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Indierock | Alternative Vinyl 625 Items

Hip Hop 193 Organic Grooves 7675 Rock & Indie 5838 Indierock | Alternative 625 Classic Rock 1694 Punk | Hardcore 392 Metal 384 Folk 915 Rock 'n' Roll 470 Electronic & Dance 1435 Reggae & Dancehall 537 Pop 2920 Classical Music 120 Soundtracks 487 Childrens 7
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1000 Mexicans
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Reset all Filters Vinyl 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 Stocked Items Only
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1000 Mexicans - Criminal! (Remix)
1000 Mexicans
Criminal! (Remix)
12" | 1985 | BE | Original (Play It Again Sam)
6,99 €*
Release: 1985 / BE – Original
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG
Damaged label (plain, no text)
220 Volt - Young And Wild Colored Vinyl Edition
220 Volt
Young And Wild Colored Vinyl Edition
LP | 1987 | EU | Reissue (Music On Vinyl)
26,99 €*
Release: 1987 / EU – Reissue
Genre: Rock & Indie
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4" Be 2" - One Of The Lads
4" Be 2"
One Of The Lads
12" | 1979 | UK | Original (Island)
9,09 €* 12,99 € -30%
Release: 1979 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
A Blaze Colour - Against The Dark Trees Beyond
A Blaze Colour
Against The Dark Trees Beyond
LP | 1982 | EU | Reissue (Onderstroom)
23,74 €* 24,99 € -5%
Release: 1982 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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Sought-after Belgian minimal synth finally reissued.

They were interesting times, the early eighties. Against a backdrop of cold war and economic crises, the DIY attitude of the earlier punk movement had spawned near countless new genres where artists and bands broke the three-chord guitar mould and experimented with new content matter, singular song structures and – in many cases – new instruments. Synthesizers became affordable and were no longer the sole privilege of rock millionaires. All around the globe, musical creativity boomed as never before, and Belgium was no exception: Digital Dance, Snowy Red, The Names, Pseudocode, Marine, 1000 Ohm, De Kommeniste, M.Bryo & D.M.T., De Brassers, Struggler, Siglo XX are but a few legendary names of bands and artists who started making a name for themselves.

In Leuven, things were happening as well. Until then, the music scene in this rather provincial town had been dominated by straightforward rock and blues acts. Not for much longer, though: in places like Arno'z and (later) The Gladhouse, where young budding artists met with kindred spirits, bands were often formed on the spot and, more importantly, started to make ripples.

Ludo Camberlin and Karel 'Bam' Saelemaekers already had a certain track record in Leuven's burgeoning music microcosm. But what they shared would become the cornerstone of A Blaze Colour (Against The Dark Trees Beyond): a fascination for new forms and instruments, a penchant for sonic adventure and a profound love for gripping songs. The full band name, by the way, was inspired by a phrase from the Irish-American novelist J.P. Donleavy, a writer who belongs in the definitely-worth-checking-out section.
AC/DC - '74 Jailbreak Gold Nugget Vinyl Edition
AC/DC
'74 Jailbreak Gold Nugget Vinyl Edition
LP | 1984 | EU | Reissue (Sony Music Catalog)
30,99 €*
Release: 1984 / EU – Reissue
Genre: Rock & Indie
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AC/DC - If You Want Blood You've Got It Gold Nugget Vinyl Edition
AC/DC
If You Want Blood You've Got It Gold Nugget Vinyl Edition
LP | 1978 | EU | Reissue (Sony Music Catalog)
30,99 €*
Release: 1978 / EU – Reissue
Genre: Rock & Indie
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AC/DC - Let There Be Rock 50th Anniversary Gold Nugget Vinyl Edition
AC/DC
Let There Be Rock 50th Anniversary Gold Nugget Vinyl Edition
LP | 1977 | EU | Reissue (Sony Music Catalog)
30,99 €*
Release: 1977 / EU – Reissue
Genre: Rock & Indie
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Aerial Fx - Watching The Dance Black Vinyl Edition
Aerial Fx
Watching The Dance Black Vinyl Edition
LP | 1982 | EU (Radiation Reissues)
18,99 €*
Release: 1982 / EU
Genre: Rock & Indie, Electronic & Dance
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Moody Oxford post-punk quintet Exit 13 became Aerial FX at the dawning of the 1980s, the promise of their minimal sound, with its prominent synthesizers, yielding a publishing deal with Island Records and an early single released by the label. Debut album Watching The Dance has shades of dark synth pop and Goth, with future Radiohead manager/producer Chris Hufford firmly in the spotlight throughout. The influence of acts like Van Der Graaf Generator, Modern Eon and others lurk beneath this hidden Cold Wave gem.
