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Cannibale - Acceleration
Cannibale
Acceleration
7" | 2020 | CH | Original (Six Tonnes Des Chair)
10,99 €*
Release: 2020 / CH – Original
Genre: Rock & Indie
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Bitter Moon - The World Above
Bitter Moon
The World Above
LP | 2020 | CH | Original (La Suisse Primitive)
22,99 €*
Release: 2020 / CH – Original
Genre: Rock & Indie
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Billy Changer - Over There
Billy Changer
Over There
7" | 2017 | CH | Original (La Suisse Primitive)
11,99 €*
Release: 2017 / CH – Original
Genre: Rock & Indie
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Les Morts Vont Bien - Les Morts Vont Bien
Les Morts Vont Bien
Les Morts Vont Bien
LP | 2019 | CH | Original (Kaka Kids)
19,99 €*
Release: 2019 / CH – Original
Genre: Rock & Indie
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Paolo Tecon - Coulis De Framboise
Paolo Tecon
Coulis De Framboise
7" | 2019 | CH | Original (Kaka Kids)
11,99 €*
Release: 2019 / CH – Original
Genre: Rock & Indie
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Catastrophe - Fizzy
Catastrophe
Fizzy
LP | 2020 | EU | Original (Tricatel)
21,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Brigid Dawson & The Mother's Network - Ballet Of Apes
Brigid Dawson & The Mother's Network
Ballet Of Apes
LP | 2020 | US | Original (Castle Face)
21,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Tip-top of Castle Face’s osmosis list is the first quiver of tunes from Brigid Dawson and her newly minted Mothers Network: wise warnings dyed in dark hues, knotted and hard-won torch songs from the edge of a turbulent sea, bittersweet balladry spun in defense against evils familiar and unknown. Lovely though it may seem from a distance, the striation of loss quicksilvered throughout provides weighty balance to her contralto lilt. Those familiar with her harmonic counterpoint from her time in Thee Oh Sees or in OCS know she can belt as well as lullaby but there’s a fresh and smolderingly heavy swing in her step on display here that Castle Face mightily digs. Ballet Of Apes tapestries together sessions that read like a who’s who from outside the label’s castle walls—in Australia with Mikey Young (Total Control / Eddy Current Suppression Ring), in San Francisco with Mike Donovan (ex-Sic Alps), Shayde Sartin (ex-Fresh & Onlys / lifetime ringer) and Mike Shoun (ex-Oh Sees / Peacers), and in Brooklyn with instrumental heavy-weights Sunwatchers—and the results are spellbinding. At the focal point of this maelstrom, the lady, as if illumed by candlelight, intones, pleads, consoles—white magic perhaps, but it carries with it the anodized tang of blood.
Ashtray Navigations - Greatest Imaginary Hits
Ashtray Navigations
Greatest Imaginary Hits
LP+CD | 2020 | US | Original (Vhf)
35,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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27th Anniversary set for the multi-dimensional midlands-crew, led by Phil Todd and Melanie O’Dubhslaine. Nearly six hours of cosmic, psychedelic, mind-boggling sounds, featuring a newly recorded LP plus four max-length CDs curated by AshNav connoisseurs Rob Hayler, Henry Rollins, Pete Coward, and Neil Campbell. The CDs are drawn from the band’s massive back catalog of mostly small run / private releases, covering activity dating back to 1994. Mining a deep well of thousand-yard stare psychedelia, Ashtray Navigations possess of one of the most exciting outré music catalogs of the contemporary era, matching the classics from any era in originality and straight-up bonkers fun. This epic release includes a full range of hypnotic jams, including sequencer-led cosmic workouts, drifty ambience, and a heavy dose of Phil Todd’s ripping, laser guitar leads. The gatefold LP also includes pithy liner notes from Matt Valentine, Henry Rollins, Jon Dale, and more.

“Phil. Well I am glad you’re finally back from your place in Monaco and getting to work. The pictures of you with the polo mallet and the horses you sent were impressive, sure but when you sell yourself as an artist type and then are seen cavorting with those over tanned Euro trustfunders, it is alienating to your audience. You are, however, the only person I have ever met who has actually cavorted and that’s why you will always be a mid-level god to me.” —Henry Rollins
The Notwist - Ship
The Notwist
Ship
10" | 2020 | EU | Original (Morr Music)
15,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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After six years, The Notwist return with three new tracks on Morr Music. It’s both an exposition of the the band’s musical variety and a prospect on a forthcoming album. Six years have passed since The Notwist released their last regular studio album, but that doesn’t mean that the members of this outstanding band have been idle in the meantime. There have been side projects, movie scoring, and other activities, like programming four editions of „Alien Disko“, a festival taking place in Munich, Germany. One of that event’s regular guests was the Japanese duo Tenniscoats – and a lovely side effect from that was an evolving friendship between the two bands. It lead to various collaborations: most recently in a new album by international band „Spirit Fest“ (featuring Tenniscoats singer Saya & The Notwist’s Markus & Cico) & a deep digging compilation of Japanese indie music called „Minna Miteru“. The title track of this new EP is another step in this collaboration – and a first step to an upcoming album by The Notwist – as it features Saya, who lends her voice to the percussive song. It is build around a slightly detuned synthline, which is contrasted by more pragmatic guitar work. „It neither sounds like The Notwist, Tenniscoats, nor Spirit Fest“, tells Markus Acher. „Just like Saya is saying in the lyrics: ‘I want to go outside, I want to meet people’, „Ship“ is another chapter in what The Notwist always tries to do: redefining itself, exploring something new, integrating different styles of music and collaborating with musicians they admire.“ The second song „Loose Ends“ is, in contrast, more classic Notwist material. A gently expanding ballad, this time featuring the distinctive voice of Markus Acher. The song came out of recording sessions for the soundtrack for „One Of These Days“, a movie by Bastian Günther. The EP then closes with „Avalanche“ a carefully optimistic instrumental. With its variety of styles, „Ship“ also serves as an outlook on an upcoming album, which will be influenced by the band’s experiences from their detailed work of creating sounds and moods for film soundtracks, and it will include more collaborations with international guest musicians.
Billy Nomates - Billy Nomates Yellow Vinyl Edition
Billy Nomates
Billy Nomates Yellow Vinyl Edition
LP | 2020 | UK | Original (Invada)
27,99 €*
Release: 2020 / UK – Original
Genre: Rock & Indie
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PJ Harvey - Rid Of Me
PJ Harvey
Rid Of Me
LP | 1993 | EU | Reissue (Island)
28,99 €*
Release: 1993 / EU – Reissue
Genre: Rock & Indie
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PJ Harvey - 4-Track Demos
PJ Harvey
4-Track Demos
LP | 2020 | EU | Original (Island)
28,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Brian Eno & John Cale - Wrong Way Up
Brian Eno & John Cale
Wrong Way Up
LP | 2020 | UK | Original (All Saints)
27,99 €*
Release: 2020 / UK – Original
Genre: Rock & Indie
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Broadway Calls - Sad In The City
Broadway Calls
Sad In The City
LP | 2020 | US | Original (Red Scare Industries)
18,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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We’ve been fans of Broadway Calls for a while now and after years of pestering they finally gave in and joined the team. Their exact words were, “It would take a catastrophic act of god that destroyed the music industry for us to consider working with Red Scare.” And what do ya know! Thank you, 2020. (Ironically, the record is about the impending civil war and apocalypse… so maybe this is all their doing?!) Then we sent ‘em down to the Bay Area to work with Scott Goodrich (Culture Abuse, Direct Hit!, etc.) and they emerged with the best 11 songs we’ve ever heard from this Oregon trio. Sad In The City is fast, it’s loud, and most of all it is catchy as hell. It’s their finest full length and it’ll likely go down as one of the top releases in our entire catalog.
Between The Buried And Me - The Silent Circus 2020 Remixed & Remastered Edition
Between The Buried And Me
The Silent Circus 2020 Remixed & Remastered Edition
2LP | 2003 | EU | Reissue (Spinefarm)
42,99 €*
Release: 2003 / EU – Reissue
Genre: Rock & Indie
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PVRIS - Use Me Violet Vinyl Edition
PVRIS
Use Me Violet Vinyl Edition
LP | 2020 | US | Original (Warner)
32,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Trees Speak - Ohms
Trees Speak
Ohms
LP | 2020 | UK | Original (Soul Jazz)
24,99 €*
Release: 2020 / UK – Original
Genre: Rock & Indie, Electronic & Dance
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Bully - Sugaregg Loser Edition
Bully
Sugaregg Loser Edition
LP | 2020 | US | Original (Sub Pop)
23,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Bully - Superegg
Bully
Superegg
LP | 2020 | US | Original (Sub Pop)
23,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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H.C. McEntire of Mount Moriah - Eno Axis Copper Swirl Vinyl Edition
H.C. McEntire of Mount Moriah
Eno Axis Copper Swirl Vinyl Edition
LP | 2020 | US | Original (Merge)
24,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Narratively, H.C. McEntire's Eno Axis is about finding direction in the natural world, and following love. Sonically, it's an album shaped enormously by the atmosphere it was recorded in_the crew's synergy and positivity, the proximity and presence of a band in a room playing with intention. Structurally, it's a group of songs inspired by the colors and tones of open tunings, by the sacrality of space and instinct. Stylistically, it's folk-rock leaning into its curious experimental side and moved by the spiritual rawness of classic soul and the simplicity of earnest pop. Eno Axis feels like a confident and mature step forward from her debut album LIONHEART_in tone, arrangement, production, and spirit.
Bright Eyes - Down In The Weeds, Where The World Once Was
Bright Eyes
Down In The Weeds, Where The World Once Was
Tape | 2020 | US | Original (Dead Oceans)
16,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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A lone pair of footsteps meanders down a street in Omaha, into the neighborhood bar and then into a near-imperceptible tangle of conversations - about wars, sleepless nights - a surrealist din pushing against the sound of ragtime. Then, as the background quiets, a line rings out clearly: "I think about how much people need - what they need right now is to feel like there's something to look forward to. We have to hold on. We have to hold on." Thus we enter the fitting, cacophonic introduction to Bright Eyes' tenth studio album and first release since 2011. Down in the Weeds, Where the World Once Was is an enormous record caught in the profound in-between of grief and clarity - one arm wrestling its demons, the other gripping the hand of love, in spite of it. The end of Bright Eyes' unofficial hiatus came naturally. Conor Oberst pitched the idea of getting the band back together during a 2017 Christmas party at Bright Eyes bandmate Nathaniel Walcott's Los Angeles home. The two huddled in the bathroom and called Mike Mogis, who was Christmas shopping at an Omaha mall. Mogis immediately said yes. There was no specific catalyst for the trio, aside from finding comfort amidst a decade of brutal change. Sure, Why now? is the question, but for a project whose friendship is at the core, it was simply Why not? The resulting Bright Eyes album came together unlike any other of its predecessors. Down in the Weeds is Bright Eyes' most collaborative, stemming from only one demo and written in stints in Omaha and in bits and pieces in Walcott's Los Angeles home. Radically altering a writing process 25 years into a project seems daunting, but Oberst said there was no trepidation: "Our history and our friendship, and my trust level with them, is so complete and deep. And I wanted it to feel as much like a three-headed monster as possible." As a title, as a thesis, Down in the Weeds, Where the World Once Was functions on a global, apocalyptic level of anxiety that looms throughout the record. But on a personal level, it speaks to rooting around in the dirt of one's memories, trying to find the preciousness that's overgrown and unrecognizable. For Oberst, coming back to Bright Eyes was a bit of that. A symbol of simpler times, vaguely nostalgic. And even though it wasn't actually possible to go back to the way things were, even though there wasn't an easy happy ending, there was a new reality left to work with. And here, there is a bleary-eyed hopefulness - earnest, emotive recommitments to love appear on "Dance and Sing" and "Just Once in the World." And throughout, Down in the Weeds features snippets of Oberst's loved ones speaking, in late-night conversations. The fleeting loveliness of intimate moments punctuates the bleakness of the record's existential crisis, crackling like lightning bugs illuminating the long night. Down in the Weeds is a distillation of a prolific, enduring canon. It's immediate and urgent, the product of its creators' growth across a decade apart, as well as the need to make a record together to find solace from loss. Through deliberate, fearless experimentation in process, the trio made the truest Bright Eyes sound: the sound of a deep bond, of a band coming home, but also a seamless continuation, like Bright Eyes never went away. It's the impossible, sprawling mess of human experience that Bright Eyes has always sought to put to tape, since the beginning - the sound of holding on. Why now? Why not?
Bright Eyes - Down In The Weeds, Where The World Once Was Red & Transparent Orange Vinyl Edition
Bright Eyes
Down In The Weeds, Where The World Once Was Red & Transparent Orange Vinyl Edition
2LP | 2020 | US | Original (Dead Oceans)
26,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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First pressing on limited edition Transparent Red + Transparent Orange vinyl - 2xLP packaging features die-cut jacket and Side 4 phenakistoscope etching!

