Indierock | Alternative Vinyl 23350 Items

I Was Trying To Describe You To Someone

Release: 2023 / US – Original

Genre: Rock & Indie

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A Wednesday song is a quilt. A short story collection, a half-memory, a patchwork of portraits of the American south, disparate moments that somehow make sense as a whole. Karly Hartzman, the songwriter/ vocalist/guitarist at the helm of the project, is a story collector as much as she is a storyteller: a scholar of people and one-liners. Rat Saw God, the Asheville quintet's new and best record, is ekphrastic but autobiographical and above all, deeply empathetic. Across the album's ten tracks Hartzman, guitarist MJ Lenderman, bassist Margo Shultz, drummer Alan Miller, and lap/pedal steel player Xandy Chelmis build a shrine to minutiae. Half-funny, half-tragic dispatches from North Carolina unfurling somewhere between the wailing skuzz of Nineties shoegaze and classic country twang, that distorted lap steel and Hartzman's voice slicing through the din. Rat Saw God is an album about riding a bike down a suburban stretch in Greensboro while listening to My Bloody Valentine for the first time on an iPod Nano, past a creek that runs through the neighborhood riddled with broken glass bottles and condoms, a front yard filled with broken and rusted car parts, a lonely and dilapidated house reclaimed by kudzu. Four Lokos and rodeo clowns and a kid who burns down a corn field. Roadside monuments, church marquees, poppers and vodka in a plastic water bottle, the shit you get away with at Jewish summer camp, strange sentimental family heirlooms at the thrift stores. The way the South hums alive all night in the summers and into fall, the sound of high school football games, the halo effect from the lights polluting the darkness. It's not really bright enough to see in front of you, but in that stretch of inky void - somehow - you see everything. The songs on Rat Saw God don't recount epics, just the everyday. They're true, they're real life, blurry and chaotic and strange - which is in-line with Hartzman's own ethos: "Everyone's story is worthy," she says, plainly. "Literally every life story is worth writing down, because people are so fascinating." But the thing about Rat Saw God - and about any Wednesday song, really - is you don't necessarily even need all the references to get it, the weirdly specific elation of a song that really hits. Yeah, it's all in the details - how fucked up you got or get, how you break a heart, how you fall in love, how you make yourself and others feel seen - but it's mostly the way those tiny moments add up into a song or album or a person.

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Wednesday

LP | 2020 | US | Reissue (Dead Oceans)

Like No Tomorrow Neon Yellow Vinyl Edition

Release: 2020 / US – Reissue

Genre: Rock & Indie

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I Was Trying to Describe You to Someone is Wednesday's second fulllength album & first as a full band. The Asheville, NC quintet (guitarist/ vocalist Karly Hartzman, lead guitarist Daniel Gorham, pedal steel guitarist Xandy Chelmis, bassist Margo Schultz & drummer Alan Miller) maximizes the dark dissonance of a three guitar attack to highlight the emotionality of Hartzman's bell-clear vocals & wisps of half-recalled memories & literary references that make up her lyrics. I Was Trying to Describe You to Someone's eight songs meld elements of shoegaze, grunge, indie pop & southern American culture into a uniquely personal style of modern rock music that resonates with power & tenderness. The ever-darkening & deepening of Wednesdays' sound on I Was Trying to Describe You to Someone owes a debt of influence to The Swirlies, Arthur Russell, Red House Painters, Tenniscoats, Ana Roxanne, Acetone, & their continued collaboration with MJ Lenderman (who lends backing vocals to the songs "Billboard" & "November"). I Was Trying to Describe You to Someone was recorded at Hartzman's home with engineering assistance from her roommate Colin Miller. The depth & clarity of the recordings balance the distorted volume of Wednesday's live performances with the intimacy of Hartzman's voice. Her words hold the center of the chaos, unobscured by the power of the band. Hartzman describes her lyrics as "attempts to access old personal memories & do them justice through prose, with inspiration from the writings of Richard Brautigan, Flannery O'Connor, David Berman & Tom Robbins, & movies like Steel Magnolias."

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Wedge

LP | 2021 | EU | Original (Heavy Psych Sounds)

Like No Tomorrow Half Red Half Yellow Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Wedge’s new release „Like No Tomorrow” makes for an unholy trinity of Wedge albums in the Heavy Psych Sounds Records back catalogue. The Berlin-based power trio once more is driving their musical Wedge in between many different genres: Garage rock turns progressive while psychedelic guitar lines are tripping over hard rocking riffs. Does this work together? Hell yes! For fans of Deep Purple, MC5, Led Zeppelin or Humble Pie this album is a sure shot. You like fuzz guitars? Hammond organ and vocals trough a swirling Leslie cabinet? More cowbell? You got it. But unlike our beloved rock records from around 1971, which we’ve heard a hundred times before „Like No Tomorrow” has one huge advantage: It’s brand new and the 8 tracks, ranging from 3:00 to 9:00 minutes, deliver a fresh, unspent and unmistakably unique taste to the rock’n’roll menu. In the tradition of bands like The Raconteurs, The Hellacopters, Graveyard or Wolfmother, Wedge are building on that vintage vibe we all know and love but evolve their very own thing and are able to connect it directly to here and now. Also lyrically the tunes are picking up on our zeitgeist, dealing with topics like digitalisation, mass migration and current social issues among others. So it’s no coincidence that the record’s title is a direct hint at our crazy times, in which it feels like the end of the world might be lurking just around the very next corner. But rather than being pessimistic about it, Wedge want to convey a positive message: „When it feels like there might be no tomorrow, just love and live Like No Tomorrow”

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Wedge

LP | 2021 | EU | Original (Heavy Psych Sounds)

3LP | 1994 | EU | Reissue (Proper)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Wedding Present

Watusi

52,99 €*

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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3LP+DVD | 2023 | US | Original (Happy Hapy Birthday To Me)

Wedding Present

24 Songs

48,99 €*

3LP+DVD | 2023 | UK | Original (Happy Happy Birthday To Me)

