Indierock | Alternative 24389 Items

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Atlantic)

Wallows

Remote

25,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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2LP | 2020 | EU | Original (Haldern Pop)

Low Cut Connie

Private Lives

Release: 2020 / EU – Original

Genre: Rock & Indie

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7" | 2011 | UK | Original (Dirty Bingo)

Novella

The Things You Do

9,95 €*

Release: 2011 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

2LP | 2020 | EU | Original (Morr Music)

Andersens

There Is A Sound

33,99 €*

LP | 2020 | EU | Original (Earth Libraries)

Release: 2020 / EU – Original

Genre: Rock & Indie

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“There Is A Sound” is a compilation of blissed-out psych-folk songs by Andersens, a Japanese independent pop group who were led by Tsuby, aka Kiyokazu Onozaki, and were active throughout the 00s. A lovely set of intimate revelations, with some widescreen, bold pop moments, dreamy guitars meeting brass, electronics and sitar, it’s really the first time listeners outside of Japan have had the chance to take in the full spread of Andersens and their gentle pop songs. Released on the heels Morr Music’s Minna Miteru compilation of Japanese indie-pop, “There Is A Sound” is the first in a series of artist compilations that dig deeper into Japan’s musical underground. Co-compiled by Tsuby and Markus Acher (The Notwist, Spirit Fest), the collection sheds much-needed light on a unique songwriter, one part of a vital and energetic scene that is largely unrepresented outside of Japan.

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Midnight Garden

Blue Tomorrows

25,99 €*

7" | 2020 | EU | Original (Damaged Goods)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Midnight Garden is Nick Donlin and Zach Vouga, an electronic duo based in San Diego, CA. Nick and Zach have been writing music together for over a decade since they met in high school. Through Midnight Garden, they cover a wide range of sound and aura. Moments of their catalogue glisten with infectious electro-pop while others are drenched in atmospheric synthesizer explorations and dark, driving tonality. There are times when Midnight Garden feels nostalgic, evoking a sense of mourning or heartbreak with enough “pop” edge to strike a vibrant and masterful balance.

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The Sensible Gray Cells

Get Back Into The World

9,99 €*

Birdbrain 30th Anniversary Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Clear Vinyl. Brand New 7" Single! Title Track Taken From The Forthcoming Album Of The Same Name.Plus Exclusive B-Side! Who, What And Why Are The Sensible Gray Cells?Captain: "Paul Gray And Myself Being Garage Psychaficionados Would Prefer To Hear More Of This Kind Of Music Andthis Is Our Contribution To The Cause. If I Said That Some Of The Songs Were 'Damned Rejects' That Shouldn't Be Seen As Anindication Of Inferior Songwriting... More That They're Not Wearing The Right Shirt."

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Buffalo Tom

LP | 2020 | EU | Original (Beggars Banquet)

30,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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And Other Crimes Colored Vinyl Edition

Go To Blazes

LP | 2020 | EU | Original (Juke Joint 500)

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP+CD | 2020 | EU | Original (Pias)

Fotos

Auf Zur Illumination!

Release: 2020 / EU – Original

Genre: Rock & Indie

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Shore Black Vinyl Edition

Fleet Foxes

2LP | 2021 | EU | Original (Anti)

Carnival White Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Fleet Foxes’ Robin Pecknold shares, “shore feels like a relief, like you’d feel when your feet finally hit sand after getting caught in a riptide. It’s a celebration of life in the face of death, honoring our lost musical heroes, from David Berman to John Prine to Judee Sill to Bill Withers, embracing the joy and solace they brought to our lives and honoring their memory. Shore is an object levitating between the magnetic fields of the past and the future.”

Shore was released digitally in its entirety on the fall equinox (22/9) alongside an album length Super-16mm landscape film captured and edited in Washington State by the filmmaker Kersti Jan Werdal. The album was recorded in upstate New York at Aaron Dessner’s Long Pond Studio, in Paris at Studios St. Germain, in Los Angeles at the legendary Vox, in Long Island City at Diamond Mine, and New York City’s Electric Lady.

Fleet Foxes’ self-titled debut made a profound impact on the international musical landscape, earning them Uncut’s first ever Music Award Prize and a spot in Rolling Stone’s 100 Best Albums of the 2000’s. The follow-up album Helplessness Blues was met with the same critical praise as its predecessor (mojo ★ ★ ★ ★ ★, Pitchfork’s Best New Music) and earned them a Grammy nomination. Both Fleet Foxes and Helplessness Blues are certified Gold in the US. The band’s third studio album Crack-Up, released in 2017, had the highest European chart entry at #5.

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New Model Army

2LP | 2020 | EU | Original (Earmusic)

38,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (In The Red)

Demolition Doll Rods

Into The Brave

21,24 €* 24,99 € -15%

The Acoustic Storm Session

Release: 2020 / US – Original

Genre: Rock & Indie

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“The Demolition Doll Rods are back, Jack. Those masters of Motor City mayhem have returned. Perhaps the only band to be asked by a promoter to keep their clothes on, the Demolition Doll Rods—who have not been in a studio together in fourteen years—are set to unleash Into The Brave in October 2020. “Formed in a Detroit basement in 1993, the Demolition Doll Rods are infamous for their rude, crude two-guitars-drums-no-extra-stuff rock ’n’ roll, not to mention those minimal matching Doll Rod outfits, which included wearing hubcaps, doll heads and even swiss cheese. They recorded four very singular albums together—starting with their outrageous debut Tasty in 1997 (coproduced by Jon Spencer and Mick Collins)—but called it quits in 2007 when co-founders Margaret Doll Rod and Danny Kroha went their separate ways. Until last year, that is, when out of the blue Margaret suddenly reunited with Danny to perform some scorching live shows alongside new drummer Shelby Murphy. “Any doubts that the Doll Rods still have it are blown away mere seconds into listening to Into The Brave, for this collection of twelve songs is as loud, crazy and demented as anything they have ever created). “So here it is—Into The Brave, another collection of nutbucket numbers only the Doll Rods could concoct.” —Jimmy McDonough

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Elkhorn

LP | 2020 | US | Original (Centripenal Force / Cardinal Fuzz)

LP | 2020 | US | Original (In The Red)

Release: 2020 / US – Original

Genre: Rock & Indie

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Centripetal Force (North America), in conjunction with Cardinal Fuzz (UK/Europe), is excited to announce the upcoming release of Elkhorn’s The Acoustic Storm Sessions, the sister album to the much-lauded The Storm Sessions released earlier this year on Beyond Beyond Is Beyond. Elkhorn is known for their unique blend of psych/folk guitar music, with Jesse Sheppard on fingerstyle twelve-string acoustic and Drew Gardner on six-string electric. The Acoustic Storm Sessions, recorded the evening before The Storm Sessions, also features Turner Williams (Ramble Tamble, Guardian Alien) on guitar and marks the first time Elkhorn has created an entirely acoustic album. The Acoustic Storm Sessions is comprised of two side-long tracks drawing on the trio’s intimate knowledge of each others’ playing as they immerse themselves in the spirit of improvisation and allow it to guide the music’s course. As a result, there are raga-like qualities to these pieces, a revolving array of melodies, rhythmic flourishes and subtle embellishments that not only entrance the performers but the listener as well. There is no doubt that the group’s meditative intensity on The Acoustic Storm Sessions is at an unprecedented level. Edition of 500 copies.

