Indierock | Alternative 23509 Items

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | Original (BFD)

Wendy O. Williams

Deffest And Baddest!

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-10-11

LP | 2020 | US | Original (Ba Da Bing)

Wendy Eisenberg

Auto

The Spacejam Sessions Volume 1 Crystal Clear Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Drawing the connections between Wendy Eisenberg’s releases feels like undertaking a wide-ranging investigation. Albums of wildly inventive guitar, tempo-shifting avant rock and curiously leftfield pop fit together as offerings of Eisenberg’s curious mind. On Auto, their most innovative and inner-reaching album yet, Eisenberg explores emotional, subjective truth, and how it interacts with an objectivity no person alone can grasp. Inspired by the solo work of Mark Hollis (Talk Talk) and David Sylvian’s Blemish, with playing skills that have already seen them climbing Best Guitarist lists and an unvarnished vocal immediacy, Wendy Eisenberg has created an album of subtle display that resonates with maximal impact. Auto has multiple meanings. First, automobile: “A lot of these songs were written about and mentally take place when I’m in the car on my way to gigs,“ says Eisenberg. Immediate melodies came to them on these trips, to which they’d later add complex guitar parts. And automata: “I make myself into a machine, which is why everything that’s played is precise.” Finally, they frame their work in the literary technique of auto-fiction, “the semi-fictionalized presentation of the self in a narrative form of growth,” as Eisenberg sees it. The album served as a means toward working through emotional conflicts from adolescent trauma and Ptsd, and dissects the dissolution and conflict that led towards the breakup of their former band. With much of it written while its events played out, Auto faces the grief of losing what one thinks is their future while experiencing a dramatic reshaping of their past; it delves openly into the limited nature of one person’s narrative. After making a few efforts to record Auto, Eisenberg ultimately chose to collaborate with childhood friend Nick Zanca, who contributes electronic elements and production. Mirroring the personal and organic offered by Eisenberg, synthetic sounds form a kind of boundary or context for everything. They “sound like commentary on songs that were written from an organic or subjective perspective,” says Eisenberg. Their place on the album is integral for Eisenberg’s goal “to outweigh the subjectivity of normal singer-songwriter guitar songs with the objectivity of electronic sound.”

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Weltraum

LP | 2024 | UK | Original (Tonzonen)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Wasted Words & Bad Decisions

Welshly Arms

LP | 2022 | EU | Original (Vertigo Berlin)

Release: 2022 / EU – Original

Genre: Rock & Indie

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This Is Fine Colored Vinyl Edition

Well Wisher

LP | 2018 | UK | Original (6131)

Release: 2018 / UK – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Stickman)

Weite

Assemblage

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | UK | Original (Alcopop)

Weirds

Swarmculture

20,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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Live At The Whisky Hollywood 1977

Weirdos

LP | 2023 | EU (Suicidal)

16,99 €*

Y'all Motherfuckers Forgot 'Bout Good Ol' Son Of A Bitchin' Blues Marbled Dark Green & Lime Vinyl Edition

Release: 2023 / EU

Genre: Rock & Indie

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The Weirdos.....The most influencial punk band from the Original Hollywood scene ( X, Flesh Eaters, Black Randy, Alley Cats, Screamers, Skulls, Bags, Deadbeats, etc.). This was their first multiple night stand at the Whisky a Go Go 1977! A legend indeed!

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Weird Tales

LP | 2021 | EU | Original (Interstellar Smoke)

23,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Tape | 2022 | US | Original (Sub Pop)

Weird Nightmare

13,99 €*

7" | 2015 | US | Original (Clarity)

Release: 2022 / US – Original

Genre: Rock & Indie

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If you're looking for a raw, sugary blast of distorted pop, look no further than Weird Nightmare. The debut album from Metz guitarist and vocalist Alex Edkins contains all of his main band's bite with an unexpected, yet totally satisfying, sweetness. Imagine The Amps covering Big Star, or the gloriously hissy miniature epics of classic-era Guided by Voices combined with the bombast of Copper Blue- era Sugar-just tons of red-line distortion cut with the type of tunecraft that thrills the moment it hits your ears. These ten songs showcase a new side of Edkins' already-established songwriting, but even though the bulk of Weird Nightmare was recorded during the Covid-19 pandemic some of its tunes date back to 2013 in demo form. "Hooks and melody have always been a big part of my writing, but they really became the main focus this time" he explains. "It was about doing what felt natural." To be clear: Weird Nightmare is not a "pandemic album," but an album-some of which had been gestating for quite a while-that just so happened to be recorded during the pandemic. "I had always planned on finishing these songs, but being unable to tour with Metz, and forced to lock down, really gave me a push." After days spent homeschooling his son, Edkins would drive to the Metz rehearsal room and tinker deep into the night on these songs' deceptively simple structures and rich, static-laden textures. "It was a godsend for me," he states about the creative process. "The hours would disappear and I would get lost in the music and record. It was a beautiful escape." Weird Nightmare is, in its own way, a study in extremes: Edkins' melodic instincts and penchant for dissonance are both turned up to the max throughout, the latter reflecting not only the barn-burning tendencies of Metz, but Alex's own sonic predilections. "It doesn't sound right to my ears until it's pushed over the edge." He also cites other artists who are masterful at mixing the sublime and the punishing-Kim Deal and Scout Niblett among them-as influences on his own songwriting. "My favorite songs are the simple ones," he explains. "I've never been attracted to virtuosity or technicality. Certain songs have the power to lift your spirits like nothing else can. I wanted to create that type of song." A few guests pitch in on Weird Nightmare: Canadian alt-pop genius Chad VanGaalen adds his unmistakable touch to the ever-escalating "Oh No," while Alicia Bognanno of Bully lends her distinctive pipes to the thrashing "Wrecked," a collaboration that effectively saved the song. "I almost didn't put it on the album because I thought it was missing something," Edkins explains. "I sent it to Alicia and she lifted it way up." And taking risks and reaching out of Edkins' comfort zone was the name of the game when it came to making Weird Nightmare. "I found myself doing new things I didn't have the guts to do before, recording everything by myself and trusting all of my musical instincts," he states. "I think when music manifests quickly, a certain amount of honesty automatically comes along with it. When it is a purely instinctual creation, there is no opportunity to obscure the truth."