Release: 2023 / US – Original

Genre: Rock & Indie

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The Wedding Present 24 Songs is a 3LP w/ DVD collecting all the 2022 7" singles in one spot. A. o. featuring a duet with Louise Wener of Sleeper, full lenght versions of songs, a bonus Utah Saints remix and more extra tracks! Throughout 2022, The Wedding Present's '24 Songs' series saw the legendary indie band release two new tracks a month as double A sided 7"s, ultimately creating a much-sought-after box set. David Gedge has now re-curated full-length versions of all twenty-four tracks for a new compilation album that will also comprise five bonus recordings including one featuring The Wedding Present's first guitarist, Peter Solowka. '24 Songs' was a doff of the cap to The Wedding Present's 'Hit Parade' project of 30 years previous. That series proved to be a real milestone for the band with them becoming only the second-ever artist to achieve twelve Official UK Top 40 hits in a calendar year - at the time something that only Elvis had achieved! David Gedge says: "When it came to compiling the '24 Songs' album, I decided not to sequence the tracks in chronological order. With six sides of vinyl, you have six 'beginnings' and six 'ends' to play with, and I felt that the opportunity to build some kind of a musical journey was too good to miss! Listening back to this collection, I have to say that I genuinely believe that, for this project, The Wedding Present have recorded some of the best tracks in our history." Classic black vinyl, the DVD includedThe Wedding Present playing live during the `24 Songs Launch' event in January 2022 plus a fascinating `fly-on-the-wall' documentary filmed as the songs were being written, arranged and recorded and the video for the December single.

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Wedding Present

24 Songs

56,99 €*

Vol. III Blue Swirl Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Webbed Wing

LP | 2024 | EU | Original (Memory Music)

Right After I Smoke This Yellow Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Fronted by vocalist/guitarist Taylor Madison, and with Jake Clarke on drumsand Mike Paulshock on bass, Webbed Wing cement their place in modernrock supremacy across 10 tracks of fuzzed-out pop nostalgia on new albumVol III. One impossibly-catchy anthem after another, loaded with Madison'ssignature sardonic wit, makes for one of the most exciting alternative rockrecords of the year. Taking notes from the likes of The Lemonheads andTeenage Fanclub, "Further" opens Webbed Wing's new album Vol. III witha bang--in less than 10 seconds, we're all the way in with Webbed Wingas they expertly intertwine the vibrancy of modern pop, the heaviness ofgrunge, and the sincerity of country. Brazen and self-deprecating, "Burn ItDown" finds Madison unpacking what it means to fly too close to the sun.Its mid-tempo mastery is a testament to the trio's connection as musiciansand friends; everything about this song just works. Drawing inspiration frombig country ballads and shoegaze gems alike, the song shows off a differentside of what listeners can expect from Vol. III.

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Webbed Wing

7" | 2023 | EU | Original (Memory Music)

18,99 €*

LP | 2017 | EU | Reissue (Memphis Industries)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Put Webbed Wing's Taylor Madison up against some of rock's most celebrated songwriters--he's ready. On their new EP, Right After I Smoke This..., the Philly-based guitarist and singer puts on the kind of unforgettable performance that can take everyday people and turn them into musical heroes for the masses.For those in the know, Webbed Wing--incomplete without Jake Clarke (drums) and Mike Paulshock (bass)--have long-since reached cult status; the project follows Madison and Clarke's already-decorated career in their band, Superheaven. Here, each member freely flexes their innate genre-bending musicality, taking notes from the likes of The Lemonheads, Teenage Fanclub, and Weezer.In just three songs, Right After I Smoke This... channels everything lyrically-gripping about rock music and everything vibrant about pop. There's as much earnest twang in their toolkit as there is snotty skate-park punk and intense metal; it's a celebration of the genre as they've come to love it, resulting in something highly palatable and new.

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Weaves

Wide Open

20,99 €*

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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LP | 2016 | EU | Reissue (Memphis Industries)

Weaves

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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LP | 2018 | EU | Original (Svart)

Weathered Statues

Borderlands

20,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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Come In Pink & Black Galaxy Vinyl Edition

Weatherday

2LP | 2022 | US | Reissue (Topshelf)

Come In Butterfly Splatter Vinyl Edition

Release: 2022 / US – Reissue

Genre: Rock & Indie

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Weatherday is the noise-pop project of the mononymous Swedish artist Sputnik. While they have also found success with their side project, Lola's Pocket PC, it is their cult-acclaimed album Come in that has garnered them a large and dedicated following through its raucous musical universe and serpentine sparklepunk stylings. Often heralded as an achievement of lo-fi bedroom pop tangled with threads of emo and DIY, Come in is better described, in its author's own words, as a 'life goal.'

The initial spark that ignited the fiery, heated debut from Weatherday originated from Sputnik's desire to write, perform, and produce a record all on their own, from the ground up. Starting in 2014-2015, their preliminary attempts at what would eventually become Come in first materialized as a shoegaze EP, and then a dream-pop meets chamber-pop LP. Ever the perfectionist though, Sputnik wasn't satisfied with the results and deleted the releases without a trace, finally deciding to set out in the direction of something more akin to their longtime influences of emo and its various subgenres.

After two years of tinkering in this stylistic sweetspot, Sputnik settled on the eleven knotted, maximal tracks that comprise Come in. From the caustic, harsh peaks of 'Sleep in while you're doing your best' to the soothing piano-laden passages of 'Embarrassing paintings' and experimental, granular coda of 'Water dreamer the same,' the range of Weatherday's debut is doubtlessly a product of an artist who refuses to compromise a single shred of their vision.

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Weatherday

LP | 2022 | US | Original (Topshelf)

2LP | 2024 | EU | Original (Mascot Label Group)

Release: 2022 / US – Original

Genre: Rock & Indie

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Weatherday is the noise-pop project of the mononymous Swedish artist Sputnik. While they have also found success with their side project, Lola's Pocket PC, it is their cult-acclaimed album Come in that has garnered them a large and dedicated following through its raucous musical universe and serpentine sparklepunk stylings. Often heralded as an achievement of lo-fi bedroom pop tangled with threads of emo and DIY, Come in is better described, in its author's own words, as a 'life goal.' The initial spark that ignited the fiery, heated debut from Weatherday originated from Sputnik's desire to write, perform, and produce a record all on their own, from the ground up. Starting in 2014-2015, their preliminary attempts at what would eventually become Come in first materialized as a shoegaze EP, and then a dream-pop meets chamber-pop LP. Ever the perfectionist though, Sputnik wasn't satisfied with the results and deleted the releases without a trace, finally deciding to set out in the direction of something more akin to their longtime influences of emo and its various subgenres. After two years of tinkering in this stylistic sweetspot, Sputnik settled on the eleven knotted, maximal tracks that comprise Come in. From the caustic, harsh peaks of 'Sleep in while you're doing your best' to the soothing piano-laden passages of 'Embarrassing paintings' and experimental, granular coda of 'Water dreamer the same,' the range of Weatherday's debut is doubtlessly a product of an artist who refuses to compromise a single shred of their vision.

