Indierock | Alternative Vinyl 23862 Items

Vision Beyond Horizon Purple Vinyl Edition

LP | 2020 | EU | Original (Heavy Psych Sounds)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Limited to 550 copies.This album is a collaborative effort and even greater than the sum of its parts. The basic riffs and song structures were done by Bob Balch and Gary Arce, but the contributions from Tony Reed, Lisa Alley, Ian Graham, Mario Lalli, Nick Oliveri, Bill Stinson, Per Wiberg and Alain Johannes make this record what it is. There was never a discussion of what kind of music they wanted to make. This album is a unique gem, manufactured by multiple artists, including different atmospheres: from the melodic stoner mellowness, to faster tempos, to classic heavy sounds, but songwriting is never customary.We can say, "Fu Manchu's killer riffing meets the desert psychedelia of Yawning Man." For sure that is something that's never been tried before!Bob Balch and Gary Arce together give life to an amazing new adventure which sounds fresh and dynamic. The vocal parts are always choral and interesting. There's a variety in the songs which always keeps the listener focused and intrigued about what's next. This is a very special record and deserves your full attention, because we predict that over time you will hear different elements within it. So dig in and get lost. Let your journey begin.

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Vision Beyond Horizon Black Vinyl Edition

LP | 2020 | EU | Original (Heavy Psych Sounds)

Release: 2020 / EU – Original

Genre: Rock & Indie

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This album is a collaborative effort and even greater than the sum of its parts. The basic riffs and song structures were done by Bob Balch and Gary Arce, but the contributions from Tony Reed, Lisa Alley, Ian Graham, Mario Lalli, Nick Oliveri, Bill Stinson, Per Wiberg and Alain Johannes make this record what it is. There was never a discussion of what kind of music they wanted to make. This album is a unique gem, manufactured by multiple artists, including different atmospheres: from the melodic stoner mellowness, to faster tempos, to classic heavy sounds, but songwriting is never customary.We can say, "Fu Manchu's killer riffing meets the desert psychedelia of Yawning Man." For sure that is something that's never been tried before!Bob Balch and Gary Arce together give life to an amazing new adventure which sounds fresh and dynamic. The vocal parts are always choral and interesting. There's a variety in the songs which always keeps the listener focused and intrigued about what's next. This is a very special record and deserves your full attention, because we predict that over time you will hear different elements within it. So dig in and get lost. Let your journey begin.

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The Waydown Blood Red Vinyl Edition

LP | 2023 | EU | Original (Heavy Psych Sounds)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Bob Balch here. These recordings go back to 2021.BIG Scenic Nowhere played a show out in Joshua Tree and while we were all in the same place (Tony the singer lives like 20 hours away) we thought we should spend two days jamming in the studio. Our usual way of recording is jam out freely and then edit those jams down into songs afterwards. The song “The Way Down” was the last jam of that session. We were about to pack up and Tony Reed started playing the main riff. Sometimes that’s all it takes to get immersed into a 25 min jam.

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The Waydown Black Vinyl Edition

LP | 2023 | EU | Original (Heavy Psych Sounds)

22,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Long Morrow Transparent Green/Purple/Yellow Vinyl Edition

LP | 2022 | EU | Original (Heavy Psych Sounds)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Bob Balch here. Wanted to let you know about "The Long Morrow." We released the E.P "Lavender Blues" back in October of 2020. "Lavender Blues" and "The Long Morrow" are both the result of a three day jam session back in November of 2019. The players were myself, Gary Arce (Yawning Man), Bill Stinson (Yawning Man) and Tony Reed (Mos Generator). We left that session with hours of stuff to choose from. We still have tons to release! Once 2020 hit, we started digging into what would become "Lavender Blues" with the intention to make it an EP and save the main chunk of the material for the LP which would become "The Long Morrow." Once we released "Lavender Blues" Tony Reed and I began digging into the tunes. All of the songs were jams at first, just two or three parts and lots of improvisation. Tony started chopping them up into arranged songs and added lyrics and a few changes. That's where we got songs like "Murder Klipp" "Defector" "LeDu" and "Lavender Bleu." I did a few guitar overdubs on them as well to flesh out the parts, but for the most part they are all live takes. I'm surprised that "Murder Klipp" came together so easiely that early in the morning. That time signature is bonkers, Bill Stinson had no trouble coming up with a beat that complemented it. I had to take notes and increase my caffeine intake for that one. "Lavender Bleu" is a second take for "Lavender Blues" hence the title similarity. They were both jams but "Lavender Bleu" became a structured song and the second half of it became "Labyrinths Fade" from the EP. I got to play bass on "Defector" and Tony switched to guitar. "LeDu" is inspired by Husker Du and Led Zeppelin. Gary Arce (Yawning Man) planted the main riff ideas for all of those songs on Side One. The dude is a riff machine. “The Long Morrow” takes up Side Two. Clocking in at a little under 20 mins, “The Long Morrow” was the very first jam we did during the session. Took us about 30 seconds to fall into a groove and we didn’t surface for 30 mins. I went home and re-recorded all of my guitar parts throughout 2020. I kept the original ideas in place but embellished them a little. After editing it down and changing guitar parts around it was sent to Reeves Gabrels (the Cure/david Bowie) and Per Wiberg (opeth, Spiritual Beggars) to add guitars and synth. Then it was sent to Tony Reed (mos Generator) for vocals, overdubs and structure changes. Mixed and Mastered by the very talented Tony Reed. I couldn't ask for a better production. Sounds just as I wanted to hear it. We are super proud of this album, and look ahead into the future as this is only the beginning. If we can create stuff like this the first time jamming together we can only imagine that it’s gonna get better and better! More soon!

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Long Morrow Black Vinyl Edition

LP | 2022 | EU | Original (Heavy Psych Sounds)

22,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Lavender Blues Black Vinyl Edition

LP | 2020 | EU | Original (Heavy Psych Sounds)

LP | 2014 | US | Original (Barsuk)

Release: 2020 / EU – Original

Genre: Rock & Indie

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BIG Scenic Nowhere the supergroup led by Bob Balch from FuManchu is coming back with a new killer EP titled “lavender Blues” The band has a straight core of members as Gary Arce from Yawning Man and Tony Reed from Mos Generator, this time the album going to feature great names as Per Wiberg from Opeth, Spiritual Beggars at synth and piano, Daniel Mongrain from Voivod at the guitar and the mighty producer from Kyuss: Chris Goss from Masters Of Reality at the guitar. The sound once again has this mellow and psychedelic attitude, with pinches of space rock and a matrix of desert sound, but you can also hear some progressive passages, and old school hard rock riffing here and there. The album feature once again the cover art of the visionary Max Loeffler.

