Indierock | Alternative Vinyl 2050 Items

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Birdwatcher)

Bleach Day

As If Always

12,59 €* 20,99 € -40%

2LP | 2020 | EU | Original (Svart)

Release: 2020 / US – Original

Genre: Rock & Indie

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Bleach Day's sophomore LP 'As if Always' is the product of a two year studio binge, occurring in between all of these other projects. Mixing classic golden age pop sounds, cinematic progressions, and oddball tones, 'As if Always' composes a sonic language that takes the listener through a story of growth and self discovery in its most primeval form, which mirrors a full life cycle from birth to death. Through struggle you learn to confront your fears, your shadows, and your limitations to become the person you are meant to be. It's a journey to a place that feels far away ' until you realize it's actually within yourself, and always has been.

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Blight

Temple Of Wounds

16,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Blood Brothers Random Colored Vinyl Edition

Blind Channel

LP | 2018 | EU | Reissue (Svart)

Violent Pop Random Colored Vinyl Edition

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Surprise Color Edition, with 500 copies on black, 300 on Magenta vinyl and 199 on Blue vinyl.

The second step on the way to world domination - Blind Channel's sophomore album presented in a definitive edition with gatefold covers and liner notes.

Svart Records enters into a vinyl partnership with Ranka Kustannus and will in the future release select albums from their ever growing catalog on vinyl. The co-operation starts with Blind Channel, who've by now become a household name and one of the most important music export items currently out of Finland.

Svart Records will release definitive vinyl editions of all three albums Blind Channel released on Ranka - Revolutions, Violent Pop and Blood Brothers. All three shall be presented in a limited edition of 999 copies, split into classic black vinyl and two color editions, which are randomly available to customers. All three feature extensive liner notes and interviews by James Hickie.

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Blind Channel

LP | 2020 | EU | Reissue (Svart)

10" | 2018 | US | Original (LKC)

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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Surprise Color Edition, with 500 copies on black, 300 on Lime Green vinyl and 199 on XXX on Violet vinyl.

"With this album we perfected a style that we now want to grow until we're the biggest band in the world."

The third Blind Channel album presented in a definitive edition with gatefold covera and liner notes by James Hickie.

Svart Records enters into a vinyl partnership with Ranka Kustannus and will in the future release select albums from their ever growing catalog on vinyl. The co-operation starts with Blind Channel, who've by now become a household name and one of the most important music export items currently out of Finland.

Svart Records will release definitive vinyl editions of all three albums Blind Channel released on Ranka - Revolutions, Violent Pop and Blood Brothers. All three shall be presented in a limited edition of 999 copies, split into classic black vinyl and two color editions, which are randomly available to customers. All three feature extensive liner notes and interviews by James Hickie.

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Blitzen Trapper

Kids Album!

20,99 €*

Love Is Thicker Than Blood

Release: 2018 / US – Original

Genre: Rock & Indie

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Limited edition for Record Store Day 2018!

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Blood Of The Sun

LP | 2018 | EU | Original (Listenable)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Blood Money Colored Vinyl Edition

Blood On Wheels

2LP | 2018 | EU | Original (Crispin Glover)

Release: 2018 / EU – Original

Genre: Rock & Indie

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2x12" | 2018 | EU | Original (Domino)

Blood Orange

Negro Swan

70,99 €*

2LP | 2018 | US | Original (Domino)

Release: 2018 / EU – Original

Genre: Hip Hop, Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. Golden vinyl Deluxe edition. tiny wear

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Blood Orange

Negro Swan

70,99 €*

LP | 2018 | EU | Original (EMI)

Release: 2018 / US – Original

Genre: Hip Hop, Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker. Orange Deluxe edition.

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Blossoms

Cool Like You

Release: 2018 / EU – Original

Genre: Rock & Indie

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Under 1 House White Vinyl Editoin

Blue Hawaii

LP | 2020 | EU | Reissue (Arbutus)

On Your Feet Or On Your Knees

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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Under 1 House is the blazing new mixtape from Blue Hawaii - a six track tour-de-force showcasing the duo's trademark blend of liquid beats, dance-floor euphoria, and soaring diva-vocals.Under 1 House was written during Blue Hawaii's 2019 North American and European tours, and recorded at a wood cabin in rural Québec. Finding each other trapped on different sides of the Atlantic, the record was then finished over long-distance between Montreal and Berlin due to COVID-19 travel restrictions. This music is dedicated to the spirit of togetherness. Unity achieved through confidence, in the seductive redemption of one's own sexuality, finding power in feelin' one's self. Under 1 House honours the magnetism of impulse and first takes. This flow can be found in the brooding, early Warp Records reminiscent "Where are the Keys???", the sub-heavy, lustful organ groove of "Feelin'", the lo-fi high energy "I Felt Love" or the chanting of "I'm my own damn woman" during the screeched ending of "Not my Boss!". Blue Hawaii have been around for a decade, having released 3 full length albums and two EPs to date. Consisting of Ra and Ag, the duo met throwing parties and shows in Montreal and continue to create together despite living in separate cities - split between Montreal and Berlin.

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Blue Öyster Cult

2LP | 2018 | EU | Reissue (Music On Vinyl)

38,99 €*

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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LP | 2018 | EU | Original (Blue Water)

Blue Water Highway

Heartbreak City

Release: 2018 / EU – Original

Genre: Rock & Indie

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Blue Hearts Black Vinyl Edition

Bob Mould

LP | 2020 | US | Original (Merge)

Release: 2020 / US – Original

Genre: Rock & Indie

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Bob & The Last Heard Seger

Heavy Music: The Complete Cameo Recordings 1966-67

LP | 2018 | Original (ABKCO)

36,99 €*

LP | 2018 | US | Reissue (What's Your Rupture?)

