Indierock | Alternative 1446 Items

LP | 2021 | US | Original (Western Vinyl)

Release: 2021 / US – Original

Genre: Rock & Indie

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Toronto's Packs make music that's like leafing through a diary entry of a time without visible movement, a subtle beauty that appears only when paying close attention. The band's debut is a collection of songs that marry the loose but incisive jangle of early Pavement with the barbed sweetness of Sebadoh and the wide-eyed wonder of the first Shins LP. Written in two different settings, between the city limits of Toronto where Link was living in 2019, and the Ottawa suburbs where she was quarantined with her parents in the spring 2020, both remain complementary emblems of self-reflection and wry observation of the mundanity of daily life. "Take the Cake" is out on Fire Talk (Dehd, Deeper, Mamalarky) on July 9th 2021.

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Hollie Kenniff

The Quiet Drift

Take The Cake Black Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Director David Lynch once said "I long for a kind of quiet where I can just drift and dream. I always say getting inspiration is like fishing. If you're quiet and sitting there and you have the right bait, you're going to catch a fish eventually. Ideas are sort of like that. You never know when they're going to hit you." Inspired by this quote in both name and spirit, Hollie Kenniff's The Quiet Drift is an ambient gallery of cloudlike synths, seraphic strings, echoing guitars, and other celestial textures guided to cohesion by Hollie's own wordless singing. Though the album certainly creates (and originates from) the kind of space where Lynch's proverbial "fish" can be caught, The Quiet Drift is a fitting title for Hollie's own history, both recent and distant. During the course of the album's creation, Hollie and her family moved cross-country from an island in Washington state, to an island in Maine before ultimately relocating to Canada. "As a child I visited Ontario year-round," she explains in her own words. She continues "More than any other landscape, I think the lake, rivers, and woods there left the most enduring impression on me. The landscape and pace of life of these places will always stay with me." But the reverberant spaces Hollie crafts need no physical headquarters. Instead of conjuring views of nature at the ground level, her sound more readily evokes a top-down perspective, with the distinct features of the land shrinking underfoot as the listener becomes untethered from geography altogether. The Quiet Drift belongs more to the liminal spaces between life and afterlife, memory and fantasy, landscape and dreamscape, than any mappable locale. Describing her formative years, Hollie says "As a dual US/Canadian citizen who spent my childhood in a rural town-- one that I haven't returned to in many years - I have a sense of not entirely belonging anywhere. When I was a teenager my close friends were male musicians, so I was also an outsider to the degree that they were wild and anarchic in a way that I wasn't. I was a quiet book reader and avid music listener who enjoyed being around a creative group. I was also a radio DJ for alternative and punk music throughout high school." In this light, The Quiet Drift attests that creativity is placeless, and calls into question the stereotype of artists as scene-centric city dwellers. Having come of age in the absence of metropolitan sensory overload, Hollie learned to spot the muse in nature, and within herself, instead of the echo chamber of a frenzied peer group. On The Quiet Drift Hollie Kenniff wholly escapes from such pop-culture feedback loops into transcendent, shimmering realms, and she brings the listener along with her. In this age in which we have all been called to reevaluate our relationship to indoor spaces, and seek refuge in the great outdoors, The Quiet Drift provides an apt soundtrack for such rebalancing.

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Packs

LP | 2021 | EU | Original (Fire Talk)

LP | 2021 | US | Original (Woodsist)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Toronto’s Packs make music that’s like leafing through a diary entry of a time without visible movement, a subtle beauty that appears only when paying close attention. A series of intriguing, lo-fi singles trickled out on Bandcamp, and on the strength of these demos alone the band began sharing stages with artists such as Odetta Hartman. Less a band that is a product of the internet than one whose quiet and acute observations make them impossible to be ignored, the quartet led by Madeline Link has carved out a growing space past the Canadian country lines where their initial demos were born. Written in two different settings, between the city limits of Toronto where Link was living in 2019, and the Ottawa suburbs where she was quarantined with her parents in the spring 2020, both remain complementary emblems of self-reflection and wry observation of the mundanity of daily life.

“The album is a meeting of old and new,” says Link. “Old songs from a year ago where I'm having really horrifyingly awful days at work, getting doored while biking in Toronto and flying into the middle of the street, or going on dates with guys who I'm either instantly in love with, or who end up creeping me out a bit. Those songs are more packed with that feeling of hurtling-through-time-and-space-at-breakneck-speed, manic energy. The newer songs are infused with a foggier, slower-paced disillusionment, and deal with the strangeness of a reality morphing before my eyes every day. I still try to be optimistic obviously, but these songs are really glorified coping mechanisms.”

Initially a solo songwriting project of Link’s that she pursued between gigs as a set dresser for commercials, the band blossomed into a four piece, composed of Shane Hooper (drums), Noah O’Neil (bass), and Dexter Nash (lead guitar). Anchored by Link’s voice, which brings such an easy charm to her songs that it’s easy to miss her keen ear for acrobatic vocal lines, together they turn Link’s melodically adventurous and introspective songs into the purest and brightest kind of indie rock. The band’s debut is a collection of songs that marry the loose but incisive jangle of early Pavement with the barbed sweetness of Sebadoh and the wide-eyed wonder of the first Shins LP. It will be released in partnership with buzzy Brooklyn label Fire Talk (Dehd, Deeper, Mamalarky), and Toronto mainstays Royal Mountain (Alvvays, Wild Pink, Mac Demarco).

