Indierock | Alternative 502 Items

Release: 1981 / Reissue

Genre: Rock & Indie

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LP | 1985 | US | Reissue (Superior Viaduct)

The Ex

Pokkeherrie

18,69 €* 21,99 € -15%

Blueprints For A Blackout

Release: 1985 / US – Reissue

Genre: Rock & Indie

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Emerging out of Amsterdam's vibrant squat scene in 1979, The Ex – a name chosen for the ease and speed with which it could be spray-painted onto a wall – have for four decades been an entirely self-sustaining musical entity, charting a course through the global underground with a spirit of freedom and radical exploration.

On 1985's Pokkeherrie (Dutch for "terrible noise"), The Ex return to the more stripped-down instrumentation on their early LPs. A key lineup change would also see the arrival of drummer Kat Bornefeld (whose supple rhythms propel the group to this day).

Recorded at the new location of Koeienverhuur Studio in the basement of storied squat/venue Emma, Pokkeherrie is a testament to the angular momentum of a group in full creative flux. Right from the opening track, bassist Luc Klaasen generates a relentless pulse. Terrie Ex's sparse/acidic guitar and G.W. Sok's impassioned vocals combine in a vein similar to The Minutemen, Flipper or Rudimentary Peni, except The Ex have the patience and wherewithal to sustain their approach beyond just brief explosions.

Perhaps only The Fall from this period can match The Ex's ability to hold a melody together while utilizing otherwise harsh sonic elements over an extended piece, most effectively on "Soviet Threat," "1,000,000 Ashtrays" and "White Liberals."

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The Ex

2LP | 1984 | US | Reissue (Superior Viaduct)

LP | 1976 | Reissue (Rhino)

Release: 1984 / US – Reissue

Genre: Rock & Indie

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Emerging out of Amsterdam's vibrant squat scene in 1979, The Ex – a name chosen for the ease and speed with which it could be spray-painted onto a wall – have for four decades been an entirely self-sustaining musical entity, charting a course through the global underground with a spirit of freedom and radical exploration.

Blueprints For A Blackout, The Ex's fifth album and first double LP, combines caustic studio experimentations and loose songs from their gripping live-set at the time. The band consisted of singer G.W. Sok, guitarist Terrie Ex, two new recruits on bass, Luc and Yoke, and drummer Sabien Witteman, along with a plethora of guests including Mekons' Jon Langford and long-serving sound engineer Dolf Planteijdt, among others.

Originally released in 1984 on the band's own Pig Brother Productions, Blueprints veers from jagged punk explosions to sharply focused improvisations featuring field recordings that would become a hallmark of their subsequent forays into free jazz and experimental music. The overall effect is not unlike the menace of a slowly building winter storm.

Tracks like "Rabble With A Cause," "U.S. Hole" and "Scrub That Scum" stand out as exemplars of this phase of The Ex. Comparisons can be made to contemporaries Einstürzende Neubauten, NoMeansNo and Svätsox as well as later Crass label bands.

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The Doobie Brothers

Takin' It To The Streets

34,99 €*

Release: 1976 / Reissue

Genre: Rock & Indie

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Three Imaginary Boys Picture Disc Edition

LP | 1979 | EU | Reissue (Polydor)

Release: 1979 / EU – Reissue

Genre: Rock & Indie, Pop

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limited edition picture disc!

The undisputed leaders of the early gothic scene, and a seminal band that contributed to the rise of British post-punk, The Cure recorded their debut album Three Imaginary Boys at London's Morgan Studios and released it in May 1979. After touring for almost all of 1977, the band changed their name to The Cure and rearranged their line-up with the sacking of Porl Thompson, giving birth to an unusual power trio. This line-up lasted only for their first album, making it unique in its essentially minimal sound. The year was now 1978, and the three (imaginary?) boys soon signed to Chris Parry's Fiction Label.

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LP | 1979 | PL | Reissue (Polydor)

Three Imaginary Boys

Release: 1979 / PL – Reissue

Genre: Rock & Indie

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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.

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LP | 1979 | EU | Reissue (Lilith)

Three Imaginary Boys

Release: 1979 / EU – Reissue

Genre: Rock & Indie, Pop

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LP | 1984 | EU | Reissue (Polydor)

The Top

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.

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LP | 1980 | EU | Reissue (Polydor)

Seventeen Seconds

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.

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LP | 1980 | EU | Reissue (Vinyl Lovers)

Seventeen Seconds

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Seventeen Seconds was the second album by the Cure originally released in 1980. It was too bleak for bassist Michael Dempsey who left after hearing Robert Smith's demos. Smith went his own merry/miserable way in the end and the album is a fine example of their spindly proto-goth. It contains one of their finest moments in menacing single A Forest which exemplifies the dark nature of the material on the album.

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LP | 1980 | EU | Reissue (Polydor)

Seventeen Seconds

37,99 €*

Release: 1980 / EU – Reissue

Genre: Rock & Indie, Pop

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180 gram vinyl

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Pornography Red Vinyl Edtion

LP | 1982 | EU | Reissue (Vinyl Lovers)

Release: 1982 / EU – Reissue

Genre: Rock & Indie, Pop

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140 gram reissue!

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LP | 1982 | PL | Reissue (Polydor)

Pornography

Release: 1982 / PL – Reissue

Genre: Rock & Indie

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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself. The record is pressed to 180g vinyl.

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2LP | 1982 | EU | Reissue (Vinyl Lovers)

Pornography

33,99 €*

Release: 1982 / EU – Reissue

Genre: Rock & Indie, Pop

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180 gram gatefold cover double vinyl reissue incl. 8 bonus tracks!

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Kiss Me, Kiss Me, Kiss Me

2LP | 1987 | EU | Reissue (Polydor)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.

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LP | 1981 | EU (Vinyl Lovers)

Faith Grey Vinyl Edition

Release: 1981 / EU

Genre: Rock & Indie, Pop

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140 gram grey vinyl reissue!

