Indierock | Alternative 23020 Items

Release: 1983 / Reissue

Genre: Rock & Indie

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LP | 1983 | EU | Reissue (Warner Music International)

Triana

Llego El Dia

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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LP | 1983 | UK | Original (Slash)

Green On Red

Gravity Talks

4LP | 1983 | Reissue (Universal)

Release: 1983 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+.

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The Police

Synchronicity Box

138,99 €*

Release: 1983 / Reissue

Genre: Rock & Indie

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Get It Away Trust Edition

Picture
Coming Soon

SS Decontrol

LP | 1983 | EU | Reissue (Trust)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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LP | 1984 | UK | Reissue (Warner)

The Smiths

LP | 1984 | UK | Reissue (Warner)

Release: 1984 / UK – Reissue

Genre: Rock & Indie

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Official remastered reissue on 180 gram wax.

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The Smiths

Hatful Of Hollow

Nick Cave & The Bad Seeds

Release: 1984 / UK – Reissue

Genre: Rock & Indie

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Official remastered reissue on 180 gram wax.

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From Her To Eternity

LP | 1984 | EU | Reissue (Mute)

25,99 €*

LP | 1984 | UK | Reissue (4AD)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Including download code.

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Dead Can Dance

26,59 €* 27,99 € -5%

Release: 1984 / UK – Reissue

Genre: Rock & Indie

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LP | 1984 | EU | Reissue (Damaged Goods)

The Milkshakes

Thee Knights Of Trashe

18,99 €*

LP | 1984 | EU | Reissue (Mannequin)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Classic beat album by the milkshakes available once again.

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Diaframma

Siberia

The Swing (2011 Remaster)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Limited edition for Record Store Day 2017!

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INXS

LP | 1984 | EU | Original (Universal)

Release: 1984 / EU – Original

Genre: Rock & Indie

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Teen Babes From Monsanto Limited Peak Edition

Redd Kross

LP | 1984 | EU | Reissue (Merge)

19,99 €*

LP | 1984 | EU | Reissue (Sony Music Catalog)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Translucent Pink Vinyl! A little drums, a little atmosphere, and it wails like this! Hotter than anything printed by a Hearst daily, the 12-song Version Especial of Redd Kross' Teen Babes from Monsanto - all art, no filler, direct from the source, pure from the tap - reissued by Merge Records. The album features specially designed packaging that allows you to choose between two different front covers with just a flip of the wrist! Experience vintage teenaged Redd Kross as presented by Monsanto: 100% genuine, chemically inspired brilliance fueled by processed junk food.

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Die Ärzte

Debil

Release: 1984 / EU – Reissue

Genre: Rock & Indie, Pop

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LP | 1984 | US | Reissue (Digital Regress)

The Kiwi Animal

Music Media

Release: 1984 / US – Reissue

Genre: Rock & Indie

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The Revolving Paint Dream

Flowers In The Sky

7" | 1984 | EU | Reissue (Optic Nerve)

10,99 €*

7" | 1984 | EU | Reissue (Optic Nerve)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Released in 1984 and the second release on Creation Records. Flowers In The Sky Is a perfect piece of 80’s psychedelic pop.

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The Wee Cherubs

Dreaming

10,99 €*

Clear Memory Black Vinyl Edition

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Includes postcard and poster. Impossibly rare 1984 UK 7” vinyl single, written by a pre- Bachelor Pad’s Martin Cotter. One of only three releases by the short-lived Glasgow based indie label Bogaten, although redolant of early Orange Juice in the sound of the A-side, also looks forward to Shoegaze, with a reverb-drenched cover of The Velvet Underground’s Waiting For My Man on the B-side

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Bomis Prendin

LP | 1984 | EU | Reissue (Mental Experience)

Wipers (Aka Wipers Tour 84) Florescent Pink Vinyl Edition

Release: 1984 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Formed in 1978, Bomis Prendin is a collective of experimental “noisicians” from Washington DC, pioneers within the DIY, Industrial, cassette culture and experimental electronics scene. Using cassette recorders, mutated musical toys, electric guitars, bass, rewired circuitry, analog pedal effects & cheap keyboards, they recorded and released in the late 70s a couple of astounding flexi-discs (Test and Phantom Limb) which led to them being included on the infamous Nurse With Wound list. “Clear Memory” was originally released in 1984 only on cassette (50 copies) and it’s an incredible example of DIY mutant psychedelic pop and homemade electronic weirdness which sounds years ahead of its time. Here’s the first ever reissue.