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Lamps

People With Faces

LP | 2020 | US | Original (Goner)

Release: 2020 / US – Original

Genre: Rock & Indie

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“These days, good news is hard to come by, but here’s some: Lamps, LA’s notoriously unprolific noise-merchant trio, are ready to release their spectacular fourth album called People With Faces, out on In The Red Records. Produced by Ty Segall at Val’s, Lamps’ first recorded output since 2012’s landmark LP Under The Water, Under The Ground finds them breaking adventurous new terrain. I’d say they’ve matured, but I’d only say it behind their backs. Stalwarts Monty Buckles (guitar, voice, keyboards!!!) and Josh Erkman (drums, voice) double down on Lamps’ trademark cloak of effects-laden guitars and hammering drums, and new(ish) member Denée Segall jumps into the fray with her Poly Styrene-wail and monolithic bass, add-ing depth both sonically and lyrically. Their trademark abrasiveness is still present, but it’s bur-nished it into something richer, more layered. Don’t worry, it still kicks your head in…” —KD. Feb 2020

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Quintron & Miss Pussycat

Goblin Alert

LP | 2020 | US | Original (Ba Da Bing)

Release: 2020 / US – Original

Genre: Rock & Indie

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This would be the first proper Quintron & Miss Pussycat full-length since 2011’s Sucre Du Sauvage, and the duo’s third for Memphis Tennessee’s weirdo-rock label Goner Records. Produced by Greg Cartwright (The Oblivians / Reigning Sound) and recorded on 2-inch tape at Gainesville Florida’s Pulp Arts studio, Goblin Alert picks up where Sucre Du Sauvage left off: snotty, semi-political, trash-anthems like, “Teenagers Don’t Know Shit”, “Stroller Pollution”, and “Buc-ee’s Got A Problem”. Also, for the first time ever, Quintron and Pussycat have ditched the drum machine in favor of New Orleans jazz-basher, Sam Yoger (Babes, AJ Davilla) on drum kit, and slinky Florida man, Danny Clifton (Room 13, Jane Jane Pollock) on hollow-body guitar. The resulting vibe is some kinda tweaked-out Miami disco dipped into a Mississippi mudslide, especially the tracks featuring Biloxi talk-box master, Benny Divine (aka Benni). And for the mystery lovers, there is 3/4 power-ballad entitled, “Where’s Karen”, featuring backing vocals by Heather Lee (Room 13, Jane Jane Pollock), about a troubled girl who vanished on Mardi Gras day.

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Dead C

Unknowns

LP | 2020 | US | Original (Soft Abuse)

Release: 2020 / US – Original

Genre: Rock & Indie

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Some bands struggle to transcend their initial mythos, those stories that introduce them to the public eye. But The Dead C is a notable exception. They appeared in 1986 under a cloud of mystery, their unconventional location (South Island, New Zealand) helping to fuel their erratic sound. Name-dropped through the nineties by groups like Sonic Youth and Yo La Tengo, they gained influence and acclaim but never strayed from their original mainlined performing technique, which can sound like chaos to the casual listener.What kind of a world greets them and their new album Unknowns in 2020? New Zealand culture is better known throughout the world, not to mention a low-virus paradise. Yes, isolated as in the past, but this time for being a nation of efficacy in tackling a public health crisis. But what about the rest of the world? The music of Mssrs. Robbie Yates, Bruce Russell and Michael Morley endures, partially because their errant sounds, once so alienating, now feel like they’ve been made flesh in a large part of the modern day world.Continuing to delve inwards for inspiration with tin ears towards trends, styles and technique, The Dead C forge onward. Unpolished, dusty and gritty, these three have again taken two guitars and drums, a combo which has less to say than ever, and leave the listener stunned. Unknowns has Morley slurring over spiraling dissemblance, with tracks ricocheting from intense to assaultive to drained, yet consistently magnificent. As reliable as ever, The Dead C are firmly grounded as an unassailable Truth.

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Horrid Red

Radiant Life

LP | 2020 | US | Original (Goner)

Release: 2020 / US – Original

Genre: Rock & Indie

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After years apart, Horrid RED returns with their fourth and best album yet. Core members Bunker Wolf and Edmund Xavier (both of DER Teenage Panzerkorps) revisit industrial post-punk textures and sinister dark jangle sounds on Radiant Life. As with past efforts, there’s plenty of pop moves in the mix, too. Edition of 150 copies.

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The Archaeas

LP | 2020 | US | Original (Mudd Guts)

Release: 2020 / US – Original

Genre: Rock & Indie

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"Tension, anxiety, ominous energy, and the release that comes from vanquishing those mental foes. Specifically, vanquishing them with rock and roll.” That’s how Violet Archaea, guitarist, singer, and leader of Louisville’s THE ArchaeaS describes the themes of their new self-titled album on Goner Records. Beginning as a one-witch band, they now perform as a perfectly-balanced rock trio with frightening power, reflecting punk rock ’n’ roll from the last fifty years—AC/DC, Johnny Thunders’ Heartbreakers and The Dead Boys through The Reatards and Carbonas, even early Ty Segall—but The Archaeas are young enough to soak up sounds, attitudes, riffs and turnarounds from other bands and songs and still push them into their own Battle Royale. The result is one of the most explosive debut albums in recent memory. In the midst of the mud and blood and the riffs, a rhythm starts up. Then guitar and bass blast as one thick bulldozing wall of distortion. The drums kick ass, and the vocals express a yearning, an anguish, and hopefully a release, with all the parts racing until the song is over… quickly. Violet can really play some guitar, but don’t look for solos long enough to get the lighter out for. Some razor cuts and she’s done with it. The Archaeas are the real deal. LP version to follow.

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Crickets

21,59 €* 26,99 € -20%

LP | 2020 | Original (Underdog)

Release: 2020 / US – Original

Genre: Rock & Indie

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Crickets is JD Samson (LE Tigre, Men), Michael O'neill (men, Princess), and Roddy Bottum (faith NO More, Imperial Teen, Nastie Band). The band’s sound is an exploration of minimalism, a celebration of restraint, a rant of queer prose set to a backdrop barrage of guitar, synthesizer and drum machine. Sounding like the collision of ESG, Suicide, and The Flying Lizards—or the distant, basement-funk cousin to Fever Ray—Crickets is gloriously and purposefully minimal. Tracks like “Elastic” and “Intentionally Passive” are beat-driven calls to arm, equally suited for protest or late-night dance party (or both, simultaneously), while “Can’t do it” and “Drilled two holes” are both harrowing and defiantly beautiful. Proclaiming the landscape of the queer body as playground and battleground and, lyrics like “My stache is my gash” and “So you wanna come back to me? Never!” provide a simmering personal/political backdrop and a palpable yearning to the record’s lean grooves. Described as “an exercise in stripping away the excesses of toxic masculinity from the studio,” the seven songs on Crickets tip their hat to everything from the Minimalism Art Movement, Coco Chanel’s rule of taking off the last thing you put on before leaving the house, Tom Tom Club, Jo Baer, Ellsworth Kelly, and Alicia McCarthy. The resulting record is imbued with a sound that's intentionally barren, sparse and emotional, and just as quiet as it is loud. Black vinyl in hand screened paper sleeve and hand stamped vinyl featuring original artwork by Alicia Mccarthy.

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You Me At Six

Suckapunch

Release: 2020 / Original

Genre: Rock & Indie

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Steve McQueen Picture Disc Edition

Prefab Sprout

LP | 1985 | EU | Reissue (Sony)

28,49 €* 29,99 € -5%

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Language Barrier Translucent Red Vinyl Edition

Chuckamuck

LP | 2020 | EU | Original (Staatsakt)

CD | 2020 | UK | Original (Forever Living Originals)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Limited to 150 copies. Only at HHV.