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LP | 1981 | PL | Reissue (Polydor)

Faith

Release: 1981 / PL – Reissue

Genre: Rock & Indie

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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.

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2LP | 1989 | EU | Reissue (Polydor)

Entreat Plus

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself. The record is pressed to 180g vinyl.

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Sonic Temple Green Vinyl Edition

2LP | 1989 | UK | Reissue (Beggars Banquet)

Release: 1989 / UK – Reissue

Genre: Rock & Indie

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THE CULT is fronted by Ian Astbury on vocals and Billy Duffy on guitar.Their fourth album Sonic Temple is not just an iconic record, but a sonic tour de force that defies classification.Released in 1989, the album"s sound is rooted in classic rock and heavy metal, but incorporates a range of influences, from punk to psychedelic rock, creating a sound that is both familiar yet unique. The album"s production is slick and polished, thanks to the contributions of legendary producer Bob Rock, who helped to craft a sound that was both commercially appealing and artistically adventurous.Sonic Temple had four massive hits; "Fire Woman", "Edie (Ciao Baby)", "Sun King" and "Sweet Soul Sister".The album catapulted The Cult into superstar status and remains their most commercially successful release. Declared platinum in 1990, it was also a critical success, cementing The Cult"s place in the pantheon of hard rock and heavy metal bands and earning them a devoted following that endures to this day.

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LP | 1985 | UK | Reissue (Beggars Banquet)

Love Black Vinyl Edition

Release: 1985 / UK – Reissue

Genre: Rock & Indie

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Beggars Arkive will release a long-awaited vinyl reissue of THE Cult"s second album Love on February 24th. THE Cult is fronted by Ian Astbury on vocals and Billy Duffy on guitar. Their music and albums at this point need no introduction as they have cemented themselves over the years since they began in 1983, as one of the greatest rock bands around. Love was the Cult"s second album, originally released in 1985. It was their breakthrough and produced many singles including "Rain", "Revolution" and the epic anthem "She Sells Sanctuary" - songs that still resonate today - in fact "She Sells Sanctuary" was recently featured in Season Two of the hit TV show Euphoria. The album eventually defined their career, but at the time, it flew in the face of everything that was going on in music.

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Electric Blue Vinyl Edition

LP | 1987 | UK | Reissue (Beggars Banquet)

26,59 €* 27,99 € -5%

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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Electric, their third album, came out in 1987 and really caused the band to explode to new levels of fame. It contains the massive hits "Love Removal Machine", Wild Flower" and "Lil" Devil" and was produced by Rick Rubin.Electric is a seminal work, featuring some of the band"s most iconic songs. It is a departure from the band"s previous work, with a raw, agressive and stripped-down sound. The album"s opening track, "Wild Flower," sets the tone with its pounding drums, blistering guitar riffs, and Ian Astbury"s wailing vocals.Electric was a commercial and critical success, propelling The Cult to the forefront of the hard rock scene and cementing their status as one of the most influential bands of the era. The album remains a touchstone for hard rock and heavy metal fans, a classic work that captures the spirit of rebellion and the power of rock and roll.The Cult has remained an important and enduring force in the rock music world. The band has sold millions of records worldwide and has earned critical acclaim for its powerful live performances. The Cult continues to tour and record new music, and their influence on rock music shows no signs of diminishing.

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Electric Black Vinyl Edition

LP | 1987 | UK | Reissue (Beggars Banquet)

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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Dreamtime Red Vinyl Edition

LP | 1984 | UK | Reissue (Beggars Banquet)

Release: 1984 / UK – Reissue

Genre: Rock & Indie

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Dreamtime Black Vinyl Edition

LP | 1984 | UK | Reissue (Beggars Banquet)

Release: 1984 / UK – Reissue

Genre: Rock & Indie

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Groovy Things Colored Vinyl Edition

The Cosmic Dropouts

LP | 1989 | EU | Reissue (Apollon)

Groovy Things Black Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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The Cosmic Dropouts was formed in 1988 by Arne Thelin (vocals) and Morten Henriksen (guitar), and was together with The Willy B Review in the forefront of Norwegian garage rock. In addition to Arne and Morten, the band consisted of Pål Andreassen on organ, Carsten Johansen on bass (later replaced by Lars Albrecht and Stig Jøraholmen) and Elvin Sjursen on drums (later replaced by Rune Johnsen). This line-up recorded the band’s first release that year, a four-track vinyl 7“ EP titled Crashed Cadillac and Broken Hearts. It got good reviews in Norway and landed the band their first gigs. Their next release, an 8-track mini-album titled Groovy Things released in 1989, got raving reviews in Norway and abroad, and paved way for gigs at bigger venues and landed them their first and only gigs outside Norway with this line-up. They played at the New Music Seminar in New York that year in addition to a gig at The Khyber Pass pub in Philadelphia. Previous remotely started discussions with Skyclad Records continued in New York and resulted in this album’s original release. The mini-album and the EP together with their first single Let’s Go To The Beach (also released in 1989), plus a handful of songs recorded separately, were released as a full length album with the title Groovy Things by Skyclad Records in the US in 1990. By that time Arne had left the band (September 1989) and started The Lust-O-Rama, but the band continued with a new singer (Morten Karlsen) and released another two albums after that - Hoolabaloo on That’s Entertainment Records (1991) and Sonic Circus on Kicksville Records (1993). This re-issue was remastered December 2021.

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The Cosmic Dropouts

LP | 1989 | EU | Reissue (Apollon)

Tranquil Red Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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The Clouds

7" | 1987 | EU | Reissue (Optic Nerve)

10,99 €*

12" | 1981 | EU | Reissue (Merge)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Part of The Optic Sevens 3.0 Reissue Series . Limited to 800 copies worldwide. Pressed on Red Vinyl Printed inner sleeve. Includes postcard and poster. Glasgow based The Clouds only single was originally released in 1988 on Subway and became an indie top 20 hit. This version is pressed on Red vinyl with inner sleeve. Includes all 3 tracks from the 12”.

