Indierock | Alternative 12435 Items

Release: 2018 / EU – Original

Genre: Rock & Indie

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Planes Mistaken For Stars

Prey

Tape | 2016 | EU | Original (Deathwish)

Release: 2016 / EU – Original

Genre: Rock & Indie

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7" | 2020 | EU | Original (Unique Leader)

Katalepsy

Beast Of Nod

Release: 2020 / EU – Original

Genre: Rock & Indie

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Moths Of What I Want Will Eat Me In My Sleep

Jealous Of The Birds

10" | 2018 | EU | Original (Hand In Hive)

Release: 2018 / EU – Original

Genre: Rock & Indie

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CD | 2011 | DE | Original (Staatsakt)

Zwanie Jonson

I'm A Sunshine

Release: 2011 / DE – Original

Genre: Rock & Indie

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CD | 2018 | DE | Original (Staatsakt)

Chris Imler

Maschinen Und Tiere

Release: 2018 / DE – Original

Genre: Rock & Indie

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CD | 2013 | DE | Original (Staatsakt)

Chuckamuck

Jiles

Release: 2013 / DE – Original

Genre: Rock & Indie

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Reverend Beat-Man And The New Wave

Blues Trash

Tape | 2018 | EU | Reissue (Voodoo Rhythm)

7" | 2012 | EU | Reissue (Screaming Crow)

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Born in 1967 and former Wrestling Rock'n'Roll One Man Band Activist Lightning Beat-Man (1992-1999) turned into a Primitive Rock'n'Roll Blues Preacher in the Millenium Change and released countless recordings on several labels. 2017 he had a hand full of songs to record this album, the idea was to record it with several musicians and not showing them the songs, they went to the studio and Reverend Beat-Man played the songs on the guitar one time, then they had 2 takes for recording without rehearsal to keep it fresh. Anyway the idea was Free Style and so is that whole Album, the result was a mix of Blues Trash, New Wave Folk and Dark No Wave Garage Punk and Rock'n'Roll. He selected the NEW WAVE from musicians he loved the most at the momentNICOLE IZOBEL GARCIA is From Los Angeles with Mexian roots, a singer that has the gift to connect her voice direct with your heart, she plays an unorthodox organ and plays part of drums and percussion like the devil itself. With her, Reverend Beat-Man plays the most shows as a duet.MARIO BATKOVIC is a classical and kraut avantgarde accordionist. He creates film and game music and has a one man band himself he's a total genius (prodused by Geoff Barrow of Portishead).JULIAN SARTORIUS another Bern original, he's probably one of europs or even worlds most extraordinary drummers these days, he is one of the few drummers that can play his drums as an instrument not just as a machine, he plays a lot of free jazzand improvisation (sophie hunger, colin vallon trio, manuel troller, hans koch, bruno spoerri etc). RESLI BURRI is a legendary Bern musician who has a jam-band together with Mario and Beat-Man - he is a multi instrumentalist who plays in the Dead Brothers, Patent Ochsner , and is a film and circus music writer.

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River City Rebels

Headed To Hell

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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Benny Sings & Mac Demarco

Rolled Up Black Vinyl Edition

7" | 2021 | US | Original (Stones Throw)

Release: 2021 / US – Original

Genre: Rock & Indie

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Somewhere / A Place We Call Our Own

Habibi

7" | 2021 | US | Reissue (Kill Rock Stars)

Release: 2021 / US – Reissue

Genre: Rock & Indie

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Outtakes From "Bad Summer"

Cool Original

Tape | 2022 | US | Original (Topshelf)

Tape | 2021 | EU | Original (Sub Pop)

Release: 2022 / US – Original

Genre: Rock & Indie

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Owing to a focused period of growth as a home recordist and producer, there is a distinct, refreshing current that charges outtakes from “bad summer”, the latest full-length album from Philly-via-Portland’s cool original (fka cool american). What under other circumstances might have been a string of homespun indie rock songs is instead an energized pop-focused collection of tracks born from what Nathan Tucker describes as “the contrast between total formlessness and rigid claustrophobia”. As heard almost immediately on album opener “monad, no windows”, an electric atmosphere envelops outtakes from “bad summer”. Pitch-shifted vocal samples and previously-scrapped drum recordings fill out the overture, setting the table for a patchwork of repurposed, resampled ideas shaped into songs that rarely end up in the same place they started. The unhurried and sentimental “i just need a second” boasts the full spectrum of cool original’s songwriting prowess: foregrounded, infectious melody over subtly chopped and screwed drums comprise the foundation for Tucker’s own take on a classic road song—a marked contrast to “breaking my own rules”, an experimental pop number unlike any previous cool original work. Similar contrasts abound throughout outtakes, making for a listening experience that’s equal parts rejuvenating and unpredictable.

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TV Priest

Uppers

Marissa Nadler / Happy Rhodes

Release: 2021 / EU – Original

Genre: Rock & Indie

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It's Tempting To Think That You Have All The Answers, Screaming Your Gospel Every Day With Certainty And Anger. Life Isn't Quite Like That Though, And The Debut Album From London Four-Piece Tv Priest Instead Embraces The Beautiful And Terrifying Unknowns That Exist Personally, Politically, And Culturally. Posing As Many Questions As It Answers, Uppers Is A Thunderous Opening Statement That Continues The Uk's Recent Resurgence Of Grubby, Furious Post-Punk Music. It Says Something Very Different Though - Something Completely Its Own. Four Childhood Friends Who Made Music Together As Teenagers Before Drifting Apart And Then, Somewhat Inevitably, Back Together Late In 2019, Tv Priest Was Borne Out Of A Need To Create Together Once Again, And Brings With It A Wealth Of Experience And Exhaustion Picked Up In The Band's Years Of Pursuing 'Real Life' And 'Real Jobs', Something Those Teenagers Never Had. Last November, The Band - Vocalist Charlie Drinkwater, Guitarist Alex Sprogis, Bass And Keys Player Nic Smith And Drummer Ed Kelland - Played Their First Show, To A Smattering Of Friends In What They Describe As An "Industrial Freezer" In The Warehouse District Of Hackney Wick. "It Was Like The Pub In Peep Show With A Washing Machine Just In The Middle_" Charlie Laughs, Remembering How They Dodged Star Wars Memorabilia And Deep Fat Fryers While Making Their First Statement As A Band. Unsurprisingly, There Isn't A Precedent For Launching A Band During A Global Pandemic, But Among The General Sense Of Anxiety And Unease Pervading Everything At The Moment, Tv Priest's Entrance In April With The Release Of Debut Single "House Of York" - A Searing Examination Of The Monarchy Set Over Wiry Post-Punk And Fronted By A Mark E. Smith-Like Mouthpiece - Served As A Breath Of Fresh Air Among The Chaos, Its Anger And Confusion Making Some Kind Of Twisted Sense To The Nation's Fried Brains. It's The Same Continued Global Sense Of Anxiety That Will Greet The Release Of Uppers, And It's An Album That Has A Lot To Say Rig...

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Where Do I Go Clear Vinyl Edition

7" | 2024 | US | Original (Numero Group)

Release: 2024 / US – Original

Genre: Rock & Indie

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CD | 2022 | EU | Original (Wormholedeath)

Stalker

Release: 2022 / EU – Original

Genre: Rock & Indie

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Tape | 2022 | US | Original (K)

Ghost Bitch

Blood And Honey

Tape | 2022 | US | Original (Keeled Scales)

Release: 2022 / US – Original

Genre: Rock & Indie

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Ghost Bitch, like most suburban-bred "American" girls, has followed the traditional Britney Spears to Rowland S. Howard trajectory. On her 10th birthday, her wish came true when she was given an electric guitar, but she somehow managed not to learn a single chord (by her estimate) for the next 13 years. That did not stop her from beginning to perform in "Olympia, WA" on her own and in the short-lived punk band KZV, and later, Desire Complex, Di.Or. and Babyface Evil. What originally started (Ghost Bitch!) as a solo noise project and an outpouring of grief has slowly transformed into a poetic yet primal force of rock-n-roll while maintaining the touch of an exorcism, of late, a danceable one nonetheless.Ghost Bitch's new album Blood and Honey was recorded in six hours by Capt. Tripps Ballsington at High Command in October 2021. It was written in "Olympia" during the pandemic while long awaiting a move to Naarm ("Melbourne, Australia"). Blood and Honey is brutally romantic and funny the way a Baudelaire poem is funny, reveling in turning things upside down, most of all- beauty, yet this time spoken from the mouth of the razor-sharp, decaying Venus herself.