“It has not been definitively proved that the language of words is the best possible language” -
Antonin Artaud
If this is your first time to hear about Chuckamuck, there's a good reason for that: This is a reach-out project, beyond the personal and commercial barriers that exist for a European band that sings in their own mother tongue. Language is a tricky business in Rock and Roll, especially for a German band. To resign oneself to sing in English, and be open to the dominant Anglophone music market whilst hoping your tunes resonate with local scenes and fans, not only risks billing a band as less unique, but also denies them the right of native poetry by applying their best-known language to express themselves lyrically. In the greater music market, it has been acceptable to hear German in parodist stereotypes, such as the robotic nature of Kraftwerk or violent sexual imagery of Rammstein, which are consumable for international audiences. However, over the 14 year career of Chuckamuck, their expressions have varied from their teenage years as “punk rock Rimbauds” into teary-eyed mysticism, soulful desire, despotic vexation and much more. And as dedicated artists and lyricists, they have intimately touched their German speaking fans; however due to this language barrier, they have been frustrated to not share the full “Chuckamuck experience” with fans during their European tours with The Black Lips, King Khan and the Shrines, Beatsteaks, Demons Claws and The Strange Boys. As founding member and main crafter of the Chuckamuck world Oska Wald says, “You originally think 'its music, it's going to be understood in any language', but Chuckamuck is so much more than our songs, it's an enterprise of our art, animation, live shows, videos, comic books, an entire world we have produced”. Which brings us to the Language Barrier project: In essence, this extremely ambitious project is a Chuckamuck “Best Of”, with remakes of pearls from different periods of the band since their inception in 2006, translated into 8 languages (Italian, French, Spanish, Swedish, Polish, English, Hebrew and Japanese), recorded by bandmember and songwriter Lorenz with longtime Chuckamuck engineering pals Thomas Götz and Max Power at O'tool Studio. Each song is impressively presented in its own unique video clip, defining the images and moods of the band. The whole project was produced over three years with a great deal of patience and heart. Inspired by the efforts of the Beatles in the 60s, who saw it fit to record awkward versions of their early hits into French and German, as well as the wealth of worldwide 60s bands who recorded pop songs into a “third language” by naively and phonetically singing in English, Chuckamuck wanted to capture this excitement of reaching potential new audiences and actually being understood. Another big influence has been the flawless multilingualism of their Staatsakt labelmates, Stereo Total. A few elements make this project really special. Firstly, as a Berlin band, Chuckamuck employed the
help of their local international family to help with the translations. These world class artists worked together to recreate songs in their own languages, so that the deliveries maintained the life and ingenuity of the original works. These include the sensational Swiss folk musician Melissa Kassab,
renown Swedish comic artist Crippa Almqvist, and Japanese cartoonist and animator SHOXXX. Of particular interest over the record is the transformation of 'Eis Am Stiel', an older Chuckamuck classic, inspired by the joint Israeli-German cult film of the same name. Translated by the bands' newest member, Amit Alcalai of The Gondors, its transition into the original language of the film is notably cultural and impressive. Similarly, the hit "Sayonara" translated makes it sound like the 80s Japanese new wave song it always begged to be and is very addictive. Chuckamuck's anthem to their own ironic ennui of being German and desiring to sound like a 70's Nashville band, 20.000 km performed in French accentuates their honest desire and is incredibly effective. On top off all this, 11 complete music videos have been produced for each song off of this album, all including original hand-drawn animations by award-winning cartoonist Oska Wald. Three weeks after a particularly rough mushroom trip, Oska had a flashback to a moment of intensity and visual disturbance from the trip – and began drawing, plate by plate, the original animations which would continue for three gruelling years to complete these creative masterpieces. Each clip highlights in leitmotifs what each individual member of Chuckamuck brings to their sound and attitude, which is now available for you to explore, as Chuckamuck has so lovingly reached out to you, in your own
language. Do them the favour back of exploring the work of this diverse, energetic, and romantic punk band on the eve of their 14th anniversary!

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Sault

Untitled (Rise)

17,09 €* 17,99 € -5%

Schuldig Orange Vinyl Edition

Release: 2020 / UK – Original

Genre: Organic Grooves, Rock & Indie, Pop

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The fourth album by Sault scored 97/100 at Metacritic and is the most beloved album at HHVs Supreme 100 of 2020 list, chosen by 150 journalists, musicians, label makers and record collectors. Currently repressed and soon back in stock.

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Milliarden

LP | 2020 | EU | Original (Zuckerplatte)

LP | 2020 | EU | Original (Interscope)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Das dritte Album der Berliner Band markiert eine Bewegung von dem was vorher war zu dem was jetzt ist. Oder besser gesagt: "Schuldig" ist, neben all dem Vieldimensionalen, das die Platte ausmacht, auch ein wichtiger Schritt Richtung Selbstbestimmung. "Zuckerplatte" heißt das frisch gegründete, bandeigene Plattenlabel, dessen erste Veröffentlichung die vorherigen sieben Bandjahre keinesfalls in Abrede stellt. Hartmann und Aue haben sich aber willentlich von Vielem getrennt, um etwas Neues erforschen zu können. Die Sache mit der Unschuld beispielsweise. Man muss die Werke der großen Philosophen nicht kennen, um den Ekel empfinden zu können, den die Unschuld nach sich ziehen kann. Auch das, zugegeben, erheiternde Studium der Schriften Friedrich Nietzsches ist nicht vonnöten, um "Schuldig" verstehen zu können. Es reicht schon ein Spaziergang durch bundesdeutsche Innenstädte und das Vertrauen auf die eigene Intuition. Der Glaube an die Unschuld ist ein sozialromantisches Konstrukt, ein großer Kitsch, der sich bis zur Unkenntlichkeit durch alles zieht und zieht und zieht und zieht. "Los, leise, langsam, laut..." - dann ist man auch schon mitten im "Schuldig sein", mitten in den Grauzonen zwischen Teilhaben und Nichtteilhaben an einer Gesellschaft, in der Sex, Medizin und Kokain Verbraucherinteressen definieren. "Poch, poch, herein!" sagt die Stimme am Ende des ersten Songs der neuen Platte. Es ist das Entree ins Album "Schuldig". Es kann aber auch der Zugang zu dir, zum Ekel vor dir selbst oder zur Selbstakzeptanz sein, den du dir selbst gewährst - nach dem ganzen Koks- und Pillen- und Menschenfleischrausch. *Zuckerplatte

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Yungblud

Weird!

31,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Book Of Curses White Vinyl Edition

Adulkt Life

LP | 2020 | US | Original (What's Your Rupture)

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2020 | UK | Original (E-Works)

Eels

Earth To Dora

Nightcap At Wits' End Indie Exclusive Opaque Yellow Vinyl Edition

Release: 2020 / UK – Original

Genre: Rock & Indie

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Eels is one of those bands that have marked the history of rock forever! The leader of this mythical group, Mark Oliver Everett aka E, has been able to reinvent himself over the years without denying his origins.
Two years after the incredible success of The Deconstruction, Eels presents Earth to Dora,this fall's event album, to be released on E Works Records / [PIAS] on October 30th.
This new album takes us on a journey through sublime melodies that follow each other without ever looking alike, all on the unique and singular voice of its leader Mark Olivier Evrett. Oscillating between flamboyance and moderation, Earth To Dora is built around a touching optimism marked by the desire to erase for a moment the worries of everyday life, and it feels good!

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Garcia Peoples

LP | 2020 | US | Original (Beyond Beyond Is Beyond)

Nightcap At Wits' End Black Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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The duality here runs deep: almost 50 minutes of intricately arranged composition and kinetic guitar chorales christened in tribute to both a familiar place of refuge and that ragged state of mind beyond all common sense, when you keep on going even after you've run out of rope and road. The music itself is a double image: one album-length side of songs that advance the crisp momentum and tangled jangle of early-2019's Natural Facts; and a second half that extends the medley action on Cosmic Cash with the long reach of One Step Behind in a suite of dynamic writing and bonded, instrumental charge, connected by live-to-tape jams ' the band's first time exercising that second-nature-on-stage in a studio. This album has arrived as if absolutely destined for right now. Raise a glass at your wit's end, and let the music blow away the night.