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Wipers

LP | 1984 | US | Reissue (Jackpot)

32,99 €*

LP | 1984 | EU | Reissue (Touch & Go)

Release: 1984 / US – Reissue

Genre: Rock & Indie

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Wipers tour 1984 features tracks from the first three Wipers albums. Recorded live on Tour February - March ’84. Originally released on cassette by Greg Sage and on vinyl on Enigma Records in 1985.

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Die Kreuzen

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Heaven Is Waiting 2021 Remastered Edition

Danse Society

LP | 1984 | EU | Reissue (Spittle)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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LP | 1984 | EU | Reissue (Strangelove)

Sjunne Ferger

Mind Games

23,99 €*

Filosofia Black Vinyl Edition

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Occupying its own hinterland within Scandinavia's early 80s electronic/progressive move-ments, 'Mindgames' navigates a lifetime of musical and personal exploration by Sjunne Fer-ger. Child jazz drummer prodigy, arts venue operator, music teacher and Aikido practition-er, a bewildering array of personal & creative influences are distilled into the Örebro native's only long player. Written around a new wave context, his own jazz fusion roots and at times with an unintentionally balearic outcome, Sjunne goes some way to conjuring up a singular sounding album of the time.

Narratives of love and loss, calls to self-empowerment and mindfulness, the new age zeal throughout follows Sjunne's own awakening. Its music caught in meditative reflection one moment before propelling into ecstatic revelation the next, with Sjunne's collective 'Exit' providing electric backing throughout. Propelled by the Drummer's beat, its hard not to be caught up with Sjunne's personal vision of a 'Polymood Music'

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Esa Saarinen

LP | 1984 | EU | Reissue (Svart)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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LP | 1984 | EU | Reissue (Bureau B)

Conrad Schnitzler

Con 84

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Kainkäärmeenpoika Black Vinyl Edition

Kainkäärmeenpoika

LP | 1984 | EU | Reissue (Svart)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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LP | 1984 | EU | Reissue (Onderstroom)

Aroma Di Amore

Koude Oorlog

19,99 €*

12" | 1984 | EU | Reissue (Onderstroom)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

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Aroma Di Amore

Voor De Dood

18,99 €*

LP | 1984 | JP | Reissue (Alchemy)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Ultra Bide

The Original Ultra Bide

36,99 €*

Release: 1984 / JP – Reissue

Genre: Rock & Indie

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LP | 1984 | EU | Reissue (Spittle)

Afterglow

Release: 1984 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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First Time ON Vinyl ! Originally released on cassette in the winter of 1984, together with the 7th issue of Komakino fanzine - included here in its original format. 8 groups and 14 tracks revealing the whole meaning of the Afterglow operation. Bands who already had record deals and enjoyed some popularity, others that will do so shortly, others that will fade in the mists of that decade. “Afterglow” is a document from an era when small gestures and uncomfortable choices were true stances

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The Other Side Of Futurism

LP | 1984 | EU | Reissue (Spittle)

LP | 1984 | EU | Reissue (Polydor)

Release: 1984 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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First Time ON Vinyl ! Originally released on cassette in the spring of 1984 together with the 5th issue of Tribal Cabaret fanzine - included here in its original format - this is an invaluable document focusing on the obscure side of the 80’s Italian post- punk scene. A composite picture drawn by a bunch of different and often under recorded groups from various Italian regions and cities. All together they contribute to defining a prominently dark yet vivid soundscape based on different approaches and styles. All these aspects are perfectly translated through the b&w art and graphics of the beautiful Tribal Cabaret fanzine. If you want to dive deep into the fringes of the 80’s this is one of the places to start.

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The Cure

The Top

Those Who Do Not Black Vinyl Edition

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.

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Psychic TV

2LP | 1984 | UK | Reissue (Cold Spring)

38,99 €*

LP | 1984 | EU | Reissue (Lipposen Levy Ja Kasetti)

Release: 1984 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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The sound of the classic period of Psychic TV - featuring Peter Christopherson and Geff Rushton (John Balance) of Coil, this full show is interspersed with recordings of the Pagan marriage between Genesis and Paula P-Orridge conducted by Sveinbjörn Beinteinsson Allsherjargodi.

Psychic TV at their most esoteric, their most ritual, and often most extreme, a perfect accompaniment to the legendary 'Dreams Less Sweet' album of the same year.

"Thee First Will To And Testament Ov Psychick TV. All our works remain interconnected, interfaced, and intentional. Thee Process is thee Product".

These recordings of a live disconcert by Psychic TV in Reykjavik, Iceland that took place November 1983 organised by HÖH and Gramm Records, to whom, eternal and infernal thanks all ways.

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III Warning

Those Who Do Not White Vinyl Edition

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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A very limited repress of the third and last OZ album from the classic era. 100 copies available.

Originally released in 1984, Oz are together with Sarcofagus one of the earliest purveyours of pure Finnish Heavy Metal.

