Indierock | Alternative 1020 Items

Release: 2014 / EU – Original

Genre: Rock & Indie

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LP | 2017 | US | Reissue (Iamsound)

Lord Huron

Strange Trails

LP | 2017 | US | Reissue (Fearless)

Release: 2017 / US – Reissue

Genre: Rock & Indie

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Limited colored vinyl LP pressing. Lord Huron's debut album, Lonesome Dreams, was released in 2012 and the track "Ends of the Earth" was featured in the finale for the television series Community. The band's name was inspired by Lake Huron, the lake which frontman and Michigan native Ben Schneider grew up visiting and where he would spend evenings playing around the campfire. The group's second album, Strange Trails, was released in April 2015 and received positive reviews from music critics. Rachel Brodsky of Spin called the album "enchanting from start to finish," praising the lyricism, vocals, and instrumentation. The album's final song "The Night We Met" was featured in the popular Netflix series 13 Reasons Why.

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Movements

Feel Something

Release: 2017 / US – Reissue

Genre: Rock & Indie

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LP | 2017 | EU | Original (Music On Vinyl)

Wheatus

Nobody Wants To Be Here And Nobody Wants To Leave

Release: 2017 / EU – Original

Genre: Rock & Indie

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The self-titled debut album by Wheatus was recorded in the basement of vocalist and guitarist Brown's mother's house. The debut single "Teenage Dirtbag" was released in July 2000 as a single and peaked at number 2 in the UK and number 7 in the U.S. charts. The single was later certified platinum in the UK.

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The Twilight Sad

LP | 2014 | EU | Reissue (FatCat)

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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LP | 2014 | EU | Reissue (Interscope)

Maroon 5

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Survival Pop Extended Version

Worriers

LP | 2017 | UK | Original (6131)

Release: 2017 / UK – Original

Genre: Rock & Indie

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Intoxicated Women Colored Vinyl Edition

Mick Harvey

LP | 2017 | UK | Reissue (Mute)

Release: 2017 / UK – Reissue

Genre: Rock & Indie

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Bobby Fuller Died For Your Sins

Chuck Prophet

LP | 2017 | EU | Reissue (Yep Roc)

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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LP | 2017 | EU | Original (Haldern Pop)

Hope

Hope White Vinyl Edition

LP | 2017 | US | Original (Thrill Jockey)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Hope are in the Black Phase. Everything around them is obscured. Every lyric and every spark of music, every photograph and every recording is drenched in black.
It’s not the black of Wave or Gothic bands, but the unpretentious black of Portishead or Talk Talk. A black arising from a wound and at the same time covering the wound, burying it. A scab.
A black letting you forget the Jazz, the academics, and the provinces that Hope has come from. In Germany, Jazz, academics and the provinces are very close, and Hope had to live through most painful experiences, play many unnoticed concerts, and remain unloved to find the love for themselves and their music.
Only this explains the dark stringency and consequence of their self-titled debut album (produced by Olaf Opal), featuring monolithic songs like CELL, KINGDOM and RAW. Songs, sounding rather like dystopic infinity than a light-hearted debut album. Songs, compressed to one word, as if the listener should not waste any time with reading, but start listening. Listen and dive into the endless Hope wave of sound, vehemence and black.
And yes, during all of this, the iconic singer Christine Börsch-Supan is naked. We can only guess her contours - it is too dark.

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Upper Wilds

Guitar Module 2017

Release: 2017 / US – Original

Genre: Rock & Indie

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2LP | 2017 | EU | Original (Stickman)

Motorpsycho

The Tower

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Tough Love)

The Proper Ornaments

Waiting For The Summer

LP | 2017 | US | Reissue (Thrill Jockey)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Limited edition for Record Store Day 2017!

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Man Forever

Play What They Want

2LP | 2014 | US | Original (Sumerian)

Release: 2017 / US – Reissue

Genre: Rock & Indie

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The music of drummer John Colpitts as Man Forever is explorative, innovative and fearless. A musician and composer equally versed in the disparate musical languages of DIY rock, improvisation, and contemporary classical, Colpitts (aka Kid Millions) has made an album that defes genre classifcation. Propulsive, elaborate drum arrangements (created with TIGUE Percussion) remain essential to Man Forever - on the songs of Play What They Want, they are augmented by voice and melody with contributions from Laurie Anderson, Yo La Tengo, and Mary Lattimore to name a few. Play What They Want represents the culmination of 25 years of musical engagement by one of New York’s most acclaimed percussionists. The collaborative process, essential to Man Forever, requires the relinquishing of one’s ego for a greater purpose. In Play What They Want Colpitts leverages a vast and talented stable of diverse collaborators to create a work that transcends the sum of its parts.
“You Were Never Here” kicks off the album with a gorgeous vocal performance by all members of Yo La Tengo and, like the transition from the black and white to technicolor, the piece becomes a driving, wild marriage of Max Roach’s “Garvey’s Ghost,” McCoy Tyner, Alice Coltrane and Steve Reich. World-class harpists Brandee Younger and Mary Lattimore join bassist Brandon Lopez, pianist Sam Yulsman and the Quince Contemporary Vocal Ensemble to create an experimental jazz and classical “dream team.” “Ten Thousand Things” resonates with TIGUE’s tense, virtuosic compound meters, a Moondog-esque vocal by Colpitts and singer Nick Hallett, and another intuitive performance by harpist Mary Lattimore. Finishing the side, “Debt and Greed” is a surprisingly wry pop tune that combines Colpitts’ Jaki Liebezeit-esque drum groove with CSN-style harmonies, guitar by Trans Am’s Phil Manley, and horn playing by Ben Lanz (Beiruit, The National, Sufjan Stevens).
The second side leads with the evocative album centerpiece “Twin Torches.” Here Colpitts worked with the legendary multi-media artist and musician Laurie Anderson, who provided spoken vocals and violin on the nearly 10-minute tour de force. This composition also features arresting vocal atmospherics by Quince, which precede some of the most complex drumming Colpitts has ever recorded. The album closes with “Catenary Smile,” a prickly ballad featuring Nick Hallett’s cascading background vocals which buoy the lyrics: a contemplation of humanity’s problematic tendency to anthropomorphize inanimate things.
While Colpitts’ previous albums have expanded on the possibilities and limitations of drums and percussion, this new album redefnes the project in myriad ways. Building on a complex rhythmic foundation, Man Forever created an album that is innovative, imaginative and joyous. Play What They Want is a rare record of untamed ambition that hits all its marks.

