Indierock | Alternative Vinyl 521 Items

Release: 1989 / Reissue

Genre: Rock & Indie

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Leather Boyz With Electric Toyz

Pretty Boy Floyd

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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LP | 1989 | EU | Reissue (Astor Place)

Murphy's Law

Back With A Bong!

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-08-23

LP | 1989 | US | Reissue (Megaforce)

Meat Puppets

Monsters

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Skeletons In The Closet: The Best Of Oingo Boingo Brown Colored Vinyl Edition

Oingo Boingo

LP | 1989 | Reissue (Rubellan Remasters)

34,99 €*

Release: 1989 / Reissue

Genre: Rock & Indie

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Annihilator

Alice In Hell

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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LP | 1989 | HK | Reissue (Evosound)

Mr. Big

47,99 €*

Release: 1989 / HK – Reissue

Genre: Rock & Indie

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LP | 1989 | US | Reissue (Superior Viaduct)

Peter Gutteridge

Pure

22,99 €*

The Sensual Word 2018 Remaster Black Vinyl Edition

Release: 1989 / US – Reissue

Genre: Rock & Indie

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In the swirl of underground music emerging from Dunedin, New Zealand in the 1980s, Peter Guttering–founding member of The Clean and The Chills–stands as one of the era’s most intense and shadowy figures. His lone solo album of intimate home recordings serves as the most revealing and celebrated release of his career. Originally released on cassette in 1989 on Xpressway, »Pure« documents Gutteridge’s stunning use of 4-track as instrument. Featuring lo-fi pop gems and interstitial sketches, the LP combines densely layered keyboards and guitars, distorted drum machines and possessed-sounding vocals to create a truly singular work of undistilled artistic vision.

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Kate Bush

LP | 1989 | EU | Reissue (Fish People)

45,99 €*

The Sensual Word 2018 Remaster Ash Grey Vinyl Edition W/ Obi-Strip

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Pressed on 180g. The Sensual World is the sixth studio album by Kate Bush. It was released in October 1989 and reached no. 2 in the UK album chart.

It has been certified Platinum by the British Phonographic Industry in the UK, and Gold by the Riaa in the US.

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Kate Bush

LP | 1989 | EU | Reissue (Fish People)

47,99 €*

Sonic Temple Green Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Pressed on 180g, comes with Obi-Strip. The Sensual World is the sixth studio album by Kate Bush. It was released in October 1989 and reached no. 2 in the UK album chart.

It has been certified Platinum by the British Phonographic Industry in the UK, and Gold by the Riaa in the US. Fish People are proud and excited to announce new pressings of all 10 of Kate Bush's albums, featuring a special new edition for independent retailers.

"It’s very exciting to see people appreciating the physical presence of an album released on vinyl. It’s how it’s always been for me, especially when I was a teenager. The whole buzz of the record store was part of the experience. Buying an album was an event." Kate Bush.

The records are all pressed on 180g vinyl at the world-renowned Record Industry plant in the Netherlands. New lacquers were cut from the 2018 remasters by Bernie Grundman and overseen by mastering engineer James Guthrie.

Indie editions were all designed by Kate and feature new Fish People label designs, stunning Color Vinyl combinations and obi strips with pressing date. They are protected in resealable poly-bag liners with a 'Fish People Reissue' sticker, bottom right.

These are unlimited editions and will be in production constantly.

Street date for the first batch is set at 20 November.

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The Cult

2LP | 1989 | UK | Reissue (Beggars Banquet)

2LP | 1989 | EU | Reissue (Polydor)

Release: 1989 / UK – Reissue

Genre: Rock & Indie

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THE CULT is fronted by Ian Astbury on vocals and Billy Duffy on guitar.Their fourth album Sonic Temple is not just an iconic record, but a sonic tour de force that defies classification.Released in 1989, the album"s sound is rooted in classic rock and heavy metal, but incorporates a range of influences, from punk to psychedelic rock, creating a sound that is both familiar yet unique. The album"s production is slick and polished, thanks to the contributions of legendary producer Bob Rock, who helped to craft a sound that was both commercially appealing and artistically adventurous.Sonic Temple had four massive hits; "Fire Woman", "Edie (Ciao Baby)", "Sun King" and "Sweet Soul Sister".The album catapulted The Cult into superstar status and remains their most commercially successful release. Declared platinum in 1990, it was also a critical success, cementing The Cult"s place in the pantheon of hard rock and heavy metal bands and earning them a devoted following that endures to this day.

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The Cure

Entreat Plus

LP | 1989 | UK | Reissue (Beggars Banquet)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself. The record is pressed to 180g vinyl.

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Love And Rockets

Big Problem Is Not The Solution. The Solution = Let It Be Record Store Day 2023 Yellow Vinyl Edition

Release: 1989 / UK – Reissue

Genre: Rock & Indie

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Everything changed for the band in 1989 when they released their self-titled breakthrough fourth album Love And Rockets. The song "So Alive" was a massive worldwide #1 hit and Billboard wrote that it was the "best T. Rex tune that Marc Bolan never wrote."

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Crispin Hellion Glover

LP | 1989 | US | Reissue (Real Gone Music)

46,99 €*

The Band That Would Be King Record Store Day 2023 Edition

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Record Store Day 2023 exclusive release liimited to 1700 copies.
What do you get when you team the weirdest actor in Hollywood (one Crispin Hellion Glover) with two of the weirdest guys in pop music (Barnes & Barnes of "Fish Heads" fame)?

