Indierock | Alternative 2857 Items

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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LP | 2016 | EU | Reissue (Interscope)

Maroon 5

Overexposed

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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LP | 2011 | US | Reissue (Bar None)

The Front Bottoms

2LP | 2020 | EU | Original (Vertigo Berlin)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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It's the 10 Year Anniversary of The Front Bottoms' self-titled debut, a beautiful alchemy of anthemic hooks andquotable confessions achievable only by the closest offriends, Brian Sella and Mat Uychich. Their songs are immediately recognizable, lyrics and riffs cleverly and effortlessly spun together into songs surprisingly real. LyricallyBrian Sella fires off scattershot images that the listener cangather up and make sense of like working puzzle pieces onthe floor. Romance, freedom, paranoia, partying and somehow getting clean all tumble together from song to song.The album includes fan favorites like "Flashlight," "Swimming Pool," and "The Beers," where Sella recalls beefingup for a Jersey Shore summer of steroids "because youlike a man with muscles and I like you."

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Haim

Women In Music Pt. III

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Jealous Butcher)

Califone

Echo Mine

23,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Lady In Gold Gold Vinyl Edition

Blues Pills

LP | 2016 | EU | Original (Nuclear Blast)

17,99 €*

Release: 2016 / EU – Original

Genre: Rock & Indie

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2LP | 2020 | Original (Insideoutmusic)

Tim Bowness

Late Night Laments

Release: 2020 / Original

Genre: Rock & Indie

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Play With Fire Gold Vinyl Edition

L.A. Witch

LP | 2020 | US | Reissue (Suicide Squeeze)

Summerlong Clear With Teal & Orange Vinyl Edition

Release: 2020 / US – Reissue

Genre: Rock & Indie

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Where L.A. Witch's self-titled album oozed with vibe and atmosphere, with the whole mix draped in reverb, sonically placing the band in some distant realm, broadcast across some unknown chasm of time, Play With Fire comes crashing out of the gate with a bold, brash, in-your-face rocker "Fire Starter." The authoritative opener is a deliberate mission statement. "Play With Fire is a suggestion to make things happen," says Sanchez. "Don't fear mistakes or the future. Take a chance. Say and do what you really feel, even if nobody agrees with your ideas. These are feelings that have stopped me in the past. I want to inspire others to be freethinkers even if it causes a little burn." And by that line of reasoning, "Fire Starter" becomes a call to action, an anthem against apathy. From there, the album segues into the similarly bodacious rocker "Motorcycle Boy"_a feisty love song inspired by classic cinema outlaws like Mickey Rourke, Marlon Brando, and Steve McQueen. At track three, we hear L.A. Witch expand into new territories as "Dark Horse" unfurls a mixture of dustbowl folk, psychedelic breakdowns, and fire-and-brimstone organ lines. And from there, the band only gets more adventurous. Play With Fire is a bold new journey that retains L.A. Witch's siren-song mystique, nostalgic spirit, and contemporary cool. Despite the stylistic breadth of the record, there is a unifying timbre across the album's nine tracks, as if the trio of young musicians is bound together as a collective of old souls tapping into the sounds of their previous youth.

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Rose City Band

LP | 2020 | US | Reissue (Thrill Jockey)

34,99 €*

LP | 2020 | EU | Original (Pelagic)

Release: 2020 / US – Reissue

Genre: Rock & Indie

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It is impossible to talk about modern psychedelic music without mentioning Ripley Johnson. As bandleader of Wooden Shjips and half of Moon Duo, Johnson has continually charted new cosmic paths that expand on the language of the genre. With Rose City Band, Johnson's songwriting and beautiful guitar lines take center stage. While his vocal treatment would be recognizable to any Wooden Shjips fan, the sparseness of the instrumentation lays bare the beauty of his writing. Shimmering guitar lines are free to shine, buoyed by driving rhythms. New to the mix are arrangements and instruments drawn directly from classic country, resulting in songs with more than a hint of twang. Buoyant and joyous, Summerlong is a captivating listen that leaves the listener yearning for more. The record is an ode to freedom, born of a musician stepping out of all routines and whose own liberation is communicated so completely in his music. Summerlong is a record that, taken in its entirety, is an emphatic statement on the songwriting power of Ripley Johnson. Johnson's joy in every aspect of this album is delightfully infectious. Rose City Band started purely as a recording project, with Johnson's role mostly obscured for the self-titled debut album. Released with no promotion, in the style of private press records, it was a liberating, a focus on music without any expectations. With a chuckle, Johnson elaborates, "I always would threaten to my friends that I'm gonna start a country rock band so I can retire and just play down at the pub every Thursday night during happy hour. I love being able to tour and travel, but I also like the idea of having a local band ... more of a social music experience." Freedom from expectation and obligation gave Johnson the space to experiment. The introduction of lap steel, mandolin, and jaw harp enhance Johnson's lean guitar work with radiant overtones, placing Summerlong more overtly within the country tradition than its predecessor. Work on the album began at Johnson's home studio in Portland during the summer, but, interrupted by touring, was not be finished until winter. The dark isolation of winter and the pining for summer's easier days can be felt in the album's few quieter moments. Summerlong was mixed by John McEntire (Stereolab, Broken Social Scene, Tortoise) at his newly minted Portland Soma Studios and mastered by Amy Dragon at Telegraph Mastering, also based in Portland. The aptly named Summerlong, born of Johnson's own fondness for the season, delivers an emotional lift-an expression akin to the joy of getting out there on a warm day, be it gathering for a BBQ, hopping onto a bike, leaping into a swimming hole, or simply reading in a park.