Aerial Fx - Watching The Dance Silver Colored Vinyl Edition
Aerial Fx
Watching The Dance Silver Colored Vinyl Edition
LP | 1982 | EU (Radiation Reissues)
22,99 €*
Release: 1982 / EU
Genre: Rock & Indie, Electronic & Dance
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Moody Oxford post-punk quintet Exit 13 became Aerial FX at the dawning of the 1980s, the promise of their minimal sound, with its prominent synthesizers, yielding a publishing deal with Island Records and an early single released by the label. Debut album Watching The Dance has shades of dark synth pop and Goth, with future Radiohead manager/producer Chris Hufford firmly in the spotlight throughout. The influence of acts like Van Der Graaf Generator, Modern Eon and others lurk beneath this hidden Cold Wave gem.
Agitation Free - 2nd
Agitation Free
2nd
LP | 1973 | EU | Reissue (MIG)
23,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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Alberto Camerini - Comici Cosmetici Red Vinyl Edition
Alberto Camerini
Comici Cosmetici Red Vinyl Edition
LP | 1978 | EU | Reissue (Catalog)
23,99 €*
Release: 1978 / EU – Reissue
Genre: Rock & Indie
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Alberto Camerini - Rockmantico Red Vinyl Edtion
Alberto Camerini
Rockmantico Red Vinyl Edtion
LP | 1982 | EU | Reissue (Catalog)
24,99 €*
Release: 1982 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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Alice - Alice
Alice
Alice
LP | 1970 | EU | Reissue (Charly)
38,99 €*
Release: 1970 / EU – Reissue
Genre: Rock & Indie
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Original 1970 BYG album facsimile edition. Newly mastered to vinyl from original BYG tapes. Lacquers cut by Alchemy Mastering at AIR STUDIOS. Exclusive liner notes by author, journalist and BYG-authority Kevin Le Gendre. Formed in the late 1960s Alice was French band that put their own spin on the blues rock scene born in Britain and America. Playing a gaggle of instruments, including woodwinds and vibes, the combo had a sound that often departed from guitar- led grooves to incorporate European classical music and South American folk.
Alice Cooper - Billion Dollar Babies 50th Anniversary
Alice Cooper
Billion Dollar Babies 50th Anniversary
3LP | 1974 | EU | Reissue (Rhino)
78,99 €*
Release: 1974 / EU – Reissue
Genre: Rock & Indie
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All & Nothing - Underground Vibrations No. 2
All & Nothing
Underground Vibrations No. 2
7" | 1970 | EU | Reissue (Munster)
15,99 €*
Release: 1970 / EU – Reissue
Genre: Rock & Indie
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All & Nothing has become one of the icons of Spanish underground rock of the 70s and their records are among the most sought-after pieces by collectors. With a short discography consisting of just two singles - one of them was even released in Argentina with an alternative cover- the band All & Nothing has become one of the icons of Spanish underground rock of the 70s and their records are among the most sought-after pieces by collectors. The group was really nothing more than a studio project, put together by journalist and record producer José Luis Alvarez, who never performed in public. Their goal was to record songs in the same style that the emerging Andalusian rock scene was already doing in the south of Spain under the influence of the latest international rock trends -imported through the US military bases- and the local musical idiosyncrasy. Although most of the recorded songs - some of whom remained unreleased for years- succeeded in reflecting the original goal, for this first single of All & Nothing their producer instructed the band to record something similar to Iron Butterfly's classic 'In-a-gadda-da-vida', and 'Underground Vibrations nº 2' seems to be a very accomplished effort. The record has become a very sought-after item for those collecting the lesser-known side of 70s Spanish underground rock. The stunning rhythm section on both sides of the single plus the overwhelming organ solos and firing wah-wah and fuzz guitars explain the high interest on this elusive 45, a must in the top DJs record boxes. We are happy to reissue this amazing All & Nothing debut 7" for the first time, remastered from the original tapes and featuring the 1970 sleeve artwork.
Altered Images - Happy Birthday
Altered Images
Happy Birthday
LP | 1981 | JP | Original (Epic)
14,99 €*
Release: 1981 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
No obi.
Altered Images - Pinky Blue
Altered Images
Pinky Blue
LP | 1982 | EU | Original (Epic)
4,99 €*
Release: 1982 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Alternative TV - The Image Has Cracked Red Vinyl Edtion
Alternative TV
The Image Has Cracked Red Vinyl Edtion
LP | 1978 | EU (Radiation Reissues)
20,99 €*
Release: 1978 / EU
Genre: Rock & Indie
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Formed in London in 1977 by Mark Perry and Alex Fergusson, then editors of the punk fanzine Sniffin' Glue, Alternative TV was a post-punk group known for incorporating reggae rhythms and pushing the boundaries of the definition of punk toward the experimental and avant-garde. Their first album, The Image Has Cracked, came out originally in 1978 and is a wholly unique piece of British post-punk. Beloved by John Peel, and close confidantes of Throbbing Gristle, Alternative TV is one of the most original and beguiling groups of the era.
