Indierock | Alternative Vinyl 626 Items

2LP | 1972 | EU | Reissue (Warner Music Poland)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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1000 pressed. Ltd Orange Vinyl, DL card. The seminal album from Half Japanese featuring updated artwork and liner notes from Jad Fair and producer Kramer. This is the Zen of Half Japanese, of prolific songwriter Jad Fair; wide-eyed crooner, humorous raconteur and spontaneous storyteller. A genre-bending romp through the mind of the man, originally released in 1989 in a purple patch for the group, preceded by 'Music To Strip By' and 'Charmed Life'. "Half Japanese were a song machine," attested Pitchfork, while AllMusic saw this album as a collection of "humorous lo-fi rock 'n' roll hit singles." Previously released on black vinyl a decade ago.

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Czeslaw Niemen

Volume 1 & Volume 2

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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2LP | 1989 | EU | Reissue (Music On Vinyl)

Elvis Costello

Spike

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Finardi 40th Anniversary Edition Clear Vinyl Edition

Eugenio Finardi

LP | 1981 | EU | Reissue (WEA)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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LP | 1988 | EU | Reissue (Adasam Ltd)

Spacemen 3

Playing With Fire

2LP | 1987 | UK | Reissue (Fire)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Limited edition for Record Store Day 2017!

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Pulp

Freaks

Release: 1987 / UK – Reissue

Genre: Rock & Indie, Pop

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2LP | 1989 | US | Reissue (Sub Pop)

Nirvana

Bleach Deluxe Edition

Release: 1989 / US – Reissue

Genre: Rock & Indie, Reggae & Dancehall

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2LP | 1982 | EU | Reissue (Vinyl Lovers)

The Cure

Pornography

2LP | 1983 | US | Reissue (Eternal Yip Eye)

Release: 1982 / EU – Reissue

Genre: Rock & Indie, Pop

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180 gram gatefold cover double vinyl reissue incl. 8 bonus tracks!

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Daniel Johnston

Yip / jump music

Release: 1983 / US – Reissue

Genre: Rock & Indie

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digitally remastered and for the first in 15 years on vinyl ... incl. free album download!

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LP | 1970 | Reissue (Rhino)

Trespass 2007 Stereo Mix

Release: 1970 / Reissue

Genre: Rock & Indie

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LP | 1988 | EU | Reissue (Domino)

my bloody valentine

Isn't Anything

2LP | 1985 | EU | Reissue (Domino)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker. 2021 reissue.

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Beat Happening

LP | 1987 | US | Reissue (Sorcerer)

Release: 1985 / EU – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker. 2022 reissue.

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Lubricated Goat

Plays The Devil's Music

2LP | 1982 | UK | Reissue (Cherry Red)

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Sorcerer Records present a reissue of Lubricated GOAT's debut LP Plays The Devil's Music, originally released in 1987. It's been out of circulation for over two decades, and Sorcerer Records presents this classic slice of underground Australiana in all its glory. Recorded over two recording sessions in mid-1986, one in Perth and one in Adelaide, Plays The Devil's Music wasn't really seen by LG founder/mainstay STU Spasm (ex-BEASTS OF Bourbon, Salamander JIM, et al.) as a part of any grand musical plan. He recorded these tracks with his friends Martin Bland, Brett Ford, and Pete Hartley and went back to Sydney with the tapes. John Foy of Black Eye Records loved the results and the band known as Lubricated Goat was born. Over the course of several more full-lengths and an EP or two, the band made themselves a reputation as one of Australia's finest purveyors of post-punk noise-rock before relocating to the US. The musical scene centered around the Black Eye label in Sydney at the time, with bands such as the 'Goat, Thug (featuring a young Tex Perkins), No More Bandicoots, Box The Jesuit, etc. remains one of Australia's richest, weirdest and most inventive conglomeration of musicians and artists, and Stu and company were right in the thick of it. Lubricated Goat were (perhaps correctly) often compared to the Butthole Surfers at the time, and their mix of punk, post-punk, noise, and a taste for the absurd puts them firmly in the same camp. Throw in a little bit of Stooges/Birthday Party-style grunt and a distinctly Australian sense of humor and you're getting close to the magic of early Lubricated Goat. This edition comes remastered c/o Mikey Young. Comes in original artwork and inner sleeve; Includes download card; Includes new liner notes from Stu Spasm detailing the history of the recording. Recommended for fans of: Butthole Surfers,Killdozer, Pere Ubu, Big Black, Birthday Party.