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Garcia Peoples

LP | 2020 | US | Original (Beyond Beyond Is Beyond)

LP | 2020 | US | Original (Kill Rock Stars)

Release: 2020 / US – Original

Genre: Rock & Indie

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Shutups

5.0

14,99 €*

Mouthfuls Indie Exclusive Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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A collection of loud sad songs written quietly in your parents house during a global pandemic, Shutups '5' is a celebration of isolation; a giddy depression, urgently nostalgic and self absorbed. From the opening buzzsaw guitars of 'All At Once' to the insistent cymbal shattering of 'Can You Dance To A Feeling?', Shutups comfortably cut through your speaker cones, delivering hook laden track after track.

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Fruit Bats

LP | 2020 | US | Original (Jealous Butcher)

25,99 €*

The Past Has Begun Black Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Around the making of Mouthfuls, Fruit Bats had coalesced into a duo with Gillian Lisée and myself. It was sort of like our own mini cocaine-free version of Rumors. She wrote the bridge to 'Magic Hour,' which is totally about her. We also co-wrote 'Track Rabbits' together which is still one of my favorite things I've ever done and probably my favorite song on Mouthfuls.' 'I wrote 'When U Love Somebody' at the very last minute right before we started to record. It was kind of the throwaway track, which of course became by far the most popular song on the album and still probably the most popular Fruit Bats song, I was just trying to make something that sounded like Ray Davies, or even more specifically The Beatles' 'Two of Us.' Also, I spelled 'you' with a 'U' to reference Prince. People still like dancing to this one.

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I'm Kingfisher

LP | 2020 | US | Original (Fading Trails)

Skambankt Red Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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The Swedish singer-songwriter I'm Kingfisher returns with new album The Past Has Begun, the follow-up to the acclaimed 2018 LP Transit which saw him receive some of the strongest reviews of his career while being featured on NPR's All Songs Considered and KEXP's Song of the Day, while sharing the stage with the likes of Kevin Morby, Courtney Marie Andrews and Damien Jurado.

One of Scandinavia's hidden treasures, returned to the country and Americana that originally inspired him to start his artistic career, citing records by Courtney Marie Andrews and Dwight Yoakam especially as two of the main inspirations for The Past Has Begun, while penning some of his strongest work yet. Featuring guest appearances from the likes of Slowgold and Damien Jurado guitarist Josh Gordon, The Past Has Begun is an album about ageing, and the bittersweet nature of memory - romantic yet resigned, hopeful but drenched in melancholy.

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Skambankt

LP | 2020 | EU | Original (Indie)

37,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Eliksir Black Vinyl Edition

Skambankt

LP | 2020 | EU | Original (Indie)

28,49 €* 37,99 € -25%

LP | 2003 | US | Original (Atlantic)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Norwegian hard rock band SKAMBANKT's sophomore LP entitled 'Eliksir', released for the first time as a standalone vinyl - previously only available as a 4 LP box set!

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Billy Talent

19,99 €*

Release: 2003 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 1989 | EU | Reissue (V2)

Thelonious Monster

Oh That Monster

14,39 €* 15,99 € -10%

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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LP | 2020 | EU | Original (Snapper)

The Pineapple Thief

Versions Of The Truth

Release: 2020 / EU – Original

Genre: Rock & Indie

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2LP | 2020 | EU | Original (Kscope)

Gazpacho

Fireworker

37,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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2LP | 2020 | EU | Original (Edel)

Yes

Magnification

32,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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2LP | 2012 | EU | Reissue (Edel)

Gary Moore

Close As You Get

32,99 €*

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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3LP | 2020 | EU | Original (Edel)

Willy DeVille

Live In The Lowlands

38,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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American Head Black Vinyl Edition

The Flaming Lips

2LP | 2020 | Original (Bella Union)

26,59 €* 27,99 € -5%

2LP | 1994 | EU | Reissue (Die Eigene Gesellschaft)

Release: 2020 / Original

Genre: Rock & Indie

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The godfathers of the American neo-psyche scene The Flaming Lips present their new album, American Head. It is composed of thirteen titles that could be described as cinematographic, produced by their long-time collaborator Dave Fridmann and by the members of the group themselves. The album has beautiful collaborations: on 'God and the Policeman ' we find the superstar of the country Kacey Musgraves. As evidenced by the first single from the album 'Flowers Of Neptune 6', American Head takes a turn that recalls the great hours of their discography, in particular their 1999 masterpiece The Soft Bulletin. American Head may well be their most beautiful and coherent work to date.

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Mutter

Hauptsache Musik

30,99 €*

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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LP | 2020 | US | Original (Shinkoyo)

Skeletons

If The Cat Com Back

37,99 €*

LP | 2018 | US | Original (Orindal)

Release: 2020 / US – Original

Genre: Rock & Indie

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Matt Mehlan returns to the Skeletons b(r)and with a parable for dark times. We knew what was coming but we did nothing to stop it. Too appeased by the good weather but: “…the blue sky don’t know about a day’s deeds…” Now even the music is un-moored. We’ve lost faith in the AI navigator but have forgotten how to know the way. Threads from the rawest and darkest of the Skeletons catalog - now 10 LPs deep across 18 years - snake across a cold ground looking for ways to connect. This is The Bus’ (2012) midnight express. This is Lucas’ (2007) return from the Garden of Eden. Once celebrated the prodigal has left us again, shocked like the kids abandoned as T-Rex dinner in the dinosaur theme park (“He left us!”) - we whimper… Where did I put the flashlight?

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Dear Nora

Skulls Example

Release: 2018 / US – Original

Genre: Rock & Indie

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Christmas Cactus / Red Poinsettia Black Friday Record Store Day 2020 Edition

Juliana Hatfield

7" | 2020 | US | Original (American Laundromat)

14,99 €*

Rare Ecstasy 2009 - 2019 Black Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Black Friday Record Store Day 2020 Release. RSD Exclusive. Limitation: 1500 copies.

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Pure X

LP | 2020 | US | Original (Fire Talk)

23,79 €* 27,99 € -15%

Release: 2020 / US – Original

Genre: Rock & Indie

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Rare Ecstasy 2009 - 2019 Colored Vinyl Edition

Pure X

LP | 2020 | US | Original (Fire Talk)

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Matador)

Yo La Tengo

Sleepless Night

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (RCA)

Nothing But Thieves

Moral Panic

Release: 2020 / US – Original

Genre: Rock & Indie

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More Love - Songs From Little Voice Season One

Sara Bareilles

LP | 2020 | EU | Original (Epic)

26,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Alive At Twenty-Five-Ritual De Lo Habitual Live

Jane's Addiction

2LP | 2009 | EU | Reissue (Cleopatra)

42,99 €*

Release: 2009 / EU – Reissue

Genre: Rock & Indie

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Gong Wah White Vinyl Edition

Gong Wah

LP | 2020 | EU | Original (Tonzonen)

23,79 €* 27,99 € -15%

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Royal Mountain)

Mav Karlo

Strangers Like Us

20,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2000 | BE | Original (Genet)

January Star

Home Without A Heart

5,99 €*

So Much Staying Alive And Lovelessness

Release: 2000 / BE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl with scuffs and hairlines. Cover with small sticker residue

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Joan Of Arc

LP | 2003 | US | Original (Jade Tree)

LP | 2001 | UK | Original (Southern)

Release: 2003 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Cover close to NM

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Les Savy Fav

Go Forth

59,99 €*

LP | 1995 | US | Original (Jade Tree)

Release: 2001 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Cover with small beginning of seam split on top spine.