Alternative TV - Vibing Up The Senile Man
Alternative TV
Vibing Up The Senile Man
LP | 1979 | EU | Reissue (Spittle)
21,99 €*
Release: 1979 / EU – Reissue
Genre: Rock & Indie
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Possibly one of the weirdest experiment in the post-punk realm, Vibing Up the Senile Man (Part One) is the second studio album by English anti-heroes Alternative TV, released in March 1979 on small indie label Deptford Fun City. Forget about the influential 1978 debut - The Image Has Cracked – frontman Mark Perry is literally leaving the planet in this effort. ‘There are free jazz influences; I'd got into the Art Ensemble of Chicago, Sun Ra ..) I'd moved into this house with an amazing music room – pianos, clarinets, you name it – and we'd always be picking up stuff from junk shops.’ The description set the pace for a unique performance, not only the afro-american heritage , traces of the Canterbury school are almost evident as the early experiment of the BBC Radiophonic workshop. Is it safe to consider Vibing up The Senile Man on the same time-line as Robert Wyatt ‘The End Of An Ear’ and Throbbing Gristle ’20 Jazz Funk Greats’ (Genesis P-Orridge is on board on two tracks, playing assorted percussion) ? Judge by yourself and don’t be scared.
Amon Düül - Disaster (Lüüd Noma)
Amon Düül
Disaster (Lüüd Noma)
LP | 1972 | EU | Reissue (Ohr)
30,99 €*
Release: 1972 / EU – Reissue
Genre: Rock & Indie
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In September 1968, AMON DÜÜL played the "International Essener Songtage", Germany's first rock festival of five days duration, which was initiated by the later Ohr label boss Rolf-Ulrich Kaise...
Amon Düül - Paradieswärts Düül
Amon Düül
Paradieswärts Düül
LP | 1971 | EU | Reissue (Ohr)
26,99 €*
Release: 1971 / EU – Reissue
Genre: Rock & Indie
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In 1968 the Münchner Kommune, formed in 1967, had applied to Rolf-Ulrich Kaiser, the organizer of the Essen Songtage, for a gig there. When the Düüls arrived in Essen, already two bands of this name in the meantime, since 3 members had split off and now called themselves Amon Düül II. "Paradieswärts Düül" was released in 1971, it's the third album of this outfit. Transferred from the original analog tapes at Dierks Studios and carefully re-mastered.
Annexus Quam - Osmose
Annexus Quam
Osmose
LP | 1970 | US | Reissue (Ohr)
28,99 €*
Release: 1970 / US – Reissue
Genre: Rock & Indie
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The timing was right: Five years earlier would have been too early, five years later would have been too late. But ANNEXUS QUAM from Kamp-Lintfort near Düsseldorf came along with the right music at the right moment.The seven-piece band formed in 1967 as Ambition Of Music; they were what was then called a "beat group". In 1970, working with a local trombone choir led to a dramatic change of direction. Tromb...
APB - Something To Believe In Transparent Blue Vinyl Edition
APB
Something To Believe In Transparent Blue Vinyl Edition
LP | 1985 | EU | Reissue (Liberation)
30,99 €*
Release: 1985 / EU – Reissue
Genre: Rock & Indie
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Aroma Di Amore - De Sfeer Van Grote Dagen
Aroma Di Amore
De Sfeer Van Grote Dagen
12" | 1985 | EU | Reissue (Onderstroom)
12,34 €* 18,99 € -35%
Release: 1985 / EU – Reissue
Genre: Rock & Indie
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Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.
Aroma Di Amore - Harde Feiten
Aroma Di Amore
Harde Feiten
LP | 1986 | EU | Reissue (Onderstroom)
19,99 €*
Release: 1986 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.
Aroma Di Amore - Koude Oorlog
Aroma Di Amore
Koude Oorlog
LP | 1984 | EU | Reissue (Onderstroom)
19,99 €*
Release: 1984 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.
Aroma Di Amore - Koudvuur
Aroma Di Amore
Koudvuur
LP | 1987 | EU | Reissue (Onderstroom)
19,99 €*
Release: 1987 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.
Aroma Di Amore - Voor De Dood
Aroma Di Amore
Voor De Dood
12" | 1984 | EU | Reissue (Onderstroom)
18,99 €*
Release: 1984 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.
Aroma Di Amore - Zonder Omzien
Aroma Di Amore
Zonder Omzien
12" | 1986 | EU | Reissue (Onderstroom)
18,99 €*
Release: 1986 / EU – Reissue
Genre: Rock & Indie
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Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.
Artery - Oceans
Artery
Oceans
LP | 1982 | EU | Reissue (Spittle)
12,99 €*
Release: 1982 / EU – Reissue
Genre: Rock & Indie
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Formed in Sheffield in 1978 and originally known as just "The", Artery is a band that saw several changes in the line-up throughout the '80s. Supported by John Peel and often compared to Joy Division their music incorporates various fundamental elements of the British post-punk aesthetic. Originally released in 1982 on Red Flame records, "Oceans" was Artery's debut mini-LP including some absolute gems such as "into the Garden" and "Afterwards" infectious anthemic tracks of the post-punk era.