A lone pair of footsteps meanders down a street in Omaha, into the neighborhood bar and then into a near-imperceptible tangle of conversations - about wars, sleepless nights - a surrealist din pushing against the sound of ragtime. Then, as the background quiets, a line rings out clearly: "I think about how much people need - what they need right now is to feel like there's something to look forward to. We have to hold on. We have to hold on." Thus we enter the fitting, cacophonic introduction to Bright Eyes' tenth studio album and first release since 2011. Down in the Weeds, Where the World Once Was is an enormous record caught in the profound in-between of grief and clarity - one arm wrestling its demons, the other gripping the hand of love, in spite of it. The end of Bright Eyes' unofficial hiatus came naturally. Conor Oberst pitched the idea of getting the band back together during a 2017 Christmas party at Bright Eyes bandmate Nathaniel Walcott's Los Angeles home. The two huddled in the bathroom and called Mike Mogis, who was Christmas shopping at an Omaha mall. Mogis immediately said yes. There was no specific catalyst for the trio, aside from finding comfort amidst a decade of brutal change. Sure, Why now? is the question, but for a project whose friendship is at the core, it was simply Why not? The resulting Bright Eyes album came together unlike any other of its predecessors. Down in the Weeds is Bright Eyes' most collaborative, stemming from only one demo and written in stints in Omaha and in bits and pieces in Walcott's Los Angeles home. Radically altering a writing process 25 years into a project seems daunting, but Oberst said there was no trepidation: "Our history and our friendship, and my trust level with them, is so complete and deep. And I wanted it to feel as much like a three-headed monster as possible." As a title, as a thesis, Down in the Weeds, Where the World Once Was functions on a global, apocalyptic level of anxiety that looms throughout the record. But on a personal level, it speaks to rooting around in the dirt of one's memories, trying to find the preciousness that's overgrown and unrecognizable. For Oberst, coming back to Bright Eyes was a bit of that. A symbol of simpler times, vaguely nostalgic. And even though it wasn't actually possible to go back to the way things were, even though there wasn't an easy happy ending, there was a new reality left to work with. And here, there is a bleary-eyed hopefulness - earnest, emotive recommitments to love appear on "Dance and Sing" and "Just Once in the World." And throughout, Down in the Weeds features snippets of Oberst's loved ones speaking, in late-night conversations. The fleeting loveliness of intimate moments punctuates the bleakness of the record's existential crisis, crackling like lightning bugs illuminating the long night. Down in the Weeds is a distillation of a prolific, enduring canon. It's immediate and urgent, the product of its creators' growth across a decade apart, as well as the need to make a record together to find solace from loss. Through deliberate, fearless experimentation in process, the trio made the truest Bright Eyes sound: the sound of a deep bond, of a band coming home, but also a seamless continuation, like Bright Eyes never went away. It's the impossible, sprawling mess of human experience that Bright Eyes has always sought to put to tape, since the beginning - the sound of holding on. Why now? Why not?
Bright Eyes - Down In The Weeds, Where The World Once Was Black Vinyl Edition
Bright Eyes
Down In The Weeds, Where The World Once Was Black Vinyl Edition
2LP | 2020 | US | Original (Dead Oceans)
26,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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2xLP packaging features die-cut jacket and Side 4 phenakistoscope etching!

