Indierock | Alternative Vinyl 15869 Items

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Mars Worldwide)

L.A. Edwards

Pie Town

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Fierce Panda)

Desperate Journalist

No Hero

Release: 2024 / EU – Original

Genre: Rock & Indie

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Glossolalia Hot Pink Vinyl Edition

Dale Crover

LP | 2024 | US | Original (Joyful Noise)

LP | 2024 | EU | Original (Music On Vinyl)

Release: 2024 / US – Original

Genre: Rock & Indie

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Dale Crover - weltbekannter Schlagzeuger der Melvins, Nirvana und Redd Kross sowie Sänger und Gitarrist von Altamont - veröffentlicht sein drittes Solo-Album „Glossolalia“ am 13. September über Joyful Noise Recordings. Das von Crover und Toshi Kasai produzierte Werk strotzt nur so vor Nuggets-Garagenrock, Proto-Metal-Riffs und herrlich verschwommenem Psych-Pop. Einen Vorgeschmack auf das 11-Song-Album gibt es mit der heutigen Veröffentlichung von „Doug Yuletide“ . Der Track ist einer von zwei „Glossolalia“-Songs, bei denen Crover mit dem Gitarristen Dan Southwick zusammenarbeitet, seinem langjährigen Freund und Altamont-Bandkollegen. Aber Southwick ist nicht der einzige Freund, der auf Glossolalia zu hören ist: Kim Thayil von Soundgarden (Leadgitarre bei „I Quit“ und „Rings“), Ty Segall (Leadgitarre bei „Spoiled Daisies“ und „I Waited Forever“), Rob Crow von Pinback („Don't Worry About It“, „Rings“ und „I Waited Forever“) und Tom Waits' ungelenkes, in Zungen gesprochenes Intro beim Titelstück. „Glossolalia“ ist Crovers bisher fokussiertestes Statement als Solokünstler. In seiner Gesamtheit zeigt das neue Album, dass Crover, so wie die Melvins in ihrem vierten Jahrzehnt weiter wachsen und sich entwickeln, auch als Solokünstler neue Schritte unternimmt. Inmitten des inspirierten Geplappers von Waits, des glorreichen Schredderns von Segall und Thayil und vielem mehr, sticht vor allem die Robustheit von Crovers Vision hervor. Diese Platte zeigt, dass seine Gesamtästhetik genauso stark wie sein legendärer Schlagzeugdonner ist.

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Cinderella

Still Climbing

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-07-26

Hole Erth Clear Blue Smoke Vinyl Edition

Toro Y Moi

LP | 2024 | US | Original (Dead Oceans)

Kadavar The First Album Limited Anniversary Boxset

Release: 2024 / US – Original

Genre: Rock & Indie

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Hole Erth, Chaz Bear's eighth full-length studio record as Toro y Moi, is the genre shapeshifter's most unexpected and bold move to date, with Bear diving headlong into rap-rock, Soundcloud rap and Y2K emo. The album blitzes anthemic pop-punk next to autotuned, melancholic rap - two genres that inform one another now more than ever before _ and packs in the most features ever on a Toro y Moi album. A sense of nostalgia sneaks its way into almost every Toro y Moi release, but angst is an emotion that Bear has never intentionally explored the way he does here. Tracks like "Tuesday'' channel a specific, yet forever-relatable sense of adolescent unease. A distorted guitar riff leads into a repeating chorus that conjures misunderstood teenagers singing aloud, maybe too loud, while riding bikes through American suburbs. This foreboding can also be heard on "HOV," though not without poking some fun with lines like "Romance is so cold / My advice? To bring a coat." Bear has the energy, but is acutely aware that his energy isn't forever. At a time when the internet is blending multiple genres into one at an increasingly rapid pace, Bear accomplishes the rare feat of keeping up with the contemporary alternative listener. Constantly changing, evolving and experimenting is the heart of Toro y Moi, and on Hole Erth Bear challenges but also reclaims himself, embracing the myriad sounds and eras that formed him, while crashing new worlds together.

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Kadavar

4LP | 2024 | EU | Original (Robotor)

76,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Camille Avec The Le Chiffre Organ-Ization

Rodin

7" | 2024 | EU | Original (Soundflat)

13,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Septendecim Yellow Vinyl Edition

Sacatta Quartet

LP | 2024 | EU | Original (We Jazz)

The Rolling Stones No.2 US Version

Release: 2024 / EU – Original

Genre: Rock & Indie

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Debutalbum by hard hitting avantgarde quartet featuring Wilco members Nels Cline & Glenn Kotche, plus improv heavyweights Chris Corsano & Darin Gray.

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The Rolling Stones

LP | 2024 | Original (Universal)

Release: 2024 / Original

Genre: Rock & Indie

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S Krysh Nashikh Domov Yellow Vinyl Edition

Molchat Doma

LP | 2017 | US | Reissue (Sacred Bones)

LP | 2024 | UK | Original (Communion)

Release: 2017 / US – Reissue

Genre: Rock & Indie

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When ? ???? ????? ?????, the debut album by Molchat Doma, was released in 2017, it announced a bold new voice in underground music. The album found a passionate audience on Bandcamp and other streaming services and was released on CD and cassette. Sacred Bones Records is proud to present the album on vinyl for the first time. Molchat Doma (translated as "Houses Are Silent"), founded in 2017 in Minsk, Belarus, stands at the intersection of post-punk, new-wave and synth-pop. Dark yet danceable, and with a heavy dose of goth ethos, their music is reminiscent of the masters that predate them, but make no mistake: Molchat Doma creates a sound and meaning that is immediately recognizable as all their own. The band is comprised of Egor Shkutko, who sings the Russian lyrics in his deep monotone, Roman Komogortsev on guitar, synths, and drum machine, and Pavel Kozlov on bass and synths.

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Wunderhorse

Midas

Boston Tea Party: Live At The Avalon Boston 1998 Red Vinyl Edtion

Release: 2024 / UK – Original

Genre: Rock & Indie

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“I want it to feel like you’re right there in the room with us.” And in 10 songs and 40 minutes, Wunderhorse capture the raw power and energy that has set them apart as one of the most formidable live acts of recent years. With rugged hooks, unfiltered noise, and fierce melodic sensitivity, Midas rips up the script of traditional second albums and establishes the band as an endlessly addictive and rousing generational talent. In late 2022, the release of their debut album Cub saw singles ‘Purple’ and ‘Leader of the Pack’ dominate radio airwaves. Landmark performances filling Glastonbury’s Woodsies Tent (fka John Peel Stage) and selling out London’s Kentish Town Forum months in advance followed tours with Pixies and Fontaines D.C. and stadium appearances with Sam Fender, signalling the band’s arrival as one of the most prominent and exciting new guitar acts in the UK. With Grammy Award-winning producer Craig Silvey (The Rolling Stones, The National, Florence + The Machine) on board for their sophomore record, the band looked to do something different. Their goal – in the very same studio that Nirvana put In Utero to tape and PJ Harvey recorded the Mercury Prize-nominated Rid of Me – was to push themselves outside of their comfort zones. “There’s absolutely no faking on this record,” ends Slater, “it's not supposed to be perfect; it’s supposed to be a snapshot, even if it is a bit of an ugly portrait. That's how it was then, and that's how you're gonna see it.” And it sounds like you’re right there in the room with them.

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PJ Harvey

2LP | 2024 | EU (Dear Boss)

Brainwashed Remastered Red Vinyl Edition

Release: 2024 / EU

Genre: Rock & Indie

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PJ Harvey's performance at the Avalon in Boston on November 2nd, 1998, is often remembered as an electrifying and intense concert experience. During this period, PJ Harvey's live performances were known for their raw energy and emotional depth, with Harvey captivating audiences with her powerful vocals and dynamic stage presence.