Something, well, WEIRD! Like, really freaking strange. Fans of The Residents and King Missile might find something to groove to here, but really this provides a voyeuristic dive into the deep, dark waters of one of the true characters of modern times (Johnny Depp or Keanu Reeves rock and roll crossover this ain't). Glover reads from his books of poetry ("Auto Manipulator" is about exactly what it sounds like it's about) over B&B's demented musical excursions. The result is a true cult classic, whose brief 1989 vinyl release remains impossibly scarce and impossibly pricey. Thus this first vinyl reissue (with three tracks never before on vinyl), in light blue with crimson "clowny clown clown" splatter vinyl limited to 2000 copies for Record Store Day! 12" x 18" poster and CD booklet featuring Glover's deeply disturbed comic book scribblings, too! (Don't bother calling the home phone number Crispin put on the back cover, it's disconnected).

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Half Japanese

LP | 1989 | US | Reissue (Fire)

LP | 1989 | UK | Reissue (Southern Lord)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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1000 pressed. Ltd Orange Vinyl, DL card. The seminal album from Half Japanese featuring updated artwork and liner notes from Jad Fair and producer Kramer. This is the Zen of Half Japanese, of prolific songwriter Jad Fair; wide-eyed crooner, humorous raconteur and spontaneous storyteller. A genre-bending romp through the mind of the man, originally released in 1989 in a purple patch for the group, preceded by 'Music To Strip By' and 'Charmed Life'. "Half Japanese were a song machine," attested Pitchfork, while AllMusic saw this album as a collection of "humorous lo-fi rock 'n' roll hit singles." Previously released on black vinyl a decade ago.

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Blast

Manic Ride

19,99 €*

Crime & The City Solution

Release: 1989 / UK – Reissue

Genre: Rock & Indie

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Essential reissue of the 3rd and final Bl'ast! studio album from 1989.

Sonically enhanced with an aggressive remaster from Brad Boatright.

Visceral, brash re-design via a gatefold jacket! Take THE Ride FOR Life! Black Vinyl - NON Returnable.

Jewel case CD with fold out poster cover insert and a clear tray card.

In June of 1988 the mighty Bl'ast! went into the studio with Black Flag’s live sound engineer Goat : Dave Rat (ratsound). The result was the album: Take The Manic Ride. It was released by SST in 1989.

After the dust had settled the band was somewhat dissatisfied with the production of the album and regret ended up eternally haunting the band. The massive intensity of the songs completely outmatched what the recording ultimately captured. The master tapes were destroyed and were never to be recovered. Through some incredibly magical surgery a new heavy as fuck version of the album has been produced.

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Paradise Discotheque Colored Vinyl Edition

LP | 1989 | UK | Reissue (Mute)

Release: 1989 / UK – Reissue

Genre: Rock & Indie

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Crime & The City Solution

The Bride Ship Colored Vinyl Edition

LP | 1989 | UK | Reissue (Mute)

Release: 1989 / UK – Reissue

Genre: Rock & Indie

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Groovy Things Colored Vinyl Edition

The Cosmic Dropouts

LP | 1989 | EU | Reissue (Apollon)

LP | 1989 | EU | Reissue (Mississippi)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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The Cosmic Dropouts was formed in 1988 by Arne Thelin (vocals) and Morten Henriksen (guitar), and was together with The Willy B Review in the forefront of Norwegian garage rock. In addition to Arne and Morten, the band consisted of Pål Andreassen on organ, Carsten Johansen on bass (later replaced by Lars Albrecht and Stig Jøraholmen) and Elvin Sjursen on drums (later replaced by Rune Johnsen). This line-up recorded the band’s first release that year, a four-track vinyl 7“ EP titled Crashed Cadillac and Broken Hearts. It got good reviews in Norway and landed the band their first gigs. Their next release, an 8-track mini-album titled Groovy Things released in 1989, got raving reviews in Norway and abroad, and paved way for gigs at bigger venues and landed them their first and only gigs outside Norway with this line-up. They played at the New Music Seminar in New York that year in addition to a gig at The Khyber Pass pub in Philadelphia. Previous remotely started discussions with Skyclad Records continued in New York and resulted in this album’s original release. The mini-album and the EP together with their first single Let’s Go To The Beach (also released in 1989), plus a handful of songs recorded separately, were released as a full length album with the title Groovy Things by Skyclad Records in the US in 1990. By that time Arne had left the band (September 1989) and started The Lust-O-Rama, but the band continued with a new singer (Morten Karlsen) and released another two albums after that - Hoolabaloo on That’s Entertainment Records (1991) and Sonic Circus on Kicksville Records (1993). This re-issue was remastered December 2021.

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Dead Moon

Defiance

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Groovy Things Black Vinyl Edition

The Cosmic Dropouts

LP | 1989 | EU | Reissue (Apollon)

Bright And Guilty Pale Blue Color Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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The Wolfhounds

2LP | 1989 | EU | Reissue (Optic Nerve)

40,99 €*

2LP | 1989 | EU | Reissue (Music On Vinyl)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Deluxe reissue of their 1989 sophomore album pressed on pale blue Color Vinyl. Presented in a gloss laminated gatefold sleeve, which features the original LP plus a bonus disc with all the A and B sides, some compilation tracks and an outtake, plus a 12-page booklet containing previously unpublished lyrics and tons of contemporary reviews and photos.

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Elvis Costello

Spike

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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LP | 1989 | EU | Reissue (V2)

Thelonious Monster

Oh That Monster

15,99 €*

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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The Mind Is A Terrible Thing To Taste

Ministry

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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LP | 1989 | EU | Reissue (P-Vine)

Togawa Jun

Syouwa Kyounen

LP | 1989 | EU | Reissue (Sony Music Catalog)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Togawa Jun time travels into the vaults of yesteryear for a record of gramophone tape hiss, ballroom jazz through a lens and retrofuturistic experimentation ahead of its time. This collection of nostalgia-decayed covers span the Showa era kayokyoku boom from 1946's hit "Tokyo Flower Girl" for wartime crooner Haruo Oka to to a rendition of Grave of Fireflies author Akiyuki Nosaka's 1974 theme to the largely forgotten film "Virgin Blues".

