Indierock | Alternative Vinyl 268 Items

Vinyl with a couple of light scuffs. With original inner sleeves. Cover with slightly bumped corner. Beautiful copy, overall closer to NM.

Vinyl with a couple of light scuffs. Still in shrink, but opened, with hype sticker

Still in shrink, but opened, with hype sticker. Copy n° 379 / 1000

Featuring what many consider to be the classic Cure line-up of Robert Smith, Porl Thompson, Lol Tolhurst, Simon Gallup and Boris Williams, 1985's The Head On The Door was described by Spin magazine as a "1985 poptopian tour de force". Across the album's ten songs, the band's sixth studio opus walks a balance between the Cure's pop sensibilities with 'In Between Days' and 'Close To Me', with the more gothic 'The Blood' and 'Kyoto Song'. It was described by Uncut as "magnificently realised". 180 gram vinyl remastered "Back to black" 60th vinyl anniversary series. Includes a voucher to download MP3 version of the album.

Each LP release consists of the original remastered album, cut at Abbey Road, packaged with a download code for the album and bonus tracks. The LPs are heavyweight black vinyl in a gatefold sleeve accompanied with photos, credits and Neil's liner notes.

Green Translucent vinyl!

Vinyl close to NM

Clear vinyl. Cover with hype sticker on the front and light sticker residue on the back.

Stickered PVC sleeve. Original inner sleeves. Few paper scuffs. tiny wear

Violet vinyl. Limited edition. tiny wear. Original inner sleeves. PVC sleeve with hype sticker.

There's something intangible about Celeste, the Soundcarriers’ second album, originally released in 2010. It has a light, lucid quality, almost like driving exhausted through a strange city at night. Freeflowing yet tethered, dreamy yet attacking, the band continue the fight to reconcile competing impulses. Various threads just about keep the shimmering tapestry from tearing. Haunting folk melodies underpinned by rhythmic static and the physicality of the totally analogue recording and mixing, baroque keyboard counterpoints and sweeping arrangements. The opener “Last Broadcast” seems to encapsulate this but it's almost as if the album gets the angst out of its system with this track and is free to explore the quieter, less crowded back streets. After the smoke of “Last Broadcast” has cleared, the twisting road takes in the soft introspection of “Hideaway” and “Morning Haze”, both tracks morphing into heavy psyche grooves or the eastern tinged psyche funk of “Signals” and “Rise And Fall”. Or takes another turn with the tightly arranged opening segment of “Long Highway”. Somehow it still manages to fit in ‘60s pop gems like “There Only Once”. An album to really lose yourself in, yet more concise than the sprawling Harmonium and more relaxed and freeflowing than the nervy rush of Entropicalia, Celeste could be arguably their most indispensable album and not to damn it with faint praise, their most listenable.

Available again. The A-side was originally recorded in 1998 and it's title has been appropriated by Stripes fans as a term to describe themselves as a group. The b-side features Meg singing an a cappella version of ''Silent Night'' coupled with Jack reading the Story of the Magi from the Bible. The whole thing is a warming, heartfelt pile of Christmas goodness...dig in!

Still in shrink, but opened

Vinyl close to VG+. Still in shrink, but opened, with hype sticker. Copy n° 200 / 1000

Balance and Composure and Tigers Jaw's Iconic 2011 split 12" is an important time capsule for both bands. These eight songs capture the energy of an entire music scene cultivated in Pennsylvania with among peer bands like Title Fight, Daylight/Superheaven and The Menzingers. The bouncy intro of Balance and Composure's opener "Kaleidoscope" sets an immediate tone that carries out through their four songs, ending with the spacy fan-favorite "Rope." Fans of Tigers Jaw may recognize most of the songs on their side of the split from other earlier releases like "Belongs to the Dead." On these tracks, a full-band backing brings those once-scarce songs new life, like on the heavily Twin Peaks-influenced "Lodging" or the saccharine singalong "Jet Alone".

Aptly Titled Two Worlds, Tigers Jaws Sophomore Full-Length Draws On The Strengths Of The Band's Raw, Minimalist Atmospheres And Driving Grunge-Rock Rhythms, Funneling Them Into A Catchy, Brooding And Brilliantly Focused Album. Sounding As Confident As Ever In Abandoning Dependence On Traditional Pop Structures, Songs Ebb And Flow Naturally As The Band Explores Fresh Tones And Textures. Firmly Planted In Their Own Niche Of The 90 S-Era Midwestern Emo Sound, Two Worlds Probes Superchunk's Indie-Punk Stylings, Weezer's Discordant Pop Moments And The Far Edges Of Kurt Cobain's Brain While Managing To Sound Almost Nothing Like Those Groups. Chimey Clean Guitars Weave In And Out Of The Mix, Juxtaposing A Gain Guitar Laden With Thick Grit. Standing Alone, The Tones Create Familiar Tigers Jaw Moods, But When Combined, The Effect Lays The Foundation For Swelling Walls Of Sound. Pulsing Bass Fills The Low End, Locked With The Drums In Rhythmic Unison, Alternately Tracing Guitar Lines And Stepping Forward To Grab The Listener S Car. Similarly, The Drumming Style Perfectly Compliments The Songwriting With Steady Beats And Measured Flash. Lush And Resonant Cymbal Splashes Constantly Flourish, Adding Color And A New Spaciousness. Keyboards Swell In A Wave Of Warmth Creating The Band S Defining Ambiance, In Parts Taking On More Adventurous Melodies And Chord Tones. At Its Core, Two Worlds Is A Tigers Jaw Album Through And Through. It Evokes Many Moods The Band Is Known For, But Adds A Depth That Will Leave Listeners Discovering New Reasons To Love Them With Each New Listen.

Aptly titled Two Worlds, Tigers Jaws sophomore full-length draws on the strengths of the band's raw, minimalist atmospheres and driving grunge-rock rhythms, funneling them into a catchy, brooding and brilliantly focused album. Sounding as confident as ever in abandoning dependence on traditional pop structures, songs ebb and flow naturally as the band explores fresh tones and textures. Firmly planted in their own niche of the 90 s-era Midwestern emo sound, Two Worlds probes Superchunk's indie-punk stylings, Weezer's discordant pop moments and the far edges of Kurt Cobain's brain while managing to sound almost nothing like those groups. Chimey clean guitars weave in and out of the mix, juxtaposing a gain guitar laden with thick grit. Standing alone, the tones create familiar Tigers Jaw moods, but when combined, the effect lays the foundation for swelling walls of sound. Pulsing bass fills the low end, locked with the drums in rhythmic unison, alternately tracing guitar lines and stepping forward to grab the listener s car. Similarly, the drumming style perfectly compliments the songwriting with steady beats and measured flash. Lush and resonant cymbal splashes constantly flourish, adding color and a new spaciousness. Keyboards swell in a wave of warmth creating the band s defining ambiance, in parts taking on more adventurous melodies and chord tones. At its core, Two Worlds is a Tigers Jaw album through and through. It evokes many moods the band is known for, but adds a depth that will leave listeners discovering new reasons to love them with each new listen.

Incredibly versatile debut album from the one and only Toro Y Moi. Think of Madlib and Thomas Bangalter producing the next Panda Bear album and you’re halfway there.

Vinyl is close to NM.

Limited edition