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Big Scary

Not Art

7" | 2020 | US | Original (1-2-3-4 Go!)

Release: 2014 / US – Original

Genre: Rock & Indie

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The story of Big Scary begins in Melbourne, Australia, where duo Tom Iansek and Jo Syme, armed with just acoustic guitars and egg shakers, started playing songs together in the living room of Syme’s parents’ house, gradually working up to a bolder, more expansive sound by incorporating electric guitars, drums, synths and piano. What began as a few rainy day acoustic ballads in their first incarnation soon grew, and before long, the newly named Big Scary were writing anything they pleased – fuzzed-out garage rock; piano-led pop; intricate, pastoral instrumentals – each imbued with an effortless pop sensibility and lightness of touch that would quickly see the duo attract a strong following in their home country. Following a series of early self-released singles and EPs, Big Scary released the intimately crafted debut album Vacation in 2011 via the band’s own label Pieater. The album brought the pair widespread acclaim, and earned the duo a large Australian audience with nominations for ‘Album Of The Year’ from Triple J and ‘Breakthrough Artist Of The Year’ from AIR (Australian Independent Record Labels Association), plus a small but growing cult following overseas. 2012 saw Big Scary take its first small steps onto the world stage – earning further underground acclaim via a self-funded North American tour that saw Tom and Jo play SXSW, CMW, and CMJ, impressing whatever audiences happened upon the versatility, lovable magnetism, intelligent songwriting and dynamic live performances that make up the band’s riveting shows.On the heels of their adventures abroad, an invigorated Tom and Jo returned home and began recording their second full length album. Grappling with the pressures and perceived responsibilities of their Australian success, the daunting goal of bringing their music to wider audiences, and their own expectations of themselves as writers and creators, the band eventually settled into making an album that would be, paradoxically, hotly anticipated at home while acting simultaneously as a first introduction to almost all audiences elsewhere: Not Art.The Melbourne-based duo has become a household name in Australian indie-pop circles and has a growing cult following overseas. Barsuk Records is thrilled to be the U.S. home for the band’s forthcoming album Not Art, a slow-burning stunner produced and engineered by Iansek and mixed by Tom Elmhirst (Amy Winehouse, The Kills, Arcade Fire, Adele) that distills influences of indie rock song structure, pop and hip-hop production, and experimental ambient music.

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Big Rig

Expansive Heart

10,99 €*

How Long Do You Think It´S Gonna Last? Red Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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BIG RIG was a very short lived project from Jesse Michaels (operation IVY, Common Rider, Classics OF Love), Doug Sangalang (screw 32, Limp, ONE Time Angels), Kevin Cross (the Nerve Agents, Pitch Black), Jeremy Goody (Pitch Black) and Brandon Riggen. The band rose and fell in 1993. They played a single show and left behind a demo and this EP which was originally on Lookout Records in 1994. 1-2-3-4 Go is extremely proud to be able to reissue this EP. This is a vastly under appreciated piece of East Bay punk and a hidden gem of the Lookout catalog. Includes a faithful reproduction of the original 8-panel booklet/sleeve.

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Big Red Machine

2LP | 2021 | US | Original (Jagjaguwar)