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The Fall

Room To Live

LP | 1985 | Reissue (Universal)

Release: 1982 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Cover with bent corner, othewise solid VG+ copy! Brown marbled vinyl!

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Pete Townshend

White City: A Novel Hsm

Release: 1985 / Reissue

Genre: Rock & Indie

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All The Best Cowboys Have Chinese Eyes Hsm

Pete Townshend

LP | 1982 | Reissue (Universal)

Release: 1982 / Reissue

Genre: Rock & Indie

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LP | 1987 | EU | Reissue (Rhino)

In The Dark

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Moontan Black Vinyl Edition

Golden Earring

2LP | 1973 | EU | Reissue (Music On Vinyl)

LP | 1988 | US | Reissue (Paradise Of Bachelors)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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180 GRAM AUDIOPHILE VINYL
GATEFOLD SLEEVE
INCLUDES 8-PAGE BOOKLET WITH AN ESSAY,
MEMORABILIA AND PHOTOS

REMASTERED & EXPANDED 2LP EDITION
FROM THE FIRST-GENERATION MASTER

TAPES

FEATURING 3 PREVIOUSLY UNRELEASED
MIXES AND 4 BONUS TRACKS

BLACK VINYL

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Roxy Gordon

Crazy Horse Nver Died

Schleimer K Record Store Day 2023 Edition

Release: 1988 / US – Reissue

Genre: Rock & Indie

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The Choctaw, Assiniboine, and Texan poet, journalist, visual artist, American Indian Movement activist, and musician Roxy Gordon (First Coyote Boy) (1945-2000) was above all a storyteller, known primarily as a writer of inimitable style and unvarnished candor, whose wide-ranging work encompassed poetry, short fiction, essays, memoirs, journalism, and criticism. Over the course of his career he recorded six albums, wrote six books, and published hundreds of shorter texts in outlets ranging from Rolling Stone and The Village Voice to the Coleman Chronicle and Democrat-Voice, in addition to founding and operating, with his wife Judy Gordon, Wowapi Press and the underground country music journal Picking Up the Tempo. Along the way he cultivated close friendships with fellow Texan songwriters such as Lubbockites Terry Allen, Butch Hancock, and Tommy X. Hancock, as well as Ray Wylie Hubbard, Billy Joe Shaver, and, most famously, Townes Van Zandt, whom he called his brother. Although his work covered a vast array of topics exploring strata personal, local, global, and cosmic alike, Gordon's primary subject as a writer, musician, and visual artist was always American Indian culture, specifically the ways it collided and coexisted with European American culture in the South and West-and within the context of his own life and braided identity. The ten songs on Crazy Horse Never Died, his first officially released and distributed album, were recorded in Dallas in 1988. "Songs" is perhaps an imprecise taxonomy for what Roxy captured on this and his other albums, all of which remain out of print or were released in instantly obscure limited editions of homebrew cassettes and CD-R's. (Paradise of Bachelors plans to reissue remastered, expanded editions of his catalog; Crazy Horse is the first.) He only occasionally attempted to sing, and his musical recordings are primarily corollaries of, and vehicles for, his poems. His sharp West Texan drawl, tinged by formative years of reservation living in Montana and unmistakable once you hear it-high, lonesome, flat, and cold-blooded as a bare rusty blade-instead patiently unfurls in skewed sheets of anecdotal verse and discursive narrative rants. Although Gordon's music at times incorporated powwow style drumming, fiddling, or unaccompanied ballad singing, the majority of it hews to an idiosyncratic spoken word style, accompanied by atmospheric, sometimes synth-damaged country-rock that skirts ambient textures and postpunk deconstructions. His songs are essentially recitations over backing tracks of finger picked guitars, rubbery washtub bass, and buzzing, oscillating keyboards. On the stark yellow and red jacket of Crazy Horse, which he designed himself, Gordon describes these recordings as innately ambivalent in terms of form, content, and identity: These are poems and/or songs about the American West, white and Indian. My life has been Indian and/or white. Maybe there's not a lot of difference-maybe. I guess that's mostly according to which white person or which Indian you're talking about. That's probably what this album's about. Crazy Horse Never Died comprises songs that span the personal and political arcs of his writing practice and the poles of his native and white ancestries.