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Walleye

Familiar, Forgotten

7,99 €*

10" | 1994 | US | Original (New Age)

Release: 1995 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl with a couple of light scuffs. Still in shrink, but opened

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Dayspring

Dreamstate

9,99 €*

7" | 2000 | DE | Original (Swing Deluxe)

Release: 1994 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Copy close to NM

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The Klondike Derby

Hammer Water

3,99 €*

Release: 2000 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Cover closer to VG+

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LP | 2003 | EU | Reissue (Polydor)

Cast Of Thousands

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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Die ersten drei Studioalben von elbow werden auf Vinyl wiederveröffentlicht. Die Vinyl-Pressungen umfassen das Debütalbum ”Asleep in the Back”, das Nachfolgealbum ”Cast of Thousands” und das dritte Album ”Leaders of the Free World”. Darüber hinaus werden die B-Seiten-Kollektion, ”Dead in the Boot” und ”The Take Off and Landing of Everything” (2014), neu aufgelegt. Damit ist der gesamte elbow38 Angaben ohne Gewähr - Sound Aktuell 07.09.2020 Album-Katalog nun auf Vinyl erhältlich. „Asleep in the Back” war das Debütalbum von elbow (2001). Es wurde von Ben Hillier (Blur, Doves, Depeche Mode) produziert und enthielt die Singles ”Newborn”, ”Any Day Now”, ”Red” und ”Powder Blue”. Es etablierte die Band beim britischen Publikum und führte zu Nominierungen für den Mercury Award und den Brit Award. „Cast of Thousands”, wurde in den legendären Parr Street Studios in Liverpool wieder mit Ben Hiller aufgenommen. „Leaders of the Free World” war das erste Album, das in den Blueprint Studios, Manchester, aufgenommen wurde. Es wurde von der Band und Tom Rothrock (Beck, Foo Fighters) koproduziert. Das Album enthält mehrere Tracks, die bis heute die elbow-Sets zieren, darunter ”Great Expectations” und ”Station Approach”. „The Take Off And Landing…” erschien 2014 und war das erste #1 Album der Band in England. ”Asleep in the Back” und ”The Take Off and Landing…” werden als Deluxe 2LP erscheinen. ”Cast of Thousands”, ”Leaders of the Free World” und ”Dead in the Boot” erscheinen jeweils als Deluxe 1LP.

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The Take Off And Landing Of Everything

2LP | 2014 | EU | Reissue (Polydor)

38,99 €*

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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2LP | 2001 | EU | Reissue (Polydor)

Asleep In The Back

29,99 €*

Release: 2001 / EU – Reissue

Genre: Rock & Indie

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Leaders Of The Free World

LP | 2005 | EU | Reissue (Polydor)

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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LP | 2012 | EU | Reissue (Polydor)

Dead In The Boot

26,09 €* 28,99 € -10%

LP | 2020 | Original (In My Room)

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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Tom And His Computer

Future Ruins

17,84 €* 20,99 € -15%

Release: 2020 / Original

Genre: Rock & Indie

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4LP | 2020 | Original (New West)

Pylon

Pylon Box

151,99 €*

Release: 2020 / Original

Genre: Rock & Indie

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Skullcrusher Transparent Cloudy Clear Vinyl Edition

Skullcrusher

12" | 2020 | US | Original (Secretly Canadian)

Release: 2020 / US – Original

Genre: Rock & Indie

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12" | 1985 | EU | Reissue (Betonska)

Flo Sullivan

Higher

14,99 €*

LP | 2017 | EU | Original (30th Century)

Release: 1985 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Over two years in the making, and it’s finally here. Amsterdam based, brand new old-school label “Betonska” kicks off with this highly diverse release for the selector, collector, radio host and club DJ. Crisp instrumentation, tight retro drum computer programming and propulsive danceable bass lines are what you will find here. The Amsterdam based label will be focusing on previously unreleased and tough-to-find material from the 80s and 90s – all re-mastered, officially licensed and in collaboration with the original artist. In addition to the original material an occasional modern twist will be given by contemporary artists who cherish that signature sound. The first release is an alternative issue of Flo Sullivan’s “Higher” release, originally recorded in 1984 in the world famous Amazon Studios in Liverpool and released in 1985. On the A-side both the 12” and the 7” version of the hard-to-get, firm synth-pop track “Higher” will be pressed on a loud 45rpm vinyl. The 12” version is the (bass-)heavier one, while the 7” version sounds more “organic” with an extended intro and an added horns part. The tracks on the A-side have been pressed before and are made available now again for the wider public, giving those tracks the recognition and attention they deserve. The B-side focuses on previously unreleased original downtempo material by the same artist but released under her real name: Gayna Rose Madder. This, accompanied by a refreshing club-ready remix of one of those tracks by Vienna’s top-notch selector, producer and Neubau label owner: Heap. Neither of the two original tracks “Over” and “Element” have ever been released on vinyl before, up until now. “Over” was written and recorded in 1983 in Splash Sound Studios in Liverpool. A beautiful melancholic synth-pop track, which was meant to be released, but unfortunately never saw the light of day. At the time it was recorded Gayna left her band “Shiny Two Shiny” and therefore needed a new deal from a different company for her solo releases. But by the time she found the right one, many newer songs needed release. Much later, in 2005, Gayna decided to self-release “Over” on a compilation CD to sell copies online. “Element” is a spoken-word poem accompanied by a fire-crackling tribal kind of rhythm. It was written for a musical play and recorded in Sparks Studio Liverpool in 2004 and has never officially been released before. (For a short period it was available on a self-released CD on Gayna’s website; a compilation of the songs written for one of her musicals). And last but not least, the icing on the cake is Heap’s remix of “Element”. He translated this spoken word poem into a refreshing 90s-style and danceable club-track to complete the diversity of Betonska’s first release. A chugging acid bass, breakbeat rhythms, crisp claps and sharp snares and a screeching lead synth to get you screaming on the dance floor.

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Grandaddy

Last Place

29,99 €*

Release: 2017 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Something Glowing Neon Red Vinyl Edition

Lemon Demon

7" | 2020 | US | Original (Needlejuice)

16,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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Songs From Northern Torrance - Colored Vinyl Edition

Joyce Manor

LP | 2020 | EU | Original (Epitaph Europe)

LP | 2020 | EU | Original (Drag City)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Spinning the raw emotions and unfettered delivery of power pop and emo, California outfit Joyce Manor emerged in the late 2000s with a blistering punk sound on their eponymous debut (2011) and follow-up Of All Things I Will Soon Grow Tired (2012). Developing restraint and slowing things down, they took cues from pop-punk and indie rock on their Epitaph label debut Never Hungover Again, which drew upon influences Weezer and Jawbreaker, a maturation that continued on 2016's Cody and 2018's Million Dollars to Kill Me. Based out of Torrance, California, Joyce Manor got its start in late 2008, conceived as the acoustic pop-punk duo of Barry Johnson (vocals, guitar) and Chase Knobbe (guitar). That idea didn't last long, however, and the band ultimately expanded, with friends coming and going until the lineup settled down a year later. Joyce Manor return with Songs From Northern Torrance: a collection of b-sides and alternate versions of fan favorites pulled from the band's personal archives. The album kicks off with "House Warning Party," a one-minute blast of lo-fi goodness that offers a glimpse into the band's humble beginnings as a two-piece folk-punk outfit. Lyrics of suburban angst forge with upbeat drums and swift, jangly guitars that make it impossible to not bounce your head along to. As a band who have come to define West Coast indie-punk, Joyce Manor remains one of the most popular bands in the genre and this track is a rarity their fans will surely love.

