Indierock | Alternative 12720 Items

Release: 2018 / US – Original

Genre: Rock & Indie

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Tape | 2017 | Original (Zeitstrafe)

Belgrad

Release: 2017 / Original

Genre: Rock & Indie

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LP | 2016 | EU | Original (Rookie)

The Sigourney Weavers

Noir

Release: 2016 / EU – Original

Genre: Rock & Indie

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Saddest Landscape/Pianos Become The Teeth

Split

7" | 2010 | Original (Top Shelf)

Release: 2010 / Original

Genre: Rock & Indie

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Laetitia Sadier & Storefront Church

La Langue Bleue

7" | 2024 | UK | Original (Duophonic Super 45s)

7" | 2017 | EU | Original (Earmusic)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Limited Black vinyl 7”. This is the end credit song to a new AMC show called Monsieur Spade [Queen's Gambit writer / director]. La Langue Bleue is a collaboration between Los Angeles avant-rock outfit Storefront Church, legendary singer of Stereolab Laetitia Sadier, and producer/drummer Henry Kwapis (Dijon, Dominic Fike, Dora Jar). La Langue Bleue was written to be featured in AMC’s Monsieur Spade; a noir set in the 60s on the French countryside spinning off of Dashiell Hammett’s iconic character Sam Spade, now played by Clive Owen. The song, with its surreal lyrics and cinematic tone, references the giants of French film music such as Jean-Claude Vannier, Francois de Roubaix and Michel Legrand.

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Deep Purple

Time For Bedlam

Release: 2017 / EU – Original

Genre: Rock & Indie

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Words Come Back Black Vinyl Edition

Skullcrusher / The Hated

7" | 2024 | US | Original (Numero Group)

10" | 2018 | EU | Original (Juicejunk)

Release: 2024 / US – Original

Genre: Rock & Indie

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Never said it'd be like this, right? Skullcrusher's 21st century rendering of The Hated's 1985 early emo blueprint "Words Come Back" reinvents the song as subtle, ambientfolk music. The flip features two versions of the original, including Dan Littleton's home demo, cut in a maddening double groove, and housed in an elegant black and silver sleeve,with embossed braille lettering for the visually impaired. "This is my way of making a punk song," Skullcrusher'sHelen Ballentine said, "ignoring structure and letting everything just pour out_though quite a bit quieter."

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Ten Times A Million

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Jansen)

Hanne Kolsto

Fare

Release: 2018 / EU – Original

Genre: Rock & Indie

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Tape | 2022 | EU | Original (Grand Jury)

Toledo

How It Ends

Release: 2022 / EU – Original

Genre: Rock & Indie

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Tape | 2022 | EU | Original (Grand Jury)

Jordana

Face The Wall

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Glassnote)

Jade Bird

Different Kinds Of Light

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Glassnote)

Jade Bird

Different Kinds Of Light

Release: 2021 / EU – Original

Genre: Rock & Indie

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Tape | 2019 | EU | Original (Glassnote)

Jade Bird

Release: 2019 / EU – Original

Genre: Rock & Indie

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7" | 2014 | EU | Original (Cleopatra)

KGB

Kgb

Release: 2014 / EU – Original

Genre: Rock & Indie

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Tape | 2018 | EU | Original (Deathwish)

Cult Leader

Patient Man

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Deathwish)

Super Unison

Stella

Release: 2018 / EU – Original

Genre: Rock & Indie

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We Already Lost The World

Birds In Row

Tape | 2018 | EU | Original (Deathwish)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Planes Mistaken For Stars

Prey

Tape | 2016 | EU | Original (Deathwish)

Release: 2016 / EU – Original

Genre: Rock & Indie

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CD | 2018 | DE | Original (Staatsakt)

Chris Imler

Maschinen Und Tiere

Release: 2018 / DE – Original

Genre: Rock & Indie

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CD | 2013 | DE | Original (Staatsakt)

Chuckamuck

Jiles

Release: 2013 / DE – Original

Genre: Rock & Indie

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Reverend Beat-Man And The New Wave

Blues Trash

Tape | 2018 | EU | Reissue (Voodoo Rhythm)

CD | 2019 | EU | Original (Grand Hotel Van Cleef)

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Born in 1967 and former Wrestling Rock'n'Roll One Man Band Activist Lightning Beat-Man (1992-1999) turned into a Primitive Rock'n'Roll Blues Preacher in the Millenium Change and released countless recordings on several labels. 2017 he had a hand full of songs to record this album, the idea was to record it with several musicians and not showing them the songs, they went to the studio and Reverend Beat-Man played the songs on the guitar one time, then they had 2 takes for recording without rehearsal to keep it fresh. Anyway the idea was Free Style and so is that whole Album, the result was a mix of Blues Trash, New Wave Folk and Dark No Wave Garage Punk and Rock'n'Roll. He selected the NEW WAVE from musicians he loved the most at the momentNICOLE IZOBEL GARCIA is From Los Angeles with Mexian roots, a singer that has the gift to connect her voice direct with your heart, she plays an unorthodox organ and plays part of drums and percussion like the devil itself. With her, Reverend Beat-Man plays the most shows as a duet.MARIO BATKOVIC is a classical and kraut avantgarde accordionist. He creates film and game music and has a one man band himself he's a total genius (prodused by Geoff Barrow of Portishead).JULIAN SARTORIUS another Bern original, he's probably one of europs or even worlds most extraordinary drummers these days, he is one of the few drummers that can play his drums as an instrument not just as a machine, he plays a lot of free jazzand improvisation (sophie hunger, colin vallon trio, manuel troller, hans koch, bruno spoerri etc). RESLI BURRI is a legendary Bern musician who has a jam-band together with Mario and Beat-Man - he is a multi instrumentalist who plays in the Dead Brothers, Patent Ochsner , and is a film and circus music writer.

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Thees Uhlmann

Junkies Und Scientologen

Release: 2019 / EU – Original

Genre: Rock & Indie

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7" | 2012 | EU | Reissue (Screaming Crow)

River City Rebels

Headed To Hell

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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LP | 2017 | US | Original (Ever/Never)

Obnox

Murder Radio

12,34 €* 18,99 € -35%

Release: 2017 / US – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Inner Ear)

Jef Maarawi

Terra Papagalli

12,59 €* 20,99 € -40%

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Inner Ear)

Green Was Greener

Introspective

12,59 €* 20,99 € -40%

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Staubgold)

The In-Fuzzed

12,59 €* 20,99 € -40%

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2019 | US | Original (Gold Robot)

Young Hunting

True Believers

12,59 €* 27,99 € -55%

Release: 2019 / US – Original

Genre: Rock & Indie

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Miss Chain & The Broken Heels

Storms Colored Vinyl Edition

LP | 2024 | EU | Original (Wild Honey)

12,59 €* 13,99 € -10%

Tape | 2022 | US | Original (Topshelf)

Release: 2024 / EU – Original

Genre: Rock & Indie

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One of those bands forever in between. Too pop for punks, too punk for pop. Too clean for garage nostalgia, and too weird for Americana. Hard to classify, their sound is a mixture of Sixties Beatles-esque melodies, sunshine-pop atmospheres, punk attitude, country, rhythm and blues, surrounded by dreamy landscapes, folk-revival lyricism and sometimes even bordering on psychedelia. All the records they grew up with, or bought during their travels, are in the cocktail. 'Storms', their brand new full-length record, is a step forward to this brave non-concept concept. A labor of DIY, recorded by their former drummer Brown Barcella and Alessio Lonati, produced and mastered by their best friend Riccardo Zamboni and released on their own Wild Honey Records.

