Indierock | Alternative Vinyl 16545 Items

Release: 2021 / EU – Original

Genre: Rock & Indie

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12" | 2020 | EU | Original (FKJ)

FKJ

Ylang Ylang

18,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Punisher Black Vinyl Edition

Phoebe Bridgers

LP | 2020 | US | Original (Dead Oceans)

Release: 2020 / US – Original

Genre: Rock & Indie

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Nick Cave & The Bad Seeds

Ghosteen

2LP | 2019 | UK | Original (Ghosteen Ltd)

Release: 2019 / UK – Original

Genre: Rock & Indie

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2LP+CD | 2019 | EU | Original (Touch & Go)

Shellac

The End Of Radio

32,99 €*

Transient Random Noise Black Vinyl Edition

Release: 2019 / EU – Original

Genre: Rock & Indie

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Shellac Album Nummer 6, The End of Radio, besteht aus zwei bisher unveröffentlichten John Peel BBC Radio Sessions. Die erste Session wurde 1994 im BBC Maida Vale Studio 3 aufgenommen und ursprünglich im Juli 1994 in John Peels BBC Radio One Show ausgestrahlt. Die vier Songs wurden auf 24 Spuren aufgenommen und am selben Tag in Stereo gemischt. Während im Oktober 1994 auf dem Debütalbum "At Action Park" eine Studioversion von "Crow" veröffentlicht wurde, tauchten die Studioversionen von "Canada", "Disgrace" und "Spoke" erst viel später auf den Shellac-Alben Terraform (1998) und Excellent Italian Greyhound (2007) auf, so dass die 1994er Peel Session-Versionen für mehrere Jahre die einzigen offiziellen Aufnahmen dieser Songs waren. Die zweite Peel Session von 2004 ist ein "Live From Maida Vale" Konzert, das live in Stereo vor einem kleinen Publikum im BBC Maida Vale Studio 4 aufgenommen wurde. Es wurde ursprünglich im Dezember desselben Jahres ausgestrahlt. Wie bei der Session 1994 enthielt diese Aufnahme Songs, die zu dem Zeitpunkt unveröffentlicht waren und erst Jahre später als Albumversionen erscheinen würden. Studioversionen von "The End of Radio", "Steady As She Goes" und "Paco" wurden 2007 auf Excellent Italian Greyhound veröffentlicht. DIE BAND: Steve Albini - Gitarre / Todd Trainier - Schlagzeug / Bob Weston - Bass Shellac record number 16, The End of Radio, is comprised of two previously unreleased BBC Radio Peel Sessions. 1994 PEEL SESSION TRACK LISTING: Spoke / Canana / Crow / Disgrace The 1994 session was recorded at BBC Maida Vale Studio 3 and originally aired on John Peel's BBC Radio One show in July of 1994. The four songs were recorded to 24-track and then mixed to stereo on the same day. While a studio version of "Crow" was released in October of 1994 on the band's debut album At Action Park, studio versions of "Canada", "Disgrace", and "Spoke" would not appear on any Shellac albums until much later (1998's Terraform and 2007's Excellent Italian Greyhound) - making the 1994 Peel Session recordings the only official recordings of these songs for several years thereafter. 2004 PEEL SESSION TRACK LISTING: Ghosts / The End of Radio / Canada / Paco / Steady As She Goes / Billiard Player Song / Dog and Pony Show / Il Porno Star The 2004 Peel session is a "Live From Maida Vale" session recorded live to stereo in front of a small audience at BBC Maida Vale Studio 4. It originally aired in December of that same year. As with the 1994 session, this recording includes songs that were previously unreleased and would not appear as album versions until years later. (Album versions of "The End of Radio", "Steady As She Goes", and "Paco" were released in 2007 on Excellent Italian Greyhound.) PACKAGING Both the 2xLP and the 2xCD formats are packaged in a top-load single pocket wide spine jacket with two printed inner sleeves. The 2xLP includes a single CD of the full album. QC The LP was mastered at Chicago Mastering Service. The vinyl pressing was manufactured at RTI in Camarillo, California, on 180 gram audiophile quality vinyl. TOURING The band will continue to play shows or tour at the same sporadic and relaxed pace as always. There is no correlation between shows and record releases. There will be more new material in the future.

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Stereolab

3LP | 2019 | UK | Original (Duophonic UHF Disks)

LP | 2010 | EU | Original (Jackpot)

Release: 2019 / UK – Original

Genre: Rock & Indie

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Reissue of their 1993 album plus demos, outtakes and alternate mixes. Comes in gatefold sleeve with 24" poster.

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Wipers

Youth Of America

Release: 2010 / EU – Original

Genre: Rock & Indie

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LP | 2010 | EU | Reissue (Grönland)

Neu!

Neu! 75

Release: 2010 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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2LP | 2010 | EU | Original (City Slang)

Caribou

Swim

Lemons, Limes And Orchids Tangerine Vinyl Edition

Release: 2010 / EU – Original

Genre: Rock & Indie

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Incredible new LP by Caribou. Similar to Four Tet, this one is more pulsating and dancefloor-oriented than his previous work, while keeping the experimental folksy edge we all love. Looooovely!

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Joan As Police Woman

LP | 2024 | EU | Original (Play It Again Sam)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-09-20

With You In Spirit Cloudy Lavender Vinyl Edition

Balance And Composure

LP | 2024 | EU | Original (Memory Music)

Brainwashed Remastered Red Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Cloudy Lavender Vinyl. with you in spirit, the fourth Balance and Composure LP, is an arresting,atmospheric collection of melodic post-punk and towering rock. Due out October4 on long-time collaborator and Grammy-nominated producer Will Yip'sMemory Music, it's the band's first LP in eight years, and a thrilling full-lengthcomeback after their four-year hiatus. It thunders and stirs, dipping betweenbeautiful, crystalline arrangements and punishing, earth-shaking climaxes;in between all, a gripping, near-physical tension crackles and growls andgrooves, waiting to rip open.It's an intensely self-reflective record for vocalist and guitarist Jon Simmons,an uprooting and examination of the supports on which a life is built.Preemptive grief, wrestling with god and faith, familial responsibility, familialmortality_these are the things Simmons was carrying while writing thismaterial. They're also things he was trying, for better and worse, to avoid_hence the record's title.with you in spirit feels like the work of songwriters reaching new heights, exploringnew depths. Sometimes, the record itself feels like a band grapplingwith its own avoidance, its own mortality, and deciding to face these thingsthe only way they know how. Balance and Composure are with us in spirit,yes, but in the flesh, too, for now.

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While She Sleeps

LP | 2024 | EU | Original (Sony Music Catalog)

Release: 2024 / EU – Original

Genre: Rock & Indie

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She Reaches Out To She Reaches Out Clear Vinyl Edition

Chelsea Wolfe

LP | 2024 | Original (Concord)

Release: 2024 / Original

Genre: Rock & Indie

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In Search Of The Cosmic Tale: Crossing The Galactic Portal Black Vinyl Edition

Nebula / Black Rainbows

LP | 2024 | EU | Original (Heavy Psych Sounds)

18,99 €*

My Light, My Destroyer Pink Clear Wave Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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There’s not much to add, two of the greatest Heavy Psych bands of the scene join the forces to give birth to an incredible Split Album. Packed with 32 minutes of the highest quality heavy rock you can find out there; a joint venture which can happen only once every 100 years!! Heavy Psych king-pioneers Nebula bring to life three brand new songs, recorded expressly for this incredible project. Three new gems which follow their latest “Holy Shit” and “Transmission….”

Black Rainbows add in three songs of their own, handpicked from the recording session of their latest success “Superskull”, released back in 2023. Delivering two Stoner in-your-face Heavy Fuzz pieces and one Heavy Space tune to celebrate this awesome collaboration!! The cover art pairs perfectly with the vision and vibe of the album and is credited to the mighty Simon Berndt.