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Psychic TV

2LP | 1984 | UK | Reissue (Cold Spring)

40,99 €*

Release: 1984 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Bullshit Detector Three Black Vinyl Edition

2LP | 1984 | EU | Reissue (One Little Independent)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Bullshit Detector Three Grey Vinyl Edition

2LP | 1984 | EU | Reissue (One Little Independent)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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12" | 1984 | FR | Original (Les Disques Du Soleil Et De L'Acier)

Oto

Anyway

49,99 €*

Release: 1984 / FR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

LP | 1984 | Reissue (Flesh & Blood)

Meat Joy

32,99 €*

Release: 1984 / Reissue

Genre: Rock & Indie

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LP | 1984 | UK | Reissue (Kaz)

Shriekback

The Infinite

LP | 1984 | EU | Reissue (Rhino)

Release: 1984 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

beginning seam split. 1986 reissue

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Christine McVie

Christine Mcvie

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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LP | 1984 | EU | Reissue (Lantern)

Sad Lovers & Giants

In The Breeze

7" | 1984 | DE | Original (Line)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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A more than welcomed re-issue for the iconic post-punk band coming all the way from Watford. The album showcase a collection of unreleased recordings – mostly conceived between 1981 and 1983 – and it is a right companion to their two studio masterpiece: "Epic Garden Music" and "Feeding The Flames".

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Iain Matthews

Wild Places

3,99 €*

Release: 1984 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Love On The Beat Picture Disc Edition

Serge Gainsbourg

LP | 1984 | EU | Reissue (Universal)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Dreamtime Black Vinyl Edition

The Cult

LP | 1984 | UK | Reissue (Beggars Banquet)

Release: 1984 / UK – Reissue

Genre: Rock & Indie

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Dreamtime Red Vinyl Edition

The Cult

LP | 1984 | UK | Reissue (Beggars Banquet)

26,59 €* 27,99 € -5%

Release: 1984 / UK – Reissue

Genre: Rock & Indie

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Law Of Nature Black Vinyl Edition

Laughing Clowns

LP | 1984 | AU | Reissue (Remote Control)

55,99 €*

Release: 1984 / AU – Reissue

Genre: Rock & Indie

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Law Of Nature Blue Vinyl Edition

Laughing Clowns

LP | 1984 | AU | Reissue (Remote Control)

55,99 €*

Release: 1984 / AU – Reissue

Genre: Rock & Indie

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7" | 1984 | UK | Reissue (Optic Nerve)

The June Brides

In The Rain

14,24 €* 14,99 € -5%

Blueprints For A Blackout

Release: 1984 / UK – Reissue

Genre: Rock & Indie

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The June Brides debut single originally released in 1984 on The Pink Label.

Both tracks are from fresh transfers from the master tapes which were then remastered by Jason Mitchell at Loud Mastering in Taunton in early 2021.

The June Brides are true innovators, hailing from the first wave of British indie, with fans that include Manic Street Preachers (who covered their song “The Instrumental” as a tribute) , Morrissey and Belle and Sebastian’s Stuart Murdoch.

They have always been regarded as pioneers, and one of the most beloved of the bands that formed the original UK independent music scene, which has since been tagged as C86

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The Ex

2LP | 1984 | US | Reissue (Superior Viaduct)

Birds Fly (Whisper To A Scream) / In The Cauldron Of Love

Release: 1984 / US – Reissue

Genre: Rock & Indie

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Emerging out of Amsterdam's vibrant squat scene in 1979, The Ex – a name chosen for the ease and speed with which it could be spray-painted onto a wall – have for four decades been an entirely self-sustaining musical entity, charting a course through the global underground with a spirit of freedom and radical exploration.

Blueprints For A Blackout, The Ex's fifth album and first double LP, combines caustic studio experimentations and loose songs from their gripping live-set at the time. The band consisted of singer G.W. Sok, guitarist Terrie Ex, two new recruits on bass, Luc and Yoke, and drummer Sabien Witteman, along with a plethora of guests including Mekons' Jon Langford and long-serving sound engineer Dolf Planteijdt, among others.

Originally released in 1984 on the band's own Pig Brother Productions, Blueprints veers from jagged punk explosions to sharply focused improvisations featuring field recordings that would become a hallmark of their subsequent forays into free jazz and experimental music. The overall effect is not unlike the menace of a slowly building winter storm.

Tracks like "Rabble With A Cause," "U.S. Hole" and "Scrub That Scum" stand out as exemplars of this phase of The Ex. Comparisons can be made to contemporaries Einstürzende Neubauten, NoMeansNo and Svätsox as well as later Crass label bands.