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Mal Devisa

Kiid

Tape | 2022 | EU | Original (The Liquid Label)

Release: 2022 / US – Original

Genre: Rock & Indie

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Mal Devisa is the songwriting, liberation, and poetry project of multifarious artist Deja Carr. Starting in 2014 and breaking through with 2016's Kiid, Mal Devisa's work spans a selfmade spectrum of sound from gravitic, soulful rock to soliloquy to unabashed hip hop. Although known for her unmistakable, smoldering voice and loop-based, bass-forward compositions, Carr's talents also extend to reaches of spoken word and production, paralleled by aspirations to start both a youth foundation and Afrobeat orchestra. Such boundless inspiration is a central facet of Mal Devisa's work, whose sonically and narratively unrestrained passages teem with empathy and liberatory visions for a better world.

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Life

North East Coastal Town

CD | 2017 | EU | Reissue (Heavy Psych Sounds)

Release: 2022 / EU – Original

Genre: Rock & Indie

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LIFE are anchored by their hometown; the geography, history and community has always been the inspiration behind their creativity and on their third LP, North East Coastal Town, the band pay homage to Hull and its folk. North East Coastal Town is mature; it finds the band at the height of their powers as they carve-up a wide-screen, brooding body of work that is drenched in a sense of belonging and reflection but still impressively maintains their trademark swagger and ear for pop sensibilities and guitar hooks."Hull and the surrounding area runs through our DNA and has shaped us, weathered us, empowered us, embraced us and made us feel accepted. North East Coastal Town is our love letter to the city. The album is an ode to kinship and relationship with its musical and lyrical spine picking out themes of love, desire, beauty, horror, chaos, pride and most importantly the sense of belonging. Upon writing and recording this album it was important to us that this sense of belonging was also reflected in the album's craft and therefore we used locally based studios, equipment, gear, and the community around us to establish what it means to belong in a North East Coastal Town."When the pandemic gripped the world in March 2020, LIFE were in the midst of promoting their acclaimed second album - A Picture Of Good Health (Sept 2019); they had just completed an arena support tour with Kaiser Chiefs in the UK, a triumphant main stage appearance at Rockaway Beach and flown to New York for New Colossus Festival ahead of a packed SXSW and a US tour with IDLES. They scrambled home on the last plane back from New York on 17th March.The album was BBC 6 Music's Album Of The Day, BBC Radio 1's Album Of The Weekend and was one of BBC 6Music's Albums of The Year; all four singles from the album were play-listed at 6Music, and the band were nominated for two AIM Awards 2020 - Best Live Act and Best (Difficult) Second Album and they played major UK festivals including Glastonbury, Latitude, Reading Festiva...

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Acid Mammoth

12" | 2021 | EU | Original (Cresus)

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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“Acid Mammoth” was recorded late 2016 – early 2017 at Descent Studio while drums were recorded at Wudsound Studio. The album was initially released digitally in October 2017 via Bandcamp and introduced us to the beloved Doom scene. This album has a really special place in our hearts because it represents the birth of Acid Mammoth. It is our coming together and it bears the enthusiasm of our first ever recording. More raw and more monolithic in its essence than the albums that followed, “Acid Mammoth” is a doom metal album with lots of heart and tremendous excitement. Three years after its initial release, the time has come for its physical release in both vinyl and CD by Heavy Psych Sounds Records, with a killer new artwork by Branca Studio.

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Emilee

The Extra Ordinary

Wait For Her / The Marshmallow Theme

Release: 2021 / EU – Original

Genre: Rock & Indie

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'The Extra Ordinary' EP is the debut release from London based musician, composer, producer and singer Emilee. Also known as Moggli, Emilee boasts a vast back catalogue collaborating with the likes of Maya Jane Coles, Andrea Oliva, Shlomi Aber and Marc Romboy. This release welcomes five dreamy originals packaged alongside a pairing of club focused remixes courtesy of Maya Jane Coles and Andrade & Sam Clarence.
Maya Jane Coles fully digests the original work before totally revamping 'Rodeo' in a truly unique way as warming rich chords billow around a chugging masterpiece of house rhythms. Andrade & Sam Clarence continue the dreamlike state with Memory Land, once again taking the ethereal voices from Emilee and pairing with a rich, punchy bass line.
DJ support : Carl Craid, Rone, Joris Voorn, Joyce Muniz, Shlomi Aber, Fred P
Remixes Premiere confirmed with: Mixmag - DJ Mag spain and LA- Verzila - Upfront Beats - Moskalus
Premieres wise, Mixmag are running MJC on 25th
Radios : BBC Radio 1 show - MJC remix plays on Friday 15th Jan. Rinse FM - Pat from Slothboogie to play MJC remix on his Rinse FM show Monday. 11th Jan.
Good reviews: DJ Mag Spain supported with a news piece: https://djmag.es/the-extra-ordinary-es-el-ep-debut-de-la-productora-londinense-emilee/
Upfrontbeats supported with a review:https://upfrontbeats.com/track/emilee-the-extra-ordinary-remixes-ft-maya-jane-coles-andrade-sam-clarence
Dubkiks https://dubiks.com/2021/01/06/emilee-debuts-with-remixes-from-maya-janes-coles-and-andrade-sam-clarence/

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Marshmallow Overcoat

7" | 2019 | US (Hypnotic Bridge)

Release: 2019 / US

Genre: Rock & Indie

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LP | 2018 | EU | Original (Chateau Aero)

Horrid Red

Gold Of Days

Tape | 2024 | EU | Original (Stroom)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Work on the original Gold of Days album was rushed due to various issues, but now it has a proper mix & vinyl edition from the original "tapes". This Gold of Days is slightly different from the cassette & includes an extra track from the same era. Hope you enjoy it.

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Temir Alcy

After The Magic Green Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Temir Alcy (producer Enir Da - Dali Muru & The Polyphonic Swarm and multi-instrumentalist Charles Lmx) is at the junction of spherical textures of acoustic clouds and shapeshifting forms of immersive electronic percussive patterns. By intertwining etherionic atmospheres and organic moods to magnetic and hypnotic rhythms, Temir Alcy explores the mysteries of the future and the unknown through a journey of sensory trance, where whispers and melodies of voices strike a vivid contrast between emotions’ fragility and sound’s solidity enhanced by a downtempo, leftfield and erratic kraut’s feel.