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Cassandra Jenkins

LP | 2024 | US | Original (Dead Oceans)

Words And Music Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Cassandra Jenkins is quite simply one of the best songwriter-storytellerscurrently making music. Hers is a specific and singular corner of the Great AmericanSongwriters, artists like David Berman, Adrianne Lenker, Jeff Tweedy and Sufjan Stevens.They're artists connected by a sense of immediacy, not just in the writing - which is precise,evocative, brutal at times, pitch-back funny right when you need it - but by their delivery, bythe way they sing with an immersive, total belief that carries you through their songs. Theseare the artists and songs that sneak up and really live with us forever, and on My Light, MyDestroyer, Jenkins joins their ranks.What's most remarkable about My Light, My Destroyer is it captures anartist at an exciting leap in her evolution. So much about the album feels of-a-kind with itspredecessors; field recordings and found sound permeate, narrative songwriting crashesinto heady, swirling compositions. Jenkins sings with what can only be described as a powerwhisper(think Sufjan Stevens, Annie Lennox, Margo Timmins or YHF-era Tweedy), hervocals up close and intimate but subtly confrontational. But it all feels bigger here, morefinely honed, bolder and richer than her previous work and than her peers.Born and raised in New York City, Jenkins has been touring and performingsince she was a child, self-releasing her early recordings before releasing breakthrough AnOverview on Phenomenal Nature in 2021. On My Light, My Destroyer, many of the songs aredevoted to specific feelings, and to really getting inside those feelings as opposed to gettinginside a narrative arc. Lead single "Only one" is one example, as Jenkins's asserts that amoment, or a song, can be wholly myopic; it can embody a singular feeling, and provides noanswers.Songs like Devotion, Delphinium Blue, Clams Casino, Echo, and Only One,speak to the liberating quality of focused observation, even to the point of disillusionment."There's this idea about disillusionment that I've held on...

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Margo Guryan

3LP | 2024 | US | Original (Numero Group)

71,99 €*

Michael & The Red Elastic Band Head

Release: 2024 / US – Original

Genre: Rock & Indie

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Witness to revolutions in jazz and pop,Margo Guryan earned her place in thesongwriting pantheon and then some.That she was largely unknown for decadesis not the stuff of crushed dreams, but aresult of her own choices and priorities.From humble beginnings to the peaks ofher 1968 baroque pop masterpiece Takea Picture and the collected Demos to therecent viral ubiquity of "Why Do I Cry",Words and Music captures the entirety ofGuryan's career, featuring 16 previouslyunreleased recordings and a 32-pagebooklet telling the whole story.

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Loophole

LP | 2024 | EU | Original (Virgin Music Las)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Poptical Illusion Black Vinyl Edition

John Cale

2LP | 2024 | UK | Original (Domino)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Anama Olive Green Vinyl Edition

Crumb

LP | 2024 | EU | Original (Crumb)

Release: 2024 / EU – Original

Genre: Rock & Indie

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All HHV Exclusive Red Vinyl Edition

Eat Them

LP | 2024 | EU | Original (Fun In The Church)

Cyan Blue Colored Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie, Pop

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Limited to 100 copies.

Coming-of-age heartbreak madness in 90s indie rock style from the Ruhr area! Here come EAT THEM, ladies and gentlemen. Behind it is the musician Johannes Hofmann, who has recorded more than 20 albums single-handedly to date. And don't worry, Johannes is only in his mid-20s, he just started recording music at the age of 14, which he then burned onto CDs for his grandma to play. A little later: The own Bandcamp account.
Now a kind of best-of collection from the first 10 years of his creative work will be released at the end of June: EAT THEM ALL!

12 tracks on vinyl with a small art zine included. Everything designed by Johannes Hofmann himself.

All songs remastered by Norman Nietzsche. Lo-Fi becomes Hi-Fi Lo-Fi in no time!

The LP is intended as an introduction to the inexhaustible EAT THEM multiverse. Because there is about as much to discover here as on the legendary Shimmy Disc label or the Guided By Voices: indie rock, lo-fi pop, shoegaze, krautrock, math rock, punk rock or heartbreaking power ballads! In the meantime, Johannes has found two colleagues to bring EAT THEM live on stage. Please don't miss this!

As (Tocotronic discoverer) Myriam Brüger recently said so beautifully after the first EAT THEM show in Berlin: “Finally a really uncool band again!” That was actually meant as a big compliment!

In keeping with the holistic aspect of the project - and complementing the band name - titled "ALL", the album covers the full spectrum: from drum machine and sonic youth guitar melange, nervous post-funk to anthemic lo-fi indie -Rock, everything an indie heart desires can be found here.

The first single released today is “Do You Love Me When I’m Dead?”, a catchy song that takes place sonically where it is most beautiful in the rich history of suburban pop: in the garage. The piece reflected the live line-up, which was expanded to include bass and drums. The beat clatters happily and the open guitar chords flow! However, Hofmann transcends the suburbs with reverberated singing about an emotional urge to move and flies into the city, the disco or even through clouds and the landscape.

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Charlotte Day Wilson

LP | 2024 | UK | Original (XL)

Hopes And Fears 20th Anniversary Colored Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Today, the Toronto-born-and-raised singer, songwriter, producer, and multi-instrumentalist Charlotte Day Wilson announces her highly-anticipated sophomore album Cyan Blue out May 3rd via Stone Woman Music / XL Recordings Along with the announcement of her new album comes the release of first single, "I Don"t Love You", a stark and devastatingly beautiful confessional, highlighting Wilson"s immaculate production skills and chill inducing vocals laid atop smooth groove piano chords and soft drums. The track also arrives with a visual directed by Dani Aphrodite featuring layered low fi footage of the artist and producer performing at home, living every day life and having moments of solitude in her car, a theme that comes up throughout the album. Cyan Blue finds Wilson crafting a smoothly woven cyan tapestry of her eternal influences; thumping gospel piano, warm soul basslines, atmospheric electronics, and penetrating R&B melodies. Yet, it possesses a sense of vastness that rings in a new era for Wilson, one in which she"s embracing collaboration and newfound creative openness tinged with wistfulness and yearning and a reflection on youthful innocence. "I want to look through the unjaded eyes of my younger self again," Wilson explains of making Cyan Blue. "Before there wasn"t as much baggage, before so much life was lived. But I also wish that my younger self could see where I am now. It would be nice to be able to impart some of the wisdom and clarity that I have now onto her." Working with producers like Leon Thomas (sza, Ariana Grande, Post Malone), and Jack Rochon (HE.R, Daniel Caesar), Cyan Blue demonstrates Wilson"s sonic expertise while also showcasing the next evolution of her time-bending songwriting. Through 13 hypnotizing tracks, she continues to use music as a vessel for unpacking relationships, which in turn allows her to meet and understand herself in life-spanning, panoramic focus. But, on Cyan Blue, she challenged herself to kick her perfectionist tendencies. "Before, I was extremely intentional about creating music with a strong foundation, a bed of artistic integrity," Wilson reflects. "But that was a bit stifling, like, "Let me just make a great piece of art that will stand the test of time, no pressure." Now, I think I"m getting out of this frozen state of needing everything to be perfect. I"m more interested in capturing feelings in the moment as they happen and leaving them in that moment." While this is only her second album, Wilson"s influence in music has made a major mainstream impact. Wilson broke out in 2016 with her critically acclaimed EP, CDW, followed by 2018"s Stone Woman and made her debut studio album an official coming out moment in 2021 with the critically acclaimed, self-released Alpha. Over the past decade, she"s been sampled by Drake, John Mayer, and James Blake, while Patti Smith has recently praised and covered Wilson"s 2016 breakout single "Work." Additionally, she"s collaborated with artists like Kaytranada, Badbadnotgood, and SG Lewis, demonstrating that there"s no sound Wilson can"t adapt to and sprinkle her cyan-colored magic over.

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Keane

2LP | 2024 | Original (Universal)

39,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Up On Gravity Hill Yellow Vinyl Edition

Metz

LP | 2024 | EU | Original (Sub Pop)

LP | 2024 | US | Original (Mom + Pop)