Release: 2018 / Original

Genre: Rock & Indie

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Vinyl LP pressing. 2018 archive collection. Heavy Music: The Complete Cameo Recordings 1966-1967, will be the first time ever that all records by the celebrated Detroit group will be made available since their origination as 45rpm singles. The collection represents how stylistically, the band went beyond simple garage rock stomp and stammer formula and spread their wings lyrically and sonically in a few short years. The album is wrapped in a newly designed package, and liner notes by celebrated music writerStylistically, Bob Seger & The Last Heard went beyond the simple garage rock stomp and stammer formula and spread their wings lyrically and sonically in a few short years.FEATURES:Early recordings compiled onto one distinct album for the first timePreviously only ever released on 45sVinyl pressed at Third Man Pressing in DetroitAll songs are new to market except “Sock It To Me Santa”, which appears on the 2010 album “Cameo Parkway Holiday Hits"CREDITS:Produced & arranged by Bob Seger and Doug Brown except:*Produced & arranged by Bob Seger# “A Hideout Production”Reissue Producer: Teri LandiBob Seger – lead vocal, organ, piano guitarDan Honaker – bassCarl Lagassa – guitarPep Perrine – drums, percussionAdditional vocals – Doug Brown, David WhitehousePersonnel on tracks 2 and 10:Bob Seger – vocal, guitarDoug Brown – guitar, organDan Honaker – bassPep Perrine – bongosBob Evans – drumsBOB SEGER Heavy Music: The Complete Cameo Recordings 1966-1967

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Bodega

Endless Scroll

Release: 2018 / US – Reissue

Genre: Rock & Indie

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Bohren & Der Club Of Gore

Patchouli Blue

2LP | 2020 | DE | Original ([PIAS])

Gareth Liddiard & Rui Pereira.Recordings 1993-98

Release: 2020 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Copy closer to NM

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Bong Odyssey

2LP | 2018 | EU | Original (Bang!)

33,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (Woodsist)

Bonny Doon

Longwave

LP | 2018 | US | Original (Woodsist)

Release: 2018 / US – Original

Genre: Rock & Indie

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Arriving in the early months of 2017, Bonny Doon’s self-titled debut was a warm introduction to the band for many. Hazy and bright, the album’s woozy melodies and swirling webs of summery guitar textures were easily ingested as low-key slacker pop. But the nonchalant breeziness belied a serious attention to songcraft, and hinted at depths yet unexplored. Lo and behold, before the ink was even dry on the first record, work had already begun on its follow-up Longwave, a conscious about-face from the sonic experimentation of the first album, and a journey inward.

In the spring of 2016 the band decamped to a remote part of Michigan, nesting near the evocatively named Mystic Lake, and spent a week uprooting former approaches and reinventing their sound anew. Moving into more improvisational territory, they wrote quickly and from the hip, using repetitive chord structures to aid in spontaneous generation. Attracted to the session’s spacious arrangements and unaffected sounds, they immediately went into the studio to capture the material. Working for the first time outside of home recording settings with engineer Bill Skibbe and longtime friend and collaborator Shelley Salant, the experience allowed for a focused concentration on bringing the intrinsic spirit of the group to the surface.

Opting for spontaneity and simplicity over the exploration of layers and textures that defined the first record, the band architected an incredibly intimate sound for these new songs. The album was tracked with minimal overdubs or production flourishes, constructing a frame that is spare and understated in the same way as the twilight-tinted third Velvet Underground album or the rusty glow of Bill Fay’s Time Of Last Persecution. These sessions aimed to capture the band at their essence. With the superfluous stripped away, a gentle but steadfast spiritual core is revealed as the backbone of Bonny Doon’s cosmic American music.

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Bonny Doon

Longwave

LP | 2018 | US | Original (OAR)

Release: 2018 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Red vinyl and cover are close to NM. With insert

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Boogarins

La Vem A Morte

Release: 2018 / US – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Paper Bag)

Born Ruffians

Uncle, Duke & The Chief

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Pure Noise)

Boston Manor

Glue

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Pure Noise)

Bouncing Souls

Volume 2

Release: 2020 / EU – Original

Genre: Rock & Indie

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2LP | 2018 | EU | Original (Unter Schafen)

Boxhamsters

Toetensen

17,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | UK | Original (Heavenly)

Boy Azooga

1 2 kung fu

Boygenius (Julien Baker, Phoebe Bridgers, Lucy Dacus)

Release: 2018 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Limited Edition.
Neon Pink Vinyl.

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Boygenius EP

12" | 2018 | EU | Original (Matador)

17,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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Boygenius (Julien Baker, Phoebe Bridgers, Lucy Dacus)

Boygenius EP

LP | 2018 | EU | Original (Matador)

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP+CD | 2020 | EU | Reissue (Two Gentlemen)

Brandao, Faber, Hunger

Ich Liebe Dich

22,99 €*

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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LP | 2020 | US | Original (ATO)

Brandi Carlile

Firewatcher's Daughter

36,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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Brant Bjork Black Viny Edition

Brant Bjork

LP | 2020 | EU | Original (Heavy Psych Sounds)

LP | 2020 | EU | Original (Hollywood)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Even before you know it’s self-titled, and even before you read the LP liner notes, you know it’s all Brant Bjork.
The man who has become the ambassador of Californian desert rock indeed plays every instrument across his 13th studio full-length, Brant Bjork. This in itself is something of a departure from recent offerings, as on 2018’s Mankind Woman, Bjork worked closely with guitarist Bubba DuPree (Void), and both 2016’s Tao of the Devil and 2014’s Black Power Flower were constructed around the Bjork-led Low Desert Punk Band. Maybe revisiting his 1999 debut, Jalamanta, for a Heavy Psych Sounds 20th anniversary reissue last year had some effect on Bjork’s mindset in terms of working solo, but he’s come too far in the ensuing decades to repeat himself, and the songs on Brant Bjork – recorded and mixed by Yosef Sanborn in Joshua Tree and mixed by John McBain (ex-Monster Magnet) – show that, whether it’s the mellow roll of “Duke of Dynamite” or the signature take on classic heavy rock in “Jesus Was a Bluesman” and percussion-backed funk of opener “Jungle in the Sound.” There’s no mistaking Brant Bjork, and on Brant Bjork, he strips his songwriting style to its core and brings out the organic vibe that’s made him desert rock’s most crucial practitioner.