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Good Looks

Bummer Year

Plays The Music Of The Shining

Release: 2022 / US – Original

Genre: Rock & Indie

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Born and raised in small Texas towns, the members of Good Looks met and began playing together in Austin. Songwriter Tyler Jordan grew up in a South Texas coastal town dominated by the petrochemical industry, his childhood steeped in the tension between nature and industry, exploitation abundantly present and the wealth gap on full display. His father's church, described by Tyler as "cult-like in its intensity," was homebase and where he learned to sing. Tyler eventually met lead guitarist Jake Ames in the late-night song-swap circles of the Kerrville Folk Festival campground (where they would also meet Buck Meek and Adrienne Lenker pre-Big Thief). They shared their mutual love of the Texas hill country canon (Blaze Foley, Townes Van Zandt, and Willie Nelson), a love of cheap diner food, thrift store baseball caps, and a healthy dose of harmless shit-talking. They began playing in bands together, backing up other songwriters and taking turns in the spotlight. They sought out producer Dan Duszynski (Loma, RF Shannon, Jess Williamson) to engineer their debut album. What would form was Good Looks, a blue-collar political indie-rock band with healthy doses of Replacements swagger and shimmering, desert rock riffs not unlike The War On Drugs.

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Deerhoof

7" | 2018 | US | Original (Famous Class)

LP | 2020 | EU | Original (Twintoe)

Release: 2018 / US – Original

Genre: Rock & Indie, Soundtracks

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Stanley Kubrick has a troubled past with Deerhoof. An argument over whether Eyes Wide Shut was good almost broke up the band in 1999 and again in 2003. When Famous Class suggested a 7" of music from The Shining, the band waffled for three years about whether they thought they could do it justice. But once a Halloween release date was proposed, Deerhoof couldn't resist. They got the score to Bartok's "Music For Strings, Percussion and Celesta" out of the library, and transcribed one of the 20s songs straight from the closing credits. Music that in the movie echoed from some ghostly, gilded past takes on a more urgent character in Deerhoof's versions, as if to underscore that the horrors of white supremacy, oligarchy, and domestic abuse are alive and well in 2018 America.

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Nunofyrbeeswax

Stratotoaster

12,74 €* 16,99 € -25%

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2013 | US | Original (Anyway)

Connections

Body Language

12,74 €* 16,99 € -25%

Release: 2013 / US – Original

Genre: Rock & Indie

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LP | 2011 | US | Original (Art Fag)

Colleen Green

Cujo

12,74 €* 16,99 € -25%

Release: 2011 / US – Original

Genre: Rock & Indie

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Do You Believe In The West World

Theatre Of Hate

7" | 2021 | EU | Original (Sniffin' Glue)

12,74 €* 14,99 € -15%

Release: 2021 / EU – Original

Genre: Rock & Indie

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On The Assembly Line Of Heads

Tanning Bats

LP | 2020 | EU | Original (Twintoe)

12,79 €* 15,99 € -20%

Release: 2020 / EU – Original

Genre: Rock & Indie

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Tape | 2022 | EU | Original (Feel It)

Class

But Who's Reading Me?

Release: 2022 / EU – Original

Genre: Rock & Indie

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Tape | 2022 | EU | Original (Feel It)

Choncy

Community Chest

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2016 | EU | Original (Startracks)

Rome Is Not A Town

Careful Like You Cared

Release: 2016 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU (Tornado Ride)

Dennis Most

I'm Not Dead Yet!

LP | 2022 | EU (Tornado Ride)

Release: 2022 / EU

Genre: Rock & Indie

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Dennis Most is a singer, songwriter, producer and arranger of a hybrid of punky-garagy-psychedelic-hard rock with hooks you can remember. 2008 album, limited to 300 copies on Tornado Ride Records.

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Dennis Most

Indianaroadkillarama

LP | 2022 | UK | Original (Ponyphone/Recordjet)

Release: 2022 / EU

Genre: Rock & Indie

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Dennis Most, the underground legend together with Tornado Ride Records, delivers this desperate vocals-slashing guitars-pounding bass/drums album… throw in some melody here and there and what you have is a record that will rip you up. Limited to 300 copies.

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The Careless Responders

Escapism:Underrated

Release: 2022 / UK – Original

Genre: Rock & Indie

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Tape | 2022 | EU | Original (Teleskop)

Oh No Noh

Kanzi

Tape | 2018 | US | Original (Topshelf)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Finding beauty, where one wouldn’t suspect it in the first place. Discovering music, where there used to be only sound a moment before. Forming an orchestra out of everyday surroundings, the main thing out of the incidental, the fulfilling momentary situation out of the profane togetherness. All of this is part of the goal, meaning and sense of Oh No Noh, the project of Leipzig based guitarist, robot programmer, magnetic tape crumpler and composer Markus Rom. All of this floats and shines through "Kanzi", the second Oh No Noh album to be released on November 18th, 2022.

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Toe

Our Latest Number

7" | 2022 | EU | Original (Rebel Music)

Release: 2018 / US – Original

Genre: Rock & Indie

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There's a kinetic energy about anything this band does: a level of care, precision and attention to detail that nearly twenty years into their existence, continues to elevate and set them apart. This four-song offering is no different—from the self-recorded and produced songs down to the design and packaging.

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Crazy Teds,The

Teddy Boy Rock 'N' Roll

Release: 2022 / EU – Original

Genre: Rock & Indie

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7" | 2022 | EU | Original (Rebel Music)

King Drapes

Rebel Girl

Release: 2022 / EU – Original

Genre: Rock & Indie

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Piano Nellie Ep Colored Vinyl Edition

Poe Kats,The

7" | 2020 | EU | Original (El Toro)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Sings Sun Ep Colored Vinyl Edition

Ricky Nelson

7" | 2020 | EU | Original (El Toro)

Release: 2020 / EU – Original

Genre: Rock & Indie

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7" | 2020 | EU | Original (El Toro)

Elvis Presley

Sings Stan Kesler

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Sireena)

The Electric Family

Terra Circus

Release: 2017 / EU – Original

Genre: Rock & Indie

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7" | 2022 | EU | Original (Raw Culture)

Shaknis & Egzotikka

Pries Akis

Rolling Blackouts Coastlal Fever

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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If uncertainty was according to Zygmunt Bauman in 1999 one of the conditions characterizing the post-industrial society this is even more true today. We weren’t sure to return to tell you with sounds our vision of things but in the end here we are. Pries Akis of Shaknis & Egzotikka is a journey in uncertainty, but not the social one, the inner one of relationships and love. It’s a tale of the individualistic vision that feeds on narcissism and super ego to feed itself. Decadence and nostalgic atmospheres but charged with a positive energy imprinted on both sides of a 7″ ready to push you into your introspective leap. A two-track EP, “Pries Akis” by Shaknis & Egzotikka, is a journey in the uncertainty of relationships and love. It’s a tale of the individualistic vision that feeds on narcissism and super-ego to exist. Decadence and nostalgic atmospheres, charged with positive energy, imprinted on both sides of a 7″ ready to push you into your introspective leap. “Pries Akis” / “In Front of Your Eyes” EP was born between two producers from different backgrounds with similar tastes. Electro producer Shaknis inspired the early ideas of the EP using his analog equipment, creating a solid foundation for Egzotikka. A Cold Wave producer, guitarist, and songwriter formed the identity of this new analog post-punkish-sounding EP. 80’s instruments such as classic Roland drums, Polivox, and Fender guitars were used to create the modern Lo-fi sound filled with lyrics about narcissism, toxic relationships, and super-ego driven by a strong belief in a fucked up society. This EP was recorded during the spring of 2022 in London, UK, and Šiauliai, Lithuania.