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Circa Survive

Descensus

Master Mix: Red Hot & Arthur Russell

Release: 2014 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

180gr double LP in gatefold cover. close to NM

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V.A.

3LP | 2014 | US | Original (Yep Roc)

LP | 2017 | UK | Original (Rough Trade)

Release: 2014 / US – Original

Genre: Rock & Indie

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Embodies the genre-defying, experimental spirit that defined Russell's work. Features 26 tracks by more than 20 artists, including Hot Chip, Sufjan Stevens, Phosphorescent, Blood Orange, The Autumn Defense & Lonnie Holley, paying homage to Russell's boundless
creativity & wide-ranging work, which swerved from electronic dance to folk to classical.

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Sleaford Mods

English Tapas

LP | 2017 | EU | Original (AFD. O)

Release: 2017 / UK – Original

Genre: Hip Hop, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover with light ring wear

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Tidsgæst

Ind I Mellem

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Reissue (Music On Vinyl)

Ten Years After

A Sting In The Tale

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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New Beginnings Black Vinyl Edition

Radio Moscow

LP | 2017 | EU | Reissue (Svart)

Best Of The Sun Records Sessions

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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Formed in 2003, the power trio led by Stratocaster genius Parker Griggs carved their own sonic niche fusing crunching, heavy Black Sabbath -style chords with fiery "Hendrixian" solos and a raw intensity that is addictive and captivating. From the self-titled debut back in 2007, which was produced by Black Keys' Dan Auerbach, over to "Live! In California" from 2016, Radio Moscow proved to be not just a cheap time machine but a direct descendant from the golden age of rock 'n' roll.

"New Beginnings", originally released by Century Media in 2017, is a bong-sparking blowout, packed to the brim with blazing tempos, cartwheeling jams and the wild-eyed shredding of frontman Parker Griggs. Expertly channelling the kaleidoscopic intersection of electric blues and cosmic psychedelia in the late 60s, tracks like Last To Know and Deceiver richly evoke the sense of freewheeling indulgence and improvisational showmanship of that era. Jams build upon jams without any regard for brevity and restraint, in sharp contrast to modern conventions.

Radio Moscow is:

Parker Griggs (vocals, guitar) Anthony Meier (bass) Paul Marrone (drums)

"The band actively evokes all that was great about hard-rock trios of the ‘60s, the Blue Cheers, the Creams, etc., but does it with such gleeful abandon you’ve got to admire both their spirit and whatever time capsule they rode in on. Great fun." – Dave Dimartino / Rolling Stone

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Charlie Feathers

LP | 2017 | US | Original (ORG Music)

Release: 2017 / US – Original

Genre: Rock & Indie

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Car Wheels On A Gravel Road Indie Exclusive Vinyl Edition

Lucinda Williams

LP | 2014 | EU | Reissue (Def Jam)

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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In Nothing We Trust Eco Vinyl Edition

Reuben

LP | 2017 | UK | Reissue (Big Scary Monsters)

Release: 2017 / UK – Reissue

Genre: Rock & Indie

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Cigarettes After Sex Black Vinyl Edition

Cigarettes After Sex

LP | 2017 | UK | Original (Partisan)

LP | 2017 | US | Original (P.W. Elverum & Sun)

Release: 2017 / UK – Original

Genre: Rock & Indie

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Cigarettes After Sex frontman Greg Gonzalez had a clear vision for his band’s gorgeously cinematic debut album. After the phenomenal online break-out success of “Nothing’s Gonna Hurt You Baby”, from the band’s debut EP 1, the Brooklyn transplant (originally from El Paso) wanted to project his worldview on to a bigger screen, a broader canvas. As Greg explains, “This is like the novel or feature-length version of Cigarettes. I wanted it to feel like a complete work, where some of the imagery repeats – like it’s all in the same world. It’s very much a fulfilment of the feelings in the short works.”