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Breaking Benjamin

Aurora Vinyl Edition

31,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | UK | Original (All Saints)

Brian Eno & John Cale

Wrong Way Up

31,99 €*

Release: 2020 / UK – Original

Genre: Rock & Indie

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Down In The Weeds, Where The World Once Was

Bright Eyes

LP+LP+All Media | 2020 | US | Original (Dead Oceans)

20,99 €*

Down In The Weeds, Where The World Once Was Black Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs. Still in shrink, but opened, with hype sticker

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Bright Eyes

2LP | 2020 | US | Original (Dead Oceans)

Down In The Weeds, Where The World Once Was Red & Transparent Orange Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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2xLP packaging features die-cut jacket and Side 4 phenakistoscope etching!

A lone pair of footsteps meanders down a street in Omaha, into the neighborhood bar and then into a near-imperceptible tangle of conversations - about wars, sleepless nights - a surrealist din pushing against the sound of ragtime. Then, as the background quiets, a line rings out clearly: "I think about how much people need - what they need right now is to feel like there's something to look forward to. We have to hold on. We have to hold on." Thus we enter the fitting, cacophonic introduction to Bright Eyes' tenth studio album and first release since 2011. Down in the Weeds, Where the World Once Was is an enormous record caught in the profound in-between of grief and clarity - one arm wrestling its demons, the other gripping the hand of love, in spite of it. The end of Bright Eyes' unofficial hiatus came naturally. Conor Oberst pitched the idea of getting the band back together during a 2017 Christmas party at Bright Eyes bandmate Nathaniel Walcott's Los Angeles home. The two huddled in the bathroom and called Mike Mogis, who was Christmas shopping at an Omaha mall. Mogis immediately said yes. There was no specific catalyst for the trio, aside from finding comfort amidst a decade of brutal change. Sure, Why now? is the question, but for a project whose friendship is at the core, it was simply Why not? The resulting Bright Eyes album came together unlike any other of its predecessors. Down in the Weeds is Bright Eyes' most collaborative, stemming from only one demo and written in stints in Omaha and in bits and pieces in Walcott's Los Angeles home. Radically altering a writing process 25 years into a project seems daunting, but Oberst said there was no trepidation: "Our history and our friendship, and my trust level with them, is so complete and deep. And I wanted it to feel as much like a three-headed monster as possible." As a title, as a thesis, Down in the Weeds, Where the World Once Was functions on a global, apocalyptic level of anxiety that looms throughout the record. But on a personal level, it speaks to rooting around in the dirt of one's memories, trying to find the preciousness that's overgrown and unrecognizable. For Oberst, coming back to Bright Eyes was a bit of that. A symbol of simpler times, vaguely nostalgic. And even though it wasn't actually possible to go back to the way things were, even though there wasn't an easy happy ending, there was a new reality left to work with. And here, there is a bleary-eyed hopefulness - earnest, emotive recommitments to love appear on "Dance and Sing" and "Just Once in the World." And throughout, Down in the Weeds features snippets of Oberst's loved ones speaking, in late-night conversations. The fleeting loveliness of intimate moments punctuates the bleakness of the record's existential crisis, crackling like lightning bugs illuminating the long night. Down in the Weeds is a distillation of a prolific, enduring canon. It's immediate and urgent, the product of its creators' growth across a decade apart, as well as the need to make a record together to find solace from loss. Through deliberate, fearless experimentation in process, the trio made the truest Bright Eyes sound: the sound of a deep bond, of a band coming home, but also a seamless continuation, like Bright Eyes never went away. It's the impossible, sprawling mess of human experience that Bright Eyes has always sought to put to tape, since the beginning - the sound of holding on. Why now? Why not?

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Bright Eyes

2LP | 2020 | US | Original (Dead Oceans)

Brigid Dawson & The Mother's Network

Release: 2020 / US – Original

Genre: Rock & Indie

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First pressing on limited edition Transparent Red + Transparent Orange vinyl - 2xLP packaging features die-cut jacket and Side 4 phenakistoscope etching!