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Weightless

Perpetual Existence

6,99 €*

LP | 2022 | UK | Original (Must Have Music)

Release: 2015 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

tiny wear

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Weight Band

World Gone Mad

Release: 2022 / UK – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Atlantic)

Sznz: Spring

Release: 2023 / EU – Original

Genre: Rock & Indie

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Sznz:Autumn Black Vinyl Edition

LP | 2023 | EU | Original (Atlantic)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2016 | UK | Reissue (Geffen)

Pinkerton

Release: 2016 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl with scuffs and hairlines and light marks

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Ok Human Black Vinyl Edition

LP | 2021 | US | Original (Atlantic)

Release: 2021 / US – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Atlantic)

Ok Human

Release: 2021 / EU – Original

Genre: Rock & Indie

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Blue 30th Anniversary Limited Box Edition

Box | 2024 | Original (Geffen)

242,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

Blue 30th Anniversary Indie Exclusive Marbled Vinyl Edition

LP | 1994 | EU | Reissue (Universal)

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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Nothing Yet Blue Vinyl Edition

Weeping Messerschmitts

7" | 1986 | EU | Reissue (Optic Nerve)

10,99 €*

Chocolate And Cheese Deluxe Edition

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Includes postcard and poster. Hailing from Wolverhampton, Weeping Messerschmitts gave us one absolutely cracking 12”, released on Upright in 1986 and then disappeared . Previously only available on 12” only we bring you 2 of those tracks on 7” for the very first time. Coming out of the West Midlands Weeping Messerschmitts cut their teeth supporting schoolfriends The Mighty Lemon Drops.

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Ween

3LP | 2001 | EU | Reissue (Rhino)

86,99 €*

Release: 2001 / EU – Reissue

Genre: Rock & Indie

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LP | 2024 | US | Original (Jem)

Weeklings

Raspberry Park

36,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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2LP | 2010 | US | Original (Slumberland)

Weekend

Sports

20,99 €*

Release: 2010 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Say-10)

Weekend Run Club

Liminal Space Race

37,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2013 | EU | Reissue (Stickman)

Weedpecker

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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IV: The Stream Of Forgotten Thoughts Yellow Vinyl Edition

Weedpecker

LP | 2021 | Original (Stickman)

Release: 2021 / Original

Genre: Rock & Indie

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Crater Maker Pruple Vinyl Edition

Weed Demon

LP | 2020 | EU | Original (Electric Valley)

Release: 2020 / EU – Original

Genre: Rock & Indie

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A bands third release is a challenging one - it's frequently here where they make or break their career. Having launched on a musical journey five years ago with the desire to reflect their sludgy musical ancestors, Weed Demon live up to their early promise on Crater Maker. This is far and away their most fully realized work to date. Not for the faint of heart, Crater Maker launches with eleven minutes of instrumental stoner rock to set the mood. By the time you get to the devastating vocals of "Serpent Merchant" you know you're in for a rare treat. Infused with bluesy roots and defined by a search for the perfect tone, Crater Maker is a sonic quest like few others. Their worship of bands like Sleep and Electric Wizard is apparent throughout, but these Columbus, Ohio doomsters are clearly in touch with another side of themselves on this record. An album that rewards multiple listens, it promises to be a worthwhile listen for doom freaks across the globe. Electric Valley Records has once more signed a winner - are you ready to join them on the journey to this riff filled land?

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LP | 2021 | US | Reissue (Dead Oceans)

Twin Plagues

Release: 2021 / US – Reissue

Genre: Rock & Indie

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In a long and emotionally exhausting year of being inside (alone, in my case,) I have found myself thinking about mirrors. How to avoid spending too much time in them, most days. Taking inventory of the real, physical self is difficult work, work that I'm not entirely opposed to but work that became immediately more treacherous for me when I had to witness the very real toll that time, modern anxieties, isolation, and boredom were taking on me. It was easier, it seemed, to spiral into a not-so-distant glorious past, to use memory as a tool of both excitement and healing. But, speaking of excitement, I like to stumble towards a band with no agenda, no purpose, uncovering sound almost on accident. This is how I first heard Wednesday. The band came to me and I don't remember how, or why. They simply arrived, as if we'd been traveling toward each other our whole lives. I Was Trying To Describe You To Someone soaked into my summer of 2020, and in sound, in spirit, in central concerns and the execution of them, it took me back to an era before the current era, which I'd needed at the time. The past can feel less hellish than the present if we are, sometimes, not fully honest with ourselves. There is the trick of nostalgia that I spend a lot of time playing with in my own writing, and somewhat tormented by in my own living. The very real idea that nostalgia is both a useful tool and also a weapon if it isn't paired with something that approaches a type of rigorous honesty. But if I may go back to all of these ideas of nostalgia and our old, tricky, past selves that are, indeed, a part of the house of bricks that make up our present self, what I also hope you, listener, might adore about this album is the exact moment at the start of "The Burned Down Dairy Queen" when Karly sings I was hiding in a room in my mind / and I made me take a look at myself. Because if you, like me, have been avoiding mirrors - both metaphorical and real - this is where the album becomes a lighthouse, echoing bright across the darkness of my otherwise dark and empty chambers. So much of these songs meditate on the past in far less romantic ways than I have found myself meditating on the past, and I was desperate for the recalibration that this album provided. So, yes, the songs are good. You will maybe roll down your windows on a comfortable day on the right stretch of road in a warm season and turn the volume up when "Birthday Song" gets good and loud and singalong- able. You might sit atop a rooftop at night, closer to the moon than you were on the ground, and let "Ghost Of A Dog" churn and rattle you to some nighttime realization that you couldn't have had in silence. But, even on top of all of this, on top of all the pleasures and the mercies that the sounds on this album might afford. I hope and think, too, that it will remind anyone who listens that we are a collection of many reflections. All of them deserving patience. _Hanif Abdurraqib