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Parannoul

Tape | 2024 | US | Original (Topshelf)

LP | 2018 | EU | Original (Crunchy Frog)

Release: 2024 / US – Original

Genre: Rock & Indie

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A sprawling patchwork of the artist’s dreams and fears, Parannoul’s third album After the Magic explores the enigmatic solo artist’s life in the wake of his second album’s overnight success.

Expanding on the shoegaze-shaded emo that made Parannoul’s To See the Next Part of the Dream so beloved by lo-fi and indie rock fans alike, After the Magic sees the anonymous auteur striving to write a follow-up as worthy of acclaim as the last.

Across the album’s ten songs, Parannoul plunges yet deeper into his diverse pool of influences, coming back to the surface with a record that captures and extends the magic of its predecessor. Unexpected flashes of orchestral ambient and glitched-out electronica meld seamlessly with Parannoul’s signature passages of noisy, distortion-laden shoegaze, offering a real time glimpse into the maturation of one of indie rock’s most exciting artists.

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The Malpractice

Slur Black Vinyl Edition

Release: 2018 / EU – Original

Genre: Rock & Indie

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Antony / I Don't Want To Be Alone

Twin River

7" | 2013 | EU | Original (Light Organ)

Release: 2013 / EU – Original

Genre: Rock & Indie

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Private Lives, English Roads

Shilohs

7" | 2012 | EU | Original (Light Organ)

Release: 2012 / EU – Original

Genre: Rock & Indie

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7" | 2012 | EU | Original (Light Organ)

Twin River

Rough Gold

Release: 2012 / EU – Original

Genre: Rock & Indie

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7" | 2012 | EU | Original (Light Organ)

Louise Burns

Singles

Release: 2012 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Xtra Mile)

Skinny Lister

A Matter Of Life & Love

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU (Wild Honey)

Goodnight Loving

Arcobaleno

12,79 €* 15,99 € -20%

Tape | 2022 | EU | Original (Feel It)

Release: 2022 / EU

Genre: Rock & Indie

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The one-sided silk-screened 12" EP. Limited to 500 (250 grey silkscreen, 250 blue silkscreen)

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Class

But Who's Reading Me?

Release: 2022 / EU – Original

Genre: Rock & Indie

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Tape | 2022 | EU | Original (Feel It)

Choncy

Community Chest

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2016 | EU | Original (Startracks)

Rome Is Not A Town

Careful Like You Cared

Release: 2016 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU (Tornado Ride)

Dennis Most

I'm Not Dead Yet!

LP | 2022 | EU (Tornado Ride)

Release: 2022 / EU

Genre: Rock & Indie

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Dennis Most is a singer, songwriter, producer and arranger of a hybrid of punky-garagy-psychedelic-hard rock with hooks you can remember. 2008 album, limited to 300 copies on Tornado Ride Records.

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Dennis Most

Indianaroadkillarama

LP | 2022 | UK | Original (Ponyphone/Recordjet)

Release: 2022 / EU

Genre: Rock & Indie

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Dennis Most, the underground legend together with Tornado Ride Records, delivers this desperate vocals-slashing guitars-pounding bass/drums album… throw in some melody here and there and what you have is a record that will rip you up. Limited to 300 copies.

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The Careless Responders

Escapism:Underrated

Release: 2022 / UK – Original

Genre: Rock & Indie

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Tape | 2022 | EU | Original (Teleskop)

Oh No Noh

Kanzi

Cass Mccombs & Weak Signal

Release: 2022 / EU – Original

Genre: Rock & Indie

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Finding beauty, where one wouldn’t suspect it in the first place. Discovering music, where there used to be only sound a moment before. Forming an orchestra out of everyday surroundings, the main thing out of the incidental, the fulfilling momentary situation out of the profane togetherness. All of this is part of the goal, meaning and sense of Oh No Noh, the project of Leipzig based guitarist, robot programmer, magnetic tape crumpler and composer Markus Rom. All of this floats and shines through "Kanzi", the second Oh No Noh album to be released on November 18th, 2022.

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Vacation From Thought / Give It Back

7" | 2022 | US | Original (Wharf Cat)

7" | 2022 | EU | Original (Rebel Music)

Release: 2022 / US – Original

Genre: Rock & Indie

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The Vacation from Thought b/w Give it Back 7" is the first newmusic from Cass McCombs following the August release of hisnew LP Heartmind (ANTI-), and the first Weak Signal release following their album War And War (Colonel Records) earlier this year. Recorded to tape with few overdubs by Philip Weinrobe (Adrienne Lenker, Florist) and mastered by Carl Saff, the record achieves a warm, hard-hitting sound that is perfectly suited to the 45 RPM 7" format. Advance single, "Vacation from Thought" written and sung by McCombs, features a driving motorik drum beat from Tran, ripping guitar figures from legend, Mike Bones, and precision backing vocals and bass work from Sasha Vine who keeps pace with Cass as they take the listener on a trip to witness yet unseen birds, primordial "red-clay mud" and much more. The B-Side is the Weak Signal written, and Mike Bones sung "Give It Back," a devotional love song with a scorching guitar riff that will get stuck in your head for days. As with the best 45s, the Vacation from Thought b/w Give it Back 7" is truly a "Double A-Side."

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Crazy Teds,The

Teddy Boy Rock 'N' Roll

Release: 2022 / EU – Original

Genre: Rock & Indie

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7" | 2022 | EU | Original (Rebel Music)

King Drapes

Rebel Girl

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Sireena)

The Electric Family

Terra Circus

Release: 2017 / EU – Original

Genre: Rock & Indie

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Rolling Blackouts Coastlal Fever

Dsideways To New Italy Demos

12" | 2022 | US | Original (Sub Pop)

CD | 2022 | US | Original (Mom's Basement)

Release: 2022 / US – Original

Genre: Rock & Indie

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4 track EP of Demos of tracks that ended up on RBCF's 2020 album "Sideways To New Italy". Previously available exclusively at the chain of Rough Trade shops.

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Practice Run

First Draft

CD | 2022 | US | Original (Mom's Basement)

Release: 2022 / US – Original

Genre: Rock & Indie

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The Practice Run is a fun new Mom’s Basement Records super group that features members of The Putz, Covert Flops, Ghost Party and Horror Section. The Practice Run takes influence from all of the great Lookout Records bands so you can expect a great time with this one.

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Avem

Three Birds Stoned

Dead Letters White Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Look no further than the forest and wetlands of southern Ontario to find Avem. A bubblegum punk rock band with songs about birds and human lived experiences as told through the perspective of birds. The subject matter may seem as crazy as a loon, but their infectious sound will have you bopping along instantly.