A lone pair of footsteps meanders down a street in Omaha, into the neighborhood bar and then into a near-imperceptible tangle of conversations - about wars, sleepless nights - a surrealist din pushing against the sound of ragtime. Then, as the background quiets, a line rings out clearly: "I think about how much people need - what they need right now is to feel like there's something to look forward to. We have to hold on. We have to hold on." Thus we enter the fitting, cacophonic introduction to Bright Eyes' tenth studio album and first release since 2011. Down in the Weeds, Where the World Once Was is an enormous record caught in the profound in-between of grief and clarity - one arm wrestling its demons, the other gripping the hand of love, in spite of it. The end of Bright Eyes' unofficial hiatus came naturally. Conor Oberst pitched the idea of getting the band back together during a 2017 Christmas party at Bright Eyes bandmate Nathaniel Walcott's Los Angeles home. The two huddled in the bathroom and called Mike Mogis, who was Christmas shopping at an Omaha mall. Mogis immediately said yes. There was no specific catalyst for the trio, aside from finding comfort amidst a decade of brutal change. Sure, Why now? is the question, but for a project whose friendship is at the core, it was simply Why not? The resulting Bright Eyes album came together unlike any other of its predecessors. Down in the Weeds is Bright Eyes' most collaborative, stemming from only one demo and written in stints in Omaha and in bits and pieces in Walcott's Los Angeles home. Radically altering a writing process 25 years into a project seems daunting, but Oberst said there was no trepidation: "Our history and our friendship, and my trust level with them, is so complete and deep. And I wanted it to feel as much like a three-headed monster as possible." As a title, as a thesis, Down in the Weeds, Where the World Once Was functions on a global, apocalyptic level of anxiety that looms throughout the record. But on a personal level, it speaks to rooting around in the dirt of one's memories, trying to find the preciousness that's overgrown and unrecognizable. For Oberst, coming back to Bright Eyes was a bit of that. A symbol of simpler times, vaguely nostalgic. And even though it wasn't actually possible to go back to the way things were, even though there wasn't an easy happy ending, there was a new reality left to work with. And here, there is a bleary-eyed hopefulness - earnest, emotive recommitments to love appear on "Dance and Sing" and "Just Once in the World." And throughout, Down in the Weeds features snippets of Oberst's loved ones speaking, in late-night conversations. The fleeting loveliness of intimate moments punctuates the bleakness of the record's existential crisis, crackling like lightning bugs illuminating the long night. Down in the Weeds is a distillation of a prolific, enduring canon. It's immediate and urgent, the product of its creators' growth across a decade apart, as well as the need to make a record together to find solace from loss. Through deliberate, fearless experimentation in process, the trio made the truest Bright Eyes sound: the sound of a deep bond, of a band coming home, but also a seamless continuation, like Bright Eyes never went away. It's the impossible, sprawling mess of human experience that Bright Eyes has always sought to put to tape, since the beginning - the sound of holding on. Why now? Why not?
Guided By Voices - Alien Lanes 25th Anniversary Edition
Guided By Voices
Alien Lanes 25th Anniversary Edition
LP | 2020 | US | Original (Matador)
32,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Lemon Twigs - Songs For The General Public Red Vinyl Edition
Lemon Twigs
Songs For The General Public Red Vinyl Edition
LP | 2020 | UK | Original (4AD)
30,99 €*
Release: 2020 / UK – Original
Genre: Rock & Indie
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James Dean Bradfield - Even In Exile
James Dean Bradfield
Even In Exile
LP | 2020 | EU | Original (Montyray)
25,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Arabs In Aspic - Madness And Magic
Arabs In Aspic
Madness And Magic
LP | 2020 | EU | Original (Karisma)
31,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Whitney - Candid Clear Blue Vinyl Edition
Whitney
Candid Clear Blue Vinyl Edition
LP | 2020 | US | Original (Secretly Canadian)
24,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Following their acclaimed sophomore 2019 album Forever Turned Around, Whitney have decided to return with a loving tribute to songs that have been formative and lasting to the entire band. Candid is a 10-song collection boasting covers of artists like Kelela, David Byrne, John Denver, SWV, and others but it's also a band challenging themselves to explore more than their musical comfort zone. "This could've been as simple as saying we really love these songs and we love our bandmates and making a covers record just felt right but it truly became an exploration into how we can evolve as a band going forward," says drummer and singer Julien Ehrlich. Covers have long been an integral part of Whitney's ethos. Ever since the band first formed in a Chicago apartment in 2014, tackling songs by the Everly Brothers, Allen Toussaint, and more played an important part in the songwriting process for their breakthrough 2016 debut Light Upon The Lake. Since then, their takes on NRBQ's "Magnet" and Neil Young's "On the Way Home" have become live staples, an essential and communal part of their sets. Their love for the music that makes up their deepest influences has always been genuine and tangible. At its core, Candid is a celebration of both the songs Whitney has adored throughout its formation and the band's evolving bond through years of relentless touring and an enduring friendship. "One thing we realized is how these songwriters could make amazing songs with so much simplicity. Taking these skeletons and working with this incredible material means we're keeping our chops and staying tight as a band," says Ehrlich. The LP is a sincere snapshot of their evolving and eclectic tastes that's imbued with a wholly inviting charm. It's Whitney at their most unvarnished and inventive but most importantly, it's a heartfelt tribute to the songwriters who've helped them most.
Ribbon Stage - My Favorite Shrine EP
Ribbon Stage
My Favorite Shrine EP
7" | 2020 | EU | Original (K)
12,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Ribbon Stage "My Favorite Shrine"this is international pop underground CXLV.The best love songs aren't really about a romance.Dolly mixing candied pleasure, fuzzed pressure and a little painjump on the bedcar ride to the beach cry in the driveway til it falls like ribbons all around,enshrined in place. 5 tracks 45rpm Ribbon Stage are a trio from NYC with no small amount of love for the noise pop days of Dolly Mixture and the Shop Assistants. The group does perfectly what only punks playing pop music can do- create chaotic noise in tandem with the sugary hooks and sweet sophisticated nihilism. Ribbon Stage makes noise pop so catchy you swear you've heard before then can't get out of your head.Featuring Dave Sweetie (Ratas del Vaticano, Tercer Mundo, Exotica, and Pobreza Mental) as well as scene stalwart Jolie M-A (Juicy II Boys Online) and newcomer Anni Hilator.Recorded by Sweetie on a cassette 4 track in Brooklyn NY and mixed by Capt. Tripps Ballsington in Olympia WA. This release continues the rich tradition of DIY bands crafting instant pop hits entirely on their own terms, which has long been the hallmark of the International Pop Underground series.
Tanya Donelly / Parkington Sisters - Tanya Donelly & The Parkington Sisters
Tanya Donelly / Parkington Sisters
Tanya Donelly & The Parkington Sisters
LP | 2020 | US | Original (American Laundromat)
28,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Kids - Mercy, Mercy / Who Knows Whats Gonna Come
Kids
Mercy, Mercy / Who Knows Whats Gonna Come
7" | 1986 | EU (Sky)
8,99 €*
Release: 1986 / EU
Genre: Rock & Indie
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Spoon - Kill The Moonlight
Spoon
Kill The Moonlight
LP | 2000 | EU | Reissue (Matador)
27,99 €*
Release: 2000 / EU – Reissue
Genre: Rock & Indie
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Spoon - Girls Can Tell
Spoon
Girls Can Tell
LP | 2001 | EU | Reissue (Matador)
27,99 €*
Release: 2001 / EU – Reissue
Genre: Rock & Indie
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Spoon - A Series Of Sneaks
Spoon
A Series Of Sneaks
LP | 1998 | EU | Reissue (Matador)
27,99 €*
Release: 1998 / EU – Reissue
Genre: Rock & Indie
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Maya Hawke - Blush
Maya Hawke
Blush
LP | 2020 | US | Original (Mom+Pop)
25,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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King Buzzo Of Melvins with Trevor Dunn - Gift Of Sacrifice
King Buzzo Of Melvins with Trevor Dunn
Gift Of Sacrifice
LP | 2020 | US | Original (Ipecac)
22,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Stuart Moxham & Louis Philippe - The Devil Laughs
Stuart Moxham & Louis Philippe
The Devil Laughs
LP | 2020 | EU | Original (Tiny Global Productions)
29,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Much has been written about Young Marble Giants' small, perfect catalogue, which contained roughly two-dozen songs, nearly each one a perfect gem. Less is known about his long wilderness years after the break-up of his first professional band. His next project, The Gist, chopped YMG's minimalism into a new sound. This Is Love, Public Girls and Fool For A Valentine showed his songs to be razor-sharp, but the album's fragmented pieces were a step too far for some, though even the strangest, Carnival Headache, when cast in sunlight by Alison Statton's combo Weekend, was as fine a song as any he'd written - and Love At First Sight became a million-seller when covered by Etienne Daho. Then Stuart disappeared. A rmid-90s resurgence led to fine albums done on low budgets, before more silence followed. The Gist's 2018's release Holding Pattern - unexpected and then quickly followed by YMG singer Alison Statton's first new album with her accompanist Spike in two decades, adding fuel to public interest. The Devil Laughs, recorded a few years back, is a compelling addition to the canon of the 21st century songwriting. Stuart's generally unadorned musical presentation does not hinder his appreciation for the skills of Louis Philippe, whose iconic arrangements across an array of Él label albums inspire the fierce devotion of aficionados around the world. Nor does the unvarnished solidity of Stuart's arrangements deter Louis from hearing possibilities for their presentation in styles which take inspiration from the perfection of 1960's studio technology that led to the rise of Brian Wilson, Burt Bacharach, along with less-recognised names such as Bones Howe and Roy Halee. Tidy Away is Young Marble Giants redux, though the backing vocals hint at maturity which band didn't live to see. Fighting To Lose, written with producer Ken Brake, would pass as a worthy b-side to Bridge Over Troubled Water, and although the songs are otherwise Stuart's, Louis fans will delight at several, like Love Hangover and Sky Over Water, which disp...
The Cure - Seventeen Seconds
The Cure
Seventeen Seconds
LP | 1980 | EU | Reissue (Vinyl Lovers)
29,99 €*
Release: 1980 / EU – Reissue
Genre: Rock & Indie
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Seventeen Seconds was the second album by the Cure originally released in 1980. It was too bleak for bassist Michael Dempsey who left after hearing Robert Smith's demos. Smith went his own merry/miserable way in the end and the album is a fine example of their spindly proto-goth. It contains one of their finest moments in menacing single A Forest which exemplifies the dark nature of the material on the album.
Marmalade Knives - Amnesia Orange Vinyl Edition
Marmalade Knives
Amnesia Orange Vinyl Edition
LP | 2020 | EU | Original (Electric Valley)
29,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Marmalade Knives announce their debut LP Amnesia to be issued by Italian Stoner/Heavy Psych/Doom label Electric Valley Records. The group was formed in the mountains of Santa Cruz, CA, as a collaboration between guitarists Clinton Wilkins and Justin Spivey, exploring the depths of outer-limits psychedelia. Wilkins spent several years studying with David First (acclaimed minimalist/microtonal composer and member of cult 70s/80s NYC no-wave legends The Notekillers) and Spivey is a well-regarded collector/historian of originalperiod psychedelic/progressive music, writer at UK psych rag Moof Magazine, and recent songwriting contributor to the underground cult film The Yucca Sisters by Samuel Casebolt. The lineup of the band eventually grew to a full-on 5 member troupe of local freak–rock 'n' rollers, including bassist Mark Robinson, drummer Kyle Herrenkohl (of SF acid-folkers Tabernacle), and keyboardist Nathan Warrick (of Apache Dropout). In the summer of 2018 they tracked their debut album at Loud House Studio in Santa Cruz, CA, and over the following year+ the production and mixing of the album was helmed by Adam Kriney (of THE Golden Grass/la Otracina). Amnesia is a sprawling tapestry of classically inspired progressive psychedelia. A voyage through a mythical cosmic rock universe, layered with dense squalls of abstract sound collage and fields of freeform freakouts, all coloured with old-world folk melodies/modalities and pulsing with a funky rhythm section!
Weed Demon - Crater Maker Pruple Vinyl Edition
Weed Demon
Crater Maker Pruple Vinyl Edition
LP | 2020 | EU | Original (Electric Valley)
29,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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A bands third release is a challenging one - it's frequently here where they make or break their career. Having launched on a musical journey five years ago with the desire to reflect their sludgy musical ancestors, Weed Demon live up to their early promise on Crater Maker. This is far and away their most fully realized work to date. Not for the faint of heart, Crater Maker launches with eleven minutes of instrumental stoner rock to set the mood. By the time you get to the devastating vocals of "Serpent Merchant" you know you're in for a rare treat. Infused with bluesy roots and defined by a search for the perfect tone, Crater Maker is a sonic quest like few others. Their worship of bands like Sleep and Electric Wizard is apparent throughout, but these Columbus, Ohio doomsters are clearly in touch with another side of themselves on this record. An album that rewards multiple listens, it promises to be a worthwhile listen for doom freaks across the globe. Electric Valley Records has once more signed a winner - are you ready to join them on the journey to this riff filled land?
Video Age - Pleasure Line
Video Age
Pleasure Line
Tape | 2020 | US | Original (Winspear)
9,74 €* 12,99 € -25%
Release: 2020 / US – Original
Genre: Rock & Indie
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Video Age's third album pairs neon-bright 80s pop melodies with a vast range of influences (including Janet Jackson, David Bowie, and Paul McCartney) to create an optimistic sound all their own. The influences vary song to song, but they're all tinted with the same rosy hue, and Singer and multi-instrumentalist Ross Farbe says, "I'm often trying to create a more idealized version of the world I'm in." Video Age's first two albums were about loneliness and discovering oneself, but Pleasure Line takes on a whole new attitude, considering both Ross and songwriting partner Ray Micarelli are getting married this year. "We're feeling the love," Ray says, laughing. But these aren't expressions of one-dimensional puppy love-this is euphoria with depth, ecstasy with complications. Darkness is always lurking somewhere beneath happiness, but in the Video Age, even melancholy sounds like something you can dance to. Ray and Ross share a love for dancefloor hits. Experimentation and play is crucial to their approach, as is collaboration. Joined by band members and multi-instrumentalists Nick Corson and Duncan Troast, Video Age recorded the album together in Ross' New Orleans home studio. Pleasure Line is a salve that protects against cynicism-listening to this album, you can't help but feel the world around you is full of romantic potential.
Video Age - Pleasure Line Purple Vinyl Edition
Video Age
Pleasure Line Purple Vinyl Edition
LP | 2020 | US | Original (Winspear)