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Pg.lost

Yes I Am

20,99 €*

Come On Pilgrim-It's Surfer Rosa Gold Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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PG.Lost need no introduction. For 4 long years, fans have been eagerly awaiting the follow-up album to 2016's critically acclaimed Versus, which in the meantime has become nothing less than a cult album in the post rock world. Despite bass player Kristian Karlsson's heavy engagement in his other band Cult OF Luna, PG.Lost toured with Versus around the globe, in support of bands like Mono, Alcest and Cult OF Luna in Europe, and playing their own headline shows to crowds of 1.000+ in China. The 4 piece from Norrköping, Sweden also appeared at Robert Smith's prestigious Meltdown showcase festival in London, personally chosen by the man himself. While the follow-up to Versus is due for a release later this year, to sweeten the wait we are now bringing you a remastered re-release of PG.LOST's debut album, Yes I Am, for the first time ever on vinyl. And right here, we'd like to leave you with what the band has to say about this long overdue re-issue themselves.,Sometimes when we have listened to those songs that we made roughly fifteen years ago we've thought of how we could make them sound better if we recorded them with the skills andknowledge that we have now. We made a halfhearted effort a while ago, and we learned quite quickly that it was not as easy as we thought. Something just got lost in the mix. A feeling. For better or worse that album, as it was recorded in our early twenties, is simply embedded in our DNA and stands as a testament of our evolution as a band. It was Yes I Am that attracted interest from labels and landed us our first record deal. It was those songs that took us out in the world tomeet people and do all the things we love that we had only dreamed of before. We still play them live with the same immersive feeling we got when we made them. So now, with all that in mind, when we ask ourselves "are you proud?" the answer will always be "Yes I Am!"So, we are really happy to finally be able to offer you the re-release of "Yes I Am". First time on vinyl and with a new/o...

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Pixies

3LP | 2018 | UK | Original (4AD)

43,99 €*

Release: 2018 / UK – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (BMG)

Good Charlotte

Generation Rx

20,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Las Vegas)

Leyya

Sauna

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2016 | EU | Original (Lotterlabel)

Voodoo Jürgens

Ansa Woar

Release: 2016 / EU – Original

Genre: Rock & Indie

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Pure Cult: The Singles 1984-1995

The Cult

2LP | 2011 | US | Original (Beggars Banquet)

Release: 2011 / US – Original

Genre: Rock & Indie

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A River Ain't Too Much To

Smog

LP | 2016 | US | Reissue (Drag City)

31,99 €*

Release: 2016 / US – Reissue

Genre: Rock & Indie

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Jack White Acoustic Recordings 1998 - 2016

Jack White

2LP | 2016 | EU | Reissue (Sony Music Catalog)

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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Hard To Imagine The Neighbourhood Ever Changing

The Neighbourhood

3LP | 2018 | US | Reissue (Sony Legacy)

39,99 €*

Release: 2018 / US – Reissue

Genre: Rock & Indie

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Tohu Wa Bohu Transparent Coke Bottle Green

Lord Buffalo

LP | 2020 | EU | Reissue (Blues Funeral)

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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Modern Meta Physic Yellow & Black Vinyl Edition

Peel Dream Magazine

LP | 2018 | US | Reissue (Slumberland)

22,99 €*

Schafe, Monster Und Mäuse

Release: 2018 / US – Reissue

Genre: Rock & Indie

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oe Stevens' Peel Dream Magazine project has been turning heads and catching ears since late 2017. Stevens is a brilliant writer and arranger and something of a pop scholar; steeped in the history of everything from 60s sunshine pop to 70s kosmische groove to 90s shoegaze and beyond, every Peel Dream album explores new territory and illuminates new corners of Stevens’ roving interest.

The story began with Peel Dream Magazine's debut album Modern Meta Physic, which was released in Fall 2028 and immediately garnered intense interest from music heads attuned to the sounds of artists like Broadcast, Neu!, Steve Reich & Grouper. 2020 brought Agitprop Alterna and its companion EP Moral Panics, records that assimilated shoegaze textures, but put them in service of sharp tunes and a Stereolab-like attention to space age detail. Most recently the band has struck out in new directions with Pad - an album that looks back affectionately at 60s baroque pop, full of sunshine, swing and sophistication.

After some time spent out-of-print thanks to ongoing vinyl production delays, we’re very happy to bring you this fresh new pressing of Modern Meta Physic, this time on beautiful yellow & black splatter vinyl. With the recent release of Pad it’s a perfect time to reassess this terrific record and restock the Peel Dream catalog.

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Element Of Crime

LP | 2018 | EU | Original (Vertigo)

40,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | UK | Original (Rough Trade)

Parquet Courts

Wide Awake

At Saint Thomas The Apostle Harlem

Release: 2018 / UK – Original

Genre: Rock & Indie

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Parquets Courts' fifth album Wide Awake! - produced by Danger Mouse - is a groundbreaking work, an album about independence and individuality but also about collectivity and communitarianism. The songs, written by Andrew Savage and Austin Brown but elevated to even greater heights by the dynamic rhythmic propulsion of Max Savage (drums) and Sean Yeaton (bass), are filled with their traditional punk rock passion, as well as a lyrical tenderness. The record reflects a burgeoning confidence in the band's exploration of new ideas in a hi-fi context.

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Diamanda Galás

2LP | 2018 | EU | Original (Intravenal Sound Operations)

30,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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12" | 2020 | EU | Original (FKJ)

FKJ

Ylang Ylang

18,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2016 | UK | Reissue (Virgin)

The Kooks

Inside In, Inside Out

Release: 2016 / UK – Reissue

Genre: Rock & Indie

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LP | 2020 | EU | Reissue (Yotanka)

Zenzile

Electric Soul

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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2LP | 2020 | US | Original (Xo)

The Weeknd

After Hours

39,99 €*

LP | 2018 | US | Reissue (Fader)

Release: 2020 / US – Original

Genre: Hip Hop, Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Clear w/ Red [Blood] Splattered Vinyl.
Cover with a beginning seam split at the upper edge.
Includes original inner sleeves with small seam splits.

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Clairo

Diary 001

LP | 2018 | EU | Reissue (Invada)

Release: 2018 / US – Reissue

Genre: Rock & Indie

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From making music in her dorm room to becoming one of the most intriguing and exciting indie-pop artists to emerge in 2018, 19-year-old Clairo - AKA Claire Cottrill - self-produced her debut EP, diary 001. New York Times calls it the new generation of "indie pop, " praising her "innate knack for complex emotions rendered so casually as to be destabilizing". Clairo started posting music to Bandcamp while in high school before beginning to post covers and songs in addition to DJ mixes of rap music on Soundcloud under the name Clairo/DJ Baby Benz. She also maintained a YouTube channel where she would post covers and short films.