A lone pair of footsteps meanders down a street in Omaha, into the neighborhood bar and then into a near-imperceptible tangle of conversations - about wars, sleepless nights - a surrealist din pushing against the sound of ragtime. Then, as the background quiets, a line rings out clearly: "I think about how much people need - what they need right now is to feel like there's something to look forward to. We have to hold on. We have to hold on." Thus we enter the fitting, cacophonic introduction to Bright Eyes' tenth studio album and first release since 2011. Down in the Weeds, Where the World Once Was is an enormous record caught in the profound in-between of grief and clarity - one arm wrestling its demons, the other gripping the hand of love, in spite of it. The end of Bright Eyes' unofficial hiatus came naturally. Conor Oberst pitched the idea of getting the band back together during a 2017 Christmas party at Bright Eyes bandmate Nathaniel Walcott's Los Angeles home. The two huddled in the bathroom and called Mike Mogis, who was Christmas shopping at an Omaha mall. Mogis immediately said yes. There was no specific catalyst for the trio, aside from finding comfort amidst a decade of brutal change. Sure, Why now? is the question, but for a project whose friendship is at the core, it was simply Why not? The resulting Bright Eyes album came together unlike any other of its predecessors. Down in the Weeds is Bright Eyes' most collaborative, stemming from only one demo and written in stints in Omaha and in bits and pieces in Walcott's Los Angeles home. Radically altering a writing process 25 years into a project seems daunting, but Oberst said there was no trepidation: "Our history and our friendship, and my trust level with them, is so complete and deep. And I wanted it to feel as much like a three-headed monster as possible." As a title, as a thesis, Down in the Weeds, Where the World Once Was functions on a global, apocalyptic level of anxiety that looms throughout the record. But on a personal level, it speaks to rooting around in the dirt of one's memories, trying to find the preciousness that's overgrown and unrecognizable. For Oberst, coming back to Bright Eyes was a bit of that. A symbol of simpler times, vaguely nostalgic. And even though it wasn't actually possible to go back to the way things were, even though there wasn't an easy happy ending, there was a new reality left to work with. And here, there is a bleary-eyed hopefulness - earnest, emotive recommitments to love appear on "Dance and Sing" and "Just Once in the World." And throughout, Down in the Weeds features snippets of Oberst's loved ones speaking, in late-night conversations. The fleeting loveliness of intimate moments punctuates the bleakness of the record's existential crisis, crackling like lightning bugs illuminating the long night. Down in the Weeds is a distillation of a prolific, enduring canon. It's immediate and urgent, the product of its creators' growth across a decade apart, as well as the need to make a record together to find solace from loss. Through deliberate, fearless experimentation in process, the trio made the truest Bright Eyes sound: the sound of a deep bond, of a band coming home, but also a seamless continuation, like Bright Eyes never went away. It's the impossible, sprawling mess of human experience that Bright Eyes has always sought to put to tape, since the beginning - the sound of holding on. Why now? Why not?

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Ballet Of Apes

LP | 2020 | US | Original (Castle Face)

LP | 2020 | US | Original (Red Scare Industries)

Release: 2020 / US – Original

Genre: Rock & Indie

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Tip-top of Castle Face’s osmosis list is the first quiver of tunes from Brigid Dawson and her newly minted Mothers Network: wise warnings dyed in dark hues, knotted and hard-won torch songs from the edge of a turbulent sea, bittersweet balladry spun in defense against evils familiar and unknown. Lovely though it may seem from a distance, the striation of loss quicksilvered throughout provides weighty balance to her contralto lilt. Those familiar with her harmonic counterpoint from her time in Thee Oh Sees or in OCS know she can belt as well as lullaby but there’s a fresh and smolderingly heavy swing in her step on display here that Castle Face mightily digs. Ballet Of Apes tapestries together sessions that read like a who’s who from outside the label’s castle walls—in Australia with Mikey Young (Total Control / Eddy Current Suppression Ring), in San Francisco with Mike Donovan (ex-Sic Alps), Shayde Sartin (ex-Fresh & Onlys / lifetime ringer) and Mike Shoun (ex-Oh Sees / Peacers), and in Brooklyn with instrumental heavy-weights Sunwatchers—and the results are spellbinding. At the focal point of this maelstrom, the lady, as if illumed by candlelight, intones, pleads, consoles—white magic perhaps, but it carries with it the anodized tang of blood.

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Broadway Calls

Sad In The City

17,99 €*

LP | 2020 | EU | Original (Omn Label Services)

Release: 2020 / US – Original

Genre: Rock & Indie

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We’ve been fans of Broadway Calls for a while now and after years of pestering they finally gave in and joined the team. Their exact words were, “It would take a catastrophic act of god that destroyed the music industry for us to consider working with Red Scare.” And what do ya know! Thank you, 2020. (Ironically, the record is about the impending civil war and apocalypse… so maybe this is all their doing?!) Then we sent ‘em down to the Bay Area to work with Scott Goodrich (Culture Abuse, Direct Hit!, etc.) and they emerged with the best 11 songs we’ve ever heard from this Oregon trio. Sad In The City is fast, it’s loud, and most of all it is catchy as hell. It’s their finest full length and it’ll likely go down as one of the top releases in our entire catalog.

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Brother Firetribe

Feel The Burn

LP | 2018 | US | Reissue (Thrill Jockey)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Brother Firetribe are gearing up for the release of their new album, Feel the Burn, and once again, it’s an instant melodic rock classic.

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Brother JT

Tornado Juice

Release: 2018 / US – Reissue

Genre: Rock & Indie

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A Different Kind Of Light

BRTHR

LP | 2018 | EU | Original (Backseat)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Bruce Soord / Jonas Renkse

Wisdom Of Crowds

2LP | 2020 | Original (Kscope)

37,99 €*

Release: 2020 / Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Harbour)

Bruno Major

To Let A Good Thing Die

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Universal)

Brunori Sas

Volume 2 Poveri Cristi

33,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Cleopatra)

Brutalists

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Reissue (Fulltime Hobby)

Brutus

Burst

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Flight Of The Knife Blue Vinyl Edition

Bryan Scary

LP | 2020 | US | Original (Needlejuice)

Flight Of The Knife Green/Yellow Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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The recorded debut of Scary's touring band, The Shredding Tears, crafted with producer Brian McTear in Philadelphia. Inspired by Pynchon's "Against the Day," the album tells tall tales of airships and innocence lost, bookended by the legend of Airship Valentine. 'Twas released on Black & Greene Records in 2008. "Find your own way to The Knife."

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Bryan Scary

LP | 2020 | US | Original (Needlejuice)

LP | 2020 | EU | Original (Easy Life)

Release: 2020 / US – Original

Genre: Rock & Indie

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Bryde

Volume Of Things

Release: 2020 / EU – Original

Genre: Rock & Indie

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Birdbrain 30th Anniversary Edition

Buffalo Tom

LP | 2020 | EU | Original (Beggars Banquet)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Buke And Gass, So Percussion

A Record Of

LP | 2020 | US | Original (Brassland)

9,99 €*

2LP | 2020 | EU | Original (Siluh)

Release: 2020 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: G+

Cover with seam split!