As always is the case, Togawa stands bold and centre with her unique vocal command and haunting operatic devices. The first three tracks were produced by Koji Ueno who Togawa regularly collaborated with as a duo in their band Guernica. Keeping up pace and adding his own new-wave ingredients to the mix, the last three tracks were produced by Susumu Hirasawa P-Model fame who would work again with Togawa and let his electronic impulses run free as the producer of Yapoos' Dada Ism.

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Martin L. Gore

Counterfeit EP

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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LP | 1989 | US | Reissue (Chunklet)

Tar

Handsome

LP | 1989 | EU | Reissue (East West)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Tar were an uncompromising prolific Chicago four piece band from 1988 to 1995 who put out many records and toured the US and Europe frequently with the likes of The Jesus Lizard, Arcwelder, Unsane, Surgery, and Jawbox. Over thirty years since the original releases, Tar’s first three 12" records are being reissued. Co-released by the band’s No Blow Records and Chunklet Industries, the Handsome EP and full length LPs Roundhouse and Jackson are being rediscovered. All three records were remastered and cut to lacquer by Bob Weston at Chicago Mastering Service. The artwork was painstakingly reimagined and recreated by the band’s drummer, Mike Greenlees. This music has withstood the test of time. With the stunning remastering and 180gm pressing at Chicago's Smashed Plastic pressing plant, this is no regular reissue. With exacting detail, the highest quality and attention to detail, the listener and fans are invited to truly reexperience these releases anew. It’s time to celebrate Tar. Again.

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Litfiba

Pirata

41,99 €*

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Dream Theater

When Dream And Day Unite

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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LP | 1989 | EU | Reissue (Dancing Bear)

V.A.

Bombardiranje New Yorka

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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7" | 1989 | EU | Reissue (Optic Nerve)

Bob

Convenience

10,99 €*

LP | 1989 | US | Reissue (Boner)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Originally released in 1989 on The House Of Teeth label, this indie classic which made John Peels Festive fty of that year, gets a 30th anniversary reissue as part of our Optic Sevens 2.0 reissue series. It is backed with the Previously unreleased ‘Coquette’, which was recorded in 1992 , remixed in 2017 and only available on this release of the 7 inch.

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Melvins

Ozma

21,99 €*

LP | 1989 | US | Reissue (Touch & Go)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Available again with updated artwork and a new gatefold sleeve!

Ozma was recorded soon after Melvins made the move from Washington to San Francisco, and was their first release to include the diminutive yet mighty Lorax (Lori Temple Black) on bass. In fact, the first sound one hears at the album’s opening is Lori standing on her tiptoes to switch on her amp, thereby warning the listener of the onslaught to come. Distorted, down-tuned doom riffs start, stop, lurch sideways with no warning, and seem to end before they start. Buzz Osborne adds extraneous guitar static and vocal squeals. Drummer Dale Crover plays as if he’s inside a barrel going over Niagara Falls; the long, slow fall allows the space between beats to grow and grow until he crashes into the water with the vessel blasting apart in an explosion of drum rolls. The classic Melvins heavy grind is set up and broken up by assorted odd sidetracks: “Revulsion / We Reach” flows forward slower and slower until it eventually melts into a gooey feedback drone. “Raise a Paw” is a superball paddled against one’s head by a grinning village idiot. “Love Thing” enlists in the Kiss Army before getting dishonorably discharged.

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Jesus Lizard

Pure Deluxe Edition

LP | 1989 | UK | Reissue (Silverstone)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Deluxe re-mastered reissue!! Packaged in an album jacket sporting the original Pure art, with 12x24 inch double sided color insert including never before seen photos & extensive liner notes by the band & by journalists who were there when it was all happening. Also includes digital download coupon & 1 bonus track. HQ-120 virgin vinyl pressing made at RTI.

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The Stone Roses

2LP | 1989 | US | Reissue (Sub Pop)

Release: 1989 / UK – Reissue

Genre: Rock & Indie

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Heavyweight 180 gram vinyl!

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Nirvana

Bleach Deluxe Edition

Release: 1989 / US – Reissue

Genre: Rock & Indie, Reggae & Dancehall

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LP | 1989 | US | Reissue (20/20/20)

Galaxie 500

On Fire

Release: 1989 / US – Reissue

Genre: Rock & Indie

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LP | 1989 | EU | Reissue (Neubauten)

Einstürzende Neubauten

Haus der Lüge

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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LP | 1989 | US | Reissue (Sub Pop)

Nirvana

Bleach

Release: 1989 / US – Reissue

Genre: Rock & Indie

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LP | 1988 | UK | Reissue (Optic Nerve)

The Charlottes

Are You Happy Now

14,99 €*

My Life With The Thrill Kill Kult I

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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Formed in Huntingdon, Cambridgeshire after drummer Simon Scott met Guitarist Graham Garduilo in local band The Giant Polar Bears.

They were tour buddies to Ride and most of the late 1980s shoegaze bands. Simon Scott was stolen by Slowdive after a gig at the White Horse in Hampstead in 1990, where the Boo Radleys opened the three-band bill.

They split after releasing two albums. John Peel loved them and NME gave debut album Lovehappy 9 out of 10.

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See Good Spirits... Black Vinyl Edition

LP | 1988 | US | Reissue (Wax Trax!)

Release: 1988 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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My Life With The Thrill Kill Kult I

See Good Spirits... Green Vinyl Edtion

LP | 1988 | US | Reissue (Wax Trax!)