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Dsideways To New Italy Demos

12" | 2022 | US | Original (Sub Pop)

CD | 2022 | US | Original (Mom's Basement)

Release: 2022 / US – Original

Genre: Rock & Indie

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4 track EP of Demos of tracks that ended up on RBCF's 2020 album "Sideways To New Italy". Previously available exclusively at the chain of Rough Trade shops.

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Practice Run

First Draft

CD | 2022 | US | Original (Mom's Basement)

Release: 2022 / US – Original

Genre: Rock & Indie

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The Practice Run is a fun new Mom’s Basement Records super group that features members of The Putz, Covert Flops, Ghost Party and Horror Section. The Practice Run takes influence from all of the great Lookout Records bands so you can expect a great time with this one.

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Avem

Three Birds Stoned

Dead Letters White Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Look no further than the forest and wetlands of southern Ontario to find Avem. A bubblegum punk rock band with songs about birds and human lived experiences as told through the perspective of birds. The subject matter may seem as crazy as a loon, but their infectious sound will have you bopping along instantly.

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Aqualung

LP | 2022 | EU | Original (Okey-Donkey)

Release: 2022 / EU – Original

Genre: Rock & Indie

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I Believe In Father Christmas

Greg Lake

LP | 2017 | EU | Reissue (BMG Rights Management)

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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Tape | 2022 | EU | Original (Twintoe)

Ryskinder

Rak Lhitim

Release: 2022 / EU – Original

Genre: Rock & Indie

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Holzpunk EP Blue Vinyl Edition

Rockformation Diskokugel

7" | 2022 | EU | Original (Ata Tak)

Release: 2022 / EU – Original

Genre: Rock & Indie

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7" | 2022 | EU | Original (Domino)

Sorry

Let The Lights On

Release: 2022 / EU – Original

Genre: Rock & Indie

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Tape | 2022 | UK | Original (Too)

The Driver Era

Summer Mixtape

Tape | 2022 | US | Original (Jagjaguwar)

Release: 2022 / UK – Original

Genre: Rock & Indie

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For The Driver Era, music can't and shouldn't be forced. The band, formed by brothers Ross and Rocky Lynch in 2018 while on tour with their former group R5, aims to embrace the present moment, creating songs that reflect each experience and feeling as it comes.

It's a philosophy that pervades all of the duo's releases, from their debut Summer Mixtape (expected to release later this summer) features the band's two new tracks - the Rolling Stone- backed 'Keep Moving Forward' and lead single 'Malibu', inspired by summertime escapism.

In between polishing off the new songs and hitting the road, Ross is also a critically acclaimed actor (he drew rave reviews for his title role in the serial killer biopic My Friend Dahmer and recently starred in Netflix's The Chilling Adventures of Sabrina).

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Okay Kaya

Sap

7" | 2022 | EU | Original (Mr. Mellow's Music)

Release: 2022 / US – Original

Genre: Rock & Indie

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"Even my subconscious is self-conscious," Okay Kaya sings on "Inside Of A Plum", giving us a sense of the mental state she entered while making SAP, an album she wrote, performed, engineered, and produced alone, sometimes spending weeks at a time without social interaction. This is a concept album about consciousness in which Okay Kaya focuses her trademark combination of abstraction and wit on what happens to her mind unaccompanied, on her tendency to feel less like a human and more like the sticky secretion of a tree. After releasing her Spellemann Award winning album Watch This Liquid Pour Itself in January of 2020, Kaya left her home in New York and moved to Europe to create and show her various interdisciplinary exhibitions. Among others, she made an installation that amplified music made underwater and an interactive sculpture based on Jungian sandplay therapy for children. Between her exhibits, Kaya recorded through lockdowns by herself in the loaned studios of generous friends. SAP first grew from the first single "Spinal Tap" about Kaya wandering in Berlin, tree-touching. "Sap reminds me of the bodily functions I need to remember to do, like sleep. One might say it `resinates.'" The album was further inspired by Ketamine Therapy which is discussed in "The Inside Of A Plum." Kaya explains, "The doctor said this treatment grows literal physical branches in your brain." As she experimented with ego death, the subject of her song "Jazzercise", Kaya found herself writing in the voices of fictional characters she'd encountered in other people's stories. In `Jolene From Her Own Perspective,' she imagines Dolly Parton's nemesis responding to her song. In `Origin Story,' Kaya writes as a mythical goddess frustrated with her creation myth. In `I've Spent Forever Planning A Crisis,' Kaya responds to Cassavetes' film A Woman Under The Influence writing from the perspective of the story's children. Okay Kaya's investigations of mind-body come along with sexy dance beats, unpredictable interlocking synths, delicate soft guitars, and close-to-the-mike R&B whispering. But Kaya likes her falsettos cracking and her soul-inspired hooks careening wildly, a beautiful chaos that somehow fits together. When she returned to New York, Kaya was excited to collaborate again, to get friends to "bless the record." She invited friends to Gaia Studios in Greenpoint, Brooklyn to sing or play an instrument. Most songs on the album unfold with guest performances from artists as varied as deem spencer, Taja Cheek of L'Rain and Adam Green of The Moldy Peaches. Just as the recording process began with isolation and ended with friends, SAP starts with the internal and leads outside to romance, to lovers who serve as funhouse mirrors, reflecting Kaya back to herself from different angles. In "Pearl Gurl" Kaya harmonizes with her multi-tracked second self and sings her uncertain conclusion: "If love is not the answer, it's one hell of a question."

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The Chesterfields

Our Songbird Has Gone

Release: 2022 / EU – Original

Genre: Rock & Indie

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Sonder White Vinyl Edition

Dermot Kennedy

LP | 2022 | CZ | Original (Island)

Release: 2022 / CZ – Original

Genre: Rock & Indie

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7" | 2022 | US | Original (Chunklet)

Germ House

Germ House EP

LP | 2022 | EU | Original (Improved Sequence)

Release: 2022 / US – Original

Genre: Rock & Indie

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After his Chunklet debut lathe single sold out in the blink of an eye, one man pop powerhouse Justin Hubbard is back with five more confoundingly brilliant jams. To those taking notes of such things, Germ House came to our attention after a devoted Chunklet fan turned us onto Justin's frenetic fuzz. And lemme tell ya, Germ House doesn't disappoint. Jam packed with hooks and melody that just won't quit!

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Angelicus

Approach

Tape | 2022 | US | Original (Topshelf)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Dirk Dresselhaus (Die Angel, Schneider TM), John Duncan, Ilpo Väisänen (Die Angel, Pan Sonic), Zappi (Faust) LP + CD released by Improved Sequence. Strange attractors. Zappi's subtle tribal rhythms. Powerdrone electronics by Dresselhaus and Väisänen. Duncan's lyrics and vocals. Sublime and daunting. Tanzcandid stumbling wobbling shuffling muddling wallowing careening blundering toppling faltering unravelling bungling entangled snarling blustering bullying wrecking butchering mangling.

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Supernowhere

Skinless Takes A Flight

Tape | 2022 | US | Original (Secretly Canadian)

Release: 2022 / US – Original

Genre: Rock & Indie

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The majority of the nine slithery songs that comprise supernowhere’s Skinless Takes A Flight were originally cuts that didn’t make their debut Gestalt. But after collectively moving across the country from Burlington, VT to Seattle, WA, the scrapped tracks transformed substantially into florid, at times entrancing compositions. The pulsating “Circles” opens the album with lilted reflections on empathy, breathing in midtempo syncopation with subdued guitar tip-toeing around melodic drumming. supernowhere’s cast of Meredith Davey (bass, vocals), Kurt Pacing (guitar, vocals), and Matt Anderson (drums) share a collective ambition for maximum interplay and collaborative writing, materializing cleanly knotted compositions that evoke vivid dreamscapes and the profound epiphanies drawn from them (“The Hand”, “Ecdysis”). On upbeat “Dirty Tangle” Davey’s voice glides through Pacing’s angular arpeggiations, carving her own rhythmic lane with her distinctive, descanting singing style. "Skinless Takes A Flight" notably would not have come to fruition without the help of engineer Dylan Hanwright (mix. Gulfer, mem. Great Grandpa, I Kill Giants), whom the band met shortly after relocating to Seattle. Hanwright offered up the studio where the album was recorded as a temporary rehearsal and writing space during the pandemic, which in turn gave him intimate familiarity with the music, resulting in an album that was recorded as intimately as it was written. Hanwright helped make the little moments shine too, as heard in the fleeting vocal harmonies on "Augury", or the spiraling chaos in "Basement Window," a further testament to the collaborative, everyone’s-input-matters nature that characterizes supernowhere’s dizzying yet meditative sophomore record.