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Beak>

>>>

34,99 €*

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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2LP | 2018 | EU | Original (Fuled By Ramen)

Twenty One Pilots

Trench

36,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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New Others Part Two Red Vinyl Edition

This Will Destroy You

LP | 2018 | US | Original (Dark Operative)

Release: 2018 / US – Original

Genre: Rock & Indie

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Between The Buried And Me

Colors 2020 Remix / Remaster

2LP | 2020 | EU | Original (Spinefarm)

42,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Color Theory Black Vinyl Edition

Soccer Mommy

LP | 2020 | US | Original (Loma Vista)

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (Interscope)

Imagine Dragons

Origins

42,99 €*

Release: 2018 / US – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (Dark Operative)

This Will Destroy You

New Others Part One

LP | 2018 | EU | Original (New West)

Release: 2018 / US – Original

Genre: Rock & Indie

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New Others Part One is the fifth studio album from This Will Destroy You. It was produced, engineered, and mixed by John Congleton, the man responsible for the sound of the band’s wildly popular sophomore S/T album of ten years ago. Now comprised of core members Jeremy Galindo and Christopher King with the addition of drummer Robi Gonzalez, New Others Part One captures the band in a familiar, but evolved ethos wherein the memorable melodic component present in their early work once again soars atop new sonic territories for the band and listener alike. Physical copies of the LP feature the artwork and photography of band member Christopher King. Inside, purchasers will find a highly unusual extra insert featuring a QR code that will certainly take the bold on a journey involving their browser, their phone, and their full capacity for the esoteric.

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All Them Witches

ATW Red Vinyl Edition

31,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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Over And Over And Over / Everything You've Ever Learned

Jack White

7" | 2018 | US | Original (Third Man)

10,99 €*

LP | 2018 | US | Original (P.W. Elverum & Sun)

Release: 2018 / US – Original

Genre: Rock & Indie

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The second single off of Jack White's acclaimed, challenging and diverse third solo recording Boarding House Reach. This 7'' features the anthemic Over and Over and Over on the a-side with buzzy, spoken-word track Everything You've Ever Learned on the b-side.

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Mount Eerie

Now Only

2LP | 2016 | US | Original (Castle Face)

Release: 2018 / US – Original

Genre: Rock & Indie

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A sequel or continuation down the path that began with “A Crow Looked At Me”. 6 word-filled songs about the raw strangeness of the present moment, waking up in wreckage, living with pervasive echoing real ghosts and a growing young child. Autobiographical.

contains: 6 songs, 44 minutes, heavy old style gatefold tip-on jacket with special subtle blue paper on the inner liner sheet, all the lyrics, free download card

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Thee Oh Sees

A Weird Exits

LP | 2011 | US | Original (Jagjaguwar)

Release: 2016 / US – Original

Genre: Rock & Indie

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Emerging from the distant light is the new double-LP from John Dwyer’s Thee Oh Sees—the first studio recordings to capture the muscular rhythm section of twin drummers Ryan Moutinho and Dan Rincon with ringer bassist Tim Hellman cracking spines.

The groove and bludgeon one has come to expect from the band’s live shows is captured seamlessly here—they go from zero to head-splitter, and on the rare occasions they do let up on the gas a bit, you’re treated to some locked-in hypnotizers, too. The guitar sounds more colossal and ethereal at the same time, riding roughshod over the vacuum-sealed rhythm section, spiraling skywards, and diving into the emerald depths so quick your guts tingle. Synths, strings and smoke-soaked things crawl behind the scenes to make an extra far-out party platter, served on 45 RPM plates for most excellent listening quality.

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Bon Iver

LP | 2011 | US | Original (Epitaph)

Release: 2011 / US – Original

Genre: Rock & Indie

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Perth, Minnesota & Calgary get their own songs, it's a good winter in this bad summer!

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Alkaline Trio

Damnesia

37,99 €*

Season 3: Solace In Insanity

Release: 2011 / US – Original

Genre: Rock & Indie

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All-new semi-acoustic arrangements of ALKALINE TRIO's fan favorites, plus two new songs. Gatefold sleeve.

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Salome Kammer

LP | 2016 | US | Original (Delicious)

17,99 €*

Release: 2016 / US – Original

Genre: Rock & Indie

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CD | 2016 | EU | Original (Hopeless)

Moose Blood

Blush

Release: 2016 / EU – Original

Genre: Rock & Indie

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2LP | 2011 | US | Reissue (Fat Possum)

Youth Lagoon

Year Of Hibernation

33,99 €*

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Hints Allegations & Things Left Unsaid

Collective Soul

LP | 2020 | US | Original (Craft)

35,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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The Bonny Black Vinyl Edition

Gerry Cinnamon

LP | 2020 | EU | Original (Little Runaway)

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (Run For Cover)

Advance Base

Animal Companionship

Release: 2018 / US – Original

Genre: Rock & Indie

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LP | 2016 | US | Original (Temporary Residence)

Low

The Exit Papers

Ben Harper & The Innocent Criminals

Release: 2016 / US – Original

Genre: Rock & Indie

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Sandwiched between two of their most iconic albums - "Secret Name" & "Things We Lost In The Fire" - LOW released this EP as part of Temporary Residence's long-running CD subscription series. A sparse suite of 6 mostly instrumental pieces composed for a film that never existed, this collection is on vinyl for the first time

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Call It What It Is

LP | 2016 | US | Original (Fantasy)

32,99 €*

Release: 2016 / US – Original

Genre: Rock & Indie

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LP | 2016 | US | Original (Captured Tracks)

Chris Cohen

As If Apart

Release: 2016 / US – Original

Genre: Rock & Indie

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LP | 2011 | US | Original (RCA)

The Strokes

Angles

2LP | 2020 | US | Reissue (Dark Operative)

Release: 2011 / US – Original

Genre: Rock & Indie

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The Strokes are back in your jukebox with the brand new "Angles" album!

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Caspian

The Four Trees

2LP | 2020 | US | Original (Dark Operative)

Release: 2020 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Clear Rose Vinyl Edition.
Cover slightly dogeared with faint ring wear.

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Caspian

Tertia

LP | 2018 | EU | Original (Kungfu)

Release: 2020 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Clear Rose Vinyl Edition.
Dogeared cover.
Includes original inner sleeves.