It’s an enchanting record with a transportive quality. The songs communicate Link’s perspective acutely, with details that stand out in their specificity yet feel naturally at ease with melody and a loose charm that make the album feel timeless, like one that could have emerged from any of a number of “golden ages of indie rock.” Packs’ songs have a way of creeping up on you, and showing new depth with each listen. Be it a subtle harmony, a zig-zagging melodic turn, or Link’s lyrics, which wring a commandeering poetry out of every-day building-blocks as she navigates the growing pains that linger beyond adolescence — finding your bearings after a breakup, feeling directionless, processing loss. “My guts are wrapped in clingfilm / my guts are wrapped up tight / and if you’re going to put me in your backpack I will putrefy” goes a particularly arresting lyric on “Clingfilm,” articulately describing in Link’s own incisive language the alienating experience of dating after a break-up Each razor-sharp nugget of wry wisdom depicts its own scene of sonic touchstones: on the dreamy “U Can Wish All You Want,” she sings about moving in with her sister and struggling to adjust to living in the city around a neatly subverted butterfly metaphor, where on “Two Hands” she poignantly describes the eeriness of walking around the neighborhood she grew up in after the world has changed around it, while in the same turn referencing the Simpsons.

Recently completing an artist residency in Mexico, Link’s aptitude and enthusiasm for a myriad of multidisciplinary subjects all trickles back to her overarching approach towards the subject matter she ruminates on in her songs. “While in Mexico, I constructed paper maché objects and documented myself destroying them. I also wrote and presented PowerPoint presentations juxtaposing the most disparate chain of research/ideas together to activate that part of your brain that’s constantly trying to make logical connections where there are none.” Call it world-building on a miniature scale: a more apt way to describe it would be a careful collaging, making sense of catastrophic loss and tiny signposts that point to something greater than the sum of its parts.

Throughout the chaos of everyday life, it’s impossible not to feel charmed by Link’s innate understanding of the little things that make the universe tick, and her sonic accompaniments make the simple task of getting from point A to B a journey that lends a little more spring to your step. Most daydreams feel less realistic; in Packs’ world the two are just what you make it. As society begins to open back up, Take the Cake is a reminder that sometimes a little gentle introspection is all we really need to get by.

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John Andrews & The Yawns

Cookbook

More Than A Party In Amsterdam Live 1983

Release: 2021 / US – Original

Genre: Rock & Indie

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“John Andrews is picking flowers from each corner of his life and presenting you with an unusual bouquet. His imaginary band ‘The Yawns’ are back! Third time’s a charm. In hockey terms, they call it a ‘hat trick’ and you know who’s always wearing a ratty old hat? John Andrews. Three years in the making and we have Cookbook, the third, and most colorful record from your favorite New Hampshire based craftsman. “Unknowing folks usually assume he lives in New York City or Los Angeles but confer with John for five minutes and if he’s in the right mood he’ll talk your ear off about the granite state and the old, seedy colonial barn where he’s tracked his records with his weird and wonderful friends. “Take a listen to his previous effort, 2017’s Bad Posture. It was the grassroot slacker’s pie in the sky. His head was stuck in the past. He probably excessively listened to ‘Cripple Creek Ferry’ and he most likely wasn’t keeping up with household chores. Time moves on, but just look at him now! All grown up yet likely still feeling those growing pains. After a few more years of traveling we now have Cookbook, fresh out the oven…phew! About nine or ten new tracks, but who’s really counting? “The lyrics are simple and endearing, inspired by mid-century love songs. His inspirations are all across the board. If his subconscious was a bootleg taper, life would be the show. “At any rate, it doesn’t sound like a record made in New Hampshire, but make no mistake, this is a dyed-in-the-wool Yawns record, refreshingly straightforward yet full of character. It’s less of a crowded honky tonk, and more of an empty, poignant speakeasy. You can finally relax indoors after a weary day out in the cold. Have you ever seen that painting of dogs playing poker? It might as well be what they were listening to as the bulldog pushed his chips forward.” —John’s mom

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Depeche Mode

LP | 2021 | EU (Mind Control)

15,99 €*

LP | 2021 | EU | Original (Pelagic)

Release: 2021 / EU

Genre: Rock & Indie, Pop

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Cult early performance in Amsterdam

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Oslo Tapes

Or Black Vinyl Edition

15,99 €*

LP | 2021 | US | Original (Thrill Jockey)

Release: 2021 / EU – Original

Genre: Rock & Indie

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For Fans Of Amon Düül, Can, Faust, Neubauten, Brian Eno, Cluster, Cult Of Luna, Nine Inch Nails, Massive Attackor - Norwegian For "Dizzy, Confusing" - Is The Third Album From Italian Avant-Rock Trio Oslo Tapes, And The Album Keeps What The Word Promises: A Dizzying Ride Through A Feverish Dreamscape Of Imaginary Norwegian Highlands Painted In Cubistic Shapes. Hypnotic Basslines, Repetitive Drum Patterns, New Wave Synths And Psychedelic Guitar Textures Covering The Full Width Of The Stereo Room, All Seamlessly Woven Into A Gloomy Kraut - Tapestry Which Sounds Refreshingly_ Modern, While Paying Tribute To The Aged Genre.Marco Campitelli, Born And Raised In Lanciano On The Southern Adriatic Coast Of Italy, Founded Oslo Tapes In The Early 2010s After A Trip To The Norwegian Capital Left Him Deeply Impressed. Under The Influence Of This Infatuation, He Composed And Produced Oslo Tapes' First Record "Ot (Un Cuore In Pasto A Pesci Con Teste Di Cane)" Within A Week In 2013.Supervised And Supported By Friend Amaury Cambuzat (Faust / Ulan Bator), Campitelli's First Attempt To Capture The Mystical Vibe Of Norway Was Released On Deambula Records (Ulan Bator, The Marigold, 7c). In 2015 He Was Joined By Mauro Spada And Federico Sergente (Zippo) And Together They Recorded Oslo Tapes' Sophomore Album "Tango Kalashnikov", Also Released On Deambula Records."Or" Is A Much More Collaborative Effort For Oslo Tapes Than The First Two Records. Next To Campitelli, The Album Was Co-Produced By Amaury Cambuzat (Ulan Bator) And James Aparicio (House Engineer For Mute Records And Mixing And Mastering Engineer For Depeche Mode, Mogwai, Nick Cave). During Production, Campitelli Became Friends With Emil Nikolaisen Of Serena Maneesh W H O Guided Him "Through The Norwegian Imagination". As A Result, The Record's Title Is Also Courtesy Of Nikolaisen.During This Journey Spanning Over Eight Songs, Oslo Tapes, Completed By Mauro Spada (Bass) And Davide Di Virgilio (Drums And Percussions) Construct A Dense And Ever So...