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Rat Saw God Purple Vinyl Edition

LP | 2023 | CZ | Original (Dead Oceans)

Release: 2023 / CZ – Original

Genre: Rock & Indie

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A Wednesday song is a quilt. A short story collection, a half-memory, a patchwork of portraits of the American south, disparate moments that somehow make sense as a whole. Karly Hartzman, the songwriter/ vocalist/guitarist at the helm of the project, is a story collector as much as she is a storyteller: a scholar of people and one-liners. Rat Saw God, the Asheville quintet's new and best record, is ekphrastic but autobiographical and above all, deeply empathetic. Across the album's ten tracks Hartzman, guitarist MJ Lenderman, bassist Margo Shultz, drummer Alan Miller, and lap/pedal steel player Xandy Chelmis build a shrine to minutiae. Half-funny, half-tragic dispatches from North Carolina unfurling somewhere between the wailing skuzz of Nineties shoegaze and classic country twang, that distorted lap steel and Hartzman's voice slicing through the din. Rat Saw God is an album about riding a bike down a suburban stretch in Greensboro while listening to My Bloody Valentine for the first time on an iPod Nano, past a creek that runs through the neighborhood riddled with broken glass bottles and condoms, a front yard filled with broken and rusted car parts, a lonely and dilapidated house reclaimed by kudzu. Four Lokos and rodeo clowns and a kid who burns down a corn field. Roadside monuments, church marquees, poppers and vodka in a plastic water bottle, the shit you get away with at Jewish summer camp, strange sentimental family heirlooms at the thrift stores. The way the South hums alive all night in the summers and into fall, the sound of high school football games, the halo effect from the lights polluting the darkness. It's not really bright enough to see in front of you, but in that stretch of inky void - somehow - you see everything. The songs on Rat Saw God don't recount epics, just the everyday. They're true, they're real life, blurry and chaotic and strange - which is in-line with Hartzman's own ethos: "Everyone's story is worthy," she says, plainly. "Literally every life story is worth writing down, because people are so fascinating." But the thing about Rat Saw God - and about any Wednesday song, really - is you don't necessarily even need all the references to get it, the weirdly specific elation of a song that really hits. Yeah, it's all in the details - how fucked up you got or get, how you break a heart, how you fall in love, how you make yourself and others feel seen - but it's mostly the way those tiny moments add up into a song or album or a person.

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Rat Saw God Black Vinyl Edition

LP | 2023 | US | Original (Dead Oceans)

Release: 2023 / US – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Dead Oceans)

Rat Saw God

19,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Limited Purple Vinyl Edition.
Includes original inner sleeve and booklet.

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Mowing The Leaves Instead Of Piling 'Em Up

Tape | 2022 | US | Reissue (Orindal)

11,99 €*

Release: 2022 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-10-18

"wednesday owes so much to our musical influences. The music we love is a big part of what brought us together. My bandmates Margo and Xandy both had infamous Asheville house show venues, Jake was in like a billion different bands which often played in their muggy basements and Alan was usually the one who brought the PA. Our immersion in music predated us trying to make songs together ourselves. Our common interests in noisey ‘90s guitars, good lyrics, and country music was quickly what permeated into our voice as a band. Most decisions in our songs are made by an amalgamation of all five of our inputs, which happens pretty naturally because of this thread of influences that ties us together. So when we got an opportunity for some recording time with Alli Rogers at Betty’s studio in Durham, NC we decided to record covers, and hopefully repay in part the huge debt we are in to the artists who contributed so much to the music we write ourselves. When I was thinking if there was anything that these songs have in common, the main thing I found recurring was the combination of sadness and humor. It’s effective as hell to combine the two emotions, making each other more intense by the contrast..."—KARLY Hartzman. Features songs by Gary Stewart, Chris Bell, Roger Miller, Drive By Truckers, Hotline TNT, Greg Sage, Vic Chesnutt, Medicine, and Smashing Pumpkins. Originally released in 2022 as a merch and mailorder item. Pressed on pilsner beer yellow vinyl.

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Mowing The Leaves Instead Of Piling 'Em Up

LP | 2022 | US | Reissue (Orindal)

Release: 2022 / US – Reissue

Genre: Rock & Indie

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I Was Trying To Describe You To Someone

LP | 2020 | US | Reissue (Dead Oceans)

Like No Tomorrow Neon Yellow Vinyl Edition

Release: 2020 / US – Reissue

Genre: Rock & Indie

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I Was Trying to Describe You to Someone is Wednesday's second fulllength album & first as a full band. The Asheville, NC quintet (guitarist/ vocalist Karly Hartzman, lead guitarist Daniel Gorham, pedal steel guitarist Xandy Chelmis, bassist Margo Schultz & drummer Alan Miller) maximizes the dark dissonance of a three guitar attack to highlight the emotionality of Hartzman's bell-clear vocals & wisps of half-recalled memories & literary references that make up her lyrics. I Was Trying to Describe You to Someone's eight songs meld elements of shoegaze, grunge, indie pop & southern American culture into a uniquely personal style of modern rock music that resonates with power & tenderness. The ever-darkening & deepening of Wednesdays' sound on I Was Trying to Describe You to Someone owes a debt of influence to The Swirlies, Arthur Russell, Red House Painters, Tenniscoats, Ana Roxanne, Acetone, & their continued collaboration with MJ Lenderman (who lends backing vocals to the songs "Billboard" & "November"). I Was Trying to Describe You to Someone was recorded at Hartzman's home with engineering assistance from her roommate Colin Miller. The depth & clarity of the recordings balance the distorted volume of Wednesday's live performances with the intimacy of Hartzman's voice. Her words hold the center of the chaos, unobscured by the power of the band. Hartzman describes her lyrics as "attempts to access old personal memories & do them justice through prose, with inspiration from the writings of Richard Brautigan, Flannery O'Connor, David Berman & Tom Robbins, & movies like Steel Magnolias."