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Down By Law

All In

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Pure Noise)

Boston Manor

Glue

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Pure Noise)

Spanish Love Songs

Brave Faces Everyone

Release: 2020 / EU – Original

Genre: Rock & Indie

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2LP | 2018 | EU | Original (FHQ)

Jon Cleary

Dyna-Mite

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Reissue (UNFD)

Yours Truly

Self Care

18,99 €*

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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LP | 2016 | EU | Original (Mexican Summer)

Quilt

Plaza

Release: 2016 / EU – Original

Genre: Rock & Indie

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2LP | 2016 | EU | Original (Warner)

Red Hot Chili Peppers

The Getaway

36,99 €*

2LP | 2016 | UK | Original (XL)

Release: 2016 / EU – Original

Genre: Rock & Indie

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Produced by Danger Mouse!

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Radiohead

Amnesiac

30,99 €*

Release: 2016 / UK – Original

Genre: Rock & Indie

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Future Me Hates Me Green Marbled Vinyl Ediiton

The Beths

LP | 2018 | US | Reissue (Carpark)

Release: 2018 / US – Reissue

Genre: Rock & Indie

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LP | 2020 | UK | Reissue (Sonic Cathedral)

bdrmm

Bedroom

Release: 2020 / UK – Reissue

Genre: Rock & Indie

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LP | 2020 | EU | Reissue (Relapse)

Nothing

Great Dismal

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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Tape | 2020 | EU (Radiation)

Dinosaur Jr

Where You Been

11,99 €*

Jason Molina Of Songs: Ohia And Magnolia Electric

Release: 2020 / EU

Genre: Rock & Indie

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Limited edition of 350 only copies on cassette! Formed in 1984, Dinosaur Jr carved a singular path through the latter half of the 1980s and early 1990s, issuing a number of highly influential albums in the process before finding a home with Sire Records. “Where You Been”, their fifth record, emerged in 1993, at the height of enthusiasm for grunge and the alternative American rock scene the band had long been part of. Produced by a new line-up of the group (longtime drummer Murph and new bassist Mike Johnson completing the three-piece), the album became the band’s most successful up to that point, reaching #50 in the US (where it sold over a quarter of a million copies) and #10 in the UK album charts, and spawning the hit single ‘Start Choppin’. Released to unanimously positive reviews, and containing many tracks that would become staples and fan favourites, “Where You Been” continued Dinosaur Jr’s global ascent, being issued simultaneously across the US, Europe, Australasia, Asia and South America.

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Eight Gates Strawberry Shortcake Vinyl Edition

LP | 2020 | US | Original (Secretly Canadian)

Strange To Explain Black Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Sometime in 2006 or 2007, Jason Molina moved from the midwest to London. Separated from his bandmates and friends and never one for idleness, Molina explored his new home with fervor. Sometimes he'd head out on foot, often with no destination in mind. Other times, he'd pick a random tube stop and find his way back home. He'd pick up on arcane trivia about London's rich history, and if the historical factoids weren't available - or weren't quite to his liking - Molina was quite comfortable conjuring his own history. His adoration of The Great American Tall Tales like John Henry and Paul Bunyan's blue ox Babe stretched across the Atlantic, where he created his own personal Tall Tales. And when he learned of the London Wall's seven gates (itself a misconception), Molina went ahead and called it eight, carving out a gate just for himself. The eighth gate was Molina's way into London, a gate only passable in the mind. Fast forward to 2008, Molina set off on an experimental solo tour through Europe. While in Northern Italy, Molina claimed to have been bitten by a rare, poisonous spider. A debilitating bout of illness ensued. "I was in the hospital here in London," Molina wrote in a letter. "Saw six doctors and a Dr. House-type guy. They are all mystified by it, but I am allowed to be at home, where I am taking a dozen scary Hantavirus type pills a day that are all to supposedly help - but they make me feel like shit." There is no record of a single doctor visit, not any prescription record for these medications. It is entirely plausible there was no spider and that whatever was keeping him indoors during this time was entirely self-induced. While at home, he of course wrote songs. Molina also claimed that during this time, he fed several bright green parrots that would gather in his yard. While often associated with a greyscale sensibility, Molina was oft-clad in a Hawaiian shirt and had, at least in part, selected the name Songs: Ohia for his first project as a nod to Hawaii's 'Ohi'a lehua flower. Which is all to say, the tropical element the parakeets brought to those sick days delighted Molina. He made short, crude field recordings of them with his trusty four-track. Only once Molina was officially on the mend and re-exploring the streets of London would he learn that those parrots had their own fabled tale. Back in the 60s, Jimi Hendrix - in a moment of psychedelic clarity - released his pair of lime green ring-necked parakeets from their cage, setting them free into the London sky. Now, their decendents are spotted regularly around certain parts of the city. Or so we're told. Eight Gates is the last collection of solo studio recordings Molina made before he passed from complications related to alcoholism in 2013. Recorded in London around the time of the supposed spider bite and Jimi's supposed parakeets, some of the songs ("Whispered Away," "Thistle Blue") are fully-realized - dark, moody textures that call to mind his earlier work on The Lioness. Knowing what we know about those parakeets and their peppered presence on the recordings, one can't help but think of that colorful tree of birds on Talk Talk's classic Laughing Stock, certainly a spiritual guide for much of the set. Other songs ("She Says," "The Crossroads and The Emptiness") lay in a more unfinished states, acoustic takes that call to mind Molina's Let Me Go Let Me Go Let Me Go, and still tethered to Molina's humorous studio banter. You remember how young Molina was, and how weighty this art was for such a young man. On the closer, "The Crossroads and The Emptiness," Molina snaps at the engineer before tearing into a song in which he sings of his birthday (December 30), a palm reading and the great emptiness with which he always wrestled. It is a perfect closer and, in many ways, the eighth gate incarnate: mythical, passable only in the mind, built for himself and partway imaginary but shared, thankfully, with us.