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Rose City Band

Earth Trip

Release: 2021 / US – Original

Genre: Rock & Indie

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Home Video Black Vinyl Edition

Lucy Dacus

LP | 2021 | EU | Original (Matador)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Valley Of Death (Or Whatever) White Vinyl Edition

The Whatever

LP | 2021 | US | Original (Beatrocket)

28,99 €*

Evil Urges 2021 Colored Vinyl Repress Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Unheard garage greatness! Whatever you call this many monikered group, their impossibly rare 1967 single has been making collectors everywhere salivate. But there's more to the story' these NY teens made it into the studio to cut 6 additional songs, plus a couple car dealership jingles that rowdily repurpose their iconic single!

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My Morning Jacket

2LP | 2008 | UK | Reissue (ATO)

Release: 2008 / UK – Reissue

Genre: Rock & Indie

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2LP | 2012 | EU | Reissue (Music On Vinyl)

Hooverphonic

With Orchestra Live

33,99 €*

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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LP | 1984 | EU | Reissue (Touch & Go)

Die Kreuzen

29,99 €*

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Runway / Me Suive Record Store Day 2021 Edition

La Femme

12" | 2021 (Disque Pointu)

13,99 €*

No Gods No Masters - Neon Green Vinyl

Release: 2021

Genre: Rock & Indie

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Record Store Day 2021 Release. French band La Femme are releasing their 3rd album Paradigmes worldwide on April 2nd 2021. For Record Store Day, they have decided to please their fans with an exclusive 12" featuring the tracks Runway and Me Suive which were originally created for fashion shows in collaboration with Hedi Slimane. Both tracks have never been released physically.

Tracklisting: 01. Runway 02. ME Suive

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Garbage

LP | 2021 | EU | Original (BMG Rights Management)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Passages Red Withpurple Vinyl Edition

Maserati

LP | 2021 | US | Original (Temporary Residence)

LP | 2021 | EU | Original (Kosmische Kuriere)

Release: 2021 / US – Original

Genre: Rock & Indie

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In anticipation of their back then long-awaited new album coming in 2010, Athens, GA's premier (or maybe only) psych-dance-rock-etc stalwarts collect their rare and out-of-print vinyl tracks from the previous couple years onto CD for the first time. Featuring all four tracks from their blink-and-it's-gone limited-edition split LP with Zombi, as well as their remix LP (featuring The DFA's Tim Goldsworthy and !!!'s Justin Van Der Volgen), Passages was augmented with two previously unreleased tracks - the Moog-fueled meditative trance of Steve Moore's "Monoliths" remix, and the positively sublime emotional heft of "Do You Hear The Nightbirds Calling You?", all remastered from the original master tapes and packaged with eye-popping artwork.

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Cosmic Jokers

Galactic Supermarket

LP | 2012 | EU | Reissue (Megaforce)

Release: 2021 / EU – Original

Genre: Rock & Indie

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180g, Black Vinyl.1974. The Cosmic Jokers Were Basically Klaus Schulze, Manuel Göttsching, Various Ash Ra Tempel And Wallenstein Members Doing Late Night Jamming. Galactic Supermarket Is One Of Them, And Is More Rock-Oriented Than Many Others. It's No Surprise The Music Bears More Than A Passing Resemblance To Ash Ra Tempel, Because Of Manuel Göttsching And His Guitar Playing. Also Jürgen Dollase Gives Some Nice Keyboard Work, Particularly The Piano, Farfisa Electric Piano, Synths, And Even A Little Mellotron. Klaus Schulze Were More Responsible For The More Droning Organ And Synth End Of Things, It's Pretty Obvious When He Plays It. The Legendary Producer Dieter Dierks Plays Bass On These Nearly Never Ending Improvisation. The Recording Was Transferred From The Original Analog Tapes At The Dierks Studios In Germany. And Carefully Remastered For An Incredible Result. Released On The Label "Kosmische Kuriere" (Cosmic Couriers)

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Bad Brains

Into The Future

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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LP | 1992 | EU | Reissue (Materiali Sonori / Spittle)

Durutti Column

Red Shoes

Teatro D'ira - Volume I Lp Colored Vinyl Edition

Release: 1992 / EU – Reissue

Genre: Rock & Indie

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First ever re-issue on vinyl. Red Shoes includes eight new recordings (dated early 1992), five unreleased tracks, a new version of When The World and more sophisticated rendition of For Madeleine and For Zinni. Vini develops his musical journey using fascinating licks for guitar, steeped in New Age, minimalism, soft electric folk and ambient music (we stressed to remind you that Vini’s style has been long informed by kosmische heroes such as Manuel Göttsching or Günter Schickert and even John Martyn). The album offers even the re-issue of the mini album Greetings Three, a very important goal for the band and the label Materiali Sonori. In fact, the four tracks included on this record - released in 1985 - have been explicitly dedicated to Italy, Tuscany and to new Italian friends. Along with Vini Reilly you will find the talent of Bruce Mitchell (drums) and John Metcalfe (violin) on display.