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Mount Eerie

A Crow Looked At Me

LP | 2017 | EU | Original (Vertigo)

Release: 2017 / US – Original

Genre: Rock & Indie

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A new Mount Eerie album unlike anything else in the Mount Eerie or Microphones back catalog. Eleven stark songs about basic deep grief, loss, real death, love, significance and non-significance, reality. Nothing wise or learned, just the described experience of living through unimaginable domestic obliteration, with names and dates.

contains: 11 songs, 42 minutes, very nice sounding vinyl, foil stamped front and back covers, heavy old style gatefold tip-on jacket with special Neenah “Slide” paper as the inner liner, silver on black, all the lyrics, double sided art poster, free download card

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Wanda

Niente

Release: 2017 / EU – Original

Genre: Rock & Indie

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No Mans Land Black Vinyl Edition

Tommy Guerrero

LP | 2014 | EU | Reissue (Too Good)

Release: 2014 / EU – Reissue

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Death Is Nothing To Us Neon Orange Vinyl Edition

Fiddlehead

LP | 2014 | EU | Reissue (Run For Cover)

...And Then I Wrote Colored Vinyl Edition

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Fiddlehead's third album Death is Nothing to Us is a defiant, new chapter for the band. Since 2014, the Boston-based group have been honing their unique sound, bringing together the energy of hardcore, the anthemic melodies of `90s alternative, and the unbridled passion of Revolution Summer era emo. Their previous albums, 2018's Springtime and Blind and 2021's Between The Richness, dealt heavily with grief from different perspectives, and now their latest feels like a de facto culmination, drawing together many of the catalog's through-lines sonically and lyrically. The band again teamed with producer Chris Teti for their third record, and his punchy production captures Fiddlehead's live energy while showcasing the massive guitars and undeniable catchiness that makes their music so immensely satisfying. The album's concise 27 minutes sound like a natural extension of all of the band's strengths, but is glued together by vocalist Pat Flynn's singular tuneful roar. Flynn, since his time as the vocalist of Have Heart and now as Fiddlehead's frontman, has earned a reputation as one of hardcore's most thoughtful lyricists. He interweaves his ruminations on life, death, and all the joy and tragedy in between with references to Roman philosopher Lucretius; the author Jean Améry; other musicians like Bad Brains, Alex G, or Wire, and even references to the band's own back catalog. The humanity across Death Is Nothing To Us is palpable in every note. It's the kind of art that observes pain with real honesty rather than prescribing a solution for it-and in doing so, inadvertently offers some sense of hopefulness. The album finds Fiddlehead so deeply delving into the pain, confusion, nuances, and contradictions of sadness-so willingly wrapping their arms around a concept as existentially baffling as death itself-that they've created an album that is truly life-affirming. Death is Nothing to Us exemplifies so much of what makes Fiddlehead a special band: taking these heady, unanswerable questions and wrestling with them in a very earthbound way, all wrapped up in the urgent power of a three minute punk song.

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Willie Nelson

LP | 2017 | EU | Original (Jackpot)

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Reissue (Relapse)

Necrophagist

Epitaph

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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Military Affairs Neurotic

G.I.S.M.

LP | 2014 | EU | Reissue (Relapse)

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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LP | 2014 | US | Reissue (New West)

Nikki Lane

All Or Nothin'

Release: 2014 / US – Reissue

Genre: Rock & Indie

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2LP | 2017 | EU | Reissue (Grund)

Mini Acoustic World

Bartok On Rock

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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The Greatest Gift Colored Vinyl Edition

Sufjan Stevens

LP | 2017 | EU | Original (Asthmatic Kitty)

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Big Scary Monsters)

Single Mothers

Our Pleasure

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2017 | US | Original (Northern Spy)

Ross Goldstein

Inverted Jenny

LP | 2017 | US | Original (Drag City)

Release: 2017 / US – Original

Genre: Rock & Indie

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As a photographer, visual artist and member of the cosmic brain-bending trio Devin Gary & Ross, Ross Goldstein has built a layered catalog of softly psychedelic artistic output, but none has been as personal as the sonic spiderweb of his second solo album Inverted Jenny. The last time Ross showed up solo was in 2007 on the quietly-released Trail Songs, a collection of more Americana-leaning songcraft. A decade later, he picks up on threads started on his debut, but continues in a far more inward direction, blurring deftly arranged instrumental backdrops with patient, bucolic songwriting for a discreetly epic modern classic in headphone music. Ross travels through a glowing internal world with these songs, observing moments of both stillness and the sublime from a distance. There's a sheen of loneliness that runs throughout, but never a bitterness. The record opens with a trifecta of Van Dyke Parks-tinged open road songs, but even in the joyful discovery of these songs there's the sense that they're viewed from a loner's perspective. This feeling only grows as things shift from roadside distractions to the plush instrumentals and gentle vibes that make up the record's second half. Gorgeous arrangements set up a playful conversation between warm synths, stoned guitar leads, meticulously placed touches of chamber pop orchestration, and even sounds of the natural world from Ross' own field recordings, always buzzing with life. By the end of the album we've walked alongside for a while, watching the songs navigate their lonesome internal landscape like a late night wearing blissfully into morning. At the end of this night (and every other night, really) there's no answer to be found, no great revelation besides wandering along into another beautiful morning.

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Mark Fosson

Solo Guitar

Release: 2017 / US – Original

Genre: Rock & Indie

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LP | 2017 | UK | Original (Monorail Music)

The Cosmic Dead

Eccie Bam Yas, E?

The Underside Of Power Black Vinyl Edition

Release: 2017 / UK – Original

Genre: Rock & Indie

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Eccie Bam Yas, E?' began life as a meditative piece rather than the rocket-fuelled out-rock the band is more associated with. Spliced and reformed by the band, using jams and improvised sets taken from the 'Rainbowhead' recordings in Kyle of Lochalsh, a small village in the North of Scotland. In this remote setting the band recorded a myriad of improvised pieces inspired by the rural surroundings. The resulting material was then scattered across the three albums 'Easterfaust' (2014), 'Rainbowhead' (2016) and 'Eccie BamYas, E?' (2017).