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While She Sleeps

LP | 2024 | EU | Original (Sony Music Catalog)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Paranoid Cocoon White & Opaque Pink Marble Vinyl Edition

Cotton Jones

LP | 2024 | US | Original (Suicide Squeeze)

Big Tv Limited Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Paranoid Cocoon is an album full of quiet, wooden psychedelia reflecting Cotton Jones' casual pursuit of comfort and freedom. Under the mountains of Cumberland, Maryland, where creeks zigzag in the lonesome dark of the forest and a red moon hangs overhead, these songs were born of leaving, of dreams both good and bad, sung from surroundings the band has known their whole lives. Paranoid Cocoon is simple, understated perfection: they sound timeless from singing together forever.

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White Lies

2LP | 2013 | UK | Reissue (Pias Catalogue)

Release: 2013 / UK – Reissue

Genre: Rock & Indie

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Viva Hinds Magenta-In-Transparent Clear Vinyl Edition

Hinds

LP | 2024 | UK | Original (Lucky Number)

36,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Preorder shipping from 2024-09-06

LP | 2024 | US | Original (Inscrutable)

Tia Rosa

Misterio Lounge 3000

Dust: Recordings 1980-1984

Release: 2024 / US – Original

Genre: Rock & Indie

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There’s no stopping the froggies from hopping”. Tia Rosa’s psychic elevator goes up to Misterio Lounge 3000, the palace of their self described Electronic Frog Pop. In late 2021, Sam Ortiz (Cáustica Espástica), JJ (Vats) and Gabriel Guiterrez (Lysol, American Nudism, Vats) got together, adopting the popular brand of pre-packaged pan dulce Tia Rosa as their band name. Following a string of self released cassettes and domestic tours in 2022 they spent most of last year recording these eight tracks between their homes in colonia Asturias and colonia Navarte, Mexico City.

Misterio Lounge 3000 reaches behind the mirror, charming the sinister 80’s minimal electronic/post punk of Algebra Suicide onto programmed latin rhythms and experimental/new age soundscapes common in 70’s cosmic music. There’s lots of room to groove here and each track feels like a new stop down an expansive astral hallway. 'Kelly' drives close with its crunchy guitar and radio interference, “Elevador Síquico” captures the sway of joyous pixelated flowers. 'Glass Frog' begins with sampled frogs and ends in a delightful psychedelic freakout. 'La Oscuridad' and 'Floating Hour' build on the mysterious lounge feel with their respective smooth flute and sax solos.

From start to finish Misterio bounces softly like a Miró painting come to life. Mutant elevator music for obscure prophets, flute lovers and froggy dancers alike. A freakadelic electro oddity for the ages. It’s the new strange sensation and it’s happening now. Frog pop is here. Tia Rosa has delivered."

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22 Beaches

LP | 2024 | UK | Original (Seated)

21,99 €*

Mike Campbell & The Dirty Knobs

Release: 2024 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Glasgow based Seated Records return with more 1980s Scottish Post-Punk / New Wave material. In this 8-track mini compilation the label introduces the work of Stirling band 22 Beaches, offering a deep dive into music recorded between 1980-1984 - the majority of which has never seen the light of day! 22 Beaches formed in Stirling in the late 1970s as an evolution of the short lived group ‘Alone at Last’ - drummer Fred Parson’s and guitarist Stephen Hunter being the two who spanned the divide. Out of the six members of 22 Beaches, many were school friends, and the rest naturally fell together. The band toured extensively and played at a truly diverse set of venues across the UK: from a local swimming pool boiler room, to small nightclubs and university parties, to several fundraisers for the miners strike. Maybe most notably of all, drummer Fred Parsons described playing at what he calls “the Grangemouth International”, organised by local promoter Brian Guthrie and which featured an all-star lineup of 22 Beaches, The Exploited and the first incarnation of The Cocteau Twins. A coach was hired to ship the audience to Grangemouth from Stirling, the cost of which was included in the ticket. The gig then paused halfway through for a 'help yourself' buffet. Young promoters take heed. This is how it's done! Over the course of the 80s the band released music on three different, and now sought after, various artists compilation cassettes. “What Day Is It?” and “Sadie When She Died” were released on a compilation of local Stirling artists 'The A.N.K.L.E File'. The track from which the current record takes its namesake - “Dust” - was initially released on a compilation-tape for the fanzine 'Another Spark'. And ‘‘Zoo” (also featured on this record) was first released on Glasgow label Pleasantly Surprised via compilation, 'An Hour Of Eloquent Sounds', where 22 Beaches rubbed shoulders with early music from Scottish names Primal Scream, Cocteau Twins, The Wake and Sunset Gun. Unfortunately, 22 Beaches never met the same level of commercial success as these others and decided to retire the project in 1984 - leaving their recordings and demos to gather dust (hehe)…until now! This compilation, “Dust: recordings 1980-1984” follows the band's journey and the changes in their sound over the years. It moves from the raw, punk energy of early DIY recordings through to the A Certain Ratio style Balearica of their later pieces. The record's opener and title track “Dust” is perhaps the most shining example of the latter. Characterised by the plenitude of sonic space in the mix, “Dust” has an almost dub sensibility that is communicated through centrality of Parsons’ drums, McChord’s percussion, and Fildes’ Bass while the harmonising vocals of Sharkey and McGregor chant over the top to give the track its distinctive psychedelic edge. This is an atmosphere only exacerbated by the lofi quality of the recording which sits the vocals in the same aural realm as much 1960s psych-folk. On “Cartoon Boy”, the band strips things down further. A droning bass line persists through the tape fuzz and is accompanied by the sounds of a sole looping guitar chord sequence and McGregor and Sharkey’s vocals - respectively and carefully dancing around one another before harmonising in the most beautiful way. The result is a haunting and abstract Marine Girls style heartbreaker. ‘That Girl’ again delivers a dub adjacent rhythm section similar to that of “Dust”. However, on this instance crisp guitar chords, a distant, phased organ and blue-eyed soul vocal delivery, produce a track that could easily have been a lost Orange Juice recording from their sessions with Dennis Bovel. On “Somebody Got It Wrong” and “One Of Us” the band employ a more macro approach where a jangling guitar with an almost highlife-influenced tone, vocal ad-libs and syncopated percussion give the music a Talking Heads-esque swagger. Taken together these tracks illustrate a clear trajectory in the band's sound, moving from from the high energy no-wave quality of early recordings towards a more dub influenced, and stripped-back sound - a sonic trajectory followed by so many bands of the time, not least those emerging from the diaspora of Manchester’s Factory Records. On “Breathing’’ we hear the beginning of this transition, with the strong influence of the oddball NYC disco styles of Was (Not Was) and ZE records. All of this is meshed together with the residual punk rock energy of 1980s UK. This combination is employed to excellent effect with the addition of the distinctly Scottish (and what the band confirmed to me to be spontaneous) vocal delivery of: “Do you love me? Do you want me?” “Aye!” “Do you love me? Do you need me?” “Naw!”. On the record’s closing tracks, “Zoo” and “Talent Show”, we hear early examples of the band’s work, playing with their rawest all-in-one-take live energy where Hunter’s spiralling guitar riffs and McGregor's distorted vocal exclamations lead the charge. The band recalls that these initial-forays did not always translate so well into multitrack recording and overdubbing: “the deconstruction took away some of the band's natural feel”. On “Talent Show” the record ends with Sharkey delivering an almost unintelligible spoken word section over the top of the track, making for one final, disorientating, almost manic slice of post-punk. These tracks from 1980-1984 chart the progress of a unique contribution to the world of Scottish Post-Punk and New Wave, encapsulating not only the musical trajectory of 22 Beaches but also echoing the broader sonic landscape of 1980s UK, a testament to the adaptability and creativity of the UK’s underground music of the time.

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Vagabonds Virgins & Misfits

LP | 2024 | EU | Original (BMG Rights Management)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Live In America Black Vinyl Edition

Royal Headache

LP | 2024 | US | Original (What's Your Rupture?)

Ld 50 Yellow & Black Marbled Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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The long-awaited official live record from Australia's beloved Royal Headache. Featuring performances from their 2012 and 2015 American tours, this unmissable LP includes the previously-unreleased "So Low" and "Teardrops" as well as fan faves "Another World", "Psychotic Episode" and more.