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The Clean

Boodle Boodle Boodle

23,99 €*

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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LP | 1988 | UK | Reissue (Optic Nerve)

The Charlottes

Are You Happy Now

14,99 €*

What Does Anything Mean? Basically Clear Vinyl Edition

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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Formed in Huntingdon, Cambridgeshire after drummer Simon Scott met Guitarist Graham Garduilo in local band The Giant Polar Bears.

They were tour buddies to Ride and most of the late 1980s shoegaze bands. Simon Scott was stolen by Slowdive after a gig at the White Horse in Hampstead in 1990, where the Boo Radleys opened the three-band bill.

They split after releasing two albums. John Peel loved them and NME gave debut album Lovehappy 9 out of 10.

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The Chameleons

LP | 1985 | EU | Reissue (Blue Apple Music)

47,99 €*

Script Of The Bridge Abbey Road Restoration Edition

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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The Chameleons second studio album 'What Does Anything Mean? Basically' re-mastered for vinyl in Spring 2018. 180g, clear vinyl.The album is presented on heavyweight clear vinyl in a gatefold sleeve with printed inner bag. The iconic cover art has been re-worked and updated by guitarist Reg Smithies.

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The Chameleons

2LP | 1983 | EU | Reissue (Blue Apple Music)

42,99 €*

Honor Among Thieves Black Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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The Chameleons seminal debut album 'Script of the Bridge' restored and re-mastered for vinyl at Abbey Road Studios, London. The package contains two heavyweight (180g) vinyl discs together with a free digital download code. The restoration project was undertaken by production team Guy Massey and Steve Rooke, who received a Grammy Award for their work on the Beatles Box Set. Guy Massey quotes Script of the Bridge as an influential album on his career.This is the first time that 'Script of the Bridge' has been made available as a 'double album'. By dividing the tracks onto two 12" discs, the sound quality greatly increases with none of the compression that hampered the original Chameleons vinyl. Working from original studio tapes, the production pair painstakingly restored the album song by song, to create what the band believe is the truest reflection of how the recordings were meant to be. The two 12" discs are in white poly bags inserted into spined LP sleeve, featuring exclusive new artwork by The Chameleons guitarist Reg Smithies. Shrink-wrapped and stickered.

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The Brandos

LP | 1987 | Reissue (Blue Rose)

23,99 €*

Release: 1987 / Reissue

Genre: Rock & Indie

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The Beatles 1967-1970 Blue Album Limited Blue Vinyl Edition

The Beatles

3LP | 1973 | Reissue (Apple)

82,99 €*

Release: 1973 / Reissue

Genre: Rock & Indie

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The Beatles 1962-1966 Red Album Limited Red Vinyl Edition

The Beatles

3LP | 1973 | Reissue (Apple)

78,84 €* 82,99 € -5%

Release: 1973 / Reissue

Genre: Rock & Indie

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Terry Allen & The Panhandle Mystery Band

Smokin The Dummy

LP | 1980 | US | Reissue (Paradise Of Bachelors)

Terry Allen & The Panhandle Mystery Band

Release: 1980 / US – Reissue

Genre: Rock & Indie

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Recorded exactly two years after acclaimed visual artist and songwriter Terry Allen's masterpiece Lubbock (on everything), the feral follow-up Smokin the Dummy is less conceptually focused but more sonically and stylistically unified than its predecessor_it's also rougher and rowdier, wilder and more wired, and altogether more menacingly rock and roll. The first album by Allen to share top billing with the Panhandle Mystery Band, here featuring Jesse Taylor on blistering lead guitar alongside the Maines brothers and Richard Bowden, Dummy documents a ferocious new band in fully telepathic, tornado-fueled flight, refining its caliber, increasing its range, and never looking down. This first-ever vinyl reissue, remastered from the original analog tapes, includes a gatefold jacket and inner sleeve with restored, new, and alternate art and photos by Terry and Jo Harvey Allen; an insert with lyrics, original notes, and Terry's letter to H.C. Westermann about the songs; and a high-res download code. The kind of singular American artist who expresses the fundamental weirdness of his country. - The Wire It has always been a fool's errand to frame Allen in terms of other artists_there was nobody like him before he showed up, and the subsequent forty years have been equally light on plausible peers. - Uncut

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Bloodlines

LP | 1983 | US | Reissue (Paradise Of Bachelors)

LP | 1976 | EU | Reissue (Proper)

Release: 1983 / US – Reissue

Genre: Rock & Indie

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On his manifold fourth album, acclaimed songwriter and visual artist Terry Allen contemplates kinship_the ways sex and violence stitch and sever the ties of family, faith, and society_with skewering satire and affection alike. Bloodlines compiles thematically related but disparate recordings from miscellaneous sources both theatrical and historical: two songs written for plays; two full-band reprises of selections from Juarez; the irreverent hellfire-hitchhiker-on-highway ballad "Gimme a Ride to Heaven Boy" (featuring Joe Ely); and the poignant eponymous ode to the arteries of ancestry and landscape (the debut recording of eight-year-old Natalie Maines, later covered by Lucinda Williams). This first-ever vinyl reissue, remastered from the original analog tapes, includes a gatefold jacket and inner sleeve with restored, new, and alternate artwork and photos by Allen and friends; an insert with lyrics and original notes; and a high-res download code. "No veteran country songwriter sounds more attuned to the national mood. His songs still feel like little guidebooks for staring down a harsh universe." - The Washington Post "A reigning deity of a certain kind of country music since the mid-70s." - The New York Times

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Ten Cc

How Dare You!