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Schleimer K

LP | 1981 | US | Reissue (Glass Modern)

Groovy Things Colored Vinyl Edition

Release: 1981 / US – Reissue

Genre: Rock & Indie

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Reissue of the 1981 debut LP by darkwave electrronic pioneers, Schleimer K', based around the duo of Englishman Michael Wolfen and Frenchman Dominique Brethes and its music has two naturally interlaced aspects. On the one hand, there's the eccentric dandyism of British "punk gothique" (if we take Bauhaus as its strongest representative) and the musical intransigence of early industrial bands (like Throbbing Gristle or Cabaret Voltaire). On the other hand, we have the very obvious French touch of "coldwave", varying from cold synth sounds to intense experiments. New artwork, yellow vinyl!

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The Cosmic Dropouts

LP | 1989 | EU | Reissue (Apollon)

Groovy Things Black Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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The Cosmic Dropouts was formed in 1988 by Arne Thelin (vocals) and Morten Henriksen (guitar), and was together with The Willy B Review in the forefront of Norwegian garage rock. In addition to Arne and Morten, the band consisted of Pål Andreassen on organ, Carsten Johansen on bass (later replaced by Lars Albrecht and Stig Jøraholmen) and Elvin Sjursen on drums (later replaced by Rune Johnsen). This line-up recorded the band’s first release that year, a four-track vinyl 7“ EP titled Crashed Cadillac and Broken Hearts. It got good reviews in Norway and landed the band their first gigs. Their next release, an 8-track mini-album titled Groovy Things released in 1989, got raving reviews in Norway and abroad, and paved way for gigs at bigger venues and landed them their first and only gigs outside Norway with this line-up. They played at the New Music Seminar in New York that year in addition to a gig at The Khyber Pass pub in Philadelphia. Previous remotely started discussions with Skyclad Records continued in New York and resulted in this album’s original release. The mini-album and the EP together with their first single Let’s Go To The Beach (also released in 1989), plus a handful of songs recorded separately, were released as a full length album with the title Groovy Things by Skyclad Records in the US in 1990. By that time Arne had left the band (September 1989) and started The Lust-O-Rama, but the band continued with a new singer (Morten Karlsen) and released another two albums after that - Hoolabaloo on That’s Entertainment Records (1991) and Sonic Circus on Kicksville Records (1993). This re-issue was remastered December 2021.

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The Cosmic Dropouts

LP | 1989 | EU | Reissue (Apollon)

LP | 1970 | EU | Reissue (Charly)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Alice

Product Red Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Original 1970 BYG album facsimile edition. Newly mastered to vinyl from original BYG tapes. Lacquers cut by Alchemy Mastering at AIR STUDIOS. Exclusive liner notes by author, journalist and BYG-authority Kevin Le Gendre. Formed in the late 1960s Alice was French band that put their own spin on the blues rock scene born in Britain and America. Playing a gaggle of instruments, including woodwinds and vibes, the combo had a sound that often departed from guitar- led grooves to incorporate European classical music and South American folk.