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Bulbul

Kodak Dream

Release: 2020 / EU – Original

Genre: Rock & Indie

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Heaven Is Over EP Crystal Clear Vinyl Edition

Bullion

LP | 2020 | EU | Original (Jagjaguwar)

18,99 €*

LP | 2020 | US | Original (Sub Pop)

Release: 2020 / EU – Original

Genre: Rock & Indie

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In Early 2018, Nathan Jenkins Returned From The Coast Of Arrábida To His New Home Studio,In A Cottage Tucked Behind The Grand Hotel Setting Of Wim Wenders' Lisbon Story. Breakingfor Lunches Under A Datura Tree In The Garden And A Far Cry From The Finsbury Park Basementflat He Rented The Previous Year, A Set Of Recordings Followed That Galvanised Into An E.P. - Wehad A Good Time. Music Informed By Out-Of-Town Trips In A 1987 Renault 9 Super, Pitchforkattributed `Remarkable Healing Powers' To Lead Song Hula.After Leaving London For A Spell In Portugal, Nathan Lost His Taste For The Night Life And Drewa Line Under A Long-Running Nts Radio Show. Much Of The Time Spent Abroad Was Dedicated Toa Longstanding Collaboration With Westerman, Whose Album They Recorded In A Remote Part Ofthe Algarve Countryside In 2019. Nathan's Own Discography Opened In 2007 With Pet Sounds:In The Key Of Dee, Before Pivoting In A More Electronic Direction Via Get Familiar And Youngheartache. From The Sampledelia Of 2011`S Too Right, The New Wave And Rave Of Say Arr Ee Tothe Robert Wyatt-Influenced Love Me Oh Please Love Me, He's Mapped A Deliberately Peculiarpath. 2015`S Rooster Was Eno & Byrne`S Bush Of Ghosts Given A Shangaan-Electro Lick Andclip. While Nathan's Partnership With Fellow Out-There Pop Auteur, Jesse Hackett, As Blluddrelations, Staggered Like A Half-Cut Prince.Collaged, Rhythmic Alternatives. Syncopated Avant-Garde Sambas. Off-Kilter Sci-Fi Jazz.Think Asha Putli In The Spot At The Star Wars Cantina. Arty, Angular. Rich, But Uncluttered.Frenetic, Electric, Blurring The Boundaries Between What Is Sampled, What Is Played. Nathan'sis A Wilfully Weird Pop, Showcased In 2016 On His Album, Loop The Loop. Wayward, Butwoven With Hooks That Come Out Of Nowhere. Lyrical, Often Beautiful, Solos On Violin, Oboe,And Desiccated Guitars. Songs That Demonstrate A Nose-Thumbing Playfulness, A Refusal To Sitstill. Where There's Always The Urge To Interrupt A Carnival Beat With A Burst Of Galloping...

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Bully

Sugaregg Loser Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Sub Pop)

Bully

Superegg

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Innovative Leisure)

Buttertones

Jazzhound

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Bureau B)

Butzmann / Kapielski

War Pur War

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Birs)

C.M. Talkington

Not Exactly Nashville

12,59 €* 20,99 € -40%

2LP | 2020 | UK | Original (Mute)

Release: 2020 / US – Original

Genre: Rock & Indie

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Writer/Director C.M. Talkington's 2020 debut LP release will be worth the wait for his cult film fanbase and far beyond.

'Not Exactly Nashville' is a rock country album with eight songs delivered from the pulpit of Talkington's wide raspy baritone.

Multi-instrumentalist Cisco Deluna built 'Not Exactly Nashville' with help from Mother Hip's John Hofer and The Imperial Crown's James Carter.

Produced in Los Angeles at 64 Sound, Barn Star Studio, and Bernie Grundman Mastering.

Limited-edition 180g vinyl LP cut at Bernie Grundman, expertly stamped by RTI.
Hi-Res 24-bit digital, mastered by Patricia Sullivan.

'Not Exactly Nashville'
Street date:
Friday 3/13/2020.
Available on LP, CD, and online for the opening of SXSW.

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Cabaret Voltaire

Dekadrone

Release: 2020 / UK – Original

Genre: Rock & Indie

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Far Enough Colored Vinyl Edition

Cable Ties

LP | 2020 | US | Original (Merge)

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Small Batch)

Caitlin Sherman

Death To The Damsel

22,99 €*

The Mother Stone Baby Blue Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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'I'm told to go it alone and just forget / you can love the song but you just can't love the man' 'I was alone, unpacking boxes in the strange old craftsman I rented a room in during my divorce. Out of nowhere my computer turned on and started playing Townes Van Zandt's 'For the Sake of the Song'. I shivered. I melted. I picked up my guitar and wrote 'If Not The Man'' Years later, in an "about damn time" kind of moment, Seattle based singer-songwriter Caitlin Sherman is stepping out solo. She's had her fair share of collaborations over the years, most notably the cosmic psych rock of Evening Bell and the hazy noir of Slow Skate. As a songwriter and arranger in both projects, she also held the role of girlfriend and wife. Now she is neither. Her debut self-titled album is a meditation on love lost and carving out a new independent path. Dark contemplative songwriting explored through fresh unpredictable pop sensibility, dripping with art and purpose. And while past projects incorporated vast soundscapes and string arrangements written by Sherman herself, she made the decision to stick to a set band sound making sure the song itself was the centerpiece.

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Caleb Landry Jones

2LP | 2020 | US | Original (Sacred Bones)

Release: 2020 / US – Original

Genre: Rock & Indie

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Seasonal Shift Black Vinyl Edition

LP | 2020 | EU | Original (City Slang)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Calexico’s ’Seasonal Shift’ is less of a Christmas album and more of a cross cultural seasonal celebration. The themes are based around that familiar end of year feeling, of reflection, of ceremony and of recognition of the year gone by and changes it brought for better and for worse. It contains a few cover songs including classics by John Lennon & Yoko Ono and Tom Petty, a few more special guests and a whole load of good will. It’s heartfelt but fun, and earnest but celebratory. It features Calexico in an assortment of guises, referencing Portuguese Fado and Old Mexican Folk Songs, from the stripped back 2 man skeleton to the full party of international collaborators including artists like Bombino, Gaby Moreno, Gisela João, Nick Urata (DeVotchKa) and Camilo Lara.