32,39 €* 35,99 € -10%

Release: 1988 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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My Life With The Thrill Kill Kult I

See Good Spirits.. Limited 2lp Edition

2LP | 1988 | US | Reissue (Wax Trax!)

46,99 €*

Release: 1988 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Superfuzz Bigmuff 35th Anniversary Vinyl Edition

Mudhoney

LP | 1988 | US | Reissue (Sub Pop)

Release: 1988 / US – Reissue

Genre: Rock & Indie

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7" | 1988 | US | Reissue (Sub Pop)

Mudhoney

Touch Me I'm Sick

13,99 €*

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Self-Inflicted Aerial Nostalgia Clear Yellow Vinyl Edition

Guided By Voices

LP | 1988 | US | Reissue (Scat)

Self-Inflicted Aerial Nostalgia Black Vinyl Edition

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Self-Inflicted Aerial Nostalgia was Guided By Voices’ third album, self-released by the band in 1988 in a pressing of 500. While both of the band’s earlier albums exhibit strong songwriting and plenty of vision, it is here that the GBV sound really begins to coalesce. While Devil Between My Toes is rife with contrasts, variety, and dark psychedelia, and its follow up Sandbox is a cohesive ’60s-influenced affair, Self-Inflicted Aerial Nostalgia marries the two approaches to outstanding effect. Unsurprisingly, recording began before Sandbox was even done pressing. These sessions would yield an aborted LP titled Learning To Hunt, but after personnel changes and second thoughts, Robert Pollard shelved most of the tracks, dismissing them as too similar to those on Sandbox. Fair enough, as many of Pollard’s more recent songs were simply on another level than previously. Here are the first of the classic Pollard slow-burners, often built on a simple melodic or rhythmic figure that circles itself ever outward, accumulating heft, variation, and inevitability as the song evolves into something unexpected yet inevitable. It’s the aural equivalent to watching a butterfly grow out of its cocoon. A few things are unique to this particular LP. Original powerhouse drummer Peyton Eric returns for nearly half the tracks, while engineer and lead guitarist Steve Wilbur shines at his brightest, resulting in some of the most thoroughly rocking GBV songs to ever be cut to lacquer, such as “Earful o’ Wax,” which simply explodes out of the speakers when the solo section begins. On the other end of the spectrum, you get Pollard recording perfect pop gems at home with just voice and guitar, which would become a calling card on later GBV albums. There’s simply a tremendous variety of material, all strung together in such a way that the album is all of one piece, a mosaic.

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Guided By Voices

LP | 1988 | US | Reissue (Scat)

12" | 1988 | EU | Reissue (Thank You)

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Degrees Of Freedom

China

22,99 €*

LP | 1988 | US | Reissue (Paradise Of Bachelors)

Release: 1988 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Degrees of Freedom is a Canadian musical group founded in 1984 in Montreal by Janet Cadman (vocals and percussion), Martin Chartrand (bass, guitar, rhythm programming and vocals) and David Curtis (keyboards, vocals, and percussion). Established as a 5-piece New Wave cover band, Degrees of Freedom evolved into its classic quartet configuration following the departure of the original guitarist and drummer, and the subsequent enlistment of Santino Mastrocola on drums. With this lineup change came a new musical mission: the writing, recording and live presentation of original material only. Since Santino's withdrawal from the band in 1988, Degrees of Freedom has carried on as a trio in the studio while augmenting concert performances with additional musicians.

In February 1985, Degrees of Freedom performed at the newly formed S.O.S. (Save Our Songwriters) Club in Montreal. Like other participants in the S.O.S. project, Degrees of Freedom was rewarded with studio time to record some of its own songs. One of these, "August is an Angel" was selected to close out the locally produced 1985 band anthology album "Listen - A Faze Compilation of Montreal Music." The next year, a new track "In This Room," was included in the follow-up release "Listen 2." Both songs, with four newly recorded works, were issued in 1988 as Degrees of Freedom's eponymous sole vinyl release, informally known as the “China” album.

In 2015, the music of Degrees of Freedom experienced a renaissance thanks to a new generation of club DJs, traditional and internet-based radio hosts, vinyl disc collectors, and other aficionados of synth-based music. Local and international recognition has come in the form of record sales to fans in Canada as well as in the USA, Germany, Scotland, England, Ireland, Belgium, The Netherlands, France, Spain, Lithuania, Sweden, Bulgaria, Australia, Vietnam, and Japan. Responding to the resurgence of interest, Degrees of Freedom has twice re-issued the disc (2017 and 2019). Today, with eyes on the future and the past, Janet, Martin and David continue to collaborate on new material including the songs, "Metal Flesh" and "Be This Way" both accessible on the band's YouTube channel.