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Weather Systems

Ocean Without A Shore

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-09-27

Weasel Walter Large Ensemble

Igneity: After The Fall Of Civilization

2LP | 2024 | EU (Improved Sequence)

26,99 €* 29,99 € -10%

2LP | 2017 | US | Original (Deathwish)

Release: 2024 / EU

Genre: Rock & Indie

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Another incredible document from Weasel Walter / The Flying Luttenbachers career, too good and too absurd to not have in on a monster double LP. The cast assembled and legendary names speak for themselves.

The Weasel Walter Large Ensemble debuted on Igneity - After The Fall Of Civilization (april 2015): Brandon Lopez and Tim Dahl on double bass, Alan Licht, Henry Kaiser and Chris Welcome on guitars, the quartet sax of Chris Pitsiokos, Jim Sauter, Matt Nelson and Michael Foster, Steve Swell on trombone, Peter Evans on trumpet and Dan Peck on tuba.

“‘Igneity’ was composed in response to Henry Kaiser asking me if I would assemble a big band, rather than a small group, for us to play a concert with in New York. I had previously included him in the large ensembles I had led when I lived in Oakland, California. However, I had not yet tackled the format in New York City. There is certainly no shortage of excellent players around here, but unlike the Bay Area, logistics tend to be somewhat more complicated, especially when it comes to rehearsal. As such, I set about devising an hour long structure which would allow me to control the general momentum and the various densities inherent in the orchestration while granting the individuals maximum freedom.”

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Wear Your Wounds

WYW

Rust On The Gates Of Heaven

Release: 2017 / US – Original

Genre: Rock & Indie

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Wear Your Wounds is the product of years of Lo-fi solo recordings by Converge founder Jacob Bannon. On this release he is joined by guest musicians Kurt Ballou (Converge), Mike McKenzie (The Red Chord, Stomach Earth, Unraveller), Chris Maggio (Sleigh Bells, Trap Them, Coliseum), and Sean Martin (Hatebreed, Cage, Kid Cudi, Twitching Tongues). Together they have created a powerful album that is unlike anything they have ever individually worked on. The album is contains ten emotional songs that call to the slower, more epic leanings of Converge, as well as his previous work in Supermachiner. Bringing to mind the multi-layered approach of Swans and early Pink Floyd, while being as vulnerable as influences Sparklehorse, Songs: Ohia, other like minded artists. Wear Your Wounds live will feature Bannon joined on stage by musicians Mike McKenzie (The Red Chord, Stomach Earth, Unraveller, Chris Maggio (Trap Them, Coliseum, Sleigh Bells), Adam McGrath (Cave In, Zozobra, Nomad Stones), and Sean Martin (Hatebreed, Cage, Kid Cudi, Twitching Tongues).

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Wear Your Wounds

2LP | 2019 | EU | Original (Deathwish)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Wear Your Wounds / Revelator

7" | 2012 | US | Original (Not On Label (Wear Your Wounds Self-released))

LP | 2021 | EU | Original (Big Scary Monsters)

Release: 2012 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

White Vinyl.

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Weakened Friends

Quitter

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Don Giovanni)

Weakened Friends

Common Blah

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (12XU)

Weak Signal

Fine

We Were Promised Jetpacks

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-09-20

"The music of New York trio Weak Signal (Mike Bones, guitar and voice; Sasha Vine, electric bass, violin, and voice; Tran, drums and voice) is a masterclass in simplicity and economy but these aspects aren’t present for their own didactic sake. Rather, their art is world-building in the most essential of ways, subtly spinning out in an enveloping, rich haze from a clear, architectural core. There are sections of knife-like collective squall and dialogic drift that glance at improvised music; while not strictly pop, the tunes are incredibly catchy with wry, keenly memorable lyrics that easily stick in one’s craw. With associations including Endless Boogie, Sian Alice Group, and Soldiers of Fortune, Weak Signal formed in 2017. They waxed two full lengths in the period leading up to the pandemic ('lp1'; 'Bianca'), and during that unsettling year-plus without many gigs to speak of, the trio kept busy and unleashed a handful of choice digital EPs and a couple of split 7” singles (cue up 'Rolex' if you haven’t heard it). In 2023 the group released 'War and War', a self-published book / CD (its title taken from a volume by Hungarian writer László Krasznahorkai) that was reissued on LP by 12xu the following year. 'Fine' is their fourth full-length to date, its tight ten-song program fleshed out with sonic icing from keyboardist Alexis Taylor (Hot Chip) and guitarists Doug Shaw (Gang Gang Dance; White Magic) and Cass McCombs."—Clifford Allen

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The More I Sleep The Less I Dream Colored Vinyl Edition

LP | 2018 | EU | Original (We Were Promised Jetpacks)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

We Were Promised Jetpacks

Enjoy The View

LP | 2021 | EU | Original (Big Scary Monsters)

Release: 2021 / EU – Original

Genre: Rock & Indie

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We Were Promised Jetpacks

A Complete One-Eighty

10" | 2023 | EU | Original (Big Scary Monsters)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 1990 | EU | Original (Sundazed Music Inc.)

We The People

Too Much Noise

Release: 1990 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Kapitän Platte)

We Stood Like Kings

Away

35,99 €*

I'll Go It Alone From Here

Release: 2023 / EU – Original

Genre: Rock & Indie

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Piano-based instrumental post-rockers We Stood Like Kings from Brussels have been around for over a decade now. They have released four albums and toured Europe extensively, rescoring silent movies and revisiting classical music in a heartfelt attempt at breathing new life into masterworks of other art forms. The albums BERLIN 1927, USSR 1926 and USA 1982 form a vibrant cinematic trilogy of new live scores for silent cultmovies, a field in which the band has become a reference on the European scene. After the release of the CLASSICAL RE:WORKS project, on which We Stood Like Kings take a fresh look at classical music from the Baroque to the 20th century, the band goes back to cinema with a new live soundtrack project dedicated to the recent silent 3D animation movie Away by the young Latvian director Gints Zilbalodis.