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Woods

LP | 2020 | US | Original (Woodsist)

2LP | 2016 | UK | Original (Fire)

Release: 2020 / US – Original

Genre: Rock & Indie

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“Dreaming doesn’t come easy these shadowed days, which is why Strange To Explain by Woods is such a welcome turning of new colors. It presents an extended moment of sweet reflection for the 15-year-old band, bouncing back to earth as something hopeful and weird and resolute. Like everything else they’ve recorded, it sounds exactly like themselves, but with subtly different shades and breaths and rhythmic feels and everything else that changes, the natural march of time and the intentional decisions of the musicians moving in what feels like an uncommonly organic alignment.
“Strange To Explain trades in a different kind of dependability, maintaining a steady connection to the voice on the other side of the record needle. After quickly recording and releasing 2017’s Love Is Love in response to the tumultuous events of their (and our) 2016, Jeremy Earl and company took their time with what came next. Parenthood arrived, as did a short songwriting pause. The band went bicoastal when Jarvis Taveniere headed west. And when they returned to their posts, there on the other side of this particular mirror, they made this, an album that not only catches and holds and shares the light in yet another new way, but recognizes that there’s still light to be caught, which is also no small thing.
“A bend beyond the last bend beyond, Woods keep on changing, thoughtfully and beautifully. The colors were always there, like trees blossoming just slightly differently each season, a synesthetic message coded in slow-motion. Recorded in Stinson Beach, the kind of place that seems like an AI simulation of an idyllic northern California coastal escape, the familiar jangling guitars recede to the background. John Andrews’s warm keyboards and twining Mellotron rise around Earl’s songs and dance across the chord changes like warm sunlight off the Pacific. The music feels a karmic landmass away from the creepiness of the uncanny valley.” —Jesse Jarnow

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The Bevis Frond

Any Gas Faster

Release: 2016 / UK – Original

Genre: Rock & Indie

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LP | 2016 | US | Original (Western Vinyl)

Kaitlyn Aurelia Smith

Ears

2LP | 2011 | UK | Original (LateNightTales)

Release: 2016 / US – Original

Genre: Rock & Indie

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Composer, performer, and producer Kaitlyn Aurelia Smith's new album EARS is an immersive listening experience in which dizzying swirls of organic and synthesized sounds work together to create a sense of three-dimensional space and propulsion. Dense and carefully crafted, each of the songs on EARS unfolds with a fluid elegance, while maintaining a spontaneous energy, and a sprightly sense of discovery. Listeners familiar with her previous album Euclid (an album that prompted Dazed to call her “…one of the most pioneering musicians in the world.”) will no doubt notice her heavier use of vocals on EARS. On all but one song, her gently ecstatic swells of vocals emerge to soar over a dense jungle of synths and woodwinds.
Much of the album's warmth and energy stems from Smith's use of the versatile analog synthesizer, the Buchla Music Easel. According to Smith, “…nothing compares to the sound of a Buchla. In my mind a Buchla synthesizer has the most human sound in it. I wanted to show the Easel’s versatility and range of motion within a live set. I also wanted to spend as little time as possible in front of the computer during the creation.” After initially composing on the Buchla, she wrote arrangements for a woodwind quintet, added vocals, and further refined the pieces with granular synthesis techniques she developed in her sound design work (she contributed sound design to Panda Bear's “Boys Latin” video, and handled sound design and original compositions for Brasilia co-written by and starring Reggie Watts).
Though the pallet of sounds Smith employs on EARS is darker than the ebullient tenor we heard on Euclid, she's careful to let in just enough light to covey a feeling of cosmic bliss and transcendence. Kinetic arpeggios of synths pulse, often buoying her graceful vocal mantras, while woodwinds breathe and flutter, emulating the wildlife Smith observed while growing up on the West Coast (she even studied recordings of slowed down bird calls prior to composing these pieces). Though some of her gestures echo the musical tropes used by early minimalist composers, the world she creates on EARS is uniquely hypnotic and full of life, not unlike Miyzaki's film Nausicaä of the Valley of the Wind, which she cites as an inspiration.
EARS is a masterful articulation of Smith's vision, which she achieved in part by spending time preparing her mind prior to composing the album. As she explains, “I am very intentional about the months leading up to when I am going to compose something new. I really trust the subconscious and try and feed it only information I want it to feed back to me. I make playlists that I listen to nonstop, or have images I look at daily, or I go to places I want to be inspired by…I do all this prep work and then try and forget it when I am writing.” Listening to EARS, it's clear that her approach paid off, and that the seeds she planted within have born a vibrant and hyper-natural world that's as joyful to experience as the flora and fauna that inspired it.

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MGMT

LateNightTales

2LP | 2018 | UK | Reissue (World Of Echo)

Release: 2011 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover with bumped corner