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The Icicle Works

7" | 1984 | JP | Original (Beggars Banquet)

Release: 1984 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1984 | EU | Reissue (Polydor)

The Cure

The Top

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 1984 | DE | Original (Real)

The Pretenders

Learning To Crawl

13,99 €*

LP | 1984 | UK | Original (Self Drive)

Release: 1984 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM. Original inner sleeve.

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Red Guitars

Slow To Fade

7,99 €*

LP | 1984 | UK | Original (WEA)

Release: 1984 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Cover with sticker on the back

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Aztec Camera

Knife

6,99 €*

LP | 1984 | US | Original (Columbia)

Release: 1984 / UK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

seam split. Original inner sleeve.

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The Psychedelic Furs

Mirror Moves

12,99 €*

Release: 1984 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1984 | US | Original (Bearsville)

The dB's

Like This

Release: 1984 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Born In The U.S.A. 40th Anniversary Red Vinyl Edition

Bruce Springsteen

LP | 1984 | EU | Reissue (Sony Music Catalog)

31,99 €*

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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'74 Jailbreak Gold Nugget Vinyl Edition

AC/DC

LP | 1984 | EU | Reissue (Sony Music Catalog)

30,99 €*

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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History Of ... 40th Anniversary Cleaar Vinyl Edition

Zero Boys

2LP | 1984 | US | Reissue (Secretly Canadian)

37,99 €*

Release: 1984 / US – Reissue

Genre: Rock & Indie

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LP+7" (Clear Vinyl). When the Ramones lost it, the Zero Boys found it; Adding a slambrigade fist to the Blitzkrieg Beat. The Zero Boys managed tocome with one of the best early 80's punk records, or one of thebest records ever, period.From 1979 to 1983, the Indianapolis-based Zero Boys were thefinest hardcore blitz in the Midwest if not all the lower 48 states.Compiled and released as a post-mortem following the band'sbreakup, History Of_ is the proof, if more was needed, that theirtake of American hardcore wasn't all white bread numbers.Yeah, they played shows with Minor Threat, Dead Kennedys,Subhumans, and others but in Terry "Hollywood" Howe's guitarthere was harmonious terror and unstoppable cadence. Terry'slicks and chops _ a leap beyond two or three chord punk _offered a zone and measured count for drummer MarkCutsinger and bassist David "Tufty" Clough, a rhythm unit in parwith the Minutemen if not The Meters, to run lines likequicksilver. Meanwhile, frontman, Paul "Z" Mahern provides aconstant wash from beginning to end.Originally released in 1984 with a limited-edition reissue in 2009,this 40th anniversary edition includes the original LP of `HistoryOf_' and a 7" featuring four live recordings never previouslypressed to vinyl and recorded at iconic hardcore/punk venueCrazy Al's in 1980: "Livin' In The 80's", "Stick To Your Guns","Commies", and "I'm Absent".

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Einstürzende Neubauten

Halber Mensch

LP | 1985 | EU | Reissue

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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LP | 1985 | UK | Reissue (Warner)

The Smiths

Meat Is Murder

Nick Cave & The Bad Seeds

Release: 1985 / UK – Reissue

Genre: Rock & Indie

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Official remastered reissue on 180 gram wax.

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The First Born Is Dead

LP | 1985 | EU | Reissue (Mute)

25,99 €*

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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LP | 1985 | US | Reissue (Light In The Attic)

Lewis

Romantic Times

LP | 1985 | UK | Reissue (4AD)

Release: 1985 / US – Reissue

Genre: Rock & Indie

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Earlier this year, Light In The Attic released the mysterious, bewitching L’Amour, a 1983 private press record thought to be the only release by one of music’s true lost talents: Lewis.

So lost, in fact, was Lewis, he eluded every effort to track him down. Scant details were known: just a series of possibly apocryphal stories about a sports car-driving Canadian with a model on his arm and a habit of skipping town when there were bills to be paid.

Deciding that Lewis’ spider web-delicate songs demanded to be heard, we put the album out anyway, offering to present the due royalties to anyone who could prove they were Lewis.

One sure thing was this: Lewis was a man of many names: Randall A. Wulff among them. Now we have either found another alias – or perhaps even his real name – on the sleeve of a completely unknown album.

Sourced soon after the re-release of L’Amour, Romantic Times is the 1985 follow-up to L’Amour – and it’s released as Lewis Baloue. The name may be slightly different, but this is absolutely our man: a familiar blond posing on the sleeve, a familiar, tortured voice pouring his heart out over languid synths and synthetic waltz beats.

Remastered from a sealed, vinyl copy of the ultra-rare album, the album was discovered in the vaults of DJ and collector Kevin “Sipreano” Howes in Vancouver, BC. It’s so rare that what is, at present, the only other known copy – found in the same Calgary store where Aaron Levin discovered a batch of sealed copies of L’Amour – is presently soaring into quadruple digits on eBay.