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Roxy Gordon

Crazy Horse Nver Died

Sliding Gliding Worlds Black Vinyl Edition

Release: 1988 / US – Reissue

Genre: Rock & Indie

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The Choctaw, Assiniboine, and Texan poet, journalist, visual artist, American Indian Movement activist, and musician Roxy Gordon (First Coyote Boy) (1945-2000) was above all a storyteller, known primarily as a writer of inimitable style and unvarnished candor, whose wide-ranging work encompassed poetry, short fiction, essays, memoirs, journalism, and criticism. Over the course of his career he recorded six albums, wrote six books, and published hundreds of shorter texts in outlets ranging from Rolling Stone and The Village Voice to the Coleman Chronicle and Democrat-Voice, in addition to founding and operating, with his wife Judy Gordon, Wowapi Press and the underground country music journal Picking Up the Tempo. Along the way he cultivated close friendships with fellow Texan songwriters such as Lubbockites Terry Allen, Butch Hancock, and Tommy X. Hancock, as well as Ray Wylie Hubbard, Billy Joe Shaver, and, most famously, Townes Van Zandt, whom he called his brother. Although his work covered a vast array of topics exploring strata personal, local, global, and cosmic alike, Gordon's primary subject as a writer, musician, and visual artist was always American Indian culture, specifically the ways it collided and coexisted with European American culture in the South and West-and within the context of his own life and braided identity. The ten songs on Crazy Horse Never Died, his first officially released and distributed album, were recorded in Dallas in 1988. "Songs" is perhaps an imprecise taxonomy for what Roxy captured on this and his other albums, all of which remain out of print or were released in instantly obscure limited editions of homebrew cassettes and CD-R's. (Paradise of Bachelors plans to reissue remastered, expanded editions of his catalog; Crazy Horse is the first.) He only occasionally attempted to sing, and his musical recordings are primarily corollaries of, and vehicles for, his poems. His sharp West Texan drawl, tinged by formative years of reservation living in Montana and unmistakable once you hear it-high, lonesome, flat, and cold-blooded as a bare rusty blade-instead patiently unfurls in skewed sheets of anecdotal verse and discursive narrative rants. Although Gordon's music at times incorporated powwow style drumming, fiddling, or unaccompanied ballad singing, the majority of it hews to an idiosyncratic spoken word style, accompanied by atmospheric, sometimes synth-damaged country-rock that skirts ambient textures and postpunk deconstructions. His songs are essentially recitations over backing tracks of finger picked guitars, rubbery washtub bass, and buzzing, oscillating keyboards. On the stark yellow and red jacket of Crazy Horse, which he designed himself, Gordon describes these recordings as innately ambivalent in terms of form, content, and identity: These are poems and/or songs about the American West, white and Indian. My life has been Indian and/or white. Maybe there's not a lot of difference-maybe. I guess that's mostly according to which white person or which Indian you're talking about. That's probably what this album's about. Crazy Horse Never Died comprises songs that span the personal and political arcs of his writing practice and the poles of his native and white ancestries.

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Ozric Tentacles

2LP | 1988 | EU | Reissue (Kscope)

34,99 €*

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Crime & The City Solution

Shine Colored Vinyl Edition

LP | 1988 | UK | Reissue (Mute)

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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LP | 1988 | US | Reissue (Mississippi)

Dead Moon

In The Graveyard

Allegory & Self Clear With Yellow Splatter Vinyl Edition

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Dead Moon's first LP! Originally released in 1989, "In The Graveyard" sounded like nothing else happening at the time. Lo -fi psychedelic masterful songwriting with so much murk and mystery - it's perfect. Features absolute hits like "In The Graveyard", "God Damn I Hate The Blues and "Dead In The Saddle." This is one of the most important rock and roll releases of all time.

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Psychic TV

LP | 1988 | US | Reissue (Sacred Bones)

Release: 1988 / US – Reissue

Genre: Rock & Indie

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LP | 1988 | JP | Reissue (Alchemy)

S.O.B Kaidan

Noise,Violence & Destroy

36,99 €*

LP | 1988 | EU (Replica Nova)

Release: 1988 / JP – Reissue

Genre: Rock & Indie

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Sabotage Organized Barbarian, best known by their acronym S.O.B were part of a hardcore punk movement in the 80s that envigorated Japanese youth along with other acts like Gism and Gauze. The ravaging tempos and punishing aural densities grappled with the ears, and their sphere of influence quickly broke the banks of their native Osaka, with acts like Napalm Death acknowledging the bands importance for their own sound and grindcore to come.

In 1988, S.O.B teamed up with Alchemy Records founder Jojo Hiroshige, and his prolific Japanoise band Hijokaidan to form S.O.B Kaidan. With Hiroshige’s crushing distortion squeals stacked on top of S.O.B’s high-tempo percussive aggression, the two made quick work of anything that dared to obstruct their path at the cross-sections of hardcore and noise.

Their only LP Noise Violence and Destroy remains the only relic of their collaboration, and has become hard to find. The initial batch of 3000 LPs were quickly snapped up, and the brief CD runs that followed are now rare items. As part of the Alchemy Records Essential Collections series, P-vine is thrilled to reissue Noise Violence and Destroy on limited edition vinyl for the first time with an iconic Japanese obi strip attached.

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Garbage Collector

1988

16,99 €*

Release: 1988 / EU

Genre: Rock & Indie

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Isn't Anything Heavyweight Vinyl Edition

my bloody valentine

LP | 1988 | UK | Reissue (Domino)

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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Fury In The Slaughterhouse

LP | 1988 | EU | Reissue (..In Myself)

21,99 €*

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Las Vegas Grind Volume 2 Aka Louie's Limbo Lounge

V.A.

LP | 1988 | EU | Reissue (Strip-Tease)

LP | 1988 | EU | Reissue (East West)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Wacked, Honk'n'grind Sax/Guitar/Grunt-Laden Buttshake Tunes From The 50s & Early 60s. Now Back In Soon!! Remastered!! Exotic Deluxe Gatefold Edition!!

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Litfiba

Litfiba 3

36,99 €*

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Isn't Anything Deluxe Edition

my bloody valentine

LP | 1988 | EU | Reissue (Domino)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Love Hysteria Indigo Vinyl Edition

Peter Murphy

LP | 1988 | UK | Reissue (Beggars Banquet)

25,99 €*

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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Stone Roses Clear Vinyl Edition

The Stone Roses

LP | 1988 | EU | Reissue (Sony)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Atmosphere Remastered Edition 2020

Joy Division

12" | 1988 | EU | Reissue (Rhino)

16,99 €*

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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LP | 1988 | UK | Reissue (4AD)

Dead Can Dance

The Serpent's Egg

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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LP | 1988 | EU | Reissue (Adasam Ltd)

Spacemen 3

Playing With Fire

2LP | 1988 | US | Reissue (Sub Pop)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Limited edition for Record Store Day 2017!