26,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Video Age's third album pairs neon-bright 80s pop melodies with a vast range of influences (including Janet Jackson, David Bowie, and Paul McCartney) to create an optimistic sound all their own. The influences vary song to song, but they're all tinted with the same rosy hue, and Singer and multi-instrumentalist Ross Farbe says, "I'm often trying to create a more idealized version of the world I'm in." Video Age's first two albums were about loneliness and discovering oneself, but Pleasure Line takes on a whole new attitude, considering both Ross and songwriting partner Ray Micarelli are getting married this year. "We're feeling the love," Ray says, laughing. But these aren't expressions of one-dimensional puppy love-this is euphoria with depth, ecstasy with complications. Darkness is always lurking somewhere beneath happiness, but in the Video Age, even melancholy sounds like something you can dance to. Ray and Ross share a love for dancefloor hits. Experimentation and play is crucial to their approach, as is collaboration. Joined by band members and multi-instrumentalists Nick Corson and Duncan Troast, Video Age recorded the album together in Ross' New Orleans home studio. Pleasure Line is a salve that protects against cynicism-listening to this album, you can't help but feel the world around you is full of romantic potential.
The Atomic Bitchwax - Scorpio
The Atomic Bitchwax
Scorpio
LP | 2020 | EU | Original (Tee Pee)
22,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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THE ATOMIC BITCHWAX is an American rock band from Long Branch NJ that plays balls-to-the-wall rock 'n' roll, smashing 70s riff-rock and proto-metal into a towering celebration of the riff. Formed in the mid-90s by bassist/singer/songwriter Chris Kosnik, guitarist Ed Mundell and drummer Keith Ackerman, their first self titled album THE ATOMIC BITCHWAX was released in 1999 with the NYC label Tee Pee Records, establishing them with audiences of the burgeoning Stoner Rock community. Featuring the current lineup of Kosnik, drummer Bob Pantella and guitarist Garrett Sweeny (all also members of MONSTER MAGNET), the band has perfected its unique style of hard rock that High Times magazine appropriately dubbed "thunder-boogie." As of 2020 the band has released nine studio albums and have performed over 1,500 live shows worldwide. In addition, this year will find the band supporting their latest ten song effort Scorpio (to be released on May 29th) with tours scheduled in North America and Europe. Since its formation, THE ATOMIC BITCHWAX has inspired hundreds of developing rock and metal bands, but no group of musicians has come close to matching its unique style of fun, frenetic and formidable rock and roll.
Burning Bus - Burning Bus
Burning Bus
Burning Bus
LP | 2020 | US | Original (In The Red)
21,59 €* 26,99 € -20%
Release: 2020 / US – Original
Genre: Rock & Indie
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Another Don Howland-related album! That’s right, In The Red is putting out two albums by the man at the same time! That’s how much the label loves him and his music. This full length is by his now defunct five piece band Burning Bus. The band released two 7-inches earlier this decade and recorded this album, which has laid dormant until now. While Howland’s solo work and the Bassholes tend to be stripped-down, treble-kicking affairs, Burning Bus is a full throttle three guitar and bass attack. It’s much noisier and more brutal than anything else he’s done. Fans of Pussy Galore will want to take note.
Sun Araw - Rock Sutra
Sun Araw
Rock Sutra
LP | 2020 | US | Original (Sun Ark)
21,69 €* 30,99 € -30%
Release: 2020 / US – Original
Genre: Rock & Indie
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Rock Sutra is the new space-rock album from SUN ARAW. Space: and how to make it, "Roomboe," the first track, illustrates this process. Experience is elastic. Rock Sutra features four tracks. "78 Sutra" is about oribital motion. "Catalina" is about taking a walk. "Arrambe" is about a peculiar feeling you get when you zoom in far enough.
Daniel Blumberg - On & On
Daniel Blumberg
On & On
LP | 2020 | UK | Original (Mute)
19,99 €*
Release: 2020 / UK – Original
Genre: Rock & Indie
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Daniel Blumberg presents his new album On&On,a 9-song masterpiece that confirms the London musician and visual artist's status as a unique creative force; he pushes the art of song into unexplored territories. On&On follows minus,released in 2018. The new album is a consolidation of the deconstructed song aesthetic developed by Daniel Blumberg,operating at the intersection between the structures of conventional song and free improvisation. It now goes even further by incorporating recurring and changing patterns.
Spoon - Telephono
Spoon
Telephono
LP | 2020 | US | Original (Matador)
27,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Ocean - Ocean
Ocean
Ocean
LP | 2020 | EU | Original (Lollipop)
20,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Whereswilder - Hotshot
Whereswilder
Hotshot
LP | 2017 | GR | Original (Inner Ear)
16,49 €* 21,99 € -25%
Release: 2017 / GR – Original
Genre: Rock & Indie
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The Vagina Lips - Outsider Forever
The Vagina Lips
Outsider Forever
LP | 2020 | GR | Original (Inner Ear)
23,99 €*
Release: 2020 / GR – Original
Genre: Rock & Indie
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Tango With Lions - The Light
Tango With Lions
The Light
LP | 2018 | GR | Original (Inner Ear)
16,49 €* 21,99 € -25%
Release: 2018 / GR – Original
Genre: Rock & Indie
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Sundayman - Scene Missing
Sundayman
Scene Missing
LP | 2016 | GR | Original (Inner Ear)
16,49 €* 21,99 € -25%
Release: 2016 / GR – Original
Genre: Rock & Indie
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Jef Maarawi - Comfort Food
Jef Maarawi
Comfort Food
LP | 2017 | GR | Original (Inner Ear)
16,49 €* 21,99 € -25%
Release: 2017 / GR – Original
Genre: Rock & Indie
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Electric Litany - Under A Common Sky
Electric Litany
Under A Common Sky
LP | 2019 | GR | Original (Inner Ear)
17,99 €* 23,99 € -25%
Release: 2019 / GR – Original
Genre: Rock & Indie
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Chickn - Bel Esprit
Chickn
Bel Esprit
LP | 2019 | GR | Original (Inner Ear)
23,99 €*
Release: 2019 / GR – Original
Genre: Rock & Indie
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Bazooka - Zero Hits
Bazooka
Zero Hits
LP | 2019 | GR | Original (Inner Ear)
23,99 €*
Release: 2019 / GR – Original
Genre: Rock & Indie
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Jason Molina Of Songs: Ohia And Magnolia Electric - Eight Gates Strawberry Shortcake Vinyl Edition
Jason Molina Of Songs: Ohia And Magnolia Electric
Eight Gates Strawberry Shortcake Vinyl Edition
LP | 2020 | US | Original (Secretly Canadian)
24,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Sometime in 2006 or 2007, Jason Molina moved from the midwest to London. Separated from his bandmates and friends and never one for idleness, Molina explored his new home with fervor. Sometimes he'd head out on foot, often with no destination in mind. Other times, he'd pick a random tube stop and find his way back home. He'd pick up on arcane trivia about London's rich history, and if the historical factoids weren't available - or weren't quite to his liking - Molina was quite comfortable conjuring his own history. His adoration of The Great American Tall Tales like John Henry and Paul Bunyan's blue ox Babe stretched across the Atlantic, where he created his own personal Tall Tales. And when he learned of the London Wall's seven gates (itself a misconception), Molina went ahead and called it eight, carving out a gate just for himself. The eighth gate was Molina's way into London, a gate only passable in the mind. Fast forward to 2008, Molina set off on an experimental solo tour through Europe. While in Northern Italy, Molina claimed to have been bitten by a rare, poisonous spider. A debilitating bout of illness ensued. "I was in the hospital here in London," Molina wrote in a letter. "Saw six doctors and a Dr. House-type guy. They are all mystified by it, but I am allowed to be at home, where I am taking a dozen scary Hantavirus type pills a day that are all to supposedly help - but they make me feel like shit." There is no record of a single doctor visit, not any prescription record for these medications. It is entirely plausible there was no spider and that whatever was keeping him indoors during this time was entirely self-induced. While at home, he of course wrote songs. Molina also claimed that during this time, he fed several bright green parrots that would gather in his yard. While often associated with a greyscale sensibility, Molina was oft-clad in a Hawaiian shirt and had, at least in part, selected the name Songs: Ohia for his first project as a nod to Hawaii's 'Ohi'a lehua flower. Which is all to say, the tropical element the parakeets brought to those sick days delighted Molina. He made short, crude field recordings of them with his trusty four-track. Only once Molina was officially on the mend and re-exploring the streets of London would he learn that those parrots had their own fabled tale. Back in the 60s, Jimi Hendrix - in a moment of psychedelic clarity - released his pair of lime green ring-necked parakeets from their cage, setting them free into the London sky. Now, their decendents are spotted regularly around certain parts of the city. Or so we're told. Eight Gates is the last collection of solo studio recordings Molina made before he passed from complications related to alcoholism in 2013. Recorded in London around the time of the supposed spider bite and Jimi's supposed parakeets, some of the songs ("Whispered Away," "Thistle Blue") are fully-realized - dark, moody textures that call to mind his earlier work on The Lioness. Knowing what we know about those parakeets and their peppered presence on the recordings, one can't help but think of that colorful tree of birds on Talk Talk's classic Laughing Stock, certainly a spiritual guide for much of the set. Other songs ("She Says," "The Crossroads and The Emptiness") lay in a more unfinished states, acoustic takes that call to mind Molina's Let Me Go Let Me Go Let Me Go, and still tethered to Molina's humorous studio banter. You remember how young Molina was, and how weighty this art was for such a young man. On the closer, "The Crossroads and The Emptiness," Molina snaps at the engineer before tearing into a song in which he sings of his birthday (December 30), a palm reading and the great emptiness with which he always wrestled. It is a perfect closer and, in many ways, the eighth gate incarnate: mythical, passable only in the mind, built for himself and partway imaginary but shared, thankfully, with us.
Jason Molina Of Songs: Ohia And Magnolia Electric - Eight Gates Black Vinyl Ediiton
Jason Molina Of Songs: Ohia And Magnolia Electric
Eight Gates Black Vinyl Ediiton
LP | 2020 | US | Original (Secretly Canadian)
23,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Sometime in 2006 or 2007, Jason Molina moved from the midwest to London. Separated from his bandmates and friends and never one for idleness, Molina explored his new home with fervor. Sometimes he'd head out on foot, often with no destination in mind. Other times, he'd pick a random tube stop and find his way back home. He'd pick up on arcane trivia about London's rich history, and if the historical factoids weren't available - or weren't quite to his liking - Molina was quite comfortable conjuring his own history. His adoration of The Great American Tall Tales like John Henry and Paul Bunyan's blue ox Babe stretched across the Atlantic, where he created his own personal Tall Tales. And when he learned of the London Wall's seven gates (itself a misconception), Molina went ahead and called it eight, carving out a gate just for himself. The eighth gate was Molina's way into London, a gate only passable in the mind. Fast forward to 2008, Molina set off on an experimental solo tour through Europe. While in Northern Italy, Molina claimed to have been bitten by a rare, poisonous spider. A debilitating bout of illness ensued. "I was in the hospital here in London," Molina wrote in a letter. "Saw six doctors and a Dr. House-type guy. They are all mystified by it, but I am allowed to be at home, where I am taking a dozen scary Hantavirus type pills a day that are all to supposedly help - but they make me feel like shit." There is no record of a single doctor visit, not any prescription record for these medications. It is entirely plausible there was no spider and that whatever was keeping him indoors during this time was entirely self-induced. While at home, he of course wrote songs. Molina also claimed that during this time, he fed several bright green parrots that would gather in his yard. While often associated with a greyscale sensibility, Molina was oft-clad in a Hawaiian shirt and had, at least in part, selected the name Songs: Ohia for his first project as a nod to Hawaii's 'Ohi'a lehua flower. Which is all to say, the tropical element the parakeets brought to those sick days delighted Molina. He made short, crude field recordings of them with his trusty four-track. Only once Molina was officially on the mend and re-exploring the streets of London would he learn that those parrots had their own fabled tale. Back in the 60s, Jimi Hendrix - in a moment of psychedelic clarity - released his pair of lime green ring-necked parakeets from their cage, setting them free into the London sky. Now, their decendents are spotted regularly around certain parts of the city. Or so we're told. Eight Gates is the last collection of solo studio recordings Molina made before he passed from complications related to alcoholism in 2013. Recorded in London around the time of the supposed spider bite and Jimi's supposed parakeets, some of the songs ("Whispered Away," "Thistle Blue") are fully-realized - dark, moody textures that call to mind his earlier work on The Lioness. Knowing what we know about those parakeets and their peppered presence on the recordings, one can't help but think of that colorful tree of birds on Talk Talk's classic Laughing Stock, certainly a spiritual guide for much of the set. Other songs ("She Says," "The Crossroads and The Emptiness") lay in a more unfinished states, acoustic takes that call to mind Molina's Let Me Go Let Me Go Let Me Go, and still tethered to Molina's humorous studio banter. You remember how young Molina was, and how weighty this art was for such a young man. On the closer, "The Crossroads and The Emptiness," Molina snaps at the engineer before tearing into a song in which he sings of his birthday (December 30), a palm reading and the great emptiness with which he always wrestled. It is a perfect closer and, in many ways, the eighth gate incarnate: mythical, passable only in the mind, built for himself and partway imaginary but shared, thankfully, with us.
Glass Animals - Dreamland
Glass Animals
Dreamland
LP | 2020 | EU | Original (Polydor)
22,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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The Ar-Kaics - The Ar-Kives Vol.1 Lp
The Ar-Kaics
The Ar-Kives Vol.1 Lp
LP | 2020 | EU | Original (Bachelor)
19,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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The Bushmen - The Bushmen Colored Vinyl Edition
The Bushmen
The Bushmen Colored Vinyl Edition
LP | 2020 | US | Original (Beatrocket)
23,19 €* 28,99 € -20%
Release: 2020 / US – Original
Genre: Rock & Indie
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Unearthed Garage Glory! You can't get much closer to the raw, beating heart of garage rock than this. The Bushmen at Fresno, California's Rainbow Ballroom in 1965 were a quintessential explosion of teenage hormones, primal rock 'n' roll, and absolute abandon. Their short-lived garage assault never brought the group into a recording studio; the reel of these 9 cuts encompasses the only known evidence of their reign, and we can all be forever thankful for its discovery!
Dashboard Confessional - The Places You Have Come To Fear The Most Black Vinyl Edition
Dashboard Confessional
The Places You Have Come To Fear The Most Black Vinyl Edition
LP | 2020 | EU | Original (Hidden Note)
20,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Giles Corey (Dan Barrett of Have A Nice Life) - Giles Corey
Giles Corey (Dan Barrett of Have A Nice Life)
Giles Corey
2LP+Book | 2020 | US | Original (The Flenser)
46,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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“‘Some time in the Spring of 2009, I tried to kill myself. Six months before that, I used a Voor’s Head Device for the first time.’ This line opens the 150-page book that accompanies Giles Corey, an intensely personal, intimate portrait of depression that took me almost four years to make.” —Dan Barrett