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Tashi Dorji

Stateless

31,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Chisholm In My Bosom Crystal Clear Vinyl Edition

Arthur Brown

LP | 1977 | EU | Reissue (Cargo)

19,99 €*

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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Product - "White Album" Version

M185

LP | 2020 | EU | Original (Speed Of Light)

LP | 2020 | EU | Original (Post Present Medium)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Strictlyl limited (30 copies) single LP "white album" version!Unglaublich, sechs Jahre ist es nun her, das letzte Studioalbum von M185. Zweitausendundvierzehn. Juni 2020 aber gibt's ein neues PRODUCT!Die Wiener Indie-Rocker M185 sind sechs Jahre nach ihrem letzten Album mit einem neuen Longplayer zurück. Gerüchten zufolge wurden sie ja von Aliens entführt, aber das ist wohl eine andere Geschichte. Fiepende Synthies, knarzende Sampler, flirrende Soundflächen und ein hypnotisierender Groove: Die Wiener Band M185 verbindet auf ihrem neuen Album "Product" außerweltliche Musikerfahrung mit realpolitischen Statements und erfindet sich dabei neu. Bei all den Veränderungen und Entfremdungen ist bei M185 der treibende Motor des Musikmachens gleich geblieben: die Euphorie. So wie auch die Referenz der Disco-Musik mit ihrem Versprechen der Ekstase ins Album eingeflossen ist, machen M185 das unbändige Gefühl der Euphorie hörbar.Die Bands und die Platten, die niemand mehr lieb hat: "Für die kommende M185 LP kaufen wir 185 Stück Ein-Euro-Platten aus den Wühlkisten dieser Stadt und bekleben sie mit dem "Product" Sticker-Set des Designers Hell Mutang. Jede Platte ist ein Einzelstuück und kommt mit Originalvinyl und unserem Album.""Als ich das erste mal die neuen Tracks hörte [...], wussteich, das Album muss ich gestalten. Ich bin mit der Krautrock- und Disco-Plattensammlung meiner Eltern aufgewachsen und mag so verspultes Zeug, wie es M185 auf diesem Album machen. Ich bin schon richtigneugierig, welches 2nd Hand Vinyl bei meinem Exemplar dabei sein wird. Sicher gutes Zeug. Habt Spaß und lasst euch, Freunde!" (Hell M.)Dies ist die sehr limitierte "white album" Version der LP, welche das Artwork von Hell Mutang auf weißem Grund zeigt. Kommt ohne zusätzliche 1-Euro-Platte!

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Gen Pop

Ppm66

Nobody Lives Here Anymore Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Gen Pop started in Olympia, Washington in 2016. Four faces in the same mirror all with a different reflection. It's not high-brow or low-brow but unibrow. Don't bother making musical comparisons, speak instead in terms of the mood, which, for lack of a better term, may be described as 'tense'. We've all had the feeling of careening headlong into a wall, eyes wide but seeing nothing, so you'll know what to expect. BUT if you must, think Swell Maps meets Buzzcocks in the late eighties american indie scene.

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Cut Worms

LP | 2020 | EU | Original (Jagjaguwar)

Now Here's An Echo From Your Future Grey Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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The shopping malls have closed down, the dressing rooms are filled with ghosts, and the carousel is covered in cobwebs. Nobody Lives Here Anymore, the latest and greatest from Max Clarke as Cut Worms, is the haunted reverie of an American landscape in-and-out of Clarke's mind. Recorded between May and November 2019 in Memphis, Tennessee, the album is a snow globe of the mid-twentieth-century's popular music filled with chiming guitars, honkey tonk pianos, and Telstar organs. A constant creator - be it his Cut Worms alter-ego or his day-jobillustration work (designing brand logos and beer labels with madhouse technicolor pictures) - writing and making records has always been Max's driving force. So after an extensive eighteen-months of touring in support of 2017's Alien Sunset and 2018's Hollow Ground, he set about sifting through the fragment pieces and sketches of tunes he'd accumulated, along with a jet-stream of new compositions, mining his life-long devotion to the lost American songbook for inspiration. By thetime he flew to Memphis to work with producer Matt Ross-Spang at Sam Phillips Studio, he'd stockpiled more than thirty new songs. A loss of innocence lingers through this 80-minute opus as Clarke attempts to harbor love and meaning inside a world that sold itself out. He explores the wistfulness of the past in search of answers for tomorrow. And while his grand anthems overflow with timeless pop charm, his ability to dig deeper than lollipops and holding hands sets his work apart from the days of 45s and Top of the Pops.

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Girls In Synthesis

LP | 2020 | EU | Original (Harbinger Sound)

LP | 2020 | EU | Original (Fire)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Following a steady stream of ultra-limited 7" singles, that were collated together in 2019 for the 'Pre/Post: A Collection 2016-2018' on Louder Than War, the bands highly-anticipated debut album, by those that know, arrives. Since forming in late 2016, Girls In Synthesis have quickly forged a fearsome reputation as one of the most exciting and volatile live acts in London. In equal parts frantic, considered, ear-splitting and melodic, the group take their cues from the early DIY punk and post-punk pioneers to keep everything in-house; artwork, videos, performances and recordings are created entirely by the group and their handful of trusted collaborators, under a bedrock of heavy, bludgeoning, dark, post-punk. 'Now Here's An Echo From Your Future' is their first release for fabled experimental punk label Harbinger Sound and finds the band advancing their sound, making subtle but experimental shifts in texture and tone, helping to break free from the shackled straight-jacket of punk rock that, to be fair, never really held them down in the first place. Across the album's ten songs, Girls In Synthesis explore a wide range of sensations and sounds as the album detonates into life with opening track 'Arterial Movements' in a screeching flurry of over-driven guitar and hammering drums. The contrast between the slow, mesmerising look into aging and dying in 'Human Frailty' ('The realisation that you cannot halt their impending death'), to the aggressive attack on the rise of the right-wing in 'They're Not Listening' ('The time-old tradition of the right wing accosting desperate working class people has returned') shows a wide range of subjects and reactions aggressively tackled. Mental health in a fast-moving, unforgiving world, media control, the divide widening between the have and the have nots, the class divide, the blaming of the poor, Nhaefyf bristles with an unforgiving frustration and temper. The recording of Nhaefyf started at Rockit Studio, Hull in April 2019 during days off on the UK tour to promote the '...

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Tobin Sprout

Empty Horses

20,99 €*

New Signs Of Life Smoke Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Artist, illustrator, writer and lo-fi innovator, Tobin Sprout was the super-productive partner of Robert Pollard in the legendary Guided By Voices. The gifted songwriter returns with a pensive, expansive part autobiographical new album 'Empty Horses'. Here he's part Townes Van Zandt, part John Prine, part Robbie Robertson at his retrospective best. The album is a meticulously observed study of America and Americana (not the music, but the state of mind). An alternative American Songbook, if you will, a collection of laments to simpler times and the struggle for what's right, peppered with an examination of faith and the search for a sense of justice. Close up and personal, 'Empty Horses' is a poignant carefully etched experience, a rolling journey in modern times, nodding back to tradition, a personal snapshot filled with honesty. 'Empty Horses' is released on vinyl LP and also a deluxe bookback CD, beautifully packed with 24 pages of paintings and lyrics by Tobin Sprout, a true collectors piece for fans of Tobin's music and art. "The perfect aural encapsulation of melancholy: in turns somnambulant, romantic and all-consuming" Rolling Stone // "Raw, honest and often revelatory" Consequence Of Sound //

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Death Bells

LP | 2020 | EU | Original (Dais)

LP | 2020 | EU | Original (Dais)