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Seasonal Shift Violet Vinyl Edition

LP | 2020 | EU | Original (City Slang)

Release: 2020 / EU – Original

Genre: Rock & Indie

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2LP | 2018 | EU | Reissue (City Slang)

The Black Light

49,99 €*

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2018 | EU | Reissue (City Slang)

The Thread That Keeps Us

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Decade Colored Vinyl Edition

Calibro 35

LP | 2018 | Reissue (Record Kicks)

LP | 2020 | EU | Original (Jealous Butcher)

Release: 2018 / Reissue

Genre: Rock & Indie

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"decade", the sixth album by Calibro 35, the legendary cinematic funk combo sampled by Dr. Dre and Jay-Z, gets a reissue on ltd edition Crystal Yellow vinyl edition with bonus tracks.

Record Kicks presents the reissue of Calibro 35's sixth acclaimed album "decade" on limited edition Crystal Yellow vinyl and digital deluxe edition with 3 bonus tracks on April 29th2022. The publication is part of "The Record Kicks Trilogy" that follows the reissue of the first three albums of the band, released in 2020. This time, Milan label Record Kicks will repress on wax of three different colors and on digital deluxe edition, the fourth, fifth and sixth legendary studio albums of the Italian cinematic-funk cult band. The deluxe digital edition of "decade" includes 3 bonus tracks: "Gomma", "Polymeri (Afro-Utopia Version)" and "Travelers, Explorers (feat. Elisa Zoot)".

Released in 2018, "decade"marked 10 years of Calibro 35's career and it's the very first album recorded by Calibro with an orchestral-inspired enlarged line-up that features horns, strings and percussions. Mixed and recorded by Calibro's usual suspect and Grammy Award winner Tommaso Colliva, on the album all the influences collected by the band during their last ten years' journey like music, collaborations, movies, gigs, books find their space. "decade" is Calibro 35's "time capsule" and it is as rare and complex as a timeless work.

Musically Calibro 35's inner influences like Ennio Morricone - listen for instance to the epic journey of the album's end credits "Travelers" - Luis Bacalov and David Axelrod are still there but are now mixed with elements from afrobeat or cosmic jazz. "Psycheground" sounds like Tony Allen involved in writing a score for a vintage Hollywood production while Sun Ra lurks on "Modo". Everything is mixed up with new influences from modern musical languages. References to Jaga Jazzist, Budos Band or Alternative Jazz and Alternative Hip Hop new acts such as Makaya McCraven, Yussef Kamaal, Oddisee can all be found on the album. In tracks such as "Modulor" you realize that "decade" is certainly not a point of arrival and expresses the ambition of the band to look further and evolve. All classic Calibro's vintage instruments such as clavinet, eco, analog synths, fuzz guitars are now supported by new ones such as Dan Bau, Balafon and Waterphone ("Polymeri") in the band's new wall of sound. Thanks to the enlarged line-up and the orchestrated parts involved, which pushed the band to experiment new methods of composition, Calibro 35 on "decade" sound strong, full and tight as never before.

Active since 2008, Calibro 35 enjoy a worldwide reputation as one of the coolest independent bands around. During their fourteen-year career, they were sampled by Dr. Dre on his Compton album, Jay-Z, The Child of lov & Damon Albarn; they shared stages worldwide with the likes of Roy Ayers, Muse, Sun Ra Arkestra, Sharon Jones, Thundercat and Headhunters and as unique musicians they collaborated with, amongst others, PJ Harvey, Mike Patton, John Parish and Stewart Copeland and Nic Cester (The Jet). Described by Rolling Stone magazine as "the most fascinating, retro-maniac and genuine thing that happened to Italy in the last years", Calibro 35 now count on a number of aficionados worldwide including VIP fans such as Dj Food (Ninja Tune), Mr Scruff and Huey Morgan (Fun Lovin' Criminals) among others.

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Califone

Echo Mine

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Taxi Gauche)

Calvin Love

Night Songs

Emotional Detox Black Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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There is a palpable mood at the heart of Canadian perennial Calvin Love’s work. Only once in a blue moon comes an artist that seems so familiar yet out of space. Love arrives as an enigma, a crooning, haunted voice.

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Camera

LP | 2018 | EU | Original (Bureau B)

Heart Pressed Between Stones

Release: 2018 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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We also offer the limited yellow colored edition.