Giles Corey’s haunting self-titled debut is back in print! The Flenser is pleased to offer a new version of this cult favorite as a double LP housed in a gatefold jacket, with the same 150-page book that accompanied the previous versions.

Giles Corey is the gloomy folk-driven solo project from Have A Nice Life mastermind Dan Barrett. Here, Barrett forgoes the post-industrial trappings of Have A Nice Life in favor of an intimate singer-songwriter approach. While thematically related to his other work—dealing with subjects like suicide, death and the paranormal—Giles Corey feels more personal, with impressive shifts from quiet desperation to cathartic outburst. Over the years the album has gained a fervent following, and has sometimes been compared to a religious experience. It is dark yet purgative enterprise not for the frail of heart.

The accompanying book is an integral part of the album. Its examinations of the life and times of cult leader Robert Voor parallel the themes within the lyrics and offer further immersion for the reflective listener. In Barrett’s own words: “The album follows a story arc of emotions that are detailed in the accompanying book, as much a part of this record as the music. The text switches between personal tales of struggles with depression, suicide, and a feeling of being lost, and the story of cult-leader and afterlife theorist Robert Voor. Voor’s writings on death and the afterlife feature prominently across Have A Nice Life’s Deathconsciousness, Nahvalr’s self-titled debut, and Giles Corey, making him the unifying factor behind most of the music I’ve written in the last ten years. This record is as personal and raw as anything I’ve ever done.”
Once & Future Band - Deleted Scenes
Once & Future Band
Deleted Scenes
LP | 2020 | US | Original (Castleface)
26,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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"We are very proud to announce a new full length LP from Oakland’s Once & Future Band—Deleted Scenes. The space-age songsmiths of Once & Future Band have been ting-tinging away on the truly heavy anvil of hominid perspective and emotion again to bring you this singing scape of songs. Annealing for over a year now, until it was cool enough to hold in your ears, nested in the pinnae, the time has finally come. Dew drops pop and hiss as they settle on the gliding guitarmonies.

Once & Future Band have outdone themselves this time around, in my opinion. If songs could stop heated exchanges by mere presence, these are the ones, and more needed than ever. As I tuned in to each new transmission, each step closer to this perfect platter, I had to stop and do nothing else, and merely absorb how wonderful this album is. Each tune exists in the company it was born to live with. There are haunting chorale escorts here... long trains of room warmth... the belting of the machine heart... lofty guitar and bass melange... and just beautifully laid to magnetic tape with a sure hand by the throbbing brains that are Once & Future Band. For fans of

Roy Wood, Idle Race, ELO, Roxy Music, Head Hunters, Stevie Wonder, Paul McCartney, The Lord Bowie, The Band, and the soundtrack from every movie that ever pierced your cold, cold heart” —John Dwyer
V.A. - Brown Acid - The Tenth Trip
V.A.
Brown Acid - The Tenth Trip
LP | 2020 | US | Original (Riding Easy)
26,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Here it is, the tenth edition of Brown Acid in just half as many years! As always, Riding Easy has packed in the highest highs of the dankest hard rock, heavy psych, and proto-metal tracks previously lost to the sands of time. Like throughout this series, all of these tracks were painstakingly licensed legitimately and the artists were paid. It’s hard to believe its up to ten volumes of this lysergic Neanderthal wail, but the long-lost jams just keep-a-coming like Texas crude to fuel the rock ’n’ roll engine and melt one’s metal mind.
Midwife - Forever
Midwife
Forever
LP | 2020 | US | Original (The Flenser)
24,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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As Midwife, Denver based multi-instrumentalist Madeline Johnston plays what she describes as “Heaven Metal,” or emotive music about devastation. Johnston began developing the experimental pop project in 2015 while a resident of beloved Denver DIY space Rhinoceropolis. The venue/co-op started in the early aughts and nurtured local artists until 2016, when its doors were shuttered due to high tensions surrounding the safety of DIY spaces (not coincidentally following the horrific Ghost Ship fire in Oakland). Residents were displaced around Denver and artists like Midwife were forced to start over.