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Naoki Zushi

34,99 €*

Ariel Pink & R. Stevie Moore

Release: 2018 / UK – Reissue

Genre: Rock & Indie

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Double LP - gatefold, tip-on sleeve, black vinyl - edition of 500 worldwide. RIYL: Hallelujahs, Nagisa Ni
Te, Roy Montgomery, Grouper, Manuel Gottsching. With IV, World Of Echo inaugurates a series of reissues by Japanese guitarist,
Naoki Zushi. Perhaps best known for his stellar guitar contributions to psych folk group, Nagisa Ni Te, Zushi has had a parallel career,
for several decades, slowly releasing solo albums that spotlight his exultant guitar playing. Originally released to CD only by Shinji
Shibayama of Nagisa Ni Te’s Org imprint in 2018, IV has Zushi playing and writing at a peak, its six songs slowly unfurling with a kind
of paradoxical understated grandeur. This is psychedelic guitar music at its most paced and considered, yet given to flights of
inspiration, and in this respect, Zushi sits within a lineage of guitarists who’ve used their instrument both as textural anchor and
improvisatory tool – think of figures like Phil Manzanera and Robert Fripp, but also Roy Montgomery, Liz Harris of Grouper, even Tom
Verlaine on his instrumental solo albums. Like those artists, Zushi locates moments of deep emotional resonance amidst luxuriant
textural and melodic exploration. Zushi’s history stretches back to the mid 1970s. While for many, he first appeared on the scene as a
founding member of noise legends Hijokaidan, alongside Jojo Hiroshige, his musical contributions predate that encounter. He started
out playing progressive rock and improvised music, making home recordings of when he was in high school. He was a member of
Rasenkaidan (Spiral Staircase) alongside Hiroshige and Idiot (Kenichi Takayama), the group that soon mutated into Hijokaidan
(Emergency Staircase). Zushi and Takayama would soon form Idiot O’Clock, in 1982; Zushi also led his own Naoki Zushi Unit, starting
in 1983. But for many, Zushi’s first significant appearance on record was as a member of Shinji Shibayama’s mid-eighties psych-pop
group, Hallelujahs, whose sole album was recently reissued on vinyl. That group mutated into Nagisa Ni Te, and Zushi has played a
significant role as their lead guitarist for several decades. His own solo music has appeared sporadically – Paradise (1987),
Phenomenal Luciferin (1998), III (2005) and IV, with a few recent, meditative offerings, For My Friends’ Sleep (2021) and Nocturnes
(2022). With IV, though, Zushi achieved something remarkable, a kind of extended exploration of the time-altering properties of
echoplexed, hypnotically spiralling guitar interplay. The opening ‘Mirror’, “a song about the mirror inside me,” Zushi explains, starts out
as a lush psych-folk song, slow and gentle, but soon takes to the skies with a cat’s cradle of Fripp-esque guitars, before thick, droning
chords sweep the song to a drowsy coda. ‘Nocturne’ weaves silver skeins of guitar melody around a cyclical chord pattern; it gathers
energy and quiet intensity through insistent repetition. The rest of the album explores the nuance Zushi can draw out of simple
elements, building on what ‘Mirror’ and ‘Nocturne’ offer – the profundity of a chord change; the melancholy of a few quietly sighed
words; the exhilaration of a guitar solo bursting out of the speakers; the subtle shifts in emotional register offered by tone and touch.
Throughout, there’s something quiet, yet ineffable, shading the contours of the songs, such that it makes perfect sense when Zushi
says, “What I want to express through music may be ‘sense of mystery’.” A few of the songs had their basic parts recorded at LM
Studio and Studio Nemu with Shibayama and Masako Takeda joining on bass and drums, respectively; much of the album, however,
was tracked at Zushi’s home studio. That seems appropriate for a collection of songs that are expansive in their intimacy. Asked what
drove the sessions, Zushi answers, “I thought I’d make IV an album that particularly focuses on the guitar play.” And focus it does, as
Zushi’s sky-scraping, soaring, elemental tone is front and centre throughout. But these are no guitar heroics; rather, Zushi uses the
guitar as conduit and diviner, a tool for spirit location, and IV is his most eloquent expression yet of such singular magic.

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Ku Klux Glam

LP | 2016 | UK | Reissue (Stroll On)

Release: 2016 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Cover with slightly bumped corner

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LP | 2011 | US | Reissue (Captured Tracks)

Hanoi Janes

Year Of Panic

LP | 2016 | US | Reissue (Run For Cover)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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"With the obvious homage the name implies, you'd expect Hanoi Janes to be a group of riot grrrl angnsty types, displaced in time by about 20 odd years. Having taken on the nickname given to Jane Fonda in the 70s because of her anti-war stance on Vietnam, these girls would be all bent up about, well you know, stuff. You'd expect that, but you'd be wrong. It is in fact primarily the work of one guy from Sachen, Germany - Oliver Scharf. But then Hanoi Janes' album, 'Year of Panic', is able to inspire all kinds of misconceptions. Name of the band aside, would you expect a German guy (who's a bit handy with an eight-track) to produce a series of beautifully lo-fi, sub two-minute, surf-pop tracks, full of buzzing guitar and bubblegum spirit. Maybe - maybe not. But that's just what Scharf has done. The sound is distinctly garage, reminiscent of a 70s surf sound, and like The 5. 6. 7. 8's, Hanoi Janes are able to launch into the genre with the luxury of being removed from the scene itself. Tracks like opener, 'The Boys Are Out' and 'Beach Kids' are unashamedly infectious, utilising catchy hooks, hand claps and the odd 'Ooo ooo ooo' to great effect. The production is fuzzy, but that only adds to the overall charm of the album. Because charming is what it is, as Hanoi Janes have packed 'Year of Panic' with some real gems. 'Summer of Panic' offers something tinted with psychedelic sounds; 'Our Lives' could have been an early track by The Strokes had they been influenced by the Californian sun rather than the New York shadows; 'Good Bone' is a track which can only be performed if there are several oversized surf-boards nearby. 'Year of Panic' is lo-fi, scuzzy garage surf-pop at its finest and it deserves to be the sound-track of your summer" -BOWLEGS, UK

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Narrow Head

Satisfaction

Peripeteia Clear Vinyl Edition

Release: 2016 / US – Reissue

Genre: Rock & Indie

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Narrow Head's debut full-length record Satisfaction is available once again on vinyl for the first time since its initial release in 2016. Reissued by Run For Cover, this version of the album includes updated album art and a limited color vinyl release. While the band offered a handful of one-off singles and demos prior to Satisfaction's release, this record offers a perfect introduction to the Houston band's world.Revisiting Satisfaction after the release of last year's 12th House Rock finds this younger version of the band honing in their signature blend melody, heaviness and atmosphere. Leadoff track "Necrosis" immediately recalls the heaviness of genre fore-bearers like touring partners Quicksand, while standout song "Cool In Motion" kicks off with what feels like an all-time alt-rock hook before disintegrating into an airy and melodic full-band jam.

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Rafael Anton Irisarri

LP | 2020 | US | Original (Dais)

23,99 €*

7" | 2020 | US | Original (1-2-3-4 Go!)