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Algiers

LP | 2017 | EU | Original (Matador)

LP | 2017 | UK | Original (4AD)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Now a four-piece, with the addition of Bloc Party’s Matt Tong on drums, the Atlanta-London-NYC band this time is produced by Adrian Utley (Portishead) and Ali Chant, mixed by Randall Dunn (Sunn O)))), with post-production by Ben Greenberg (Uniform, Hubble), ‘The Underside Of Power’ zooms across a musical landscape including but not limited to Southern rap to British grime to horror movie soundtracks to late-70s English industrial to Northern Soul. In the wake of our current political climate, Algiers cast a withering gaze on subject matter ranging from oppression, whiteness, police brutality, dystopia, and hegemonic power structures.

Now a four-piece, with the addition of Bloc Party’s Matt Tong on drums, the Atlanta-London-NYC band.

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Aldous Harding

Party

Release: 2017 / UK – Original

Genre: Rock & Indie

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Triptych White Vinyl Edition

Bevis Frond

2LP | 2017 | US | Original (Fire America)

LP | 2017 | US | Original (Drag City)

Release: 2017 / US – Original

Genre: Rock & Indie

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Limited edition for Record Store Day 2017!

The heavy third offering from Nick Saloman bursts with 60s-psych and includes epic track "Tangerine Infringement Beak" clocking in at nearly 20 minutes, ‘Into The Cryptic Mist’ and ‘Lights Are Changing’ a song that went on to be covered by Mary Lou Lord.
A labor of love and fiercely independent, his prolific output has seen as many releases in as many years and an uncompromising vision under his own label Woronzow. Hailed as “a Hendrix devotee every bit as tough and contemporary as the serrated guitar chorales of Sonic Youth and Pixies” by Rolling Stone’s David Fricke, his immense psych-stoner-rock has seen him become a cult figure in his own right. The Bevis Frond’s legion of loyal fans includes Teenage Fanclub, Dinosaur Jr and Mary Lou Lord, who have all covered his music.

Finally, this album gets reissued on 12-inch white vinyl for Record Store Day 2017 alongside ‘Bevis Through The Looking Glass’ and ‘The Auntie Winnie Album’ as part of the band's 30th anniversary.

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Bill MacKay

Esker

Release: 2017 / US – Original

Genre: Rock & Indie

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Brown Acid: The Fourth Trip Colored Vinyl Edition

V.A.

LP | 2017 | US | Original (Riding Easy)

Release: 2017 / US – Original

Genre: Rock & Indie

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Hot Thoughts Black Vinyl Edition

Spoon

LP | 2017 | US | Original (Matador)

English Tapas Black Vinyl Edition

Release: 2017 / US – Original

Genre: Rock & Indie

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’Hot Thoughts’’ is the bravest, most sonically inventive work of Spoon’s career. With all due respect to earlier efforts that have made the quintet both critically acclaimed and a commercial contender, preconceptions about this band are about to be obliterated. That’s not to say ‘Hot Thoughts’ doesn’t have a requisite supply of infectious earworms but there’s a lyrical bent that’s as carnal as it’s crafty, and a newfound sense of sonic exploration that results in the genresmasher Spoon have flirted with in the past but not fully consummated.
Co-produced by Spoon and Dave Fridmann and reunited with Matador (third time’s the charm), let's acknowledge that Britt Daniel’s spot in the pantheon of rock’s genius songwriters was well established a ways back, but with the crackling, incandescent, multi-dimensional backdrop conjured on ‘Hot Thoughts’, the lines between accessible and experimental become non-factors for once and all. It’s pop as high art, delivered with total confidence and focus.

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Sleaford Mods

LP | 2017 | UK | Original (Rough Trade)

LP | 2017 | US | Original (New West)

Release: 2017 / UK – Original

Genre: Hip Hop, Rock & Indie

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Returning with their first full length record for Rough Trade, it will be fascinating to find out what Sleaford Mods made of 2016.

The title here refers to cuisine in a pub the pair visited that consisted of "half a scotch egg, cup of chips, pickle and a mini pork pie" - a menu that sums up the useless state of England, as viewed through the lens of lead ranter Jason Williamson.

Featuring all new songs recorded with Steve Mackey (Pulp), this is sure to be one of 2017's most-anticipated releases.

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All Them Witches

Sleeping Through The War

Release: 2017 / US – Original

Genre: Rock & Indie

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LP+CD | 2014 | EU | Original (Bureau B)

Faust

Just Us

Release: 2014 / EU – Original

Genre: Rock & Indie

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LP | 2014 | US | Original (Numero Group)

Bedhead

WhatFunLifeWas

LP | 2014 | EU | Original (Miasmah)

Release: 2014 / US – Original

Genre: Rock & Indie

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Reissue of their 1993 album!

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Andrea Belfi

Natura Morta

LP | 2014 | US | Original (Drag City)

Release: 2014 / EU – Original

Genre: Rock & Indie

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Somewhere in between the electronics of Keith Fullerton Whitman, the percussive repetitions of Jon Mueller, and the atmospheric sensibility of Pan-American, these tracks are to be listened to as two long explorations in the art of variation and repetition. Layers of drums and percussions intertwine with synth waves making the portrait come to life, detail after detail, until a complex figure emerges from the white canvas. The constant, unsteady sounds, wavering noise, swirling cymbals, and distant feedback gently pull the listener into the picture, letting them enjoy every detail of this beautifully staged compositions.