Artery - One Afternoon In A Hot Air Baloon
Artery
One Afternoon In A Hot Air Baloon
LP | 1983 | EU | Reissue (Spittle)
21,99 €*
Release: 1983 / EU – Reissue
Genre: Rock & Indie
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Brilliant second album from the wholly original cult Sheffield post punk band. Released in 1983 on Red Flame ‘One Afternoon In A Hot Air Balloon’ is an adventure on its own. Artery somehow replaced the somber post-punk of the debut with a stream of melancholic pop paeans influenced by british folk and certain ballroom dances, with a spectral keyboard sound worth killing for. The secret weapon - when compared to the rest of their discography - is largely explained by the presence of keyboard player and (by now) main composer Christopher Hendrick. The band was in fact reduced to a trio with former members Mark Gouldthorpe (guitar) and Garry Wilson (drums) now supported by the singular effort of Hendrick (also on bass and xylophone). At the same time Garry Wilson was playing in an early incarnation of Pulp. Despite the early Joy Division influence - which the band firmly dismissed – Artery is moving forward into the so-called new romantic era. A vaudeville scenario light years ahead from the streets and the aggro-culture, a way to some pleasant and revealing experience.
Arthur Brown - Chisholm In My Bosom Crystal Clear Vinyl Edition
Arthur Brown
Chisholm In My Bosom Crystal Clear Vinyl Edition
LP | 1977 | EU | Reissue (Cargo)
19,99 €*
Release: 1977 / EU – Reissue
Genre: Rock & Indie
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Atomic Rooster - Atomic Rooster
Atomic Rooster
Atomic Rooster
LP | 1970 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1970 / EU – Reissue
Genre: Rock & Indie
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Auto-Mod - Requiem
Auto-Mod
Requiem
LP | 1983 | JP | Reissue (P-Vine)
35,99 €*
Release: 1983 / JP – Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-07-19
Auto-Mod is known as a pioneer band in the Japanese positive punk scene, and their aesthetic and theatrical songs influenced many artists who followed in their footsteps. Their debut album was released in 1983 by Telegraph Records, which runned by a legendary photographer Yuichi Jibiki. Tomoyasu Hotei also played in Auto-Mod as a guitarist about 20 years before his name became famous with his work for Kill Bill's main theme. This is the first time the album is reissued on vinyl!
AXEMEN - Derry Legend
AXEMEN
Derry Legend
LP | 1987 | US | Reissue (Luxury Products)
31,99 €*
Release: 1987 / US – Reissue
Genre: Rock & Indie
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Long overdue re-issue of this cracked pop classic and Flying Nun rarity, "Derry Legend" was one of Kurt Cobain's top NZ platters and a staple of his mix-tapes.

Licensed and produced in full co-operation with the band, 100% analog remaster from the original tapes.
Aztec Camera - High Land, Hard Rain
Aztec Camera
High Land, Hard Rain
LP | 1983 | DE | Original (Rough Trade)
18,99 €*
Release: 1983 / DE – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG
Vinyl is close to NM. Original inner sleeve. Small tear on cover.
Aztec Camera - Knife
Aztec Camera
Knife
LP | 1984 | UK | Original (WEA)
6,99 €*
Release: 1984 / UK – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG
seam split. Original inner sleeve.
Baris Manco - Sakla Samani Gelir Zamani
Baris Manco
Sakla Samani Gelir Zamani
LP | 1976 | TR | Reissue (Emre Grafson)
23,99 €*
Release: 1976 / TR – Reissue
Genre: Rock & Indie
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2018 Re-mastered, 180g black viny. The single compilation of Barıs Manco from 1972-1975. Originally released in 1976. Psychedelic Sound flavoured by Turkish traditional instruments and anonymous lyrics, Can’t take your ears off the sound that you hear.
Barry Dransfield - Barry Dransfield
Barry Dransfield
Barry Dransfield
LP | 1972 | EU | Reissue (Guerssen)
22,99 €*
Release: 1972 / EU – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Includes original insert.
Bauhaus - Mask
Bauhaus
Mask
LP+CD | 1981 | UK | Reissue (Beggars Banquet)
27,99 €*
Release: 1981 / UK – Reissue
Genre: Rock & Indie
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Beat Happening - Beat Happening
Beat Happening
Beat Happening
2LP | 1985 | EU | Reissue (Domino)
33,99 €*
Release: 1985 / EU – Reissue
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: Sealed, Cover: Sealed
Still sealed with hype sticker. 2022 reissue.