How Long Do You Think It´S Gonna Last? Black Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music _ be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation at his Long Pond Studio in upstate New York, among many other projects. Through it all, Dessner has brought together an unlikely community of musicians that share his impulse to connect, celebrate and, most of all, process emotion and experience through music. This generous spirit and desire to push music forward has never been more deeply felt than on Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's evermorphing project with Bon Iver's Justin Vernon. In 2008, while assembling material for the charitycompilation "Dark Was the Night," Dessner sent Vernon a song sketch titled "big red machine". Vernon interpreted "big red machine" as a beating heart and finished the song accordingly _ a metaphor Dessner says "still sticks with me today. This project goes to many places and is always on some level about experimentation, but it shines a light on why I make music in the first place, which is an emotional need. It's one of my therapies and one of the ways I interrogate the past." Released in 2018, Big Red Machine's self-titled debut album evolved from improvisation and what Dessner calls "structured experimentalism," with an ear toward building tracks that would work well in a live setting alongside visual elements. When Dessner and Vernon started the Eaux Claires Music Festival in 2015, they staged the original "Big Red Machine" as an improvisation-based performance piece. They later took that show to the People collective's Berlin residency and festival, and to Dessner's Haven Festival in Copenhagen. "Big Red Machine started as this thing we would do for fun, and we fell in love with the feeling of it," says Dessner." Vernon agrees: "I remember it feeling really easy, but we never knew what would happen. It was exciting. As time went on, we just kept doing things together. And our friendship has grown strong, alongside all the collaborative stuff." New Big Red Machine material began taking shape in spring 2019, when Vernon came to visit Dessner at Long Pond. The first week produced songs such as "Reese," "8:22am" and eventual album opener "Latter Days," a haunting number sung by Vernon and Anaïs Mitchell that set the emotional tenor for what was to come. "It was clear to her that the early sketch Justin and I made of Latter Days was about childhood, or loss of innocence and nostalgia for a time before you've grown into adulthood _ before you've hurt people or lost people and made mistakes. Anaïs defined the whole record When she sang that, as these same themes kept appearing again and again," Dessner says. In the ensuing months, Vernon and Dessner would meet up when they could, and in the meantime, Dessner developed the existing material and wrote new instrumental tracks which he sent Vernon, always eager to hear what he would receive back. "Justin is incredibly gifted, but he's also disruptive in the best way," says Dessner, pointing to the first note of the song "Birch" as a prime example. "It's absolutely brilliant, but it was very surprising when I heard it the first time. I can't tell you what that interval is. There are many moments working with him where your head hits the wall in amazement like that." In the early stages of the pandemic, Swift approached Dessner to work with her on what would become the sister albums "folklore" and "evermore." Dessner describes this period as a "creative blur," during which he'd be writing material for Swift and Big Red Machine simultaneously. "I think this was an intense growing period for me, I was learning so much from Taylor and the process. Along the way, I shared all of our unfinished Big Red Machine songs with her and she really found them inspiring and gave me so much positive feedback and encouragement," he says. "I think that helped me realize how connected this Big Red Machine music was to everything else I was doing and that I was always supposed to be chasing these ideas. I was finding new sounds and ways of working through these songs. I just hadn't been able to finish them. So, I did." Beyond Vernon and Swift's encouragement, many of Dessner's previous collaborators and friends show up for him here, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold ("Phoenix"), Ben Howard and This Is The Kit ("June's a River"), Naeem ("Easy to Sabotage'), Sharon Van Etten, Lisa Hannigan and My Brightest Diamond's Shara Nova ("Hutch," a tune inspired by Dessner's late friend, Frightened Rabbit frontman Scott Hutchison) and Swift herself ("Birch" and "Renegade," the latter an instant-classic Taylor earworm summed up by the poignant lyric "Is it insensitive for me to say / get your shit together so I can love you." The song was recorded in Los Angeles at the Kitty Committee studio in March 2021, the same week when Swift and Dessner took home the Grammy for Album of the Year for "folklore.") "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together." As he continued writing prolifically on his own, Dessner noticed a theme emerging -- the idea of sitting with the uncomfortability of personal and family darkness from his childhood and reflecting on how emotional issues he dealt with growing up have reverberated through his adult life. It became clear that some of these he'd need to sing himself; songs such as "The Ghost of Cincinnati" and "Magnolia" address the disintegration of marriage and family and mental health, asking pointed questions of himself and those closest to him. "Brycie" is an ode to his aforementioned twin and National bandmate, who picked up on the musical vibes immediately when Dessner played the song for him for the first time backstage at a National show in Washington D.C. "He picked along to it with me and it immediately sounded like Aaron and Bryce playing the guitar in the basement as kids, which was my intent," Dessner remembers. "The words mean a lot to me. It's about my childhood with Bryce, and how I had pretty severe depression in high school. He was the one who kept me going and took care of me until I was back on my feet. I've lost close friends to depression and this song is about how important it was that Bryce was there for me at that time and is still here." In addition to being one of the more lyrically significant tracks on the album, Dessner says singing it himself felt like an important act of self-acceptance. "I always sing under my breath when I write music, but I usually hand it off to [National vocalist] Matt [Berninger] or others" he says. "When you're in a band for so long and somebody else is that person, you come to rely on it and I've always loved Matt's voice and his words. But singing `Brycie' myself helped rewire my brain to realize that maybe Big Red Machine is the project that not only enables me to create songs with other people, but also sometimes finish songs on my own." Recalling sessions at Sonic Ranch in Texas when Dessner recorded his vocal takes, Vernon says, "Aaron showed me `Brycie' a couple years ago now. I was like, this is beautiful, and you should do more singing. Not only would it be good for the future of your songwriting, but your voice sounds really good to me. It was exciting to see him flourish in that way _ to now be a part of that process and realize the hardships in that and also the victories. On this record, he's leading the charge, wholly and completely." Musically, "How Long Do You Think It's Gonna Last?" features what Dessner calls maybe the "clearest distillation" of his varying songwriting and production styles. Songs like "Reese," the Dessner-sung "Magnolia" and the elegiac "Hutch" are built on the kinds of tear-jerking piano melodies millions of fans have come to love from The National, but then move at their own pace toward unusual sonic destinations. "Aaron's greatest gift as a collaborator is his ability to evolve and experiment with the emotional sound that is so natural to him," Vernon says of the material. Elsewhere, the dream-like "Hoping Then" sets layered vocals by Vernon, Dessner and Hannigan ("It's the on the edge of why I can't sleep soundly") atop chopped and phased violin lines, programmed drums and countermelodies played on a rubber bridge guitar. His brother Bryce's orchestration ebbs and flows throughout this song and many others. The main instrumental track of the chugging, groovy "Easy to Sabotage" was stitched together from two different live recordings and later enveloped in warm keyboard textures and the head-nodding vocals of Naeem. "It just feels alive and electric, and it just happened," Dessner says of the song. That sense of shared experience extended to the new album's title, which was coined by Swift after Dessner told her he wasn't sure what to call the new album. Intuitively summing up the themes, she suggested titling it "How Long Do You Think It's Gonna Last?," a question which she pointed out could refer to multiple subjects addressed therein: "childhood, family, marriages, a depression, a losing streak, a winning streak or a creative streak. Taylor saw it all so clearly," Dessner says. "A year ago, we'd never even worked together. It's so cool that this community keeps extending and that everyone who contributed to this album connected so naturally to the emotions at the heart of the music."

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Big Red Machine

2LP | 2021 | US | Original (Jagjaguwar)

LP | 2018 | EU | Original (People)

Release: 2021 / US – Original

Genre: Rock & Indie

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Big Red Machine

Release: 2018 / EU – Original

Genre: Rock & Indie

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Dog Hours Transparent Blue Vinyl Edition

Big Nothing

LP | 2022 | EU | Original (Lame-O)

LP | 2022 | EU | Original (Proto)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Being in a band is often a cheap alternative to therapy. It allows an outlet for feelings its members can't articulate. It provides a space for physical inhibitions to be let loose. For Big Nothing's Liz Parsons, the need for that mental nourishment became evident when she moved to Philadelphia. She found herself fitting into the city nicely, yet felt isolated and empty. Her new home was one of America's musical epicenters - a big reason she moved there - and she didn't plan on wasting any time filling the indie rock shaped hole in her life. She shot a text to guitarist Pat Graham, who recently had a conversation with drummer Chris Jordan about starting a new project. Once Matt Quinn caught wind of the three playing music together - he begged to bring his Rickenbacker tone into the mix.After jamming out some Voice Memo riffs - Big Nothing was here to stay. Sonically, big nothing find themselves borrowing cues from indie mainstays like Superchunk and The Replacements. It's clear that they are trying to unhinge themselves from patterns they've repeated in the past, but they're also not afraid to blast the tried and true methods of rock and roll. Their live shows mirror the honesty of their albums. Big Nothing is a genuine rock band.