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Aqualung

LP | 2022 | EU | Original (Okey-Donkey)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Tape | 2022 | EU | Original (Twintoe)

Ryskinder

Rak Lhitim

Release: 2022 / EU – Original

Genre: Rock & Indie

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Holzpunk EP Blue Vinyl Edition

Rockformation Diskokugel

7" | 2022 | EU | Original (Ata Tak)

Release: 2022 / EU – Original

Genre: Rock & Indie

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7" | 2022 | EU | Original (Domino)

Sorry

Let The Lights On

Release: 2022 / EU – Original

Genre: Rock & Indie

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Tape | 2022 | UK | Original (Too)

The Driver Era

Summer Mixtape

Tape | 2022 | US | Original (Jagjaguwar)

Release: 2022 / UK – Original

Genre: Rock & Indie

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For The Driver Era, music can't and shouldn't be forced. The band, formed by brothers Ross and Rocky Lynch in 2018 while on tour with their former group R5, aims to embrace the present moment, creating songs that reflect each experience and feeling as it comes.

It's a philosophy that pervades all of the duo's releases, from their debut Summer Mixtape (expected to release later this summer) features the band's two new tracks - the Rolling Stone- backed 'Keep Moving Forward' and lead single 'Malibu', inspired by summertime escapism.

In between polishing off the new songs and hitting the road, Ross is also a critically acclaimed actor (he drew rave reviews for his title role in the serial killer biopic My Friend Dahmer and recently starred in Netflix's The Chilling Adventures of Sabrina).

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Okay Kaya

Sap

7" | 2022 | EU | Original (Mr. Mellow's Music)

Release: 2022 / US – Original

Genre: Rock & Indie

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"Even my subconscious is self-conscious," Okay Kaya sings on "Inside Of A Plum", giving us a sense of the mental state she entered while making SAP, an album she wrote, performed, engineered, and produced alone, sometimes spending weeks at a time without social interaction. This is a concept album about consciousness in which Okay Kaya focuses her trademark combination of abstraction and wit on what happens to her mind unaccompanied, on her tendency to feel less like a human and more like the sticky secretion of a tree. After releasing her Spellemann Award winning album Watch This Liquid Pour Itself in January of 2020, Kaya left her home in New York and moved to Europe to create and show her various interdisciplinary exhibitions. Among others, she made an installation that amplified music made underwater and an interactive sculpture based on Jungian sandplay therapy for children. Between her exhibits, Kaya recorded through lockdowns by herself in the loaned studios of generous friends. SAP first grew from the first single "Spinal Tap" about Kaya wandering in Berlin, tree-touching. "Sap reminds me of the bodily functions I need to remember to do, like sleep. One might say it `resinates.'" The album was further inspired by Ketamine Therapy which is discussed in "The Inside Of A Plum." Kaya explains, "The doctor said this treatment grows literal physical branches in your brain." As she experimented with ego death, the subject of her song "Jazzercise", Kaya found herself writing in the voices of fictional characters she'd encountered in other people's stories. In `Jolene From Her Own Perspective,' she imagines Dolly Parton's nemesis responding to her song. In `Origin Story,' Kaya writes as a mythical goddess frustrated with her creation myth. In `I've Spent Forever Planning A Crisis,' Kaya responds to Cassavetes' film A Woman Under The Influence writing from the perspective of the story's children. Okay Kaya's investigations of mind-body come along with sexy dance beats, unpredictable interlocking synths, delicate soft guitars, and close-to-the-mike R&B whispering. But Kaya likes her falsettos cracking and her soul-inspired hooks careening wildly, a beautiful chaos that somehow fits together. When she returned to New York, Kaya was excited to collaborate again, to get friends to "bless the record." She invited friends to Gaia Studios in Greenpoint, Brooklyn to sing or play an instrument. Most songs on the album unfold with guest performances from artists as varied as deem spencer, Taja Cheek of L'Rain and Adam Green of The Moldy Peaches. Just as the recording process began with isolation and ended with friends, SAP starts with the internal and leads outside to romance, to lovers who serve as funhouse mirrors, reflecting Kaya back to herself from different angles. In "Pearl Gurl" Kaya harmonizes with her multi-tracked second self and sings her uncertain conclusion: "If love is not the answer, it's one hell of a question."

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The Chesterfields

Our Songbird Has Gone

Release: 2022 / EU – Original

Genre: Rock & Indie

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7" | 2022 | US | Original (Chunklet)

Germ House

Germ House EP

LP | 2022 | EU | Original (Improved Sequence)

Release: 2022 / US – Original

Genre: Rock & Indie

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After his Chunklet debut lathe single sold out in the blink of an eye, one man pop powerhouse Justin Hubbard is back with five more confoundingly brilliant jams. To those taking notes of such things, Germ House came to our attention after a devoted Chunklet fan turned us onto Justin's frenetic fuzz. And lemme tell ya, Germ House doesn't disappoint. Jam packed with hooks and melody that just won't quit!

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Angelicus

Approach

Tape | 2022 | US | Original (Topshelf)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Dirk Dresselhaus (Die Angel, Schneider TM), John Duncan, Ilpo Väisänen (Die Angel, Pan Sonic), Zappi (Faust) LP + CD released by Improved Sequence. Strange attractors. Zappi's subtle tribal rhythms. Powerdrone electronics by Dresselhaus and Väisänen. Duncan's lyrics and vocals. Sublime and daunting. Tanzcandid stumbling wobbling shuffling muddling wallowing careening blundering toppling faltering unravelling bungling entangled snarling blustering bullying wrecking butchering mangling.

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Supernowhere

Skinless Takes A Flight

Tape | 2022 | US | Original (Secretly Canadian)

Release: 2022 / US – Original

Genre: Rock & Indie

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The majority of the nine slithery songs that comprise supernowhere’s Skinless Takes A Flight were originally cuts that didn’t make their debut Gestalt. But after collectively moving across the country from Burlington, VT to Seattle, WA, the scrapped tracks transformed substantially into florid, at times entrancing compositions. The pulsating “Circles” opens the album with lilted reflections on empathy, breathing in midtempo syncopation with subdued guitar tip-toeing around melodic drumming. supernowhere’s cast of Meredith Davey (bass, vocals), Kurt Pacing (guitar, vocals), and Matt Anderson (drums) share a collective ambition for maximum interplay and collaborative writing, materializing cleanly knotted compositions that evoke vivid dreamscapes and the profound epiphanies drawn from them (“The Hand”, “Ecdysis”). On upbeat “Dirty Tangle” Davey’s voice glides through Pacing’s angular arpeggiations, carving her own rhythmic lane with her distinctive, descanting singing style. "Skinless Takes A Flight" notably would not have come to fruition without the help of engineer Dylan Hanwright (mix. Gulfer, mem. Great Grandpa, I Kill Giants), whom the band met shortly after relocating to Seattle. Hanwright offered up the studio where the album was recorded as a temporary rehearsal and writing space during the pandemic, which in turn gave him intimate familiarity with the music, resulting in an album that was recorded as intimately as it was written. Hanwright helped make the little moments shine too, as heard in the fleeting vocal harmonies on "Augury", or the spiraling chaos in "Basement Window," a further testament to the collaborative, everyone’s-input-matters nature that characterizes supernowhere’s dizzying yet meditative sophomore record.