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Mudvayne

2LP | 2024 | EU | Original (Music On Vinyl)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Lost & Found Gold & Black Marbled Vinyl Edition

Mudvayne

2LP | 2015 | EU | Reissue (Music On Vinyl)

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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When The Shape Of Things Turn In To Sound

Ebbot Lundberg

LP | 2024 | EU | Original (Busy Bee / Akashic)

LP | 2024 | EU | Original (The Helen Scarsdale Agancy)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Ebbot Lundberg (The Soundtrack of Our Lives, Union Carbide Productions) continue to explore music, time and space. In the midst of his reunion with Tsool and their highly successful tour Ebbot manages to come up with one of his best records ever and we are proud to team up with his label Akashic to release this MLP of Village Green-era Kinks and Floydish introspection.

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Ekin Fil

Sleepwalkers

LP | 2024 | EU | Original (Aguirre)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The drone-pop consternations of Ekin Fil emerge through vaporous tone and forlorn, distant song, as if plucked from a dream. These exist on their own accord, moving with their own internal logic of an emotion heaviness that belies any the passing observation of this as mere shoegazing ambience. Her songs, her compositions find themselves adjacent the fragmented etherealization of Elisabeth Fraser's voice from a forgotten scene of a particular David Lynch film, as a Asmr trigger for Proustian recollection. Something profound. Something hidden. Something desolately sad.

The Helen Scarsdale Agency has had the pleasure of witnessing Ekin's continued development, maturation, and growth as a composer, having released now seven of her magnificent, under-the-radar gems. Her slow burning, dejected ballads continue to draw from the deep well of sorrow, with varying frequencies and intensities of bitter light poking through. Loves lost. A world broken. All is not hopeless, but there is a considerable amount of shit to wade through.

Sleepwalkers embraces a familiar set of metaphors in her work, that of narcolepsy and the unsettled state of existence between sleep and being awake. But she stretches herself with a set of compositions that run parallel to the work of Tim Hecker as in the gravitation soft-noise of "Stone Cold" or to a slow motion serialism that punctuates the ambient crawl of her ambitious "Gone Gone." Recommended for fans of Grouper, Rafael Anton Irisarri, A.C. Marias, and Carla dal Forno.

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Brannten Schnüre

Aprilnacht

Night Visions 10th Anniv. Limited Clear Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Originally released on tape by SicSic in 2014, Aprilnacht commemorates a decade of music from Brannten Schnüre and marked the spring in a tetralogy of albums about the four seasons when it came out. Back then the Würzburg-based project consisted solely of Christian Schoppik, who later welcomed Katie Rich to take over the vocals. He used to perform as Agnes Beil, but dropped the name when, while making this album realized his music was becoming "much gentler and more fragile". Aprilnacht already captured the particular musical ideas that Schoppik would thoroughly keep exploring, delving deeper and deeper into the use and manipulation of samplers from sources so diverging as to wander between the five continents to post-war German family television and cult cinema. Heir of the ritualistic intensity of Coil, of the intricate sampler assemblies of Ghédalia Tazartès', and of the dusty, dismal old ballads from around the world, Brannten Schnüre manages to make these paths cross in a territory that is as inherent as it is uncanny; sieged by the past and intimate as a hearth. An organic approach to folk, ambient, and sound collage, where ethereal yet thoroughly textured pieces coalesce in enthralling, delicate, and innermost musical rituals.

The album cover paintings reveal the temper: dreary old towns where shadows come to dim the slow passage of crepuscular colors, a soft area of reanimation where wind and light come close and foresee the night of spring. Aprilnacht was inspired by the stories of German philosopher and writer Friedrich Alfred Schmid Noerr, whose work exhaustively examines the conflict between paganism and Christianity, safeguarding myth in a way that Schoppik describes as boldly modern, humorous and unpredictable in its variations of the Germanic folklore motifs. "I wanted to do the same with the music," he states, and the music here could as well be suitable for a night when household deities welcome wandering will-o'-the-wisps, water nymphs, and gyrovagues to discuss Perchta's leadership of The Wild Hunt, but this album is not a folk tale, it's not an elegy to worlds already gone, hidden in years; it's an intersection of routes that open mysteriously before our ears like a congregation of vapors. Aprilnacht is a gathering of voices; "There are too many children, and none of them keeps quiet," reads the last verse of «Requiem für eine Ringelnatter.»

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Imagine Dragons

2LP | 2012 | Reissue (Interscope)

46,99 €*

Release: 2012 / Reissue

Genre: Rock & Indie

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A Single History: 1991-1997 Black Vinyl Edition

Unwound

2LP | 2024 | US | Original (Numero Group)

38,99 €*

LP | 2024 | WW | Original (Ambient Tweets)

Release: 2024 / US – Original

Genre: Rock & Indie

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An expanded and remastered 25th anniversary edition of the mythical Olympia, Washington, trio's out of print singles and compilation tracks, A Single History 1991-2001 gathers odds and ends from across Unwound's first decade. From their earliest post-hardcore squeals on "Crab Nebula" to the dub-inspired death march of "Behold The Salt," this 23-track double LP fills in the distorted gaps of their initial seven album run. "I'd rather eat decomposed fish than listen to this."_Pitchfork

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Sega Bodega

Dennis

Release: 2024 / WW – Original

Genre: Rock & Indie

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Box For Buddy, Box For Star Red Vinyl Edition

This Is Lorelei

LP | 2024 | US | Original (Double Double Whammy)

Melt The Honey Orange & Magenta Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Since 2012, New York City singer-songwriter Nate Amos (Water From Your Eyes, My Idea) has recorded and self-released hundreds of songs under the This Is Lorelei moniker, and perhaps surprisingly, after a decade plus, "Box for Buddy, Box for Star" marks the first attempt at a traditional, intentionally written full-length album. Amos describes the bulk of This Is Lorelei’s discography as “unedited diary entries,” written and recorded without much forethought, regard for genre or reverence for albums as thematic bodies of work, so oddly enough, "Box for Buddy, Box for Star" is both a fresh start and the culmination of years of diligent, interesting songwriting.

"Box for Buddy, Box for Star" embraces traditional pop songcraft and a confessional, carefully written brand of lyricism, dabbling in the kind of classic singer-songwriter cliches he never imagined toying with—but not without the counterbalancing force of shitpost-y irony, which listeners have come to expect from Amos. Inspired by the gritty romanticism of Shane MacGowan and the Jim Croce mimicry of Tim Heidecker’s "What the Brokenhearted Do…", the LP exudes both a grizzled charm and youthful intensity. Sonically, Amos adorns the record with quaint country gestures—a full-circle artistic choice for Amos whose father is a veteran bluegrass musician.

And it wouldn’t be a Nate Amos release without a few curveballs, like “Dancing in the Club,” a bouncy auto-tuned pop song, which he likens to Bruce Hornsby-via-Blink-182, or “Perfect Hand,” an intimate piano-led track with vocal samples, alarm bell-like effects and skittering electronic beats. He also mischievously opens the album with a red herring of sorts, “Angel’s Eye,” a twangy sci-fi country duet about an angel who abducts a cowboy and unintentionally falls in love.

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Packs

LP | 2024 | US | Original (Fire Talk)

Release: 2024 / US – Original

Genre: Rock & Indie

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Breakfast With Death Multicolored Vinyl Edition

Duel

LP | 2024 | EU | Original (Heavy Psych Sounds)

36,99 €*

The Gloss Trasnparent Olive Green Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Look who got up on the wrong side of the bed ! Breakfast With Death is the 5th studio album by Austin Texas stoner metal riff dealers Duel. Nine angry, blistering tracks flexing the faster and heavier side of Duel. Every song is a beer soaked banger capturing the ferocity of the band’s legendary live performances.

Biography Austin, Texas occult rockers Duel are super heavy, tripped out 4 piece old school stoner metal. Steeped in the more sinister sounds of dungeon-esque early 80's heavy metal, Proto metal of the 70's and late 60s psych. Their tunes spin dark tales of ritual horror, occult sex and Apocalyptic doom. Exploring alternate realms, and the depth of infinite space with a head full of mushroom tea. Dueling Thin Lizzy esque guitars with the aggression of Motorhead meets the MC5. Dealing their own brand of dark boogie They have earned a reputation with their beer soaked high energy live performances, relentless touring, writing and recording schedule. Since 2016 the band have released 4 albums with a 5th LP "In Carne Persona" released on Heavy Psych Sounds Records in 2021. A new live album Live at Hellfest has been released in 2023 via Heavy Psych Sounds and a brand new full length will see the light in summer 2024 !!!