Even engineer Dan Lowe, credited for working on the album at Calgary’s Thunder Road Studios, remembered little about the session other than that Lewis seemed to be “under the influence”. Yet the music is utterly captivating.

The album further fleshes out the Lewis myth – we see him pictured in that white suit with his famous white Mercedes and a private jet too; we hear him focussing more intently on matters of the heart, and appearing to unravel in the process. “I felt like I was witnessing a full-blown exorcism of a phantom clad in the finest linen,” writes filmmaker and historian Jack D. Fleischer in his brand new liner notes. “This record went further [than L’Amour ]. It was a personal plea, of sorts. Something had gone wrong. Nerves were clearly exposed.”

It paints Lewis, then, as being more like a David Lynch character than even his debut did, exposing the darkness beneath the sheen. The album is presently being readied for release to the throng of new fans Lewis has found, willingly or not. The man himself remains a total enigma.

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Dead Can Dance

Spleen And Ideal

Release: 1985 / UK – Reissue

Genre: Rock & Indie

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Listen Like Thieves (2011 Remaster)

INXS

LP | 1985 | EU | Original (Universal)

Release: 1985 / EU – Original

Genre: Rock & Indie

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LP | 1985 | EU | Reissue (Espacial Discos)

Minx / Zimmerman

LP | 1985 | US | Reissue (Digital Regress)

Release: 1985 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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First ever reissue of this fabulous DUTCH MINIMAL SYNTH / WAVE album from 1985. Minx / Zimmerman were a duo comprised of Don Minx (Marq van Broekhoven, now a well known comics artist) and Aldomir Zimmerman (Tonnie Eiting), two friends from the city of Eindhoven, who were into comics, avant-garde music and homemade cassette recordings. Influenced by diverse bands / artists such as John Foxx, Brian Eno, Fad Gadget, Sparks or Devo, (among many others), they decided to release an album. “Minx / Zimermman” was the result, self-released on their Freudian Backroom label, now very sought-after by minimal wave collectors.

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The Kiwi Animal

Mercy

Release: 1985 / US – Reissue

Genre: Rock & Indie

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Steve McQueen Picture Disc Edition

Prefab Sprout

LP | 1985 | EU | Reissue (Sony)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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LP | 1985 | US | Reissue (Superior Viaduct)

Flaming Tunes

23,99 €*

12" | 1985 | EU | Reissue (Betonska)

Release: 1985 / US – Reissue

Genre: Rock & Indie

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Flaming Tunes' sole release is perhaps the finest elegy to the '80s home recording ethos that you've never heard. Originally released in 1985 on cassette (with individually hand-colored covers), this self-titled album grew out of the collaboration between childhood friends Gareth Williams and Mary Currie. Williams is best known as a member of English art-rock band This Heat. After leaving the group in the early '80s, he travelled to India where he studied classical Kathakali dance – an experience that would profoundly shape the music of Flaming Tunes. In an old Victorian house in South London, the duo recorded during the day while Currie's young son attended school and Williams conducted tape treatments at night. They were joined by various guests including This Heat guitarist Charles Bullen as well as long-term collaborators Martin Harrison and Rick Wilson. Using whatever instruments they had on hand (clarinet, piano, bells, etc.), Flaming Tunes create lo-fi melodies around simple arrangements, oblique rhythms and densely layered natural sounds. The results are a mesmeric collage of instrumental daydreams and sideways pop songs, floating into one another in a hazy confluence of late '60s Canterbury psych-folk and early Residents experimentation. All of these beguiling elements converge in a personal manner, quietly insistent in listeners' ears like the blood pulsing in one's veins on a warm summer day.

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Flo Sullivan

Higher

14,99 €*

7" | 1985 | EU | Reissue (Optic Nerve)