However, it was at Rhinoceropolis that Madeline became close with Colin Ward, an artistic confidant and friend to whom her new album, Forever, is dedicated. Madeline comments, “He was my roommate and was the embodiment of that place [Rhinoceropolis] in a lot of ways. We became really close friends there. I was always learning so much from him, about life and being an artist. He was an amazing teacher and friend to me.” When Ward passed away unexpectedly in 2018, she turned towards sound to express the indescribable feelings that partnered with her grief.

These mournful sounds ultimately developed into her new album, Forever. The 6-song LP is a latticework of soft focus guitars and precise melodies– anthems of light piercing through gray clouds of drone. On the track “C.R.F.W.,” we hear Colin Ward reading a poem that speaks of a leaf falling from a tree in autumn: “imagine the way a breeze feels against your leaf body while you finally don’t have to hold on anymore.” Johnston responds with slowly radiating tones, branches stretching out to hold the leaf one last time. “I wanted to write him a letter. I wanted to make something for him in his memory,” Madeline says of Forever.

On Forever, Midwife combines ambient and dream pop into nuanced, reverb-soaked music that is equally haunting and moving
Lavender Flu - Barbarian Dust
Lavender Flu
Barbarian Dust
LP | 2020 | US | Original (In The Red)
23,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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“In contrast to their prior mobile-unit hole-ups and home-taped fryers, Barbarian Dust, the third album from Lavender Flu, marks the band’s first raid of a proper studio. Extending the formalities further, the conceptual impetus for the sessions stems from a collective meditation on cosmic biker rock. Smokey, sure—and that peculiar, chunky ether seeps into the resulting collection—but it all ultimately serves to a liquid frame, a set of parameters imposed purely to burst through. Compositionally and thematically, Barbarian Dust alternates between hope and anger, each idealized, a sway thoughtfully achieved through an often-soaring, occasionally busted version of rock heaviness (without ever approaching ‘Heavy Rock’, thank heaven / hell). In every sense of the word, it’s their most aggressive work to date.
“Barbarian Dust collects songs that move in and out of wobble and explosion, each pushing forever forward, just as the composers themselves do. Galaxies past cool-but-copyist trips, Lavender Flu—brothers Chris and Lucas Gunn, Scott Simmons and Ben Spencer—slaughter the trivial in favor of a newer, deeper, more meaningful sound, indifferent to any path other than their own. Time to transform, yet again.” —Mitch Cardwell
R.I.P. - Street Reaper
R.I.P.
Street Reaper
LP | 2017 | US | Original (Riding Easy)
25,99 €*
Release: 2017 / US – Original
Genre: Rock & Indie
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Lithics - Tower Of Age Black Vinyl Edition
Lithics
Tower Of Age Black Vinyl Edition
LP | 2020 | US | Original (Trouble In Mind)
21,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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After introducing themselves to the world with 2016's "BorrowedFloors" (Water Wing) and throwing down the gauntlet with 2018's"Mating Surfaces" on Kill Rock Stars, Lithics make the jump toTrouble In Mind for "Tower of Age". "Tower of Age" bristles with invention, wedging lyrical Dadaism into right angles of rhythmic minimalism. This is music in ellipses. A circular communication and a fusion of decades worth of musical insight into a singular refraction of thought & sound. Guitars plunk and scratch, and rhythms pulse and syncopate tightly wound around an imagist's philosophy to "use absolutely no word thatdoes not contribute to the presentation." The band's austereapproach to composition and wordplay elevates them aboveand beyond bands seeking similar sounds; it's not that they useless; it's HOW they use less.
The Scary Jokes - Burn Pygmalion​!​!​! A Better Guide To Romance
The Scary Jokes
Burn Pygmalion​!​!​! A Better Guide To Romance
CD | 2020 | US | Original (Needlejuice)
14,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Access to song stems. Glass-replicated CD in digipak case & 8-page booklet with lyrics and new art by Liz Lehman. Blending 8-bit aesthetics with soul-baring queer bedroom indie, New Jersey-based synthpop project The Scary Jokes is the brainchild of singer-songwriter Liz Lehman. Their signature style of gentle, upbeat psychedelia contrasted with pointed, introspective lyrics earned 2016’s April Fools considerable buzz in the internet underground.

On their 2019 followup, Burn Pygmalion!!! A Better Guide to Romance, Lehman weaves a concept album around insecurity and romantic alienation, telling the story of a journalist ruminating on her relationship as she housesits for her movie-star girlfriend. The album expanded the group’s sound, complimenting Lehman’s electronic production with guitarwork by new band member Juniper Abernathy and a guest performance by Louie Zong. Featuring the song “Community Gardens,” Burn Pygmalion cemented The Scary Jokes as one of the most exciting new artists of the 2010s.

Needlejuice Records is proud to bring Burn Pygmalion to physical formats. In addition to CD and cassette, the album will be available on colored vinyl in two configurations: a green\pink half-and-half and a fiery-red galaxy. The album has been remastered for physical media by Angel Marcloid.
Art Feynman - Half Price At 3:30
Art Feynman
Half Price At 3:30
LP | 2020 | EU | Original (Western Vinyl)
26,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Art Feynman (aka accomplished recording artist and producer Luke Temple) stitches art pop, Nigerian highlife, worldbeat, and other lesser-known genres into a musical quilt that displays his unmistakable guile and eccentric songcraft. On his sophomore album Half Price at 3:30 he delivers songs that side-smile while pointing out the emotional sinkholes that whirl beneath the most overlooked, seemingly commonplace scenarios. As effortlessly as he inhabits his Art Feynman character he also slips into the lives of other personalities, both living and fictional. Where previous entries in the Luke Temple discography -- including his well-liked former group Here We Go Magic -- have utilized organic timbres even while sailing far from the guitar-and-drums shore, Half Price sees him employing drum machines, slightly glossier production, and even autotune with a tasteful balance that suggests these tools have been in his kit all along. The result affectionately evokes guerrilla recording predecessors like Francis Bebey, Arthur Russell, and Haruomi Hosono in musicological detail, yet it's Temple's hard-won creative voice that resounds over top of it all facing Half Price forward instead of nostalgically backward.
James Booker - Classified
James Booker
Classified
LP | 2020 | US | Original (Craft)
35,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Noveller - Arrow
Noveller
Arrow
LP | 2020 | US | Original (Ba Da Bing)
25,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Creating what Iggy Pop described to Jim Jarmusch as “symphonies for people that don’t have a lot of time,” Sarah Lipstate has emerged as an innovative and defining voice in the world of music under the name Noveller. Wielding a guitar as her main instrument, Lipstate has pioneered a transcendent approach to composition through her mastery and integration of effects pedals and technology. Forming unexpected sonic routes, her songs are vivid and cinematic, telling intricate tales with each tone and swell.

Raised on a strict piano technique, the discovery of the guitar late in her teens allowed for an escape from formalism and unlocked the hidden realms of her creativity. Taking an anti-theoretical approach, suddenly music was no longer a series of notes, rests, and time signatures, but a means of intuitive expression. Her deepened interest in experimental music, fueled by the discovery of the bold noise of Sonic Youth, the epic scope of Glenn Branca, the delicate formularies of Brian Eno and the no wave discordance of Teenage Jesus & The Jerks, only furthered to inspire.

A yearning to explore and feed that creativity took her from Louisiana to Austin, then Brooklyn to LA. Arrow is her first album since the move to the edge of the canyons of Los Angeles, and one can hear the destabilizing effect this had on her in the music. Out of her comfort zone in a new city, with a rolling expanse in front of her and an urban sprawl over her shoulder, Lipstate built her new album as she contemplated this change in her life.

With her ability to add such unique sounds and textures, Lipstate has been sought out as a frequent collaborator, recently writing songs with Iggy Pop and performing as a member of his band on his worldwide tour. Past partners in crime have ranged from JG Thirlwell to Lee Ranaldo and she has performed as part of Rhys Chatham’s Guitar Army, Nick Zinner’s “41 Strings”, Ben Frost’s “Music for 6 Guitars”, and Glenn Branca’s 100 guitar ensemble. She has also toured in support of big fans in St. Vincent, Wire, U.S. Girls, The Jesus Lizard and Helium.
Woods - Strange To Explain Black Vinyl Edition
Woods
Strange To Explain Black Vinyl Edition
LP | 2020 | US | Original (Woodsist)
24,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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“Dreaming doesn’t come easy these shadowed days, which is why Strange To Explain by Woods is such a welcome turning of new colors. It presents an extended moment of sweet reflection for the 15-year-old band, bouncing back to earth as something hopeful and weird and resolute. Like everything else they’ve recorded, it sounds exactly like themselves, but with subtly different shades and breaths and rhythmic feels and everything else that changes, the natural march of time and the intentional decisions of the musicians moving in what feels like an uncommonly organic alignment.
“Strange To Explain trades in a different kind of dependability, maintaining a steady connection to the voice on the other side of the record needle. After quickly recording and releasing 2017’s Love Is Love in response to the tumultuous events of their (and our) 2016, Jeremy Earl and company took their time with what came next. Parenthood arrived, as did a short songwriting pause. The band went bicoastal when Jarvis Taveniere headed west. And when they returned to their posts, there on the other side of this particular mirror, they made this, an album that not only catches and holds and shares the light in yet another new way, but recognizes that there’s still light to be caught, which is also no small thing.
“A bend beyond the last bend beyond, Woods keep on changing, thoughtfully and beautifully. The colors were always there, like trees blossoming just slightly differently each season, a synesthetic message coded in slow-motion. Recorded in Stinson Beach, the kind of place that seems like an AI simulation of an idyllic northern California coastal escape, the familiar jangling guitars recede to the background. John Andrews’s warm keyboards and twining Mellotron rise around Earl’s songs and dance across the chord changes like warm sunlight off the Pacific. The music feels a karmic landmass away from the creepiness of the uncanny valley.” —Jesse Jarnow
Magik Markers - Surrender To The Fantasy
Magik Markers
Surrender To The Fantasy
LP | 2013 | US | Original (Drag City)
26,99 €*
Release: 2013 / US – Original
Genre: Rock & Indie
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Received a 7.9 rating from Pitchfork.

