Indierock | Alternative Vinyl 492 Items

LP | 1983 | US | Reissue (Jackpot)

Release: 1984 / US – Reissue

Genre: Rock & Indie

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Wipers tour 1984 features tracks from the first three Wipers albums. Recorded live on Tour February - March ’84. Originally released on cassette by Greg Sage and on vinyl on Enigma Records in 1985.

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Wipers

Over The Edge

Release: 1983 / US – Reissue

Genre: Rock & Indie

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Love On The Beat Picture Disc Edition

Serge Gainsbourg

LP | 1984 | EU | Reissue (Universal)

21,99 €*

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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LP | 1984 | EU | Reissue (Mannequin)

Diaframma

Siberia

LP | 1970 | EU | Reissue (Music On Vinyl)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Limited edition for Record Store Day 2017!

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Atomic Rooster

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1981 | Reissue (Culture Factory)

Raven

Rock Until You Drop

32,99 €*

Release: 1981 / Reissue

Genre: Rock & Indie

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Thewisermiserdemelza Orange Vinyl Edition

The Prisoners

LP | 1983 | UK | Reissue (Big Beat)

LP | 1987 | EU | Reissue (Pias)

Release: 1983 / UK – Reissue

Genre: Rock & Indie

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Medway garage band the Prisoners are loved by a legion of fans, including quite a few who went on to be in successful bands themselves. Those who saw them live speak in reverential terms, yet they never sold records in large amounts and their gigs, whilst packed, were almost always in small venues.

“Thewisermiserdemelza” – an excellent embodiment of their British R&B-influenced sound – falls into an odd place in their career. They often professed to be unhappy with the album, yet their first-generation fans cherish it, particularly songs such as ‘Hurricane’. It was recorded in 1983 for Ace Records’ Big Beat label and produced by Phil Chevron – a new experience for the band, who self-released their first album, “A Taste Of Pink”.

The record shows the growing complexity of their music – the contrast in the influences between 1964 and 1966 (the rougher R&B moving into nascent psychedelia). It is a cracking listen from beginning to end. The fast tracks such as ‘Hurricane’, ‘Love Me Lies’ and ‘Somewhere’ are coruscating, whilst the beautiful ‘Tonight’ offers an insight into other directions that the band would take.

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The Wedding Present

George Best

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Honor Among Thieves Black Vinyl Edition

The Brandos

LP | 1987 | Reissue (Blue Rose)

23,99 €*

Release: 1987 / Reissue

Genre: Rock & Indie

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2LP | 1981 | EU | Reissue (Rhino)

Grateful Dead

Reckoning

44,99 €*

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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If You Want Blood You've Got It Gold Nugget Vinyl Edition

AC/DC

LP | 1978 | EU | Reissue (Sony Music Catalog)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | EU | Reissue (Rhino)

Grateful Dead

From The Mars Hotel

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | EU | Reissue (Rhino)

Grateful Dead

From The Mars Hotel

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 1978 | EU | Reissue (Sony Music Catalog)

Billy Joel

52nd Street

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Pronounced 'Leh-'nerd 'Skin-'nerd

Lynyrd Skynyrd

LP | 1973 | EU | Reissue (Universal)

2LP | 1973 | EU | Reissue (Kosmische Kuriere)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Limited 180gm audiophile vinyl LP repressing of this classic album by the Southern rock legends. Though the Southern rock genre existed before and after Lynyrd Skynyrd, no other band personified the lifestyle quite like this motley crew. Released in 1973 Pronounced Leh-Nerd Skin-Nerd was Lynyrd Skynyrd's first album. There are few records that sound this raw and uncompromising, especially records by debut bands. The genius of Skynyrd is that they un-self-consciously blended album-oriented hard rock, blues, country, and garage rock, turning it all into a distinctive sound that sounds familiar but thoroughly unique. Includes 'I Ain't The One', 'Simple Man' and the legendary 'Free Bird'.

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Walter Wegmüller

Tarot Boxset

114,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1973 | EU | Reissue (Tres Selos / Eaeo)

Tom Ze

Todo Os Olhos

Correio Da Estacao Do Bras

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Todos os Olhos is one of the most emblematic and essential records of the confrontational music of Brazil. By denouncing, criticizing, and mocking the trend of "heroes" who made "protest music" at the time, Tom Ze? signed his eremitic letter of exclusion but not without "contest the contestation". Excommunicated from the MPB and even from Tropica?lia, in Todos os Olhos Tom Ze? presented, with a lot of courage, an unusual way of fight Brazil's military dictatorship. All that would be later triggered in Tom Ze?'s career is here, always ready for a new rediscovery.