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Soundgarden

Ultramega OK

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Nick Cave & The Bad Seeds

Tender Prey

LP | 1988 | EU | Reissue (Mute)

25,99 €*

2LP | 1988 | US | Reissue (Goofin)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Recorded in Berlin and London between 87 and 88!

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Sonic Youth

Daydream Nation

LP | 1988 | EU | Reissue (Jagjaguwar)

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Daydream Nation was Sonic Youth’s sixth full-length, their first double-LP, and their last for an indie label before signing with Geffen. Widely considered to be their watershed moment, the album catapulted them into the mainstream and proved that indie bands could enjoy wide commercial success without compromising their artistic vision. More recently, Daydream Nation has been recognized as a classic of its time: Pitchfork ranked it #1 on their “100 Greatest Albums of the 1980s”; Spin listed it at #13 on their “125 Best Albums of 1985-2010”; Rolling Stone put it at #45 on their “100 Best Albums of the Eighties” list and #328 on their “500 Greatest Albums of All Time.” It was one of 50 recordings chosen by the Library of Congress to be added to the National Recording Registry in 2006.
2007 saw the release of an expanded four-disc vinyl box set, but now the album is back in its original form after years of being out of print and highly sought after. As a special 21st century bonus, the vinyl now includes a digital download card—radical adults rejoice!

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Dinosaur Jr

Bug

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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LP | 1988 | UK | Reissue (Fire)

Spacemen 3

Performance

21,99 €*

LP | 1988 | DE | Reissue (Rhino)

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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180 gram vinyl

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Jane's Addiction

Nothing's shocking

LP | 1987 | US | Reissue (Sorcerer)

Release: 1988 / DE – Reissue

Genre: Rock & Indie

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180g vinyl

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Lubricated Goat

Plays The Devil's Music

Honor Among Thieves Black Vinyl Edition

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Sorcerer Records present a reissue of Lubricated GOAT's debut LP Plays The Devil's Music, originally released in 1987. It's been out of circulation for over two decades, and Sorcerer Records presents this classic slice of underground Australiana in all its glory. Recorded over two recording sessions in mid-1986, one in Perth and one in Adelaide, Plays The Devil's Music wasn't really seen by LG founder/mainstay STU Spasm (ex-BEASTS OF Bourbon, Salamander JIM, et al.) as a part of any grand musical plan. He recorded these tracks with his friends Martin Bland, Brett Ford, and Pete Hartley and went back to Sydney with the tapes. John Foy of Black Eye Records loved the results and the band known as Lubricated Goat was born. Over the course of several more full-lengths and an EP or two, the band made themselves a reputation as one of Australia's finest purveyors of post-punk noise-rock before relocating to the US. The musical scene centered around the Black Eye label in Sydney at the time, with bands such as the 'Goat, Thug (featuring a young Tex Perkins), No More Bandicoots, Box The Jesuit, etc. remains one of Australia's richest, weirdest and most inventive conglomeration of musicians and artists, and Stu and company were right in the thick of it. Lubricated Goat were (perhaps correctly) often compared to the Butthole Surfers at the time, and their mix of punk, post-punk, noise, and a taste for the absurd puts them firmly in the same camp. Throw in a little bit of Stooges/Birthday Party-style grunt and a distinctly Australian sense of humor and you're getting close to the magic of early Lubricated Goat. This edition comes remastered c/o Mikey Young. Comes in original artwork and inner sleeve; Includes download card; Includes new liner notes from Stu Spasm detailing the history of the recording. Recommended for fans of: Butthole Surfers,Killdozer, Pere Ubu, Big Black, Birthday Party.

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The Brandos

LP | 1987 | Reissue (Blue Rose)

Release: 1987 / Reissue

Genre: Rock & Indie

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Now Wait For The Last Year

Caroline K

LP | 1987 | EU | Reissue (Mannequin)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Il Padrone Della Festa Orange Transparent & Black Vinyl Edition

Fabi Silvestri Gazze

2LP | 1987 | EU | Reissue (Columbia)

41,99 €*

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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LP | 1987 | EU | Reissue (Universal)

Julian Cope

St. Julian

30,99 €*

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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LP | 1987 | US | Reissue (Megaforce)

Meat Puppets

Mirage

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Life Time Metallic Gold Vinyl Edition

Rollins Band

LP | 1987 | US | Reissue (2.13.61)

Jeremy Gluck With Nikki Sudden & Rowland S Howard

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Vinyl reissue of debut full-length, originally released in 1987.

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I Knew Buffalo Bill Record Store Day 2024 Edition

LP | 1987 | UK | Reissue (Glass Modern)

22,99 €*

Opus Dei Remastered Edition

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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Reissue of the classic 1987 LP by former Barracudas vocalist, Jeremy Gluck in collaboration with Nikki Sudden (Swell Maps + Jacobites) & Rowland S Howard (The Birthday Party + These Immortal Souls) with contributions from Jeffrey Lee Pierce (The Gun Club) and Epic Soundtracks (Swell Maps + Crime & The City Solution). The original LP track 'Hymn' has been removed (Jeremy never liked the vocal) and replaced with a different sounding reprise of the opening track 'Looking For a Place To Fall' at the end of side one, making it feel like a suite. New liner notes by Jeremy Gluck. Soviet Red Vinyl

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Laibach

LP | 1987 | UK | Original (Mute)

Release: 1987 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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2LP | 1987 | UK | Reissue (Fire)

Pulp

Freaks

LP | 1987 | UK | Reissue (Mute)