Release: 1985 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Over two years in the making, and it’s finally here. Amsterdam based, brand new old-school label “Betonska” kicks off with this highly diverse release for the selector, collector, radio host and club DJ. Crisp instrumentation, tight retro drum computer programming and propulsive danceable bass lines are what you will find here. The Amsterdam based label will be focusing on previously unreleased and tough-to-find material from the 80s and 90s – all re-mastered, officially licensed and in collaboration with the original artist. In addition to the original material an occasional modern twist will be given by contemporary artists who cherish that signature sound. The first release is an alternative issue of Flo Sullivan’s “Higher” release, originally recorded in 1984 in the world famous Amazon Studios in Liverpool and released in 1985. On the A-side both the 12” and the 7” version of the hard-to-get, firm synth-pop track “Higher” will be pressed on a loud 45rpm vinyl. The 12” version is the (bass-)heavier one, while the 7” version sounds more “organic” with an extended intro and an added horns part. The tracks on the A-side have been pressed before and are made available now again for the wider public, giving those tracks the recognition and attention they deserve. The B-side focuses on previously unreleased original downtempo material by the same artist but released under her real name: Gayna Rose Madder. This, accompanied by a refreshing club-ready remix of one of those tracks by Vienna’s top-notch selector, producer and Neubau label owner: Heap. Neither of the two original tracks “Over” and “Element” have ever been released on vinyl before, up until now. “Over” was written and recorded in 1983 in Splash Sound Studios in Liverpool. A beautiful melancholic synth-pop track, which was meant to be released, but unfortunately never saw the light of day. At the time it was recorded Gayna left her band “Shiny Two Shiny” and therefore needed a new deal from a different company for her solo releases. But by the time she found the right one, many newer songs needed release. Much later, in 2005, Gayna decided to self-release “Over” on a compilation CD to sell copies online. “Element” is a spoken-word poem accompanied by a fire-crackling tribal kind of rhythm. It was written for a musical play and recorded in Sparks Studio Liverpool in 2004 and has never officially been released before. (For a short period it was available on a self-released CD on Gayna’s website; a compilation of the songs written for one of her musicals). And last but not least, the icing on the cake is Heap’s remix of “Element”. He translated this spoken word poem into a refreshing 90s-style and danceable club-track to complete the diversity of Betonska’s first release. A chugging acid bass, breakbeat rhythms, crisp claps and sharp snares and a screeching lead synth to get you screaming on the dance floor.

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Meat Whiplash

Dont Slip Up

10,99 €*

LP | 1985 | EU | Reissue (Granit)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Includes postcard and poster. Their one and only single was originally released in 1985 on Creation and spent 19 weeks in the independent chart. From East Kilbride in Scotland, they morphed into Motorcycle Boy.

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Mu-Project

Asia Dream

21,24 €* 24,99 € -15%

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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The Last Fourfathers Transparent Blue Vinyl Edition

The Prisoners

LP | 1985 | UK | Reissue (Big Beat)

22,99 €*

LP | 1985 | UK | Reissue (Public Opinion Music)

Release: 1985 / UK – Reissue

Genre: Rock & Indie

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First-ever vinyl reissue of the Prisoners’ 1985 third album, on 180g transparent blue vinyl.

At this point in the band’s career, the Prisoners were taking new influences on board. The old favourites of early Deep Purple, Arthur Brown and the Small Faces were present and correct, but whilst signed to Big Beat, Graham Day had picked up a large chunk of Kent soul LPs put together by Ady Croasdell. These led to some new influences that would show themselves over their next recordings.

The resultant album was the band’s own favourite. It opened with the magisterial ‘Nobody Wants Your Love’, co-written by Day and Billy Childish. It carried on through a series of nascent anthems, freaked out instrumentals and several stranger moments. ‘Whenever I’m Gone’, ‘Nobody Wants Your Love’ and ‘Who’s Sorry Now’ were all stand-out moments that fans of the band loved both live and on vinyl.

After a further album in 1986, “Countdown”, the Prisoners disbanded but they went on to have an interesting afterlife. Keyboard player James Taylor enjoyed chart hits with his acid jazz group, while Graham Day and Allan Crockford continued to make thrilling guitar-based music. When the Prisoners reformed in 1994 they were bigger than ever, playing to venues many sizes bigger than they had first time around. Their influence continues to be felt today.

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Painters & Dockers

Kill Kill Kill

25,99 €*

Maailmanpyörä Palaa Blue Vinyl Edition

Release: 1985 / UK – Reissue

Genre: Rock & Indie

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Never available in this format before, Kill Kill Kill was originally released by Painters AND Dockers as a 4-track 12” ep in 1985.

This new full lengthy album version presents those covers of The Groovy Guru, Supernaut, The Ramones, and The Saints, alongside a couple of more covers (The American Breed, and The Velvet Underground), plus a handful of rare b-sides from the band’s 80’s singles.

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Tuomari Nurmio

LP | 1985 | EU | Reissue (Svart)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Come On Down Black Vinyl Edition

Green River

LP | 1985 | US | Reissue (Jackpot)

Something To Believe In Transparent Blue Vinyl Edition

Release: 1985 / US – Reissue

Genre: Rock & Indie

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Released in 1985, Green River “Come On Down" was a record existing in its sonic universe--out of step with its own time. Was it glam? Was it punk? Was it metal? Was it cool? We now know it was one of the building blocks of what Mark Arm would coin as "grunge" but in 1985 this record was a silent groundbreaker. It was not only the raw, sludgy, slower guitar sound that makes this band important in its place in rock history, but the members of Green River would go on to lead some of the biggest names in the genre: Mudhoney and Mother Love Bone, the latter of which also contained the roots of Pearl Jam.