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Big Mountain County

Klaus

15,99 €*

Heroic Captains Of Industry

Release: 2022 / EU – Original

Genre: Rock & Indie

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Two years after the release of their last album Somewhere Else, BIG Mountain County releases a new EP. That's Klaus, the result of an evolution in sound and style that the band has carried out during the long months of forced absence from the scene. Unlike the past, the artistic production was in fact entirely in the hands of BIG Mountain County, which, never as this time, feel perfectly represented their soundscape in the tracks engraved on vinyl, available here from April 22. To open the dances there is (literally) What?, already released digitally last July. It is a song that, despite its attitude rooted in punk, is about artifice, about pushing the sounds to reach new landscapes. The super groovy bass lines, the crunchy drums, the connection between the synths and the vocals, raw, edgy but also refined and elaborate, push the band's style beyond the garage-psych overtones to which they have been associated. The lyrics are about a personal relationship, centered around someone very close who can turn into an unbearable person, leading us to a definitive reaction. But the song is also a vehicle for emotional release, so yell "What?" it becomes an indomitable will to move forward, to go through these absurd times that we are all living, a cry of anger against any kind of impediment. For What? was shot a video, released last July, signed by Paolo Sfirri. It follows the title-track THE Klaus Crossing, the unique track not yet unveiled. It is the track closest to the old production of BIG Mountain County, who speak of it as follows: “In such a "chaotic and fragile" period we need to dream even more strongly. On a heartbeat marked by the arpeggiator, a weave of guitars is being created to send the present to an other side, where we are stripped of material consistency and imagination takes the power. These days are too grey, some relationships are too worn out, there are no expectations, only the prospect of sinking. So we hurry: energies fade, time runs fast, but spring is just around the corner. And to be born it is necessary to die.” Side A is closed by Where ARE YOU?, released as a single in January. Here the contamination of psych sounds, exquisitely analog, with rhythmic and melodic lines with a more synthetic flavor is evident. Over a skeleton of a reiterated rhythm that is not afraid to refer explicitly to the krautrock of Can, we hear guitars and synthetic riffs that remain around Berlin, but look towards California, remembering The Brian Jonestown Massacre. In the middle of this combination, a synthetic arpeggio breaks in, to soon gets stuck in the pressing rhythm, and finally get confused in the closing explosion, BIG Mountain County's trademark. The band's "flirt" with Berlin and California doesn't end with the A-side. Side B, in fact, features the two remixes of Where ARE YOU?, both already released digitally last March. The first one is signed by AL Lover, , cult name of the international psych scene, known for his unique approach to psychedelic and experimental electronic music. Already author of remixes for bands such as Thee Oh Sees and Night Beats, he has collaborated with several labels (Stolen Body Records, The Reverberation Appreciation Society, Fuzz Club Records, Hoga Nord Rekords, Pnkslm Records and Crash Symbols) and artists such as The Brian Jonestown Massacre, White Fence, Goat and Cairo Liberation Front. He has also been the official DJ for festivals such as Levitation and Desert Daze. When Big Mountain County approached the California-based producer about remixing Where ARE YOU?, these were his words: "I really love this track! Been jamming it loud! I love the vibe of the original track and the production value. I tried to preserve some of those elements but with a different twist. I was able to sit down with this over the last few days. Really digging the results, I went with a mix of krautrock / shoegaze / chopped and screwed trip hop vibes." The result doesn't betray his words, but according to the band it goes even further: “The Californian producer Al Lover puts the music of Big Mountain County on film. He projects it on the big screen, cleverly uses photography and rewrites the plot with a very personal editing. Colors of the East, no longer intended as a lysergic space, but as a chaotic traffic of men, vehicles and animals on any given day in the Indian subcontinent (in Mumbai). In this marasmus the echo of what has been, or what could be, is there to re-propose the question that led to writing the screenplay: "Where are you?”. With the second remix, which closes out the EP, Big Mountain County are infected with a tropical disease in this remix masterfully produced by Tropicantesimo, aka UGO Sanchez, metropolitan prophet of slow rhythms and star of nights with no end, if not in hallucinated dawns front of the sea. Big Mountain County talks about it like this: “Here, more than hangover, that's "saudade" . So, the sense of lack becomes a curse - How does it feel to live so far away for me? - to be shouted, shared and cried. But outside, in some crowded city in the South of the world, it's Carnival and Summer is still there to be lived and danced, perhaps at a slower and more rhythmic pace.” An experiment, that of the remix of their songs, long in the band's wish book, finally fulfilled by Hugo Sanchez, cult Rome-based DJ and producer, recently protagonist of the recording declination of Tropicantesimo, a musical ritual dilated in time, through the celebration of sound and dance. This is a party, which over the years has become a real experience of listening, sharing and discovery out of time and space, finding home among the records and recordings of Pescheria, space-studio, but also record project, which sees Hugo Sanchez at the center of a collective of artists of various forms, musical, visual and sound installation. After having premiered two tracks by Klaus at the last Esns in Groningen (nl), Big Mountain County will return to play from April 23rd, in a tour with more than twenty gigs in Italy, Switzerland, Germany, France, Belgium and UK. In July they will be back in Berlin for the Fusion Festival 2022.

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Big Mess

LP | 2024 | US | Original (Sad Milk Collective)

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-10-25

Cranes In The Sky / It's You

Big Joanie

7" | 2020 | US | Original (Third Man)

10,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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Kluster Rooms Sessions Colored Vinyl Edition

Big Joanie And Charmpit

7" | 2020 | US | Original (Kill Rock Stars)

11,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Progress)

Big Fish

Kalla Doda Drommar

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Cleopatra)

Big Electric Cat

Dreams Of A Mad King

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | EU | Original (Minimum)

Big Dust

Pewter & Carbon

20,99 €*

Release: EU – Original

Genre: Rock & Indie

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LP | EU | Original (Minimum)

Big Dust

18,99 €*

Release: EU – Original

Genre: Rock & Indie

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7" | 2011 | UK | Original (Moshi Moshi)

Big Deal

Talk

13,99 €*

Strictly Rude 15 Year Anniversary Edition

Release: 2011 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. Limited edition

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Big D And The Kids Table

LP | 2022 | US | Original (Side One Dummy)

LP | 2009 | Original (SideOneDummy)

Release: 2022 / US – Original

Genre: Rock & Indie

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- double LP with Limited Edition color vinyl (LP1 on Black, LP2 on White vinyl)- limited anniversary edition 16 page commemorative booklet with handwritten lyrics and photos- new anniversary gatefold artwork in a commemorative slipcase- 5 previously unreleased tracks- comes with limited edition commemorative 10"x10" anniversary poster//Seminal ska-punk posse BIG D AND THE KIDS TABLE commemorate the 15th anniversary of their classic album Strictly Rude with a limited edition double LP that contains a 16-page booklet with handwritten lyrics and photos. This special edition includes all new gatefold artwork, 10x10 poster as well as five previously unreleased tracks."Strictly Rude was the album that was needed for the genre of SKA at the time," explains vocalist David McWane. It redefined the look, the sound, and the swagger of SKA. The songs are a journey, from positive mental attitudes, fiery frustration, to encouraging pro-activism with finding your own voice in this world. The inviting album cover shouts `You think you know SKA, well here we are, take a good look at us and if you believe you may be one of us, then join us; You are welcome here.'"