Release: 2024 / EU – Original

Genre: Rock & Indie

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With time, we come to understand the way the joy of connection is mirrored by the void of loss, how the constancy of love is matched only by the impermanence of life, the simple idea that we could not create light if we did not risk the dark - we'd never need to. So it is with Metz, a band once known for blowing out eardrums with songs of joyous rage who have, over their past few records, begun exploring ways to turn abrasiveness into atmospherics, the evolution of their sound not only a reflection of the maturing of the band themselves but also of a changed world that demands nuance and compassion to comprehend and to survive. It was a journey already underway on 2020's Atlas Vending, but one that reaches new heights on Up On Gravity Hill, where the Canadian trio creates a kaleidoscopic sonic world as tender as it is dark, aided once again by engineer Seth Manchester (Mdou Moctar, Lingua Ignota, Battles, The Body). Deep, detailed, and unyieldingly personal, it is not only Metz's most powerful record to date but also their most beautiful. Still three punks from Ontario at heart, guitarist and vocalist Alex Edkins, drummer Hayden Menzies, and bassist Chris Slorach waste no time as opener "No Reservation/Love Comes Crashing" sweeps in like a wave, sonically and thematically setting the scene for the record to come. A dynamic song about feeling suspended in stasis, layers of dissonance melt into a restlessly heady outro marked by escalating crescendos of shimmering noise that reach for the stars - and is that a violin quivering brightly beneath those elegant swells of guitar, those charging drum fills, those intricate bass lines? It is indeed, courtesy of composer Owen Pallett; his presence an immediate indicator that Metz are thinking more cinematically than ever before. The change is partially inspired by Edkins' work as a scorer for film and television and his pop-leaning solo project, Weird Nightmare, where, he says, he learned to write more intuitively, letting his emotions lead the way. But make no mistake: Up On Gravity Hill is a total band effort, the work of three musicians who have been playing together for over a decade, with all the trust that entails. For those who believe in the power of the rock band to exemplify the highest resonance of human connection, there is much on Up On Gravity Hill to lift the spirit, a puzzle worth repeated listening to unlock or just to get lost in again and again. Rather than the music being flattened into a single plane, the band explores "the space above the cymbals," resulting in some of the most spacious, sympathetic, and accessible songs - could we call them pop? - of their career. If this seems contradictory, well, Metz has always been something of a contradiction. "We've never been heavy enough for metal or hardcore purists, but we're way too heavy for indie rock. We just don't have a lane - and that's okay. We exist outside the lines of delineation. I think this record is even more like that," says Edkins.

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Maya Hawke

Chaos Angel

For You Colored Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Maya Hawke is a musician, songwriter, actor and producer. She has released two lauded albums of music to date, Moss (2022) and Blush (2020), both of which showcase her natural gift for songwriting and storytelling, as well as a knack for striking visual presentation with sleeve designs of her own creation. “Thérèse,” the lead single from Moss, garnered global attention with its mesmerizing Brady Corbet-directed video - and tens of millions of streams - and saw Maya make an impressive network TV performance debut on the Tonight Show with Jimmy Fallon. Maya and her band picked up a slew of rave reviews for sold out shows in the US and EU, as well as support slots for Bright Eyes and Faye Webster.

Now 25 years old, Maya’s third album, Chaos Angel, takes the spare, viscerally honest songwriting she has made her name on and goes deeper and bolder. Both her most sonically sophisticated and thematically nuanced collection to date, it feels like a culmination. Across these 10 songs, Hawke catalogs upheavals, revelations, foibles, and broken promises, all while navigating the patterns we repeat while reaching towards growth, wandering astray, and finding our way back to some core understanding of ourselves.

Chaos Angel is also a document of Hawke coming more fully into her own as a musician. More adventurous in the studio after her previous two albums, Hawke leaned into her ambition. Many of these tracks are still anchored by acoustic guitar and Hawke’s graceful yet conversational vocals, but their surroundings are more intricate and lush than ever before. She reconvened with longtime collaborators Benjamin Lazar Davis and Will Graefe, with Christian Lee Hutson serving as producer.

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BTS

12" | 2024 | JP | Original (Pony Canyon)

Infants Under The Bulb Black Vinyl Edition

Release: 2024 / JP – Original

Genre: Rock & Indie, Pop

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BTS is now one of the biggest artists in the world. "for You" was released in 2015 as their first original Japanese single, and for the first time it reached No. 1 on the Japanese Oricon singles chart. The A-side of the single will feature the song, while the B-side will include the Japanese version of "Let Me Know," which was also included on the CD release. The 12-inch vinyl will be available in pure color and transparent vinyl. This is the first analog release in 12-inch/45 RPM format from the latest digital remastered sound source.

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Uranium Club

LP | 2024 | Original (Static Shock)

22,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Amber Of Memory Black Vinyl Edition

Tommy Guerrero

LP | 2024 | US | Original (Too Good)

Opt Out Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Brand new album, released digitally in September of 2023 - now on vinyl. Black vinyl.

"The idea was to make something that would diminish the heavy times we were all experiencing in 2020/21.
Something perhaps uplifting with a hint of beauty... or at least a respite from the ugliness outside.
Not sure any of this was achieved but it’s a bit of a departure from my normal mode/style… which is necessary from time to time.

70’s drum machines, tremmed-out baritone guitars, verbed-out synth pads, warbly keys, and a slight 80’s sensibility add up to what I have coined, “Surf Goth”.

Yes, I joke but it might be on point. Who knows?
Thank you all for the continued support!!
Big Love"
TG

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Oum Shatt

LP | 2024 | EU | Original (Wanda Y.)

19,99 €*

Walls Have Ears Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Six years ago, Oum Shatt released a critically acclaimed debut album that led to Song of the Year awards from Berlin Radio Eins ("Gold To Straw") and TAZ Popblog ("Power To The Women Of The Morning Shift"), as well as BBC and Arte features and appearances at Sxsw, Transmusicales in France and Electric Picnic in Ireland.

Now, the Berlin-based band, whose members are otherwise known from bands such as Kissogram, Fenster, Die Türen, Golden Showers and Peaches, consisting of singer and songwriter Jonas Poppe, founding member Chris Imler on drums, guitarist Richard Murphy, and Rémi Letournelle on bass and synthesizer – return with a second effort that even surpasses their debut. Building on the minimal-rock style of their debut album (Vogue Magazine), OUM Shatt weaves a mystic, at times psychedelic soundscape with meandering guitars, a wild percussive aesthetic, and Jonas Poppe’s evocative, mantra-like baritone. "Opt Out" also stands as a thematic concept album, delving into the individual's various forms of resistance against societal expectations. While drawing from obscure influences, the album remains unmistakably unique.

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Sonic Youth

2LP | 2024 | US | Original (Goofin)

General Patton vs. The X-ecutioners

Release: 2024 / US – Original

Genre: Rock & Indie

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“Culled from three 1985 gigs in the UK during a transitional and transcendent time in the band’s story, Sonic Youth’s The Walls Have Ears appeared / disappeared as a 2LP set in 1986, not just a live album but an artful tapestry full of live experimentation with songs, between-song tape segues, darkness, humor and audio verité. It’s now issued for the first time officially under the band’s auspices.

“The ’85 shows were the second time the band appeared on UK soil, Brits now getting juiced to the mythos of the emerging guitar-slinging American independent underground; an art / punk band from NYC sporting casual attitudes and tees sporting Bruce Springsteen, Madonna, and Prince made some good press copy on top of their bludgeoning stage appearance. Paul Smith of the newly-founded Blast First label acted as an overseas diplomatic envoy for Sonic Youth through their SST years as well as issuing their classic 1988 Daydream Nation outside the USA. However the Smith-produced ‘bootleg’ of their ’85 UK gigs surfaced much to everyone’s surprise, just before Evol was to be released. It turned out to be a marker of the group’s dissatisfaction that ultimately led to the release’s deletion, and the band and Smith parting ways after Daydream.

“In this 2LP set brimming with primitive classics like ‘The Burning Spear,’ ‘Death Valley 69,’ and ‘I’m Insane’ (uncredited on sleeve), segues and live guitar changes ooze together threaded by Madonna tapes and vocal loops off the board (somewhat a necessity for distraction until the band had a full fledged stage crew to prepare guitars). The first two sides of Walls are massive, cavernous, with newly-drafted drummer Steve Shelley. SY tear it up especially on one trash-fi excerpt of ‘Blood On Brighton Beach’ (actually ‘Making The Nature Scene’) from a legendary outdoor gig November 8th where [Thurston] Moore, [Kim] Gordon and [Lee] Ranaldo’s guitars treble-blast dissonant shockwaves over the black-stoned beach of Quadrophenia fame.

“The record’s second slab spotlights an April 1985 at London’s Hammersmith Palais and was one of the final appearances live of Bob Bert on drums, again featuring some molten takes on ‘Brother James,’ ‘Flower’ (listed as ‘The Word (E.V.O.L.)’), and others. This document remains an essential representation of some lean and mean years of the quartet’s throttling march out into the world.” – Brian Turner

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General Patton Vs. The X-Ecutioners Colored Vinyl Edition

LP | 2024 | US | Original (Ipecac)

Release: 2024 / US – Original

Genre: Hip Hop, Rock & Indie

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Goodnight, God Bless, I Love U, Delete Colored Vinyl Edition

Crosses

2LP | 2023 | EU | Original (Warner Bros.)