Ben - Ben
Ben
Ben
LP | 1971 | EU | Reissue (Repertoire)
26,99 €*
Release: 1971 / EU – Reissue
Genre: Rock & Indie
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Bijelo Dugme - 5. April '81
Bijelo Dugme
5. April '81
LP | 1981 | EU | Reissue (Croatia)
24,99 €*
Release: 1981 / EU – Reissue
Genre: Rock & Indie
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Bijelo Dugme - Singl Ploce 1974 - 1980
Bijelo Dugme
Singl Ploce 1974 - 1980
2LP | 1982 | EU | Reissue (Croatia)
31,99 €*
Release: 1982 / EU – Reissue
Genre: Rock & Indie
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Billy Idol - Rebel Yell
Billy Idol
Rebel Yell
LP | 1983 | Reissue (Universal)
36,99 €*
Release: 1983 / Reissue
Genre: Rock & Indie
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Billy Joel - 52nd Street
Billy Joel
52nd Street
LP | 1978 | EU | Reissue (Sony Music Catalog)
26,99 €*
Release: 1978 / EU – Reissue
Genre: Rock & Indie
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Billy Joel - Cold Spring Harbor
Billy Joel
Cold Spring Harbor
LP | 1971 | EU | Reissue (Sony Music Catalog)
31,99 €*
Release: 1971 / EU – Reissue
Genre: Rock & Indie
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Billy Joel - Piano Man
Billy Joel
Piano Man
LP | 1973 | Reissue (Sony Legacy)
32,99 €*
Release: 1973 / Reissue
Genre: Rock & Indie
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Billy Joel - Songs In The Attic
Billy Joel
Songs In The Attic
LP | 1981 | EU | Reissue (Sony Music Catalog)
29,99 €*
Release: 1981 / EU – Reissue
Genre: Rock & Indie
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Billy Joel - Streetlife Serenade
Billy Joel
Streetlife Serenade
LP | 1974 | EU | Reissue (Sony Music Catalog)
31,99 €*
Release: 1974 / EU – Reissue
Genre: Rock & Indie
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Billy Joel - Turnstiles
Billy Joel
Turnstiles
LP | 1976 | EU | Reissue (Sony Music Catalog)
26,99 €*
Release: 1976 / EU – Reissue
Genre: Rock & Indie
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Picture
Coming Soon
Billy Ocean
Suddenly
LP | 1984 | Reissue (Sony)
42,99 €*
Release: 1984 / Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-09-20
Birth Control - Operation
Birth Control
Operation
LP | 1971 | EU | Reissue (Ohr)
26,99 €*
Release: 1971 / EU – Reissue
Genre: Rock & Indie
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Re-release of the second album of the Berlin outfit on the original OHR label. Produced by the famous photographer Didi Zill in 1971 at Hansa Studios.
Blaine L. Reininger, Stockholm Monsters, The Durutti Column - Greetings From S.G.V. Record Store Day 2024 Edition
Blaine L. Reininger, Stockholm Monsters, The Durutti Column
Greetings From S.G.V. Record Store Day 2024 Edition
LP | 1987 | EU | Reissue (Lantern)
29,99 €*
Release: 1987 / EU – Reissue
Genre: Rock & Indie
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Overdue re-issue of the first three 12” in the record series dedicated to musicians who took part to the Greetings festival. It happened in 1987, it was time for Materiali Sonori 10th anniversary, an historic goal for the label/collective born in the small Tuscany village of San Giovanni Valdarno. The small celebration brought to life a box collecting the first 3 Eps of the Greetings from S.G.V. series. The series was intended as symbolic sound postcard, made with various musicians with whom the collective label shared a path, whether small or long. The Durutti Column, The Stockholm Monsters and Blaine R. Reininger (Tuxedomoon) are among the artist who took part to the project, here collected for the very first time. Lantern is pleased to pay tribute to the work of people whose passion, attitude, commitment and genuineness inspired this adventure still true to these days. "Our presence in this small tuscan town is almost casual... physically we were born and grew up here, while our hearts and our minds were travelling to Paris, Berlin, Brussels, New York or London" (Giampiero Bigazzi of Marteriali Sonori , taken from the original inner sleeves notes).
Blitzkrieg - A Time Of Changes Transclucent Red & Black Mixed Vinyl Edition
Blitzkrieg
A Time Of Changes Transclucent Red & Black Mixed Vinyl Edition
LP | 1985 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1985 / EU – Reissue
Genre: Rock & Indie
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180 gram audiophile vinyl
Includes insert with lyrics
Limited edition of 1000 individually numbered copies on translucent red & black mixed vinyl

A Time of Changes is the debut studio album by British heavy metal band Blitzkrieg, originally released in 1985.

Part of the the New Wave of British Heavy Metal, A Time of Changes came out when vocalist Brian Ross decided to reform Blitzkrieg and record the album they wanted to record before their split-up in 1981. After the original split of Blitzkrieg, Ross sang with Avenger, Satan and Lonewolf. "Pull the Trigger" is in fact a Satan song that wasn't featured on their first album Court in the Act [MOVLP3056]. Ross recorded it with Satan, and it appeared on an earlier demo. Satan guitarist Russ Tippins actually makes a guest appearance on the song.

"Blitzkrieg", originally also the B-side of the band's debut single, was covered by Metallica for the B-side of the 1984 single "Creeping Death" and later released on the Metallica album Garage Inc.

A Time of Changes is available as a limited edition of 1000 individually numbered copies on translucent red & black mixed coloured vinyl and includes an insert with lyrics.