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Laetitia Sadier

Something Shines

Release: 2014 / US – Original

Genre: Rock & Indie

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Remember I Was Carbon Dioxide

Camera

LP | 2014 | EU | Original (Bureau B)

LP | 2014 | EU | Original (Asawa Kuru)

Release: 2014 / EU – Original

Genre: Rock & Indie

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The so called "Krautrock Guerilla" is back! After touring the world for two years the Berlin threesome CAMERA recorded twelve new songs: Motorik-driven, energetic stretches laced with psychedelic overtones rise up from keyboards, drums and guitars. Hypnotic beats. Shimmering elegance, forceful bursts of garage rock, a gentle flow, spherical flight. All on Camera's new album "Remember I Was Carbon Dioxide".

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Blonde Redhead

Barragán

Release: 2014 / EU – Original

Genre: Rock & Indie

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LP | 2014 | US | Original (Other Music)

Mutual Benefit

Cowboy's Prayer

2LP | 2014 | EU | Original (Stickman)

Release: 2014 / US – Original

Genre: Rock & Indie

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Reissue of EP previously available only as a Bandcamp download - this was the real introduction of the lush orchestral folk sound that many 1st heard on the breakthrough Love's Crushing Diamond LP.

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35007 (Loose)

35007- Loose

Release: 2014 / EU – Original

Genre: Rock & Indie

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LP | 2014 | US | Original (The Control Group)

Alice Boman

Ep II + Skisser EP

Release: 2014 / US – Original

Genre: Rock & Indie

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LP | 2014 | US | Original (Don Giovanni)

Laura Stevenson

Wheel

LP | 2014 | US | Original (Jagjaguwar)

Release: 2014 / US – Original

Genre: Rock & Indie

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Laura Stevenson’s newest full-length album Wheel on Don Giovanni Records (Waxahatchee, Screaming Females) features strings by Grammy award winning violinist Rob Moose (Bon Iver, Antony And The Johnsons), brass accompaniment from Kelly Pratt (Beirut, Arcade Fire, David Byrne and St. Vincent), and was produced and mixed by Kevin McMahon (Swans, Titus Andronicus, Frightened Rabbit, Real Estate).

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S. Carey of Bon Iver

Range Of Light

LP | 2014 | US | Original (Barsuk)

Release: 2014 / US – Original

Genre: Rock & Indie

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S. Carey's chosen musical expression is a hugely beatific, restorative panorama of beauty - perfect given how landscape and the wonder of nature inspire much of Carey's imagery. His new album Range of Light - the follow-up to his 2010 debut All We Grow - takes its title from the name that 19th century naturalist John Muir - Carey's hero - gave to California's Sierra Nevada, and follows suit with a dazzling array of musical light and shade, drawn from Carey's love of jazz, modern classical and Americana. Like a weathered mountain range changing shadow form and color, or the ebb and flow of a river's current, his music is simultaneously restful and rhythmic, complex and simple, and always evolving.

Range of Light incorporates elements of his previous work, but also amplifies Carey's percussive proclivities, and is altogether more developed than its predecessors, with more input on the performance and even composition side from the band of musicians and best friends he assembled originally to bring All We Grow to life in the live setting.

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Big Scary

Not Art

LP | 2014 | EU | Original (Nois-O-Lution)

Release: 2014 / US – Original

Genre: Rock & Indie

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The story of Big Scary begins in Melbourne, Australia, where duo Tom Iansek and Jo Syme, armed with just acoustic guitars and egg shakers, started playing songs together in the living room of Syme’s parents’ house, gradually working up to a bolder, more expansive sound by incorporating electric guitars, drums, synths and piano. What began as a few rainy day acoustic ballads in their first incarnation soon grew, and before long, the newly named Big Scary were writing anything they pleased – fuzzed-out garage rock; piano-led pop; intricate, pastoral instrumentals – each imbued with an effortless pop sensibility and lightness of touch that would quickly see the duo attract a strong following in their home country. Following a series of early self-released singles and EPs, Big Scary released the intimately crafted debut album Vacation in 2011 via the band’s own label Pieater. The album brought the pair widespread acclaim, and earned the duo a large Australian audience with nominations for ‘Album Of The Year’ from Triple J and ‘Breakthrough Artist Of The Year’ from AIR (Australian Independent Record Labels Association), plus a small but growing cult following overseas. 2012 saw Big Scary take its first small steps onto the world stage – earning further underground acclaim via a self-funded North American tour that saw Tom and Jo play SXSW, CMW, and CMJ, impressing whatever audiences happened upon the versatility, lovable magnetism, intelligent songwriting and dynamic live performances that make up the band’s riveting shows.On the heels of their adventures abroad, an invigorated Tom and Jo returned home and began recording their second full length album. Grappling with the pressures and perceived responsibilities of their Australian success, the daunting goal of bringing their music to wider audiences, and their own expectations of themselves as writers and creators, the band eventually settled into making an album that would be, paradoxically, hotly anticipated at home while acting simultaneously as a first introduction to almost all audiences elsewhere: Not Art.The Melbourne-based duo has become a household name in Australian indie-pop circles and has a growing cult following overseas. Barsuk Records is thrilled to be the U.S. home for the band’s forthcoming album Not Art, a slow-burning stunner produced and engineered by Iansek and mixed by Tom Elmhirst (Amy Winehouse, The Kills, Arcade Fire, Adele) that distills influences of indie rock song structure, pop and hip-hop production, and experimental ambient music.

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Coogans Bluff

Gettin' Dizzy

Release: 2014 / EU – Original

Genre: Rock & Indie

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Kindly Bent To Free Us Black Vinyl Edition

Cynic

LP | 2014 | EU | Reissue (Svart)

LP | 2017 | Original (Big Scary Monsters)

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Preorder shipping from 2025-02-14

Cynic's vinyl reissues including bonus material to be released via Svart Records in February 2025

American progressive metal band Cynic's 2014 album Kindly Bent to Free Us 10 year anniversary edition out in February!