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Cola

LP | 2024 | US | Original (Fire Talk)

LP | 2024 | EU | Original (Bureau B)

Release: 2024 / US – Original

Genre: Rock & Indie

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The Gloss is the second album from Cola. From their inception Cola have expanded on the d.i.y. ethic of the Dischord and SST eras, creating potent sounds from a minimal palette of drums/bass/guitar and lacing their songs with winsome one-liners and societal commentary. What’s another word for commentary? Gloss, apparently. Never basic, the lyrics reward repeated listening for deeper meanings. David Berman’s poetry-via-garage light pennings are an inspiration, as equally so are the lighter side of UK first-wave New Wave and the Dunedin sound. The results are in the pudding: at times sparse and poetic, at others a thrilling, hook-laden good time, as with the cheeky romantic sketch of a one-night stand that is so overflowing with innuendo-cum-journalism talk that it almost teeters over into self-parody. But the results are the right combination of lightheartedness and sincerity. Romanticism is never far from laughter, and equally never far from righteous anger in the music of Cola: “Pulling quotes now in the dark/Our outlook is restrained/Your tongue might weaken to be-fit your smile/Til nothing ill remains.” ‘nuff said. It's an album bursting with energy and wit and ideas–filled to the margins. Out June 14th 2024 on Fire Talk.

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Sprung Aus Den Wolken

1981 - West-Berlin

Release: 2024 / EU – Original

Genre: Rock & Indie

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An Error Has Occurred Splatter Vinyl Edition

The Janitors

LP | 2024 | UK | Original (Rocket)

2LP | 2024 | EU | Original (Catskills)

Release: 2024 / UK – Original

Genre: Rock & Indie

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“Everything’s been fucked since David Bowie died or they started up the Hadron Collider” say The Janitors. This feeling is epitomised in the title of their riveting new album: An Error Has Occurred. Marking over two decades of activity for the Swedish psych-rockers, the recording is informed by heartbreak and loss as well as the dismal state of the entire planet. For The Janitors, these two polarities intertwine constantly: “What’s personal is political and vice versa.” To channel their frustration and anger, the band revived certain songs they’d shelved during the pandemic when working on the acclaimed Noisolation Sessions. They added others, written since, that suited the mood of sticking a middle finger up to the oppressive world around us. Whereas previous recordings were often layered up gradually, this time the full band (Henric Herlenius, Jonas Eriksson, Anders Thorell and Wilhelm Tengdahl) rehearsed intensely together before laying down everything live, over two days and nights, in a converted missionary church. The songs on Side A have the menace of Melvins, the swagger of The Stooges and the cosmic heft of The Heads. These are the more simply constructed and poppier pieces... or so the band believe. (One friend of theirs did consider this “delusional”.) ‘In A Bliss’ acts as the album’s radiant centrepiece. A palette-cleansing love song which recalls The Jesus And Mary Chain at their most starry eyed, it finds The Janitors searching for solace and strength in straightforward companionship. After this come the dronier numbers, drawn out with soundscapes and textures influenced by The Velvet Underground’s sonic experiments and the equally immersive atmospheres of electronic acts like Massive Attack. Hence, ‘Operator’ swings threateningly like a space-rock Swans, while the approach on ‘Farewell Spacegirl’ is jazzier and more meditative. “It can be hard to muster up some, or even any, positive energy at this point in time,” says Henric. “We are eternally grateful to have the creative output that this constellation gives us. Neither me or Jonas would probably be here, or be the same people we are, if it wasn’t for The Janitors. We’ll leave you with a quote from an old anarchist: ‘Every society gets the criminals it deserves.’”

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Pepe Deluxe

Comix Sonix

Release: 2024 / EU – Original

Genre: Rock & Indie

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Too Quick To Forgive Black & White Swirl Vinyl Edition

Balance And Composure

LP | 2024 | EU | Original (Memory Music)

LP | 2024 | EU | Original (Broken Silence)

Release: 2024 / EU – Original

Genre: Rock & Indie

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After five long years, Balance and Composure return with Too Quick To Forgive--newly signed to Grammy-nominated producer Will Yip's label, Memory Music, the alt-rock darlings sound more assured and adventurous than ever across two vulnerable tracks. Too Quick To Forgive is a reflection on personal perseverance in the wake of confrontation, told through two distinctly different scenarios. "Savior Mode" finds frontman Jon Simmons baring his soul in a way that is unparalleled in their discography, while "Last To Know" is an emotionally-resonant highlight that leaves a lasting impact well after its final notes play out.Simmons' vulnerability and emotional delivery across both tracks cut through with unflinching precision courtesy of Andy Slaymaker (guitar), Matt Warner (bass), Erik Petersen (guitar), Dennis Wilson (drums), and who the band considers their 6th member--producer Will Yip. In the fall of 2022, the group got together at his Conshohocken, PA studio, Studio 4, with a few ideas that Yip helped turn into these otherworldly tracks. "It was all magic," Jon says.With a renewed sense of purpose, Balance and Composure will return to the stage for a series of Too Quick To Forgive release shows in some of the biggest rooms they've ever played.

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Gas Wasser Indiepop

15 Zoll Maul

Release: 2024 / EU – Original

Genre: Rock & Indie

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Paradise Orange Vinyl Edition

The Shadow Lizzards

LP | 2024 | UK | Original (Tonzonen)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Dance Fever - The Singles 7''Vinyl Edition Box Set

Florence + The Machine

Box | 2023 | Original (Polydor)

95,99 €*

Release: 2023 / Original

Genre: Rock & Indie

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Suspended Animation Silver Vinyl Edition

Fantômas

LP | 2024 | US | Original (Ipecac)

Release: 2024 / US – Original

Genre: Rock & Indie

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Macro Tangerine Vinyl Edition

Brijean

LP | 2024 | US | Original (Ghostly International)

Dave Alvin Gilmore & Jimmie Dale

Release: 2024 / US – Original

Genre: Rock & Indie

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Since their debut as Brijean, the project ofpercussionist/singer-songwriter Brijean Murphy(the percussive heartbeat for live bands like Mitski,Poolside, and Toro y Moi) andmulti-instrumentalist/producer Doug Stuart hasmoved with ingenuity, fusing psych-popabstraction with dance floor sensibilities. Throughthe body and mind, rhythm and lyricism, theymake sense of the worlds around and within; 2021'sFeelings celebrated self-reflection; 2022's Angeloprocessed loss, coinciding with the duo's firstheadlining tour, which doubled down on thematerial's desire to move. Now, across the playfulexpanse of Macro, arriving in 2024 on GhostlyInternational, Brijean engages different sides ofthemselves, the paradox of being alive. They'veleveled up to meet the complexities and harmoniesof the human experience with their most dynamicsongwriting yet. Colorful, collaborative,sophisticated, and deeply fun, the album animatesa macrocosm with characters, moods, and points ofview rooted in the notion that no feeling is final andthe only way out is through.

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Texicali

2LP | 2024 | US | Original (Yep Roc)

Release: 2024 / US – Original

Genre: Rock & Indie

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First Step Beyond Black Vinyl Edition

Medusa

LP | 2024 | US | Original (Numero Group)

Unclouded Sky 10th Anniversary Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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You must physically hold this album, kneel at its altar; we willfail to describe it. Medusa's First Step Beyond might have forevershifted the perception of Chicago rock history had it managedto make the leap from tape to its never-realized vinyl pressing.Instead, the confl agation of Sabbath, Hawkwind, and Amon DuulII remained petrifi ed in the Corycian Caverns_otherwise knownas the drummer's basement. Self-produced on four track in 1975,this lone transmission from Medusa's repertoire appeared on theextremely mysterious Pepperhead label, whose proprietor allegedlydisappeared after a bad trip and was never been seen again. Forgedin ceremonial mock-velvet, custom embossed in Gorgon-goldand blood-red, and art directed in accordance with the band'selaborate original stage props and artwork, we have positionedthis unreleased opus to fi nally reach its destination: the stereosof pot-smoking and leather-clad teenagers, young and old. Theexpanded CD version (also ensconced in ceremonial mock-velvetwith embossed artwork) boasts a wealth of new band photos andephemera as well as three additional tracks not available on the LP.Prior to tracking First Step Beyond, Chicago proto-metal quintetMedusa headed three miles west to the Village of Oak Park and cuttheir debut 7" at Stephen Wilcox's Pepperhead custom studio. Theresulting versions of "Strangulation" and "Temptress" are a touchfurther unhinged than their sororal album twins, as phased-outscraps of psychedelia and bleeding solos maxed out Pepperhead's8-track rig. Pressed in a strictly limited quantity of 1000 copies.