Release: 1987 / UK – Reissue

Genre: Rock & Indie, Pop

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Features a second bonus disc packed with singles and b-sides from the
Freaks era. Pulp had changed significantly since their debut 'It'. By this time every member bar Jarvis had moved on but the addition of
Russell Senior proved to be a pivotal turning point for the band. No longer did Pulp sound pastoral, easy-natured; now they were darkly
romantic, brooding, noisy and a little bit Gothic, in the way young folk who brush their hair a certain way are always a little bit Gothic.
Pulp were out-of-tune with the times: but the times didn't satisfy Pulp. The album is quite marvellous. Most of these songs stand the
distance of time: it was here, possibly even more than 1992's Separations, that Pulp started coming into their own as a band with a fullyrealised aesthetic. The first disc is the original album, unaltered and in its entirety. The second is a bonus disc comprising of tracks from
the two big non-album singles from the same era, 'Little Girl (With Blue Eyes)' and 'Dogs are Everywhere'. Two further b-sides 'Tunnel'
and 'Manon' complete the second disc for the definitive 'Freaks' period release. Pulp's 'It' and 'Separations' will be repressed at the
same time for the complete Pulp on Fire collection.

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These Immortal Souls

Get Lost Don't Lie!

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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Blaine L. Reininger, Stockholm Monsters, The Durutti Column

Greetings From S.G.V. Record Store Day 2024 Edition

LP | 1987 | EU | Reissue (Lantern)

LP | 1987 | EU | Reissue (Rhino)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Overdue re-issue of the first three 12” in the record series dedicated to musicians who took part to the Greetings festival. It happened in 1987, it was time for Materiali Sonori 10th anniversary, an historic goal for the label/collective born in the small Tuscany village of San Giovanni Valdarno. The small celebration brought to life a box collecting the first 3 Eps of the Greetings from S.G.V. series. The series was intended as symbolic sound postcard, made with various musicians with whom the collective label shared a path, whether small or long. The Durutti Column, The Stockholm Monsters and Blaine R. Reininger (Tuxedomoon) are among the artist who took part to the project, here collected for the very first time. Lantern is pleased to pay tribute to the work of people whose passion, attitude, commitment and genuineness inspired this adventure still true to these days. "Our presence in this small tuscan town is almost casual... physically we were born and grew up here, while our hearts and our minds were travelling to Paris, Berlin, Brussels, New York or London" (Giampiero Bigazzi of Marteriali Sonori , taken from the original inner sleeves notes).

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Grateful Dead

In The Dark

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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LP | 1987 | UK | Reissue (Manifesto)

The Gun Club

Mother Juno

40,99 €*

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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Electric Black Vinyl Edition

The Cult

LP | 1987 | UK | Reissue (Beggars Banquet)

Electric Blue Vinyl Edition

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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Electric, their third album, came out in 1987 and really caused the band to explode to new levels of fame. It contains the massive hits "Love Removal Machine", Wild Flower" and "Lil" Devil" and was produced by Rick Rubin.Electric is a seminal work, featuring some of the band"s most iconic songs. It is a departure from the band"s previous work, with a raw, agressive and stripped-down sound. The album"s opening track, "Wild Flower," sets the tone with its pounding drums, blistering guitar riffs, and Ian Astbury"s wailing vocals.Electric was a commercial and critical success, propelling The Cult to the forefront of the hard rock scene and cementing their status as one of the most influential bands of the era. The album remains a touchstone for hard rock and heavy metal fans, a classic work that captures the spirit of rebellion and the power of rock and roll.The Cult has remained an important and enduring force in the rock music world. The band has sold millions of records worldwide and has earned critical acclaim for its powerful live performances. The Cult continues to tour and record new music, and their influence on rock music shows no sign of diminishing.

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The Cult

LP | 1987 | UK | Reissue (Beggars Banquet)

Peace, Love & Murder Black Vinyl Edition

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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My Dad Is Dead

LP | 1987 | US | Reissue (Scat)

Burning In The Shade Transparent Orange Vinyl Edition

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Peace, Love & Murder was the second album by Cleveland’s My Dad Is Dead, originally released in 1987 by Boston’s Birth Records. Like the debut, ...And He’s Not Gonna Take It Anymore, Mark Edwards wrote and performed all the music on his own. While not a significant departure from that album, Peace, Love & Murder does differ from its predecessor and has some qualities that make it unique in the voluminous Mdid discography. While combining live drums with drum machine is a hallmark of the Mdid style, on this album Edwards introduced the Roland Tr-505 into the mix, and in a bold move recorded the live drums first, which had the effect of making the rhythm tracks feel a bit more organic despite the presence, and occasionally the prominence, of the Tr-505. Modal guitar tunings remain de rigeur here, but Edwards’ abilities as a guitarist display a marked increase in proficiency and imagination. While the debut album sprawls a bit, PLM is a tight and focused ten song set, buoyed by a more impactful production job by Chris Burgess. Just as the debut album had a few lighter (or at least slightly less grim) songs, so does this album, but here they shine with a bit more pop sparkle. “Babe In The Woods” and “Hill O’ Beans” would go on to be fan favorites for many years, as would the utterly harrowing unstoppable bulldozer that is “Like A Vise.” All these years on, the album’s closer “Fireball” has become oddly relevant and chilling. Sung from the POV of a mass shooter to a droning riff that evokes Middle Eastern modes, the narrator intones, “I’m gonna go out in a blaze of glory / today’s the day I’m gonna make it to the headlines.” The whole album has remarkable cohesion and pacing, as well as variety, and, not to mention ,what a god-tier track “Breakdown” is. So grab a black overcoat and “Open Wide.”