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Whitney

Spark

7" | 2022 | EU (Improved Sequence)

Release: 2022 / US – Original

Genre: Rock & Indie

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Julien Ehrlich and Max Kakacek could hear the staggering differences in the songs they were writing for their third album as Whitney, Spark _ the buoyant drum loops, the effortless falsetto hooks, the coruscant keyboard lines. They suddenly sounded like a band reimagined, their once-ramshackle folk-pop now brimming with unprecedented gusto and sheen. But could they see it, too? So in the ad hoc studio the Chicago duo built in the living room of their rented Portland bungalow, a shared 2020 escape hatch amid breakups and lockdowns, Julien and Max decided to find out. Somewhere between midnight and dawn every night, their brains refracted by the late hour and light psychedelics, they'd play their latest creations while a hardware store disco ball spun overhead and slowed-down music videos from megastars spooled silently on YouTube. Did their own pop songs _ so much more immediate and modern than their hazy origins _ fit such big-budget reels? "We'd come to the conclusion we weren't going to be filming Super 8 videos to this stuff anymore," Julien remembers with a grin. "How about something more hi-fi, cinematic?" When the footage and the tunes linked, Julien and Max knew they had done it, that they'd finally found Whitney's sound. Spark reintroduces Whitney as a contemporary syndicate of classic pop, its dozen imaginative and endearing tracks wrapping fetching melodies around paisley-print Dilla beats and luxuriant electronics. What's more, Whitney reduces three years of extreme emotional highs and lows into 38 brisk but deep minutes, each of these 12 tracks a singable lesson in what it is they (and, really, we) have all survived. The recalcitrant ennui of opener "nothing REMAINS," the devastating loss of "TERMINAL," the sun-streaked renewal of "real Love": However surprising it may sound, Spark is less a radical reinvention for Whitney than an honest accounting of how it feels when you move out of your past and into your present, when you take the next steps of your lives and careers at once and without apology. Spark maintains the warmth and ease of Whitney's early work; these songs glow with the newness of now. Listen closely, and you'll notice frequent references to smoke and fire throughout Spark, itself a double entendre for inspiring something new or burning down the old. Max and Julien were indeed in Portland for the Fall of 2020, when smoke from nearby fires choked the city at record levels. It was terrifying and tragic, but they pressed on. "We found a way to live while the world was burning/Real life was caving in," Julien sings almost merrily during "back THEN," an anthem for finding out what's on the other side of hardship. In these dire days, scientists speak increasingly of serotiny, an evolutionary miracle that causes some trees to release seeds only amid a season of fire. That is how Spark often feels _ Whitney's circumstances were so fraught on so many levels that they hung "the past_out to dry" and began again, finding a fresh version of themselves, their relationship, and their band after the blaze. Max and Julien are back in Chicago now, sharing a cozy walkup with a little studio, where they're already building songs for the next Whitney album. They're both in happy romances, too. Now that they let the past burn, everything is new for Max and Julien. Spark is not only Whitney's best album; it is an inspiring testament to perseverance and renewal, to best friends trusting each another enough to carry one another to the other side of this season of woe.

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Blurt

Uzi

Release: 2022 / EU

Genre: Rock & Indie

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CD | 2022 | EU | Original (Epictronic)

Riiver Brukes

Reformed Soul

Release: 2022 / EU – Original

Genre: Rock & Indie

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CD | 2022 | EU | Original (Wormholedeath)

Blinded By Hope

We Are

Release: 2022 / EU – Original

Genre: Rock & Indie

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7" | 2022 | EU | Original (Optic Nerve)

East Village

Back Between Places

Tape | 2022 | US | Original (Sub Pop)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Originally released on the Sub Aqua label in 1988. It appears here on 7” for the first time. This is a previously unreleased version of Back Between Places. The band were never really happy with the original single release and having discovered the master tape of a superior version, it is to be mixed and released here for the very first time.

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Kiwi Jr.

Chopper

Yungblud Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Smash cut to Kiwi Jr.'s third album, Chopper, overseen by trusted pilot Dan Boeckner (Wolf Parade, Handsome Furs) on storied Sub Pop Records. Turning nocturnal with necks mock turtle, our Local Kiwi Jr. takes neon flight off the digital cliff - like The Monkees starring in Blade Runner; like Michael Mann directs Encino Man. Ten songs with synth shimmer, zen gongs with yard strimmer. The signs along the highway read "less BAR, More Noir AHEAD." Ah, those late summer, Joe Strummer, Home on the Range Rover Blues. There's a melancholy to all forms of flight, and the view out the Chopper is as hazy as it gets: mission-oriented, both stealth and self-realized. This album is decidedly (yet almost secretly) anti-patio-sunscreen-Beach Boys bachelor cruise sing-a-long. Sure, these songs let a little light through the blinds, but they sting insomnia, corrupt mayors, Kennedy Curses, sex tapes, and deer rifles. Chopper is the bird's eye view of the big event - a real nighttime character of oil stain, film grain, search light, night flight. It is muscular and fragile; loud yet quiet: both an observer and somehow the observed spectacle itself. What was slack in the slacker phase, got tauter, with lacquer glaze. Slick gloss, rightened wrongs; murdered boss, promoted pawns. With Boeckner transmitting high-voltage shocks upon every reach for a familiar instrument, Kiwi Jr. expands the palette with string machine song, synthesizered oblong, and Dentyne Classic Menthol vocals from area soprano Dorothea Paas (US Girls, Badge Epoch Ensemble) like the missing piece all along. Kiwi Jr. brings the Chopper to a new space, demilitarizing the technology just like flasks, aviators, and cargo shorts. Graceful in the air above, but when the Chopper lands, there's chaos on the ground. Kiwi Jr. shout, "Look Out!" When it gets close, it'll blow the hat right off of your head. Hold onto your hats, Babies. Kiwi Jr. is Jeremy Gaudet vocals and guitar, Brian Murphy guitar, Mike Walker bass, Brohan Moore drums, and everybody played a little bit of keyboard.

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Yungblud

LP | 2022 | DE | Original (Interscope)

Release: 2022 / DE – Original

Genre: Rock & Indie

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Martin Savage & The Jiggerz

Fat City

LP | 2022 | EU | Original (Topsy Turvy)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Tape | 2022 | US | Original (Secretly Canadian)

Stella Donnelly

Flood

7" | 2022 | EU | Original (Emotional Response)

Release: 2022 / US – Original

Genre: Rock & Indie

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Like the many Banded Stilts that spread across the cover of her newest album Flood, Stella Donnelly is wading into uncharted territory. Here, she finds herself discovering who she is as an artist among the flock, and how abundant one individual can be. Flood is Donnelly's record of this rediscovery: the product of months of risky experimentation, hard moments of introspection, and a lot of moving around. Donnelly's early reflections on the relationship between the individual and the many can be traced back to her time in the rainforests of Bellingen, where she took to birdwatching as both a hobby and an escape in a borderrestricted world. By paying closer attention to the natural world around her, Donnelly recalls "I was able to lose that feeling of anyone's reaction to me. I forgot who I was as a musician, which was a humbling experience of just being; being my small self." Reconnecting with this `small self' allowed Donnelly to tap into creative wells she didn't know existed. Soon songs were coming to her in a way she could not control and over the coming months, Donnelly accumulated 43 tracks as she moved out of Bellingen and around the country, often finding herself displaced due to border restrictions and a tough rental market. Though the writing of Flood was an intensely personal undertaking, Donnelly still saw the recording process as one of her most collaborative projects yet. Along with her band members, co-producing the record beside Anna Laverty and Methyl Ethyl's Jake Webb helped to foster an important spontaneity in the studio. With Webb, Donnelly could "dig in" and discover a "forward-leaning sound" she'd been searching for, while Laverty's ability to "capture the piano" and discern the "perfect take" allowed the songwriter to take risks, many of which have clearly paid off. Looking back at the Banded Stilt, Donnelly ultimately appreciates how when "seen in a crowd they create an optical illusion, but on its own it's this singular piece of art." While each song in Flood is a singular artwork unto itself, the collective shares all of Stella Donnelly in abundance: her inner child, her nurturing self, her nightmare self; all of herself has gone into the making of this record, and although it would take an ocean to fathom everything she feels, it's well worth diving in.