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Tom Ze

LP | 1978 | EU | Reissue (Tres Selos / Eaeo)

LP | 1973 | EU | Reissue (Bureau B)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Away from radio, TV and with live performances increasingly scarce at the end of the seventies, Tom Ze? was a risky investment for record labels, agents, and gig promoters. Always eager to please his sense for innovation and his creativity Tom Ze? wanted to release an album again after the cult Estudando o Samba (1976). So came this, a record where the tension was at the script, in the distressing real life chronicles that the artist interpreted and reported also in an autobiographic manner. At Correio da Estac?a?o do Bra?s (1978 - 2022) Tom Ze? had done what seemed impossible: contemporary working-class music not for the elite but for the people itself.

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Faust

The Faust Tapes

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Now Wait For The Last Year

Caroline K

LP | 1987 | EU | Reissue (Mannequin)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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LP | 1973 | EU | Reissue (Cosmic Rock)

Moonstone

LP | 1971 | EU | Reissue (Music On Vinyl)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Re-issue of the Canadian band's only album released back in 1973 on the small Kot'Ai label. Moonstone came from Winnipeg, Manitoba and were a small cult band active in the early 1970's. They played mainly acoustic folk rock with psychedelic overtones and beautiful harmonies.

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Comus

First Utterance

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 1989 | HK | Reissue (Evosound)

Mr. Big

47,99 €*

Release: 1989 / HK – Reissue

Genre: Rock & Indie

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The Dreaming 2018 Remaster Smokey Vinyl Edition W/ Obi-Strip

Kate Bush

LP | 1982 | EU | Reissue (Fish People)

47,99 €*

LP | 1987 | CZ | Reissue (Island)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Pressed on 180g, comes with Obi-Strip. The Dreaming is Kate's fourth studio album and was released in 1982.

Following Kate's production assistance on Lionheart, and her co-production of Never For Ever with Jon Kelly, The Dreaming was the first album Kate produced on her own.

The album peaked at no. 3 in the UK album chart and has been certified Silver by the British Phonographic Industry. Fish People are proud and excited to announce new pressings of all 10 of Kate Bush's albums, featuring a special new edition for independent retailers.

"It’s very exciting to see people appreciating the physical presence of an album released on vinyl. It’s how it’s always been for me, especially when I was a teenager. The whole buzz of the record store was part of the experience. Buying an album was an event." Kate Bush.

The records are all pressed on 180g vinyl at the world-renowned Record Industry plant in the Netherlands. New lacquers were cut from the 2018 remasters by Bernie Grundman and overseen by mastering engineer James Guthrie.

Indie editions were all designed by Kate and feature new Fish People label designs, stunning Color Vinyl combinations and obi strips with pressing date. They are protected in resealable poly-bag liners with a 'Fish People Reissue' sticker, bottom right.

These are unlimited editions and will be in production constantly.

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Tom Waits

Frank's Wild Years

31,99 €*

Release: 1987 / CZ – Reissue

Genre: Rock & Indie

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2LP | 1987 | UK | Reissue (Warner)

The Smiths

Louder Than Bombs

My Life In The Bush Of Ghosts

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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Official remastered reissue on 180 gram wax.

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Brian Eno & David Byrne

2LP | 1981 | US | Reissue (Nonesuch)

45,99 €*

LP | 1976 | US | Reissue (Numero Group)

Release: 1981 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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fully remastered 180 gram vinyl reissue incl. 7 orginally unreleased tracks of this groundbreaking collaboration!

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Kathy Heideman

Move With Love Java

Release: 1976 / US – Reissue

Genre: Rock & Indie

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LP | 1989 | EU | Reissue (Neubauten)

Einstürzende Neubauten

Haus der Lüge

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | US | Reissue (Capitol)

Don McLean

American Pie

Release: 1971 / US – Reissue

Genre: Rock & Indie

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LP | 1984 | UK | Reissue (Warner)

The Smiths

LP | 1970 | EU | Reissue (Dream Catcher)

Release: 1984 / UK – Reissue

Genre: Rock & Indie

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Official remastered reissue on 180 gram wax.

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Red Dirt

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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12" | 1984 | EU | Reissue (Onderstroom)

Aroma Di Amore

Voor De Dood

18,99 €*

The Last Fourfathers Transparent Blue Vinyl Edition

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

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The Prisoners

LP | 1985 | UK | Reissue (Big Beat)

Isn't Anything Deluxe Edition

Release: 1985 / UK – Reissue

Genre: Rock & Indie

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First-ever vinyl reissue of the Prisoners’ 1985 third album, on 180g transparent blue vinyl.