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Wedge

LP | 2021 | EU | Original (Heavy Psych Sounds)

22,99 €*

Like No Tomorrow Half Red Half Yellow Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Wedge’s new release „Like No Tomorrow” makes for an unholy trinity of Wedge albums in the Heavy Psych Sounds Records back catalogue. The Berlin-based power trio once more is driving their musical Wedge in between many different genres: Garage rock turns progressive while psychedelic guitar lines are tripping over hard rocking riffs. Does this work together? Hell yes! For fans of Deep Purple, MC5, Led Zeppelin or Humble Pie this album is a sure shot. You like fuzz guitars? Hammond organ and vocals trough a swirling Leslie cabinet? More cowbell? You got it. But unlike our beloved rock records from around 1971, which we’ve heard a hundred times before „Like No Tomorrow” has one huge advantage: It’s brand new and the 8 tracks, ranging from 3:00 to 9:00 minutes, deliver a fresh, unspent and unmistakably unique taste to the rock’n’roll menu. In the tradition of bands like The Raconteurs, The Hellacopters, Graveyard or Wolfmother, Wedge are building on that vintage vibe we all know and love but evolve their very own thing and are able to connect it directly to here and now. Also lyrically the tunes are picking up on our zeitgeist, dealing with topics like digitalisation, mass migration and current social issues among others. So it’s no coincidence that the record’s title is a direct hint at our crazy times, in which it feels like the end of the world might be lurking just around the very next corner. But rather than being pessimistic about it, Wedge want to convey a positive message: „When it feels like there might be no tomorrow, just love and live Like No Tomorrow”

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Wedge

LP | 2021 | EU | Original (Heavy Psych Sounds)

3LP | 1994 | EU | Reissue (Proper)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Wedding Present

Watusi

52,99 €*

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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3LP+DVD | 2023 | US | Original (Happy Hapy Birthday To Me)

Wedding Present

24 Songs

48,99 €*

3LP+DVD | 2023 | UK | Original (Happy Happy Birthday To Me)

Release: 2023 / US – Original

Genre: Rock & Indie

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The Wedding Present 24 Songs is a 3LP w/ DVD collecting all the 2022 7" singles in one spot. A. o. featuring a duet with Louise Wener of Sleeper, full lenght versions of songs, a bonus Utah Saints remix and more extra tracks! Throughout 2022, The Wedding Present's '24 Songs' series saw the legendary indie band release two new tracks a month as double A sided 7"s, ultimately creating a much-sought-after box set. David Gedge has now re-curated full-length versions of all twenty-four tracks for a new compilation album that will also comprise five bonus recordings including one featuring The Wedding Present's first guitarist, Peter Solowka. '24 Songs' was a doff of the cap to The Wedding Present's 'Hit Parade' project of 30 years previous. That series proved to be a real milestone for the band with them becoming only the second-ever artist to achieve twelve Official UK Top 40 hits in a calendar year - at the time something that only Elvis had achieved! David Gedge says: "When it came to compiling the '24 Songs' album, I decided not to sequence the tracks in chronological order. With six sides of vinyl, you have six 'beginnings' and six 'ends' to play with, and I felt that the opportunity to build some kind of a musical journey was too good to miss! Listening back to this collection, I have to say that I genuinely believe that, for this project, The Wedding Present have recorded some of the best tracks in our history." Classic black vinyl, the DVD includedThe Wedding Present playing live during the `24 Songs Launch' event in January 2022 plus a fascinating `fly-on-the-wall' documentary filmed as the songs were being written, arranged and recorded and the video for the December single.

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Wedding Present

24 Songs

56,99 €*

Vol. III Blue Swirl Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Webbed Wing

LP | 2024 | EU | Original (Memory Music)

Right After I Smoke This Yellow Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Fronted by vocalist/guitarist Taylor Madison, and with Jake Clarke on drumsand Mike Paulshock on bass, Webbed Wing cement their place in modernrock supremacy across 10 tracks of fuzzed-out pop nostalgia on new albumVol III. One impossibly-catchy anthem after another, loaded with Madison'ssignature sardonic wit, makes for one of the most exciting alternative rockrecords of the year. Taking notes from the likes of The Lemonheads andTeenage Fanclub, "Further" opens Webbed Wing's new album Vol. III witha bang--in less than 10 seconds, we're all the way in with Webbed Wingas they expertly intertwine the vibrancy of modern pop, the heaviness ofgrunge, and the sincerity of country. Brazen and self-deprecating, "Burn ItDown" finds Madison unpacking what it means to fly too close to the sun.Its mid-tempo mastery is a testament to the trio's connection as musiciansand friends; everything about this song just works. Drawing inspiration frombig country ballads and shoegaze gems alike, the song shows off a differentside of what listeners can expect from Vol. III.

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Webbed Wing

7" | 2023 | EU | Original (Memory Music)

18,99 €*

LP | 2024 | US | Original (Strange Mono)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Put Webbed Wing's Taylor Madison up against some of rock's most celebrated songwriters--he's ready. On their new EP, Right After I Smoke This..., the Philly-based guitarist and singer puts on the kind of unforgettable performance that can take everyday people and turn them into musical heroes for the masses.For those in the know, Webbed Wing--incomplete without Jake Clarke (drums) and Mike Paulshock (bass)--have long-since reached cult status; the project follows Madison and Clarke's already-decorated career in their band, Superheaven. Here, each member freely flexes their innate genre-bending musicality, taking notes from the likes of The Lemonheads, Teenage Fanclub, and Weezer.In just three songs, Right After I Smoke This... channels everything lyrically-gripping about rock music and everything vibrant about pop. There's as much earnest twang in their toolkit as there is snotty skate-park punk and intense metal; it's a celebration of the genre as they've come to love it, resulting in something highly palatable and new.