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Big D And The Kids Table

Fluent In Stroll

Release: 2009 / Original

Genre: Rock & Indie

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LP | 2021 | US | Original (Side One Dummy)

Big D And The Kids Table

Do Your Art

LP | 2023 | EU | Original (Proper)

Release: 2021 / US – Original

Genre: Rock & Indie

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Double LP in a gatefold jacket. Cyan Blue Vinyl, limited edition of 1000 copies.DO YOUR ART isn't just an album title for Big D and the KidsTable's ninth studio album of original material. DO YOUR ARTis an inherently political mission statement delivered with gusto and enthusiasm to anyone creative to remind them to keepgoing, even if the odds are increasingly stacked against them in this hyper-capitalistic society. "I wanted to instill in young artists_or old artists, or whoever_to keep doing it," says frontman David McWane. "Life might pull you away with itsdemands: but don't give up. Every musician, artist and dancerneeds to realize that there's magic inside of them that otherpeople just don't have, no matter the circumstances of theirupbringing." DO YOUR ART, finds Big D and the Kids Table sounding as fresh and inspired as ever for their fifth album with SideOneDummy Records. Produced and engineered by ReelBig Fish's Matt Appleton, DO YOUR ART is a musical meltingpot, highlighting the band's versatile talents and delivering amixture of punk, ska and dub-reggae songs, as well as payinghomage to McWane's favorite `60s B-films. The 20-track albumis truly a moveable feast. And what's moving are your feet!DO YOUR ART is a reminder to make the most of life_evenwhen at its lowest points_and also to not be dissuaded fromcreating what you want to create. It's an album that will makeyou think and feel, but also make you dance and laugh. It's asurge of positivity in a crappy world where it's all too easy to feel equally crappy, and a much-needed jolt of perspectiveabout everything that's going on. "I definitely want this record to be helpful for people mentally," says McWane. "It'ssomewhere for them to go to and laugh. So listeners can focuson recognizing all the good things in their lives_all the beauty, and all the people who love them_and make sure to enjoy their life and DO YOUR ART!"

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Big Country

Steeltown

28,79 €* 31,99 € -10%

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Proper)

Big Country

Seer

Release: 2023 / EU – Original

Genre: Rock & Indie

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7" | 2023 | US | Original (Swimming Faith)

Big Clown

Beatdown

13,99 €*

LP | 2022 | US | Original (Yofc)

Release: 2023 / US – Original

Genre: Rock & Indie

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Big Clown is a group of best friends from Memphis, TN and Jackson, MS who got together one night to try and make a record without writing or rehearsing anything beforehand. What came out of it was a car-hitting-a-brick-wall style explosion, true living room punk from southern freaks trying to create something memorable and honest in the smallest timespan they can. The rules were simple: every song has one good idea and only one good idea. Get in, get out. Don’t linger. Tune each string to the same note. When it’s done, it’s done. Fast forward four years, three main releases, one Japanese exclusive tape, and several Gonerfests later to Beatdown. Written after a road trip gone wrong soundtracked by 16 hours of buttrock hits, Beatdown is what happens when your guitars tuned to only one note need to play something new. Beatdown is what happens when you write songs to amuse yourself and hope other people come along for the ride. Beatdown is what happens when your city faces a near insurmountable water crisis and you know exactly who is to blame. Sometimes you just gotta laugh.

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Big City

Big Kisses

7" | 2024 | US | Original (Strange Mono)

Release: 2022 / US – Original

Genre: Rock & Indie

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Direct from the depths of the pressure cooker that's NYC and reminiscent of a Times Square a la Taxi Driver, BIG City bursts forth with their first LP Big Kisses. This LP delivers 10 tracks of hooks developed directly from a latent obsession with early '70s stones, nods to the guitar dynamism of Thin Lizzy, and grit passed down directly from the Ramones. Sprinkle on top flourishes of Teenage Fanclub, a serious dedication to the saxophone wailing found on classic Springsteen records, and you have Big Kisses wrapped up in a nice little bow. Members of Rational Animals and Hank Wood & THE Hammerheads, this LP isn’t to be slept on. It's a Big City. You're just living in it.

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Big Burly

Tumors

18,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-10-04

LP | 2023 | EU | Original (Wrong Speed)

Big Break

Angels's Piss

Chaos Of Flowers Clear Pink Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Big Break occur somewhere in the cracks between hardcore, new wave and egg punk. Apparently unable to concentrate on a song for longer than 2 minutes, their music is minimalist, agitated and addictive. Taking inspiration from the likes of Devo, Negative Approach and Food Fight by The Village People, they combine hyper guitar hooks with taut rhythms and break-neck changes of pace. Recorded at Sheffield's Delicious Clam Studio, their debut album, Angel's Piss, features songs about the gaffer (bad), computer phones (bad), bank holidays (good), relationships (mostly bad), and bodily fluids(depends). It's an on/off, in/out, bits and pieces document of the band's first LP that captures their raw energy and sense of immediacy. Formed in the basement of the aforementioned Delicious Clam, the band's current and previous musical incarnations include Best Friends, The Hipshakes, Nai Harvest, Avida Dollars, Thee Mightees, Joy Boys, Thumbuster, Champayne, Town Cruise and more. "Words from us, the label, some context...Will Pearce, who spent a healthy couple of years in the Hey Colossus group, moved to Sheffield. He was soon embroiled in the deep music scene, hitting up the Delicious Clam venue and becoming smitten with Big Break-the band help run the place.

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Big Brave

LP | 2024 | US | Original (Thrill Jockey)

34,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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The Cosmic Genius Of Big Boy Pete Volume 2

Big Boy Pete

LP | 2022 | EU | Original (Mono-Tone)

Release: 2022 / EU – Original

Genre: Rock & Indie

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After the success of his first ever vinyl compilation, The Cosmic Genius of Big Boy Pete Vol.1, which sold out really fast, here comes the follow-up, imaginatively called_ The Cosmic Genius of Big Boy Pete Vol.2! of this mysterious British guitarist (real name Pete Miller) cut some oddball non-hits in the '60s that have amassed quite a reputation among psychedelic collectors but were really hard to find until now. Like on volume 1, Volume 2 features one side of some of his best 60s stuff and side two unreleased or little known gems from the 70s-ranging from wild and fuzzy garage to psych pop and freaky country-rock!LP includes a psychedelic color inner cover with lyrics and a text written by Pete Miller himself.Like an English Kim Fowley produced by Joe Meek or a one man Barrett era Pink Floyd, Big Boy Pete is the unsung hero of the sixties! This mysterious British guitarist (real name Pete Miller) cut some oddball non-hits in the '60s that have amassed quite a reputation among psychedelic collectors but were really hard to find until now. The second volume of first ever vinyl compilation features some of his best 60s stuff on one side and seven unreleased or little known gems from the 70s on the other-ranging from wild and fuzzy garage to psych pop and freaky country-rock!