Started as the so called “Krautrock Guerrilla” in 2012, six years later the Berlin combo Camera are releasing their fourth full-length album. Customarily associated with the likes of NEU! and La Düsseldorf it is
time to allow Camera to break free of the krautrock tradition and accept that they are very much doing their own thing now. Motto: “It's not repetition, it’s discipline”
For fans of nominative determinism, there can be few more apposite appelations than Michael Drummer. He is the catalyst, the chain mail vapour trail linking everything together as he crosses the soundscape of everything captured on Camera. The band’s moniker Camera, meanwhile, is an altogether more capricious
calling card. Camera obscura. Camera lucida. From daguerrotype to digital, self-induction to selfies. The song title Super 8 offers a potential clue to the
camera in their mind’s eye. When Super 8 was introduced in 1965, it was one of the few film formats to accommodate a sound track, occupying the
space between the edge of the film and the image area. Perhaps this will serve as a nice analogy when pondering where Camera’s music comes
from. Emotional Detox is the fourth full-length album by Camera, now a quintet, following two albums as a trio and one as a duo. The line-up on ED comprises Steffen Kahles, Michael Drummer, Michel Collet, Andreas Miranda and Timm Brockmann, all more or less based in Berlin. Drummer is the only constant through all four phases. Keyboarder Timm
Brockmann, who left the group in 2014, returns to the fold. He and Franz Bargmann, who left Camera the year before him, released a Brockmann //
Bargmann LP entitled Licht on Bureau B in 2017, a celebration of keys, guitars and effects which, at times, emulated the ferocious potential of Camera. By the time Steffen Kahles joined the band, Brockmann had
already departed, so the new ensemble adds another twist in bringing together two keyboard players from different Camera phases for the first time. The Brockmann Drummer reunion, meanwhile, completes a circle tracing back to early Camera experiences shared in 2010/11, playing on the streets of Berlin (literally).
Paradoxically, the new, expanded Camera line-up sharpens the focus of the tracks running through Emotional Detox. With Drummer not so much joining
the dots as hammering them home with a nail gun, the stronger framework allows even greater freedom for the musicians to express and ultimately align their disparate creative interests. Throw a single stone into a pond and concentric circles will ripple outwards into infinity. A swoosh of parallel lines. Boundless symmetry. The soundscape assumes the quality of a cinematic loop, like watching the same film over and over, yet discovering new things each time it plays. As a mythological Mancunian once said before the fall: it’s
not repetition, it’s discipline. Customarily associated with the likes of NEU! and La Düsseldorf perhaps it is time to allow Camera to break free of the krautrock tradition and accept that they are very much doing their own thing now. The “Krautrock Guerrilla” tag was cute and catchy for a while, but the flanged depths of
Himmelhilf sound more Bloody Valentinesque, less like echoes of Cluster or Harmonia. The motorik origins of the band documented on their debut album Radiate! (2012) and the nods to history and William Burroughs on the sophomore Remember I Was Carbon Dioxide (2014) gave way to Commodore 64 playfulness on Phantom of Liberty (2016). A spirit of experimentation still abounds on the new LP, but there’s also evidence that the group have taken a confident step towards something more “pop” – without tearing up the tangled roots beneath the surface of Camera’s studio floor. The reference points are there, but Emotional Detox is not dependent on them. We live in an age when everything happens at the same time – all of your music in one place, instantaneous streams on mobile devices, encyclopaedic references checked in seconds. The
temptation to see connections everywhere can be overwhelming, the speed at which information
travels slows us down. Emotional Detox encourages us to disregard these multiple distractions.
That’s when detoxification kicks in.

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Camila Fuchs

LP | 2018 | EU | Original (Audio Totem Pole)

Release: 2018 / EU – Original

Genre: Rock & Indie

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How To Socialise & Make Friends Jade Green Swirl Vinyl Edition

Camp Cope

LP | 2018 | US | Reissue (Run For Cover)

The Patron Saint Of Heartache

Release: 2018 / US – Reissue

Genre: Rock & Indie

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Jade Green Swirl vinyl.Camp Cope's new album How To Socialise & Make Friends will be released on March 2nd 2018. The follow up to their 2016 self-titled debut kicks off with the instantly remarkable bass line of "The Opener," an explosive diatribe against the sexist double standards of the music industry at large. What follows the lead single are a collection of songs that anchor on the cycles of life, loss and growth through resilience and those moments of finding and being yourself. Throughout the nine songs on How To Socialise & Make Friends it becomes clear that if their debut was the flame, this is Camp Cope rising from the ashes, stronger and more focused than ever.

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Candy Opera

LP | 2020 | EU | Original (A Turntable Friend)

18,99 €*

7" | 2020 | CH | Original (Six Tonnes Des Chair)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Sometimes it takes a while to realise what you’ve got. So it goes with pop craftsmen Candy Opera, who emerged during Liverpool’s 1980s golden age and whose new LP 'The Patron Saint of Heartache' is their first collection of new material in nearly three decades.

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Cannibale

Acceleration

10,44 €* 10,99 € -5%

Release: 2020 / CH – Original

Genre: Rock & Indie

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Making A Door Less Open Colored Vinyl Edition

LP | 2020 | EU | Original (Matador)

Release: 2020 / EU – Original

Genre: Rock & Indie

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2LP | 2018 | EU | Original (Matador)

Twin Fantasy

Release: 2018 / EU – Original

Genre: Rock & Indie

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Will Toledo always knew he would return to Twin Fantasy. He never did complete the work. Not really. Never could square his grand ambitions against his mechanical limitations. Listen to his first attempt, recorded at nineteen on a cheap laptop, and you’ll hear what Brian Eno fondly calls “the sound of failure” - thrilling, extraordinary, and singularly compelling failure. Will’s first love, rendered in the vivid teenage viscera of stolen gin, bruised shins, and weird sex, was an event too momentous for the medium assigned to record it.

On February 16th, on the heels of the smashing success of Teens of Denial, Car Seat Headrest will release a new version of Twin Fantasy. “It was never a finished work,” Will says, “and it wasn’t until last year that I figured out how to finish it.” He has, now, the benefit of a bigger budget, a full band in fine form, and endless time to tinker. According to him, it took eight months of mixing just to get the drums right. But this is no shallow second take, sanitized in studio and scrubbed of feeling. This is the album he always wanted to make. It sounds the way he always wanted it to sound.

It’s been hard, stepping into the shoes of his teenage self, walking back to painful places. There are lyrics he wouldn’t write again, an especially sad song he regards as an albatross. But even as he carries the weight of that younger, wounded Will, he moves forward. He grows. He revises, gently, the songs we love so much. In the album’s final moments, in those apologies to future me’s and you’s, there is more forgiveness than fury.

This, Will says, is the most vital difference between the old and the new: he no longer sees his own story as a tragedy.