Cynic was formed in Miami, Florida by Paul Masvidal in 1987, incorporating elements of progressive rock, alternative, and metal. Their third full length offering Kindly Bent to Free Us is the final Cynic album to feature original drummer Sean Reinert and long time member Sean Malone on bass, who both passed away in 2020. Originally released on a 2LP version and mastered at 45rpm, Svart Records in co-operation with Cynic now proudly present the single LP edition of the album including a bonus track Earth Is My Witness for the first time on vinyl and a booklet with linter notes by Martin Popoff, lyrics, notation to the song Kindly Bent to Free Us, and more.

Paul Masvidal comments the reissue: “Kindly Bent to Free Us is reborn on vinyl for its 10th anniversary. This record holds a special place in my heart for many reasons. First, the songs and the journey they take, exploring inner realms as represented by the cover art. Then, there are the arrangements—raw and explosive—which R. Walt Vincent was so good at capturing the live energy we shared as a trio in the rehearsal room when these ideas were developed. There’s also something poignant about this being the last record the three of us would make together. It’s exciting to finally see The Earth is My Witness, which was previously only a bonus track on the box set, brought into this format for the first time.”

"If I'm giving anyone a heart-shaped box this year, that thing will have a copy of the freshly purchased Cynic album, Kindly Bent to Free Us in it. I personally feel like this is a much more grand gesture of love than any other." -Daniel Cordova, Metal Injection, 2014

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Kamikaze Girls

Seafoam

Songs From The Haunted South

Release: 2017 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Cover has one tiny corner bump

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Old Fire

LP | 2017 | Original (Kscope)

Release: 2017 / Original

Genre: Rock & Indie

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Zen Thrills

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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A great example of Teri’s unique vocal style and personality.

Pressed on recycled vinyl.

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Solid State Mercenaries

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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Roman Lips

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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A straightforward rock album.

Pressed on recycled vinyl.

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Killing Tingled Lifting Retreats

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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Going full circle: Songs from death to rejuvenation.

Pressed on recycled vinyl.

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Gorilla Preacher Cartel

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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About bullies and the necessity why they exist.

Pressed on recycled vinyl.

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Ensayo De Un Desaparecido

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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Second result of songs given to two different bands.

Pressed on recycled vinyl.

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Doom Patrol

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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This is a rock record. Experimental, maybe, just listen to that fucking weird piano in “Chew, Devour”. But also punk, like Dead Kennedys were Punk. It’s from 2010, and maybe, one day an album like this could be considered as normal music.

Pressed on recycled vinyl.

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Chocolate Tumor Hormone Parade

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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A live album, giving electronic songs a new life.

Pressed on recycled vinyl.

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Birth Of A Ghost

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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An orchestra album – recorded without dealing with classical musicians.

Pressed on recycled vinyl.

Produced and arranged by With Lions (Christian Celaya and Woody Ranere)
Recorded in Baltimore at Destiny Christian Church and Wrightway Studios by Steve Wright
Mixed at Wrightway Studios by Steve Wright and Woody Ranere
Mastered by Alan Silverman at ARF Mastering, NYC
Engineers: Steve Wright, Woody Ranere, Josh Thomas and Christian Celaya

Musicians:
Conductor: Christian Celaya
Concertmaster: Christian Howes
Violins: Christian Howes, Ha-Young Kim, Christian Tremblay, Andrew Kwon, Daisy Rho, Arianna Schickel, Chi-Yin Chen, Ki Won Kim, Hilda Li
Violas: Sun Young Lee, Cameron Raecke , Yuri Tomenko, Karin Kilper
Cellos: Lavena Johanson, Georgiy Khokhlov, Elliot Yang
Contrabass: Laura Ruas
Percussion: Mike Kuhl, Woody Ranere, Omar Rodriguez Lopez, and Christian Celaya
Trumpet: Ben Frock
Trombone: Nicole Connelly
Flute: Joan Hanley
Clarinet: Kayla Cooper
Piano: Josh Thomas, Christian Celaya, and Omar Rodriguez Lopez
Marimba: Mike Kuhl
Dulcimer: Christian Celaya

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Azul, Mis Dientes

LP | 2017 | EU | Original (Abbey)

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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An album as a description of a beloved person.

Pressed on recycled vinyl.

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Pale Seas

Stargazing For Beginners

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Big Scary Monsters)

Kamikaze Girls

Seafoam

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Big Scary Monsters)

Gnarwolves

Outsiders

Release: 2017 / EU – Original

Genre: Rock & Indie

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Individual Thought Patterns

Death

LP | 2017 | EU | Original (Relapse)

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Fatpossum)

Hoops

Routines

Release: 2017 / EU – Original

Genre: Rock & Indie

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2LP | 2017 | EU | Original (Womanly Hips)

Joan Osborne

Songs Of Bob Dylan

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Wicked Cool)

The Woggles

Tally Ho!