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Xiu Xiu

LP | 2024 | US | Original (Polyvinyl)

32,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Legacy The Very Best Of David Bowie

David Bowie

2LP | 2017 | EU | Reissue (Parlophone Label Group)

51,99 €*

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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LP | 2024 | EU | Original (Haha Fonogram)

Then Comes Silence

Trickery

23,99 €*

7" | 2024 | US | Original (Happy Happy Birthday To Me)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Ever wonder what triumph over adversity sounds like? The answer lies in 'Trickery', the new album from gothic post-punk legends Then Comes Silence. A reflection of the band's experiences touring and meeting people all over the world, Trickery celebrates friendship, unity, and the feeling of belonging to a group, a tribe, all wrapped in Then Comes Silence's patented post-punk-wall-of-sound.

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Primitives

I Won't Care

11,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Limbo Transparent Orange Vinyl Editoin

Lionlimb

LP | 2024 | Original (Bayonet)

Spell Blanket - Collected Demos 2006-2009

Release: 2024 / Original

Genre: Rock & Indie

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Through his project Lionlimb, New York-based singer/songwriter/producer Stewart Bronaugh crafts unfurling soundscapes that feel mysterious and otherworldly, yet timeless and nostalgic at the same time. He presents his most ambitious vision of these inner vistas on his new album, Limbo, arriving May 24th on Bayonet Records. Inspired by a palette of '70s Italian film soundtracks, '60s girl group music, and funk and soul ballads, Bronaugh brings these influences together to invent an immersive sound all his own-with help from close collaborator Joshua Jaeger, whose live drums bring a rawness to Limbo's meticulously layered production.Led by the smoldering single "Dream of You," featuring Angel Olsen, Limbo taps into universal themes of romance, longing, and loss, while still offering a hazy escape from our present reality.Bronaugh penned the songs with "classic" songwriting in mind, transforming his personal struggles with grief and addiction into love songs. Using images inspired by nature (like the sun, moonlight, hurricanes, and deep water), he expresses being overtaken by a force greater than himself, as the psychedelic production evokes a sense of being plunged into this vast landscape. Limbo benefits from its eclectic influences, as Bronaugh overlays sitar-sounding guitar on top of funky basslines, melodramatic string arrangements, and fuzzed out guitar, making for music that could easily belong on Twin Peaks just as much as a Western cowboy film.An album of duets, Limbo features a host of female vocalists-Angel Olsen, Ewa Synowiec, to Bion augil, nderstad ocal periora ne Bill bout vocal sad ate another instrument*he explains. "When we first tried to have someone else sing, I liked it, because I felt more akin to a producer than a songwriter." There's a dreamy quality to how these singers trade off with Bronaugh, both parties expressing his inner emotions.Limbo is a culmination of Bronaugh's years of production experience, as he composed, produced, and mixed the project almost entirely by hi...

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Broadcast

2LP | 2024 | UK | Original (Warp)

38,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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10" | 2024 | EU | Original (Alien Transistor)

Hochzeitskapelle

We Dance

23,99 €*

Soft Summer Breezes Summer Sun Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Enid Valu usually works a as a photographer and video artist has been working with various bands. For once she now ditches the cam and steps up to the mic instead – appearing as featured vocalist on two of the four covers Hochzeitskapelle recorded for this 10inch, among them Pavement’s »We Dance« and »Stockholm Syndrome« by Yo La Tengo. As for the two songs it’s all-instrumental business as usual. Low’s classic »Silver Ride,« & Wir Sind Helden’s »Elefant« getting the harmingly handmade/oddball ›Rumpeljazz‹ treatment.

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V.A.

LP | 2024 | US | Original (Numero Group)

LP | 2024 | UK | Original (Proper)

Release: 2024 / US – Original

Genre: Rock & Indie

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Summer Sun Vinyl. Following in the wake of baroque charttoppers by the Zombies, Beatles, andthe Left Banke, a dandier approach togarage rock flowered in the back half ofthe '60s. Awash in majestic harpsichords,lilting guitars, melancholic organs, andmiddle school orchestras, Soft SummerBreezes captures the decade's last gasps ofoptimism via 16 gentle moments of softpsychedelia.

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Dirty Pretty Things

Waterloo To Anywhere

32,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (VHF)

Acid Mothers Reynols

Vol. 3

Walls Have Ears Red / Yellow Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Volume 3 of a set of collaborations between the prolific Argentine polymaths Reynols and the inescapable Acid Mothers Temple. Recorded in Buenos Aires on AMT’s 2017 South American Tour, the music has identifiable sonic elements from both groups but ends up sounding like neither, with a surprising weightlessness that keeps things jammy and psychedelic until the final track’s blustering rock. Taking up most of side 1, “Kicking Air Bricks” has a loose Gong/’70s Euro-classic vibe, with Satoshima Nani getting to swing on the drums in a way that isn’t always part of AMT’s steamroller, while the rest of the gang layers in abstract piano, percussion, glissando guitar, etc. “Multiverse Turtle Reflex” closes the side with a thick drone coda. Side two starts with Miguel Tomasin’s gentle vocal and organ accompaniment on “Smelling Oneiric Asado” before the group gradually gathers momentum with Wolf’s thick bass anchoring layers of clean and loose guitar interplay. “Lemurian Tsunami Inside A Hat” is a thriteen-minute heavy rock epic, with the Reynols’ guitars going head to head with Makota Kawabata’s easily recognized interjections, ramping up into a riffy crescendo.

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Sonic Youth

2LP | 2024 | US | Original (Goofin')

As Dust We Rise Grey Vinyl Editoin

Release: 2024 / US – Original

Genre: Rock & Indie

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Culled from three 1985 gigs in the UK during a transitional and transcendent time in the band’s story, Sonic YOUTH’s The Walls Have Ears appeared / disappeared as a 2LP set in 1986, not just a live album but an artful tapestry full of live experimentation with songs, between-song tape segues, darkness, humor and audio verité. It’s now issued for the first time officially under the band’s auspices.

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Kiioto

LP | 2024 | US | Original (Nude)

32,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | Original (Island)

Bon Jovi

Forever

Release: 2024 / Original

Genre: Rock & Indie

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Kid Congo & The Monkey Birds

That Delicious Vice

LP | 2024 | US | Original (In The Red)

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | Original (All Time Low)

The Oscillation

The Start Of The End

LP | 2024 | EU | Original (Sony Music Catalog)

Release: 2024 / Original

Genre: Rock & Indie

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Following a series of meditative explorations in the form of the Singularity Zone series of releases, The Oscillation have returned with a new sense of vigour and purpose. Refreshed and re-energized, the result is The Start Of The End, an album that casts more light and shade than ever before to create a mood of hope and re-birth.

At once warm and welcoming, The Start Of The End is an album quite unlike anything that The Oscillation have ever released before. Fuelled by optimism and taking stock of what’s good about life and what needs to be jettisoned, the record is a result of spiritual and physical re-charging and cleansing.

Leaving the claustrophobic environs of the big city for a more bucolic backdrop, the change in location has left a profound mark on Demian Castellanos, the creative force behind The Oscillation. Where the exorcism of dark emotions of previous album Untold Futures left Castellanos wondering if he’d ever make music again, his new surroundings stirred something within him.