Blondie - Blondie
Blondie
Blondie
LP | 1977 | DE | Reissue (Chrysalis)
18,99 €*
Release: 1977 / DE – Reissue
Genre: Rock & Indie, Electronic & Dance, Pop
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Used Vinyl
Medium: VG+, Cover: VG
Blue Öyster Cult - Secret Treaties
Blue Öyster Cult
Secret Treaties
LP | 1974 | EU | Reissue (Music On Vinyl)
26,99 €*
Release: 1974 / EU – Reissue
Genre: Rock & Indie
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Blue Öyster Cult - Tyranny And Mutation
Blue Öyster Cult
Tyranny And Mutation
LP | 1973 | EU | Reissue (Music On Vinyl)
26,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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Bobby Patterson - It's Just A Matter Of Time
Bobby Patterson
It's Just A Matter Of Time
LP | 1972 | US | Reissue (Wax Trader)
23,99 €*
Release: 1972 / US – Reissue
Genre: Organic Grooves, Rock & Indie
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Bok Bok - Come Back To Me / Misfit
Bok Bok
Come Back To Me / Misfit
7" | 1980 | US | Reissue (Captured Tracks)
12,99 €*
Release: 1980 / US – Reissue
Genre: Rock & Indie
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Limited Edition for Record Store Day 2014!
Bomis Prendin - Clear Memory Black Vinyl Edition
Bomis Prendin
Clear Memory Black Vinyl Edition
LP | 1984 | EU | Reissue (Mental Experience)
21,99 €*
Release: 1984 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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Formed in 1978, Bomis Prendin is a collective of experimental “noisicians” from Washington DC, pioneers within the DIY, Industrial, cassette culture and experimental electronics scene. Using cassette recorders, mutated musical toys, electric guitars, bass, rewired circuitry, analog pedal effects & cheap keyboards, they recorded and released in the late 70s a couple of astounding flexi-discs (Test and Phantom Limb) which led to them being included on the infamous Nurse With Wound list. “Clear Memory” was originally released in 1984 only on cassette (50 copies) and it’s an incredible example of DIY mutant psychedelic pop and homemade electronic weirdness which sounds years ahead of its time. Here’s the first ever reissue.
Bow Wow Wow - See Jungle! See Jungle! Go Join Your Gang Yeah! City All Over, Go Ape Crazy
Bow Wow Wow
See Jungle! See Jungle! Go Join Your Gang Yeah! City All Over, Go Ape Crazy
LP | 1981 | US | Original (RCA Victor)
17,99 €*
Release: 1981 / US – Original
Genre: Rock & Indie, Electronic & Dance, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
Record is close to NM!
BOX - Box
BOX
Box
12" | 1981 | IC | Original (Geimsteinn)
25,34 €* 38,99 € -35%
Release: 1981 / IC – Original
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: VG+
Slight storage wear. Vinyl seems unplayed.
Brad Is Sex - Gentlemen, Start Your Sheep
Brad Is Sex
Gentlemen, Start Your Sheep
12" | 1987 | UK | Original (Bam-Caruso)
2,99 €* 4,99 € -40%
Release: 1987 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
With OIS. Copy closer to NM
Brat - Attitudes "Lp" Yellow Splattered Vinyl Edition
Brat
Attitudes "Lp" Yellow Splattered Vinyl Edition
LP | 1981 | EU (Radiation Reissues)
21,99 €*
Release: 1981 / EU
Genre: Rock & Indie
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Innovative East LA Chicano punk rockers THE Brat formed in l978 when lead guitarist Rudy Medina and his guitarist nephew Sidney met singer-songwriter Teresa Covarrubias. Together they began penning songs that addressed social inequalities while fusing hardcore sounds with reggae undercurrents and a hint of girl group pop. A gig at the Vex in l98O put them in the orbit of Los Illegals and The Plugz, whose frontman Tito Larriva produced their debut EP Attitudes, making it the first release on his own Fatima Recordz label. A killer set from start to finish, this fully authorized limited edition remastered reissue comes with rare bonus tracks and a printed inner sleeve. Essential!
Brian Eno - Another Green World
Brian Eno
Another Green World
LP | 1975 | EU | Reissue (Virgin)
28,99 €*
Release: 1975 / EU – Reissue
Genre: Rock & Indie
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Brian Eno - Before And After Science
Brian Eno
Before And After Science
2x12" | 1977 | EU | Reissue (Virgin EMI)
60,99 €*
Release: 1977 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: Sealed, Cover: Sealed
Still sealed. With OBI. Limited edition. 2017 reissue.
Brian Eno - Before And After Science
Brian Eno
Before And After Science
LP | 1977 | EU | Reissue (Virgin)
27,54 €* 28,99 € -5%
Release: 1977 / EU – Reissue
Genre: Rock & Indie
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Brian Eno & David Byrne - My Life In The Bush Of Ghosts
Brian Eno & David Byrne
My Life In The Bush Of Ghosts
2LP | 1981 | US | Reissue (Nonesuch)
45,99 €*
Release: 1981 / US – Reissue
Genre: Rock & Indie, Electronic & Dance
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fully remastered 180 gram vinyl reissue incl. 7 orginally unreleased tracks of this groundbreaking collaboration!