At this point in the band’s career, the Prisoners were taking new influences on board. The old favourites of early Deep Purple, Arthur Brown and the Small Faces were present and correct, but whilst signed to Big Beat, Graham Day had picked up a large chunk of Kent soul LPs put together by Ady Croasdell. These led to some new influences that would show themselves over their next recordings.

The resultant album was the band’s own favourite. It opened with the magisterial ‘Nobody Wants Your Love’, co-written by Day and Billy Childish. It carried on through a series of nascent anthems, freaked out instrumentals and several stranger moments. ‘Whenever I’m Gone’, ‘Nobody Wants Your Love’ and ‘Who’s Sorry Now’ were all stand-out moments that fans of the band loved both live and on vinyl.

After a further album in 1986, “Countdown”, the Prisoners disbanded but they went on to have an interesting afterlife. Keyboard player James Taylor enjoyed chart hits with his acid jazz group, while Graham Day and Allan Crockford continued to make thrilling guitar-based music. When the Prisoners reformed in 1994 they were bigger than ever, playing to venues many sizes bigger than they had first time around. Their influence continues to be felt today.

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my bloody valentine

LP | 1988 | EU | Reissue (Domino)

31,99 €*

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Feedback '86 Vinyl Edition Re-Issue 2024

Steve Hackett

LP | 1986 | EU | Reissue (Insideoutmusic Catalog)

23,99 €*

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Separate Oceans Blue Vinyl Edition

Ned Doheny

2LP | 1976 | EU | Reissue (Numero Group)

Innermost Limits Of Pure Fun Feat. Dragon Brothers

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Sea Splash Blue Vinyl.With no less than a mansion, a state beach, and a three-milestretch of road bearing his fabled family's name, Ned Dohenyeasy-glided into the 1970s on a crest of wealth and privilege.Signposting Ned's sojourn through the LA recording industrywere Jackson Browne, Glenn Frey, Don Henley, Chaka Khan,Graham Nash, "Mama" Cass Elliot, Bonnie Raitt, and DavidGeffen_each a household name both inside and far fromsouthern California. And while no bust of Ned Dohenyappears alongside those of his Laurel Canyon brethren in thepantheon of classic rock, it's not for lack of songwriting abilitiesor recording chops.Over the last three decades, Doheny's albums have slid in andout of print on LP and CD, budget jobs without any involvementfrom the self-described "avatar for casual vulgarity." SeparateOceans examines Ned Doheny's first ten years adrift in song,pulling together choice album cuts and 11 previously unissueddemos. An 8000 word essay is illustrated by images from thearchives of noted rock photographers Henry Diltz, MosheBrahka, Clive Arrowsmith, and Gary Heery, creating the firstever overview of this unheralded marina rocker.

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Farm

LP | 1970 | US | Reissue (Sundazed)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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LP | 1983 | EU | Reissue (Spittle)

Sad Lovers & Giants

Feeding The Flame

Off White White Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Sad Lovers and Giants second album, a brilliant atmospheric post punk record with several elements akin to Joy Division and The Chameleons. We can definitely apply the term’ ethereal’ to these composition, certainly the sound is very oceanic and otherwordly melancholic, typical trademarks of the new wave renaissance. Recorded in 1983 – and released on their own label Midnight Music - Feeding the Flame showcases the original line up at its very best.

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James White & The Blacks

LP | 1979 | EU (Future Shock)

Il Padrone Della Festa Orange Transparent & Black Vinyl Edition

Release: 1979 / EU

Genre: Rock & Indie

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Definite reissue of this No Wave classic, originally issued in 1979. Previous reissues of the Contortions and James White albums on Infinite Zero have been deleted for the better part of a decade. These are all officially sanctioned by the originating label, Ze Records; packaged in fold out digipaks, with deluxe 20 page booklets. The 21st century has produced a new generation of young contenders of all kinds, who have, within months, spread a new string of names across the planet such as The Rapture, Playgroup, LCD Sound system, Liars, Yeah Yeah Yeahs, Radio 4 and the likes, just to name a few. Once again the heat was initiated in NYC, even though its Lower East Side epicenter 'cleaned up' by Giuliani and Bloomberg, has moved a few blocks east and across the river to Brooklyn and Williamsburg. It might be wise to remind the younger ones among us that the origins of this new musical cycle is for the most part rooted in the No Wave movement of which James Siegfried aka James White, aka James Chance is undoubtedly one of its most prominent figures. New York City was hands down the artistic telluric center of the second half of the 20th century, especially from the 70's, on. Rising from the ashes of the Velvet Underground, a slew of local bands redefined the aesthetics of rock'n'roll which the merchants of the temple hastened to rename under various designations, such as punk, new wave, no wave, jazz-funk or even disco and disco-punk without forgetting to mention the original Electro designation pioneered by the band Suicide. One of the indispensable and emblematic figures of the mid-'70s is of course James Chance.