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Lande Hekt

Romantic

Ghost Of Love Silver Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Queer introspective, political catchy, guitar-driven indie rock. RIYL The Sundays, Wedding Present, Replacements, Sleeper, Sharon Von Etten.The new 7" features the single, 'Romantic' which is a song about struggling to fit in, feeling down and finding comfort in romance. Connecting with someone because you both feel like you don't belong. "I gravitate towards things that bring me down, I always have, at least I know that now. Never forward, I thought all I had was the past. I used to think each birthday would be my last." "I sat inside on the brightest, warmest days. Everything I loved would always run away. Misery taught me everything I knew and then there was you." The B-Side is a cover of the Wedding Present song 'Octopussy" from their 1991 album Seamonsters. David Gedge himself said about the cover "Thanks... nice. Always interesting to hear different interpretations!" "God knows I've always had to fear the worst, but not that time. You brought me home and then you kissed me first. You were all mine." "A celebration of personal freedom" - DIY Magazine "Hekt's solo debut is part self-interrogation and part community offering, serving up tiny bursts of joy and doubt as refuge for anyone navigating a similar path." - Pitchfork "A first-person directness and grunge-schooled contrasting of melody" - Mojo

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David Lynch

7" | 2022 | US | Original (Sacred Bones)

We've Been Going About This All Wrong

Release: 2022 / US – Original

Genre: Rock & Indie

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"Ghost of Love" is backed with "Imaginary Girl," originally released via CD single in 2006 are now finally seeing their vinyl and digital release for the first time in celebration of Inland Empire's 2022 theatrical re-release. Both are signature cinematic Lynchian classics that feature Lynch on guitar and vocals, accompanied by his long-time collaborator and Sacred Bones staple Dean Hurley on bass. In the late 90's and early aughts, internet video capabilities like Real Video and Quicktime were expanding, proving the early prophecy that `anyone would be able to have their own television channel on the internet' was indeed coming true. After the critical success of Mulholland Drive, director David Lynch doubled down on the medium, funneling virtually all of his time into personally animating, filming, and scoring content for his own internet destination: davidlynch.com. It was fertile and limitless ground for a creative like Lynch, allowing him to return to the days of his experimental film roots, where it was actually possible for him to have his hands on every element of the process. It was out of this newfound digital freedom that the early seeds of Inland Empire were born, evolving and fissuring from an internet-bound experiment itself, into something much more expansive. The film collated a variety of ideas and working methods that the recent web paradigm had nurtured in Lynch, one of which was an increased frequency of his own solo music productions. Having finished constructing his own personal recording studio in 1998, he was no longer tethered to the scheduling and high premiums of rented studio time and was free to accelerate his musical experimentation without constraint. As a direct result of this was a unique shift in Lynch's musical trajectory; a shift that would eventually bear multiple albums and a short film featuring a lounge-crooning monkey. In the first weeks of 2005, Lynch would record a blues instrumental and instead of getting someone else to sing on the song, he would sing, via a formant and pitch-altering piece of equipment known as the Boss Vt-1. It was because of the davidlynch.com animated series "Dumbland" that the director had discovered the device that would enable him to be `any character he needed.' With "Ghost of Love," Lynch was experimenting with bringing those `characters' into his own musical compositions. In true Lynch fashion, it's difficult to know which inspired which: did "Ghost of Love" birth a scene in Inland Empire, or did the film's ideas birth the song? Just as "In Heaven" had served to encapsulate Eraserhead, "Ghost of Love" managed to encapsulate Inland Empire allowing its listener to close their eyes and immediately channel the film's images and mood onto the screen of the mind.

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Sharon Van Etten

Tape | 2022 | US | Original (Jagjaguwar)

Tape | 2022 | US | Original (Jagjaguwar)

Release: 2022 / US – Original

Genre: Rock & Indie

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Sharon Van Etten has always been the kind of artist who helps people make sense of the world around them, and her sixth album, We've Been Going About This All Wrong, concerns itself with how we feel, mourn, and reclaim our agency when we think the world - or at least, our world - might be falling apart. How do we protect the things most precious to us from destructive forces beyond our control? How do we salvage something worthwhile when it seems all is lost? And if we can't, or we don't, have we loved as well as we could in the meantime? Did we try hard enough? In considering these questions and her own vulnerability in the face of them, Van Etten creates a stunning meditation on how life's changes can be both terrifying and transformative. We've Been Going About This All Wrong articulates the beauty and power that can be rescued from our wreckages. We've Been Going About This All Wrong is as much a reflection on how we manage the ending of metaphorical worlds as we do the ending of actual ones: the twin flames of terror and unrelenting love that light up with motherhood; navigating the demands of partnership when your responsibilities have changed; the loss of center and safety that can come with leaving home; how the ghosts of our past can appear without warning in our present; feeling helpless with the violence and racism in the world; and yes, what it means when a global viral outbreak forces us to relinquish control of the things that have always made us feel so human, and seek new forms of connection to replace them. We've Been Going About This All Wrong is intensely personal, exploring themes like motherhood, love, fear, what we can and can't control, and what it means to be human in a world that is wracked by so much trauma. The track "Home To Me," written about Van Etten's son, uses the trademark "dark drums" of her previous work to invoke the sonic impression of a heartbeat. Synths grow in intensity, evoking the passing of time and the terror of what it means to have your child move inevitably toward independence, wanting to hold on to them tightly enough to protect them forever. In contrast, "Come Back" reflects on the desire to reconnect with a partner. Recalling all the optimism of love felt in its infancy, Van Etten begins with the plain beauty of just her voice and a guitar, building the arrangement alongside the call to "come back" to anyone who has lost their way, be it from another person or from themselves. Hovering between darkness and light, "Born" is an exploration of the self that exists when all other labels - mother, partner, friend - are stripped back. Unlike Van Etten's previous albums, there will be no songs off the album released prior to the record coming out. The ten tracks on We've Been Going About This All Wrong are designed to be listened to in order, all at once, so that a much larger story of hope, loss, longing and resilience can be told. This is, in itself, a subtle act of control, but in sharing these songs it remains an optimistic and generous one. There is darkness here but there is light too, and all of it is held together by Van Etten's uncanny ability to both pierce the hearts of her listeners and make them whole again. Things are not dark, she reminds us, only darkish.

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Angel Olsen

Big Time

Tape | 2021 | US | Original (Fixation Music)

Release: 2022 / US – Original

Genre: Rock & Indie

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Fresh grief, like fresh love, has a way of sharpening our vision and bringing on painful clarifications. No matter how temporary we know these states to be, the vulnerability and transformation they demand can overpower the strongest among us. Then there are the rare, fertile moments when both occur, when mourning and limerence heighten, complicate and explain each other; the songs that comprise Angel Olsen's Big Time were forged in such a whiplash. Big Time is an album about the expansive power of new love, but this brightness and optimism is tempered by a profound and layered sense of loss. During Olsen's process of coming to terms with her queerness and confronting the traumas that had been keeping her from fully accepting herself, she felt it was time to come out to her parents, a hurdle she'd been avoiding for some time. "Finally, at the ripe age of 34, I was free to be me," she said. Three days later, her father died and shortly after her mother passed away. The shards of this grief - the shortening of her chance to finally be seen more fully by her parents - are scattered throughout the album. Three weeks after her mother's funeral she was in the studio, recording this incredibly wise and tender new album. Loss has long been a subject of Olsen's elegiac songs, but few can write elegies with quite the reckless energy as she. If that bursting-at-the-seams, running downhill energy has come to seem intractable to her work, this album proves Olsen is now writing from a more rooted place of clarity. She's working with an elastic, expansive mastery of her voice - both sonically and artistically. These are songs not just about transformational mourning, but of finding freedom and joy in the privations as they come.