Bruce Haack - Captain Entropy Clear Vinyl Edition
Bruce Haack
Captain Entropy Clear Vinyl Edition
LP | 1974 | EU | Reissue (Shimmy Disc)
26,99 €*
Release: 1974 / EU – Reissue
Genre: Rock & Indie
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An electro-surrealist musical journey from the mind of Bruce Haack "The Captain" - capturing his inventive genius musically in tandem with tapping into the voice of his inner child, innovative story songs inspired by Bruce Haack's diverse musical interests and a love of Science and explorations of the Natural World, songs to excite the imaginations of listeners, both young and old.Ahead of his time and beyond categorization- Haack continued to create trying to find new platforms in order to promote his electronic music. He scored many commercials during the 1960s and promoted electronic music on TV, even demonstrating his inventions on Mister Rogers' Neighborhood in 1968. He self-released his first children's music album later that year. Haack constantly added new genres and inspirations to his compositions and was greatly influenced by the psychedelic rock of the era. He constantly created new work that reflected not only his varied interests, but his shifting musical horizons. He created multiple youth oriented albums, dipping into science fiction, psychedelia and electronica, using traditional song structures in order to capture children's attention to educate them, while wrapped in one of his many personas.Bruce Haack wanted people to know him through his medium: music. He dedicated his life to exploring, inventing and sharing his eclectic brand of humor and many musical points of view. In failing health, he never stopped pursuing his distinctive musical dreams.
Bruce Springsteen - Born In The U.S.A. 40th Anniversary Red Vinyl Edition
Bruce Springsteen
Born In The U.S.A. 40th Anniversary Red Vinyl Edition
LP | 1984 | EU | Reissue (Sony Music Catalog)
31,99 €*
Release: 1984 / EU – Reissue
Genre: Rock & Indie
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Cactus World News - Urban Beaches
Cactus World News
Urban Beaches
LP | 1986 | JP | Original (MCA)
29,99 €*
Release: 1986 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Japanese pressing with obi.
Camper Van Beethoven - Life Is Grand
Camper Van Beethoven
Life Is Grand
7" | 1988 | UK | Original (Virgin)
8,99 €*
Release: 1988 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Can - Ege Bamyasi
Can
Ege Bamyasi
LP | 1972 | EU | Reissue (Mute)
28,99 €*
Release: 1972 / EU – Reissue
Genre: Rock & Indie
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Carambolage - Carambolage
Carambolage
Carambolage
LP | 1980 | EU | Reissue (Tapete)
27,99 €*
Release: 1980 / EU – Reissue
Genre: Rock & Indie
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Carambolage - Eilzustellung-Exprès
Carambolage
Eilzustellung-Exprès
LP | 1982 | EU | Reissue (Tapete)
27,99 €*
Release: 1982 / EU – Reissue
Genre: Rock & Indie
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Carmel - The Falling
Carmel
The Falling
LP | 1986 | UK | Original (London)
3,99 €*
Release: 1986 / UK – Original
Genre: Organic Grooves, Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: VG
Caroline K - Now Wait For The Last Year
Caroline K
Now Wait For The Last Year
LP | 1987 | EU | Reissue (Mannequin)
29,99 €*
Release: 1987 / EU – Reissue
Genre: Rock & Indie
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Charlie Feathers - Jungle Fever
Charlie Feathers
Jungle Fever
LP | 1986 | EU (Kay)
14,99 €*
Release: 1986 / EU
Genre: Rock & Indie
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Checkpoint Charlie - Krawall Im Schweinestall
Checkpoint Charlie
Krawall Im Schweinestall
LP | 1981 | Reissue (Schneeball)
12,99 €*
Release: 1981 / Reissue
Genre: Rock & Indie
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Christine McVie - Christine Mcvie
Christine McVie
Christine Mcvie
LP | 1984 | EU | Reissue (Rhino)
28,99 €*
Release: 1984 / EU – Reissue
Genre: Rock & Indie
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Chrome - The Visitation Silver Vinyl Edition
Chrome
The Visitation Silver Vinyl Edition
LP | 1976 | CA | Reissue (Cleopatra)
23,99 €*
Release: 1976 / CA – Reissue
Genre: Rock & Indie
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Picture
Coming Soon
Church
Of Skins & Heart
LP | 1981 | EU | Reissue (EMI)
67,99 €*
Release: 1981 / EU – Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-07-12
Citron - Plni Energie
Citron
Plni Energie
LP | 1985 | EU | Reissue (Supraphon)
26,99 €*
Release: 1985 / EU – Reissue
Genre: Rock & Indie
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City Boy - Book Early
City Boy
Book Early
LP | 1978 | UK | Original (Vertigo)
3,99 €*
Release: 1978 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Cocteau Twins - The Pink Opaque
Cocteau Twins
The Pink Opaque
LP | 1986 | UK | Reissue (4AD)
24,99 €*
Release: 1986 / UK – Reissue
Genre: Rock & Indie
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Comateens - Comateens
Comateens
Comateens
LP | 1981 | FR | Original (Call Me)
8,99 €*
Release: 1981 / FR – Original
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG
Common Bond - Anger Into Passion
Common Bond
Anger Into Passion
LP | 1987 | CA | Original (Frontline)
4,99 €*
Release: 1987 / CA – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG+
Comus - First Utterance
Comus
First Utterance
LP | 1971 | EU | Reissue (Music On Vinyl)
29,99 €*
Release: 1971 / EU – Reissue
Genre: Rock & Indie
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Concrete Blonde - True
Concrete Blonde
True
7" | 1987 | US | Original (I.R.S.)