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Tygers Of Pan Tang

LP | 1987 | EU | Reissue (Cargo)

19,99 €*

LP | 1987 | CZ | Reissue (Island)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Transparent Orange Vinyl, limited to 500 copies. The Tygers of Pan Tang were one of the foremost New Wave of British Heavy Metal Bands and they hit the album charts running when their 1980 debut album Wildcat reached #18 in the UK charts. After three further albums with MCA, they recorded this album for Zebra Records in 1987. Burning in the Shade is the most melodic of their releases and features the line-up of Jon Deverill (vocals), Steve Lamb (guitar), Brian Dick (drums) with guests Steve Thompson and Phil Caffrey.

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Tom Waits

Frank's Wild Years

Release: 1987 / CZ – Reissue

Genre: Rock & Indie

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If Two Worlds Kiss Coke Bottle Clear Vinyl Edition

Pink Turns Blue

LP | 1987 | CZ | Reissue (Dais)

If Two Worlds Kiss Black Vinyl Edition

Release: 1987 / CZ – Reissue

Genre: Rock & Indie

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Coke Bottle Clear VinylFounded in Cologne, Germany in 1985, Pink Turns Blue's blend of atmospheric pop informed by European post-punk contemporaries and buzzing punk dissonance ofHüsker Dü (the band is named after the Zen Arcade song) immediately tapped into a new canon of sound that was foundational to the emergence of darkwave. Tom Elbern (vocals, guitars)formerly of Seltsame Zustände and Mic Jogwer (vocals, bass) were joined by Marcus Giltjes (drums), and Ruebi Walter (keyboards) and caught on through diligently pounding the club circuit and circulating their early, self-financed recordings. Despite the commitment to their craft and initial grassroots success, securing label support proved difficult as they refused to sing in German and their sober tone lacked the shimmer of pop and optimism that executives felt formulaic to success. Still, the band persisted with the duo of Elbern and Jogwer sharing vocal duties and song credits, each informing the other's compositions until Elbern halved the song production and left the band in 1987. Continuing to perform and record as a three piece, the band eventually found roots with FunFactory!, an independent label based in Münster whose manager Axel Seitz shared the band's appreciation of the Velvet Underground and Andy Warhol's Factory vision, urging them to forego releasing singles and focus on a full-length. Released in 1987 and now remastered by Josh Bonati for vinyl release through Dais,If Two Worlds Kissis a seminal offering to the canon of dark wave's DNA - a liquid lesson in melody, mood, and pacing - each track continuously adding to the journey like a unique push pin on a map of melancholy. Defined by their dynamic song-writing, their debut added a new urgency and depth to guitar-driven gothic rock by allowing fast songs such as the lead single "Walking on Both Sides" to possess the same sullen punch and melancholy as slower anthems like "When the Hammer Comes Down", which derives its power on the downbeat. More rhythmic variety is added t...

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Pink Turns Blue

LP | 1987 | US | Reissue (Dais)

LP | 1987 | UK | Reissue (Beggars Banquet)

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Founded in Cologne, Germany in 1985, Pink Turns Blue's blend of atmospheric pop informed by European post-punk contemporaries and buzzing punk dissonance of Hüsker Dü (the band is named after the Zen Arcade song) immediately tapped into a new canon of sound that was foundational to the emergence of darkwave.Released in 1987 and now remastered by Josh Bonati for vinyl release through Dais, If Two Worlds Kiss is a seminal offering to the canon of dark wave's DNA - a liquid lesson in melody, mood, and pacing - each track continuously adding to the journey like a unique push pin on a map of melancholy. Defined by their dynamic song-writing, their debut added a new urgency and depth to guitar-driven gothic rock by allowing fast songs such as the lead single "Walking on Both Sides" to possess the same sullen punch and melancholy as slower anthems like "When the Hammer Comes Down", which derives its power on the downbeat. More rhythmic variety is added through beat-driven dancefloor tracks with triumphant singalong choruses like "That Was You", showing they could swing hard - as well as swirl_

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Love And Rockets

Earth Sun Moon

Gold Mine Trash Brown Vinyl Edition

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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In 1987, the band"s third album, the acoustic leaning Earth, Sun, Moon was released and spawned the college radio hit "No New Tale To Tell". It was described as "at once gutsy and rootsy yet also rhapsodic and uplifting".

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Felt

LP | 1987 | US | Reissue (1972)

LP | 1987 | US | Reissue (Scat)

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Hot on the heels of their third album Forget The Curse (Mammas Mysteriska Jukebox, 2023), Fördämning Arkiv presents a Troth anthology compiling early non-album material and other odds and ends from the Australian duo. A massive 15-track retrospective, Uncut Flowers consists of the tracks from the Our Opaque Wreath cassette (Moontown Records, 2019), The Optimist (Essential Minerals, 2019), the Garland And Gauze 7" (Altered States Tapes, 2020) as well as various compilation contributions. 74 minutes.

"In evidence throughout is Troth’s penchant for capturing and collecting sounds from their environments, transforming field recordings, organic and non-organic sonic sources into textures of a palette that they then compose and improvise with. There’s a virtuosity of sampling and sound manipulation. The recurrent sounds from Besseny and Bowman’s intrepid field and bush explorations often verge on an indistinguishability between the synthesised and the concrete-organic. Permutated hand percussion or the throbbing of a waterfall; xylophonic melody or the tape loop of a bird call. The clank and tings of unidentified objects, matter itself writhing in the veggie garden. An environment starts speaking from iron gates in a paddock anywhere, close to the damp leaf and loam of a forest floor far below unseen birds and their cacophony of song and chatter. Tracks often collapse into a grey zone stretched between composition and improvisation." - Chris Colla

Digipack in an edition of 500 copies including a 8-page booklet with liner notes, photos etc. Mastered by Joakim Karlsson. Artwork by Charlott Malmenholt. Fördämning Arkiv 10.

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Guided By Voices

Sandbox

24,69 €* 25,99 € -5%