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We Love You

7" | 2016 | DE | Original (lifeisafunnything)

5,99 €*

12" | 2012 | EU | Original (Naive)

Release: 2016 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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We Have Band

Covers EP

5,99 €*

LP | 2021 | EU | Original (Gunner)

Release: 2012 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Limited edition for Record Store Day 2012!

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We Bless This Mess

Enlightened Fool

12,64 €* 22,99 € -45%

LP | 2024 | EU | Original (Smash)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Clear Yellow vinyl

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We Be Echo

20,24 €* 26,99 € -25%

Release: 2024 / EU – Original

Genre: Rock & Indie

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We Are Winter's Blue And Radiant Children

"No More Apocalypse Father"

LP | 2024 | CA | Original (Constellation)

LP | 2023 | UK | Original (Last Night From Glasgow)

Release: 2024 / CA – Original

Genre: Rock & Indie

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WE ARE WINTER'S BLUE AND RADIANT CHILDREN (WAWBARC) is the new quartet of Mat Ball(BIG|BRAVE), Efrim Manuel Menuck (Godspeed You! Black Emperor, Thee Silver Mt. Zion),and Jonathan Downs and Patch (both Ada). On "NO MORE APOCALYPSE FATHER" they presentsix modal lullabies drenched in seared distortion, slathered across striding electronic pulses.Ball and Menuck began creating music in and for the bleakest moments of Montréal winters:"We're honoring that idea of winter, when you come inside and your house is warm, a placethat only exists because of how cold it is outside," says Menuck. They later recruited Downsand Patch to flesh out their initial ideas. Menuck met them in 2015 when recording Ada'sfinal album at Montréal's Hotel2Tango _ where they reconvened to make this record."NO MORE APOCALYPSE FATHER" is an album about witnessing bleakness from a place ofsafety. Carrying newfound descriptive depth, thanks to the quartet's open-ended songsfreeing him from writing in meter, Menuck likens his lyrics to photorealism. On opener `Ratsand Roses' he sings of an unnamed city struck by an unknown cataclysm, but the details arelocal: specifically, his neighbors inadvertently poisoning birds when tackling a rat infestation.It's backed by blown out synths and guitars reaching a soaring crescendo. "Seeing thingsfrom a distance and not being able to intervene happens a lot on the record," Menuckexplains. "If you're a feeling and thinking person, that's just part of the human condition.We watch horror unfolding from afar, unable to do anything concrete to change it."A powerless witness, able to describe but not intervene. `Dangling Blanket From A Balcony(White Phosphorous)' references Michael Jackson holding his child over a hotel balcony in2002_the bizarre media spectacle still lodged in Menuck's psyche. This and the album'sclosing track also elegize white phosphorous, a technology of war designed to light upbattlefields but capable of inflicting horrific burns on those it touches...

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We Are The Physics

Are Ok At Music

32,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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Maybe Today, Maybe Tomorrow

We Are The Ocean

LP | 2022 | EU | Original (Hassle)

Release: 2022 / EU – Original

Genre: Rock & Indie

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We Are The Ocean's third album 'Maybe Today, Maybe Tomorrow', pressed on vinyl for the first time in celebration of the 10th anniversary of its original release.Limited opaque cream pressing.

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Lobes Curacao Transparent Vinyl Edition

LP | 2023 | EU | Original (Grönland)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Lobes Cathode Blue Vinyl Edition

LP | 2023 | UK | Original (100%)

Release: 2023 / UK – Original

Genre: Rock & Indie

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LP | 2023 | UK | Original (100%)

Lobes

24,29 €* 26,99 € -10%

Release: 2023 / UK – Original

Genre: Rock & Indie

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Huffy Solid Yellow Vinyl Edition

LP | 2021 | EU | Original (Grönland)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2019 | NL | Original (Elektrohasch)

We Are Here Now

Chikipunks Years

Release: 2019 / NL – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Munster)

We All Together

Volumen II

Even Up The Score White Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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HIGHLIGHTS:First time vinyl reissue of the second album (originally released in 1973) by one of the epoch-making groups in the history of Peruvian rock: We All Together. Their original compositions -all sung in English- betray their passion for McCartney, taking Beatle centrism to new heights in South America. While the Uruguayan Los Shakers could remind us of the first phase of the Fab 4, We All Together is like their seventies version. Amazing compositions, with nods to prog rock and the twilight imprint of singer-songwriters living the end of the hippy dream, that show both diversity and a defined identity. A must for any '70s rock collector. DETAILS:Between 1967 and 1974 Saúl and Manuel Cornejo led a series of epoch-making groups on the MAG label (New Juggler Sound, Laghonia and We All Together) in the history of Peruvian rock. All these bands were directly influenced by the British invasion and used new sounds from Hammond, phase shifters, synthesizers and tapes played backwards, which stimulated rivalry with other groups. Another hallmark of the brothers was the technical quality of their records, thanks to Saul's supervision of all MAG recordings between 1972 and 1974. At the end of 1971, when Laghonia was working on the last tracks of "Etcétera", they met Manuel Antonio Guerrero's (MAG) son, Carlos, who had just got back from the USA, and gladly joined in the choruses of the last songs Laghonia was recording. They met up again soon after to rehearse some of Paul McCartney's songs. As soon as he heard them play, Guerrero Senior urged them to form a group focused on cover versions of foreign hits not yet known in Peru. Initially, the Cornejo brothers weren't enthused by a project so different from Laghonia, but ended up accepting as it gave them the opportunity to spend time in the studio. Carlos' melodic voice was another incentive, although they made it clear that the new group, We All Together (WAT), would stick to the mixing desk: "The group isn't into presentations or...