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2LP | 2018 | US | Original (Matador)

Twin Fantasy

Release: 2018 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP | 2018 | EU | Original (Matador)

Twin Fantasy

39,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Anaana Splattered Vinyl Edition

Cari Cari

LP | 2018 | EU | Original (RecordJet)

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Earmusic Classics)

Carl Band Palmer

Working Live Vol.1

Release: 2018 / EU – Original

Genre: Rock & Indie

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2LP | 2018 | EU | Original (Earmusic Classics)

Carl Band Palmer

Working Live Vol.1

32,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Stocks In Asia)

Carl Broemel

Wished Out

Release: 2018 / EU – Original

Genre: Rock & Indie

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2LP+CD | 2018 | US | Original (Agitated)

Carlton Melton

Mind Minerals

Release: 2018 / US – Original

Genre: Rock & Indie

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This is the new Carlton Melton album, the first full length release since 2015’s widely-lauded Out To Sea, itself a languid drifting of drones and psychedically-enhanced riffmongering. Admittedly, there has been some long EP releases since: Hidden Lights in 2017 (featuring the immeasurable drone-sike-float on “Rememory”) and Aground in 2016 (a companion, the Desert Island weather beaten psych-flow follow up to Out To Sea). Now its time to soak up Mind Minerals.

This album finds the band in fine fettle: all the songs were recorded and engineered at El Studio in San Francisco by Phil Manley over two days (except “Untimely”), with the studio suiting them—a logical progression from previous weekend recordings out at the Dome. Under Manly’s watchful ear / eye, the band have created a futurescape soundtrack, a 3001 Space Odyssey. The drums are more pounding and direct than ever, the constantly re-assuring bass creates a helping hand of propulsion through the clouds of static and shards of electrifying guitar dazzling the horizon. Synths help soothe the sharp edges and lull one into an out of body experience, while the orchestrated calamitous scree brings one back. This is a breathless, yet deep breathing album.

The core trio of Andy Duvall (drums/guitar), Clint Golden (bass guitar), and Rich Millman ( guitar/synth) have some alchemical bond that’s helped them create a post –rock / psychedelic / freeform organic slab of American Primitivism / space drift, unashamed head-music from the melting pot of Northern California. Five decades ago this album would have been released on the ESP Disk Label or even Apple. Carlton Melton provides the aural microdose to reset your mind and psyche!

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LP | 2018 | US | Original (New West)

Loner

Release: 2018 / US – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (New West)

Loner

Release: 2018 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Red Vinyl.

Cover as new with slightly dented corners.
Includes original insert.
Record is close to VG+.

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Loner Clear Center With Translucent Red Border Color-In-Color Vinyl Edition

LP | 2018 | US | Reissue (New West)

Release: 2018 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-11-22

Superstar Black Vinyl Edition

LP | 2020 | US | Original (New West)

Release: 2020 / US – Original

Genre: Rock & Indie

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Casper Clausen of Efterklang

Better Way Recycled Colored Vinyl Edition

LP | 2020 | EU | Original (City Slang)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP | 2020 | US | Original (Dark Operative)

Tertia

Release: 2020 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Clear Rose Vinyl Edition.
Dogeared cover.
Includes original inner sleeves.

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Tertia Yellow Vinyl Edition

2LP | 2020 | US | Original (Dark Operative)

35,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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Tertia is the second proper full-length effort from Beverly, MA’s Caspian. Originally issued in 2009 on the Mylene Sheath label, this formal reissue on Dark Operative marks the first time it has been in print physically in over five years. Following up a much-heralded debut fulllength often presents itself as a much taller order than most bands can ever possibly anticipate. In the case of Tertia, however, Caspian charges headlong into what has become a perennial tradition of crafting albums as entire wholes… all utterly devoid of filler or inconsistencies. In an era where the skip function is always a threat and used more than any prior generation, the band deftly crafts compositions that work in unison. To skip any given track on Tertia would be akin to ripping out an entire chapter of a great novel before reading it or skipping the first scene in the third act of a great movie. Tertia also finds the band, without words, somehow working in moments, if not entire songs, evocative of the geography, climates, and romanticism of their native New England. The song titles are but hints, as Caspian’s ultimate distinction above the vast majority of bands is to successfully partner with each individual listener toward the creation of something entirely unique behind the personal lens of said individual… a bespoke narrative limited only by one’s imagination.

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2LP | 2020 | US | Reissue (Dark Operative)

The Four Trees

Release: 2020 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Clear Rose Vinyl Edition.
Cover slightly dogeared with faint ring wear.

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The Four Trees La Vie En Rose Vinyl Edition

2LP | 2020 | US | Original (Dark Operative)

35,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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The Four Trees is the first proper full-length effort from Beverly, MA’s Caspian—Originally issued in 2007 on the Dopamine Records label, this formal reissue on Dark Operative marks the first time it has been in print physically in over seven years. Following in their own tradition of a staggering 1-2-3 punch, The Four Trees erupts with “Moksha,” “Some Are White Light,” and “Sea Lawn,” all three being live staples to this day and “Moksha” routinely cracking the top 5 out of all of the band’s output across their entire discography at Spotify. What follows is eight more songs (including audience favorites “ASA,” The Dove,” and “Our Breath In Winter”) meticulously arranged and placed perfectly within the program to create a true, dynamic journey across the sonisphere. If there’s one thing Caspian. accomplishes every time out, it’s to paint pictures or a visual narrative in the mind’s eye as each album unfolds. The dynamics purposefully serve the whole. The refrains create actual shifts in narrative tone. The climaxes and bombast are all toward logical conclusions within a larger story. The Four Trees established the long-standing tradition of entirely great albums from start to finish for Caspian. and still stands as a beacon for music fans that want bands’ records to actually “go somewhere.”

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You Are The Conductor 15th Anniversary Seafoam Vinyl Ediiton

LP | 2020 | US | Original (Dark Operative)