44,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (RCA International)

Bring Me The Horizon

Post Human: Nex Gen

Release: 2024 / EU – Original

Genre: Rock & Indie

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Honey Bones Transparent Yellow Vinyl Edition

Dope Lemon

2LP | 2021 | EU | Reissue (BMG Rights Management)

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Dance, No One's Watching Opaque Red Vinyl Edition

Ezra Collective

2LP | 2024 | UK | Original (Partisan)

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Back Catalogue Pink Vinyl Edition

Sprints

LP | 2022 | EU | Reissue (Nice Swan)

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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LP | 2024 | UK | Original (Rocket)

Gnod

Spot Land

How Will I Live Without A Body Neon Orange Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Gnod, the ever-transient psychedelic musical unit from northern England with over 15 years and dozens of releases under their belt, return in 2024 with a recalibrated sound and a new sense of freedom. Spot Land’s five songs are tender and detailed, unfolding slowly with wistful guitar textures, brushed drums and interjections of lap steel, piano and kalimba.

As founder member Paddy Shine says, the results sound like old Gnod and new Gnod at the same time. On the face of it, Spot Land is a big step away from the intense, loud, sludgy offerings found on the group’s more recent studio albums, such as 2022’s Hexen Valley – nevertheless, these too are heady fogs to lose yourself in, with on-record personnel starting at different points and meeting on the same wavelength. Its exploratory sense might make seasoned Gnod heads think of 2014 triple LP Infinity Machines, or really early oddities like The Somnambulist’s Tale from 2008, but you can also jump in right here if needs be because Spot Land has its own unique vibe too.

The album was recorded in a Rochdale mill over four days in August 2023, with Paddy handling all the production and mixing – the first time he’s been fully in the hot seat for any Gnod release. He’s also the only member to feature on each of the five tracks, with others coming and going in suitably informal manner. Everyone – Paddy, fellow Gnod founder Chris Haslam, Alex Macarte, Raikes Parade and Al Wilson – plays at least two instruments over these 40 minutes. There are no vocal credits among them, but Spot Land is embellished beautifully by sampled voices, notably on the album’s opening and closing pieces. Benedictine monks intone hymnally on ‘Peace At Home’, gliding over the top of jazzy, graceful desert music, while during quarter-hour ambient rock frazzler ‘Pilgrim’s Progress’ we hear – yes – Christian pilgrims chanting in a church in Azores.

These songs are unquestionably the product of jamming, improvisation and an open mind, with little of any of what you hear having much in the way of a preconceived structure, but don’t imagine this to be self-indulgent or bloated, thanks especially to Paddy’s judicious editing process. ‘Luz Natural’ is a beatific beatless wonder crafted from synth, piano and lap steel, a soundtrack for a rainforest located somewhere along the Pennines. ‘Dream On’ is Spot Land’s most rhythm-forward moment, alien-sounding synths snaking through sharply shuffling bass and drums, whereas ‘Kapal Bhati’ is its height of abstraction: thumb piano, bizarro dub treatment and distant voices that could be anyone, from anywhere.

Though Gnod’s shift in sound from album to album is rarely planned too far ahead, there’s been a quiet desire among the band to do something of this nature for a while. The results might confound the expectations of some listeners, but in the longer view Spot Land is liquid Gnod. The arresting cover artwork is a showcase for Chris Haslam’s illustrative skills; his process here, he says, was “starting on something, never knowing when it’s complete, just when it feels finished. Like the music, really.”

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Loma

LP | 2024 | US | Original (Sub Pop)

LP | 2024 | Original (Republic)

Release: 2024 / US – Original

Genre: Rock & Indie

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January 2023, Dorset. Snow is piled at the door, icy roads are closed, and Emily Cross is in a coffin. Not a setting typical for a rebirth. But for Loma, this is where they bring their band back from the brink. "It's like a demon enters the room, whenever we get together", writer, singer and instrumentalist Cross says of the struggle to bring new Loma music into the world. Following the release of their 2020 second album Don't Shy Away, Loma's three members were cast around the globe and the band-not for the first time-entered a deep sleep. Multi-instrumentalist and recording engineer Dan Duszynski remained in his studio in Don't Shy Away's central Texas heart, but Cross, a UK citizen, moved to Dorset, and writer and instrumentalist Jonathan Meiburg left the US for Germany to research a book. In the pandemic years, even being in the same room was impossible, and attempts to start a new record faltered.The following winter, in an attempt to salvage the record and the band, Cross suggested they regroup in the UK, in the tiny stone house-once a coffin-maker's workshop-where she works as an end-of-life doula. With minimal recording gear and few instruments, Loma turned two whitewashed rooms into a makeshift studio, using a padded coffin as a vocal booth. It was a turning point. They scrapped much of what they'd made, letting a new place set a new course. The one-lane roads, hedgerows and dark skies of Dorset gave the new songs an ineffable but unmistakable Englishness. The band used the ruin of a 12th-century chapel as a reverb chamber-surprising hillwalkers who peeked in to find them singing to no one-and the sounds of Cross's chilly workshop wormed their way into the recording: a leaky pipe, a drummer's brushes on a metal lampshade, the voices left on an ancient answering machine.What emerged was How Will I Live Without A Body?: a gorgeous, unique, and oddly comforting album about partnership, loss, regeneration, and fighting the feeling that we're all in this alone. Many of its songs have a feeling of restl...

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The Warning

Keep Me Fed

Release: 2024 / Original

Genre: Rock & Indie

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Batman (Feat Gary The Tall & Exotic Gardens Reversion)

Die Radierer

7" | 2024 | UK | Original (Emotional Rescue)

15,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Live 1984 Ahoy Hallen Rotterdam Blue Vinyl Edition

Sade

2LP | 2024 | EU (Whp)

Five Dice, All Threes Ghostly Blue Vinyl Edition

Release: 2024 / EU

Genre: Rock & Indie

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This is the one and only Sade caught live for Veronica's Rock Night TV broadcast on September 21, 1984 in the Netherlands, just a few months after the release of her first single "Your Love Is King". Sade is backed here by her original group, an elegant, super tight line- up featuring all four members appearing on her outstanding debut album "Diamond Life" plus a two piece brass section and percussion. Needless to add that 1984 was a crucial year in Sade's career. That was when the world suddenly discovered her highly sophisticated, soulful sound world. Now, if you want to catch the whole energy of such discovery, these high quality live recordings are the right stuff to start with.

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Bright Eyes

2LP | 2024 | US | Original (Dead Oceans)

42,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-09-20

LP | 2021 | EU | Reissue (Music On Vinyl)

Cold

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-07-19

SORCS 80 Coke Bottle Green Vinyl Edition

Osees (Thee Oh Sees)

LP | 2024 | UK | Original (Castle Face)

Woodstock Sunday August 17 1969

Release: 2024 / UK – Original

Genre: Rock & Indie

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Preorder shipping from 2024-08-09

“This album [sorcs 80] was a self imposed ambitious project for us [osees]. Something to kick in the creative flow. The last few years, having been a challenging time in general, felt like a good time for a pivot. The last two albums were so guitar and keyboard centric, I wanted a weird and fun set of parameters for us to work with. I demo’d everything at home on cassette four track (harkening back to simpler times) using drum loops, and just had at it ’til I had a pile of ‘songs.’

“Tom [Dolas] and I chose one sound each using synths and created a range of three octaves of that sample, then loaded them into Roland Spd-sx samplers and learned the transcribed songs using drum sticks. The idea was to change the way we wrote and to have four people along the front of the stage essentially playing percussion. So no guitar, no keys.

“As we were recording I kept thinking how the sounds, when paired up, sounded a bit like brass. So, we added a saxophone horn section to round out the horniness of the sound with a bit of reedy bell tones. Thanks to Cansfis Foote and Brad Caulkins on tenor and baritone saxophones.

“Sort of a Dexy’s Midnight Runners meets Von LMO meets The Flesh Eaters meets the Screamers kinda punk junk. Poppy and hooky, heavy at times. Sort of vacuous and maybe a bit sci-fi in sound. Boneheaded in riff and heady in lyrics. Recorded at Stu-Stu-Studio by me on eight track 1/4-inch tape. So pretty hot and raw. Lots to write about today. A lot of these lyrics were taken from things people said in passing about taking on life right now that stuck with me. Things that made me reflect. Things that made me laugh. Things that made me WTF. Some folks are kind, genuine and give you love and energy. Some are greedy manipulative ghouls who hang off your veins. You must be strong, composed and take care of yourself. Be self aware and check your mind for cracks. Learn to relax and be well. There are moments of beauty and redemption. It’s not all bad news and there’s always hope. People continue to surprise me one way or another. Anyhow, hope you enjoy and good luck out there.” —John Dwyer

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Jefferson Airplane

3LP | 2019 | Reissue (Real Gone Music)

77,99 €*

Release: 2019 / Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-08-09

My Method Actor Amber Vinyl Edition

Nilüfer Yanya

LP | 2024 | UK | Original (Ninja Tune)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Preorder shipping from 2024-09-13

2LP | 2024 | UK | Original (Rocket)

Smote

A Grand Stream

LP | 2024 | Original (Real Gone Music)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Preorder shipping from 2024-08-23

Smote's latest album is here and is sounding superb. Drommon is a greatly involving trip through the realms of dark folk, ambient and experimental music with haunting melodies design each and every one of the intricate soundscapes. Smote once again craft an atmospheric experience that transports you to otherworldly landscapes that are rich tapestries of textures and evocative rhythms. They blend traditional instruments with modern production techniques as unique moods and emotions are explored. All in all this is compelling listen for fans of avant-garde and boundary-pushing music, whether experienced in solitude or shared with others in a larger arena.