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Wayward Sons

LP | 2021 | EU | Original (Frontiers)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (K&F)

Wayne Graham

Ish

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2024 | Original (Hickman Holler - Thirt)

Wayne Graham

Bastion

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-09-06

LP | 2013 | US | Reissue (Second Nature)

Waxwing

One For The Ride

LP | 1999 | US | Original (Second Nature)

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Clear Blue/Opaque Blue vinyl. Still in shrink, but opened, with hype sticker

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Waxwing

For Madmen Only

Release: 1999 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl close to VG+. Cover with bumped corner. With original inner sleeve

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Tigers Blood Red Vinyl Edition

LP | 2024 | EU | Original (Anti)

27,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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One of the hardest working singer-songwriters in the game is named Katie Crutchfield. She was born in Alabama, grew up near Waxahatchee Creek. Skipped town and struck out on her own as Waxahatchee. That was over a decade ago. Crutchfield says she never knew the road would lead her here, but after six critically acclaimed albums, she"s never felt more confident in herself as an artist. While her sound has evolved from lo-fi folk to lush alt-tinged country, her voice has always remained the same. Honest and close, poetic with Southern lilting. Much like Carson McCullers"s Mick Kelly, determined in her desires and convictions, ready to tell whoever will listen. And after years of being sober and stable in Kansas City-after years of sacrificing herself to her work and the road-Crutchfield has arrived at her most potent songwriting yet. On her new album, Tigers Blood, Crutchfield emerges as a powerhouse-an ethnologist of the self-forever dedicated to revisiting her wins and losses But now she"s arriving at revelations and she ain"t holding them back.

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Tigers Blood Black Vinyl Edition

LP | 2024 | EU | Original (Anti)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Saint Cloud Black Vinyl Edition

LP | 2020 | US | Original (Merge)

Release: 2020 / US – Original

Genre: Rock & Indie

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What do we hold on to from our past? What must we let go of to truly move forward? Waxahatchee's Katie Crutchfield spent much of 2018 reckoning with these questions and revisiting her roots for answers. The result is Saint Cloud, an intimate journey through the places she's been, filled with the people she's loved. Written immediately in the period following her decision to get sober, the album is an unflinching self-examination. This raw, exposed narrative terrain is aided by a shift in sonic arrangements as well. While her last two records featured the kind of big guitars, well-honed noise, and battering sounds that characterized her Philadelphia scene and strongly influenced a burgeoning new class of singer-songwriters, Saint Cloud strips back those layers to create space for Crutchfield's voice and lyrics. The result is a classic Americana sound with modern touches befitting an artist who has emerged as one of the signature storytellers of her time. Many of the narratives on Saint Cloud concern addiction and the havoc it wreaks on ourselves and our loved ones, as Crutchfield comes to a deeper understanding of love not only for those around her but for herself. This coalesces most clearly on "Fire," which she says was literally written in transit, during a drive over the Mississippi River into West Memphis, and serves as a love song to herself, a paean to moving past shame into a place of unconditional self-acceptance. Over the course of Saint Cloud, which was recorded the summer of 2019 and produced by Brad Cook (Bon Iver), Crutchfield peels back the distortion of electric guitars to create a wider sonic palette than on any previous Waxahatchee album. It is a record filled with nods to classic country, folk-inspired tones, and distinctly modern touches. To bolster her vision, Crutchfield enlisted Bobby Colombo and Bill Lennox, both of the Detroit band Bonny Doon, to serve as backing band on the record, along with Josh Kaufman (Hiss Golden Messenger, Bon Iver) on guitar and keyboards and Nick Kinsey (Kevin Morby) on drums and percussion. Saint Cloud marks the beginning of a journey for Crutchfield, one that sees her leaving behind past vices and the comfortable environs of her Philadelphia scene to head south in search of something new. If on her previous work Crutchfield was out in the storm, she's now firmly in the eye of it, taking stock of her past with a clear perspective and gathering the strength to carry onward.

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LP | 2017 | US | Original (Merge)

Out In The Storm

Release: 2017 / US – Original

Genre: Rock & Indie

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LP | 2015 | US | Original (Merge)

Ivy Tripp

Release: 2015 / US – Original

Genre: Rock & Indie

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Waxahatchee, the solo musical project of Katie Crutchfield, is named after a creek not far from her childhood home in Alabama and seems to represent both where she came from and where she’s going. Ivy Tripp drifts confidently from its predecessors and brings forth a more informed and powerful recognition of where Crutchfield has currently found herself. The lament and grieving for her youth seem to have been replaced with control and sheer self-honesty. “My life has changed a lot in the last two years, and it’s been hard for me to process my feelings other than by writing songs,” says Crutchfield. “I think a running theme [of Ivy Tripp] is steadying yourself on shaky ground and reminding yourself that you have control in situations that seem overwhelming, or just being cognizant in moments of deep confusion or sadness, and learning to really feel emotions and to grow from that.”

Recorded and engineered by Kyle Gilbride of Wherever Audio at Crutchfield’s home on New York’s Long Island—with drums recorded in the gym of a local elementary school—Ivy Tripp presents a more developed and aged version of Waxahatchee. “The title Ivy Tripp is really just a term I made up for directionless-ness, specifically of the 20-something, 30-something, 40-something of today, lacking regard for the complaisant life path of our parents and grandparents. I have thought of it like this: [Waxahatchee’s last album] Cerulean Salt is a solid and Ivy Tripp is a gas.”

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LP | 2013 | US | Reissue (Don Giovanni)

Cerulean Salt

27,99 €*

Release: 2013 / US – Reissue

Genre: Rock & Indie

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American Weekend Red Vinyl Edition

LP | 2012 | US | Reissue (Don Giovanni)

26,59 €* 27,99 € -5%

Release: 2012 / US – Reissue

Genre: Rock & Indie

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LP | 2020 | EU | Original (Capture Tracks)

Wax Chattels

Clot White Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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It is universally agreed that New Zealand's Wax Chattels are a must-see live act; their hypnotically sinister debut captured this perfectly. Released in 2018 and supported by relentless touring, the eponymous album reached #7 on the New Zealand Album Charts, and release week saw the title feature as #1 in Rough Trade's Top 20 New Releases. Tastemakers like NPR and A.V. Club came on as early champions. The album's success at home and abroad led to the well-deserved nomination of Best Alternative Artist at the 2018 New Zealand Music Awards, as well as the band's inclusion in the coveted shortlist of finalists for the Taite Music Prize and Auckland Live Best Independent Debut Award. After a knock-out entrée, the anticipation that surrounds their sophomore album, "Clot", is immense. Much like their debut, the writing process for "Clot" took the best part of a year. While some songs were written on the road, the bulk of the album was workshopped throughout 2019 across bedrooms and storage containers. Demos were fine-tuned before recording engineer James Goldsmith (Aldous Harding, Mermaidens) stepped in. The band maintained the use of only the barest of ingredients - bass guitar, keyboard, and a two-piece drum kit - but spent more time experimenting with and finding new sounds. They wanted to maintain the same live element, but, this time, heavier - for which they enlisted the help of mixing engineer, and fellow noise-maker, Ben Greenberg (Uniform, Destruction Unit, The Men). The keyboards are thicker, the bass more intense. A marked step-up, this new record keeps the visceral energy of the debut, only this time they dig deeper into cathartic noise.