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Maneskin

LP | 2021 | EU | Original (Rca Label)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (K&F)

Sundays

Inner Coast

Release: 2021 / EU – Original

Genre: Rock & Indie

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ep's 1988-1991 and rare tracks

my bloody valentine

2CD | 2021 | EU | Original (Domino)

17,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2013 | EU | Reissue (Domino)

my bloody valentine

m b v Deluxe Edition

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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Isn't Anything Deluxe Edition

my bloody valentine

LP | 1988 | EU | Reissue (Domino)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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LP | 2018 | EU | Reissue (Guruguru Brain)

Minami Deutsch

With Dim Light

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Copycat Killer Black Vinyl Edition

Phoebe Bridgers

12" | 2021 | US | Original (Dead Oceans)

21,99 €*

Sauna White Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Copycat Killer is a 12" featuring 4 exclusive new versions of songs from Phoebe Bridgers' wildly acclaimed Punisher album. Collaborating with arranger Rob Moose (Sufjan Stevens, The National, Bon Iver, Vampire Weekend, Jay-Z), these are brand new orchestral arrangements of the songs Kyoto, Savior Complex, Chinese Satellite and Punisher, all given a luscious revamp that is sure to delight any fans of Phoebe's album and serve as perfect gateway for new listeners into what makes her one of the most special artists of 2020 and beyond.

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Mount Eerie

LP | 2015 | US | Reissue (P.W. Elverum & Sun)

Made To Measure Volume 1 Remastered Edition

Release: 2015 / US – Reissue

Genre: Rock & Indie

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Now on white vinyl.

From the press release:

The sauna that this album was inspired by is not a sauna that actually exists anywhere. It is about the idea of a small man-made wooden room crushed beneath a universe’s worth of bad weather; a concentration of extreme heat within a vast tough world. Inside this deliberate space a transformation occurs. The exaggerated atmosphere of flames, steam, smoke and dim light obliterate the usual sensations and new kinds of perception are exposed. Then the shocking plunge under cold water and the razor sword through sky.

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V.A.

LP | 2021 | EU | Original (Crammed)

19,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Heavy Psych Sounds)

Bongzilla / Tons

Doom Sessions Volume 4

20,99 €*

Drums Were Beaten: Fort Apache Studios 1996

Release: 2021 / EU – Original

Genre: Rock & Indie

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Heavy Psych Sounds Is Really Proud To Announce A Brand New Series Of Split Albums That Will Be Called Doom Sessions. We Are Going To Release A Bunch Of Compilations With Doom Bands From Heavy Psych Sounds Roster Featuring Some Of The Heaviest Bands Of The World Doom Scene. Each Volume Will Host Two Bands. The Record You Are Holding Is Vol. 4 - A Split Album Between The Wisconsin Legendary Cannabeasts Bongzilla And The Italian Heavy Sludge Weedriffers Tons. All The Tracks Are New And Never Released Before. An Impressive Heavy Doom And Sludge, High Trip !!!Awesome Artwork By The Mighty Branca Studio.

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Hypnosonics

LP | 2021 | EU | Original (Modern Harmonic)

28,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Mutator Black Vinyl Edition

Alan Vega

LP | 2021 | US | Original (Sacred Bones)

The Battle At Gardens Gate

Release: 2021 / US – Original

Genre: Rock & Indie

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A Never-Before-Heard Full-Length Recorded By Legendary Nyc Musician Alan Vega (Suicide) In The Mid '90s With His Frequent Collaborator Liz Lamere. The Tapes Were Uncovered By Lamere And Jared Artaud (The Vacant Lots), Who Mixed And Produced Them To Create The Record. Mutator Is The First Release In The Alan Vega Vault Series On Sacred Bones, Collecting Rare And Unreleased Archival Recordings. Riyl: Suicide, The Fall, Wire, Nine Inch Nails.Alan Vega's Name Is Synonymous With Unfettered, Tireless Creativity. Beginning In The Late 1950s, When He Was A Fine Art Student At Brooklyn College, Through His Years Playing In Suicide, And All The Way Up Until His Death In 2016, Vega Was Constantly Creating. That Proces...

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Greta Van Fleet

2LP | 2021 | EU | Original (Republic)

49,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Off White White Vinyl Edition

James White & The Blacks

LP | 1979 | EU (Future Shock)

LP | 1999 | EU | Reissue (Matador)

Release: 1979 / EU

Genre: Rock & Indie

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Definite reissue of this No Wave classic, originally issued in 1979. Previous reissues of the Contortions and James White albums on Infinite Zero have been deleted for the better part of a decade. These are all officially sanctioned by the originating label, Ze Records; packaged in fold out digipaks, with deluxe 20 page booklets. The 21st century has produced a new generation of young contenders of all kinds, who have, within months, spread a new string of names across the planet such as The Rapture, Playgroup, LCD Sound system, Liars, Yeah Yeah Yeahs, Radio 4 and the likes, just to name a few. Once again the heat was initiated in NYC, even though its Lower East Side epicenter 'cleaned up' by Giuliani and Bloomberg, has moved a few blocks east and across the river to Brooklyn and Williamsburg. It might be wise to remind the younger ones among us that the origins of this new musical cycle is for the most part rooted in the No Wave movement of which James Siegfried aka James White, aka James Chance is undoubtedly one of its most prominent figures. New York City was hands down the artistic telluric center of the second half of the 20th century, especially from the 70's, on. Rising from the ashes of the Velvet Underground, a slew of local bands redefined the aesthetics of rock'n'roll which the merchants of the temple hastened to rename under various designations, such as punk, new wave, no wave, jazz-funk or even disco and disco-punk without forgetting to mention the original Electro designation pioneered by the band Suicide. One of the indispensable and emblematic figures of the mid-'70s is of course James Chance.