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Fabi Silvestri Gazze

2LP | 1987 | EU | Reissue (Columbia)

41,99 €*

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Who Killed Marilyn White Purple Black Haze Vinyl Edition

Glenn Danzig

12" | 1981 | US | Reissue (Cleopatra)

38,99 €*

Release: 1981 / US – Reissue

Genre: Rock & Indie

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LP | 1981 | JP | Reissue (P-Vine)

Totsuzen Danball

Can I?

Tango 2000 Remastered Deluxe Black Vinyl Edition

Release: 1981 / JP – Reissue

Genre: Rock & Indie

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Formed around the undeniable talent of the Tsutaki brothers in 1977, the genre-defying music of Totsuzen Danball was introduced to the world in 1981 with the release of their first album, Can I? With a name translating to Suddenly Cardboard, the band’s trademark sense of humor is on full display. Whether it’s the sardonic anti-bossa of their cover of “A Girl From Ipanema”, or experimental tape manipulation on “ゆっくり立つ　ゆっくり座る” (lit. stand up slowly sit down slowly), you can’t help but be amazed at the band’s ability to communicate so much through their music. Can I? quickly became notorious overseas, with high praise from both Lol Coxhill and Fred Frith (ex. Henry Cow); who would later collaborate with the band! (Keep an eye out for reissues of those recordings!) Reissued on vinyl for the first time ever, this limited edition pressing comes with one of our obi-strips! Get Totsuzen Danball’s Can I? only from P-vine Records!

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Nichts

LP | 1982 | EU | Reissue (Cargo)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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LP | 1981 | US | Original (Munster)

The Gun Club

Fire of love

Release: 1981 / US – Original

Genre: Rock & Indie

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2LP | 1988 | US | Reissue (Sub Pop)

Soundgarden

Ultramega OK

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Teenage Jesus & The Jerks

Teenage Jesus & The Jerks Black Vinyl Edition

LP | 1979 | EU (Radiation Reissues)

18,99 €*

12" | 1981 | US | Reissue (Cleopatra)

Release: 1979 / EU

Genre: Rock & Indie

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During the late 1970s, after No Wave pioneer Lydia Lunch met saxophonist James Chance, she began setting her angry and disjointed poetry to anti-music, founding her ground-breaking band Teenage Jesus and The Jerks with Lunch’s shouted lyrics matched by her non-conventional use of electric guitar. The group’s self-titled debut EP is a fast and furious affair, produced by Robert Quine of the Voidoids/Lou Reed, with future Nick Cave drummer Jim Sclavunos on bass and Bradley Field on minimalist percussion; steeped in aggression and audacity, it’s an awesome disc that rebuffs punk’s easy cliches and refuses to be categorized. This reissue also includes the ‘Pre’ EP and the tracks from the legendary No New York compilation. Essential!

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Glenn Danzig

Who Killed Marilyn

38,99 €*

LP | 1980 | EU (Radiation Reissues)

Release: 1981 / US – Reissue

Genre: Rock & Indie

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First ever reissue of one of the most sought after collector's items in the entire Glenn Danzig catalog - the notorious, non-album 1981 single "Who Killed Marilyn?"! Recorded during Danzig's tenure with horror punk icons The Misfits, this song was released as a solo single but backed with an unreleased Misfit's track, Spook City USA! Side A contains the original mixes of both songs while Side B contains all new remixed versions of both tracks by Glenn Danzig & metal producer/engineer Chris Rakestraw!

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Lydia Lunch

Queen Of Siam

20,99 €*

The Beatles 1967-1970 Blue Album Limited Blue Vinyl Edition

Release: 1980 / EU

Genre: Rock & Indie

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After the demise of Teenage Jesus and the Jerks, Lydia Lunch launched her solo career with Queen Of Siam, arguably her greatest LP. In true No Wave style, the album is a mishmash of irritants, but her palette is far broader here, lurching from slow dirges, excessive feminist exhortations, and raucous personal purges to a touch of disco and lounge music exoticism, as conjured by Voidoids/Lou Reed guitarist Robert Quine, Contortions bassist Jack Ruby, and John Cale’s drummer, Douglas Browne. Spirited, surprisingly broad and defiantly dissonant, Queen Of Siam’s dense layers were designed to provoke and inflame; listen closely to fully decode.