The record includes the iconic original cover artwork, pressed on black vinyl, and includes a printed inner sleeve with lyrics and photo of the original master tape box, plus an unreleased rare bonus track!

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APB

LP | 1985 | EU | Reissue (Liberation)

30,99 €*

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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12" | 1985 | EU | Reissue (Onderstroom)

Aroma Di Amore

De Sfeer Van Grote Dagen

12,34 €* 18,99 € -35%

Most Of The Girls Like To Dance But Only Some Of The Boys Like To

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Don Dixon

LP | 1985 | US | Original (Enigma)

3,84 €* 6,99 € -45%

Release: 1985 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Still in shrink, but opened, with hype sticker.

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LP | 1985 | EU | Reissue (Spittle)

Still Life

Seventh Dream Of Teenage Heaven Black Vinyl Edition

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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First Time ON Vinyl ! Originally released on cassette in the spring of 1985, together with the 8th issue of Komakino fanzine - included here in its original format. Relatively well- known names coexist with bands that lasted only a season. “Still Life” was and remains a half hour of pure abstraction. An intense and precious post-punk overdose!

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Love And Rockets

LP | 1985 | UK | Reissue (Beggars Banquet)

LP | 1985 | UK | Reissue (Beggars Banquet)

Release: 1985 / UK – Reissue

Genre: Rock & Indie

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SEVENTH DREAM OF TEENAGE HEAVEN is an unashamedly psychedelic adventure, far removed from the dark, angular soundscapes of Bauhaus. Yet they had to fight hard to avoid being branded "goth", citing Syd Barrett, Marc Bolan and the later period Beatles as primary influences. The Quietus revisited the album on it"s 35th anniversary in 2015 and said "it"s its own thing, ruined elegance, sculpted beauty, sometimes sharp without being angry, often inspiring without being sappy, able to capture even slow dull moments in an attractive fashion."

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The Cult

Love Black Vinyl Edition

What Does Anything Mean? Basically Clear Vinyl Edition

Release: 1985 / UK – Reissue

Genre: Rock & Indie

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Beggars Arkive will release a long-awaited vinyl reissue of THE Cult"s second album Love on February 24th. THE Cult is fronted by Ian Astbury on vocals and Billy Duffy on guitar. Their music and albums at this point need no introduction as they have cemented themselves over the years since they began in 1983, as one of the greatest rock bands around. Love was the Cult"s second album, originally released in 1985. It was their breakthrough and produced many singles including "Rain", "Revolution" and the epic anthem "She Sells Sanctuary" - songs that still resonate today - in fact "She Sells Sanctuary" was recently featured in Season Two of the hit TV show Euphoria. The album eventually defined their career, but at the time, it flew in the face of everything that was going on in music.

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The Chameleons

LP | 1985 | EU | Reissue (Blue Apple Music)

47,99 €*

LP | 1985 | EU | Reissue (Staubgold)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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The Chameleons second studio album 'What Does Anything Mean? Basically' re-mastered for vinyl in Spring 2018. 180g, clear vinyl.The album is presented on heavyweight clear vinyl in a gatefold sleeve with printed inner bag. The iconic cover art has been re-worked and updated by guitarist Reg Smithies.

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The Lo Yo Yo

Extra Weapons

A Time Of Changes Transclucent Red & Black Mixed Vinyl Edition

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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The Lo Yo Yo"s only album from 1985 for the first time reissued on vinyl. Featuring Mick Hobbs (The Work, Half Japanese) and Alig Fodder (Family Fodder), produced by Charles Bullen (This Heat). Limited to 500 copies worldwide.The Lo Yo Yo was founded in 1984 by Family Fodder"s John Pearce, aka Alig Fodder. They were active for two years and released one cassette, one split cassette with French band Look De Bouk and one full-length LP. The Lo Yo Yo"s line-up went through changes over its whole lifetime, but with some constants - most notably singer Joey Stack and drummer Carrie Brooks. Charles Bullen of This Heat occasionally played drums with Family Fodder and produced The Lo Yo Yo"s LP Extra Weapons in 1985. Alig says "It was impossible not to get together. In this era it was quasi compulsory to get a band together with your mates. It was normal to be left-wing, inclusive, anti-racist, anti-sexist, anti-homophobic and in opposition. And to form a band, with or without experience. It started as a rhythm section: Carrie on drums and myself on bass. She brought a mate along (Joey Stack) and so did I (Mick Hobbs)."Pearce"s punchy bass playing and Carrie Brooks" hard-hitting drumming form the backbone of The Lo Yo Yo sound, with Jo"s singing and keyboard sitting firmly on top. It was made complete with Mick Hobbs on guitar and percussion, and the addition of cellist Annie Hunt.