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Crazy Town

Gift Of Game

41,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-07-12

LP | 2024 | EU | Original (Shhoamkee)

Homeshake

Horsie

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Glitterbeat)

Altin Gün

Ask

2LP | 2021 | US | Original (Ato0448lpx)

Release: 2023 / EU – Original

Genre: Rock & Indie

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The first thing that grabs you about Altin Gün"s new album is the energy. With Ask, the Amsterdam-based sextet turn away from the electronic, synth-drenched sound of their 2021 albums, Alem and Yol. While those two, created at home during the pandemic, paid homage to the electronic pop of the 80s and early 90s, Ask, marks an exuberant return to the 70s Anatolian folk-rock sound that characterised Altin Gün"s first two albums, On (2018) and Gece (2019). But there’s development here too. Ask is the closest the band have come so far to capturing the infectious energy of their live performances. "It"s definitely connecting more with a live sound - almost like a live album," says bassist Jasper Verhulst. "We, as a band, just going into a rehearsal space together and creating music together instead of demoing at home." "We didn't record it like we did the last album," agrees vocalist Merve Dasdemir. "We basically produced that one at home because of the pandemic. Now we've gone back to recording live on tape." How many more worlds do Altin Gün visit in this joyful expedition? "Rakiya Su Katamam" is glowering space rock, as though Gong had taken a stopover on the Bosphorus. "Canim Oy" is a psychedelic freak-beat stomper from a world where Istanbul's Kadiköy district was the Carnaby Street of the east. "Güzelligin On Para Etmez" is a dreamy acid-folk anthem. And the finale, "Doktor Civanim," is an irresistible slice of sci-fi disco camp with lava-lamp synth squiggles that wouldn't sound out-of-place next to Baris Manço"s "Ben Bilirim." Fresh yet timeless. Rooted in antiquity yet yearning for heavenly futures. Ask wants to take you places.

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Nilüfer Yanya

Miss Universe

19,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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The Raging Wrath Of The Easter Bunny Demo Colored Vinyl Edition

Mr. Bungle

2LP | 2020 | US | Reissue (Ipecac)

Release: 2020 / US – Reissue

Genre: Rock & Indie

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2LP | 2022 | EU | Original (ATO)

Amyl And The Sniffers

Comfort To Me

40,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Wet Leg Black Vinyl Edition

Wet Leg

LP | 2022 | UK | Original (Domino)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Damon Albarn (Blur / Gorillaz)

The Nearer The Fountain, More Pure The Stream Flows Black Vinyl Edition

LP | 2021 | UK | Original (Transgressive)

19,99 €*

Release: 2021 / UK – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Glitterbeat)

Altin Gün

Yol Black Vinyl Edition

Face Stabber Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Amsterdam’s Altın Gün have built a strong reputation for melding past and present to make brilliantly catchy, psychedelic pop music, as seen with their Grammy-nominated second album, Gece. They are also a renowned live band with strings of sold-out shows on three continents, who have consistently brought a muscular groove to their recordings.Yol, their third album in as many years, excitedly continues these trends; while also digging in deep to unveil a new palette of sonic surprises. Though it draws from the rich and incredibly diverse traditions of Anatolian and Turkish folk music,Yol is not just a record that reframes traditional sounds for a contemporary audience. The album often presents a textured, avant-pop sound as evidenced by the debut single "Ordunun Dereleri.” Mysterious and atmospheric, the track is a thrilling evolution for the band. It patiently coaxes the listener into a resonant soundworld of down-tempo electro beats, majestic synths and Erdinç Ecevit's yearning vocal of unrequited love. The album also signals a very different approach in making and recording for the band. Singer Merve Dasdemir takes up the story: “We were basically stuck at home for three months making home demos, with everybody adding their parts. The transnational feeling maybe comes from that process of swapping demos over the internet, some of the music we did in the studio, but lockdown meant we had to follow a different approach.”

With Yol, Altın Gün have maybe patented their own magical process of reimagining and sonic path-finding, one probably not heard since the late 1960s and early 1970s British folk- rock boom. Less of a reworking than a seduction, their recordings transport the listener to a world where the original songs never previously inhabited. Merve Dasdemir again: “After we worked on them, they got a whole new life of their own. Maybe we went a little bit too far (laughs).”

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Oh Sees (Thee Oh Sees)

2LP | 2019 | US | Original (Castle Face)

LP | 2019 | EU (Swing Shift)

Release: 2019 / US – Original

Genre: Rock & Indie

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Hey there, human kids, lift your face out of the feed trough and pluck
that feculence from your ears. Hark! A sonar blip from beneath the pile
of bodies—the latest Oh Sees, Face Stabber! Boop, blip, ughhh….
people churning like a boiling swamp. Man, this din is nauseating.
The screen flickers for the first time this year with a transmission from
two months in the future: “the internet has deemed guitar music dead
and you are free to do whatever the fuck you like ….long live the new
flesh!”
This album is Soundcloud hip-hop reversed, a far flung nemesis
of contemporary country and flaccid algorithmic pop-barf. No songs
about money or love are floating in the ether. Just memories, echoes,
foggy blurs, blip-blop goes the scope, heavy funk, dystopia-punk
canons, long jams, bloated solos dribbling down your cavedin
chest. Human cattle like a beef avalanche, right on your burned
out face hole. Spider-legs fuzz crawling in your brain. Lots of curse
words for your mom. You’ve gotten the over-population blues, so
let’s have some art for art’s sake. What else are you gonna do? Stare
at the sky? Please…fifty carbon copies of you look back at you as you
walk the streets. Take a breath, you’re going to need it. Take drugs,
you’re going to need those just to stand in line at the air and water
reclamation center soon enough. There’s no fruit, buddy. You’re at the
bleak-peak. They will squeeze you till you’re all squeezed out.
For fans of fried prog burn-out, squished old-school drool,
double drums, lead weight bass, wizard keys (now with poison),
old-ass guitar and horrible words with daft meanings. If you don’t
like it then don’t listen, bub. Back to the comments section with you!
Easy—over and out.

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The Cure

World War - The Demos

18,99 €*

Release: 2019 / EU

Genre: Rock & Indie

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LP | 2019 | US | Original (Sub Pop)

Weyes Blood

Titanic Rising

Release: 2019 / US – Original

Genre: Rock & Indie

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Quiet Signs Black Vinyl Edition

Jessica Pratt

LP | 2019 | EU | Original (City Slang)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Be The Cowboy Black Vinyl Edition

Mitski

LP | 2018 | EU | Original (Dead Oceans)

Release: 2018 / EU – Original

Genre: Rock & Indie

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2LP | 2016 | UK | Original (XL)

Radiohead

Kid A

Release: 2016 / UK – Original

Genre: Rock & Indie

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LP | 2016 | EU | Original (Caroline)

Glass Animals

How To Be A Human Being

American Football Deluxe Edition

Release: 2016 / EU – Original

Genre: Rock & Indie

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"How To Be A Human Being“ is the second album of Glass Animals appear. The album seems to be like a notebook, a diary and sticker album, containing all the experiences, impressions and memories of people and places all around the world, which the band collected on the road in recent years on tour. Dave mainly focused on that sonic cosmos when writing the album, which the band had developed and established in last years. The album is pressed on 180g vinyl.

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American Football

2LP | 2014 | US | Original (Polyvinyl)

42,99 €*

2LP | 2013 | EU | Original (XL)

Release: 2014 / US – Original

Genre: Rock & Indie

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Received an 8.6 Best New Reissue rating from Pitchfork.

In the 15 years since its release, American Football's self-titled debut full-length has quietly become one of the most fiercely beloved titles in the Polyvinyl catalog. Though the trio -- Mike Kinsella (Cap'n Jazz, Owen, Owls), Steve Lamos, and Steve Holmes -- only played a few shows and released just one other record (a three-song EP that preceded this full-length), their influence and legacy has steadily continued to grow in the time after they disbanded.