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The Beatles

3LP | 1973 | Reissue (Apple)

82,99 €*

Release: 1973 / Reissue

Genre: Rock & Indie

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Master Control 35th Anniversary Edition

Liege Lord

LP | 1987 | EU | Reissue (Sony Music/Metal Blade)

23,99 €*

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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An Old Castle Of Transylvania

Cosmos Factory

LP | 1973 | EU | Reissue (Holy Basil)

LP | 1977 | US | Reissue (Modern Harmonic)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Originally formed in 1968 under the name The Silencer, Nagoya, Japan progressive rock band Cosmos Factory didn't change their name until their 1983 debut on Nippon Columbia with "An Old Castle Of Transylvania". Loaded with heavy psychedelia and prog rock guitar moments, experimentally blended with the use of Hammond and Mellotron, the band lead by keyboardist / vocalist Tsutomu Izumi takes you on an adventure throughout the dark forests of Transylvania. Throughout the years, the album has become an very rare and sought after gem in the history of Japanese prog rock, this is the very first reissue ever, complete with OBI strip and insert, officially licensed by Nippon Columbia Co. Ltd. and now available worldwide through Holy Basil Records.

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The Runaways

Queens Of Noise

LP | 1978 | EU | Reissue (Sony)

Release: 1977 / US – Reissue

Genre: Rock & Indie

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Queens of punk glam and noise! Arriving mere months after their initial assault, The Runaways crank up the intensity on their dominant second album, painting stark pictures of teenage rebellion across a stunning set of originals. This final album featuring original vocalist Cherie Currie, Queens Of Noise displays advances in The Runaways songwriting and playing while keeping their take-no-prisoners attitude totally intact.

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Patti Smith Group

Easter

LP | 1987 | EU | Reissue (Universal)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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1st Album by the legendary Patti Smith group, produced by Jimmy Iovine!

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Julian Cope

St. Julian

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Slowhand 35th Anniversary

Eric Clapton

LP | 1977 | EU | Reissue (Polydor)

37,99 €*

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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LP | 1981 | Reissue (Schneeball)

Checkpoint Charlie

Krawall Im Schweinestall

12,99 €*

Release: 1981 / Reissue

Genre: Rock & Indie

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LP | 1980 | EU | Reissue (Polydor)

The Cure

Seventeen Seconds

LP | 1984 | EU | Reissue (Touch & Go)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.

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Die Kreuzen

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Forever Black Vinyl Edition

Cranes

LP | 1983 | EU | Reissue (Music On Vinyl)

LP | 1974 | EU | Reissue (Music On Vinyl)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Forever turned out to be a favorite album by Cranes amongst fans and critics, it's a lost treasure of early 90s dream pop, delivering unique and mesmerizingly beautiful music. The hidden track "Shine Like A Star" is included on the LP.

"Jewel" ended up being an underground hit in the U.K. and U.S., though thanks to a somewhat transformed remix courtesy of longtime Cranes fan Robert Smith (Forever takes its name from a The Cure rarity of the same title).

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Blue Öyster Cult

Secret Treaties

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 1988 | US | Reissue (Mississippi)

Dead Moon

In The Graveyard

Warum Geht Es Mir So dreckig?

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Dead Moon's first LP! Originally released in 1989, "In The Graveyard" sounded like nothing else happening at the time. Lo -fi psychedelic masterful songwriting with so much murk and mystery - it's perfect. Features absolute hits like "In The Graveyard", "God Damn I Hate The Blues and "Dead In The Saddle." This is one of the most important rock and roll releases of all time.

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Ton Steine Scherben

LP | 1971 | DE | Reissue (David Volksmund)

Release: 1971 / DE – Reissue

Genre: Rock & Indie

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Atmosphere Remastered Edition 2020

Joy Division

12" | 1988 | EU | Reissue (Rhino)

16,99 €*

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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LP | 1978 | EU | Reissue (Polydor)

Siouxsie & The Banshees

The Scream

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Nick Cave & The Bad Seeds

From Her To Eternity

LP | 1984 | EU | Reissue (Mute)

You're Living All Over Me

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Including download code.