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Webb Chapel

World Cup

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2017 | EU | Reissue (Memphis Industries)

Weaves

Wide Open

19,94 €* 20,99 € -5%

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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LP | 2016 | EU | Reissue (Memphis Industries)

Weaves

18,99 €* 19,99 € -5%

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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LP | 2018 | EU | Original (Svart)

Weathered Statues

Borderlands

20,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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Come In Butterfly Splatter Vinyl Edition

Weatherday

LP | 2022 | US | Original (Topshelf)

2LP | 2024 | EU | Original (Mascot Label Group)

Release: 2022 / US – Original

Genre: Rock & Indie

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Weatherday is the noise-pop project of the mononymous Swedish artist Sputnik. While they have also found success with their side project, Lola's Pocket PC, it is their cult-acclaimed album Come in that has garnered them a large and dedicated following through its raucous musical universe and serpentine sparklepunk stylings. Often heralded as an achievement of lo-fi bedroom pop tangled with threads of emo and DIY, Come in is better described, in its author's own words, as a 'life goal.' The initial spark that ignited the fiery, heated debut from Weatherday originated from Sputnik's desire to write, perform, and produce a record all on their own, from the ground up. Starting in 2014-2015, their preliminary attempts at what would eventually become Come in first materialized as a shoegaze EP, and then a dream-pop meets chamber-pop LP. Ever the perfectionist though, Sputnik wasn't satisfied with the results and deleted the releases without a trace, finally deciding to set out in the direction of something more akin to their longtime influences of emo and its various subgenres. After two years of tinkering in this stylistic sweetspot, Sputnik settled on the eleven knotted, maximal tracks that comprise Come in. From the caustic, harsh peaks of 'Sleep in while you're doing your best' to the soothing piano-laden passages of 'Embarrassing paintings' and experimental, granular coda of 'Water dreamer the same,' the range of Weatherday's debut is doubtlessly a product of an artist who refuses to compromise a single shred of their vision.

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Weather Systems

Ocean Without A Shore

33,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Weasel Walter Large Ensemble

Igneity: After The Fall Of Civilization

2LP | 2024 | EU (Improved Sequence)

2LP | 2017 | US | Original (Deathwish)

Release: 2024 / EU

Genre: Rock & Indie

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Another incredible document from Weasel Walter / The Flying Luttenbachers career, too good and too absurd to not have in on a monster double LP. The cast assembled and legendary names speak for themselves.

The Weasel Walter Large Ensemble debuted on Igneity - After The Fall Of Civilization (april 2015): Brandon Lopez and Tim Dahl on double bass, Alan Licht, Henry Kaiser and Chris Welcome on guitars, the quartet sax of Chris Pitsiokos, Jim Sauter, Matt Nelson and Michael Foster, Steve Swell on trombone, Peter Evans on trumpet and Dan Peck on tuba.

“‘Igneity’ was composed in response to Henry Kaiser asking me if I would assemble a big band, rather than a small group, for us to play a concert with in New York. I had previously included him in the large ensembles I had led when I lived in Oakland, California. However, I had not yet tackled the format in New York City. There is certainly no shortage of excellent players around here, but unlike the Bay Area, logistics tend to be somewhat more complicated, especially when it comes to rehearsal. As such, I set about devising an hour long structure which would allow me to control the general momentum and the various densities inherent in the orchestration while granting the individuals maximum freedom.”

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Wear Your Wounds

WYW

Rust On The Gates Of Heaven

Release: 2017 / US – Original

Genre: Rock & Indie

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Wear Your Wounds is the product of years of Lo-fi solo recordings by Converge founder Jacob Bannon. On this release he is joined by guest musicians Kurt Ballou (Converge), Mike McKenzie (The Red Chord, Stomach Earth, Unraveller), Chris Maggio (Sleigh Bells, Trap Them, Coliseum), and Sean Martin (Hatebreed, Cage, Kid Cudi, Twitching Tongues). Together they have created a powerful album that is unlike anything they have ever individually worked on. The album is contains ten emotional songs that call to the slower, more epic leanings of Converge, as well as his previous work in Supermachiner. Bringing to mind the multi-layered approach of Swans and early Pink Floyd, while being as vulnerable as influences Sparklehorse, Songs: Ohia, other like minded artists. Wear Your Wounds live will feature Bannon joined on stage by musicians Mike McKenzie (The Red Chord, Stomach Earth, Unraveller, Chris Maggio (Trap Them, Coliseum, Sleigh Bells), Adam McGrath (Cave In, Zozobra, Nomad Stones), and Sean Martin (Hatebreed, Cage, Kid Cudi, Twitching Tongues).

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Wear Your Wounds

2LP | 2019 | EU | Original (Deathwish)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Wear Your Wounds / Revelator

7" | 2012 | US | Original (Not On Label (Wear Your Wounds Self-released))

9,99 €*

LP | 2021 | EU | Original (Big Scary Monsters)

Release: 2012 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

White Vinyl.

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Weakened Friends

Quitter

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Don Giovanni)

Weakened Friends

Common Blah

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (12XU)

Weak Signal

Fine

We Were Promised Jetpacks.

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-10-11

"The music of New York trio Weak Signal (Mike Bones, guitar and voice; Sasha Vine, electric bass, violin, and voice; Tran, drums and voice) is a masterclass in simplicity and economy but these aspects aren’t present for their own didactic sake. Rather, their art is world-building in the most essential of ways, subtly spinning out in an enveloping, rich haze from a clear, architectural core. There are sections of knife-like collective squall and dialogic drift that glance at improvised music; while not strictly pop, the tunes are incredibly catchy with wry, keenly memorable lyrics that easily stick in one’s craw. With associations including Endless Boogie, Sian Alice Group, and Soldiers of Fortune, Weak Signal formed in 2017. They waxed two full lengths in the period leading up to the pandemic ('lp1'; 'Bianca'), and during that unsettling year-plus without many gigs to speak of, the trio kept busy and unleashed a handful of choice digital EPs and a couple of split 7” singles (cue up 'Rolex' if you haven’t heard it). In 2023 the group released 'War and War', a self-published book / CD (its title taken from a volume by Hungarian writer László Krasznahorkai) that was reissued on LP by 12xu the following year. 'Fine' is their fourth full-length to date, its tight ten-song program fleshed out with sonic icing from keyboardist Alexis Taylor (Hot Chip) and guitarists Doug Shaw (Gang Gang Dance; White Magic) and Cass McCombs."—Clifford Allen