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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LP | 1977 | EU | Reissue (Rhino)

Television

Marquee Moon

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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LP | 1977 | EU | Reissue (Rhino)

Television

Marquee Moon

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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LP | 1989 | US | Reissue (Chunklet)

Tar

Handsome

25,64 €* 26,99 € -5%

LP | 1980 | EU | Reissue (Rhino)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Tar were an uncompromising prolific Chicago four piece band from 1988 to 1995 who put out many records and toured the US and Europe frequently with the likes of The Jesus Lizard, Arcwelder, Unsane, Surgery, and Jawbox. Over thirty years since the original releases, Tar’s first three 12" records are being reissued. Co-released by the band’s No Blow Records and Chunklet Industries, the Handsome EP and full length LPs Roundhouse and Jackson are being rediscovered. All three records were remastered and cut to lacquer by Bob Weston at Chicago Mastering Service. The artwork was painstakingly reimagined and recreated by the band’s drummer, Mike Greenlees. This music has withstood the test of time. With the stunning remastering and 180gm pressing at Chicago's Smashed Plastic pressing plant, this is no regular reissue. With exacting detail, the highest quality and attention to detail, the listener and fans are invited to truly reexperience these releases anew. It’s time to celebrate Tar. Again.

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Talking Heads

Remain In Light

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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LP | 1981 | US | Reissue (Superior Viaduct)

Suburban Lawns

Klark Kent Record Store Day 2023 Reen Vinyl Edition

Release: 1981 / US – Reissue

Genre: Rock & Indie

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If your brain has a shortlist of bands that instantly evoke New Wave, Suburban Lawns deserve a slot right next to the likes of Devo, Talking Heads and the B-52’s. After putting out two singles on their own Suburban Industrial imprint, the Lawns signed to I.R.S. Records and released their debut LP in 1981. While the band gained cult status thanks in part to a Jonathan Demme-produced music video which aired on Saturday Night Live, their self-titled album would sadly be the five-piece’s only full-length statement. Suburban Lawns’ asymmetrical aesthetic is personified by co-vocalist SuTissue, whose mesmerizing stage persona was at once childlike and terrifying. Her unique style embodies the awkward/arty female singer of the Reagan era, while the group’s male vocals—courtesy of Frankie Ennui, Vex Billingsgate and John McBurney—maintain the satirical themes of Southern California’s postwar mirage of limitless sprawl. Suburban Lawns’ catchiness can be attributed to their drum-tight performance and taut songwriting. Listen to the vocal trade-offs on “Anything,” which could have easily come out on any purely Punk label from LA at the time, while Tissue’s deadpan delivery on “Janitor” glides into the best art-warble this side of Lene Lovich, broaching the possibility of nuclear annihilation with a murmured “Boom, Boom, Boom, Boom.” From aWest Coast scene dominated by 7-inch singles and EPs, the Suburban Lawns’ lone LP remains in a class with precious few. It’s not surprising that they found acceptance in the Hollywood punk scene, despite their Long Beach roots, and would influence other bands such as Minutemen. This is not a disc that will get parked in your collection hoping to get pulled once in a while; this is a record you will play.

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Stewart Copeland

LP | 1980 | Reissue (BMG)

LP | 1980 | EU | Reissue (Geffen)

Release: 1980 / Reissue

Genre: Rock & Indie

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The 1980 debut from Stewart Copeland of The Police as Klark Kent. The first solo release by any member of The Police, all instruments were played by Stewart Copeland. Initially released as a 10” on green vinyl, BMG is reissuing as an RSD Exclusive on 12” green vinyl – the first repressing since the 1980’s. Lacquers cut at Bernie Grundman Mastering from a 192khz/24bit tape transfer of an original A&M Safety Master. Includes the UK Top 50 single “Don’t Care”.

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Steely Dan

Gaucho Ltd.

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Countdown To Ecstasy Limited Edition

Steely Dan

LP | 1973 | CZ | Reissue (Geffen)

Release: 1973 / CZ – Reissue

Genre: Rock & Indie

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Content To Write In I Dine Weathercraft

Stano

LP | 1983 | EU | Reissue (Allchival)

30,99 €*

Get It Away Trust Edition

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Former member of Dublin punk band The Threat, Stano released his debut LP on Scoff Records in 1983. Recorded in Alto Studios, the Irish artist eschewed live performances in favour of fusing collaborative, improvised, experimental music with spoken word-poetry. The LP featured contributions from fellow Irish musicians and artists such as Michael O'Shea, Roger Doyle, Donald Teskey, Vinnie Murphy, Detroit born Jerome Rimson and is a seminal document of Irish postpunk

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SS Decontrol

LP | 1983 | EU | Reissue (Trust)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-09-20

LP | 1980 | EU | Reissue (Repertoire Entertainment Gmbh)

Sparks

Terminal Jive

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | EU | Reissue (Universal)

Sparks

Kimono My House

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 1988 | EU | Reissue (Adasam Ltd)

Spacemen 3

Playing With Fire

33,99 €*

LP | 1988 | UK | Reissue (Fire)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Limited edition for Record Store Day 2017!

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Spacemen 3

Performance

21,99 €*

2LP | 1988 | US | Reissue (Sub Pop)

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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180 gram vinyl

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Soundgarden

Ultramega OK

Release: 1988 / US – Reissue

Genre: Rock & Indie

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The Adventure Of Pirate Kid

Sons Of Sun

LP | 1972 | JP | Reissue (Fuji)

44,99 €*

Blows The Blues Acoustic Sounds

Release: 1972 / JP – Reissue

Genre: Rock & Indie, Pop

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Originally released in 1972, the legendary Soft Rock "Happy End" album is now back on an analog LP!! Written by Hiro Yanagida, Produced by Takashi Matsumoto, Sons OF SUN's first album will be making its return from the label Fuji!! Keyboard Hiro Yanagida Drums Kiyoshi Tanaka E.Guitar Kazuyuki Nagaoka E.Bass Hideaki Takebe Vocal MAO

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Sonny Stitt

LP | 1970 | Reissue (Verve)

38,99 €*

Release: 1970 / Reissue

Genre: Rock & Indie

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Tape | 1987 | US | Reissue (Goofin')

Sonic Youth

Sister

17,99 €*

LP | 1987 | US | Reissue (Goofin)

Release: 1987 / US – Reissue

Genre: Rock & Indie

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“Let’s get something straight. There is no album in the entire corpus of indie rock—not Loveless, not Surfer Rosa, not Psychocandy—that reaches the heights of invention, joy, and magic of Sonic Youth’s sublime fifth album.... The haunted reveries of Sister remain with you for years, even if you only hear them once” — Stereogum.