Release: 2020 / EU – Original

Genre: Rock & Indie

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After swapping hemispheres, Australian outfit Death Bells have found a new home in Los Angeles, emerging with a new album of fervent guitar-driven rock, stripped of gloom and punching through with a new sense of positivity. New Signs of Life, their debut for Dais Records, finds Death Bells using a DIY pedigree to plunder the conventions of "rock music" with a saxophone along for the mission. Rather than leaping genres or formats, New Signs of Life is refined and nuancedâÇ"a methodology built on process, craft, and perspective.Following their 2017 debut, Standing at the Edge of the World, and follow-up single "Echoes," Death Bells left their hometown of Sydney for the United States. Energized by impulse, extensive touring and exploration led to the formation of an ambitious six-piece band that eventually coalesced as a collaboration between founding members Will Canning and Remy Veselis. With Canning and Veselis becoming the engine, Death Bells began to employ several underground mainstay musicians to complete their live presentation, including Cortland Gibson (Dock Hellis), Colin Knight (Object of Affection), and on occasion Brian Vega (Fearing).Revitalized and centered, Death Bells released the single "Around the Bend" in 2019, before workshopping material that would eventually comprise their second full-length effort. As much as Standing at the Edge of the World was an energized disclosure informed by fresh naivete, New Signs of Life harnesses those initial sparks, cloaking the threads of Death Bells with authority, allowing each of the nine tracks which embody New Signs of Life to become lush streamlined vehicles.The eponymous lead single is a grandiose statement, influenced by the theme song of HBO's classic television program Six Feet Under. The lyrics are a shopping list of personal neuroses butted against self-help cliches, dressed with jagged guitars, brass, and percussion providing a deliberate pace for Death Bell's new chapter. As method gives way to melody, New Signs of Life exudes an ur...

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Death Bells

New Signs Of Life

LP | 2020 | US | Original (Off Tempo)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Lake

Roundelay

2LP | 2021 | EU | Original (Rca Local)

Release: 2020 / US – Original

Genre: Rock & Indie

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Roundelay is the band's most cohesive, adventurous, and fully realized record to date with their own brand of sophisti-pop. It is rich, layered, developed, and at times, avant-garde. Odd time-signatures reign without being too mathy, and sprinkles of horn arrangements, grand piano, and pedal steel put the elevator in the new genre they dub from this moment forward, elevator punk.

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Blackout Problems

Dark

29,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Sundowner Black Vinyl Edition

Kevin Morby

LP | 2020 | US | Original (Dead Ocean)

2LP | 2020 | US | Original (Three Lobed)

Release: 2020 / US – Original

Genre: Rock & Indie

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In the winter of 2017 I moved back to my hometown of Kansas City from Los Angeles. The move was sudden and unforeseen, just as I was tying a bow on the writing process for what would become my 2019 album, Oh My God. I bought a Four Track Tascam model 424 off of an old friend to help me get to the finish line, but much to my surprise and excitement, this new piece of equipment in my all-but-bare home didn't help complete one album but rather inspire another: Sundowner. The new collection of songs came quickly and effortlessly as I did my best not to resist or refine the songs, but instead let them take shape all on their own. As the songs kept coming I cleared out the crowded shed that was sitting dormant in my backyard and built a makeshift studio before adding drums, lead guitar and piano to complete the demos. Each day I would teach myself basic recording techniques, watching the channels illuminate and pulse as if the machine were breathing, and then emerge in the evenings as the sun was getting low: - around 5:30 in the winter, when the Kansan sunsets look icy and distant, like a pink ember inside of a display case, and 9 o'clock in the summer, when the sunsets are warm and abstract. Landing back home felt jarring juxtaposed with a life full of chaos and adventure with my band on the road. But at the very least, I was happy to have - for the first time in my adulthood - a place to close the door, with no temptations other than to work on music and reflect on what I had built since I left. It was a new form of isolation, one I had never explored or expected to experience. Not ready to let go of the hand of the California desert, I spent the winter decorating the best I knew how; with mementos from my previous home, cactus and aloe vera and covering the walls in pinewood - immediately earning my house it's nickname, The Little Los Angeles. In January 2019 I contacted my friend and producer Brad Cook to help recreate what I had made in my shed. We chose to work in Texas; we wanted to make sure the record was done far away from any coastline, and in the heart of America. Brad played bass and some keys on the album, but beyond that he encouraged and inspired me to play almost everything else. All lead guitar, proper drums (save the drums on "A Night At The Little Los Angeles"), mellotron and what I believe to be the albums secret weapon - a Wwii era collapsible and slightly out-of-tune pump organ - were performed by me. We did, however, bring in James Krivchenia towards the end of the session to fill out the percussion. It was an honor to work with him as he built maracas from pecans and played on the floor of the live room, adding flourish wherever he saw fit. On the last evening of the session, after everything had wrapped, we all climbed on top of an empty water tower on the property, giving us a view in all directions. To the North you could see an endless Texas, with long wisps of cirrus clouds above the desert floor, and to the South there was Mexico, the recent detention camps only a mile beyond, with large cumulus clouds hovering over, bringing us to an ominous pause. To the West, towards the setting sun, the two families of clouds merged, holding the last light of the day in purple and orange. Below, a freight train cut the landscape in half as it whistled in the distance. Almost as soon as the session wrapped, I was off and away on press trips and then proper tours for Oh My God, which came out in April that same year. Sundowner sat inside of a hard drive back at Sonic Ranch and did not see the light of day, until I found myself, as did the rest of the world, stuck inside their home and in quarantine in March 2020. My second year of touring for Oh My God was cancelled. Brad, Jerry and I worked from our respective homes, sending notes back and forth as we worked alone but together to mix the album, and suddenly, just like that, Sundowner was finished. Songs, like sunsets, are fleeting, and it's only due to a willingness and desire to catch them that you ever, if even only for a moment, grab a hold of one. When writing Sundowner, I was lucky to have had the Tascam 424 there to help capture both. Sundowner is my attempt to put the Middle American twilight -- it's beauty profound, though not always immediate -- into sound. It is a depiction of isolation. Of the past. Of an uncertain future. Of provisions. Of an omen. Of a dead deer. Of an icon. Of a Los Angeles themed hotel in rural Kansas. Of billowing campfires, a mermaid and a highway lined in rabbit fur. It is a depiction of the nervous feeling that comes with the sky's proud announcement that another day will be soon coming to a close as the pink light recedes and the street lamps and house lights suddenly click on. -- Kevin Morby, Kansas, 2020.

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Gunn-Truscinski Duo

Soundkeeper

30,99 €*

Haunted Painting Colored Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Steve Gunn and John Truscinski's collaborations are point where experimental instrumental rock and cosmic jazz meet. This is their fourth album overall and first in three years. Gunn-Truscinski Duo fans are intense in their love of these records - they naturally spin off from Steve's solo work but also go in their own directions as well. This track - and album - will be rapturously received by the fans of this project as being cut from a similar cloth that they already know and enjoy but covering some different and previously unworn ground. The first release in the Three Lobed Recordings 20th anniversary series, this should be a title with multiple sales points (Gunn, Three Lobed, other participants in the 20th series).

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Sad13

LP | 2020 | US | Original (Wax Nine)

16,09 €* 22,99 € -30%

Haunted Painting Black Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Haunted Painting is the return to Sadie Dupuis' pop-oriented solo project Sad13. Previous releases include 2016's Slugger and a handful of tracks across compilations such as Adult Swim's Singles series. Since Slugger, Dupuis' other project Speedy Ortiz has released a new record and toured heavily and Dupuis has also published a poetry manuscript titled Mouthguard. It all finds Dupuis, already one of the sharpest lyricists of her generation, leveling up as an arranger and producer. Drawing inspiration from 1980s British pop-rock à la Tracy Ullman and Joan Armatrading, as well as the contemporary digital gloss of post-PC Music electronica, she calls Haunted Painting 'decidedly non-minimal,' mixing technicolor synth-pop and math-rock dynamism. The first track from Haunted Painting, 'WTD?', was also featured as part of the Adult Swim Singles series.