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Dinosaur Jr

LP | 1987 | US | Reissue (Jagjaguwar)

Release: 1987 / US – Reissue

Genre: Rock & Indie

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'74 Jailbreak Gold Nugget Vinyl Edition

AC/DC

LP | 1984 | EU | Reissue (Sony Music Catalog)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Let There Be Rock 50th Anniversary Gold Nugget Vinyl Edition

AC/DC

LP | 1977 | EU | Reissue (Sony Music Catalog)

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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Look At Yourself Picturedisc Edition

Uriah Heep

LP | 1971 | EU | Reissue (BMG/Sanctuary)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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If Two Worlds Kiss Coke Bottle Clear Vinyl Edition

Pink Turns Blue

LP | 1987 | CZ | Reissue (Dais)

Crime & The City Solution

Release: 1987 / CZ – Reissue

Genre: Rock & Indie

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Coke Bottle Clear VinylFounded in Cologne, Germany in 1985, Pink Turns Blue's blend of atmospheric pop informed by European post-punk contemporaries and buzzing punk dissonance ofHüsker Dü (the band is named after the Zen Arcade song) immediately tapped into a new canon of sound that was foundational to the emergence of darkwave. Tom Elbern (vocals, guitars)formerly of Seltsame Zustände and Mic Jogwer (vocals, bass) were joined by Marcus Giltjes (drums), and Ruebi Walter (keyboards) and caught on through diligently pounding the club circuit and circulating their early, self-financed recordings. Despite the commitment to their craft and initial grassroots success, securing label support proved difficult as they refused to sing in German and their sober tone lacked the shimmer of pop and optimism that executives felt formulaic to success. Still, the band persisted with the duo of Elbern and Jogwer sharing vocal duties and song credits, each informing the other's compositions until Elbern halved the song production and left the band in 1987. Continuing to perform and record as a three piece, the band eventually found roots with FunFactory!, an independent label based in Münster whose manager Axel Seitz shared the band's appreciation of the Velvet Underground and Andy Warhol's Factory vision, urging them to forego releasing singles and focus on a full-length. Released in 1987 and now remastered by Josh Bonati for vinyl release through Dais,If Two Worlds Kissis a seminal offering to the canon of dark wave's DNA - a liquid lesson in melody, mood, and pacing - each track continuously adding to the journey like a unique push pin on a map of melancholy. Defined by their dynamic song-writing, their debut added a new urgency and depth to guitar-driven gothic rock by allowing fast songs such as the lead single "Walking on Both Sides" to possess the same sullen punch and melancholy as slower anthems like "When the Hammer Comes Down", which derives its power on the downbeat. More rhythmic variety is added t...

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Paradise Discotheque Colored Vinyl Edition

LP | 1989 | UK | Reissue (Mute)

Release: 1989 / UK – Reissue

Genre: Rock & Indie

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Jeremy Gluck With Nikki Sudden & Rowland S Howard

I Knew Buffalo Bill Record Store Day 2024 Edition

LP | 1987 | UK | Reissue (Glass Modern)

LP | 1977 | EU | Reissue (Rhino)

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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Reissue of the classic 1987 LP by former Barracudas vocalist, Jeremy Gluck in collaboration with Nikki Sudden (Swell Maps + Jacobites) & Rowland S Howard (The Birthday Party + These Immortal Souls) with contributions from Jeffrey Lee Pierce (The Gun Club) and Epic Soundtracks (Swell Maps + Crime & The City Solution). The original LP track 'Hymn' has been removed (Jeremy never liked the vocal) and replaced with a different sounding reprise of the opening track 'Looking For a Place To Fall' at the end of side one, making it feel like a suite. New liner notes by Jeremy Gluck. Soviet Red Vinyl

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Television

Marquee Moon

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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Nick Cave & The Bad Seeds

The First Born Is Dead

LP | 1985 | EU | Reissue (Mute)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Release: 1986 / EU

Genre: Rock & Indie

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Kiss Me, Kiss Me, Kiss Me

The Cure

2LP | 1987 | EU | Reissue (Polydor)

38,99 €*

LP | 1989 | US | Reissue (Boner)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.

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Melvins

Ozma

21,99 €*

LP | 1987 | EU | Original (Universal)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Available again with updated artwork and a new gatefold sleeve!