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LP | 2017 | US | Original (Ghost Ramp)

You're Welcome

23,99 €*

Release: 2017 / US – Original

Genre: Rock & Indie

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LP | 2009 | US | Original (Fat Possum)

Wavvves

Release: 2009 / US – Original

Genre: Rock & Indie

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incl. download code

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LP | 2010 | US | Original (Fat Possum)

King Of The Beach

Release: 2010 / US – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Fat Possum)

Hideaway

Release: 2021 / EU – Original

Genre: Rock & Indie

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12" | 2014 | EU | Original (Wolfandlamb Music)

Waves & Us, The

The Waves & Us

LP | 2023 | US | Original (Run For Cover)

Release: 2014 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Marking the start of an exciting new collaborative project, Wolf + Lamb proudly share the debut release of The Waves & Us. Formed out of a creative meeting of minds between Maayan Nidam, Markus Nikolaus and Louis McGuire, theirs is a sound that strengthens the storied approach of a live band with the experimental thrust of analogue electronics. Pop and rock fundamentals lend an earthly hook to the tracks, but these are anything but straight-forward songs. Maayan has already forged a formidable career in electronic music, both under her own name and as part of Mara Trax, scoring releases on such celebrated labels as Perlon. Markus performs his own solo project Cunt Cunt Chanel, while Louis is part of Ballet School, a band releasing on noted indie label Bella Union. The whirlwind of creativity that has whipped up around the trio has yielded an album which will follow this single, made up of one-take recordings that capture the energy and adventure that powers The Waves & Us. Maayan's electronics provide the atmospheric backdrop to the songs, running modular synthesisers and drum machines through detailed chains of processing and effects with an emphasis on a warm, charmingly rough finish. Markus' guitar undergoes a similar fuzzy treatment while his voice calls out introspective, abstract lyrics to set the mind racing. Louis' bass underpins the music with a dubby sensibility, bringing a necessary balance to the frequency range. Making the most of their in-the-room recording approach, the singles will feature alternative takes of the songs that will appear on the album, providing a little insight into the flutters and fluctuations that shape the development of this project. With their eyes fixed on live performances and an arresting sound already formed, this is a vital time for all three artists and the people that listen to them.

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Waveform*

Antarctica

Transmission / Dark Night

Release: 2023 / US – Original

Genre: Rock & Indie

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waveform* - The Connecticut duo of Jarett Dinner and Daniel Poppa - have been carefully crafting artful, introverted songs since coming together in high school. The two, with a shared affinity for bands both active & long-forgotten to most listeners, feel like students of the indie rock canon. Their grasp of how to craft the perfect song has never been better than on their latest LP Antarctica.

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Wave Shape

12" | 2023 | EU | Original (Average)

LP | 2022 | EU | Original (Green Cookie)

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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One-off masterpiece release of German Minimal Synth-Pop from Gütersloh, Germany in 1984. Recorded in a DIY recording studio in a former prison for the mentally ill located on the outskirts of a forest near the artists' homes aptly named Prison Studio. Back in 1984, the release was privately pressed on 7" by the band itself, distributed in limited quantities at the time and it has only exchanged hands a few times on public marketplaces since its original release, for very high prices. The record has always been as rare as it is good, to quote Basso. We are delighted to make this outstanding release available again to record collectors and DJs around the world as the first release on Average Records. Included in this 12" repress are 2 stunning brand new remixes by virtuoso producers and friends Alexander Arpeggio from Berlin and Aradea Barandana aka Dea who currently resides between Jakarta and Bali, each bringing their own flavour to the table.

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Wave Chargers

Caravelle

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Bloodshot)

Watson Twins

Holler

Release: 2023 / US – Original

Genre: Rock & Indie

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LP | 2011 | US | Original (City Slang)

Waters

Out In The Light

Release: 2011 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Structure Colored Vinyl Edition

LP | 2021 | US | Original (Wharf Cat)

Release: 2021 / US – Original

Genre: Rock & Indie

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Water From Your Eyes' Rachel Brown and Nate Amos are no strangers to contradiction, with Pitchfork making note of their "confidence in splicing different genres and feels from acoustic twee to indie-electronica" in their review of 2019's Somebody Else's Songs. So, upon first listen, Structure - with its tendency to turn on a dime from the buzzsaw synths and string arrangements that sonically bookend tracks like "My Love's," to the subtle, almost Squarepusher-esque rhythms that round out electronic compositions like ""Quotations"" - may just seem like a further refinement of the duo's idiosyncratic approach to making music. However, repeat listens will reveal that, even though the album zigs and zags in a manner consistent with WFYE's prior releases, its line of best fit trends in a very clear direction away from the quaint affectations of their prior work and towards something more deliberate and half a shade darker. Even on ostensibly cheery tracks like album opener "When You're Around," which, with its saccharine melodicism sounds like it could be a lost song from The Apples in Stereo or one of their Elephant 6-era labelmates, there's an underlying eeriness that's not immediately apparent until the song is listened to in the context of the full album. Amos' advice for navigating Structure's sonic terrain is to "remember that this is weed music," while his counterpart Brown offers that that the album is like "solving a puzzle with a ton of different answers." Although these varied descriptions of how to approach listening to Structure may accurately reveal it to be another exercise in contradictions, the clear intent with which the pair approached creating the album can only be appreciated with repeat listens, and is likely what makes it, by far, their most compelling entry to date.