1987’s Sister was another notch in the band's move away from No Wave, yet still maintained their experimental approach. Gordon, Moore, Ranaldo and Shelley were coming into their own at this point, combining elements of noise, punk and pop. They had also become better songwriters since their previous album, providing better context for their noisier elements and incorporating the dissonance of their earlier releases into more traditional song structures. To quote Stereogum once again, “Sister is the sonic manifestation of refracted light. It’s a record that changes you.”

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Sonic Youth

Sister

Release: 1987 / US – Reissue

Genre: Rock & Indie

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2LP | 1988 | US | Reissue (Goofin)

Sonic Youth

Daydream Nation

Slayed? Colored Vinyl Edition

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Daydream Nation was Sonic Youth’s sixth full-length, their first double-LP, and their last for an indie label before signing with Geffen. Widely considered to be their watershed moment, the album catapulted them into the mainstream and proved that indie bands could enjoy wide commercial success without compromising their artistic vision. More recently, Daydream Nation has been recognized as a classic of its time: Pitchfork ranked it #1 on their “100 Greatest Albums of the 1980s”; Spin listed it at #13 on their “125 Best Albums of 1985-2010”; Rolling Stone put it at #45 on their “100 Best Albums of the Eighties” list and #328 on their “500 Greatest Albums of All Time.” It was one of 50 recordings chosen by the Library of Congress to be added to the National Recording Registry in 2006.
2007 saw the release of an expanded four-disc vinyl box set, but now the album is back in its original form after years of being out of print and highly sought after. As a special 21st century bonus, the vinyl now includes a digital download card—radical adults rejoice!

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Slade

LP | 1972 | EU | Reissue (BMG Rights Management)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Old New Borrowed And Blue

Slade

LP | 1974 | EU | Reissue (BMG Rights Management)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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2LP | 1979 | UK | Reissue (Last Night From Glasgow)

Skids

Scared To Dance

38,99 €*

Release: 1979 / UK – Reissue

Genre: Rock & Indie

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2LP | 1979 | UK | Reissue (Last Night From Glasgow)

Skids

Scared To Dance

38,99 €*

Release: 1979 / UK – Reissue

Genre: Rock & Indie

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LP | 1984 | EU | Reissue (Strangelove)

Sjunne Ferger

Mind Games

23,99 €*

7" | 1972 | UK | Reissue (Dynamite Cuts)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Occupying its own hinterland within Scandinavia's early 80s electronic/progressive move-ments, 'Mindgames' navigates a lifetime of musical and personal exploration by Sjunne Fer-ger. Child jazz drummer prodigy, arts venue operator, music teacher and Aikido practition-er, a bewildering array of personal & creative influences are distilled into the Örebro native's only long player. Written around a new wave context, his own jazz fusion roots and at times with an unintentionally balearic outcome, Sjunne goes some way to conjuring up a singular sounding album of the time.

Narratives of love and loss, calls to self-empowerment and mindfulness, the new age zeal throughout follows Sjunne's own awakening. Its music caught in meditative reflection one moment before propelling into ecstatic revelation the next, with Sjunne's collective 'Exit' providing electric backing throughout. Propelled by the Drummer's beat, its hard not to be caught up with Sjunne's personal vision of a 'Polymood Music'

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Sixto Rodriguez

Sugar Man

16,99 €*

LP | 1978 | EU | Reissue (Polydor)

Release: 1972 / UK – Reissue

Genre: Rock & Indie

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Just had to do it, this timeless classic "Sugar man" by Sixto Rodriguez. An immense tune. OG released on the funk and soul label; Sussex records. With a top line up of musicains - Bob Babbitt on bass and Dennis coffey on Guitar; Gordon Staples did the stunning Strings arrangment and Mike Theodore producer... This was previously issued as a 7" in the 70s, but sell for well over £100.00. We have used the OG White colour sleeve design instead of the South African issue with a black sleeve, in keeping with format styles. On the flip we have take another track from the LP "Only good for conversation" Heavy groove with nice bass drum loop, it has a Eugene McDaniels vibes. x500 copies Don;t miss out!!! credits releases June 21, 2024

Sixto Rodriguez Vocals, Acoustic Guitar Bob Babbitt Bass Andrerw Smith Drums Dennis Coffey Electric Guitar Gordon Staples Leader [Strings] Mike Theodore Arranged By , Keyboards Carl Reatz Baritone Saxophone, Leader, Trombone Bob Pangborn Percussion Theo-Coff Productions Producer Dennis Coffey & Mike Theodore Producer, Arranged By Detroit Symphony* Strings

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Siouxsie & The Banshees

The Scream

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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2LP | 1983 | EU | Reissue (Svart)

Sielun Veljet

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Minna Tanoshiku Shonen Knife

Shonen Knife

LP | 1982 | JP | Reissue (P-Vine)

35,99 €*

Love On The Beat Picture Disc Edition

Release: 1982 / JP – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-09-27

After the release of their world debut Catch A Fire, Bob Marley & The Wailers would embark on a U.S. tour supporting the legendary Sly And The Family Stone. Yet after five dates, they were fired from the tour, supposedly for upstaging the main acts! Left with no money and nowhere to go, they performed one legendary show at San Francisco's The Matrix! These recordings, taken from a studio session before their legendary performance, find Bob Marley and The Wailers at their best. Featuring the classic lineup of Bob Marley (vo/gt.), Peter Tosh (vo/gt), Joe Higgs (per.), Earl Lindo (pf.), Family Man Barrett (b.), and Carlton Barrett (ds.), the Wailers are imbued with the kind of Rock and Roll energy that could only come from outshining Sly Stone! Even sweet rocksteady ballads such as “Stir It Up” take on the form of a rock and roll anthem in this session. Discovered and released on CD by P-vine in 2005, these mythical studio recordings are finally getting a long deserved analog release! The double LP on black vinyl comes complete with an obi-strip! Don’t miss this reggae gem from Bob Marley and The Wailers!