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Robert Ellis Orrall

467 Surf And Gun Club

7" | 2022 | US | Original (K)

Release: 2021 / US – Original

Genre: Rock & Indie

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A return to 80's form, along with his original RCA band (1980-19840), Orrall's 10th album is a love letter to his favorite dive bar, Nahsville's 467 Surf And Gun Club.

'Very sophisticated and relentlessly appealing sunny SoCal folk pop a la Brian Wilson and Van Dyke Parks, the guys who invented it. Fully realized. Absolutely joyful.' - John Hiatt

'Melodic, colorful, emotional. A fun and bubbly trip through our dad's cosmic mind'. - Jeff The Brotherhood

'I've always been inspired by other recording artist's work. Robert Ellis Orrall is a composer who always says something we need to hear. In that way he remains relevant and timeless. His latest offering is no less.' - Michael McDonald

'If there's been a better record to come out of Nashville in the past few years let us know, cause we haven't heard it' - Diarrhea Planet

'reo has proved once again that he's one of the best songwriters in Nashville. This album encapsulates the warm nostalgia of summers spent with friends at 467.' - Daddy Issues

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The Real Distractions

7" | 2021 | ES | Original (El Paso)

Release: 2022 / US – Original

Genre: Rock & Indie

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The Real Distractions love rocknroll. like an old shoebox of orc 45s you would sell your little cousin to get, made new and real by some secret seance of Bo Diddley beats, true touch guitar licks and forever teenage love croons. Its like they cut up a bunch of bomp and kicks magazines, stuck them back together and made a wish to turn them to a real band. a true love's wish and it worked. 4 tracks 45RPM featuring Tobi Vail (Bikini Kill, Frumpies, Spider and the Webs and MODs) as well as scene stalwarts Ricky Meyer (Rik and the Pigs), Peter David Connelly (the mona reels, Bangs, Quayde le Hue) and newcomer KT Ballard. Recorded live on a 1/2" 4- track and mixed byCapt. Tripps Ballsington in Olympia WA. Mastered by Amy Dragon.This release continues the rich tradition of DIY bands crafting instant pop hits entirely on their own terms.

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Jesse-Lee Jackson

Love Him / Rudy Must Die

Release: 2021 / ES – Original

Genre: Rock & Indie

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Noel Gallagher's High Flying Circus

Magic Secrets #1 Record Store Day 2022 Vinyl Edition

7" | 2022 | UK | Original (Sour Mash)

The Pale Faced Family On The Hill & Oliver

Release: 2022 / UK – Original

Genre: Rock & Indie

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Limited to 2000 copies. This 7” features demos of “We're Gonna Get There In The End” and “Trying To Find A World That’s Been And Gone: Part 1” which were released digitally at short notice as a New Year goodwill message from Noel to the fans for 2021 and 2022 respectively.

A physical release of these tracks has been highly anticipated. These limited edition 7”s are individually numbered and feature exclusive artwork.

"We're Gonna Get There In The End"/"Trying To Find A World That’s Been And Gone: Part 1"

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The Pale Faced Family On The Hill

12" | 2022 | EU | Original (Line Explorations)

Tape | 2021 | US | Original (Slumberland)

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Recordings of The pale faced family on the hill took place over a week in January 2020 in a small church hall on the outskirts of London. A small number of electronic music producers decided to form a collective and make heavy ambient music for raw pleasure in the agreement that their identity be withheld. They invited Oliver Coates as a session musician to contribute live cello drone which they would then add to, process, subtract from and mix with weather recordings and esoteric ways of generating sounds, including old sample packs and whatever else they had to hand. The results were mixed down to tape live without further editing or arrangement. Wishing to work under a cloak of anonymity, the process freed the producers from their other lives and released output, allowing them to enter a new group alias, to induce heady states of sound and to become a group without hierarchies. All music written and recorded by The pale faced family on the hill & Oliver Coates Mastered by Rafael Anton Irisarri at Black Knoll Studio (nyc) Design by Ideen 2022 Line Explorations

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Kids On A Crime Spree

We Love You So Bad

Tape | 2022 | US | Original (Slumberland)

Release: 2021 / US – Original

Genre: Rock & Indie

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Amazing Spector-ian power pop from this great Oakland group helmed by Mario out of From Bubblegum To Sky/Ciao Bella. Bandmates Bill and Becky add plenty of punky punch, and the tunes are pure hand-clapping, foot-stomping pop perfection. Excellent!

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Artsick

Fingers Crossed

Tragic Tiger's Sad Meltdown

Release: 2022 / US – Original

Genre: Rock & Indie

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Artsick was formed in June 2018 when Christina Riley was feeling "artsick" and writing songs, but missing the inspiration and excitement of collaborating with her old band, Burnt Palms. Christina was soon joined by Mario Hernandez (Kids On A Crime Spree, Ciao Bella) on drums and Donna McKean (Lunchbox, Hard Left) on bass and a band was born. Following up their terrific 2018 7" single they are back with their debut album "Fingers Crossed," a thrilling, compelling and downright fun record that surveys a vast swathe of indie and indiepop history, from DIY progenitors like Dolly Mixture through the punkier side of C86 (think Talulah Gosh, Fat Tulips) to the 90s K Records-centered International Pop Underground and straight through more recent exemplars like Vivian Girls and Colleen Green. Across its 11 songs "Fingers Crossed" is packed with great songs and memorable moments, indelible melodies and heartfelt lyrics. Christina says that she was "always been drawn to fuzzy guitars, melodies with emotion and songs with urgency" and that is readily apparent on every moment of this excellent album.

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Heavenly

Tape | 2022 | UK | Original (Death Is Not The End)

Tape | 2022 | US | Original (Secretly Canadian)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Tragic Tiger's Sad Meltdown is Heavenly aka Tiger Hutchence-Geldof's debut album of sorts, cut from cassette tapes of rehearsals mixed with snippets of field recordings. Recorded with contributions from Nicholas Allbrook (Pond), Scarlett Stevens (San Cisco), India Rose & Jacob Diamond.
"I made this cassette in the living room of our house in Fremantle, a seaside town in Western Australia. I had always been shy to sing with others but moving across the world and my ex-boyfriend Nick had given me some bravery. Something about living closer to nature meant I felt creative and open hearted. It was as if the wide open landscape of Australia had finally given my heart enough space to open properly. The recordings are actually just recordings of our rehearsals, I never feel set in how song is meant to be so they usually just come out of me in the moment. My friends playing along with me are luckily all very empathic players and we found a way to play with one another without any structure or plan. It was really moving to create with so much freedom and understanding. Most of the songs are about my sister Peaches who I lost as a teenager so singing them aloud felt very potent but my band always made me feel held"

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Hatchie

Giving The World Away

Tape | 2021 | US | Reissue (Tapehead City)

Release: 2022 / US – Original

Genre: Rock & Indie

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Giving the World Away, the sophomore album from Hatchie, is the truest introduction to the songwriter/bassist at the helm of the project, Harriette Pilbeam. Produced by Jorge Elbrecht, Giving the World Away is Hatchie's most thunderous, sprawling work yet. Featuring input from longtime Hatchie collaborator Joe Agius, it takes the celestial, shimmering shoegaze and pop sensibilities of her earlier releases, but with the volume knob cranked up tenfold. Built out with percussion from Beach House drummer James Barone, it's synthed-out, sonic opulence, a more structured and ornate musicality with traces of `90s trip-hop and acid house influences. Pilbeam initially intended for these songs to go in a higher-energy direction. She had the distinct vision of a Hatchie show turned dance party, inviting more movement and vibrancy into her live shows. But then, between Covid and the lockdowns in Australia, Pilbeam retreated more into herself, and that introspection and self-discovery served as the true inspiration for the record. Again and again across Giving the World Away, she returns to that same theme of dismantling internalized shame and finding gratitude and steadiness, and finally being able to trust herself. Giving the World Away is an album about self-confidence, about the strange time in young adulthood where you begin to finally be able to see yourself clearly. Incisive and probing, Giving the World Away is the clearest look at Pilbeam yet, and a relic of the power and bravery that spring forth from embracing vulnerability and putting your heart on the line.