From its now iconic artwork to the band's unique songwriting approach (highlighted by an emphasis on shifting time signatures and sincere lyrics), American Football proves a record doesn't become a true classic through flashiness or catering to trends, but rather the deep emotional connection it forges between the music and the listener.

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King Krule

6 Feet Beneath The Moon

LP | 2013 | UK | Original (Domino)

Release: 2013 / EU – Original

Genre: Rock & Indie

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This might be the flavor of the month right now but it's really something different and dope, so jump on the hype and enjoy!

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Arctic Monkeys

LP | 2024 | EU | Original (Night School)

Release: 2013 / UK – Original

Genre: Rock & Indie

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Produced by James Ford and co-produced by Ross Orton at Sage & Sound Recording, LA and Rancho De La Luna, Joshua Tree. Josh Homme, Pete Thomas and Bill Ryder-Jones all make guest appearances.

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Tristwch Y Fenywod

Rock Rendez Vous: Musica Moderna Portuguesa 1985 - 1986

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-08-30

Singing black-lit liturgies of bog bodies caked in mud, entranced by nocturnal landscapes flickering in the moon-glow and powered by queer enchantment, Tristwch y Fenywod are a Welsh-language gothic avant-rock power-coven. Exhumed from the depths of Leeds’ experimental underground, the trio consist of Gwretsien Ferch Lisbeth (Guttersnipe, The Ephemeron Loop), Leila Lygad (Hawthonn) and Sidni Sarffwraig (Slaylor Moon, The Courtneys).

Stark, striking and bewitching, Tristwch y Fenywod’s self-titled album is their debut studio recording, following just 10 gigs and a live demo. Formed in 2022, Tristwch y Fenywod ("The Sadness of Women”) record exclusively in the Welsh language, conjuring an eldritch, subterranean, alien folk music played on dual zither, electronic drums and bass guitar. With towering, siren-like vocals curling around the Welsh consonants, accompanied by stark, martial rhythms and swirling claw-plucked strings, Tristwch y Fenywod feels like an early 4AD recording dredged from the waters of an Anglesey swamp. The effect is simultaneously chilling and stirring.

The eight tracks on the record constitute what feels like a recently rediscovered, unholy grail of edgy, atmospheric, occult feminist goth emissions. Gwretsien’s dual-zither playing scatters melodic fragments and spirals of harmony around the decimated space opened up by the lugubrious bass playing and pounding, brooding drum pads. Coupled with the Welsh vocal, Tristwch y Fenywod embody a new, unique Celtic darkwave sound, equal parts Pornography-era The Cure, Svitlana Nianio’s haunted hammered string-work and the dark beauty of Dead Can Dance or This Mortal Coil. Opener Blodyn Gwyrdd feels like the last ride of Princess Ukok, with lumbering bass and 6/8 rhythms in procession to the event horizon with an entreating, impassioned vocal and surprising lyrical theme. The doomed dancing of the zither provides the mysterious melodic bedrock throughout the album, particularly on Ferch Gyda’r Llygaid Du’s heavy funereal sway and the slowly building, paroxysmal banshee breakdown of Awen: an astonishing swell of thrilling chaos.

The album was recorded and produced by Ross Halden and the band at Hohm Studio, Bradford, Summer 2023.

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V.A.

LP | 2024 | US | Original (Dark Entries)

Are We There 10 Year Anniversary Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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The seductive sounds of Portugal swing to Dark Entries on Rock Rendez Vous: Música Moderna Portuguesa 1985-1986, a compilation of vintage Iberian synth, wave, and postpunk gems. The legendary club Rock Rendez Vous (rrv) opened its doors in Lisbon in 1980, heralding a new era in the Portuguese underground. Although touring acts like Killing Joke, Danse Society, or Echo & the Bunnymen graced its stage, RRV more vitally served as ground zero for a new generation of Portuguese bands, one simultaneously in touch with broader international musical movements while being invested in establishing a national sonic identity. Rock Rendez Vous culls 9 tracks of prime Portuguese indie tunes from the Música Moderna Portuguesa compilations released in 1985 and 1986, documenting the heyday of this movement. Jangly and brooding postpunk gems like “Levante” from Jovem Guarda, Projecto AZUL’s “New Sides,” and Essa ENTENTE’s “Festa Final” are well-represented here. Meanwhile, quirky Balearic-laced synthpop gems like D. W. ART’s “Mate” or Zona PROIBIDA’s “Musak” add a subtly regional flare. Rock Rendez Vous: Música Moderna Portuguesa comes housed in a sleeve designed by Eloise Leigh featuring a photo of the club RRV, and also includes a double-sided insert with lyrics, photos, and liner notes.

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Sharon Van Etten

LP | 2014 | US | Reissue (Jagjaguwar)

32,99 €*

Release: 2014 / US – Reissue

Genre: Rock & Indie

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LP | 2024 | EU | Original (Efficient Space)

Skeet

Simple Reality

S Krysh Nashikh Domov Yellow Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-08-23

Simple Reality cements the short lived legacy of Coventry DIY group Skeet.

Emerging from a scene of first-generation punks and 2 Tone kids, Skeet was instigated by Gary and Nigel Meffen in 1981, fusing tightrope instrumentals with a Roland CR-8000 under the glow of projected visuals. After a cassette of their debut performance found its way to Kay Booth who worked at Inferno Records, the unsuspecting frontwoman took the liberty of adding her own vocals. Instantly embraced as a permanent member, Booth’s shy delivery and open-diary expressions of social alienation and romantic rejection hovered over the brothers’ scratchy guitar and agitated bass.

Playing as few as 10 shows, their unnerving minimalism was recorded in a suburban home studio, borrowing a reel-to-reel from Toby Lyons (The Colourfield) and a mixer from Jerry Dammers (The Specials). Record labels gestured interest until one day they were no more - no arguments, no official split, just a silent parting of the ways and three people taking journeys in different directions. Unheard and unloved in the vaults for nearly four decades, 'Brief Call' finally resurfaced via the Coventry Music Museum compendium Alternative Sounds Volume 1, followed by a micro pressing of the full suite on Chris Long’s Almost Unknown imprint in 2023.

Simple Reality now offers a definitive snapshot of these must-hear neurotic post-punks. Mastered by Skeet fanatic Mikey Young, newly discovered instrumental multitracks are restored alongside a live recording of their final stand. Performed atop of a trailer in a pub beer garden, the release-worthy desk tape adds three new tracks and a more energised swing at ‘Left On the Shelf’s apathetic techno-pop.

RIYL: Fire Engines, 23 Skidoo, A Certain Ratio, Young Marble Giants, pel mel

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Molchat Doma

LP | 2017 | US | Reissue (Sacred Bones)

LP | 2024 | UK | Original (Dub Store)

Release: 2017 / US – Reissue

Genre: Rock & Indie

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When ? ???? ????? ?????, the debut album by Molchat Doma, was released in 2017, it announced a bold new voice in underground music. The album found a passionate audience on Bandcamp and other streaming services and was released on CD and cassette. Sacred Bones Records is proud to present the album on vinyl for the first time. Molchat Doma (translated as "Houses Are Silent"), founded in 2017 in Minsk, Belarus, stands at the intersection of post-punk, new-wave and synth-pop. Dark yet danceable, and with a heavy dose of goth ethos, their music is reminiscent of the masters that predate them, but make no mistake: Molchat Doma creates a sound and meaning that is immediately recognizable as all their own. The band is comprised of Egor Shkutko, who sings the Russian lyrics in his deep monotone, Roman Komogortsev on guitar, synths, and drum machine, and Pavel Kozlov on bass and synths.

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Janett Silvera

When I Need You

LP | 2024 | US | Original (Inscrutable)

Release: 2024 / UK – Original

Genre: Rock & Indie

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A reissue of the wonderful female vocal LP released by Federal in 1977! Mellow reggae with covers of classics by Patti Austin, Albert Hammond, Bob Marley, and more. Marcia Griffiths participates on backing vocals.

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Famous Mammals

Dust: Recordings 1980-1984

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-07-26

"Famous Mammals were already going to be fantastic the moment they decided to form as a pandemic avocation in 2020, considering they’d been birthed from the flames of recent Oakland, CA scene-definers Rays, The World and Andy Human & The Reptoids. Yet when their wonderfully sharp & confounding self-titled tape came out in 2021, they were better than that, even. Their initial sound clicked along, searched and then found oblique treasure in a deep DIY post-punk void one might associate with 39 Clocks or the Swell Maps - sometimes aggressively sharp and pointed, other times given to captivating and off-centered murky quaalude meandering in all the ways you love.