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Serge Gainsbourg

LP | 1984 | EU | Reissue (Universal)

21,99 €*

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Seitsemäs Maailma Black Vinyl Edition

Seitsemäs Maailma

LP | 1983 | EU | Reissue (Svart)

LP | 1981 | US | Reissue (1972)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Svart Records set to re-release the debut and only album by the Finnish rock band Seitsemäs maailma.

Originally released in 1983 and produced by Pekka Aarnio (Agit-Prop), the album’s lyrics were mostly based on the poems of Leo Voss. The band was formed by the members of Se (Eeva Koivusalo – bass, P.A. Ulmanen – keys, Yari – guitar, vocals) with Liisa Tavi (vocals), Charlie (Lama) (guitar, vocals), Sidi Vainio (Briard) (drums) and Kari Hipponen (guitar).

The self titled album by Seitsemäs maailma will be released on April 28th. Available on a Svart exclusive yellow vinyl limited to 100 copies and black vinyl limited to 200 copies. Both versions include a 8-page insert.

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Second Layer

World Of Rubber

Schleimer K Record Store Day 2023 Edition

Release: 1981 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Adrian Borland and Graham Bailey might be better known as members of legendary post-punk group The Sound, but the two were childhood friends and had been playing together even earlier in The Outsiders, and continued their deep musical rapport as a duo, creating these intense and engaging songs as Second Layer at the same time as their higher profile band output. Following the release of Courts Or Wars, combining their early material, 1972 reissues their only full length album, »World Of Rubber«.

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Schleimer K

LP | 1981 | US | Reissue (Glass Modern)

LP | 1980 | Reissue (Culture Factory)

Release: 1981 / US – Reissue

Genre: Rock & Indie

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Reissue of the 1981 debut LP by darkwave electrronic pioneers, Schleimer K', based around the duo of Englishman Michael Wolfen and Frenchman Dominique Brethes and its music has two naturally interlaced aspects. On the one hand, there's the eccentric dandyism of British "punk gothique" (if we take Bauhaus as its strongest representative) and the musical intransigence of early industrial bands (like Throbbing Gristle or Cabaret Voltaire). On the other hand, we have the very obvious French touch of "coldwave", varying from cold synth sounds to intense experiments. New artwork, yellow vinyl!

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Samson

Head On

Release: 1980 / Reissue

Genre: Rock & Indie

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Salvation Army Black Friday Record Store Day 2022 Orange Vinyl Edition

Salvation Army

LP | 1982 | EU | Reissue (Yep Roc)

LP | 1984 | EU | Reissue (Lantern)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Black Friday Record Store Day 2022 Exclusive. Color: Orange. Limitation: 1100.

Before The Three O'Clock, Michael Quercio was the lead singer/bassist of The Salvation Army, who released their self-titled album just six-months after releasing their debut, a 45, on D. Boon's (Minutemen) New Alliance label. In honor of it's 40th anniversary, this album is being released for the first time under its original title, since it was originally released in 1982, exclusively for Record Store Day Black Friday. In celebration of the album's 40th anniversary, it's being pressed on orange vinyl.

Status

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Sad Lovers & Giants

In The Breeze

LP | 1983 | EU | Reissue (Spittle)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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A more than welcomed re-issue for the iconic post-punk band coming all the way from Watford. The album showcase a collection of unreleased recordings – mostly conceived between 1981 and 1983 – and it is a right companion to their two studio masterpiece: "Epic Garden Music" and "Feeding The Flames".

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Sad Lovers & Giants

Feeding The Flame

24,99 €*

LP | 1988 | JP | Reissue (Alchemy)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Sad Lovers and Giants second album, a brilliant atmospheric post punk record with several elements akin to Joy Division and The Chameleons. We can definitely apply the term’ ethereal’ to these composition, certainly the sound is very oceanic and otherwordly melancholic, typical trademarks of the new wave renaissance. Recorded in 1983 – and released on their own label Midnight Music - Feeding the Flame showcases the original line up at its very best.

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S.O.B Kaidan

Noise,Violence & Destroy

36,99 €*

LP | 1979 | EU | Reissue (Karisma)

Release: 1988 / JP – Reissue

Genre: Rock & Indie

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Sabotage Organized Barbarian, best known by their acronym S.O.B were part of a hardcore punk movement in the 80s that envigorated Japanese youth along with other acts like Gism and Gauze. The ravaging tempos and punishing aural densities grappled with the ears, and their sphere of influence quickly broke the banks of their native Osaka, with acts like Napalm Death acknowledging the bands importance for their own sound and grindcore to come.

In 1988, S.O.B teamed up with Alchemy Records founder Jojo Hiroshige, and his prolific Japanoise band Hijokaidan to form S.O.B Kaidan. With Hiroshige’s crushing distortion squeals stacked on top of S.O.B’s high-tempo percussive aggression, the two made quick work of anything that dared to obstruct their path at the cross-sections of hardcore and noise.

Their only LP Noise Violence and Destroy remains the only relic of their collaboration, and has become hard to find. The initial batch of 3000 LPs were quickly snapped up, and the brief CD runs that followed are now rare items. As part of the Alchemy Records Essential Collections series, P-vine is thrilled to reissue Noise Violence and Destroy on limited edition vinyl for the first time with an iconic Japanese obi strip attached.

