reissue also marks the first time the album has been pressed on vinyl. Fox began his musical journey in early 1980s Cleveland with The Mice, who fused punk energy with British-Invasion-style songwriting and harmonies. He infamously dissolved the group on the eve of a European tour, then dropped out of the scene altogether, with an unfinished Mice LP in the can. In the early '90s, he began a series of home recordings which revealed a growing preference for acoustically based music, and formed the basis for Shelter from the Smoke as well as the follow-up Transit Byzantium (scheduled for a similar reissue treatment next year). Shelter also includes four electric tracks recorded with Fox's short-lived band The Radio Flyers. After a 1998 tour, Fox once again dropped out of music. Now he is performing again. For how long, nobody knows. Fox is one of those rare musicians who really does not enjoy the limelight, even declining an interview with Joe Hagan of The Believer, who went so far as to fly to Cleveland in hopes of meeting him. That and his refusal to "be on the internet" has probably only helped the growing cadre of music fans who sees his solo albums as mysterious, lost classics. Or perhaps they just delight in the ringing sound of Fox's perfectly pitched voice or his deft lyricism. Either way, Fox's two solo albums are jewels not to be missed by anyone who enjoys traditional songcraft or iconic vocalists.

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Acid King

LP | 2010 | US | Reissue (Kreation)

LP | 2021 | EU | Original (Ripple)

Release: 2010 / US – Reissue

Genre: Rock & Indie

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Reissued on colored vinyl.

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Shotgun Sawyer

Thunderchief

18,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Ekleroshock)

Andrea Laszlo De Simone

Uomo Donna

2LP | 2021 | UK | Original (Mute)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Andrea has his roots in the independent musical scene in the first decade of the 2000s. In addition to his compositional and live experience as the first Nadàr Solo drummer, he is one half of the Turin duo Anthony Laszlo with Anthony Sasso, ex guitarist and singer of Milena Lovesick. Andrea Laszlo De Simone made his debut in 2012 when he released his first homemade album, Ecce Homo. Recorded at home by makeshift means and accompanied by the following videos: Solo un uomo, 11:43, I nostri piccoli occhi, Perdutamente.

At the beginning of 2014, he met some experienced musicians from Turin’s underground scene that later, after a few months in a rehearsal room, became his band: Damir Nefat (guitar/backing vocals), Dani C (bass guitar/backing vocals), Filippo Cornaglia (drums/backing vocals), Zevi Bordovach (keyboards/backing vocals) and Anthony Sasso (keyboards/backing vocals/percussions).

Anticipated by the individual tracks Uomo Donna, Vieni a salvarmi and La guerra dei baci on June 9, 2017 - for 42Records - Uomo Donna came out. It’s Andrea Laszlo De Simone’s first real album, a well received work by both audience and critics. It also was pointed as one of the best albums of 2017 by several national music magazines.

Uomo Donna is a complex, articulate and vital album that lives in its own time - where past, present and future coexist. It’s a time in which a sonic world takes shape blending classic and modern, Italian songs with psychedelia, Battisti and Radiohead, Modugno and Verdena, the Beatles and Tame Impala, the magical flight of Claudio Rocchi and the earthly flight of Iosonouncane.

The album was self-produced and then post-produced by Andrea in collaboration with Giuseppe Lo Bue, a sound engineer from Bologna. The recordings were made between October 2014 and the end of 2016 with experimental techniques straddling digital and analogic.

After playing in some important Italian festivals as Siren Festival and TOdays -- that earned him a special mention in the live scores by Rolling Stones -- on October 28, 2017 the first Uomo Donna album tour started in the clubs of the major Italian cities.

On November 30th 2017, Andrea Laszlo De Simone presented his video, Sogno l'amore, during the Torino Film Festival as a short film, shot in Sicily and directed by Francesca Noto and Andrea Laszlo De Simone.

On March 15th 2018 the music video of Gli uomini hanno fame was released, the most political song of the album, an overlook through ferocious human emotions, an eleven and fifty minutes trip within human nature portrayed even in its most ferocious instincts. The music video was directed by Andrea Laszlo De Simone and the mysterious duo Sans. The official cycle of Uomo Donna ends on 31 December 2018 with the music video of Sparite Tutti created by the creative collective Irene&Irene.

2019 was a year of new goals for Andrea, in fact, the album Uomo Donna leaves national borders and got a special mention on social media by the famous American band The Lumineers which included Andrea Laszlo De Simone and Uomo Donna among the most interesting discoveries of the international musical underground and inserts Solo un Uomo in the Spotify playlist “Inspirations”. A few days later, Solo un Uomo was broadcasted by Kexp Radio. On November 4th Andrea and his band were chosen to open for The Lumineers’ only Italian show at Alcatraz, in Milan.

On November 8th Andrea released a brand new work, digitally and on vinyl for 42Records, Immensità, a ‘suite’ of four singles: Immensità, Conchiglie, Mistero and La Nostra Fine. Turned into a medium-length film using Immensità as the soundtrack.

Immensità was presented with four special sold out concerts in Rome, Turin, Padua and Milan. For these shows Andrea Laszlo De Simone was accompanied on stage by a mixed orchestra composed of synths, electronics, choirs, strings and woodwinds. Classic and modern instruments that are intertwined in a nine elements formation: an immersive concert, a contemporary version of chamber music.

In March 2020 Immensità was released also in France, UK, Canada, Belgium and the United States with Ekleroshock/ Hamburger Records (Roster: Benjamin Clementine, Polo & Pan, Limousine and many others). The response of the transalpine press and media, sector and not, was unexpected: major French newspapers and magazines - from Le Monde to Liberation, Vanity Fair and Les Inrockuptibles - dedicated entire pages and rave reviews to Immensità and Andrea Laszlo De Simone. The track Immensità entered, after a few days, at the fourteenth rank of Spotify’s Top viral 50 playlist and broadcasted on France Inter and Radio Nova.

“Immensità” is a complex cross media work of music and images. A project divided into four chapters (the songs) for nine tracks (each chapter has a prologue or a conclusion). A true suite, using the classic term that best describes an instrumental composition in several stages, that can be enjoyed in its entirety only by listening to vinyl or digitally in the innovative single track format, without pauses: a single symphony of 25 minutes and 6 seconds.

In September 2020, Dal giorno in cui sei nato tu was released on all italian platforms, a song dedicated to Andrea’s children, a real love letter in the form of a small speech, where he tries to give them the three keys to approaching life: fantasy, music and irony. Martino, 8 years old, replies to his father’s love letter by making the video accompanying the song, created in Super 8. It's the story of the world through the eyes of the child. It is also an homage to the new little girl in family, Lucia.

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This Is Telex

Release: 2021 / UK – Original

Genre: Rock & Indie

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2LP | 2021 | EU | Reissue (Ex1)

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LP | 2010 | EU | Reissue (Music On Vinyl)

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LP | 2021 | EU | Original (Rhino)

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Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2010 | EU | Reissue (Clouds Hill)

LP | 2021 | EU | Original (RecordJet)

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Recorded with a friend, made out of coincidence and trust and beautiful feelings.

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Release: 2021 / EU – Original

Genre: Rock & Indie, Pop

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Jay-Jay Johanson

LP+CD | 2021 | EU | Original (Wort)