Ozma was recorded soon after Melvins made the move from Washington to San Francisco, and was their first release to include the diminutive yet mighty Lorax (Lori Temple Black) on bass. In fact, the first sound one hears at the album’s opening is Lori standing on her tiptoes to switch on her amp, thereby warning the listener of the onslaught to come. Distorted, down-tuned doom riffs start, stop, lurch sideways with no warning, and seem to end before they start. Buzz Osborne adds extraneous guitar static and vocal squeals. Drummer Dale Crover plays as if he’s inside a barrel going over Niagara Falls; the long, slow fall allows the space between beats to grow and grow until he crashes into the water with the vessel blasting apart in an explosion of drum rolls. The classic Melvins heavy grind is set up and broken up by assorted odd sidetracks: “Revulsion / We Reach” flows forward slower and slower until it eventually melts into a gooey feedback drone. “Raise a Paw” is a superball paddled against one’s head by a grinning village idiot. “Love Thing” enlists in the Kiss Army before getting dishonorably discharged.

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INXS

Kick (2011 Remaster)

Release: 1987 / EU – Original

Genre: Rock & Indie

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Listen Like Thieves (2011 Remaster)

INXS

LP | 1985 | EU | Original (Universal)

Release: 1985 / EU – Original

Genre: Rock & Indie

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Shabooh Shoobah (2011 Remaster)

INXS

LP | 1982 | EU | Original (Universal)

Release: 1982 / EU – Original

Genre: Rock & Indie

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LP | 1971 | UK | Reissue (Phoenix)

Flower Travellin' Band

Satori

Release: 1971 / UK – Reissue

Genre: Rock & Indie

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LP | 1989 | US | Reissue (Megaforce)

Meat Puppets

Monsters

Release: 1989 / US – Reissue

Genre: Rock & Indie

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LP | 1987 | US | Reissue (Megaforce)

Meat Puppets

Mirage

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Fables Of The Reconstruction

R.E.M.

LP | 1985 | Reissue (Universal)

Release: 1985 / Reissue

Genre: Rock & Indie

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Strange Times Re-Mastered Colored Vinyl Edition

The Chameleons

3LP | 1986 | UK | Reissue (Blue Apple Music)

57,99 €*

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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LP | 1979 | EU | Reissue (BMG Rights Management)

The Undertones

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Self-Inflicted Aerial Nostalgia Black Vinyl Edition

Guided By Voices

LP | 1988 | US | Reissue (Scat)

12" | 1988 | EU | Reissue (Thank You)

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Self-Inflicted Aerial Nostalgia was Guided By Voices’ third album, self-released by the band in 1988 in a pressing of 500. While both of the band’s earlier albums exhibit strong songwriting and plenty of vision, it is here that the GBV sound really begins to coalesce. While Devil Between My Toes is rife with contrasts, variety, and dark psychedelia, and its follow up Sandbox is a cohesive ’60s-influenced affair, Self-Inflicted Aerial Nostalgia marries the two approaches to outstanding effect. Unsurprisingly, recording began before Sandbox was even done pressing. These sessions would yield an aborted LP titled Learning To Hunt, but after personnel changes and second thoughts, Robert Pollard shelved most of the tracks, dismissing them as too similar to those on Sandbox. Fair enough, as many of Pollard’s more recent songs were simply on another level than previously. Here are the first of the classic Pollard slow-burners, often built on a simple melodic or rhythmic figure that circles itself ever outward, accumulating heft, variation, and inevitability as the song evolves into something unexpected yet inevitable. It’s the aural equivalent to watching a butterfly grow out of its cocoon. A few things are unique to this particular LP. Original powerhouse drummer Peyton Eric returns for nearly half the tracks, while engineer and lead guitarist Steve Wilbur shines at his brightest, resulting in some of the most thoroughly rocking GBV songs to ever be cut to lacquer, such as “Earful o’ Wax,” which simply explodes out of the speakers when the solo section begins. On the other end of the spectrum, you get Pollard recording perfect pop gems at home with just voice and guitar, which would become a calling card on later GBV albums. There’s simply a tremendous variety of material, all strung together in such a way that the album is all of one piece, a mosaic.

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Degrees Of Freedom

China

Suicidio Green Vinyl Edition

Release: 1988 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Degrees of Freedom is a Canadian musical group founded in 1984 in Montreal by Janet Cadman (vocals and percussion), Martin Chartrand (bass, guitar, rhythm programming and vocals) and David Curtis (keyboards, vocals, and percussion). Established as a 5-piece New Wave cover band, Degrees of Freedom evolved into its classic quartet configuration following the departure of the original guitarist and drummer, and the subsequent enlistment of Santino Mastrocola on drums. With this lineup change came a new musical mission: the writing, recording and live presentation of original material only. Since Santino's withdrawal from the band in 1988, Degrees of Freedom has carried on as a trio in the studio while augmenting concert performances with additional musicians.