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Ruphus

Manmade

17,49 €* 24,99 € -30%

LP | 1988 | US | Reissue (Paradise Of Bachelors)

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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“Manmade” is the sixth and last album from the legendary Norwegian prog/jazz rock band Ruphus, originally released in 1979. A worthy end to a career of a band who made an everlasting catalogue of exciting music. After the previous album (“Flying Colours” in 1978), Ruphus lost three of the five band members. One of them was Thor Bendiksen (drums), who had been in the band from the start. It seemed impossible to replace one of the founding members, but Bjørn Jenssen filled the vacant drum stool like a charm. On keyboards, Kjell Rønningen replaced Jan Simonsen, and on vocals Gudny Aspaas returned for a third period in the band. With Gudny back in the band and new forces on keys and drums, they ventured to England to record a new album with Steven O’Donnell and Colin H. Jennings as producers. The result was a bona fide classic, and this new version of Ruphus did an extensive tour of Europe in support of it. “Manmade” is the sixth and last album in a series of Ruphus re-issues from Karisma Records, remastered by Jacob Holm-Lupo (White Willow, The Opium Cartel, etc).

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Roxy Gordon

Crazy Horse Nver Died

Life Time Metallic Gold Vinyl Edition

Release: 1988 / US – Reissue

Genre: Rock & Indie

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The Choctaw, Assiniboine, and Texan poet, journalist, visual artist, American Indian Movement activist, and musician Roxy Gordon (First Coyote Boy) (1945-2000) was above all a storyteller, known primarily as a writer of inimitable style and unvarnished candor, whose wide-ranging work encompassed poetry, short fiction, essays, memoirs, journalism, and criticism. Over the course of his career he recorded six albums, wrote six books, and published hundreds of shorter texts in outlets ranging from Rolling Stone and The Village Voice to the Coleman Chronicle and Democrat-Voice, in addition to founding and operating, with his wife Judy Gordon, Wowapi Press and the underground country music journal Picking Up the Tempo. Along the way he cultivated close friendships with fellow Texan songwriters such as Lubbockites Terry Allen, Butch Hancock, and Tommy X. Hancock, as well as Ray Wylie Hubbard, Billy Joe Shaver, and, most famously, Townes Van Zandt, whom he called his brother. Although his work covered a vast array of topics exploring strata personal, local, global, and cosmic alike, Gordon's primary subject as a writer, musician, and visual artist was always American Indian culture, specifically the ways it collided and coexisted with European American culture in the South and West-and within the context of his own life and braided identity. The ten songs on Crazy Horse Never Died, his first officially released and distributed album, were recorded in Dallas in 1988. "Songs" is perhaps an imprecise taxonomy for what Roxy captured on this and his other albums, all of which remain out of print or were released in instantly obscure limited editions of homebrew cassettes and CD-R's. (Paradise of Bachelors plans to reissue remastered, expanded editions of his catalog; Crazy Horse is the first.) He only occasionally attempted to sing, and his musical recordings are primarily corollaries of, and vehicles for, his poems. His sharp West Texan drawl, tinged by formative years of reservation living in Montana and unmistakable once you hear it-high, lonesome, flat, and cold-blooded as a bare rusty blade-instead patiently unfurls in skewed sheets of anecdotal verse and discursive narrative rants. Although Gordon's music at times incorporated powwow style drumming, fiddling, or unaccompanied ballad singing, the majority of it hews to an idiosyncratic spoken word style, accompanied by atmospheric, sometimes synth-damaged country-rock that skirts ambient textures and postpunk deconstructions. His songs are essentially recitations over backing tracks of finger picked guitars, rubbery washtub bass, and buzzing, oscillating keyboards. On the stark yellow and red jacket of Crazy Horse, which he designed himself, Gordon describes these recordings as innately ambivalent in terms of form, content, and identity: These are poems and/or songs about the American West, white and Indian. My life has been Indian and/or white. Maybe there's not a lot of difference-maybe. I guess that's mostly according to which white person or which Indian you're talking about. That's probably what this album's about. Crazy Horse Never Died comprises songs that span the personal and political arcs of his writing practice and the poles of his native and white ancestries.

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Rollins Band

LP | 1987 | US | Reissue (2.13.61)

24,99 €*

2LP | 1979 | UK | Reissue (Panegyric)

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Vinyl reissue of debut full-length, originally released in 1987.

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Robert Fripp

Exposure

Release: 1979 / UK – Reissue

Genre: Rock & Indie

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LP | 1979 | UK | Reissue (Panegyric)

Robert Fripp

Exposure

25,99 €*

Release: 1979 / UK – Reissue

Genre: Rock & Indie

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LP | 1981 | EU | Reissue (Culture Factory)

Ringo Starr

Stop & Smell The Roses

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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LP | 1983 | EU | Reissue (Culture Factory)

Ringo Starr

Old Wave

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Teen Babes From Monsanto Limited Peak Edition

Redd Kross

LP | 1984 | EU | Reissue (Merge)

19,99 €*

Talk About The Weather White Vinyl Edition

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Translucent Pink Vinyl! A little drums, a little atmosphere, and it wails like this! Hotter than anything printed by a Hearst daily, the 12-song Version Especial of Redd Kross' Teen Babes from Monsanto - all art, no filler, direct from the source, pure from the tap - reissued by Merge Records. The album features specially designed packaging that allows you to choose between two different front covers with just a flip of the wrist! Experience vintage teenaged Redd Kross as presented by Monsanto: 100% genuine, chemically inspired brilliance fueled by processed junk food.