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Whitney

Spark

7" | 2022 | EU (Improved Sequence)

Release: 2022 / US – Original

Genre: Rock & Indie

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Julien Ehrlich and Max Kakacek could hear the staggering differences in the songs they were writing for their third album as Whitney, Spark _ the buoyant drum loops, the effortless falsetto hooks, the coruscant keyboard lines. They suddenly sounded like a band reimagined, their once-ramshackle folk-pop now brimming with unprecedented gusto and sheen. But could they see it, too? So in the ad hoc studio the Chicago duo built in the living room of their rented Portland bungalow, a shared 2020 escape hatch amid breakups and lockdowns, Julien and Max decided to find out. Somewhere between midnight and dawn every night, their brains refracted by the late hour and light psychedelics, they'd play their latest creations while a hardware store disco ball spun overhead and slowed-down music videos from megastars spooled silently on YouTube. Did their own pop songs _ so much more immediate and modern than their hazy origins _ fit such big-budget reels? "We'd come to the conclusion we weren't going to be filming Super 8 videos to this stuff anymore," Julien remembers with a grin. "How about something more hi-fi, cinematic?" When the footage and the tunes linked, Julien and Max knew they had done it, that they'd finally found Whitney's sound. Spark reintroduces Whitney as a contemporary syndicate of classic pop, its dozen imaginative and endearing tracks wrapping fetching melodies around paisley-print Dilla beats and luxuriant electronics. What's more, Whitney reduces three years of extreme emotional highs and lows into 38 brisk but deep minutes, each of these 12 tracks a singable lesson in what it is they (and, really, we) have all survived. The recalcitrant ennui of opener "nothing REMAINS," the devastating loss of "TERMINAL," the sun-streaked renewal of "real Love": However surprising it may sound, Spark is less a radical reinvention for Whitney than an honest accounting of how it feels when you move out of your past and into your present, when you take the next steps of your lives and careers at once and without apology. Spark maintains the warmth and ease of Whitney's early work; these songs glow with the newness of now. Listen closely, and you'll notice frequent references to smoke and fire throughout Spark, itself a double entendre for inspiring something new or burning down the old. Max and Julien were indeed in Portland for the Fall of 2020, when smoke from nearby fires choked the city at record levels. It was terrifying and tragic, but they pressed on. "We found a way to live while the world was burning/Real life was caving in," Julien sings almost merrily during "back THEN," an anthem for finding out what's on the other side of hardship. In these dire days, scientists speak increasingly of serotiny, an evolutionary miracle that causes some trees to release seeds only amid a season of fire. That is how Spark often feels _ Whitney's circumstances were so fraught on so many levels that they hung "the past_out to dry" and began again, finding a fresh version of themselves, their relationship, and their band after the blaze. Max and Julien are back in Chicago now, sharing a cozy walkup with a little studio, where they're already building songs for the next Whitney album. They're both in happy romances, too. Now that they let the past burn, everything is new for Max and Julien. Spark is not only Whitney's best album; it is an inspiring testament to perseverance and renewal, to best friends trusting each another enough to carry one another to the other side of this season of woe.

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Blurt

Uzi

Release: 2022 / EU

Genre: Rock & Indie

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CD | 2022 | EU | Original (Epictronic)

Riiver Brukes

Reformed Soul

Release: 2022 / EU – Original

Genre: Rock & Indie

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CD | 2022 | EU | Original (Wormholedeath)

Blinded By Hope

We Are

Release: 2022 / EU – Original

Genre: Rock & Indie

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7" | 2022 | EU | Original (Optic Nerve)

East Village

Back Between Places

Tape | 2022 | US | Original (Sub Pop)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Originally released on the Sub Aqua label in 1988. It appears here on 7” for the first time. This is a previously unreleased version of Back Between Places. The band were never really happy with the original single release and having discovered the master tape of a superior version, it is to be mixed and released here for the very first time.

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Kiwi Jr.

Chopper

Martin Savage & The Jiggerz

Release: 2022 / US – Original

Genre: Rock & Indie

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Smash cut to Kiwi Jr.'s third album, Chopper, overseen by trusted pilot Dan Boeckner (Wolf Parade, Handsome Furs) on storied Sub Pop Records. Turning nocturnal with necks mock turtle, our Local Kiwi Jr. takes neon flight off the digital cliff - like The Monkees starring in Blade Runner; like Michael Mann directs Encino Man. Ten songs with synth shimmer, zen gongs with yard strimmer. The signs along the highway read "less BAR, More Noir AHEAD." Ah, those late summer, Joe Strummer, Home on the Range Rover Blues. There's a melancholy to all forms of flight, and the view out the Chopper is as hazy as it gets: mission-oriented, both stealth and self-realized. This album is decidedly (yet almost secretly) anti-patio-sunscreen-Beach Boys bachelor cruise sing-a-long. Sure, these songs let a little light through the blinds, but they sting insomnia, corrupt mayors, Kennedy Curses, sex tapes, and deer rifles. Chopper is the bird's eye view of the big event - a real nighttime character of oil stain, film grain, search light, night flight. It is muscular and fragile; loud yet quiet: both an observer and somehow the observed spectacle itself. What was slack in the slacker phase, got tauter, with lacquer glaze. Slick gloss, rightened wrongs; murdered boss, promoted pawns. With Boeckner transmitting high-voltage shocks upon every reach for a familiar instrument, Kiwi Jr. expands the palette with string machine song, synthesizered oblong, and Dentyne Classic Menthol vocals from area soprano Dorothea Paas (US Girls, Badge Epoch Ensemble) like the missing piece all along. Kiwi Jr. brings the Chopper to a new space, demilitarizing the technology just like flasks, aviators, and cargo shorts. Graceful in the air above, but when the Chopper lands, there's chaos on the ground. Kiwi Jr. shout, "Look Out!" When it gets close, it'll blow the hat right off of your head. Hold onto your hats, Babies. Kiwi Jr. is Jeremy Gaudet vocals and guitar, Brian Murphy guitar, Mike Walker bass, Brohan Moore drums, and everybody played a little bit of keyboard.