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Structure Black Vinyl Edition

LP | 2021 | US | Original (Wharf Cat)

Release: 2021 / US – Original

Genre: Rock & Indie

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Somebody Else's Song Green With Black & Purple Splatter Vinyl Edition

LP | 2024 | US | Original (Exploding In Sound)

Release: 2024 / US – Original

Genre: Rock & Indie

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In the years since the release of Water From Your Eyes’ groundbreaking effort, “Somebody Else’s Song,” the duo have taken the world by storm, becoming one of the most consistent and beloved experimental pop bands of the era. They’ve toured with Interpol, Squid, Palm, Real Estate, and Pavement, earning a reputation as critically acclaimed songwriters and a stellar live act with a boisterous presence. This October marks five years since the release and Exploding In Sound Records are celebrating with a limited edition reissue on green vinyl with purple and black splatter!

Back in 2019, Brooklyn’s Water From Your Eyes had been evolving and experimenting with their sound. With “Somebody Else’s Song,” the band felt that they had found their place, the album an amalgamation of their past releases, honing in previously explored aesthetics but combining and rearranging ideas to capture feelings of self-reflection and personal growth. At their core, the duo of Nate Amos and Rachel Brown make experimental pop music, songs you can dance to, songs that will stick in your head long after you’ve heard them. The sound of Water From Your Eyes is far more expansive however, and “Somebody Else’s Song” is blissfully unclassifiable.

The lines of genre have blurred beyond recognition. The landscape flickers between haunting ambiance and noisy immersion, electronic and acoustic elements expressing emotional and mental states that are ever changing. “Somebody Else’s Song” was their first true “New York album” since the band’s relocation from Chicago, and much of the weight comes from the personal change inherent from living in a new place as life continues to whir around us. The duo took their time, the ideas coming into formation over the course of two years. That patience is apparent as the album unfolds, a balance between vulnerability and enormous shapeshifting rhythms.

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Everyone's Crushed Red Vinyl Edition

LP | 2023 | EU | Original (Matador)

27,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (12XU)

Water Damage

Two Songs

2LP | 2024 | US | Original (12XU)

Release: 2023 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-08-02

More Water! More Damage! The second proper LP by this Texan juggernaut is even more biggerer than the first, a head-drowning pair of new 'reels' (every Water Damage tracks generally take up a reel of tape, hence the 'reel ____' song titles) that makes you feel like you’re swimming in a sun-drenched river of sound. Two drummers, two bassists, and tons of vibrating strings are once again a recipe for massive rocking-drone fires.

Two Songs has two songs, and they’re kind of the yin/yang of Water Damage: one toned very low, growling and roaring, groaning over a beat, while the other hums high, troubling the treble clef and ringing like a bunch of church bells that don’t want to be in church. They’re more alike than different though, divining momentum from repetition, flying forward by staying in place, climbing a mountain that they’re building as they go.

Enough ink has already been spilled about the previous-band pedigrees of the players in this hurtling collective, and by this point, the past seems way less relevant than the present when it comes to Water Damage’s present-pounding sound. These people know what they’re doing, sure. You don’t need a resume in front of you to figure that out. It’s there in every second of this gigantic, eternal music—in all the strings being bowed, the skins being slammed, the rumbles being rumbled.

You might notice that this time around, Water Damage haven’t just given their tracks reel numbers. They're also called 'Fuck This' and 'Fuck That.' I take that as instructional. Whatever you’re doing, whatever you’re fretting about, whatever someone’s trying to use to occupy your attention so you’ll buy something or vote for something or ignore something: Fuck This. Fuck That. Listen to Water Damage."—Marc Masters

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Water Damage

In E

49,99 €*

LP | 2021 | EU | Original (Pickup)

Release: 2024 / US – Original

Genre: Rock & Indie

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"Volume, repetition, volume, repetition, volume and repetition, this is the sonic mantra of Austin, Texas's Water Damage. On their new record In E, Water Damage continues to scorch the earth with walls of punishing sound. It's no secret that something truly special can happen to the psyche when you are being pummelled with trance inducing drones, you can transcend time, you might laugh, you might cry but hopefully you look inward, letting a calm wash over you with metric tons of distortion. Water Damage are the rare 'rock' band that follow in the lineage of artists like Faust, Tony Conrad, Steve Reich and Pärson Sound, one that creates such heavy yet minimalistic audio treasures that not only hit you viscerally but also give space to contemplate on your place in the cosmos. Their longest offering yet, Water Damage hits you with 4 side long tracks of krautpunk ending with a cover of 'Ladybird' by Shit & Shine featuring Craig Clouse on vocals. Drone until you hear god speak."—Joe Trainer, Dummy Water Damage is Mari Maurice, Thor Harris, Jonathan Horne, Nate Cross, George Dishonor, Travis Austin, Mike Kanin, Greg Piwonka, Jeff Piwonka and Lonnie "Palmtree" Slack.

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Watch

The Art Of Bleeding

46,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Pickup)

Watch

Seven

Release: 2017 / EU – Original

Genre: Rock & Indie

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Wasted Shirt (Ty Segall & Brian Chippendale Of Lightning Bolt)

Fungus II

LP | 2020 | US | Original (Famous Class)

2LP | 2019 | EU | Original (Svart)

Release: 2020 / US – Original

Genre: Rock & Indie

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• Heavily recommended by Henry Rollins

• LP includes an 8-page risograph lyric zine by Brian Chippendale

“Rarely when formulating combinations of musicians you would like to hear play together do you get to actually hear it. If Brian Chippendale and Ty Segall made a record, would you want to hear it? If the answer is yes, read on. If the answer is no, it’s too bad you ended up canned, suspended in syrup with nothing but other peaches to keep you company.

“Ty’s 2019 album First Taste and the new Lighting Bolt album Sonic Citadel are easily some of the best material either entity has ever released so if these two happened to find themselves in the same recording studio, a fan just might entertain elevated expectation levels. In fact, some might actually show signs of enthusiasm, even excitement at the fact that from July 5th -13th 2018, in the air-conditioning free environs of Ty’s home studio, the duo, eventually calling themselves Wasted Shirt, wrecked the joint as thoroughly as you hoped they would.

“Prepare To Be Stoked Dept.: The album is exploding euphoria from start to finish. A morphing day-glo rainbow that will bring a smile to your face like if you were on your way to Washington DC for the Million Puppy March. Upon first spin, all boxes are checked and any previously held doubts are completely obliterated. The more you play it, the better it kabongs you upside your head. Hectic doesn’t even begin to describe it. Brian and Ty, two mere particles in the grand scheme, collide at high speed, the technicians dive for cover, the reaction is recorded. Mutation is achieved. This is Freedom Rock. Turn up the volume. Hasten your emancipation. Sonic joy awaits.”