“When I made my new home, I allowed myself time to do nothing for a while,” says Castellanos, “and I then started some new songs without worrying about them being on an album. I just wrote with the mindset to put out something positive.”

He continues: “I did a lot of reflecting on the past and really wanted to change something in myself, but not knowing how and thinking that a lot of people must be feeling the same way.”

Recalling the creation of The Start Of The End, Castellanos says, “Writing and recording in an environment where I had little contact with people, no hanging out or partying or even having conversations was very interesting.”

The result is an album that’s recognisably the work of The Oscillation while pointing to a variety of new directions. Be it the celestial majesty of the title track, the melodic infusions that drive opening track ‘War On The Mind’ or the pulsing grooves underpinning ‘Faraway’ and ‘Body Electric’ or even hypnotic repetition at the heart of ‘Mantra’ and ‘The Eternal’, this music brimming with zeal and confidence. And to crown it all, closer ‘Sovereign’ is akin to communing with angels.

The Start Of The End is a line in the sand and one that points to a better tomorrow.

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Willie Nelson

The Border

Release: 2024 / EU – Original

Genre: Rock & Indie

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Premonition 'K' Orange Vinyl Edition

Kilbey Kennedy

LP | 2024 | EU | Original (Easy Action)

LP | 2024 | EU | Original (Artist M.S.)

Release: 2024 / EU – Original

Genre: Rock & Indie

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New album by the successful duo Steve Kilbey (The Church) and Martin Kennedy Interest and profile of Steve Kilbey has been raised considerably over the past year due to the church re-forming touring and issuing 2 new albums Steve’s solo albums are all getting a complete make over and the fan clubs are ablaze with rumours and gossips regarding forthcoming releases.

Reviews & Advertising in vive le rock record collector classic rock R2 The Big Takeover. Embark on a mesmerising journey with the third and culminating chapter of the highly acclaimed trilogy by Steve Kilbey and Martin Kennedy. Building on the success of Jupiter 13 (2021) and The Strange Life of Persephone Nimbus (2022), their latest epic, 'Premonition K,' unveils a sumptuous and organic

sonic landscape, delving into the dark and enigmatic realms that exist between the boundaries of life and death. This album, a testament to their musical synergy, encapsulates a darkly beautiful soundscape, drawing inspiration from diverse sources, ranging from the haunting tones of Roger Waters' Final Cut to the shadowy depths explored by early 1970s Black Sabbath. Steve Kilbey, best known as frontman of legendary Aussie post-prog rockers The Church, infuses each track with an emotional resonance and sense of mystery. Martin Kennedy co-pilots this sonic odyssey with Steve Kilbey, weaving an intricate musical bed for Kilbey's lyrical dreamings. Drawing from his twenty years of soundscaping with All India Radio, Kennedy adds layers of sonic complexity, at once warmly familiar and mysteriously strange, creating an immersive experience for the listener. Together, Kilbey and Kennedy invite you to break out the ouija board, turn off the lights, and immerse yourself in the mysteries of 'Premonition K'.

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Stereotide

One

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-07-26

Birthday Bone White Vinyl Edition

Blues Pills

LP | 2024 | EU | Original (BMG)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-08-02

Our Latest Number Black & White Vinyl Edition

Toe

LP | 2018 | CZ | Reissue (Topshelf)

Release: 2018 / CZ – Reissue

Genre: Rock & Indie

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LP | 2024 | EU | Original (One Little Independent)

Bad Breeding

Contempt

Release: 2024 / EU – Original

Genre: Rock & Indie

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News Of The Universe Neon Orange Vinyl Edition

La Luz

LP | 2024 | EU | Original (Sub Pop)

Clancy Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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"I was in a dream, but now I can see that change is the only law." With a credo adapted from science fiction author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist and songwriter Shana Cleveland learns to embrace a changing world with unconditional love on News of the Universe, the new full-length from California rock band La Luz. News of the Universe is a record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland's experience of having her world blown apart by a breast cancer diagnosis just two years after the birth of her son. It's also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime members bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one. But is there any band in the world more suited to capturing the chaos of change in all its messy beauty than La Luz? Formed by Cleveland in 2012, La Luz is beloved for their ability to balance bedlam and bliss, each new record another fine-tuning of the band's mix of swaggering riffs with angelic vocals borrowed from doo-wop and folk; a band so reliably great that it makes the huge step forward in confidence and sheer musicality that is News of the Universe all the more formidable. Cleveland, also a writer and painter, has developed into a truly original songwriter with her own canon of haunted psychedelia. Yet if Cleveland has spent years writing songs about ghosts, what lurks in the shadows of News of the Universe is nothing less than death itself. "There are moments on this album that sound to me like the last frantic confession before an asteroid destroys the earth," says Cleveland. The powerful sense of openness that permeates News of the Universe is at least partially due to the fact that it is a record made entirely by women-from the performing, writing, and producing all the way through to the recording, engineering, and mastering. Working with producer Maryam Qudos (Spacemoth), the all-female environment allowed Cleveland to feel safe tapping into difficult places and expressing hard emotions women are socialized to suppress. Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, News of the Universe is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond current musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on News of the Universe, which might be La Luz's most brutal record to date but also their most blissful.

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Twenty One Pilots

LP | 2024 | EU | Original (Atlantic)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Sun Dog Black Vinyl Edition

Maidavale

LP | 2024 | EU | Original (Silver Dagger)

23,99 €*

Papercuts Singles Collection 2000-2023 Black & Red Splatter Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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MaidaVale paint with a larger, bolder and brighter color palette on their third album Sun Dog.

Without losing sight of their characteristic kraut rock influences, the band have more than ever immersed themselves into their unique take on neo-psychedelia

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Linkin Park

2LP | 2024 | EU | Original (Warner Bros.)

59,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Can We Please Have Fun Apple Colored Vinyl Edition

Kings Of Leon

LP | 2024 | EU | Original (Capitol US)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The High Life EP Record Store Day 2024 Blue Splatter Vinyl Edition

Bloc Party

12" | 2024 | Original (Infectious)

LP | 2024 | Original (Capitol)

Release: 2024 / Original

Genre: Rock & Indie

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12" release of the current Bloc Party EP from 2023 in blue splatter vinyl.

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Kings Of Leon

Can We Please Have Fun

Release: 2024 / Original

Genre: Rock & Indie

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Sleep Now Forever Record Store Day 2024 Edition

Sorrow

2LP | 2024 | Original (Night School)

35,99 €*

There's A Big Star Outside Clear Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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Sleep Now Forever is the second and final album released by Sorrow, the post-Strawberry Switchblade group fronted
by singer Rose McDowall. Originally released in 1999 and long since deleted it is a cornucopia of pastoral, elegiac folk
music, swirling atmospherics, hymnal compositions and above it all the alternating towering and fragile vocal
performances of McDowall. Recorded in the late 90s with fellow band member and co-songwriter Robert Lee, Sleep
Now Forever is the definitive statement by the now defunct group and Rose McDowall’s most complete long-form work
to date.
Released through the group’s own Piski Disk Records, Sleep Now Forever was distributed by World Serpent which
struggled through the early 2000s with financial woes, eventually folding due to bankruptcy in 2004. Due to the company’s
troubles, Sleep Now Forever was never distributed widely and was a victim of the company’s failure. Released on CD only,
original copies are now rare and only traded on second hand channels. Remastered by Mikey Young for a limited vinyl release,
Sleep Now Forever will be released on April 20th on double vinyl format, with one side an exclusive etching by Glasgow artist
Holly Allan.
Despite its rarity, Sleep Now Forever enjoys a firm cult following. The album’s textures are expansive, lush, deliciously detailed
and celestial. Recorded in home study Velvet Hole by Rose McDowall and then-husband Robert Lee, the album enlists an
array of players from the underground Neo-folk / industrial scene: Nigel McKernaghan (Uilleann pipes, Whistles), Susan
Franknel (Bassoon), John Contreras (Cello) and Lawrence Frankel (Oboe, Cor Anglais). The eleven songs here revolve
around McDowall’s instantly recognisable voice. Brought up singing in the Catholic Church, McDowall’s vocals are impeccable
and angelic, particularly on tracks like Turn Off The Light where her experiences with religion are canted over soaring oboe
and guitar backing. By far the most evolved and realised version of Sorrow’s vision, it feels somewhat criminal that music this
beautiful could be lost to time until now.
McDowall’s lyrics throughout Sleep Now Forever deal frankly with mental health, depression, altered states, death and
redemption. Wave upon wave of harmony drench each song, McDowal’s vocal multi-tracked and imperious. Opener Soldier
benefits from Robert Lee’s use of the studio as instrument, summoning forth a lilting group performance of sparkling guitar and
percussion that recalls the Velvet Underground. Mikey Love’s master treats the compositions to brand new frequency
dynamics and space. Harmonium and string drones form the counter to McDowall’s vocal on Love Dies, a slow, lurching
lament that feels transcendent. On Haunting, the arrangement is orchestral and aching, bleeding into Fear Becomes You, with
chord and harmony structure that recalls the baroque sixties pop of West Coast Pop Experimental Art Band or the 60s
psychedelic folk movement. A towering, beautiful statement, this elegy for times lost and moonlit-illumination is finally
resurfacing from the darkness.
Sleep Now Forever is being released on 2LP on April 20th, 2024. Limited to 500.