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Unravelling

CD | 2014 | UK | Original (FatCat)

5,99 €*

Release: 2014 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

We Were Promised Jetpacks

Enjoy The View

LP | 2021 | EU | Original (Big Scary Monsters)

Release: 2021 / EU – Original

Genre: Rock & Indie

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We Were Promised Jetpacks

A Complete One-Eighty

10" | 2023 | EU | Original (Big Scary Monsters)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Kapitän Platte)

We Stood Like Kings

Away

35,99 €*

I'll Go It Alone From Here

Release: 2023 / EU – Original

Genre: Rock & Indie

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Piano-based instrumental post-rockers We Stood Like Kings from Brussels have been around for over a decade now. They have released four albums and toured Europe extensively, rescoring silent movies and revisiting classical music in a heartfelt attempt at breathing new life into masterworks of other art forms. The albums BERLIN 1927, USSR 1926 and USA 1982 form a vibrant cinematic trilogy of new live scores for silent cultmovies, a field in which the band has become a reference on the European scene. After the release of the CLASSICAL RE:WORKS project, on which We Stood Like Kings take a fresh look at classical music from the Baroque to the 20th century, the band goes back to cinema with a new live soundtrack project dedicated to the recent silent 3D animation movie Away by the young Latvian director Gints Zilbalodis.

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We Love You

7" | 2016 | DE | Original (lifeisafunnything)

5,99 €*

12" | 2012 | EU | Original (Naive)

Release: 2016 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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We Have Band

Covers EP

5,99 €*

LP | 2024 | EU | Original (Smash)

Release: 2012 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Limited edition for Record Store Day 2012!

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We Be Echo

17,54 €* 26,99 € -35%

Release: 2024 / EU – Original

Genre: Rock & Indie

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We Are Winter's Blue And Radiant Children

"No More Apocalypse Father"

LP | 2024 | CA | Original (Constellation)

LP | 2023 | UK | Original (Last Night From Glasgow)

Release: 2024 / CA – Original

Genre: Rock & Indie

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WE ARE WINTER'S BLUE AND RADIANT CHILDREN (WAWBARC) is the new quartet of Mat Ball(BIG|BRAVE), Efrim Manuel Menuck (Godspeed You! Black Emperor, Thee Silver Mt. Zion),and Jonathan Downs and Patch (both Ada). On "NO MORE APOCALYPSE FATHER" they presentsix modal lullabies drenched in seared distortion, slathered across striding electronic pulses.Ball and Menuck began creating music in and for the bleakest moments of Montréal winters:"We're honoring that idea of winter, when you come inside and your house is warm, a placethat only exists because of how cold it is outside," says Menuck. They later recruited Downsand Patch to flesh out their initial ideas. Menuck met them in 2015 when recording Ada'sfinal album at Montréal's Hotel2Tango _ where they reconvened to make this record."NO MORE APOCALYPSE FATHER" is an album about witnessing bleakness from a place ofsafety. Carrying newfound descriptive depth, thanks to the quartet's open-ended songsfreeing him from writing in meter, Menuck likens his lyrics to photorealism. On opener `Ratsand Roses' he sings of an unnamed city struck by an unknown cataclysm, but the details arelocal: specifically, his neighbors inadvertently poisoning birds when tackling a rat infestation.It's backed by blown out synths and guitars reaching a soaring crescendo. "Seeing thingsfrom a distance and not being able to intervene happens a lot on the record," Menuckexplains. "If you're a feeling and thinking person, that's just part of the human condition.We watch horror unfolding from afar, unable to do anything concrete to change it."A powerless witness, able to describe but not intervene. `Dangling Blanket From A Balcony(White Phosphorous)' references Michael Jackson holding his child over a hotel balcony in2002_the bizarre media spectacle still lodged in Menuck's psyche. This and the album'sclosing track also elegize white phosphorous, a technology of war designed to light upbattlefields but capable of inflicting horrific burns on those it touches...

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We Are The Physics

Are Ok At Music

32,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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Maybe Today, Maybe Tomorrow

We Are The Ocean

LP | 2022 | EU | Original (Hassle)

LP | 2024 | UK | Original (Nature Sounds)

Release: 2022 / EU – Original

Genre: Rock & Indie

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We Are The Ocean's third album 'Maybe Today, Maybe Tomorrow', pressed on vinyl for the first time in celebration of the 10th anniversary of its original release.Limited opaque cream pressing.

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We Are Scorpio

CD | 2024 | UK | Original (Nature Sounds)

Release: 2024 / UK – Original

Genre: Rock & Indie

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"The contributions Black women have made to the growth of rock & roll cannot be overstated, from the genre’s beginnings to the present day. Embracing this legacy, world renowned poet jessica Care moore and prolific performer Steffanie Christi’an have joined forces to form We Are Scorpio, an explosive new project blending rock & roll with poetry. A leading voice of her generation, moore has performed on stages across the globe, written acclaimed books and plays, and recorded her poetry with artists like Common, Nas, Jeezy, Karriem Riggins, Jeff Mills, Roy Ayers, Jose James, and more. Her latest foray into music is We Are Scorpio, a unique take on modern rock sparked by chemistry with fellow Detroit native Christi’an and encapsulating an undeniable Black femme punk energy. Joining a long line of Detroit artists who spoke truth with force across genre and gendered borders, the duo is now unveiling its self-titled debut album. With unapologetic vocals and rapid-fire poetics occupying the same space as head-banging guitar riffs, the collection features appearances by talented artists like Talib Kweli, Sada Baby, Divinity Roxx, Niko Is, and Militia Vox. Expansive but intimate, We Are Scorpio delves into parts unknown with fiery purpose."