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Groupie

Ephemeral

Release: 2021 / US – Reissue

Genre: Rock & Indie

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Tape | 2021 | US | Reissue (Tapehead City)

Gunk

Gutwar

Release: 2021 / US – Reissue

Genre: Rock & Indie

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Tape | 2021 | US | Reissue (Tapehead City)

Nevva

Fer Sher

Release: 2021 / US – Reissue

Genre: Rock & Indie

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CD | 2021 | UK | Original (Polytechnic Youth)

Lone Bison

Transistor Memory

7" | 2022 | US | Original (Park The Van)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Polytechnic Youth’s enforced, quickfire pre-Christmas release schedule continues apace here with the wonderful debut full length from Lone Bison. As many small labels are discovering just now, one of the only viable alternatives to the current nightmarish world of vinyl pressing, is wandering back into yesteryear and -armed with a call from the PY devotees to ‘just keep getting the music out’- turning to the previously scorned upon compact disc. With ticks alongside the ‘cramming more music onto it’, having it look cool and charging £9.99 tops, we present this fabulous first Lone Bison full length. An incredible 13 track, electronic project for Ramsgate UK based Nick Bonell. Inspired by a love for ‘70s German electronic music and the current golden age of synthesizer based film soundtracks, it’s key theme as Nick says is “Repetition. I just like to lose myself in interlocking arpeggios which transport me away from the stresses of the day job. The tunes came out of me moving increasingly away from guitar and towards using hardware synths like the Korg Ms20, and, having made music as part of a band or a duo- I fancied something solo this time. The album was recreated very quickly, often with single takes and carefully choosing times when the family and neighbours were out!” Hugely recommended to fans of Tangerine Dream / Klaus Schulze or Edgar Froeses’ solo work as well as Cluster and lots on (label favourite) Sky records’ output. Musically, the album is wonderful but the sleeve is pretty neat too; Nick adds “I will be forever grateful for the amazing linocut cover art by Ieuan Edwards aka The Black Gold Press. I originally asked if I could use an existing print, but he insisted on a bespoke piece and chiselled lino all night to turn around the print in 24 hours. Then Jules Bigg (one of the original team behind the launch of Ramsgate Music Hall) did the photography and graphic design, the man is a wizard. I am truly lucky to live in an area where, if you chuck a rock in the air, it will land on an artist or musician. I had pretty much given up on making original music, after the untimely death of my songwriting partner some years ago. However, living in an area where new venues have mushroomed and great gigs are so plentiful, has inspired me to dig out the synths and fx pedals again”. Released in a one time pressing only of 500 with insert cards carrying more of Ieuan and Jules’ work, the album is released by Polytechnic Youth in December.

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Nile Marr

How We Drift

CD | 2021 | UK | Original (Polytechnuc Youth)

Release: 2022 / US – Original

Genre: Rock & Indie

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Nile Marr is the son of former Smiths guitarist and current solo artist Johnny Marr and his wife Angela. He was named for one of his father's musical heroes, Chic's Nile Rodgers.

Marr started out as a solo artist, then as a duo with American singer-songwriter Meredith Sheldon, and then in the trio Man Made, alongside drummer Scott Griffiths and bassist Callum Rogers, with future tour manager for Blossoms, Dan Woolfie, as their sound engineer. They released their debut album TV Broke My Brain in 2016, although its constituent songs were written over a period of eight years.

Marr released a debut solo album in 2020, titled Are You Happy Now? 'Part Time Girl' was released as its first single in 2019. 'Are You Happy Now?' followed in June 2020.

An EP, Still Hearts, was released on 24 April, 2020. 'Still Hearts' was its first single. Aside from the title track, there are two other tracks: 'Hush' and 'The Pusher'.

Marr added acoustic guitar and backing vocals on 7 Worlds Collide's 2009 album The Sun Came Out. He has also appeared on two of his father's albums: on 2013"s The Messenger he plays as a soloist, while on 2014"s Playland he adds backing vocals.

Marr has toured extensively with German film score composer and record producer Hans Zimmer.

His influences include John Martyn, Fugazi and Elliott Smith.

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Prison Of Winners

Vols. I & II

LP | 2021 | US | Original (Wild Honey)

Release: 2021 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Octobers’ other new Polytechnic Youth release represents something of a curveball for the label’s fanbase. To release any album exclusively on CD wouldn’t ordinarily place high in PY head Dom’s thought processes. But, such is the current grave situation within the vinyl pressing world, that when the opportunity arose to get out not just one, but two LPs- and package them together for a tenner in a fraction of the time and price it takes to do one vinyl instalment, of course he leapt at it; and when the music is this good- it begs to be unleashed earlier rather than later…. ‘The Prison of Winners’ is a brand new project consisting of David Mason of Listening Center and Martin Jensen of The Home Current. Between them, they have issued a range of acclaimed releases for labels such as Polytechnic Youth, Castles In Space, Ghost Box, Deep Distance and Woodford Halse, to name but a few. The collaboration’s two volume set contains a selection of music that came to life through a long-distance work routine back and forth across the Atlantic (David resides in New York and Martin is based in Luxembourg) between 2020 and 2021. Having been fans of each others’ work for years, it was only natural that they should eventually pool resources. “Volume 1” had long been earmarked for a vinyl release with PY, but with the aforementioned problems of world vinyl production currently being on its knees, and with a boom in lockdown recording seeing “Volume 2” quickly materialize; all parties quickly realized that a super value-for-money, lavish 2 x CD set might just come together perfectly. Thus, the double disc set is released late October in a beautiful sleeve featuring artwork from acclaimed photographer Geneviève Cygan and David Mason. Both volumes lean heavy on the pairs’ previous wonderful electronic experiments, minimal DIY pieces intercross with more uptempo synth workouts, which the artists themselves reckon “inhabit a space somewhere in between feeling lost in car parks and hazy memories of nights out clubbing, in what feels like a lifetime ago.”

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Doug Tuttle

Pinecone

Andrew Gabbard / Kendra Morris

Release: 2021 / US – Original

Genre: Rock & Indie

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Wild Honey Records Is Proud To Announce The Release Of "Pinecone" A New Ep By American Songwriter Doug Tuttle. Throughout The Harrowed Edges Of The 2020 Pandemic, Doug Tuttle's Pinecone Ep Was Born From Hours Spent Whiling Uncertain Landscape Outside Frayed And Unraveled, Tuttle Turned His Task Towards Songwriting Constructed Around Stripped-Down Melodies And Simple, Self-Soothing Repetition. Like A Half-Recalled Tune That Sticks In Your Head Or A Mantra Meant To Focus The Mind, Each Of These Five Songs Is Steeped In The Nostalgic Remembrance Of Better Times Set Against A Wobbling, Unreliable Reality. At Times Adrift In Cyclical Jangly Pop As On "Lead Mask," Shimmering, Affected Piano And Sun-Blistered Guitar As On The Hook-Y "Weak Ends," Or Thoroughly Steeped In Wavering, Grief-Laden Guitar Slide As On "Darkness Under Blight," Pinecone Ep Feels Comfortably Well-Worn From Back And Forth Pacing, Or Rubbed Smooth Like A Worry-Stone Carried In The Pocket. Guitarist, Vocalist, Producer, And Songwriter Doug Tuttle's First Band, Mmoss, Was A Deeply Psychedelic Project And When It Split, Tuttle Shifted Musical Gears. Recording In A Home Studio, Tuttle Made Records Using Various Folk/Rock, Psych, And Classic Rock Elements; His First Two Were Lo-Fi Takes On Melancholy Psych Pop That Featured His Buzzing Guitar And Mournful Vocals. By The Time Of 2017's Peace Potato Though, He'd Switched Gears And Began Crafting Mid-Fi Versions Of Mainstream '70s Rock That Wouldn't Sound Out Of Place Next To Tom Petty On A Playlist.

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Don't Talk (Put Your Head On My Shoulder)

7" | 2021 | US | Original (Karma Chief)

Mi Enganaste Bien / Decimos Yeah!

Release: 2021 / US – Original

Genre: Rock & Indie

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Pink Vinyl. Two of Colemine/Karma Chief's newest signees, Kendra Morris and Andrew Gabbard present their renditions of Brian Wilson's classic "Don't Talk (Put Your Head On My Shoulder)." Both musicians have been active for well over 10 years: Kendra previously being signed to Wax Poetics, Andrew previously on Fat Possum with his group Thee Shams produced by Dan Auerbach.