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Swim Deep

LP | 2024 | EU | Original (Submarine Cat)

33,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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In This City They Call You Love

Richard Hawley

LP | 2024 | EU | Original (BMG Rights Management)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Dark Matter Record Store Day 2024 Black Ice & Yellow Vinyl Edition

Pearl Jam

LP | 2024 | Original (Republic)

53,99 €*

Uchu The Best Of Fishmans Orange Version

Release: 2024 / Original

Genre: Rock & Indie

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Special Record Store DAY Vinyl Variant/package -> neues Studioalbum als RSD Special Edition (black ice & yellow LP)

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Fishmans

2LP | 2024 | JP | Original (Universal)

59,99 €*

La Fleur Colored Vinyl Edition

Release: 2024 / JP – Original

Genre: Rock & Indie

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Preorder shipping from 2024-08-02

Drummer Kinichi Motegi, currently with the Tokyo Ska Paradise Orchestra, curated a selection of tracks for this album based on the concept of "Kuchu (Aerial)" and "Uchu (Universe)," featuring music from two labels in 2005. The album has been highly requested by Fishmans fans for an analog version and is available as a limited edition on clear sky blue 2LP.

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Kelley Stoltz

LP | 2024 | UK | Original (Agitated)

Up On Gravity Hill Yellow Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Between outside musical projects, pushing past 50 years old and becoming a father for the first time, San Francisco psych-pop legend Kelley Stoltz has spent the past two years steadily writing and recording his 18th album, “La Fleur”. The dazzling 12 song collection will be released in June by Agitated in Europe/UK and Dandy Boy Records in the USA. “La Fleur'' finds Stoltz once again playing nearly all of the instruments on the album- though a new friendship with pop guru Jason Falkner has led to Falkner appearing on two songs, “Hide In A Song” and “Make Believer” respectively. There’s the requisite 60’s meets 80’s pop rock confections that Stoltz favors with a new focus on out front vocals and perhaps a bit shinier production. Pandemic era blues, politics and fatherhood are lyrical touchstones throughout. The album’s first single “Reni’s Car” is the jangle rock lead single based on an actual event of Kelley riding around Manchester in the Stone Roses drummer's car. The accompanying music video was shot (partially) on location. “About Time” marries Twin Peaks synths to Fleetwood Mac and Avalon era Roxy Music in a cautionary tale to Stoltz's young daughter. “Human Events” puts revolutionary prose to a Moody Blues strum that floats off into Osees territory …and do I hear a nod to Gershwin in there? During the 2010’s Kelley played live as a sideman with Rodriguez and Echo & the Bunnymen, as the 2020’s dawned he was invited to support Pavement on their big reunion tour. He’s also been heard playing drums live with Robyn Hitchcock as well as adding sitar to Hitchcock's last two albums. In 2022, Stoltz was championed with a live appearance on Marc Riley’s Bbc6 show. As producer, he has recorded the new album by Brigid Dawson formerly of the Ohsees. In my ears, Stoltz rarely does any wrong, and these comparisons are only just that little fruit to get you curious- he is still one of a kind. An under the radar hero to a few, and still after all these great songs, deserving of more. Climb on the bandwagon - as ever it’s quite pleasing here. - George Cloud San Francisco, CA 2024

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Metz

LP | 2024 | EU | Original (Sub Pop)

Bleed Like Me 2024 Remaster Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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With time, we come to understand the way the joy of connection is mirrored by the void of loss, how the constancy of love is matched only by the impermanence of life, the simple idea that we could not create light if we did not risk the dark - we'd never need to. So it is with Metz, a band once known for blowing out eardrums with songs of joyous rage who have, over their past few records, begun exploring ways to turn abrasiveness into atmospherics, the evolution of their sound not only a reflection of the maturing of the band themselves but also of a changed world that demands nuance and compassion to comprehend and to survive. It was a journey already underway on 2020's Atlas Vending, but one that reaches new heights on Up On Gravity Hill, where the Canadian trio creates a kaleidoscopic sonic world as tender as it is dark, aided once again by engineer Seth Manchester (Mdou Moctar, Lingua Ignota, Battles, The Body). Deep, detailed, and unyieldingly personal, it is not only Metz's most powerful record to date but also their most beautiful. Still three punks from Ontario at heart, guitarist and vocalist Alex Edkins, drummer Hayden Menzies, and bassist Chris Slorach waste no time as opener "No Reservation/Love Comes Crashing" sweeps in like a wave, sonically and thematically setting the scene for the record to come. A dynamic song about feeling suspended in stasis, layers of dissonance melt into a restlessly heady outro marked by escalating crescendos of shimmering noise that reach for the stars - and is that a violin quivering brightly beneath those elegant swells of guitar, those charging drum fills, those intricate bass lines? It is indeed, courtesy of composer Owen Pallett; his presence an immediate indicator that Metz are thinking more cinematically than ever before. The change is partially inspired by Edkins' work as a scorer for film and television and his pop-leaning solo project, Weird Nightmare, where, he says, he learned to write more intuitively, letting his emotions lead the way. But make no mistake: Up On Gravity Hill is a total band effort, the work of three musicians who have been playing together for over a decade, with all the trust that entails. For those who believe in the power of the rock band to exemplify the highest resonance of human connection, there is much on Up On Gravity Hill to lift the spirit, a puzzle worth repeated listening to unlock or just to get lost in again and again. Rather than the music being flattened into a single plane, the band explores "the space above the cymbals," resulting in some of the most spacious, sympathetic, and accessible songs - could we call them pop? - of their career. If this seems contradictory, well, Metz has always been something of a contradiction. "We've never been heavy enough for metal or hardcore purists, but we're way too heavy for indie rock. We just don't have a lane - and that's okay. We exist outside the lines of delineation. I think this record is even more like that," says Edkins.

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Garbage

2LP | 2024 | EU | Original (BMG Rights Management)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Tu Es Un Etre Parfait Laisse-Moi Faire!

Fleur

7" | 2024 | EU | Original (Soundflat)

13,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Guru Guru - Floh De Cologne

Krautrock Box

3LP | 2024 | DE | Original (ZYX Music)

Release: 2024 / DE – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Bureau B)

Faust

Momentaufnahme III

Release: 2024 / EU – Original

Genre: Rock & Indie

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Postindustrial Hometown Blues Black Vinyl Edition

Big Special

LP | 2024 | UK | Original (So)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Infants Under The Bulb Black Vinyl Edition

Uranium Club

LP | 2024 | Original (Static Shock)

Release: 2024 / Original

Genre: Rock & Indie

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Ohio Players Red Vinyl Edition

The Black Keys

LP | 2024 | Original (Nonesuch)

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2013 | Reissue (Glassnote Entertainment Group)

Phoenix

Bankrupt!