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Blitzkrieg

LP | 1985 | EU | Reissue (Music On Vinyl)

Ain't Love Grand Gold Vinyl Edition

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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180 gram audiophile vinyl
Includes insert with lyrics
Limited edition of 1000 individually numbered copies on translucent red & black mixed vinyl

A Time of Changes is the debut studio album by British heavy metal band Blitzkrieg, originally released in 1985.

Part of the the New Wave of British Heavy Metal, A Time of Changes came out when vocalist Brian Ross decided to reform Blitzkrieg and record the album they wanted to record before their split-up in 1981. After the original split of Blitzkrieg, Ross sang with Avenger, Satan and Lonewolf. "Pull the Trigger" is in fact a Satan song that wasn't featured on their first album Court in the Act [MOVLP3056]. Ross recorded it with Satan, and it appeared on an earlier demo. Satan guitarist Russ Tippins actually makes a guest appearance on the song.

"Blitzkrieg", originally also the B-side of the band's debut single, was covered by Metallica for the B-side of the 1984 single "Creeping Death" and later released on the Metallica album Garage Inc.

A Time of Changes is available as a limited edition of 1000 individually numbered copies on translucent red & black mixed coloured vinyl and includes an insert with lyrics.

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LP | 1985 | EU | Reissue (Music On Vinyl)

LP | 1985 | EU | Reissue (Island)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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180 GRAM AUDIOPHILE VINYL
PRODUCED BY MICHAEL WAGENER
LIMITED EDITION OF 1000 INDIVIDUALLY NUMBERED
COPIES ON GOLD COLOURED VINYL

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Tom Waits

Rain Dogs

31,99 €*

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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12" | 1985 | BE | Original (Play It Again Sam)

1000 Mexicans

Criminal! (Remix)

6,99 €*

7" | 1985 | EU | Original (MCA)

Release: 1985 / BE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Damaged label (plain, no text)

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Dan Hartman

Second Nature

3,99 €*

12" | 1985 | AU | Original (Rough Trade)

Release: 1985 / EU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Cover with cut-out.

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Easterhouse

Whistling In The Dark

Release: 1985 / AU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1985 | FR | Original (Self Drive)

Red Guitars

Slow To Fade

6,99 €*

Release: 1985 / FR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Hounds Of Love 2018 Remaster Raspberry Beret Vinyl Edition W/ Obi-Strip

Kate Bush

LP | 1985 | EU | Reissue (Fish People)

47,99 €*

Talk About The Weather White Vinyl Edition

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Pressed on 180g. Comes with Obi-Strip. Hounds Of Love was Kate's fifth studio album, and her second no. 1.

Featuring "Running Up That Hill (A Deal with God)", it has since been certified Double Platinum in the UK by the British Phonographic Industry. Fish People are proud and excited to announce new pressings of all 10 of Kate Bush's albums, featuring a special new edition for independent retailers.

"It’s very exciting to see people appreciating the physical presence of an album released on vinyl. It’s how it’s always been for me, especially when I was a teenager. The whole buzz of the record store was part of the experience. Buying an album was an event." Kate Bush.

The records are all pressed on 180g vinyl at the world-renowned Record Industry plant in the Netherlands. New lacquers were cut from the 2018 remasters by Bernie Grundman and overseen by mastering engineer James Guthrie.

Indie editions were all designed by Kate and feature new Fish People label designs, stunning Color Vinyl combinations and obi strips with pressing date. They are protected in resealable poly-bag liners with a 'Fish People Reissue' sticker, bottom right.

These are unlimited editions and will be in production constantly.

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Red Lorry Yellow Lorry

LP | 1985 | EU | Reissue (Audioplatter)

31,99 €*

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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LP | 1985 | EU (New Alliance)

Descendents

I Don't Want To Grow Up

20,99 €*

Release: 1985 / EU

Genre: Rock & Indie

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LP | 1985 | JP | Reissue (P-Vine)

Noidunzuri

Houyou

35,99 €*

Hounds Of Love 2018 Remaster Black Vinyl Edition

Release: 1985 / JP – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-07-26

The long-awaited LP reissue of the avant-garde pop band "Noizunzuri," acclaimed as the Japanese Neu!, is here. This first album, originally released in 1985 through Telegraph, features the enigmatic participation of Jun Togawa on vocals. It's a bizarre record that represents indigenous Japanese rock originating from Kyoto!

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Kate Bush

LP | 1985 | EU | Reissue (Fish People)

45,99 €*