In February 1985, Degrees of Freedom performed at the newly formed S.O.S. (Save Our Songwriters) Club in Montreal. Like other participants in the S.O.S. project, Degrees of Freedom was rewarded with studio time to record some of its own songs. One of these, "August is an Angel" was selected to close out the locally produced 1985 band anthology album "Listen - A Faze Compilation of Montreal Music." The next year, a new track "In This Room," was included in the follow-up release "Listen 2." Both songs, with four newly recorded works, were issued in 1988 as Degrees of Freedom's eponymous sole vinyl release, informally known as the “China” album.

In 2015, the music of Degrees of Freedom experienced a renaissance thanks to a new generation of club DJs, traditional and internet-based radio hosts, vinyl disc collectors, and other aficionados of synth-based music. Local and international recognition has come in the form of record sales to fans in Canada as well as in the USA, Germany, Scotland, England, Ireland, Belgium, The Netherlands, France, Spain, Lithuania, Sweden, Bulgaria, Australia, Vietnam, and Japan. Responding to the resurgence of interest, Degrees of Freedom has twice re-issued the disc (2017 and 2019). Today, with eyes on the future and the past, Janet, Martin and David continue to collaborate on new material including the songs, "Metal Flesh" and "Be This Way" both accessible on the band's YouTube channel.

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Faust'o

LP | 1978 | EU | Reissue (The Saifam Group)

39,99 €*

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Peilitalossa Colored Vinyl Edition

Musta Paraati

LP | 1983 | EU | Reissue (Svart)

LP | 1981 | EU | Reissue (Croatia)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Svart Records presents the 40th anniversary reissue of Peilitalossa by Musta Paraati. The vinyl edition, limited to 500 copies, is wrapped in a replica of the original cover layout and contains a booklet with accompanying text and rare photos. The Svart Records store has an exclusive clear/purple/turquoise marble vinyl version, limited to 150 copies, that also comes with a repro of the original promo poster from 1983.

Peilitalossa is the most important classic gothic rock album to come out of Finland. Musta Paraati began in 1981 and were soon signed by Johanna Kustannus, who released the album, produced by Jimi Sumén and recorded by Risto Hemmi at Finnvox, in 1983. After Musta Paraati split up in 1984, Peilitalossa evolved into one of the most loved cult albums in Finland. It has been reissued on CD in 2001 and in an earlier vinyl edition by Svart in 2012.

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Bijelo Dugme

5. April '81

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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LP | 1979 | US | Reissue (Superior Viaduct)

Contortions

Buy

Born In The U.S.A. 40th Anniversary Red Vinyl Edition

Release: 1979 / US – Reissue

Genre: Rock & Indie

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Soon after their 1978 debut on the Brian Eno-produced No New York, a compilation that defined the No Wave scene, James Chance’s group Contortions had already evolved - getting sharper, tighter and just plain faster. Despite the loss of keyboardist Adele Bertei and bassist Geoge Scott (who refused to sign a new contract demanded by Chance and his then partner, band manager Anya Phillips) Contortions were firing on all cylinders, and their first full-length album, 1979’s Buy, is a marvel of hot-wired energy. Led by the brash yelps and free-sax squawks of Chance, Contortions spit out fiercely rhythmic tunes charged by the wiry guitar lines of Jody Harris and the dizzying slide guitar of Pat Place. With drummer Don Christensen slipping in pointillist beats and David Hofstra’s infectious basslines, the songs on Buy crackle with both precision and abandon. Opener “Designed to Kill” shoots sparks of sound in all directions, while “Contort Yourself” is a nihilistic dance number wherein Chance instructs listeners to twist into knots, physically and mentally. “It’s better than pleasure, it hurts more than pain,” he snarls, later imploring, “You better try being stupid instead of smart.” Heavily influenced by the showman funk of James Brown (whose “I Can’t Stand Myself” the band had covered on No New York) Contortions coined a downtown dance-punk sound that had immediate influence on subsequent No Wave bands - including Place’s Bush Tetras and Bronx trio ESG - as well as the burgeoning disco movement. On Buy, Contortions’ self-invented template is imprinted so hard into the grooves that it sounds like they’re about to break, capturing a combustible band in all its fiery fury

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Bruce Springsteen

LP | 1984 | EU | Reissue (Sony Music Catalog)

31,99 €*

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Nothing Yet Blue Vinyl Edition

Weeping Messerschmitts

7" | 1986 | EU | Reissue (Optic Nerve)

10,99 €*