Release: 2013 / Reissue

Genre: Rock & Indie

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2LP | 2024 | EU | Original (Cargo)

Electric Orange

33,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Reds, Pinks And Purples

Unwishing Well White Vinyl Edition

LP | 2024 | UK | Original (Tough Love)

Revelator Black Ice Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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The cinema of the scenes as told from the heart and spirit of the omniscient narrator shines through the awe-inspiring oeuvre of Glenn Donaldson's canonical titan that is The Reds, Pinks & Purples. The storied and esoteric histories of every underserved underdog becomes immortalized in records and poignantly penned paeans that evoke the eras and underachievers that became synonymous with their own respective corresponding localized micro-movements. Donaldson channels that psychic spirit and journeyman earned wisdom to provide contemporary era rock operas that eulogize tales of infinitely influential rises and falls. Crystalizing the tragic self-celebrating kingdoms of fortunate failures, false heroes, music press deities of limitless deceit, hometown dive gods and humanity in the grips of all its romanticized wonder and woe — the latest sortie of the sensational and spectacular takes aim at the threads of hope and an untethered abandon into the intimacy and dualities of idolatry and isolation with Unwishing Well.

Ever since its emergence from the harried late 2010s — The Reds, Pinks & Purples have become the absolute encapsulation of Donaldson's own proliferation and prestige. From a musical legacy that chronicles a long list of minor successes and major tragedies; Glenn distills the timelines of distinction from yesterday, today, tomorrow and whatever may be into a musical phenomenon that embodies something more than all of its analogous inspirations. Beyond the clamor about the retro cult pop artistic allusions and tropes that can be found in those spirit expanding kaleidoscope chord chimes; Donaldson takes you on a guided tour through the San Francisco underground movements that would have been, could have been or perhaps never were at all from the start. The Reds, Pinks & Purples’ coveted catalog inadvertently, consciously or unconsciously, offers an authorized and anonymous history of imperfect and ambitious debutantes, dilettantes, auteurs, et al. The lauded visionaries whose volition informed the big money touring stage headliners, but only enjoyed a fleeting jaunt through the glorious corporate clad carnival canopies from the touring circuit routes and tech funded festival tent tabernacles. Unwishing Well is a eulogy for the buzz bands that crashed, the wily one hit wizards, and omnipresent (and often uninspired) eternal aesthetes who work the lucrative outlets of licensing media markets.

Glenn pulls no punches with the promiscuity of the pop machines and their exploited propped up brand ambassadors on the cutting "Your Worst Song is Your Greatest Hit" that tangles with the lumbering and inescapable creatives and careerist trajectories that trade in boardroom playbooks and verticals. Expressions and influencers break out into the collective commissaries of commerce exhibitionism on “Public Art”, to auditing the forums of fandom that pertain to developed affinities and the roads to rabid infatuation with the obsessive in earnest, “Learning to Love a Band”.

And while the Glenn spins many yarns on the under-appreciated secret histories of DIY, Unwishing Well offers cathartic hymns of modern malaise. Sighing in lamentation of regressive trends, “What’s Going on with Ordinary People'' balks with concern over contemporary states of devolution, while “Faith in Daydreaming Youth” questions what vestiges of hope and valor can be found in the new vanguards of political bodies that govern the world’s sovereign daydream nations. The dustbins of dastardly discontinuity are imbued with desire and grief on the dramatist tragedy of “Dead Stars in Your Eyes”, to basking in the discarded ditches of the damned below in voids of obscurity on “Nothing Between the Lines at All”. The human addiction to languishing in anguish, misery and negativity tussles, tosses and turns on “We Only Hear the Bad Things People Say”, the penultimate ode to inherent human infallibility as Donaldson rides the audience out into the gilded sunset glow of “Goodbye Bobby”.

The central set piece of Unwishing Well revolves around the title track that wrestles with wellness and wishes tempered by the sobering reality of ultra pragmatic skepticism. Donaldson shows the audience where the dream falls short, an indictment on the fickleness of wants and the life/work/art balances of making it all work. It's the group that never makes it, the idea that never gets off the ground, the recognition that never arrives, the raise that is never awarded, nor the promotion to the next ladder rung that remains laughably inaccessible. Glenn has the gift of bridging the divide between the hunger artist, their adoring cult public and the common threads that connect these local and global communities through the humanist cause of collective commiseration.

As increasingly found in the continued adventures of The Reds, Pinks and Purples canon — Glenn circles the drain of surrendering to unabashed sentimentality in passions worthy of being showcased as the top headlining spot that your favorite revered then later reviled pop act never even had the chance to claim or ascend. Unwishing Well uplifts and uproots the undercurrents that carry the commonalities between the spectators and the spectacles. Donaldson pays homage in heart to everything and everyone that never got their due or to the lucky ones that made the grade, but paid an ultimate price. The cycle of these pop vignettes depict successes and failures in the same sentences, existing within the same stanzas, where the stories of making it and breaking it operate as events that live on different sides of the same coin. Unwishing Well is a reflection of us, the icons we adore, the Adonises we worship, the false prophets that proselytize the edicts from theses cults of personality, the fallouts, the third acts and the artistic fabrics that spool these sub-sects of artful dodgers into the stuff of legend.

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Phisphorescent

LP | 2024 | EU | Original (Verve)

What You've Got To Lose To Win It All

Release: 2024 / EU – Original

Genre: Rock & Indie

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Phosphorescent’s Matthew Houck has announced "Revelator", a new album of nine original songs out April 5 that marks his debut for Verve Records. Grappling with the quiet obstacles and unspoken truths that come with the gravity of navigating home, partnership and family, Revelator ruminates on questions that can be difficult to answer: why a seemingly idyllic life can be defined by an ambient sense of dread, or the natural ways we drift from each other and from ourselves. But true to its title, this is a work intent on finding hard-won reclamation, reinvention and revelation in life's day-to-day.

Since 2001, Matthew has been active in the Indie Rock scene and has accumulated eight studio albums to date – performing at countless festivals internationally solo and on guitar and vocals with a full six-piece bands. He has collaborated with fellow Indie greats such as Father John Misty and mixed his 2018 record with Vance Powell (Jack White, Phish, Chris Stapleton). A career highlight includes his 2013 record: ‘Muchacho’, his most recent album was 2018’s ‘C’est La Vie’. Currently based in Nashville, TN – Phosphorescent continues to be a notable indie figurehead and his return after five years is anticipated by fans and critics alike.

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The Howlers

LP | 2024 | UK | Original (Dead Centre)

So Medieval White Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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The debut album promises glorious, expansive songs that conjure up cinematic landscapes a long, long way from London’s East End. Escapism, perhaps, but entirely understandable and justified given what frontman Adam has experienced over the last two years. Two life threatening illnesses in the course of two months, the loss of four family members and two close friends and the following immeasurable grief have all played a huge part in the creation of the album, the devoted bond between bandmates and the unique connection between the band and their fanbase.

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Blue Bendy

LP | 2024 | UK | Original (The state51 Conspiracy)

Forgiveness Is Yours Cloudy Clear Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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‘So Medieval’ captures all the musical foibles, idiosyncrasies and departures from the norm which Blue Bendy have displayed across their previous releases. Expressing their sound over the course of a full record for the first time, ‘So Medieval’ is an explosive mix of genre, atmosphere and emotions. The end result is something rare for a new band: a debut album which is as experimental as it is confident and assured, as tender as it is visceral, as quiet as it is loud, as bloody as it is teary.

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Fat White Family

LP | 2024 | UK | Original (Domino)

Release: 2024 / UK – Original

Genre: Rock & Indie

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I'm Totally Fine With It Don't Give A Fuck Anymore Black Vinyl Editoin

Arab Strap

LP | 2024 | EU | Original (Rock Action)

27,54 €* 28,99 € -5%

Release: 2024 / EU – Original

Genre: Rock & Indie

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Angeltape Obsidian Vinyl Ediiton

Drahla

LP | 2024 | US | Original (Captured Tracks)

Release: 2024 / US – Original

Genre: Rock & Indie

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Boundary Road Snacks And Drinks / Sweet Princess Blue Vinyl Edition

Dry Cleaning

LP | 2024 | UK | Original (4AD)

26,59 €* 27,99 € -5%