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LP | 1987 | US | Reissue (Touch & Go)

Songs About Fucking

Release: 1987 / US – Reissue

Genre: Rock & Indie

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12" | 1992 | Reissue (Touch & Go)

Lungs

17,99 €*

Release: 1992 / Reissue

Genre: Rock & Indie

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12" | 2018 | Reissue (Touch & Go)

Headache

Release: 2018 / Reissue

Genre: Rock & Indie

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REMASTERED BY STEVE ALBINI AND BOB WESTON AT CHICAGO MASTERING!Big Black was started by Steve Albini in 1982 while he was attending Northwestern University in Evanston, Illinois. Lungs, the first Big Black release was recorded by Steve on a borrowed 4-track. He played everything on the EP himself - except the sax bleating courtesy of pal John Bohnen and the drums courtesy of Roland. Soon after, Steve recruited Jeff Pezzati (Naked Raygun) on bass, and Santiago Durango (also Naked Raygun) joined them on guitar. In 1983, together with live drummer Pat Byrne, they recorded the Bulldozer EP. By 1984, the band had done some touring and recorded the Racer X EP and the start of the Il Duce 7". After that, Jeff returned to Naked Raygun and was replaced by Dave Riley. In 1985, Big Black recorded their first full-length, Atomizer, as well as finishing the Il Duce 7". Atomizer was released in 1986 along with the release of the Hammer Party compilation CD. In 1987, the Headache EP and Heartbeat 7" were released. That same year, the band recorded and released the 7" of The Model/He's A Whore as well as their second full-length album, Songs About Fucking. They toured extensively (for Big Black). And they broke up."We liked to think we were ahead of our time. Now that time hascaught up with us-well, this isn't such a swell place, and having gotten here first doesn't make it any nicer." - Steve Albini

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7" | 1987 | US | Reissue (Touch & Go)

He's A Whore / The Model

12,99 €*

Release: 1987 / US – Reissue

Genre: Rock & Indie

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LP | 2019 | EU | Original (Pop Wig)

Big Bite

Trinity

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Pop Wig)

Big Bite

Release: 2018 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | UK | Original (Insideoutmusic)

The Likes Of Us

Release: 2024 / UK – Original

Genre: Rock & Indie

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Ingenious Devices Blue Vinyl Edition

2LP | 2023 | EU | Original (English Electric)

47,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP | 2023 | EU | Original (English Electric)

Ingenious Devices

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | Original (Insideoutmusic)

A Flare On The Lens

33,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Last Circle In A Slowdown Clear Vinyl Edition

Big Bend

LP | 2024 | EU | Original (Shimmy Disc)

LP | 2016 | DE | Original (Bohemian Drips)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Clear Vinyl.Big Bend's new album is a monument to listening through the veil of time andspace. Ohio native and primary songwriter, Nathan Phillips, built uponensemble jam sessions he hosted at a residency in Australia and collagedthose recordings alongside co-producer Shahzad Ismaily to make Last Circlein a Slowdown.Reflective, hi-fi, and elemental, the folk-meets-freeform sonics evoke rich 90sacoustic rock and the British post pop songwriting of Mark Hollis and DavidSylvian. Lyrical observations of nature's mysery and modes of regenerationconsider the loooming chance all things could move in any direction.

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Big Beats Big Times

Full Moon Theory

11,99 €* 14,99 € -20%

Release: 2016 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

The Vertigo Of Bliss: Expanded Edition

2LP | 2012 | UK | Original (Beggars Banquet)

33,99 €*

Release: 2012 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

2LP reissue on orange vinyl in gatefold sleeve.

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2LP | 2015 | EU | Original (14th Floor)

Puzzle

33,99 €*

Release: 2015 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP | 2012 | EU | Reissue (Warner)

Opposites

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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2LP | 2012 | EU | Original (Warner)

Opposites

Release: 2012 / EU – Original

Genre: Rock & Indie

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2LP | 2012 | EU | Reissue (Warner)

Opposites

39,99 €*

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Opposite / Victory Over The Sun

LP | 2023 | EU | Original (Warner Music International)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2016 | EU | Reissue (Warner)

Only Revolutions

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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LP | 2016 | EU | Original (Warner)

Ellipsis

Release: 2016 / EU – Original

Genre: Rock & Indie

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Black Vinyl Edition

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LP | 2016 | Original (Warner Bros.)

Ellipsis

Release: 2016 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Clear vinyl. Still in shrink, but opened, with hype sticker

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LP+LP+All Media | 2012 | EU | Reissue (Beggars Banquet)

Blackened Sky

30,99 €*

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Purple vinyl.

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Black Chandelier / Biblical

LP | 2023 | EU | Original (Warner Music International)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2020 | Original (14th Floor)

A Celebration Of Endings

Release: 2020 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2020 | US | Original (Warner)

A Celebration Of Endings

Release: 2020 / US – Original

Genre: Rock & Indie

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The Girl Who Runs The Beat Hot

Biff Bang Pow

LP | 2023 | UK | Original (Last Night From Glasgow)

32,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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Songs For The Sad Eyed Girl Record Store Day 2022 Vinyl Edition

Biff Bang Pow!

LP | 2022 | US | Original (Glass Modern)

35,99 €*

LP | 2019 | EU (The John Colby Sect)

Release: 2022 / US – Original

Genre: Rock & Indie

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Limited Edition for Record Store Day 2022.

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Bifannah

Danªas Liquidas

21,24 €* 24,99 € -15%

Release: 2019 / EU

Genre: Rock & Indie

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LP | 2022 | EU | Original (Warp)

Bibio

BIB10

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Mint, Cover: Sealed

LP | 2024 | EU | Original (Secret City)

Bibi Club

Feu De Garde

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Sound Pollution)

Bhleg

Draumr Ast

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Cardinal Fuzz)

Bhajan Bhoy

Shanti Shanti Shanti

LP | 2024 | CA | Original (Audiogram Canada)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Ajay Saggar is Bhajan Bhoy. Since his debut album was released in June 2020 (“Bless Bless”) he has been receiving critical acclaim for his recorded output and his live shows. His second album “Shanti Shanti Shanti” was initially released on a limited edition cassette in November 2022 on his own Wormer Bros. Records. However, when respected label honchos at Cardinal Fuzz (uk) and Feeding Tube Records (usa) heard it, they insisted that this mighty album deserved a vinyl release. This album is part of a triptych. The other two albums in this series (“To Love Is To Love Vols.1+2”) were released in March 2023 to universal acclaim, with publications such as Mojo and Uncut and the Wire heaping praise on the two albums. "Another fine release by Dutch musician Ajay Saggar. His basic thrust is modern psychedelia, minted from radio snippets, dubby reverb flapping, elegant guitar washing, electronic drones interwoven with flashes of mock jaw harp or sploshy drums, and a generally stoned atmosphere. And the concept is spectrally sound!" (Byron Coley / the Wire magazine...January 2023) The songs on this album are varied stylistically. Combining psych, drones, minimalism, free jazz, electronic music and dub in this work, this is another album's worth of musical joy and wonder for all to enjoy.