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Sad13

LP | 2020 | US | Original (Wax Nine)

Tape | 2020 | US | Original (NNA Tapes)

Release: 2020 / US – Original

Genre: Rock & Indie

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Haunted Painting is the return to Sadie Dupuis' pop-oriented solo project Sad13. Previous releases include 2016's Slugger and a handful of tracks across compilations such as Adult Swim's Singles series. Since Slugger, Dupuis' other project Speedy Ortiz has released a new record and toured heavily and Dupuis has also published a poetry manuscript titled Mouthguard.

It all finds Dupuis, already one of the sharpest lyricists of her generation, leveling up as an arranger and producer. Drawing inspiration from 1980s British pop-rock à la Tracy Ullman and Joan Armatrading, as well as the contemporary digital gloss of post-PC Music electronica, she calls Haunted Painting 'decidedly non-minimal,' mixing technicolor synth-pop and math-rock dynamism.

The first track from Haunted Painting, 'WTD?', was also featured as part of the Adult Swim Singles series.

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Bendrix Littleton

Deep Dark South

12,99 €*

Future Child Magenta Colored Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Bendrix Littleton is the writing and recording project of Nashville-via-Dallas musician and producer Bennett Littlejohn. The self-aware, malaise-filled songs on his debut LP 'Deep Dark South' are imbued with the painful beauty of the modern American South, including themes of drug and alcohol abuse, and the dissolution of relationships. Bendrix wrote most of the album on a vintage Harmony H162 acoustic guitar that he found at a flea market in Kentucky and restrung with higher pitched strings (a 'Nashville tuning'). After running the tracks through a Tascam four track cassette recorder, which sped the songs up ever so slightly, Bendrix added layers of lap steel, dobro, and pedal steel. 'I tried to pair instruments that typically aren't used together--one's that I've shied away from after playing them with uninspired country music.' 'Deep Dark South' conjures the feeling of wonder one gets from looking up at the vast Southern night sky.

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Mi'ens

LP | 2020 | US | Original (Kill Rock Stars)

20,99 €*

Duet For Guitars Indie Exclusive Clear Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Mi'ens is a mathy noise rock duo from Vancouver, Canada, founded in 2012. Experimental, with a side of sparklepop. Mi'ens is the female-fronted shredding of Kim Glennie on guitar/loops/Moog, backed by the polyrhythmic blastbeats of Evan Heggen on drums. Their unique brand of math noise consists of live loops, layered textural guitar and effects, the warm, analog drone of the Moog, coupled with well-placed vocalizations, all atop breakneck beats. Mi'ens veers into the territory of art rock/post rock on their latest, Future Child, a follow up to 2017's Challenger and their 2012 debut experimentalsparklenoisepop. Mi'ens has toured the US, UK and Canada, and has opened for Tera Melos, Elephant Gym, Lite and Drug Apts. 'Virtuosic and chaotic soundscapes.' "Reminiscent of Hella or Don Cab." "Complex conversational playing." "Trippy as fuck."

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M. Ward

LP | 2020 | US | Original (Jealous Butcher)

LP | 2020 | US | Original (Captured Tracks)

Release: 2020 / US – Original

Genre: Rock & Indie

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Originally released on CD in 1999, M. Ward's debut is a sparse, mostly live affair recorded with pal and engineer Adam Selzer of Norfolk & Western at Type Foundry Studio in Portland, OR. Listeners who are already accustomed to Ward\'s breathy, conversational vocal delivery and soft-picked, West Coast Americana melodies will find much to love here. Duet for Guitars #2 is peppered with instrumentals in the John Fahey and Bad Timing-era Jim O\'Rourke vein, and Ward\'s lackadaisical picking sounds just as lazily precise here as it does on future recordings. There\'s a real warmth to the sessions that transcends the often bare-bones production. For the most part, it sound like most takes were done live with two microphones, with the occasional overdub, and that style suits Ward\'s dreamy tales of molasses-slow teenage summers (\Beautiful Car\") and oddball parables like ""Fishing Boat Song."" It's also interesting to hear him shedding the inflections of some of his more obvious heroes like Neil Young (""Who May Be Lazy"") and Bob Dylan (""It Won\'t Happen Twice""). This limited edition is an indie record store exclusive and pressed on clear vinyl!"

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Mourn

Self Worth

26,99 €*

Live At Third Man Records

Release: 2020 / US – Original

Genre: Rock & Indie

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Mourn knows quite a bit about setbacks, but a latent belief persists within: the negative will eventually become positive. It's the belief in the wonder of resilience. It's the name they chose for their new album: Self Worth. The band isn't the same as when they formed. The world isn't either. Mourn grew up, and that's evident in the songs that make up Self Worth. Their melodies - energetic and captivating - venture into less level grounds, and their lyrics show a newfound readiness to tackle issues of a different weight and size. "Men" is lyrically patent proof of this growth, and their heightened consciousness as women. A revealing song, necessary and deliberately uncomfortable. A beautiful melody of war against patriarchy; the impulsive rescue of the riot grrrl. Certain needs stand out through the album: leaving behind abusive ties, externalizing the interior noise. "We talked a lot about getting out of toxic situations - not resigning ourselves to that, not enduring that anymore. The songs are like flags to stand up and say: `we are done.'" Just as "Stay There" draws a limit and "Apathy" spits truth in your face, "Call You Back" seems to paint that instance in which love paralyzes, and "I'm In Trouble" turns exasperated voices into machine guns. Punk assault with a clear message: the body speaks when the mind is not well. Mourn is an enclave of post-teens dealing with the dilemmas of adult life. "This album gave us what we needed: self-worth, the desire to go forward, to love ourselves, with everything, with the good and bad. This album empowers us."

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The Hives & Olivia Jean

LP | 2020 | US | Original (Third Man)

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Omn Label Services)

Brother Firetribe

Feel The Burn

19,99 €*

LP | 2020 | EU | Original (Karisma)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Brother Firetribe are gearing up for the release of their new album, Feel the Burn, and once again, it’s an instant melodic rock classic.

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Wobbler

Dwellers Of The Deep

39,99 €*

LP | 2020 | EU | Original (Apollon)

Release: 2020 / EU – Original

Genre: Rock & Indie

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If there is one band who has captured the sound of the golden age of Progressive Rock (1969 – 1975) without sounding regressive or copycat, it is the Norwegian band Wobbler. The band has always had an energetic and youthful approach to the classic prog era, and has managed to blow new life into the genre. Wobbler´s fifth offering is an exciting blend of carefully planned and jammed material that encompasses everything the band has done up to now. Dwellers of the Deep consists of four distinctive pieces and is a broad looking glass into Wobbler´s creative whims and playful exuberance. The album showcases the band´s mastery of dynamics and flow, with passages and themes veering from the scenic and serene to the downright rocking. On the final track, Wobbler is in full blast, with a 19 minutes suite taking the listener through aspects of the darker sides of Wobbler´s sound. The lyrical themes on the album deals with human emotion, and the ongoing struggle between juxtaposed forces within the psyche. An introspective voyage among the realms of memories, feelings and instincts, where the light is brighter, and the dark is darker. The concepts of wonder, longing and desperation permeates the histories told, and the currents from the deep are ever present. The production is open, detailed, warm and punchy, making the soundscape put together by the now seasoned sound alchemist Lars Fredrik Frøislie to an aural feast. New musical directions further the quintet’s burgeoning aural idiosyncrasies and solidify the band stature as one of the most exciting and interesting bands on the global music scene, independent of genre.

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Ring Van Mobius

The Third Majesty