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Pavement

Terror Twilight

Release: 1999 / EU – Reissue

Genre: Rock & Indie

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LP | 1997 | EU | Reissue (Matador)

Pavement

Brighten The Corners

Release: 1997 / EU – Reissue

Genre: Rock & Indie

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Kid Congo & The Pink Monkey Birds

Swing From The Sean Delear

LP | 2021 | US | Original (In The Red)

Little Oblivions Black Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Swing From The Sean DeLear is the new four song 12-inch by Kid Congo & The Pink Monkey Birds on In The Red Records. It celebrates a dreamlike bridge between life and memory. Recorded and mixed with Jim Waters (Jon Spencer Blues Explosion, Sonic Youth, etc.) at Waterworks Recording in Tucson AZ, the track “Sean DeLear” is a tribute to the late, magical, and ubiquitous Los Angeles underground institution named Sean DeLear. This rocking song uses the metaphor of those passed on as swinging from a chandelier, a festive image everyone hopes is true! Side two of this 12-inch is a fourteen-minute psych, Chicano-groove titled “He Walked In.” The text is based on a visceral fever dream Kid had about his friend and Gun Club bandmate Jeffrey Lee Pierce, who passed away in 1996. Leading the listener back to the theme of feelings sustained between life and memory, the song dreams on as the band spreads their monkey bird wings, featuring Mark Cisneros on flute, and guest tambourine-queen Cesar Padilla—lost in music but found in sound. In such uncertain times, one thing is most certain—Kid Congo & The Pink Monkey Birds will always bring the party...and the other world.

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Julien Baker

LP | 2021 | EU | Original (Matador)

Cherrystones Presents Critical Mass Volume 2

Release: 2021 / EU – Original

Genre: Rock & Indie

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Julien Baker hat mit ihren beiden bisherigen Alben und der Supergroup boygenius die Herzen von Fans und Kritikern weltweit erobert. Nun startet die US-amerikanische Songwriterin mit ihrem neuen Album „Little Oblivions“, das am 26. Februar 2021 auf Matador Records erscheinen wird, eine neue Phase ihres Schaffens. Waren die ersten beiden Alben zum Teil eher spärlich instrumentierter Indie-Kammerpop, so überwältigt „Little Oblivions“ mit einem vollen und breitwandigen Band-Sound. Wie gut sich das anhört, kann man auf der ersten Single „Faith Healer“ hören! “I think that "Faith Healer" is a song about vices, both the obvious and the more insidious ways that they show up in the human experience”, sagt Baker darüber. “I started writing this song 2 years ago and it began as a very literal examination of addiction. For a while, I only had the first verse, which is just a really candid confrontation of the cognitive dissonance a person who struggles with substance abuse can feel-- the overwhelming evidence that this substance is harming you, and the counterintuitive but very real craving for the relief it provides. When I revisited the song I started thinking about the parallels between the escapism of substance abuse and the other various means of escapism that had occupied a similar, if less easily identifiable, space in my psyche. There are so many channels and behaviors that we use to placate discomfort unhealthily which exist outside the formal definition of addiction. I (and so many other people) are willing to believe whomever-- a political pundit, a preacher, a drug dealer, an energy heale - when they promise healing, and how that willingness, however genuine, might actually impede healing.” “Little Oblivions” wurde in Julien Bakers Heimatstadt Memphis, Tennessee, mit dem Tontechniker Calvin Lauber aufgenommen und von Craig Silvey (The National, Florence & the Machine, Arcade Fire) abgemischt. Nachdem Baker bisher hauptsächlich an der Gitarre und dem Klavier zu hören war, fügte sie dieses Mal noch Bass, Drums, Synthesizer, Banjo und Mandoline ihrem Soundkosmos hinzu und spielte den Großteil davon selbst ein. Wie von Julien Baker gewohnt sind ihre Lyrics hochpersönlich und zeugen von der außergewöhnlichen Beobachtungsgabe der Songwriterin. Mit ihren beiden bisherigen Alben landete sie auf einer Vielzahl von Jahresbestenlisten. Die New York Times beschrieb „Turn Out The Lights“ wie folgt: “The work of a songwriter who has resonated with an international audience (…), the rare second album that, despite new self-consciousness, stretches beyond an unspoiled debut to reach for even bigger things, with all its passion intact”

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V.A.

LP | 2020 | Original (Touch Sensitive)

Alexander Theatre Sessions

Release: 2020 / Original

Genre: Rock & Indie

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"I Like The Drive As Much As The Scenery". Buckle Up As Producer, DJ, And Archivist Cherrystones (Gareth Goddard) Takes You On A Return Trip To Critical Mass! He Has A Life-Long Obsession With The Soundtrack And Was Also Gripped Early By A Love Of Rap (A Trusted Mpc 2000 Never Far From His Side). The Channeling Of Context, Underscore, Timing And Placement Has Always Fuelled The Distinctive Flavour Of Cherrystones' Output. This Open-Eared And Open-Armed Approach Is What Makes 'Critical Mass Vol.2' Another Stunning Compilation. As Goddard States: "This Is Not A Rare-For-Rare-Sake Appendix Of Bands Designed To Showcase Exclusivity And Superiority". These Are Tracks That Have Lived With Him, And He Has Lived Within, Gathered Over Travels Throughout Europe - Living, DJ-Ing, And Creating. Five Years On From The First Volume, This Eighteen Track Compilation Once Again Fully Outlines The Breadth And Possibility Of The Post-Punk And New Wave Era. "Many Of These Artists Fell By The Wayside As Underdogs Or Were Just Too Ahead Of Their Time. These Selections Have Strong Rhythmic Undertones - Percussively And Tonally - And You Can Hear The Subtle Influence Of Dance Music And The Dance Floor As A Reference Point." On Our Journey We Hear Hyped Up Punk-Funk From The Netherlands In The Form Of Kone?, The Cosmic Synth-Stomp Of Daniele Baldelli Approved Italians - Neon, The Gonzo, Outsider Shrieks Of England's Loco Lotus, Through To The Dark, Dance Floor Groove Of Belgium's Siglo Xx And, Of Course, There's A Whole Heap More Outré Excursions On The Way. "From One Of The Last True Originals - A Personal, Passionate Draft Of A "Scene" That Could Have Been. As Far As Possible From Diggers' Wet Dreams - Most Of The Music Here Is/Was Hidden In Plain Sight. So Take One Step Back And Figure Out What Might Have Gone Wrong." Vladimir Ivkovic