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Beyries

Du Feu Dans Les Lilas

39,99 €*

Release: 2024 / CA – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Pharaway Sounds)

Beyaz Kelebekler

Köln Session 1976

From The Eyrie Maroon Colored Vinyl Edition

Release: 2018 / EU – Original

Genre: Rock & Indie

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Famous for their matching, colourful suits and always-happy smiles, Beyaz Kelebekler (White Butterflies) were a mixed-gender Turkish band very popular during the ‘70s. They released one album plus numerous 45s in Turkey and other countries like Holland and Italy. In 1976 during the last day of their European Tour, just after one gig in Cologne, Beyaz Kelebekler visited a studio of a friend which was still in construction. They decided to record a few songs, just for fun and for testing the new studio equipment. It was a very basic, one take recording, using an 8-channel mixer, a few mics and a reel-to reel tape machine.
The result was an amazing example of Anatolian psych-funk, featuring wah-fuzz guitar, flute, heavy drums, joyous male / female vocals…
Unreleased until now, we present the first ever release of these surprising recordings, rescued from the only surviving cassette tape.
Colour insert with photos.

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Bewilder

LP | 2023 | US | Original (Tiny Engines)

20,24 €* 26,99 € -25%

LP | 2023 | UK | Original (Tiny Engines)

Release: 2023 / US – Original

Genre: Rock & Indie

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FromtheEyrieisBewilder’sdebutLP,butinalotofways,itfeelsliketheirfirstproperrelease.Theduoof vocalist/guitaristGeorgeBrooksandmulti-instrumentalistThomWilkinsonhavebeenplayingasBewilderforwell overadecadenow.Yet,FromTheEyriefeelsfreshwiththeurgencyofayoungband’sfirstdemotapebalanced withtheprecisionandmaturitythatonlytimetogethercancultivate.Wheretheband'spreviousEPsmighthave beenconsideredpromisingbutperhapsundeveloped,FromTheEyrietakesamoresophisticatedapproachand feelscompleteandfullyformed. TheseedsthatwouldblossomintoFromtheEyrieweresownin2019whenBrooksandWilkinsonbegansendingeachotherdemos–they’dalwaysoperatedthisway,sendingtracks backandforth,sowhenCOVIDhitandeverythinglockeddown,theirprocesswasn’tdisrupted.Infact,thingsbeganspeedingup.“TwinLakes”wasfinishedinMay2020,andboth TheseedsthatwouldblossomintoFromtheEyrieweresownin2019whenBrooksandWilkinsonbegansendingeachotherdemos–they’dalwaysoperatedthisway,sendingtracks backandforth,sowhenCOVIDhitandeverythinglockeddown,theirprocesswasn’tdisrupted.Infact,thingsbeganspeedingup.“TwinLakes”wasfinishedinMay2020,andboth agreedthebarhadbeensetforwhataBewildersongcouldbe.Whentheyheardthefulldemoofthetrack,violinsandall,theysetouttomakearecordasfull-bodiedandlayeredas possible.ForBrooks,who’dgrownuponclassicemobandslikeAmericanFootball,thegoalwastomakesomethingthattappedintothosefeelingswithoutretreadingoldground. Tobesure,therearethosereferencepoints–AmericanFootball,Mineral,Carissa’sWierd–butthewholeisfarmorethanthesumofitsinfluences.Thestringsthatfleshoutthesingle “Breaking”giveitafeelingentirelyitsown,andwhilethecascadingarpeggiosthatopen“HeavySweater”mightcallotherbandstomind,there’sawarmthtothesesongsthatsets themapartfromanythingelseintheemocanon.Maybeit’sWilkinson’sbackgroundinfolkmusicthatdoesit,hisfixationonthepastoralandnaturalistic.Itcolors“Home,”forsure,a songthatmixesthesparseacousticsoftraditionalfolkmusicwiththejanglingandtwinklingofemo.“That’sthesongwiththemostnostalgicfeeling,”thebandnotes,thesongthat bestsumsupthealbum’stwinthemesofnatureandnostalgia.“MychildhoodholidayswereremoteplacesintheUK,”Brooksshares,“somysafestplaceisinnature.”AndFromthe Eyriecapturesthefeelingofbeingawedbyrollinghills,lushfields,andseeminglynever-endingoceansthatsoaccompanieschildhood.Thesearen’tjustsongsaboutchildlike feelingsofwonder;theyembodythosefeelings.“We’remadeupoflittlepartsofeveryonewe’veeverknown,”Brookssingsatthestartoftherecord,“andeverytimewemakeanew friendwere-assesswhatwecanchange.”Rightupfront,hegivesthemissionstatementoftherecord,boththematicallyandmusically.FromtheEyriehasthecomfortofarecord you’velovedyourwholelifeinapackagethatfeelswhollynew

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Bewilder

From The Eyrie

Release: 2023 / UK – Original

Genre: Rock & Indie

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Triptych White Vinyl Edition

Bevis Frond

2LP | 2017 | US | Original (Fire America)

Release: 2017 / US – Original

Genre: Rock & Indie

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Limited edition for Record Store Day 2017!

The heavy third offering from Nick Saloman bursts with 60s-psych and includes epic track "Tangerine Infringement Beak" clocking in at nearly 20 minutes, ‘Into The Cryptic Mist’ and ‘Lights Are Changing’ a song that went on to be covered by Mary Lou Lord.
A labor of love and fiercely independent, his prolific output has seen as many releases in as many years and an uncompromising vision under his own label Woronzow. Hailed as “a Hendrix devotee every bit as tough and contemporary as the serrated guitar chorales of Sonic Youth and Pixies” by Rolling Stone’s David Fricke, his immense psych-stoner-rock has seen him become a cult figure in his own right. The Bevis Frond’s legion of loyal fans includes Teenage Fanclub, Dinosaur Jr and Mary Lou Lord, who have all covered his music.

Finally, this album gets reissued on 12-inch white vinyl for Record Store Day 2017 alongside ‘Bevis Through The Looking Glass’ and ‘The Auntie Winnie Album’ as part of the band's 30th anniversary.

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Transmissions:The Music Of Beverly Glenn-Copeland

LP | 2020 | EU | Original (Transgressive)

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | UK | Original (Transgressive)

Live At Le Guess Who?