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Fleshtones

7" | 2021 | EU | Original (Yep Roc)

Release: 2021 / EU – Original

Genre: Rock & Indie

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7" | 2021 | US | Original (Seeland)

Negativland

No Brain

CD | 2018 | EU | Original (Vertigo Berlin)

Release: 2021 / US – Original

Genre: Rock & Indie

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Four songs in just under nine minutes: what do they have in common? They’ve got No Brain, and they’re the new vinyl EP from your grandparents in Negativland. Just as all those decades of Media Literacy courses finally seemed to be sinking in, along came Social Media to scramble one’s lines of sight on where all these voices are really coming from. Every tactic modern citizens used to resist the one-way feeds of Broadcast Media—from skepticism, to research, to signal jamming—is just as easily used against them in today’s all-way environment. The four songs on this record juxtapose the voices of media experts from the ancient ’90s with voices culled from the modern landscape of Social Media—from the users still operating under the old rules, to the rationalizations of tech CEOs who invented the software that’s eaten them. How does one follow the money on a free platform? Who’s got the megaphone? Can non-sequiturs exist? What takes less time to update: a website’s auction to determine which ads are being loaded onto your page, or your own perceptual mechanism making a call on everything you don’t need to know? All of this and more, made hypnotically catchy through Negativland’s time-honored use of funny noises and weird beats, could be coming soon to a nervous system that is You. For a full Negativland stock list, please ask.

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Tocotronic

Die Unendlichkeit

Release: 2018 / EU – Original

Genre: Rock & Indie

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7" | 2021 | EU | Original (Decor)

The Delines

Little Earl

Honey Radar / Violent Change

Release: 2021 / EU – Original

Genre: Rock & Indie

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The brand new single from The Delines - whom will be releasing their new LP next Feb 2022 - much of which is inspired by Amy Boone and Willy Vlautin's shared love of Tony Joe White. Little Earl will be the lead track for the new album and Myrna and McCaughey will be exclusive to this single on physical formats. Recorded with longtime producer John Askew in Portland over 2019/2020 just before Covid hit. It features the classic line up of the band whom gave the world 'The Imperial' lp which was number 1 for two weeks on the official Americana charts with Amy Boone (vocals), Willy Vlautin (guitar/songwriting), Sean Oldham (drums), Freddy Trujillo (bass) plus the amazing arrangements by Cory Gray (keys and horns).

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Split

7" | 2021 | US | Original (Chunklet)

Anything / The Hollow Sound Of The Morning Chimes

Release: 2021 / US – Original

Genre: Rock & Indie

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While putting finishing touches on their next full length, we asked Philly’s Honey Radar if they wanted to do a split single with the Bay Area’s Violent Change. And like that, a release was born. The Honey Radar side is a bit of a departure for them. Instead of working as a band, the pandemic offered them each a chance to do their own individual material and it was all folded together into one gigantic Honey Radar suite featuring songs by the members of the band. Sprawling, baby. That’s the Honey Radar way! The Violent Change side is more of their shambolic home recordings somewhere between The Glands and the Swell Maps all crammed into a cassette tape. A love affair of the most innocent variety.” Edition of 200.

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Tops

7" | 2021 | EU | Original (Arbutus)

Wrong Wrong Wrong Transparent Red Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Originally Released In 2015 As Stand-Alone Singles, 'Anything' And 'The Hollow Sound Of The Morning Chimes' Are Standout Fan-Favourites From The Tops Catalogue, Now Available On Vinyl For The First Time.

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M Ross Perkins

7" | 2021 | US | Original (Karma Chief)

Tape | 2021 | UK | Original (Partisan)

Release: 2021 / US – Original

Genre: Rock & Indie

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The First Single From Mr Ross Perkins' Forthcoming Lp On Karma Chief Records Is The Catchy "Wrong Wrong Wrong". A Classic Blend Of Psychedelic And Rock & Roll With Songwriting That's Progressing Into A Slightly Darker Tone To Reflect The Times. M Ross Perkins Released His Debut Album On Sofaburn Records, An Americana-Centric Ohio Record Label. Now Armed With A Growing Team Including The Indie Record Label Darlings At Colemine / Karma Chief, M Ross Is Ready To Stretch Out With Regard To Hissongwriting And Production.For Fans Of... Father John Misty, Badfinger, Andrew Bird, Etc.

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Geese

Projector

Release: 2021 / UK – Original

Genre: Rock & Indie

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John Carpenter / Chvrches

Turning The Bones Chvrches Remix

7" | 2021 | US | Original (Sacred Bones)

Lucky XIII (Ten Of Swords) Flexi Disc Edition

Release: 2021 / US – Original

Genre: Rock & Indie, Soundtracks

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Scottish synth pop sensations Chvrches have a history of commissioning remixes for each of their chart topping albums. Given the cinematic concept of their latest Screen Violence they wanted to get a composer involved who worked in that universe. Singer and percussionist Lauren Mayberry said that the master of horror John Carpenter was the top of their wish list elaborating that "His films and music have been so impactful on us over the years, and without the stories he created I am not sure that the concept of Screen Violence (and female narratives within the album) would exist in the way they do." They decided to reach for the stars and contact Carpenter's team and to their delight Carpenter was excited by the idea. Lauren continues "As horror fans, we know that John Carpenter is the godfather and the gold standard and we're so excited to get to work with him in any capacity... we never really thought he'd reply, let alone that he'd send back something better than the original." Carpenter's remix of the Chvrches song "Good Girls," created alongside his creative partners Cody Carpenter and Daniel Davies, enhances the depths of the song's already infectious synthesizer melodies and adds his signature slightly sinister swagger and groove.

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Pale Shade

7" | 2021 | US | Original (Flesh And Bone)

12" | 2021 | EU | Original (Ink Music)

Release: 2021 / US – Original

Genre: Rock & Indie

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What a song! Perfectly arranged, suitable for summer's end and autumn's breakthrough. Loud, but no harm to your ears.

Pale Shade is a Shoegaze band from Southampton Township, New Jersey.

Pale Shade is: Josh O’Hara - guitars, vocals Evan Lynch - Bass Joe McLaughlin - Drums

This track was engineered and mixed by Josh O’Hara and mastered by Zac Montez at Timewell Recordings.

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Leyya

Longest Day Of My Life

Release: 2021 / EU – Original

Genre: Rock & Indie

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Tape | 2021 | US | Original (Hardly Art)

La Luz

Cold Turkey / Instant Karma! Record Store Day 2021 Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Initial run of the LP will be pressed on an Eco-Friendly Recycled Vinyl Mystery Colour! On their self-titled fourth album, La Luz launch themselves into a new realm of emotional intimacy for a collection of songs steeped in the mysteries of the natural world and the magic of human chemistry that has found manifestation in the musical ESP between guitarist and songwriter Shana Cleveland, bassist Lena Simon, and keyboardist Alice Sandahl. To help shape La Luz, the band found a kindred spirit in producer Adrian Younge. Though primarily known for his work with hip-hop, soul, and jazz acts, Younge saw in La Luz a shared vision that transcended genre. "We both create music with the same attitude, and that's what I love about them," he says. "They are never afraid to be risky and their style is captivating. It was an honor to work with them." The result is an album that is both the most naturalistic and psychedelic of the band's career. All the elements of classic La Luz are still present-the lush harmonies, the impeccable musicianship, the gorgeous melodies-but it's a richer, earthier iteration, replete with inorganic sounds that mimic the surreality of nature-the humming of invisible bugs, the atmospheric sizzle of a hot day. After spending the last few years living in rural northern California, Cleveland's lyrics have become more grounded, less interested in traveling to other dimensions than in peeking behind the curtain of this one. With sounds ranging from ghostly electric guitar shimmers, charging fuzz-guitar rock, soulful organ-driven dream-funk, galactic synths, and breezy '70s folk-pop, La Luz is an album that celebrates love - of music, of friendship, of life in all its forms.

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Walter Verdin

7" | 2021 | EU | Original (Pas De Disx)