I’m a big fan of Stanley Martinez’ vocals and guitar, and have been since the first time I saw & heard Rays, and he transported his A-game to a recording session yet again. Likewise Amber Sermeno—we all swooned for her fronting The World, and while we only get one lone track w/her vocals, it might even be the best thing on here: the chugging & propulsive 'Unspoken Chair'. Andy Human—well, that guy just moves from strength to strength, excelling as a bass player here and general instrumental conductor of an echoey and wide-open sound partially transported from the hinterlands, moors and home studios of 1979 Northern England. To my ears, this was the first truly great set of recordings to emerge from a 'pandemic band', and now that they’ve gone on to be a full-fledged recording project and occasional touring band of some renown, it’s phenomenal to see it in the format it’s always deserved."—Jay Hinman (Dynamite Hemorrhage)

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22 Beaches

LP | 2024 | UK | Original (Seated)

LP | 2024 | EU | Original (Spoon)

Release: 2024 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Glasgow based Seated Records return with more 1980s Scottish Post-Punk / New Wave material. In this 8-track mini compilation the label introduces the work of Stirling band 22 Beaches, offering a deep dive into music recorded between 1980-1984 - the majority of which has never seen the light of day! 22 Beaches formed in Stirling in the late 1970s as an evolution of the short lived group ‘Alone at Last’ - drummer Fred Parson’s and guitarist Stephen Hunter being the two who spanned the divide. Out of the six members of 22 Beaches, many were school friends, and the rest naturally fell together. The band toured extensively and played at a truly diverse set of venues across the UK: from a local swimming pool boiler room, to small nightclubs and university parties, to several fundraisers for the miners strike. Maybe most notably of all, drummer Fred Parsons described playing at what he calls “the Grangemouth International”, organised by local promoter Brian Guthrie and which featured an all-star lineup of 22 Beaches, The Exploited and the first incarnation of The Cocteau Twins. A coach was hired to ship the audience to Grangemouth from Stirling, the cost of which was included in the ticket. The gig then paused halfway through for a 'help yourself' buffet. Young promoters take heed. This is how it's done! Over the course of the 80s the band released music on three different, and now sought after, various artists compilation cassettes. “What Day Is It?” and “Sadie When She Died” were released on a compilation of local Stirling artists 'The A.N.K.L.E File'. The track from which the current record takes its namesake - “Dust” - was initially released on a compilation-tape for the fanzine 'Another Spark'. And ‘‘Zoo” (also featured on this record) was first released on Glasgow label Pleasantly Surprised via compilation, 'An Hour Of Eloquent Sounds', where 22 Beaches rubbed shoulders with early music from Scottish names Primal Scream, Cocteau Twins, The Wake and Sunset Gun. Unfortunately, 22 Beaches never met the same level of commercial success as these others and decided to retire the project in 1984 - leaving their recordings and demos to gather dust (hehe)…until now! This compilation, “Dust: recordings 1980-1984” follows the band's journey and the changes in their sound over the years. It moves from the raw, punk energy of early DIY recordings through to the A Certain Ratio style Balearica of their later pieces. The record's opener and title track “Dust” is perhaps the most shining example of the latter. Characterised by the plenitude of sonic space in the mix, “Dust” has an almost dub sensibility that is communicated through centrality of Parsons’ drums, McChord’s percussion, and Fildes’ Bass while the harmonising vocals of Sharkey and McGregor chant over the top to give the track its distinctive psychedelic edge. This is an atmosphere only exacerbated by the lofi quality of the recording which sits the vocals in the same aural realm as much 1960s psych-folk. On “Cartoon Boy”, the band strips things down further. A droning bass line persists through the tape fuzz and is accompanied by the sounds of a sole looping guitar chord sequence and McGregor and Sharkey’s vocals - respectively and carefully dancing around one another before harmonising in the most beautiful way. The result is a haunting and abstract Marine Girls style heartbreaker. ‘That Girl’ again delivers a dub adjacent rhythm section similar to that of “Dust”. However, on this instance crisp guitar chords, a distant, phased organ and blue-eyed soul vocal delivery, produce a track that could easily have been a lost Orange Juice recording from their sessions with Dennis Bovel. On “Somebody Got It Wrong” and “One Of Us” the band employ a more macro approach where a jangling guitar with an almost highlife-influenced tone, vocal ad-libs and syncopated percussion give the music a Talking Heads-esque swagger. Taken together these tracks illustrate a clear trajectory in the band's sound, moving from from the high energy no-wave quality of early recordings towards a more dub influenced, and stripped-back sound - a sonic trajectory followed by so many bands of the time, not least those emerging from the diaspora of Manchester’s Factory Records. On “Breathing’’ we hear the beginning of this transition, with the strong influence of the oddball NYC disco styles of Was (Not Was) and ZE records. All of this is meshed together with the residual punk rock energy of 1980s UK. This combination is employed to excellent effect with the addition of the distinctly Scottish (and what the band confirmed to me to be spontaneous) vocal delivery of: “Do you love me? Do you want me?” “Aye!” “Do you love me? Do you need me?” “Naw!”. On the record’s closing tracks, “Zoo” and “Talent Show”, we hear early examples of the band’s work, playing with their rawest all-in-one-take live energy where Hunter’s spiralling guitar riffs and McGregor's distorted vocal exclamations lead the charge. The band recalls that these initial-forays did not always translate so well into multitrack recording and overdubbing: “the deconstruction took away some of the band's natural feel”. On “Talent Show” the record ends with Sharkey delivering an almost unintelligible spoken word section over the top of the track, making for one final, disorientating, almost manic slice of post-punk. These tracks from 1980-1984 chart the progress of a unique contribution to the world of Scottish Post-Punk and New Wave, encapsulating not only the musical trajectory of 22 Beaches but also echoing the broader sonic landscape of 1980s UK, a testament to the adaptability and creativity of the UK’s underground music of the time.

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Can

Live In Aston 1977

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (The Helen Scarsdale Agancy)

Ekin Fil

Sleepwalkers

LP | 2024 | EU | Original (Aguirre)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The drone-pop consternations of Ekin Fil emerge through vaporous tone and forlorn, distant song, as if plucked from a dream. These exist on their own accord, moving with their own internal logic of an emotion heaviness that belies any the passing observation of this as mere shoegazing ambience. Her songs, her compositions find themselves adjacent the fragmented etherealization of Elisabeth Fraser's voice from a forgotten scene of a particular David Lynch film, as a Asmr trigger for Proustian recollection. Something profound. Something hidden. Something desolately sad.

The Helen Scarsdale Agency has had the pleasure of witnessing Ekin's continued development, maturation, and growth as a composer, having released now seven of her magnificent, under-the-radar gems. Her slow burning, dejected ballads continue to draw from the deep well of sorrow, with varying frequencies and intensities of bitter light poking through. Loves lost. A world broken. All is not hopeless, but there is a considerable amount of shit to wade through.

Sleepwalkers embraces a familiar set of metaphors in her work, that of narcolepsy and the unsettled state of existence between sleep and being awake. But she stretches herself with a set of compositions that run parallel to the work of Tim Hecker as in the gravitation soft-noise of "Stone Cold" or to a slow motion serialism that punctuates the ambient crawl of her ambitious "Gone Gone." Recommended for fans of Grouper, Rafael Anton Irisarri, A.C. Marias, and Carla dal Forno.

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Brannten Schnüre

Aprilnacht

LP | 2024 | EU | Original (Knekelhuis)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Originally released on tape by SicSic in 2014, Aprilnacht commemorates a decade of music from Brannten Schnüre and marked the spring in a tetralogy of albums about the four seasons when it came out. Back then the Würzburg-based project consisted solely of Christian Schoppik, who later welcomed Katie Rich to take over the vocals. He used to perform as Agnes Beil, but dropped the name when, while making this album realized his music was becoming "much gentler and more fragile". Aprilnacht already captured the particular musical ideas that Schoppik would thoroughly keep exploring, delving deeper and deeper into the use and manipulation of samplers from sources so diverging as to wander between the five continents to post-war German family television and cult cinema. Heir of the ritualistic intensity of Coil, of the intricate sampler assemblies of Ghédalia Tazartès', and of the dusty, dismal old ballads from around the world, Brannten Schnüre manages to make these paths cross in a territory that is as inherent as it is uncanny; sieged by the past and intimate as a hearth. An organic approach to folk, ambient, and sound collage, where ethereal yet thoroughly textured pieces coalesce in enthralling, delicate, and innermost musical rituals.