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Red Lorry Yellow Lorry

LP | 1985 | EU | Reissue (Audioplatter)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Dream Catcher)

Red Dirt

30,99 €*

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1981 | Reissue (Culture Factory)

Raven

Rock Until You Drop

Release: 1981 / Reissue

Genre: Rock & Indie

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LP | 1983 | Reissue (Culture Factory)

Raven

All For One

Release: 1983 / Reissue

Genre: Rock & Indie

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C'est Disco White Vinyl Edition

Rats

LP | 1981 | EU | Reissue (Spittle)

LP | 1978 | AU | Reissue (Left Ear)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Ltd re-issue on white vinyl ! C'est disco is the first studio album by the Italian band Rats. It was released in 1981 by Italian Records and is a record strongly inspired by the wave and dark scene of that period. In 2014 the record was reissued in a vinyl version with the addition of a bonus CD featuring the complete album plus the song Tattoo, initially discarded from the album's tracklist and included in a compilation. The band's line-up featured vocalist Claudia Lloyd on vocals, and on guitar the only member present in the more famous version active in the late '80s and '90s, Wilko Zanni, who in the next album would take Claudia Lloyd's place on vocals.

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Rainbow Generator

Dance Of The Spheres

29,69 €* 32,99 € -10%

Fables Of The Reconstruction

Release: 1978 / AU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Limited to 500 units, includes a bifold insert with archival images and detailed liner notes.

Rainbow Generator are Australia’s first true experimental electronic music group. Consisting of David Labuschagne AKA Mojo, and Rob Greaves AKA Ras. Starting in the mid-70’s, the pair took it upon themselves to begin exploring the possibilities of the sonic dimension and with an ‘open mind’ began investigating the interface between psyche and sound.

In 1976 David established the ‘Lectric Loo’ studio in Woolloomooloo, Sydney. Known to the ‘heads’ as simply the “Loo”, the 3-story building was owned by the Department of Main Roads, and slated for demolition. So, it was that the entire block became a haven for squatters, and while Mojo had the main 3-story building to himself, the rest of the buildings were taken by a hotch-potch of people that included Anarchists, a Clown School and a collection of other random squatters. Recording in the ‘Lectric Loo’ provided them the ability to record freely. In 1975 they began to experiment, putting Mojo’s Fender Strat through effects pedals, playing with sounds while manipulating shortwave radio stations and also challenging convention by playing the insides of instruments. By 1976 they had built a kit synthesizer and shortly after purchased a full Roland 100 Synthesiser set-up and were on their way.

In 1978, with little resources, or any form of distribution they released their sole LP ‘Dance of the Spheres’. As Mojo puts it, “we were intent on making music with whatever we could beg, borrow, buy, and liberate. Albeit with scant regard for the rules or conventions or niceties of the game. Ultimately, it was all an act of love, of joy. Not just an adventure; it was a musical odyssey”.

This odyssey continued their exploration of the interface between psyche and sound. Fusing genres and boundaries, Dance of the Spheres incorporates elements of 70’s psych and folk with spoken-word and of course the emerging sounds of the synthesizer and drum machines. Furthermore, the addition of traditional instruments such as the didgeridoo and the classical Indian instrumentation technique of a Raga add a timeless layer, all seamlessly complementing the other elements and launching the album to another dimension.

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R.E.M.

LP | 1985 | Reissue (Universal)

Release: 1985 / Reissue

Genre: Rock & Indie

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Tape | 1982 | Reissue (Universal)

R.E.M.

Chronic Town

14,99 €*

Release: 1982 / Reissue

Genre: Rock & Indie

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LP | 1983 | UK | Reissue (Fire)

Pulp

24,99 €*

2LP | 1987 | UK | Reissue (Fire)

Release: 1983 / UK – Reissue

Genre: Rock & Indie, Pop

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Pulp’s debut and one of their most honest recordings - capturing a band at
the beginning of their startling career. ‘It’ is a gentle, mainly acoustic album that hints at the musical directions Pulp would later pursue.
The album touches on the majestic, theatrical ballads of Scott Walker, as well as the stark, folky song poems of Leonard Cohen.
Certainly an album by a young band trying to pinpoint their direction, and absorbing many an influence from all around, ‘It’ has aged
beautifully into a charming collection. Fire are to reissue Pulp’s 1983 debut album ‘It’ as part of the Fire reissue series with bonus
material. Liner notes by Everett True. Featuring 4 Bonus tracks including single version of ‘My Lighthouse’ and alternative mix of ‘Blue
Girls’, ‘Sink Or Swim’ and ‘Please Don’t Worry’ from Pulp’s John Peel session in 1981.

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Pulp

Freaks

33,99 €*

Release: 1987 / UK – Reissue

Genre: Rock & Indie, Pop

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2LP | 1987 | UK | Reissue (Fire)

Pulp

Freaks

First Issue Metallic Silver Vinyl Edition

Release: 1987 / UK – Reissue

Genre: Rock & Indie, Pop

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Features a second bonus disc packed with singles and b-sides from the
Freaks era. Pulp had changed significantly since their debut 'It'. By this time every member bar Jarvis had moved on but the addition of
Russell Senior proved to be a pivotal turning point for the band. No longer did Pulp sound pastoral, easy-natured; now they were darkly
romantic, brooding, noisy and a little bit Gothic, in the way young folk who brush their hair a certain way are always a little bit Gothic.
Pulp were out-of-tune with the times: but the times didn't satisfy Pulp. The album is quite marvellous. Most of these songs stand the
distance of time: it was here, possibly even more than 1992's Separations, that Pulp started coming into their own as a band with a fullyrealised aesthetic. The first disc is the original album, unaltered and in its entirety. The second is a bonus disc comprising of tracks from
the two big non-album singles from the same era, 'Little Girl (With Blue Eyes)' and 'Dogs are Everywhere'. Two further b-sides 'Tunnel'
and 'Manon' complete the second disc for the definitive 'Freaks' period release. Pulp's 'It' and 'Separations' will be repressed at the
same time for the complete Pulp on Fire collection.

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Public Image Ltd

LP | 1978 | US | Reissue (Light In The Attic)

47,99 €*

Release: 1978 / US – Reissue

Genre: Rock & Indie

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Those Who Do Not White Vinyl Edition

Psychic TV

2LP | 1984 | UK | Reissue (Cold Spring)

40,99 €*