Back working as a trio Magik Markers return with their first new album since 2009’s Balf Quarry. Surrender To The Fantasy kicks off with that hoary old trope of punk records, the song about the Chesapeake Valley Runoff and the mating cycle of crabs. After that kind of in-your-face Attenborough- core, where could the record go? Nowhere but everywhere, all the creepy outposts of American detritus from other times, when hitchhiking and h-bombs were still hot, viable new ideas, and on beyond zed-bra. “Acts of Desperation” is Shaggs-meets-Stones color commentary on driveway laying, your mom’s Merit Ultra-Light 100’s and the lengths we’ll go to filch a feel of some arcane notion of greatness. Here Pete Nolan has nixed his kit and Straps Field Handily into a galvanic psych lead. No lame attempt to smoke nutmeg for this jam; it scored real weed.
Thurston Moore - Trees Outside The Academy Cream & Green Vinyl Edition
Thurston Moore
Trees Outside The Academy Cream & Green Vinyl Edition
LP | 2020 | EU | Original (Daydream Library Series)
25,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Fontaines D.C. - A Hero's Death Black Vinyl Edition
Fontaines D.C.
A Hero's Death Black Vinyl Edition
LP | 2020 | UK | Original (Partisan)
22,99 €*
Release: 2020 / UK – Original
Genre: Rock & Indie
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Rose City Band - Summerlong Orange Marbled Vinyl Edition
Rose City Band
Summerlong Orange Marbled Vinyl Edition
2LP | 2020 | EU | Original (Thrill Jockey)
31,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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The Soft Pink Truth - Shall We Go On Sinning So That Grace May Increase
The Soft Pink Truth
Shall We Go On Sinning So That Grace May Increase
LP | 2020 | US | Original (Thrill Jockey)
31,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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The Soft Pink Truth is Drew Daniel, who also forms one half of acclaimed electronic duo Matmos. Started as an outlet to explore visceral and sublime sounds that fall outside of Matmos' purview, it draws on knowledge of rave, black metal, and crust punk obscurities to subvert and critique genre expectations. On this record Daniel takes a bold and surprising new direction, moving beyond simple plunderphonic sampling and opening up a genuine dialogue with other musicians, Daniel left room in his compositions for moments of genuine surprise, capturing the freeform, communal energy of a DJ set or live improvisation session more than a recording project. It feels ethereal but full, both ambiently hypnotic, and deliciously danceable. Shall We Go On Sinning... began as an emotional response to the creeping rise of fascism around the globe. Daniel explains: "The election of Donald Trump made me feel very angry and sad, but I didn't want to make 'angry white guy' music in a purely reactive mode. I felt that I needed to make music through a different process, and to a different emotional outcome, to get past a private feeling of powerlessness by making musical connections with friends and people I admire, to make something that felt socially extended and affirming." Those musical connections make this record what it is; vocals provided by the chorus of Colin Self, Angel Deradoorian and Jana Hunter form the foundation of most of the tracks, sometimes left unchanged as with opening line ("Shall") or the sensuous R&B refrains on "We", other times shrouded in effects, morphing into new forms. Stately piano melodies written by Daniel's partner M.C. Schmidt as well as Koye Berry alongside entrancing vibraphone and percussion patterns from Sarah Hennies push tracks toward ecstatic and melodic peaks, while rich saxophone textures played by Andrew Bernstein (Horse Lords) and John Berndt are used to add color and texture throughout. The album's overall sound was in part shaped by Daniel hosting Mitchell Brown of GASP during Maryland Deathfest. Daniel borrowed Brown's Roland Space Echo tape unit which he then used extensively throughout to give the album a flickering, ethereal quality. The melodies, jubilance, and meditative nature of album provides a much-needed escape from the contemporary hell-scape. The process of creating Shall We Go On Sinning So That Grace May Increase?, in and of itself, is the Soft Pink Truth's way of championing creativity and community over rage and nihilism.
Jim White & Marisa Anderson - The Quickening Coloured Vinyl Edition
Jim White & Marisa Anderson
The Quickening Coloured Vinyl Edition
LP | 2020 | US | Original (Thrill Jockey)
31,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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The Quickening is an improvised work guided by emotional intuition and an ability to spin collective experience into music of potent and boundless beauty. Jim White and Marisa Anderson instrumental voices' are unmistakable and spellbindingly lyrical. Anderson unravels global guitar traditions into atmospheres all their own through improvisations and transforming melodic lines. While White implements an array of sticks, brushes, and techniques that imbue each rhythmic percussion passage with its own distinct personality. Together their melodic flourishes cascade and twist upon one another, at times trading conversational exchanges, and at others drifting in unison as if lost in the same train of thought. White and Anderson share an abounding appetite for musical exploration. White, as a member of Venom P Stinger, Dirty Three, and Xylouris White, is well known for his creative and idiosyncratic drumming. His singular abilities have also led to collaborations with Cat Power, PJ Harvey, and Bill Callahan among others. Anderson's prolific output as a solo performer, her mastery of traditional folk and blues forms and her abilities to make them entirely her own has established her as one of the most exciting and forward-thinking guitarists of the last decade. White and Anderson's considerable technical skills are used in the most inventive and unconventional manner on their debut duo recording, The Quickening. The duo' friendship and shared explorative nature inform these warm and daring improvisations. Their remarkable performances take the listener on a journey of exuberant discovery. The idea of a collaboration developed while on the road together in 2015, Anderson playing solo and White playing with Xylouris white. The Quickening began at the Portland studio Type Foundry in late 2018, where the duo initially agreed to meet and improvise and record. Happy with the recordings, the duo headed to Mexico City and into Estudios Noviembres, a time capsule of a studio from the 70's that had been largely closed before some young engineers took it over. The "slight disorientation" of working in less familiar environments mirrored their willingness to plunge headfirst into exploring new sonic territory together. Anderson purchased a new nylon string Ramos-Castillo guitar from a Mexican luthier just ahead of recording which leant to the spontaneity of "The Lucky" and "The Quickening". The duo did not rehearse or perform together prior to the recording sessions; as White puts it, "it's good to suspend disbelief at this stage of playing."
The Wolfhounds - Electric Music
The Wolfhounds
Electric Music
LP | 2020 | EU | Original (A Turntable Friend)
15,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Available on cd in gatefold sleeve with 12 page booklet, ltd vinyl on black vinyl.Liner notes by Stewart Lee.Here is the follow up to the Untied Kingdom on Optic Nerve and 'The Complete John Peel Sessions' Having now been recording and gigging for longer than their original 1980s incarnation, The Wolfhounds continue to hone the blade of their sound to outclass their whippersnapper competitors on Electric Music.From the desperate narrator of the opening anthem 'Can't See The Light', unable to see an end to his descent into darkness to the sad urban reminiscences of the rural immigrant in 'Song Of The Afghan Shopkeeper' and the unwilling draftee in 'Pointless Killing', to the powerlessness of people tossed around on the waves of history and progress in 'Like Driftwood' - Wolfhounds ask where our emotional and actual lives are heading, as the world seemingly freefalls into barbarism. With the dreaded feeling that 'Lightning's Going To Strike Again', we lack even the appealing soundtrack to the catastrophe of the past described in '_ and Electric Music', and the band ask will 'The Roaches' once more rule the world (if they ever stopped)? Is the solution to 'Stand Apart' from the chaotic crowd or admit, cynically, that 'We Don't Believe Anything' and roll with the movements of the masses? Featuring the glowing sleeve notes of comedian Stewart Lee, and a new expanded line-up including electric violin and bassoon (from Scritti Politti's Rhodri Marsden), and peppered with the barbed lyrics and stinging guitar of David Lance Callahan and the home-made hybrid stringed instruments of guitarist Andy Golding, Wolfhounds have never sounded more alive, energetic and contemporary.
Lammping - Bad Boys Of Comedy Sky Blue Vinyl Edition
Lammping
Bad Boys Of Comedy Sky Blue Vinyl Edition
LP | 2020 | EU | Original (Nasoni)
23,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Style: 60's Psychedelic / Fuzz / Garage | 70's / Psychedelic / Space- & Jam-Rock Ltd. edition 300 pcs. 180g sky blue HQ-vinyl incl. Downloadcard. Bad Boys Of Comedy is a debut record from Lammping, a new psych-rock outfit from Toronto, formed by multi-instrumentalist Mikhail Galkin and drummer Jay Anderson. LP incorporates a wide range of influences that Jay and Mikhail bonded over., from Tropicalia and Turkish Psych to classic NY Boom-Bap drum patterns and Crosby, Stills, Nash and Young-style vocal harmonies. While rooted in riffs and heavy drumming, the debut LP showcases a fresh, eclectic approach to modern Psychedelia, eschewing cliched musical categorizations.
Fatal Fusion - Dissonant Minds
Fatal Fusion
Dissonant Minds
LP | 2020 | EU | Original (Apollon)
20,99 €* 29,99 € -30%
Release: 2020 / EU – Original
Genre: Rock & Indie
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Fatal Fusion is a Norwegian progressive rock band from Hurum just outside of Oslo, Norway. Fatal Fusion has a broad musical landscape, combining many musical styles from jazz, blues, rock, metal, funk, psychedelia, ambient, Latin and classical music into a mix. "Dissonant Minds" is the bands fourth album, and the first on Apollon Records.
PJ Harvey - Dry
PJ Harvey
Dry
LP | 2020 | US | Original (Island)
36,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Belver Yin - Luz Bel
Belver Yin
Luz Bel
LP | 1991 | EU | Reissue (Efficient Space)
21,99 €*
Release: 1991 / EU – Reissue
Genre: Rock & Indie
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A download code is included. Bélver Yin’s soul mining odysseys have been unjustly overlooked for three decades. An anomaly in the Spanish alt-pop scene, their forlorn instrumentals and ethereal romanticism would have struck a chord in the British league of Felt, The Chameleons, Cocteau Twins and Dif Juz, leaving their 1991 debut Luz Bel deserving of reappraisal. While coining their band name from a Jesús Ferrero novel and quoting Laozi philosophy on album sleeves, Bélver Yin create illuminating textures that unlock a wordless language of memory and adolescent emotion. Formed in Salamanca by self-taught musicians Pedro Ortega Sánchez and José María Martín, the guitar-bass duo spent two years crafting their divine interplay with interim drummers before submitting a demo to Noisex Music, their only attempt at label courting. The phone rang mere days later with owner and producer Bernar Marks (The Dust Sessions) offering to cut an album and the band ventured to Valencia with cloud-touching optimism soon after. Championed by local press, the release fell short of expectation, fueling the mythology of a vanished band known only to the initiated. Varying lineups would, however, continue to work in the shadows under Pedro’s direction, recording two spatially arranged follow-ups at their own pace in 1996 and 2005. A glorious debut that undeniably set a high watermark, Luz Bel is finally available again, faithfully remastered by Mikey Young and featuring bilingual liner notes from John Gómez, the authoritative ear behind Outro Tempo.
Vinyl Williams - Azure
Vinyl Williams
Azure
CD | 2020 | UK | Original (Requiem For A Twister)
10,19 €* 16,99 € -40%
Release: 2020 / UK – Original
Genre: Rock & Indie
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Tropicalia infused fifth album by Vinyl Williams After collaging hundreds of paintings together in a string of new artwork, Williams combined over 25 paintings to create the album art for Azure; attempting to equally represent the complexly organic & decadent music apparent on the record. The first single “LA Egypt” is a wild harmonious odyssey, that will impact international radio & streaming services in April & May. Azure marks a point of higher equilibrium for songwriter Lionel Williams, employing far more restraint & rapidity than his earlier releases, as well as a concentration of unifying paradoxical qualities. The last record, Opal (2018) received critical acclaim by Pitchfork (7.6) and was listed on NME’s best of 2018 list (93/200) - Larry Fitzmaurice hailed that “…there’s never been any doubt that Williams is an adept musician, but his newfound skills as a songwriter and arranger push this album into the realm of pure pleasure.” Vinyl Williams’ earlier releases are cult favorites for their incessant bliss & driving rhythms, such as Brunei (2016) & Trance Zen Dental Spa (2015 - collaboration with Chaz Bear of Toro Y Moi) Williams is equally known for his interactive video worlds, 360º videos, web art, and downloadable environments, inhabited by hyper dimensional palaces you might find in an ultimate future. He’s created virtual music videos for Tears For Fears, Unknown Mortal Orchestra, Spaceface, Morgan Delt, & several other artists. Vinyl Williams’ live show is a spectacle of pearlescent sights & sounds, with all of Williams’ work combined & sync’d together in rapturous hyper-dimensional moments
No Age - Goons Be Gone
No Age
Goons Be Gone
LP | 2020 | US | Original (Drag City)
26,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Summer 2020, and No Age are back out on the street! Effortlessly raw and extravagant in one practiced swoop, they set their live/bedroom internal clock and get out early into a glorious windtunnel of naked beats and sunbaked guitars, forming a wave from which they hang eleven tunes. A perfectly balanced set, ranging from their classic punk and indie to ever-evolving soundscapes, in maybe their most direct statement yet.A guitar/drums duo (Randall and drummer/vocalist Dean Spunt) with a penchant for self-recorded samples, No Age are mostly unconcerned with things like space or pause, and Goons Be Gone is gorgeously thick-- a hazy, delirious expanse that's both comforting and disorienting.Listening to Goons Be Gone, it's hard to comprehend how just two people can manage to make so much noise while still sounding so subdued and mysterious-- it's easier to imagine Randall and Spunt spewing these songs underwater, bursting forth from some colossal California quarry rather than a tiny, stuffy art space a few blocks from L.A.'s skid row. Ultimately, it's part of No Age's allure that Goons Be Gone is so difficult to figure out, that it manages to be so big while coming from a place so small: All you'll know for sure is that you want to listen longer. Maybe forever.
The Strokes - Is This It
The Strokes
Is This It
LP | 2001 | EU | Reissue (Sony Music)
26,99 €*
Release: 2001 / EU – Reissue
Genre: Rock & Indie
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Violent Soho - Everything Is A-Ok Clear / Blue / Red Splatter Vinyl Edition
Violent Soho
Everything Is A-Ok Clear / Blue / Red Splatter Vinyl Edition
LP | 2020 | EU | Original (Pure Noise)
21,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Devendra Banhart - Vast Ovoid EP
Devendra Banhart
Vast Ovoid EP
LP | 2020 | EU | Original (Nonesuch)
24,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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The Scary Jokes - Burn Pygmalion​!​!​! A Better Guide To Romance
The Scary Jokes
Burn Pygmalion​!​!​! A Better Guide To Romance
Tape | 2020 | US | Original (Needlejuice)
14,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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A download code is included. Pink & Green Sandwiched Shells, Dolby B Noise Reduction and 3-panel Jcard. Blending 8-bit aesthetics with soul-baring queer bedroom indie, New Jersey-based synthpop project The Scary Jokes is the brainchild of singer-songwriter Liz Lehman. Their signature style of gentle, upbeat psychedelia contrasted with pointed, introspective lyrics earned 2016’s April Fools considerable buzz in the internet underground.