Release: 2017 / EU – Original

Genre: Rock & Indie

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2LP | 2017 | EU | Original (RCA)

Grizzly Bear

Painted Ruins

Release: 2017 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2017 | US | Reissue (New West)

JD McPherson

Undivided Heart

Release: 2017 / US – Reissue

Genre: Rock & Indie

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Singles Breaking Up Vol.1

Don Caballero

LP | 2017 | EU | Reissue (Touch & Go)

2LP | 2017 | EU | Reissue (Relapse)

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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By no means a release of new or current Don Cab material(and originally released in 1999), Singles Breaking Up (Vol. 1) offers quite a range of the band's history to appreciate. The oldest recordings found here are programs 1-6 which became the first two singles and a b-side for the fourth. They wererecorded in a 1/2 inch 8 track studio by Lee Hollihan of Valencia, PA (the original Good Morning Vietnam man) for only $25 an hour. The next batch, 7-9, were recorded by Steve Albini in his once home studio and were a part of the For Respect Sessions. Program 10 was also recorded in this same studio by colleague engineer Bob Weston. Program 11 was recorded in Detroit by engineer Al Sutton and was a part of the sessions for Don Caballero 2. Lastly, programs 12-13 were recorded again by Steve Albini in the B room portion of this Chicago studio Electrical Audio. The photographic art concept for the whole anthology is simply this: 7 inch phonograph singles breaking up, in the kind of setting of giving Abby Road back to the people. With the exception of programs 12-13, these songs wererecorded in the early part of the 1990's. The intention was not to release them in this form, if at all, but to give the record company a rough idea of the songs Don Cab at the time. The "punky" songs were written with the sole intention of obtaining a record contract. It seemed a the time that contracts flowed like water for this kind of music. The band soon found out that it wasn't quite that easy, but did, eventually, manage to sign a deal with Touch and Go. It is interesting to see how some of these songs, or parts of them, developed into others that have become well-known.

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Dying Fetus

Wrong One To Fuck With

27,89 €* 30,99 € -10%

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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Child Orange/Blue/White Vinyl Edition

Child

LP | 2014 | EU | Reissue (Heavy Psych Sounds)

27,74 €* 36,99 € -25%

2LP | 2014 | US | Original (Metal Blade)

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Repress of the Child self-titled debut album in brand new colored vinyl. “Their slow, seedy and dirty stoner blues is the perfect remedy for a bad day as it oozes misery and despair like any proper blues album should. And that is the cure when you feel you're in the gutter. Having only started out in 2012 the vibes this trio conjures goes 40-50 years back into the heartland of the American swampy delta blues, hell they could have been with Robert Johnson when he struck a deal with the devil at the crossroad. It is that damned good, you hear!” - The Sludgelord

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Karma To Burn

27,19 €* 31,99 € -15%

This Old Dog Black Vinyl Edition

Release: 2014 / US – Original

Genre: Rock & Indie

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Limited edition for Record Store Day 2014

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Mac DeMarco

LP | 2017 | US | Original (Captured Tracks)

Release: 2017 / US – Original

Genre: Rock & Indie

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Fever To Tell Remastered Edition

Yeah Yeah Yeahs

LP | 2017 | EU | Original (Interscope)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Godspeed You Black Emperor!

Luciferian Towers

LP | 2017 | CA | Original (Constellation)

LP | 2017 | EU | Original (Warner)

Release: 2017 / CA – Original

Genre: Rock & Indie

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The seventh record by Godspeed You! Black Emperor will be released 22 September 2017 on Constellation.

‘Luciferian Towers‘ was recorded during the winter of 2016/2017 at Montreal’s Hotel2Tango, with Greg Norman once again engineering and co-producing (as he did on the band’s previous album ‘Asunder, Sweet And Other Distress‘).

The music on ‘Luciferian Towers‘ took shape over the past two years, amidst GYBE’s collaborative performances with the Holy Body Tattoo dance company’s monumental, and spurred by the commissioning of new compositions memorializing the 100th anniversary of the WWI Battle of Messines, which premiered at a live concert event on the site of the massacre at Heuvelland, Belgium this past June.

‘Luciferian Towers‘ is Godspeed’s third album since the group’s ‘reunion’ in 2011 and their second consecutive single LP-length record (following three double-album releases in 2000, 2002 and 2012).

this, this long-playing record, a thing we made in the midst of communal mess, raising dogs and children. eyes up and filled with dreadful joy – we aimed for wrong notes that explode, a quiet muttering amplified heavenward. we recorded it all in a burning motorboat.

(context as follows:)

1. UNDOING A LUCIFERIAN TOWERS – look at that fucking skyline! big lazy money writ in dull marble obelisks! imagine all those buildings much later on, hollowed out and stripped bare of wires and glass, listen- the wind is whistling through all 3,000 of its burning window-holes!

2. BOSSES HANG – labor, alienated from the wealth it creates, so that holy cow, most of us live precariously! kicking at it, but barely hanging on! also – the proud illuminations of our shortened lives! also – more of us than them! also – what we need now is shovels, wells, and barricades!

3. FAM / FAMINE – how they kill us = absentee landlord, burning high-rise. the loud panics of child-policemen and their exploding trigger-hands. with the dull edge of an arbitrary meritocracy. neglect, cancer maps, drone strike, famine. the forest is burning and soon they’ll hunt us like wolves.