5,99 €*
Release: 1987 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Concrete Blonde - True / Cold Part Of Town
Concrete Blonde
True / Cold Part Of Town
7" | 1986 | AU | Original (I.R.S.)
7,99 €*
Release: 1986 / AU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Confusional Quartet - Confusional Quartet Colored Vinyl Edition
Confusional Quartet
Confusional Quartet Colored Vinyl Edition
LP | 1980 | EU | Reissue (Italian / Disordine)
26,99 €*
Release: 1980 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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Out of any classification of musical genre, “Confusional Quartet” is a distillation of the creativity and freedom of expression that in 1977 put Bologna at the center of the international cultural scene. This record places the Confusional Quartet in the history of Italian alternative music.
Conrad Schnitzler - Con 84
Conrad Schnitzler
Con 84
LP | 1984 | EU | Reissue (Bureau B)
27,99 €*
Release: 1984 / EU – Reissue
Genre: Rock & Indie
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Conrad Schnitzler & Wolf Sequenza - Consequenz II
Conrad Schnitzler & Wolf Sequenza
Consequenz II
LP | 1986 | EU | Reissue (Bureau B)
25,19 €* 27,99 € -10%
Release: 1986 / EU – Reissue
Genre: Rock & Indie
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Contortions - Buy
Contortions
Buy
LP | 1979 | US | Reissue (Superior Viaduct)
24,99 €*
Release: 1979 / US – Reissue
Genre: Rock & Indie
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Soon after their 1978 debut on the Brian Eno-produced No New York, a compilation that defined the No Wave scene, James Chance’s group Contortions had already evolved - getting sharper, tighter and just plain faster. Despite the loss of keyboardist Adele Bertei and bassist Geoge Scott (who refused to sign a new contract demanded by Chance and his then partner, band manager Anya Phillips) Contortions were firing on all cylinders, and their first full-length album, 1979’s Buy, is a marvel of hot-wired energy. Led by the brash yelps and free-sax squawks of Chance, Contortions spit out fiercely rhythmic tunes charged by the wiry guitar lines of Jody Harris and the dizzying slide guitar of Pat Place. With drummer Don Christensen slipping in pointillist beats and David Hofstra’s infectious basslines, the songs on Buy crackle with both precision and abandon. Opener “Designed to Kill” shoots sparks of sound in all directions, while “Contort Yourself” is a nihilistic dance number wherein Chance instructs listeners to twist into knots, physically and mentally. “It’s better than pleasure, it hurts more than pain,” he snarls, later imploring, “You better try being stupid instead of smart.” Heavily influenced by the showman funk of James Brown (whose “I Can’t Stand Myself” the band had covered on No New York) Contortions coined a downtown dance-punk sound that had immediate influence on subsequent No Wave bands - including Place’s Bush Tetras and Bronx trio ESG - as well as the burgeoning disco movement. On Buy, Contortions’ self-invented template is imprinted so hard into the grooves that it sounds like they’re about to break, capturing a combustible band in all its fiery fury
Corviria - Descriptive Black Vinyl Record Store Day 2024 Edition
Corviria
Descriptive Black Vinyl Record Store Day 2024 Edition
LP | 1980 | EU | Reissue (Redi Edizioni Musicali)
37,99 €*
Release: 1980 / EU – Reissue
Genre: Rock & Indie
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Italian library music obscure cult release Officially reissued for the first time ever Originally released in 1980 "Descriptive" completes the series of official reissues of the only two LPs released under the Corviria moniker by Edizioni Leonardi in 1977 (Psyco Analysis) and 1980 (Descriptive) respectively. Both are among the most obscure titles of Italian library music, whose composers can only be traced in the figures of Luigi Bergonzi and Vittoria Corona.

Musically, "Descriptive" marks an evolution of the electronic and dark sound of the previous "Psyco Analysis", starting with the fourpart opening minisuite "Evil's Suite", a genuine trip into kraut and progressive rock territories, then continuing with the abstract and mysterious "Suspence Effect One / Two" and finally with a series of more conventional and easylistening tracks that for the most part recall the sounds of Tangerine Dream from that period.

Just like "Psyco Analysis", the mysterious "Descriptive" now eventually enjoys a muchneeded and welldeserved reissue, the first one ever, faithful to the original, on the occasion of Record Store Day 2024!
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