Release: 2020 / US – Original

Genre: Rock & Indie

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Over The Years, American Composer Rafael Anton Irisarri Has Become Ubiquitous Within The Spheres Of Ambient, Drone And Electronic Music. Whether It's Through Irisarri's Celestial Long-Form Albums Or His Lauded Audio Engineering Credentialsfor Countless Artists And Labels, Irisarri's Consistent Dedication To His Craft Never Wavers From The Forefront. While Irisarri's Compositions Typically Field An Array Of Modern Ambient Overtones Threaded Through Oceanic Symphonies With Tape Loops, Bowed Electric Guitar And Vast Washes Of Overdriven Sound, His Recent Debut Album For Dais Records, Peripeteia, Portrays These Common Themes Giving Way To Metal And Classicalinfluences That Emphasizes Irisarri's Melancholic Tendencies. These Unique Overtures, Coupled With His Signature Layering Of Distortion And Bleached-Out Textures, Fabricate An Audible Environment That Would Seemingly Be At Odds With,Yet Gracefully Complement Each Other. In Irisarri's Own Words, "My Previous Works Internalize Any Exterior Forces Or Circumstances, While Trying To Make Sense Of The World. Peripeteia Reverses That Approach, Focusing On The Personal In Order To Tell A Wider Human Story." The Emotional Depth Found Throughout Peripeteia Is Impeccably On Display Withthe Track, Mellified. A Collaboration With Spanish Composer Yamila, The Choral Arrangements Bring To Mind The Sacred Music Of Arvo Pärt, While Her Voice Combines The Andalusian "Cante Jondo" Style With Medieval Modes, Almost Drowning In Layers Of Octave Fuzz Distortion And Dystopian Synths Patterns. Onarduous Clarity, The Bright Arpeggiating Melody That Churns Throughout, Offers The Initial Glimmer Of Optimism In An Otherwise Decaying Tale Of Personal Turmoil. This Encouraging Glimpse Is Short Lived However, As The Song Refuge/Refuseseemingly Plummets Into The Mourning Depths Of Somber Despair. A Chorus Of Voices Steadily Crawls From Its Desolate Terrain - A Sea Of Broken Spirits, Eternally Resigned To Strain And Bellow Their Final Lament. Fright And Control, A Piece Whichis E...

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Big Rig

Expansive Heart

10,99 €*

LP | 2020 | NZ | Original (Flying Nun)

Release: 2020 / US – Original

Genre: Rock & Indie

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BIG RIG was a very short lived project from Jesse Michaels (operation IVY, Common Rider, Classics OF Love), Doug Sangalang (screw 32, Limp, ONE Time Angels), Kevin Cross (the Nerve Agents, Pitch Black), Jeremy Goody (Pitch Black) and Brandon Riggen. The band rose and fell in 1993. They played a single show and left behind a demo and this EP which was originally on Lookout Records in 1994. 1-2-3-4 Go is extremely proud to be able to reissue this EP. This is a vastly under appreciated piece of East Bay punk and a hidden gem of the Lookout catalog. Includes a faithful reproduction of the original 8-panel booklet/sleeve.

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The Bats

Foothills

Electr-O-Pura New Edition

Release: 2020 / NZ – Original

Genre: Rock & Indie

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Foothills is the 10th full-length album of The Bats. Spanning the last 38 years, The Bats have clocked nine incredible albums; each one seeing the band evolve with new material from the prolific songwriting hand of Robert Scott. Add to that tally the extra singles, b-sides, EPs, compilations and tribute songs they've recorded, creating a succinct setlist is a nearly impossible task. Foothills was recorded in Spring 2018 at a country retreat pop-up studio. At that time, 15 songs were captured and immortalised in the Canterbury foothills of the Southern Alps, Aotearoa (New Zealand). Only too well, The Bats know the possibilities, potentialities and sonic vistas that arise when one takes the reins for the recording process in a beautiful place that's on home turf. Robert Scott, on the making of Foothills has said "Time marches on... finally, we found a gap in our busy lives and chose a week to convene. We found a house that is usually inhabited by ski field workers _ Kowai Bush, near Springfield about an hour west of Christchurch and of course nestled in the foothills of the mighty Southern Alps. The songs had been written, demo'd and arranged for some time, but still with a little room for trying things out in the studio. Many carloads arrived at the house, full of amps guitars and recording gear, we set up camp and soon made it feel like home; coloured lights, a log fire, and home cooked meals in the kitchen. We worked fast, and within a few days had all the basic backing tracks done, live together in one room, the way we like to do it - it's all about `the feel' for songs like ours." The Bats must hold a record in New Zealand (perhaps the whole world, once The Rolling Stones throw in the towel) as a band that has survived with the same line-up for 38 years. No split ups, no reforming for nostalgia's sake. So far, half the band have spots in The New Zealand Music Hall Of Fame, vocalist/ guitarist Robert Scott (The Clean) and bassist/producer Paul Kean (Toy Love), and it's only a matter of time before lead guitarist Kaye Woodward and drummer Malcolm Grant find themselves in there too. The four-piece has created twisted wistful folk, psychedelic rock, bouncy twee pop, and everything in between, but whatever the genre, their sound is always distinctively, unmistakably The Bats.

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Yo La Tengo

2LP | 2020 | US | Original (Matador)

30,99 €*

Oh My God Black Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Continuing with their ever-expanding Revisionist History series, Matador Records announce a 25th anniversary reissue of Yo La Tengo's 1995 album Electr-o-pura. Now in a gatefold sleeve and cut from the original 58-minute master, the new reissue is pressed for the first time on two LPs to ensure the highest quality of audio the album has had on vinyl to date. On their seventh studio album, Yo La Tengo would further expand on the venturous songwriting established on their previous album Painful with stunning craft and a deepened exploration of contrasting textures, moods and atmospherics. Chock full with moments of pop gold like "Tom Courtenay,"melancholic ballads such as the heartbreaking "Pablo And Andrea," and sweeping, feedback-laden jams like the show-stopping "Blue Line Swinger", Electr-o-pura is a thrilling document of one of America's most beloved bands hitting their creative stride and remains one of the most sublime records the band has released in their uninterrupted 36-year career.

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Kevin Morby

2LP | 2020 | US | Original (Dead Oceans)

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2011 | US | Original (Domino)

Real Estate

Days

LP+LP+All Media | 2018 | US | Original (Domino)

Release: 2011 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Still shrink wrapped but opened.
Cover as new with slightly dented corners.
Record is close to NM.

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Animal Collective

Tangerine Reef

15,99 €*

10" | 2011 | CA | Original (Constellation)

Release: 2018 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Green translucent Vinyl. One single sdied vinyl with art etcheing in one side. Original inner sleeves. Vinyl seems unplayed. Limited edition.

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Colin Stetson

Those Who Didn't Run

14,95 €*

Release: 2011 / CA – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

This Is My Story / Blue Light

Holy Hive

7" | 2018 | US | Original (Big Crown)

11,99 €*

LP | 2018 | EU | Original (Constellation)

Release: 2018 / US – Original

Genre: Rock & Indie

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Big Crown Records is proud to present the debut single from the newest band on the roster, Holy Hive.