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Poets Of The Fall

LP | 2021 | EU | Original (Insomniac)

On Sunset Picture Disc Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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The New Alexander Theatre Sessions -Album By Poets Of The Fall. Throughout 2020 The Band Has Been Releasing Videos Of Acoustic Versions Of Some Of Their Most Beloved Songs As Well As Some More Rarely Played Pieces, And Now It's Available As An Album. The Video Series, Originally Released On Youtube, Has Been A Timely And Fortuitous Project, Considering The Pandemic The World Is Going Through, As The Band Along With Their Fans Got Together In A Live Chat Every Month On The Day Of Releasing A New Video. The Album, Whether You Want It As A Vinyl, A Cd Or Indeed, A Cassette Tape, Makes For Inspiring Listening, Allowing You To Feel Relaxed And Carefree.

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Paul Weller

2LP | 2020 | EU | Original (Polydor)

39,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Distractions Blue Vinyl Edition

Tindersticks

LP | 2021 | EU | Original (City Slang)

Um Dada Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Just before the end of the year 2020, a mere 12 months, after the release of their celebrated record “No Treasure But Hope”, Tindersticks surprised everyone with mentioning a new album to be released in 2021. Stuart Staples was already nurturing seeds for a different kind of Tindersticks album before lockdown halted their tour in early 2020, singer. If 2019’s “No Treasure but Hope” saw the band rediscovering themselves as a unit, the follow-up reconfigures that unit so that everything familiar about Tindersticks sounds fresh again. “Distractions” is an album of subtle realignments and connections from a restless, intuitive band: rich in texture and atmosphere, it lives between its open spaces and details, always finding new ways to connect with a song.

If it’s an album that resists easy summation, at least one thing is clear: though it isn’t untouched by the lockdown, “Distractions” is not ‘a lockdown album’. As Staples says, “I think the confinement provided an opportunity for something that was already happening. It is definitely a part of the album, but not a reaction to it.”

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Stephen Mallinder

LP | 2019 | EU | Original (Dais)

Tape | 2021 | US | Original (Dead Oceans)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Stephen Mallinder, co-founder and frontman of the iconic Cabaret Voltaire, has returned with his first solo album in over 35 years: Um Dada. Laced with leftfield house and cut-up sound collages, Um Dada is a melding of energies that are an exercise in simplicity and motion. Sincere, playful realism that beckons your body to move, always reminding you to never take yourself too seriously without forfeiting your agency.While steering Cabaret Voltaire through the 1980's, Mallinder was already busy piecing together his first solo album entitled "Pow Wow", which would help define Mallinder's interest in the more leftfield electro sounds shaping England at the time. It was this diverse and abstract hybrid that helped inspire generations of artists and musicians through steeping raw machine funk within the whimsical and absurdist ideology. Since the release of "Pow Wow" in 1982, Mallinder continued his pioneering work with Cabaret Voltaire, as well as recording and touring with his electro projects Wrangler, Creep Show, Hey Rube, Kula, and Cobby & Mallinder. In addition to his non-stop schedule in electronic music, his professional life as a journalist, broadcaster, producer and now a professor of Digital Music & Sound Art at the University of Brighton, has lead Mallinder to a unique point in his career. Most in his position would be caught up in rosy retrospection, but Mallinder himself says, "There's too much digital finger-licking right now; every thought and desire at the turn of a dial_ well a click of the mouse. And there's a giddy, false nostalgia about the analogue past. Sorry to burst your bubble but the truth of history is more mundane: practical, pragmatic...Um Dada is about `play' - cut and paste, lost words, twisted presets, voice collage, simple sounds - things that have been lost to technology's current determinism. Let the machines talk to each other, let them dance .. they lead, we follow."Um Dada opens up with the exact machine-led surrealism that Mallinder recommends in "Working (You A...

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Shame

Drunk Tank Pink

16,99 €*

Karma & Effect Colored Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Shame follow up their wildly acclaimed debut with a James Ford-produced peek into the riddled mind of the band's frontman, Charlie Steen. There are moments on Drunk Tank Pink where you almost have to reach for the sleeve to check this is the same band who made 2018's Songs Of Praise. Such is the jump Shame have made from the riotous post-punk of their debut to the sprawling adventurism and twitching anxieties laid out here. The South Londoner's blood and guts spirit, that wink and grin of devious charm, is still present, it's just that it's grown into something bigger, something deeper, more ambitious and unflinchingly honest. The genius of Drunk Tank Pink is how these lyrical themes dovetail with the music. Opener Alphabet dissects the premise of performance over a siren call of nervous, jerking guitars, its chorus thrown out like a beer bottle across a mosh pit. Songs spin off and lurch into unexpected directions throughout here, be it March Day's escalating aural panic attack or the shapeshifting darkness of Snow Day. There's a Berlin era Bowie beauty to the lovelorn Human For A Minute while closer Station Wagon weaves from a downbeat mooch into a souring, soullifting climax in which Steen elevates himself beyond the clouds and into the heavens. Or at least that's what it sounds like. From the womb to the clouds (sort of), Shame are currently very much in the pink.

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Seether

2LP | 2020 | EU | Original (Craft)

42,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2016 | US | Original (Dead Oceans)

Japanese Breakfast

Psychopomp

LP | 2020 | EU | Original (All Good Clean)

Release: 2016 / US – Original

Genre: Rock & Indie

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On Psychopomp, The Debut Full-Length For Japanese Breakfast, Michelle Zauner Romanticizes Need, Knowing Precisely How Futile It Can Be, As She Howls On The Record's Final Song, To "Cling To Your Sleeves 'Til They're Like Lacerated Sails." Psychopomp Unspools With An Otherworldly Rush - It's Sky-Sized Dream-Pop With Substance, Moving From The Gorgeous Euphoric Rush Of "In Heaven" Through The Pinwheeling "Rugged Country" And "Everybody Wants To Love You," Into The Painful Longing Of "Jane Cum...