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Picture
Coming Soon

We Are Scorpio

16,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Lobes Curacao Transparent Vinyl Edition

LP | 2023 | EU | Original (Grönland)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Lobes Cathode Blue Vinyl Edition

LP | 2023 | UK | Original (100%)

Release: 2023 / UK – Original

Genre: Rock & Indie

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LP | 2023 | UK | Original (100%)

Lobes

21,59 €* 26,99 € -20%

Release: 2023 / UK – Original

Genre: Rock & Indie

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Huffy Solid Yellow Vinyl Edition

LP | 2021 | EU | Original (Grönland)

22,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Picture
Coming Soon

2LP | 2008 | EU | Reissue (Proper)

Brain Thrust Mastery

46,99 €*

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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LP | 2024 | EU | Original (Proper)

Brain Thrust Mastery

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2019 | NL | Original (Elektrohasch)

We Are Here Now

Chikipunks Years

23,39 €* 25,99 € -10%

Release: 2019 / NL – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Munster)

We All Together

Volumen II

Even Up The Score White Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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HIGHLIGHTS:First time vinyl reissue of the second album (originally released in 1973) by one of the epoch-making groups in the history of Peruvian rock: We All Together. Their original compositions -all sung in English- betray their passion for McCartney, taking Beatle centrism to new heights in South America. While the Uruguayan Los Shakers could remind us of the first phase of the Fab 4, We All Together is like their seventies version. Amazing compositions, with nods to prog rock and the twilight imprint of singer-songwriters living the end of the hippy dream, that show both diversity and a defined identity. A must for any '70s rock collector. DETAILS:Between 1967 and 1974 Saúl and Manuel Cornejo led a series of epoch-making groups on the MAG label (New Juggler Sound, Laghonia and We All Together) in the history of Peruvian rock. All these bands were directly influenced by the British invasion and used new sounds from Hammond, phase shifters, synthesizers and tapes played backwards, which stimulated rivalry with other groups. Another hallmark of the brothers was the technical quality of their records, thanks to Saul's supervision of all MAG recordings between 1972 and 1974. At the end of 1971, when Laghonia was working on the last tracks of "Etcétera", they met Manuel Antonio Guerrero's (MAG) son, Carlos, who had just got back from the USA, and gladly joined in the choruses of the last songs Laghonia was recording. They met up again soon after to rehearse some of Paul McCartney's songs. As soon as he heard them play, Guerrero Senior urged them to form a group focused on cover versions of foreign hits not yet known in Peru. Initially, the Cornejo brothers weren't enthused by a project so different from Laghonia, but ended up accepting as it gave them the opportunity to spend time in the studio. Carlos' melodic voice was another incentive, although they made it clear that the new group, We All Together (WAT), would stick to the mixing desk: "The group isn't into presentations or...

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Wayward Sons

LP | 2021 | EU | Original (Frontiers)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (K&F)

Wayne Graham

Ish

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2024 | Original (Hickman Holler - Thirt)

Wayne Graham

Bastion

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2013 | US | Reissue (Second Nature)

Waxwing

One For The Ride

LP | 1999 | US | Original (Second Nature)

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Clear Blue/Opaque Blue vinyl. Still in shrink, but opened, with hype sticker

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Waxwing

For Madmen Only

21,99 €*

Release: 1999 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl close to VG+. Cover with bumped corner. With original inner sleeve

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Tigers Blood Black Vinyl Edition

LP | 2024 | EU | Original (Anti)

Release: 2024 / EU – Original

Genre: Rock & Indie

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One of the hardest working singer-songwriters in the game is named Katie Crutchfield. She was born in Alabama, grew up near Waxahatchee Creek. Skipped town and struck out on her own as Waxahatchee. That was over a decade ago. Crutchfield says she never knew the road would lead her here, but after six critically acclaimed albums, she"s never felt more confident in herself as an artist. While her sound has evolved from lo-fi folk to lush alt-tinged country, her voice has always remained the same. Honest and close, poetic with Southern lilting. Much like Carson McCullers"s Mick Kelly, determined in her desires and convictions, ready to tell whoever will listen. And after years of being sober and stable in Kansas City-after years of sacrificing herself to her work and the road-Crutchfield has arrived at her most potent songwriting yet. On her new album, Tigers Blood, Crutchfield emerges as a powerhouse-an ethnologist of the self-forever dedicated to revisiting her wins and losses But now she"s arriving at revelations and she ain"t holding them back.

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Saint Cloud Black Vinyl Edition

LP | 2020 | US | Original (Merge)

Release: 2020 / US – Original

Genre: Rock & Indie

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What do we hold on to from our past? What must we let go of to truly move forward? Waxahatchee's Katie Crutchfield spent much of 2018 reckoning with these questions and revisiting her roots for answers. The result is Saint Cloud, an intimate journey through the places she's been, filled with the people she's loved. Written immediately in the period following her decision to get sober, the album is an unflinching self-examination. This raw, exposed narrative terrain is aided by a shift in sonic arrangements as well. While her last two records featured the kind of big guitars, well-honed noise, and battering sounds that characterized her Philadelphia scene and strongly influenced a burgeoning new class of singer-songwriters, Saint Cloud strips back those layers to create space for Crutchfield's voice and lyrics. The result is a classic Americana sound with modern touches befitting an artist who has emerged as one of the signature storytellers of her time. Many of the narratives on Saint Cloud concern addiction and the havoc it wreaks on ourselves and our loved ones, as Crutchfield comes to a deeper understanding of love not only for those around her but for herself. This coalesces most clearly on "Fire," which she says was literally written in transit, during a drive over the Mississippi River into West Memphis, and serves as a love song to herself, a paean to moving past shame into a place of unconditional self-acceptance. Over the course of Saint Cloud, which was recorded the summer of 2019 and produced by Brad Cook (Bon Iver), Crutchfield peels back the distortion of electric guitars to create a wider sonic palette than on any previous Waxahatchee album. It is a record filled with nods to classic country, folk-inspired tones, and distinctly modern touches. To bolster her vision, Crutchfield enlisted Bobby Colombo and Bill Lennox, both of the Detroit band Bonny Doon, to serve as backing band on the record, along with Josh Kaufman (Hiss Golden Messenger, Bon Iver) on guitar and keyboards and Nick Kinsey (Kevin Morby) on drums and percussion. Saint Cloud marks the beginning of a journey for Crutchfield, one that sees her leaving behind past vices and the comfortable environs of her Philadelphia scene to head south in search of something new. If on her previous work Crutchfield was out in the storm, she's now firmly in the eye of it, taking stock of her past with a clear perspective and gathering the strength to carry onward.