Comprised of Paul Spring, Homer Steinweiss, and Joe Harrison, Holy Hive obscures genre lines and has a style and energy uniquely their own.

Side A, “This Is My Story”, is a cover of the Invincible’s cult classic from 1968. Holy Hive takes the tune into modern times while keeping just enough of the original. The horns and vibraphone rip into the speakers from the first note and Paul Spring’s ethereal and honeyed vocals sit atop Homer’s infamous drumming like an ox pecker on a black rhinos back.
The B Side, “Blue Light” is a perfect representation of the sound that is wholly unique to Holy Hive. With a less is more ethos, they craft an intimate space that is equal parts Jessica Pratt, The Persuaders, and Julian Bream.

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Sandro Perri

In Another Life

Release: 2018 / EU – Original

Genre: Rock & Indie

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Alopecia 10th Anniversary Black Vinyl Edition

Why?

LP | 2018 | US | Original (Joyful Noise)

2LP | 2016 | US | Original (Carpark)

Release: 2018 / US – Original

Genre: Rock & Indie

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"I'll go unknown by torpedo or Crohn's / Only those evil live to see their own likeness in stone." It's the kind of couplet you'd carve into a wall whilst savoring the irony at hand, but when Yoni Wolf spit the line ten years ago he was blissfully, broodily unaware that he and his band WHY? were creating a career-defining album—one so fan-adored that it would go out of print, and so influential that the art-pop heroine Lorde herself would lovingly steal the very lyric quoted above. When it dropped in 2008, Alopecia not only marked WHY?'s evolution from a sonically collaged mostly solo project to a live-recorded powerhouse band of badass multi-instrumentalists. It also minted a genre of one: wryly written, poignantly posed, simultaneously swaggering and heart-rending song-rap that jangles like folk, bursts like psych-rock, and sways like chamber pop. To this day, there is no other group in the known universe that sounds or feels like WHY? does on Alopecia. The album's 2018 reissue cheekily etches that aural likeness into our musical history.

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Toro Y Moi

Live From Trona

19,99 €*

LP | 2020 | UK | Original (Fuzz Club)

Release: 2016 / US – Original

Genre: Rock & Indie

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Following extensive touring behind What For?, his fourth studio album as Toro Y Moi, acclaimed musician Chaz Bundick brought the band to the middle of the Mojave Desert in April 2016 to play a special concert. Live from Trona documents this experience, recorded live beneath the geological wonders known as the Trona Pinnacles, which formed thousands of years ago in what used to be a prehistoric lake.

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Las Cobras

Selva

Release: 2020 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2020 | Reissue (Warner)

The Grateful Dead

American Beauty

23,99 €*

Release: 2020 / Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2011 | US | Original (Rvng Intl.)

Blues Control & Laraaji

FRKWYS Vol. 8

20,99 €*

Book+CD | 2020 | EU | Original (Afar)

Release: 2011 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Copy closer to NM

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Maria McKee

La Vita Nuova

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2011 | US | Reissue (Trouble In Mind)

Wax Museums

Eye Times

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Gravel / Selector Dub Narcotic

Lake

7" | 2011 | US | Reissue (K)

12,99 €*

Release: 2011 / US – Reissue

Genre: Rock & Indie

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The second album LAKE recorded for K, Let's Build a Roof [KLP213], included a song by drummer/multi-instrumentalist Lindsay Schief many consider one of its highlights, "Gravel". When the band returned from their U.S. tour following the release of Let's Build a Roof "Gravel" had a new fluid soulful feel to it that struck resident Dub Narcotic Studio producer Selector Dub Narcotic (aka Calvin Johnson) as a ripe candidate for the Dub Narcotic Disco Plate series of 7" 45 rpm phonograph records.

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7" | 2011 | US | Reissue (K)

White Rainbow

The Making Of Thriller

8,99 €*

Release: 2011 / US – Reissue

Genre: Rock & Indie

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FROM THE DEPTHS OF DUB COMES THE CULTURE CLASH CLASSIC STEPPER, Adam Forkner, with his latest piece of hot wax [DBN125] White Rainbow - "The Making of Thriller" b/w Selector Dub Narcotic - "The Making of Star Wars." This marks a home-coming of sorts, with Forkner returning to Dub Narcotic Studio to work with life-long friend and one time studio-mentor Calvin Johnson.

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LP | 2011 | US | Reissue (Jagjaguwar)

Pterodactyl

Spills Out

Release: 2011 / US – Reissue

Genre: Rock & Indie

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On third album Spills Out, Brooklyn noise-punk mischief-makers Pterodactyl have mutated from their abrasive loft-show roots into a glorious, broken-pop juggernaut. The band's squealing, sweat-soaked art-bustle had rapidly put them alongside contemporaries like Oneida, These Are Powers and Parts & Labor; but Spills Out gently leads the trio towards the uplifting, wistful harmonies of '60s rockers like The Zombies, CSNY and the pre-acid Beatles. Pterodactyl's onomatopoetic barks have been replaced by a luxurious three-part croon; their adenoidal squawk has been expanded to include Spectoria...

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12" | 2011 | Reissue (Acephale)

Korallreven

As Young As Yesterday

12,99 €*

Release: 2011 / Reissue

Genre: Rock & Indie

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Returning for her second collaboration with the duo is Victoria Bergsman who previously contributed her dulcet tones to Honey Mine. As Young triumphs with glittering bombast - a true Balearic anthem. Cascading 808 fills mingle with steely acoustic guitar and chipmunked vocals while deep kettledrums and pulsing strings balance things out. It's a glorious celebration of Summer's fade, a song that looks forward by glancing back. Animal Collective's Panda Bear, fresh off the tremendous success of Person Pitch, delivers a reinterpretation that is at times frenetic and jarring, and at others meditative and soothing. London's Girl Unit revisits the pitched vocals and builds a sprawling epic that erupts into a throbbing payoff before subsiding to begin anew. Finally, the Korallreven boys wrap things up with a massive expansion of their original - an evolving, layered rhythm section lays the foundation for ecstatic builds of shimmering, hazy synths.

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LP | 2011 | Reissue (Constellation)

Siskiyou

Keep Away The Dead