—Henry Rollins

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Waste Of Space Orchestra

Syntheosis

Release: 2019 / EU – Original

Genre: Rock & Indie

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2LP | 2019 | EU | Original (Svart)

Waste Of Space Orchestra

Syntheosis

Release: 2019 / EU – Original

Genre: Rock & Indie

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Hypercarnivore Black Vinyl Edition

Waste A Saint

LP | 2023 | EU | Original (Stickman)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2013 | US | Original (Snapper Music)

Wasp

Crimson Idol

35,99 €*

Release: 2013 / US – Original

Genre: Rock & Indie

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12" | 2011 | US | Reissue (Animal Style)

Washington Square Park

LP | 2024 | UK | Original (Lovely)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Clear green vinyl close to NM. Cover with light ring wear on the back

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Washing Machina

The Spontaneous Splendid

20,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Improved Means To Deteriorated Ends

Washer

LP | 2023 | EU | Original (Exploding In Sound)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2017 | US | Original (Exploding In Sound)

Washer

All Aboard

LP | 2019 | EU | Original (Svart)

Release: 2017 / US – Original

Genre: Rock & Indie

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All Aboard, Washers sophomore album out via Exploding In Sound, is a record that finds the duo reaching new heights, blending aggressive pop music together with off-kilter structures, earnest lyrics, and minimalist garage rock.

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Warsenal

Feast Your Eyes

13,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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Warsaw Silver/Grey Vinyl Edition

Warsaw

LP | 2021 | EU | Original (Outsider)

LP | 2007 | EU | Reissue (Vinyl Passion)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Warsaw was the planned debut album by the English post-punk band Joy Division, while they were briefly associated with RCA Records. Recorded in May 1978, it comprised eleven tracks now known collectively as the "rca Sessions". However, the band were disappointed with the label's post-production work and the deal fell through, the album being scrapped. Four of the songs recorded during the RCA sessions had previously been recorded at the end of 1977, and it was these older recordings that the band would release the following month as their debut An Ideal for Living EP.

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Warsaw

17,99 €*

Release: 2007 / EU – Reissue

Genre: Rock & Indie

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LP | 2023 | UK | Original (Sound City)

Warrior Soul

Out On Bail

32,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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Warren Zevon Deluxe Edition

Warren Zevon

2LP | Reissue (Rhino)

49,99 €*

Release: Reissue

Genre: Rock & Indie

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2LP | 2007 | US | Reissue (New West)

Warren Zevon

Preludes

Release: 2007 / US – Reissue

Genre: Rock & Indie

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Dirty Rotten Filthy Stinking Rich

Warrant

LP | 2023 | EU | Original (Music On Vinyl)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Radiate Like This Indie Exclusive Limited Yellow Transparent Vinyl Edition

LP | 2022 | EU | Original (Virgin)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Radiate Like This Black Vinyl Edition

LP | 2022 | EU | Original (Virgin)

14,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Heads Up Black Vinyl Edition

2LP | 2016 | UK | Original (Rough Trade)

Release: 2016 / UK – Original

Genre: Rock & Indie

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Using the word ‘mature’ to describe a band’s new album is often a euphemism for a record devoid of the ideas or spirit that made them interesting in the first place. Bassist Jenny Lee Lindberg has labelled Warpaint’s third album exactly that, but there’s no need to panic: these LA ladies have broken with tradition and made a ‘mature’ album that doesn’t mean they’ve bypassed fun.

Where the Californian quartet’s previous records (2010’s ‘The Fool’, 2014’s ‘Warpaint’) have focused heavily on building an intense mood, ‘Heads Up’ instantly feels more spontaneous and relaxed. Its glittering peak, ‘New Song’, was born out of the band larking around and singing about playing a, well, new song. It’s easily their best tune to date; a huge slab of euphoric pop that begs you to hit the repeat button. The title track shares a similar nagging energy, but manifests it in a Cure-style bassline and Emily Kokal and Theresa Wayman’s gleaming post-punk guitars.
In interviews, the group have said they wanted to make the album more representative of the excitement of their live shows. To do so, they’ve brought their dancier influences to the fore, stripping away a lot of the hazy, brooding atmospherics they used to cloak their songs in and ending up with a sound that’s 10 times more immediate. ‘So Good’ bounces along on Lindberg’s elastic bassline and the minimal ‘By Your Side’ is an ode to female friendship that has them singing “Got my girls, I’m not alone” to drummer Stella Mozgawa’s twitchy, hip-hop-inspired beat.

Like their self-titled album’s ‘Biggy’, ‘Heads Up’ also makes reference to an iconic hip-hop star. ‘Dre’ doesn’t sound overtly like its namesake – it’s too languid and lacking even the slightest vigour – but it apes the genre he works in with a foundation of processed beats and synths, and guitars that are chopped up to sound like they’ve been sampled. It’s symptomatic of the album as a whole – more adventurous and free-spirited than the ‘Warpaint’ of before, but retaining the laid-back DNA at their core. For once, Warpaint sound like they’re having fun – and it suits them. - NME 4/5

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LP+LP+All Media | 2016 | US | Original (Rough Trade)

Heads Up

Bound By Gravity Grteen Vinyl Edition

Release: 2016 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: VG+

Still sealed. Stuffed corners.

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Warp

LP | 2023 | EU | Original (Nasoni)

12" | 1982 | DE | Original (Vertigo)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Warp was conceived by three pals from Tel Aviv with some punk rock blood in their veins but still a great love and desire for riff driven rock and roll music. Their second album is darker and gloomier than the first, with fat heavy, rollin' riffs.

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Warning

Why Can The Bodies Fly

5,99 €*

Release: 1982 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

2LP | 2021 | US | Original (Sophomore Lounge)

Warmer Milks

Soft Walks

35,69 €* 41,99 € -15%

Release: 2021 / US – Original

Genre: Rock & Indie

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Too Cold To Hold Translucent Red Vinyl Edition

Warmduscher

LP | 2024 | Original (Strap Originals)

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

2LP | 2019 | EU | Original (Leaf)

Warmduscher

Tainted Lunch