On their 2019 followup, Burn Pygmalion!!! A Better Guide to Romance, Lehman weaves a concept album around insecurity and romantic alienation, telling the story of a journalist ruminating on her relationship as she housesits for her movie-star girlfriend. The album expanded the group’s sound, complimenting Lehman’s electronic production with guitarwork by new band member Juniper Abernathy and a guest performance by Louie Zong. Featuring the song “Community Gardens,” Burn Pygmalion cemented The Scary Jokes as one of the most exciting new artists of the 2010s.

Needlejuice Records is proud to bring Burn Pygmalion to physical formats. In addition to CD and cassette, the album will be available on colored vinyl in two configurations: a green\pink half-and-half and a fiery-red galaxy. The album has been remastered for physical media by Angel Marcloid.
Naked And Famous, The - Recover
Naked And Famous, The
Recover
2LP | 2020 | EU | Original (Somewhat Damaged Limited)
26,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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V.A. - Rockgarage Compilation Volumes 1-2-3-4
V.A.
Rockgarage Compilation Volumes 1-2-3-4
2LP | 2020 | EU | Original (Spittle)
16,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Here is the unmissable sound document from one of Italy's earliest Eighties underground fanzines! Back in the day, Rockgarage was the fruit of the work of a bunch of young music enthusiasts from the Venice area. All already active in the local free radios scene, tired of life's monotony and willing to put all their energy and creativity into a different project. A new sound magazine based on quality content and high musical profile. A total of six issues were published between 1982 and 1984 along with three 7"s and one LP. A stunning work which after forty years still stands as one the best self-made productions on the Italian music scene of the time. All of the Rockgarage musical output is in this significant collection. A fat double album featuring famous, obscure and yet legendary "Italian Wave" bands such as Diaframma, Frigidaire Tango, Degada Saf, Plasticost, Death in Venice, Funkwagen, Detonazione, 2+2=5, Modern Model, Wops, Ruins, Premesuzette, Pyramids and Go Karts. A wide eclectic sound mosaic based on Electro-Post-Punk-Jazz-Funk elements. Experience this dynamic and passionate period through the energetic pulse of Italian New-Wave!!!
Good Missionaries - Fire From Heaven
Good Missionaries
Fire From Heaven
LP | 1979 | EU | Reissue (Spittle)
14,99 €*
Release: 1979 / EU – Reissue
Genre: Rock & Indie
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Born out of the ashes of Alternative TV, The Good Missionaries embodied Mark Perry's new and advanced Experimental-Post-Punk vision. Avoiding all kinds of average Rock cliches, Perry got more and more deeply into an uncompromised form of music. A totally new area where his solid Punk roots were confronted by a more free, radical approach to the sound material. During their lifetime The Good Missionaries toured and gigged with other distinctive, unconventional bands such as The Fall, The Pop Group, Crass, Scritti Politti... Recorded live on their 1979 tour, Fire from Heaven comes as tangible proof of the band's explosive energy on stage. An infectious mix of electric noise, raw grooves, space, and resolute Punk attitude. This brand new, digitally remastered edition comes as the first vinyl reissue since its 1979 original release. Don't miss it!!!
De Ambassade - Standhouden
De Ambassade
Standhouden
7" | 2020 | EU | Original (Knekelhuis)
12,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie, Electronic & Dance
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On this third, consecutive 7" for Knekelhuis they showcase a slightly darker side, undoubtedly influenced by these current viral times. Still, shadows are always in need of light. These two anxious tunes are full of metal clanking, eerie synths and rolling basslines taking you straight into industrial territory, albeit with avant-pop leanings. De Ambassade will firmly hold their ground in the dead of night until the smoke clears and the agony of daylight returns.
Sofia Portanet - Freier Geist
Sofia Portanet
Freier Geist
LP | 2020 | EU | Original (Duchess Box)
22,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie, Pop
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