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Fat City

LP | 2022 | EU | Original (Topsy Turvy)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Tape | 2022 | US | Original (Secretly Canadian)

Stella Donnelly

Flood

7" | 2022 | EU | Original (Emotional Response)

Release: 2022 / US – Original

Genre: Rock & Indie

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Like the many Banded Stilts that spread across the cover of her newest album Flood, Stella Donnelly is wading into uncharted territory. Here, she finds herself discovering who she is as an artist among the flock, and how abundant one individual can be. Flood is Donnelly's record of this rediscovery: the product of months of risky experimentation, hard moments of introspection, and a lot of moving around. Donnelly's early reflections on the relationship between the individual and the many can be traced back to her time in the rainforests of Bellingen, where she took to birdwatching as both a hobby and an escape in a borderrestricted world. By paying closer attention to the natural world around her, Donnelly recalls "I was able to lose that feeling of anyone's reaction to me. I forgot who I was as a musician, which was a humbling experience of just being; being my small self." Reconnecting with this `small self' allowed Donnelly to tap into creative wells she didn't know existed. Soon songs were coming to her in a way she could not control and over the coming months, Donnelly accumulated 43 tracks as she moved out of Bellingen and around the country, often finding herself displaced due to border restrictions and a tough rental market. Though the writing of Flood was an intensely personal undertaking, Donnelly still saw the recording process as one of her most collaborative projects yet. Along with her band members, co-producing the record beside Anna Laverty and Methyl Ethyl's Jake Webb helped to foster an important spontaneity in the studio. With Webb, Donnelly could "dig in" and discover a "forward-leaning sound" she'd been searching for, while Laverty's ability to "capture the piano" and discern the "perfect take" allowed the songwriter to take risks, many of which have clearly paid off. Looking back at the Banded Stilt, Donnelly ultimately appreciates how when "seen in a crowd they create an optical illusion, but on its own it's this singular piece of art." While each song in Flood is a singular artwork unto itself, the collective shares all of Stella Donnelly in abundance: her inner child, her nurturing self, her nightmare self; all of herself has gone into the making of this record, and although it would take an ocean to fathom everything she feels, it's well worth diving in.

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Lande Hekt

Romantic

Ghost Of Love Silver Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Queer introspective, political catchy, guitar-driven indie rock. RIYL The Sundays, Wedding Present, Replacements, Sleeper, Sharon Von Etten.The new 7" features the single, 'Romantic' which is a song about struggling to fit in, feeling down and finding comfort in romance. Connecting with someone because you both feel like you don't belong. "I gravitate towards things that bring me down, I always have, at least I know that now. Never forward, I thought all I had was the past. I used to think each birthday would be my last." "I sat inside on the brightest, warmest days. Everything I loved would always run away. Misery taught me everything I knew and then there was you." The B-Side is a cover of the Wedding Present song 'Octopussy" from their 1991 album Seamonsters. David Gedge himself said about the cover "Thanks... nice. Always interesting to hear different interpretations!" "God knows I've always had to fear the worst, but not that time. You brought me home and then you kissed me first. You were all mine." "A celebration of personal freedom" - DIY Magazine "Hekt's solo debut is part self-interrogation and part community offering, serving up tiny bursts of joy and doubt as refuge for anyone navigating a similar path." - Pitchfork "A first-person directness and grunge-schooled contrasting of melody" - Mojo

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David Lynch

7" | 2022 | US | Original (Sacred Bones)

We've Been Going About This All Wrong

Release: 2022 / US – Original

Genre: Rock & Indie

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"Ghost of Love" is backed with "Imaginary Girl," originally released via CD single in 2006 are now finally seeing their vinyl and digital release for the first time in celebration of Inland Empire's 2022 theatrical re-release. Both are signature cinematic Lynchian classics that feature Lynch on guitar and vocals, accompanied by his long-time collaborator and Sacred Bones staple Dean Hurley on bass. In the late 90's and early aughts, internet video capabilities like Real Video and Quicktime were expanding, proving the early prophecy that `anyone would be able to have their own television channel on the internet' was indeed coming true. After the critical success of Mulholland Drive, director David Lynch doubled down on the medium, funneling virtually all of his time into personally animating, filming, and scoring content for his own internet destination: davidlynch.com. It was fertile and limitless ground for a creative like Lynch, allowing him to return to the days of his experimental film roots, where it was actually possible for him to have his hands on every element of the process. It was out of this newfound digital freedom that the early seeds of Inland Empire were born, evolving and fissuring from an internet-bound experiment itself, into something much more expansive. The film collated a variety of ideas and working methods that the recent web paradigm had nurtured in Lynch, one of which was an increased frequency of his own solo music productions. Having finished constructing his own personal recording studio in 1998, he was no longer tethered to the scheduling and high premiums of rented studio time and was free to accelerate his musical experimentation without constraint. As a direct result of this was a unique shift in Lynch's musical trajectory; a shift that would eventually bear multiple albums and a short film featuring a lounge-crooning monkey. In the first weeks of 2005, Lynch would record a blues instrumental and instead of getting someone else to sing on the song, he would sing, via a formant and pitch-altering piece of equipment known as the Boss Vt-1. It was because of the davidlynch.com animated series "Dumbland" that the director had discovered the device that would enable him to be `any character he needed.' With "Ghost of Love," Lynch was experimenting with bringing those `characters' into his own musical compositions. In true Lynch fashion, it's difficult to know which inspired which: did "Ghost of Love" birth a scene in Inland Empire, or did the film's ideas birth the song? Just as "In Heaven" had served to encapsulate Eraserhead, "Ghost of Love" managed to encapsulate Inland Empire allowing its listener to close their eyes and immediately channel the film's images and mood onto the screen of the mind.

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Sharon Van Etten

Tape | 2022 | US | Original (Jagjaguwar)

Tape | 2021 | US | Original (Fixation Music)

Release: 2022 / US – Original

Genre: Rock & Indie

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Sharon Van Etten has always been the kind of artist who helps people make sense of the world around them, and her sixth album, We've Been Going About This All Wrong, concerns itself with how we feel, mourn, and reclaim our agency when we think the world - or at least, our world - might be falling apart. How do we protect the things most precious to us from destructive forces beyond our control? How do we salvage something worthwhile when it seems all is lost? And if we can't, or we don't, have we loved as well as we could in the meantime? Did we try hard enough? In considering these questions and her own vulnerability in the face of them, Van Etten creates a stunning meditation on how life's changes can be both terrifying and transformative. We've Been Going About This All Wrong articulates the beauty and power that can be rescued from our wreckages. We've Been Going About This All Wrong is as much a reflection on how we manage the ending of metaphorical worlds as we do the ending of actual ones: the twin flames of terror and unrelenting love that light up with motherhood; navigating the demands of partnership when your responsibilities have changed; the loss of center and safety that can come with leaving home; how the ghosts of our past can appear without warning in our present; feeling helpless with the violence and racism in the world; and yes, what it means when a global viral outbreak forces us to relinquish control of the things that have always made us feel so human, and seek new forms of connection to replace them. We've Been Going About This All Wrong is intensely personal, exploring themes like motherhood, love, fear, what we can and can't control, and what it means to be human in a world that is wracked by so much trauma. The track "Home To Me," written about Van Etten's son, uses the trademark "dark drums" of her previous work to invoke the sonic impression of a heartbeat. Synths grow in intensity, evoking the passing of time and the terror of what it means to have your child move inevitably toward independence, wanting to hold on to them tightly enough to protect them forever. In contrast, "Come Back" reflects on the desire to reconnect with a partner. Recalling all the optimism of love felt in its infancy, Van Etten begins with the plain beauty of just her voice and a guitar, building the arrangement alongside the call to "come back" to anyone who has lost their way, be it from another person or from themselves. Hovering between darkness and light, "Born" is an exploration of the self that exists when all other labels - mother, partner, friend - are stripped back. Unlike Van Etten's previous albums, there will be no songs off the album released prior to the record coming out. The ten tracks on We've Been Going About This All Wrong are designed to be listened to in order, all at once, so that a much larger story of hope, loss, longing and resilience can be told. This is, in itself, a subtle act of control, but in sharing these songs it remains an optimistic and generous one. There is darkness here but there is light too, and all of it is held together by Van Etten's uncanny ability to both pierce the hearts of her listeners and make them whole again. Things are not dark, she reminds us, only darkish.