The album cover paintings reveal the temper: dreary old towns where shadows come to dim the slow passage of crepuscular colors, a soft area of reanimation where wind and light come close and foresee the night of spring. Aprilnacht was inspired by the stories of German philosopher and writer Friedrich Alfred Schmid Noerr, whose work exhaustively examines the conflict between paganism and Christianity, safeguarding myth in a way that Schoppik describes as boldly modern, humorous and unpredictable in its variations of the Germanic folklore motifs. "I wanted to do the same with the music," he states, and the music here could as well be suitable for a night when household deities welcome wandering will-o'-the-wisps, water nymphs, and gyrovagues to discuss Perchta's leadership of The Wild Hunt, but this album is not a folk tale, it's not an elegy to worlds already gone, hidden in years; it's an intersection of routes that open mysteriously before our ears like a congregation of vapors. Aprilnacht is a gathering of voices; "There are too many children, and none of them keeps quiet," reads the last verse of «Requiem für eine Ringelnatter.»

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Stacks

Want

The Gloss Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Want, both lack and desire, is the sound of two brothers trying to sing sense into a burning world.

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Cola

LP | 2024 | US | Original (Fire Talk)

Please Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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The Gloss is the second album from Cola. From their inception Cola have expanded on the d.i.y. ethic of the Dischord and SST eras, creating potent sounds from a minimal palette of drums/bass/guitar and lacing their songs with winsome one-liners and societal commentary. What’s another word for commentary? Gloss, apparently. Never basic, the lyrics reward repeated listening for deeper meanings. David Berman’s poetry-via-garage light pennings are an inspiration, as equally so are the lighter side of UK first-wave New Wave and the Dunedin sound. The results are in the pudding: at times sparse and poetic, at others a thrilling, hook-laden good time, as with the cheeky romantic sketch of a one-night stand that is so overflowing with innuendo-cum-journalism talk that it almost teeters over into self-parody. But the results are the right combination of lightheartedness and sincerity. Romanticism is never far from laughter, and equally never far from righteous anger in the music of Cola: “Pulling quotes now in the dark/Our outlook is restrained/Your tongue might weaken to be-fit your smile/Til nothing ill remains.” ‘nuff said. It's an album bursting with energy and wit and ideas–filled to the margins. Out June 14th 2024 on Fire Talk.

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Beatsteaks

LP | 2024 | DE | Original (Beat)

Release: 2024 / DE – Original

Genre: Rock & Indie

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LP | 2024 | Original (Nettwerk)

Last Dinosaurs

Kyoryu

22,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Birth Of Violence Lavender Eco Mix Vinyl Edition

Chelsea Wolfe

LP | 2019 | UK | Reissue (Sargent House)

Suspended Animation Silver Vinyl Edition

Release: 2019 / UK – Reissue

Genre: Rock & Indie

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Chelsea Wolfe has always been a conduit for a powerful energy, and while she has demonstrated a capacity to channel that somber beauty into a variety of forms, her gift as a songwriter is never more apparent than when she strips her songs down to a few key components. As a result, her solemn majesty and ominous elegance are more potent than ever on Birth of Violence. There is a core element to Chelsea Wolfe’s music—a kind of urgent spin on America’s desolation blues—that’s existed throughout the entirety of her career. Her latest album, Birth of Violence, is a return to the reclusive nature of her earlier recordings. The songs stem from humble beginnings little more than Wolfe’s voice and her Taylor acoustic guitar. Her longtime musical collaborator Ben Chisholm recorded the songs on a makeshift studio and helped fill them out with his modern production treatments and the occasional auxiliary flourish from ongoing contributors Jess Gowrie (drums) and Ezra Buchla (viola). “These songs came to me in a whirlwind and I knew I needed to record them soon, and also really needed a break from the road,” Wolfe says. “I’ve spent the past few years looking for the feeling of home; looking for places that felt like home. The result of that humble approach yields Wolfe’s most devastating work to date.

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Fantômas

LP | 2024 | US | Original (Ipecac)

Release: 2024 / US – Original

Genre: Rock & Indie

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7" | 2024 | US | Original (Happy Happy Birthday To Me)

Primitives

I Won't Care

11,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Hidden Marbled Purple And Black Vinyl Edition

Ufomammut

LP | 2024 | EU | Original (Supernatural Cat)

37,99 €*

Remote Echoes Clear Smoke Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Hidden is the 10th album of Ufomammut and it marks a shift in the band's musical composition, aiming for a more intense and heavy sound, and it’s the third release featuring Levre as the band’s new drummer. The title reflects the concept of the presence of everything in our existence and the ability to bring to light what lies within us. With Hidden, Ufomammut delves into a sonic journey that traverses vast expanses of space and time. From the crushing heaviness to the hauntingly melodies, from the textured compositions to the otherworldly atmospheres, Hidden testify the neverending evolution of Ufomammut and their mastery of creating immersive sonic experiences: a fitting celebration of their 25 years of sonic exploration and experimentation.

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Duster

LP | 2024 | US | Original (Numero Group)

13,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Kid Congo & The Monkey Birds

That Delicious Vice

LP | 2024 | US | Original (In The Red)

Release: 2024 / US – Original

Genre: Rock & Indie

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Universal Order Of Armageddon

Universal Order Of Armageddon Black Vinyl Edition

2LP | 2024 | US | Original (Numero Group)

33,99 €*

LP | 2024 | EU | Original (Sony Music Catalog)

Release: 2024 / US – Original

Genre: Rock & Indie

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From the ashes of Moss Icon, Universal Order of Armageddon blasted out of Annapolis, MD in a fiery maelstrom of punishing riffs, syncopated breakbeats, and terrifying shrieks. Compiled here are the complete Gravity, Vermin Scum, and Kill Rock Stars recordings, remixed and remastered from the original sessiontapes, and housed in a deluxe gatefold jacket with a chunky 24-page book packed with photos, notes, and iconography fromtheir 1993-'94 run. Armageddon IS now.

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Willie Nelson

The Border

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | EU | Original (Artist M.S.)

Stereotide

One Box Set

39,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-07-26

Germ In A Population Of Buildings

Upsammy

LP | 2024 | Original (Pan)

Ghostwoman White Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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On her sophomore album "Germ in a Population of Buildings", upsammy moves through her surroundings with thecuriosity of a place-bending landscape architect. The album is rooted in her interest for ambiguous environments inconstant shift, and the feeling of discovering strange patterns in different ecosystems. Often, the Amsterdam-basedartist finds herself zooming in and out beyond a place's most recognizable surface features to inhabit the microscopicand gigantic. Gathering field recordings and evocative environmental sounds, she shapes this source material intovibrating electro-acoustic rhythms and unstable, psychedelic textures.upsammy's debut album, 2020's critically-acclaimed "Zoom", was praised for its careful reimagining of IDM, evolvingvignettes that nodded towards the dancefloor without being shackled to its rigid set of rules. On "Germ in a Populationof Buildings" her process has evolved considerably; the skeletal trace of IDM is still present but it's been trapped inamber, allowing her unique sonic landscape to develop organically. 'Being is a Stone' is a proof of concept in manyways, layering upsammy's contorted voice in rickety patterns beneath a lattice of fragile rhythms and faintly melancholysynths. It's never immediately obvious where the sounds are coming from - a hiccuping beat might be glass crackingunderfoot, and larger pulses could be wet concrete, rusted iron or bent plastic. As the sounds develop they morph intoeach other, demolishing what came before and building on top of the ornamental wreckage.On the dynamic 'Constructing', upsammy's sound design fluxes through hyperactive bass music structures, abstractingexpectations at every turn. Often her sounds are whisper quiet, rattling and vibrating until heavier masonry drops anddisrupts the structure. And when discernible rhythms subside into the background, like on the album's eerie title track,they become almost illusory, morphing between the real world and the electronic. upsammy's processed voice works...

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Ghost Woman

LP | 2024 | UK | Original (Full Time Hobby)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Can We Please Have Fun Apple Colored Vinyl Edition

Kings Of Leon

LP | 2024 | EU | Original (Capitol US)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Fine Art Green White Orange Tri Color Vinyl Edition

Kneecap

LP | 2024 | UK | Original (Heavenly)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Below The Waste Red Vinyl Edition

Goat Girl

LP | 2024 | EU | Original (Rough Trade)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Morning View XXIII Black Vinyl Edition

Incubus

2LP | 2024 | EU | Original (Virgin Music Las)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Look To The East, Look To The West Galaxy Blue & White Vinyl Edition

Camera Obscura

LP | 2024 | US | Original (Merge)