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Dune Sea

Moons Of Uranus

Release: 2020 / EU – Original

Genre: Rock & Indie

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Antics Black Vinyl Edition

Interpol

LP | 2020 | EU | Original (Matador)

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Knekelhuis)

Spill Gold

Highway Hypnosis

Tocotronic: Das Rote Album White Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Amsterdam based Spill Gold ( who previously released on Portland's Beacon Sound) with a jaunty 7 track mini album for Knekelhuis. sleeve art from Jacob Hoving. The label say: "The summer breeze has gradually turned into a cold wind and the trees showcase their typical variegated color palette; autumn has clearly arrived in all its golden glory, a transition exemplary for Spill Gold’s work. The Amsterdam duo’s music is every bit as colorful and moving as its seasonal counterpart, where one moment a cold and stormy wind swarms the air and other times calm and stillness prevail. On Highway Hypnosis, their first album on vinyl, Spill Gold masterfully juxtaposes darkness and light, playfulness and control, enhancing the transcendental character of the material at hand. Based on strong pop structures, the songwriting here traverses a world of Krautrock and cosmic influences at once catchy and alienating, opening the possibility for catharsis. They’re a wonderful addition to the versatile nature of Knekelhuis. And they’re crazy good live as well."

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Tocotronic

2LP | 2020 | EU | Reissue (Vertigo Berlin)

30,99 €*

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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2LP | 2006 | EU | Reissue (Rough Trade)

Jarvis Cocker

Jarvis

30,99 €*

Release: 2006 / EU – Reissue

Genre: Rock & Indie

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LP | 2020 | US | Original (In The Red)

Lamps

People With Faces

Live! At Cafe Carlyle Opaque White Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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“These days, good news is hard to come by, but here’s some: Lamps, LA’s notoriously unprolific noise-merchant trio, are ready to release their spectacular fourth album called People With Faces, out on In The Red Records. Produced by Ty Segall at Val’s, Lamps’ first recorded output since 2012’s landmark LP Under The Water, Under The Ground finds them breaking adventurous new terrain. I’d say they’ve matured, but I’d only say it behind their backs. Stalwarts Monty Buckles (guitar, voice, keyboards!!!) and Josh Erkman (drums, voice) double down on Lamps’ trademark cloak of effects-laden guitars and hammering drums, and new(ish) member Denée Segall jumps into the fray with her Poly Styrene-wail and monolithic bass, add-ing depth both sonically and lyrically. Their trademark abrasiveness is still present, but it’s bur-nished it into something richer, more layered. Don’t worry, it still kicks your head in…” —KD. Feb 2020

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Hamilton Leithauser

LP | 2020 | CZ | Original (Glassnote)

Release: 2020 / CZ – Original

Genre: Rock & Indie

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Schöne Neue Welt Black Vinyl Edition

Engst

2LP | 2020 | EU | Original (Arising Empire)

30,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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The Frenz Experiment (Expanded Edition)

The Fall

2LP | 2020 | EU | Original (Beggars Banque)

33,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | Original (Sub Pop)

Loma

Don't Shy Away

Release: 2020 / Original

Genre: Rock & Indie

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I Dont Know How But They Found Me

Razzmatazz Creamy White Vinyl Edition

LP | 2020 | EU | Original (Spinefarm)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Triple J Radioshow Sydney 1996

The Smashing Pumpkins

LP | 2020 | EU (Mind Control)

14,99 €*

LP | 2020 | US | Original (Matador)

Release: 2020 / EU

Genre: Rock & Indie

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Their appearance at the JJJ radioshow in Sidney, march 1996 finally on vinyl with additional bonuses from Canal Plus french tv appearance.

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Yo La Tengo

Sleepless Night

22,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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As Long As You Are Black Vinyl Edition

Future Islands

LP | 2020 | UK | Original (4AD)

Release: 2020 / UK – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Bright Antenna)

Wombats

19,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2004 | EU | Reissue (Divine Comedy)

The Divine Comedy

Absent Friends

28,99 €*

Clean Ultra Clear With Purple And Black Splatter Vinyl Edition

Release: 2004 / EU – Reissue

Genre: Rock & Indie

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Each LP release consists of the original remastered album, cut at Abbey Road, packaged with a download code for the album and bonus tracks. The LPs are heavyweight black vinyl in a gatefold sleeve accompanied with photos, credits and Neil's liner notes.

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Whores.

LP | 2013 | EU | Reissue (Pelagic)

20,99 €*

2LP | 2002 | EU | Reissue (Krúnk)

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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Ultra clear vinyl with purple and black splatter!Since their inception in 2010, Whores. has laid waste to both presumption and audial functioning.Natives of Atlanta, Georgia, members Christian Lembach (vocals/guitars), Donnie Adkinson (drums), and Casey Maxwell (bass) have spent the last six years establishing Whores. as one of heavy music's most distinctive acts thanks to the formidable combination of the group's punk ethos and the ferocity of their sound.Beginning with 2011's Ruiner EP, Whores. brought a welcomed new vision to the often-tired "extreme music" scene. Two years later saw the release of the Clean. EP, a six-track musical display of visceral rancor and songwriting brilliance. Highly anticipated by critics and fans alike, Clean. sold out within a month, prompting the group to release a second pressing. Touted by Spin as one of 2013's best Metal Albums', Clean. simply reaffirmed what listeners had suspected all along. Whores. isn't here to fuck around.For Whores., the cavalcade of anticipation provides no pressure or expectation as Lembach states: "We don't just want to fill in the blanks." The only pressure here is to maintain authenticity, and to that end, Whores. are the quintessential example of genuine malice. "You have to bring a sense of realness to [the music], otherwise it's fake, and it sounds fake. You have to be honest about it, and it's about getting to the really ugly stuff inside of you, and that's what we do." Whores. has eagerly shared that ugliness with their audience having crisscrossed the US four times on separate tours, including headlining shows and stops at festivals like Sxsw, Spillover Fest, Fun Fun Fun Fest, as well as a tour supporting Cult OF Luna. To that end, the band's tireless dedication to the road is simply a mirrored image of their music's relentless power, an attribute that has undoubtedly resulted in their most unforgiving effort yet, proof that good and heavy things come to those who wait.