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Robert Ellis Orrall

467 Surf And Gun Club

7" | 2022 | US | Original (K)

Release: 2021 / US – Original

Genre: Rock & Indie

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A return to 80's form, along with his original RCA band (1980-19840), Orrall's 10th album is a love letter to his favorite dive bar, Nahsville's 467 Surf And Gun Club.

'Very sophisticated and relentlessly appealing sunny SoCal folk pop a la Brian Wilson and Van Dyke Parks, the guys who invented it. Fully realized. Absolutely joyful.' - John Hiatt

'Melodic, colorful, emotional. A fun and bubbly trip through our dad's cosmic mind'. - Jeff The Brotherhood

'I've always been inspired by other recording artist's work. Robert Ellis Orrall is a composer who always says something we need to hear. In that way he remains relevant and timeless. His latest offering is no less.' - Michael McDonald

'If there's been a better record to come out of Nashville in the past few years let us know, cause we haven't heard it' - Diarrhea Planet

'reo has proved once again that he's one of the best songwriters in Nashville. This album encapsulates the warm nostalgia of summers spent with friends at 467.' - Daddy Issues

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The Real Distractions

7" | 2021 | ES | Original (El Paso)

Release: 2022 / US – Original

Genre: Rock & Indie

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The Real Distractions love rocknroll. like an old shoebox of orc 45s you would sell your little cousin to get, made new and real by some secret seance of Bo Diddley beats, true touch guitar licks and forever teenage love croons. Its like they cut up a bunch of bomp and kicks magazines, stuck them back together and made a wish to turn them to a real band. a true love's wish and it worked. 4 tracks 45RPM featuring Tobi Vail (Bikini Kill, Frumpies, Spider and the Webs and MODs) as well as scene stalwarts Ricky Meyer (Rik and the Pigs), Peter David Connelly (the mona reels, Bangs, Quayde le Hue) and newcomer KT Ballard. Recorded live on a 1/2" 4- track and mixed byCapt. Tripps Ballsington in Olympia WA. Mastered by Amy Dragon.This release continues the rich tradition of DIY bands crafting instant pop hits entirely on their own terms.

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Jesse-Lee Jackson

Love Him / Rudy Must Die

Release: 2021 / ES – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Damaged Goods)

The Snivelling Shits

Shits Alive!

12,99 €* 19,99 € -35%

The Pale Faced Family On The Hill & Oliver

Release: 2022 / EU – Original

Genre: Rock & Indie

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Brand new live album! A limited-edition BROWN vinyl LP put together by original founding member Pete Makowski and us at Damaged Goods to celebrate the reunion gigs by The Snivelling Shits in late 2018 and 2019.The original Snivelling Shits album 'I Can't Come' was released on Damaged Goods back in 1989 with original frontman Giovanni Dadamo supplying the tapes and helping with the artwork.We started to get to know the other two original Shits, Pete Makowski and Dave Fudger in the 2010's and Pete was very keen to "get the old band back together" as they say...so they commandeered Tom Crossley on vocals, he was in Giovanni's second band, Famous Monsters after the original Shits imploded so he was a perfect replacement, another good friend of Pete's was James Sherry (of Done Lying Down / Toast / Desperate Measures) who took over the drums, and firstly Richard Leeds from Du Bellows and later Moyni from Tom's current band The Phobics on bass duties. After a few rehearsals they did a low-key warm up gig billed as Arthur Comix, then their first proper gig at the Damaged Goods 30th anniversary gigs at The Lexington on the 15th December 2018 supporting Johnny Moped, swiftly followed by another gig at The Pelton Arms in Greenwich on the 16th February 2019. Both gigs were recorded by Lee McFadden and sounded great, so Pete suggested making a live album up to "celebrate" the events. The Shits went on to play a gloriously unhinged and chaotic set in front of a huge crowd at the Opera House at the Rebellion Punk Festival in Blackpool in August 2019. That was the last gig as soon after the pandemic hit and very sadly and tragically, Pete Makowski died in late 2021. We're really proud to have this coming out, albeit a lot later than planned due to the vinyl shortages. It's a fitting tribute to Pete (who oversaw the artwork and tapes) and the band's amazing comeback gigs. It also includes two demos from the original line-up that appeared as a very limited 7" for sale at the Rebellion Festival show in 2019, which sold out...

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The Pale Faced Family On The Hill

12" | 2022 | EU | Original (Line Explorations)

Tape | 2021 | US | Original (Slumberland)

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Recordings of The pale faced family on the hill took place over a week in January 2020 in a small church hall on the outskirts of London. A small number of electronic music producers decided to form a collective and make heavy ambient music for raw pleasure in the agreement that their identity be withheld. They invited Oliver Coates as a session musician to contribute live cello drone which they would then add to, process, subtract from and mix with weather recordings and esoteric ways of generating sounds, including old sample packs and whatever else they had to hand. The results were mixed down to tape live without further editing or arrangement. Wishing to work under a cloak of anonymity, the process freed the producers from their other lives and released output, allowing them to enter a new group alias, to induce heady states of sound and to become a group without hierarchies. All music written and recorded by The pale faced family on the hill & Oliver Coates Mastered by Rafael Anton Irisarri at Black Knoll Studio (nyc) Design by Ideen 2022 Line Explorations

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Kids On A Crime Spree

We Love You So Bad

Tape | 2022 | US | Original (Slumberland)

Release: 2021 / US – Original

Genre: Rock & Indie

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Amazing Spector-ian power pop from this great Oakland group helmed by Mario out of From Bubblegum To Sky/Ciao Bella. Bandmates Bill and Becky add plenty of punky punch, and the tunes are pure hand-clapping, foot-stomping pop perfection. Excellent!

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Artsick

Fingers Crossed

Tragic Tiger's Sad Meltdown

Release: 2022 / US – Original

Genre: Rock & Indie

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Artsick was formed in June 2018 when Christina Riley was feeling "artsick" and writing songs, but missing the inspiration and excitement of collaborating with her old band, Burnt Palms. Christina was soon joined by Mario Hernandez (Kids On A Crime Spree, Ciao Bella) on drums and Donna McKean (Lunchbox, Hard Left) on bass and a band was born. Following up their terrific 2018 7" single they are back with their debut album "Fingers Crossed," a thrilling, compelling and downright fun record that surveys a vast swathe of indie and indiepop history, from DIY progenitors like Dolly Mixture through the punkier side of C86 (think Talulah Gosh, Fat Tulips) to the 90s K Records-centered International Pop Underground and straight through more recent exemplars like Vivian Girls and Colleen Green. Across its 11 songs "Fingers Crossed" is packed with great songs and memorable moments, indelible melodies and heartfelt lyrics. Christina says that she was "always been drawn to fuzzy guitars, melodies with emotion and songs with urgency" and that is readily apparent on every moment of this excellent album.