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LP | 2017 | US | Original (Merge)

Out In The Storm

Release: 2017 / US – Original

Genre: Rock & Indie

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LP | 2015 | US | Original (Merge)

Ivy Tripp

Release: 2015 / US – Original

Genre: Rock & Indie

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Waxahatchee, the solo musical project of Katie Crutchfield, is named after a creek not far from her childhood home in Alabama and seems to represent both where she came from and where she’s going. Ivy Tripp drifts confidently from its predecessors and brings forth a more informed and powerful recognition of where Crutchfield has currently found herself. The lament and grieving for her youth seem to have been replaced with control and sheer self-honesty. “My life has changed a lot in the last two years, and it’s been hard for me to process my feelings other than by writing songs,” says Crutchfield. “I think a running theme [of Ivy Tripp] is steadying yourself on shaky ground and reminding yourself that you have control in situations that seem overwhelming, or just being cognizant in moments of deep confusion or sadness, and learning to really feel emotions and to grow from that.”

Recorded and engineered by Kyle Gilbride of Wherever Audio at Crutchfield’s home on New York’s Long Island—with drums recorded in the gym of a local elementary school—Ivy Tripp presents a more developed and aged version of Waxahatchee. “The title Ivy Tripp is really just a term I made up for directionless-ness, specifically of the 20-something, 30-something, 40-something of today, lacking regard for the complaisant life path of our parents and grandparents. I have thought of it like this: [Waxahatchee’s last album] Cerulean Salt is a solid and Ivy Tripp is a gas.”

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Cerulean Salt Indie Exclusive Cerulean Blue Vinyl Edition

LP | 2024 | US | Original (Don Giovanni)

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2013 | US | Reissue (Don Giovanni)

Cerulean Salt

Release: 2013 / US – Reissue

Genre: Rock & Indie

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American Weekend Red Vinyl Edition

LP | 2012 | US | Reissue (Don Giovanni)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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LP | 2020 | EU | Original (Capture Tracks)

Wax Chattels

Clot White Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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It is universally agreed that New Zealand's Wax Chattels are a must-see live act; their hypnotically sinister debut captured this perfectly. Released in 2018 and supported by relentless touring, the eponymous album reached #7 on the New Zealand Album Charts, and release week saw the title feature as #1 in Rough Trade's Top 20 New Releases. Tastemakers like NPR and A.V. Club came on as early champions. The album's success at home and abroad led to the well-deserved nomination of Best Alternative Artist at the 2018 New Zealand Music Awards, as well as the band's inclusion in the coveted shortlist of finalists for the Taite Music Prize and Auckland Live Best Independent Debut Award. After a knock-out entrée, the anticipation that surrounds their sophomore album, "Clot", is immense. Much like their debut, the writing process for "Clot" took the best part of a year. While some songs were written on the road, the bulk of the album was workshopped throughout 2019 across bedrooms and storage containers. Demos were fine-tuned before recording engineer James Goldsmith (Aldous Harding, Mermaidens) stepped in. The band maintained the use of only the barest of ingredients - bass guitar, keyboard, and a two-piece drum kit - but spent more time experimenting with and finding new sounds. They wanted to maintain the same live element, but, this time, heavier - for which they enlisted the help of mixing engineer, and fellow noise-maker, Ben Greenberg (Uniform, Destruction Unit, The Men). The keyboards are thicker, the bass more intense. A marked step-up, this new record keeps the visceral energy of the debut, only this time they dig deeper into cathartic noise.

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LP | 2017 | US | Original (Ghost Ramp)

You're Welcome

23,99 €*

Release: 2017 / US – Original

Genre: Rock & Indie

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LP | 2009 | US | Original (Fat Possum)

Wavvves

Release: 2009 / US – Original

Genre: Rock & Indie

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incl. download code

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LP | 2010 | US | Original (Fat Possum)

King Of The Beach

32,99 €*

Release: 2010 / US – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Fat Possum)

Hideaway

Release: 2021 / EU – Original

Genre: Rock & Indie

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12" | 2014 | EU | Original (Wolfandlamb Music)

Waves & Us, The

The Waves & Us

9,99 €*

LP | 2023 | US | Original (Run For Cover)

Release: 2014 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Marking the start of an exciting new collaborative project, Wolf + Lamb proudly share the debut release of The Waves & Us. Formed out of a creative meeting of minds between Maayan Nidam, Markus Nikolaus and Louis McGuire, theirs is a sound that strengthens the storied approach of a live band with the experimental thrust of analogue electronics. Pop and rock fundamentals lend an earthly hook to the tracks, but these are anything but straight-forward songs. Maayan has already forged a formidable career in electronic music, both under her own name and as part of Mara Trax, scoring releases on such celebrated labels as Perlon. Markus performs his own solo project Cunt Cunt Chanel, while Louis is part of Ballet School, a band releasing on noted indie label Bella Union. The whirlwind of creativity that has whipped up around the trio has yielded an album which will follow this single, made up of one-take recordings that capture the energy and adventure that powers The Waves & Us. Maayan's electronics provide the atmospheric backdrop to the songs, running modular synthesisers and drum machines through detailed chains of processing and effects with an emphasis on a warm, charmingly rough finish. Markus' guitar undergoes a similar fuzzy treatment while his voice calls out introspective, abstract lyrics to set the mind racing. Louis' bass underpins the music with a dubby sensibility, bringing a necessary balance to the frequency range. Making the most of their in-the-room recording approach, the singles will feature alternative takes of the songs that will appear on the album, providing a little insight into the flutters and fluctuations that shape the development of this project. With their eyes fixed on live performances and an arresting sound already formed, this is a vital time for all three artists and the people that listen to them.

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Waveform*

Antarctica