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Sigur Ros

()

CD | 2019 | UK | Original (Forever Living Originals)

Release: 2002 / EU – Reissue

Genre: Rock & Indie

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( ) - Sigur Rós’s celebrated third album, and for many people - especially in US where it remains their biggest selling work - the most quintessentially “Sigur Rós” record of their career to date. It is the only album where Jónsi sings entirely in the wordless lyrics of Hopelandic. A desire to elide meaning and allow the listener to bring their own interpretation to the music, extends to the eight songs, all of which are nameless. The music is broadly divided into two halves, divided by a critical 36 seconds of silence. The first half of the album being lighter and more optimistic, and the second half bleaker and more melancholic, culminating in the thundering climax of Untitled #8, the closing song of every Sigur Rós show since the song was written in 2000.

( ) was recorded at the band’s own studio Sundlaugin, in Mosfellsbær outside Reykjavik, in 2002, co-produced by the band with Ken Thomas, who also helmed their break through second album, Agætis Byrjun. Completely out of print, the vinyl album now comes in its full Grammy-nominated artwork, including die-cut sleeve and spot UV varnish inner bags.

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Sault

18,99 €*

Bremenmarsch (Live At Schlachthof 12.10.197)

Release: 2019 / UK – Original

Genre: Organic Grooves, Rock & Indie, Pop

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The first album by Sault started a series of now four albums in two years that scored big time with critics all over the world.

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Laibach

LP+CD | 2020 | EU | Original (MIG)

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Pelagic)

Pg.lost

Yes I Am

20,99 €*

Now Here's An Echo From Your Future Grey Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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PG.Lost need no introduction. For 4 long years, fans have been eagerly awaiting the follow-up album to 2016's critically acclaimed Versus, which in the meantime has become nothing less than a cult album in the post rock world. Despite bass player Kristian Karlsson's heavy engagement in his other band Cult OF Luna, PG.Lost toured with Versus around the globe, in support of bands like Mono, Alcest and Cult OF Luna in Europe, and playing their own headline shows to crowds of 1.000+ in China. The 4 piece from Norrköping, Sweden also appeared at Robert Smith's prestigious Meltdown showcase festival in London, personally chosen by the man himself. While the follow-up to Versus is due for a release later this year, to sweeten the wait we are now bringing you a remastered re-release of PG.LOST's debut album, Yes I Am, for the first time ever on vinyl. And right here, we'd like to leave you with what the band has to say about this long overdue re-issue themselves.,Sometimes when we have listened to those songs that we made roughly fifteen years ago we've thought of how we could make them sound better if we recorded them with the skills andknowledge that we have now. We made a halfhearted effort a while ago, and we learned quite quickly that it was not as easy as we thought. Something just got lost in the mix. A feeling. For better or worse that album, as it was recorded in our early twenties, is simply embedded in our DNA and stands as a testament of our evolution as a band. It was Yes I Am that attracted interest from labels and landed us our first record deal. It was those songs that took us out in the world tomeet people and do all the things we love that we had only dreamed of before. We still play them live with the same immersive feeling we got when we made them. So now, with all that in mind, when we ask ourselves "are you proud?" the answer will always be "Yes I Am!"So, we are really happy to finally be able to offer you the re-release of "Yes I Am". First time on vinyl and with a new/o...

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Girls In Synthesis

LP | 2020 | EU | Original (Harbinger Sound)

21,99 €*

12" | 2020 | EU | Original (FKJ)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Following a steady stream of ultra-limited 7" singles, that were collated together in 2019 for the 'Pre/Post: A Collection 2016-2018' on Louder Than War, the bands highly-anticipated debut album, by those that know, arrives. Since forming in late 2016, Girls In Synthesis have quickly forged a fearsome reputation as one of the most exciting and volatile live acts in London. In equal parts frantic, considered, ear-splitting and melodic, the group take their cues from the early DIY punk and post-punk pioneers to keep everything in-house; artwork, videos, performances and recordings are created entirely by the group and their handful of trusted collaborators, under a bedrock of heavy, bludgeoning, dark, post-punk. 'Now Here's An Echo From Your Future' is their first release for fabled experimental punk label Harbinger Sound and finds the band advancing their sound, making subtle but experimental shifts in texture and tone, helping to break free from the shackled straight-jacket of punk rock that, to be fair, never really held them down in the first place. Across the album's ten songs, Girls In Synthesis explore a wide range of sensations and sounds as the album detonates into life with opening track 'Arterial Movements' in a screeching flurry of over-driven guitar and hammering drums. The contrast between the slow, mesmerising look into aging and dying in 'Human Frailty' ('The realisation that you cannot halt their impending death'), to the aggressive attack on the rise of the right-wing in 'They're Not Listening' ('The time-old tradition of the right wing accosting desperate working class people has returned') shows a wide range of subjects and reactions aggressively tackled. Mental health in a fast-moving, unforgiving world, media control, the divide widening between the have and the have nots, the class divide, the blaming of the poor, Nhaefyf bristles with an unforgiving frustration and temper. The recording of Nhaefyf started at Rockit Studio, Hull in April 2019 during days off on the UK tour to promote the '...

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FKJ

Ylang Ylang

18,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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