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Heavenly

Tape | 2022 | UK | Original (Death Is Not The End)

Tape | 2019 | US | Reissue (Tapehead City)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Tragic Tiger's Sad Meltdown is Heavenly aka Tiger Hutchence-Geldof's debut album of sorts, cut from cassette tapes of rehearsals mixed with snippets of field recordings. Recorded with contributions from Nicholas Allbrook (Pond), Scarlett Stevens (San Cisco), India Rose & Jacob Diamond.
"I made this cassette in the living room of our house in Fremantle, a seaside town in Western Australia. I had always been shy to sing with others but moving across the world and my ex-boyfriend Nick had given me some bravery. Something about living closer to nature meant I felt creative and open hearted. It was as if the wide open landscape of Australia had finally given my heart enough space to open properly. The recordings are actually just recordings of our rehearsals, I never feel set in how song is meant to be so they usually just come out of me in the moment. My friends playing along with me are luckily all very empathic players and we found a way to play with one another without any structure or plan. It was really moving to create with so much freedom and understanding. Most of the songs are about my sister Peaches who I lost as a teenager so singing them aloud felt very potent but my band always made me feel held"

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The Advertisers

Ep 1 Live In Nyc

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Tape | 2021 | US | Reissue (Tapehead City)

Groupie

Ephemeral

Release: 2021 / US – Reissue

Genre: Rock & Indie

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Tape | 2021 | US | Reissue (Tapehead City)

Gunk

Gutwar

Release: 2021 / US – Reissue

Genre: Rock & Indie

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Tape | 2021 | US | Reissue (Tapehead City)

Nevva

Fer Sher

Release: 2021 / US – Reissue

Genre: Rock & Indie

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CD | 2021 | UK | Original (Polytechnic Youth)

Lone Bison

Transistor Memory

7" | 2022 | US | Original (Park The Van)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Polytechnic Youth’s enforced, quickfire pre-Christmas release schedule continues apace here with the wonderful debut full length from Lone Bison. As many small labels are discovering just now, one of the only viable alternatives to the current nightmarish world of vinyl pressing, is wandering back into yesteryear and -armed with a call from the PY devotees to ‘just keep getting the music out’- turning to the previously scorned upon compact disc. With ticks alongside the ‘cramming more music onto it’, having it look cool and charging £9.99 tops, we present this fabulous first Lone Bison full length. An incredible 13 track, electronic project for Ramsgate UK based Nick Bonell. Inspired by a love for ‘70s German electronic music and the current golden age of synthesizer based film soundtracks, it’s key theme as Nick says is “Repetition. I just like to lose myself in interlocking arpeggios which transport me away from the stresses of the day job. The tunes came out of me moving increasingly away from guitar and towards using hardware synths like the Korg Ms20, and, having made music as part of a band or a duo- I fancied something solo this time. The album was recreated very quickly, often with single takes and carefully choosing times when the family and neighbours were out!” Hugely recommended to fans of Tangerine Dream / Klaus Schulze or Edgar Froeses’ solo work as well as Cluster and lots on (label favourite) Sky records’ output. Musically, the album is wonderful but the sleeve is pretty neat too; Nick adds “I will be forever grateful for the amazing linocut cover art by Ieuan Edwards aka The Black Gold Press. I originally asked if I could use an existing print, but he insisted on a bespoke piece and chiselled lino all night to turn around the print in 24 hours. Then Jules Bigg (one of the original team behind the launch of Ramsgate Music Hall) did the photography and graphic design, the man is a wizard. I am truly lucky to live in an area where, if you chuck a rock in the air, it will land on an artist or musician. I had pretty much given up on making original music, after the untimely death of my songwriting partner some years ago. However, living in an area where new venues have mushroomed and great gigs are so plentiful, has inspired me to dig out the synths and fx pedals again”. Released in a one time pressing only of 500 with insert cards carrying more of Ieuan and Jules’ work, the album is released by Polytechnic Youth in December.

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Nile Marr

How We Drift

Tape | 2022 | US | Original (Sacred Bones)

Release: 2022 / US – Original

Genre: Rock & Indie

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Nile Marr is the son of former Smiths guitarist and current solo artist Johnny Marr and his wife Angela. He was named for one of his father's musical heroes, Chic's Nile Rodgers.

Marr started out as a solo artist, then as a duo with American singer-songwriter Meredith Sheldon, and then in the trio Man Made, alongside drummer Scott Griffiths and bassist Callum Rogers, with future tour manager for Blossoms, Dan Woolfie, as their sound engineer. They released their debut album TV Broke My Brain in 2016, although its constituent songs were written over a period of eight years.

Marr released a debut solo album in 2020, titled Are You Happy Now? 'Part Time Girl' was released as its first single in 2019. 'Are You Happy Now?' followed in June 2020.

An EP, Still Hearts, was released on 24 April, 2020. 'Still Hearts' was its first single. Aside from the title track, there are two other tracks: 'Hush' and 'The Pusher'.

Marr added acoustic guitar and backing vocals on 7 Worlds Collide's 2009 album The Sun Came Out. He has also appeared on two of his father's albums: on 2013"s The Messenger he plays as a soloist, while on 2014"s Playland he adds backing vocals.

Marr has toured extensively with German film score composer and record producer Hans Zimmer.

His influences include John Martyn, Fugazi and Elliott Smith.

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Boris

CD | 2021 | UK | Original (Polytechnuc Youth)

Release: 2022 / US – Original

Genre: Rock & Indie

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In an effort to sublimate the negative energy surrounding everyone in 2020, legendary Japanese post-rock band Boris focused all of their energy creatively and turned out the most extreme album of their long and widely celebrated career, NO. The band self-released the album, desiring to get it out as quickly as possible but intentionally called the final track on the album "Interlude" with anticipation of a follow-up. The follow-up comes with W the band's debut album for their new label Sacred Bones Records. The record opens with the same melody as "Interlude" in a piece titled "I want to go to the side where you can touch..." and in contrast to the extreme sounds found on NO, this new album whispers into the listener's ear with a trembling hazy sound meant to awaken sensation. On all of W Wata carries the lead vocal duties. In general the styles on the album range from noise to new age, as is typical with one of our generation's most dynamic and adventurous bands, but there is thread of melodic deliberation through each song that successfully accomplishes the band's goal of eliciting deep sensation. Be it through epic sludgey riffs, angelic vocal reverberations or the seduction of their off-kilter percussion, Boris will have you fully under their spell. NO and W weave together to form NOW, a duo of releases that respond to one another. In following their hardest album with this sensuous thundering masterpiece they are creating a continuous circle of harshness and healing, one that seems more relevant now than ever and shows the band operating at an apex of their musical career.

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Prison Of Winners

Vols. I & II