4. ANTHEM FOR NO STATE – kanada, emptied of its minerals and dirty oil. emptied of its trees and water. a crippled thing, drowning in a puddle, covered in ants. the ocean doesn’t give a shit because it knows it’s dying too.

finally and in conclusion;
the “luciferian towers” L.P. was informed by the following grand demands:
+ an end to foreign invasions
+ an end to borders
+ the total dismantling of the prison-industrial complex
+ healthcare, housing, food and water acknowledged as an inalienable human right
+ the expert fuckers who broke this world never get to speak again

much love to all the other lost and wondering ones,
xoxoxox god’s pee / montréal / 4 juillet, 2017

PERSONNEL
Aidan Girt: Drums
David Bryant: Electric guitar, MG-One
Efrim Manuel Menuck: Electric guitar, organ, OP-1
Karl Lemieux: 16mm film projections
Mauro Pezzente: Electric bass
Michael Moya: Electric guitar
Sophie Trudeau: Violins, organ
Thierry Amar: Contrebasse, electric bass
Timothy Herzog: Drums

GUESTS ON TRACK ONE
Bonnie Kane (saxophone, flute, electronics)
Craig Pederson (trumpet)

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Linkin Park

One More Light

Release: 2017 / EU – Original

Genre: Rock & Indie

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You're Gonna Miss It All Half Cloudy & Half Green Vinyl Edition

Modern Baseball

LP | 2014 | US | Reissue (Run For Cover)

Still Life Transparent Green Vinyl Edition

Release: 2014 / US – Reissue

Genre: Rock & Indie

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Modern Baseball was formed in 2011 by friends and guitarists Jacob Ewald and Brendan Lukens, who were soon joined by Ian Farmer on bass and Sean Huber on drums. The band self-released their first EP The Nameless Ranger in 2011 while still in high school. Shortly after the members relocated to Philadelphia to attend college and quickly gained a strong following in the Philadelphia music community, teaming up with locals Marietta to release the Couples Therapy split in the spring of 2012. Modern Baseball released their debut full-length Sports later that year on Lame-O Records, which they self-recorded and produced. After spending the summer of 2013 touring heavily across the US, the band headed into Studio A in Philadelphia to self-record You're Going to Miss It All. Mixed by Jonathan Low at Minor Street Recordings and mastered by Will Yip, You're Going to Miss It All features 12 tracks that showcase the band's signature witty indie-pop.

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Kevin Morby

LP | 2014 | US | Reissue (Woodsist)

Rock And Roll Night Club Black Vinyl Edition

Release: 2014 / US – Reissue

Genre: Rock & Indie

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Still Life is the second solo album from Kevin Morby. The namesake of the record is an art piece by Maynard Monrow entitled “Still Life with the Rejects from the Land of Misfit Toys.” The album’s title has several meanings. On the surface, it refers to Morby’s change in lifestyle that came with moving to Los Angeles from New York in August of 2013. But he also admits that the title is ironic. The songs from Still Life were written during yet another period of tour and travel for Morby, as he spent almost all of 2013 on the road with Woods (with whom Morby parted ways amicably last year), The Babies (who are currently on hiatus) and as a solo artist. The album reflects both this time in transit and the quiet confines of his new home in Montecito Heights. Scenes of performers, audience expectations and the paradoxical confines of a roving individual perpetually caught in a crowd percolate the songs, notably in “The Jester, The Tramp & The Acrobat,” and “Parade.” (Morby calls the latter an elegy of sorts for one of his major influences, Lou Reed.) Violent fates, wrestling with destiny and the nature of death creep into songs like “The Ballad of Arlo Jones,” “Bloodsucker” and “Amen.” Even Morby’s more obvious love songs like “All of My Life,” “Drowning” and “Our Moon” are highly bittersweet; the characters seem to never quite find each other, but perhaps they find themselves. As with Harlem River, Still Life is produced by Rob Barbato (Cass McCombs, Darker My Love) who adds his signature guitar and bass playing to the album. The album was engineered and mixed by Drew Fischer, who also worked on Harlem River and The Babies’ second full-length album Our House on the Hill, and recorded between March and June of 2014 at Barbato and Fischer’s new studio, Comp’ny. Morby is also once again joined by Justin Sullivan (The Babies) on drums and percussion. Sullivan is a fixture in Morby’s live band, which completed a full US tour in January of 2014, supporting Cate Le Bon. Solo artist (and Le Bon guitarist) H. Hawkline handled bass duties for Morby on the tour and contributes bass to three songs on the record that were a live staple. Multi-instrumentalist Will Canzoneri (Le Bon, Cass McCombs, Jessica Pratt), who also performed live with Morby on the tour and who was a contributor on Harlem River, performs piano and organ on the album.

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Mac DeMarco

LP | 2017 | US | Reissue (Captured Tracks)

Kaleidoscope Re-Issue 2022

Release: 2017 / US – Reissue

Genre: Rock & Indie

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Mac DeMarco, formerly Makeout Videotape, is the anti-thesis to your stereotypical singer-songwriter. Disregarding the seriously somber moments, he replaces them with whimsical and youthful spontaneity, whilst retaining the endearing and subtle commentaries that exude his familiarity. Promptly after leaving his Edmonton garage for Vancouver he embarked on a North American tour accompanying fellow Canadians Japandroids on a grand voyage of enlightenment and alcoholic debauchery. DeMarco's a weird cat cultivating an affinity for occult imagery, nudity and social satire. But his most impressive trait is his undeniable and instinctual ability to compose magical pop jangles, of which he'll likely refer to as "jizz jazz". His dusted jams have garnished him accolades that are as ever-increasing as his song writing abilities; his sound rendering comparisons, but in a nomadic fashion alluding no distinct origin. DeMarco's debut solo EP entitled "Rock And Roll Night Club" will ramble into the great unknown guided by Captured Tracks, DeMarco's inner Elvis a tow.

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Transatlantic

2LP+CD | 2014 | EU | Reissue (Sony Music)

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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LP | 2017 | US | Original (RCA)

Nothing But The Thieves

Broken Machine

Release: 2017 / US – Original

Genre: Rock & Indie

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Come Clean Black Vinyl Edition

Puddle Of Mudd

LP | 2017 | EU | Original (Music On Vinyl)