19,99 €*

Release: 2020 / UK – Original

Genre: Rock & Indie

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In 1970, nine years after leaving the United States to study music in Canada, Beverly Glenn-Copeland released two self-titled albums. Both were a stunning showcase of classical and jazz accummen, layered with poetry and accompanied by some of the best players of the time. Original pressings now fetch thousands of dollars. Live At Le Guess Who? was recorded in 2018 at the festival in Utrecht and contains a multitude of extraordinary performances. After a decades-long hiatus from performing live, you can hear the joy of an artist realizing how much his music has connected with a new generation.

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Keyboard Fantasies Reimagined

LP | 2021 | Original (Transgressive)

Release: 2021 / Original

Genre: Rock & Indie

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Keyboard Fantasies Reimagined is a collection of songs from the now legendary album, Keyboard Fantasies, re-worked and re-imagined by a collection of creative kindred spirits. Shared so far from this collection is “Ever New (Kelsey Lu’s Transportation)” and Sunset Village (Blood Orange Remix) with more to come.

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LP | 2021 | UK | Original (Transgressive)

Keyboard Fantasies

Release: 2021 / UK – Original

Genre: Rock & Indie

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At Last! Record Store Day 2021 Edition

12" | 2021 (Transgressive)

20,79 €* 25,99 € -20%

LP | 2018 | EU | Original (Hopeless)

Release: 2021

Genre: Rock & Indie

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Record Store Day 2021 Release.

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Between You & Me

Everything Is Temporary

Release: 2018 / EU – Original

Genre: Rock & Indie

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Between The Buried And Me

The Silent Circus 2020 Remixed & Remastered Edition

2LP | 2003 | EU | Reissue (Spinefarm)

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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Between The Buried And Me

Colors 2020 Remix / Remaster

2LP | 2020 | EU | Original (Spinefarm)

Release: 2020 / EU – Original

Genre: Rock & Indie

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2LP+CD | 2012 | US | Original (Anti)

Bettye LaVette

Thankful N Thoughtful

37,99 €*

Release: 2012 / US – Original

Genre: Rock & Indie

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7" | 2008 | Reissue (Damaged Goods)

Betty & The Werewolves

Euston Station

9,99 €*

7" | 2021 | EU | Original (Stroom)

Release: 2008 / Reissue

Genre: Rock & Indie

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This is the debut 7" from Betty and the Werewolves who we first saw supporting Holly Golightly at the 100 Club in London. Betty and the Werewolves are three girls and one boy from London who whoop and howl through the night as sweetly sung melodies collide with glitter-struck punk guitars. Taking inspiration from luminary lycanthropes Virginia Woolf and Grandma Wolf, they sing ditties about falling in love with David Cassidy and strange encounters on night buses, shouting all the while and scuffing up their party shoes.

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Betty Arden / Saskia

Funny Bells / Sloopy

12,99 €*

Palomine 30th Anniversary Orange Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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"Goodmorning. I wish you, a merry merry christmas. As you sit by the fire. I see your sadness on your face. You hear the funny bells inside your head. And I do look into your pretty eyes. So gray. The Funny Bells. You are my friend. Today." au

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Bettie Serveert

LP+7" | 1992 | EU | Reissue (Matador)

30,99 €*

Olympia Black Vinyl Edition

Release: 1992 / EU – Reissue

Genre: Rock & Indie

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In celebration of the 30th anniversary of Bettie Serveert"s debut, Matador Records has announced a limited transparent orange LP + 7" of "Palomine." Heralded in its original four-star review by Rolling Stone as "untamed and free as pop gets," the "90s classic will see its first pressing by Matador since the album"s original release in 1993. The LP package will be accompanied by a 3 Track three "Brain-Tag" 7" with newly remastered versions of the "Kid"s All Right," "Palomine," and "Tomboy" music videos on YouTube. "Palomine" is featured as the first installment of Matador"s Revisionist History catalog series in 2023.

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Betterov

LP | 2022 | EU | Original (Island)

30,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Better Oblivion Community Center (Conor Oberst & Phoebe Bridgers)

Better Oblivion Community Center Black Vinyl Edition

LP | 2019 | US | Original (Dead Oceans)

Release: 2019 / US – Original

Genre: Rock & Indie

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Goodthing Gold Colored Vinyl Edtion

Bette Smith

LP | 2024 | UK | Original (Bette Smith)

26,09 €* 28,99 € -10%

Goodthing Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves, Rock & Indie

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New York Blues Hall of Fame inductee Bette Smith returns with her 3rd studio album – ‘Goodthing’ – a triumphant injection of soul music and gospel into rock & roll. Produced by Grammy-winning producer Jimmy Hogarth (Amy Winehouse, James Bay, Paulo Nutini, Sia), the album showcases Bette Smith’s penchant for anthemic, feel-good Soul Rock carried by her signature raspy, soulful vocals inspired by legends Tina Turner, Aretha Franklin and Etta James.

Tracing elements of her sound to her childhood in rough Bedford-Stuyvesant, Brooklyn, Bette connects the soul music she heard on the corners with the gospel music she heard in church and around the house every weekend - “My mother listened to nothing but gospel,” she recalls, citing Mahalia Jackson and Reverend James Cleveland as other influences.

The album sees her sound scale new heights, and build on the accolades she received on 2017’s debut ‘Jetlagger’ and 2020’s ‘The Good, The Bad, and The Bette’, and her tremendous range and power combined with ‘Goodthing’’s infectious energy, solidify her position as an authentic and dynamic rising soul artist, an iconic force in music.

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Bette Smith

LP | 2024 | UK | Original (Bette Smith)

24,29 €* 26,99 € -10%

Zeig Dich! 180g Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Betontod

LP | 2023 | EU | Original (Betontod)

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP | 2017 | EU | Original (Arising Empire)

Betontod

Revolution

Release: 2017 / EU – Original

Genre: Rock & Indie

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Pace Per Sempre Limitierte Fanbox

Betontod

Box Set | 2021 | EU | Original (Betontod)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2019 | US | Original (Exploding In Sound)

Bethlehem Steel

13,99 €* 19,99 € -30%

Release: 2019 / US – Original

Genre: Rock & Indie

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Weather Alive Colored Vinyl Edition

LP | 2022 | UK | Original (Partisan)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Weather Alive Black Vinyl Edition

LP | 2022 | UK | Original (Partisan)

Release: 2022 / UK – Original

Genre: Rock & Indie

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LP | 2022 | UK | Original (Partisan)

Weather Alive

Release: 2022 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink, but opened, with hype sticker

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2LP | 2022 | UK | Original (Sony)

Trailer Park

Release: 2022 / UK – Original

Genre: Rock & Indie

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Central Reservation Record Store Day 2022 Red Vinyl Edition

2LP | 1999 | UK | Reissue (Sme Uk)