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De Press

LP | 1982 | EU | Reissue (Apollon)

LP | 1989 | EU | Reissue (Dancing Bear)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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A Product of the ‘80s “Product” (1982) was the sequel to “Block To Block”, the breakthrough album by DE Press (Andrej Nebb, Ola Snortheim and Jørn Christensen). Like its predecessor, “Product” was produced by John Leckie and De Press. Both albums are now being re-released by Apollon Records on vinyl and CD. What is it about these two records? They still sound like nothing else from the Norwegian music scene. Both albums were on par with anything from the wider world, and this in a time were international New Wave and Post Punk classics were being released on an almost weekly basis. They encapsulate the sound of an entire era and may mirror the contemporary zeitgeist of its time so brilliantly that we still see ourselves in them. If its predecessor was the party before the proverbial bomb goes off, their sophomore album was the sound of the seconds leading up to the explosion. It sounds exciting and full of vitality—and fascinatingly dangerous. Like a Polish-Norwegian Joy Division from the underground of some forsaken city. Just listen to the intensity of songs like “The Fatal Day”, “Passages”, “In A Crowded Room”, and the title cut.

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V.A.

Bombardiranje New Yorka

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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LP | 1986 | US | Reissue (ORG Music)

Picture
Coming Soon

Bad Brains

I Against I

Release: 1986 / US – Reissue

Genre: Rock & Indie

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LP | 1980 | Reissue (Rhino)

Go To Heaven

Release: 1980 / Reissue

Genre: Rock & Indie

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LP | 1978 | Reissue (Rhino)

Shakedown Street

Release: 1978 / Reissue

Genre: Rock & Indie

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LP | 1989 | Reissue (Rhino)

Chicago

Greatest Hits 1982-1989

Release: 1989 / Reissue

Genre: Rock & Indie

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Troops Of Tomorrow Vinyl Edition

The Exploited

LP | 1982 | Reissue (Cherry Red)

Release: 1982 / Reissue

Genre: Rock & Indie

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Punks Not Dead Vinyl Edition

The Exploited

LP | 1981 | Reissue (Cherry Red)

Release: 1981 / Reissue

Genre: Rock & Indie

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LP | 1985 | EU | Reissue (Proper)

Julian Cope

Fried

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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LP | 1980 | Reissue (Culture Factory)

Samson

Head On

Release: 1980 / Reissue

Genre: Rock & Indie

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LP | 1981 | Reissue (Culture Factory)

Raven

Rock Until You Drop

Release: 1981 / Reissue

Genre: Rock & Indie

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LP | 1983 | Reissue (Culture Factory)

Raven

All For One

Release: 1983 / Reissue

Genre: Rock & Indie

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LP | 1981 | EU | Reissue (Culture Factory)

Ringo Starr

Stop & Smell The Roses

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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LP | 1983 | EU | Reissue (Culture Factory)

Ringo Starr

Old Wave

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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LP | 1986 | EU | Reissue (Warner Music International)

Heinz Rudolf Kunze

Wunderkinder

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Seitsemäs Maailma Black Vinyl Edition

Seitsemäs Maailma

LP | 1983 | EU | Reissue (Svart)

Oriental Beat - 40th Anniversary Re(Al)Mix Red Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Svart Records set to re-release the debut and only album by the Finnish rock band Seitsemäs maailma.

Originally released in 1983 and produced by Pekka Aarnio (Agit-Prop), the album’s lyrics were mostly based on the poems of Leo Voss. The band was formed by the members of Se (Eeva Koivusalo – bass, P.A. Ulmanen – keys, Yari – guitar, vocals) with Liisa Tavi (vocals), Charlie (Lama) (guitar, vocals), Sidi Vainio (Briard) (drums) and Kari Hipponen (guitar).

The self titled album by Seitsemäs maailma will be released on April 28th. Available on a Svart exclusive yellow vinyl limited to 100 copies and black vinyl limited to 200 copies. Both versions include a 8-page insert.

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Hanoi Rocks

LP | 1982 | EU | Reissue (Svart)

LP | 1976 | EU | Reissue (Proper)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Oriental Beat by Hanoi Rocks gets the redux treatment, officially mixed and revived from the original sessions, and released on March 17th on deluxe vinyl, CD and digital formats. The CD and vinyl come with the song lyrics, checked and approved by Michael Monroe.

Dubbed the “re(al) mix”, this 40th anniversary edition was mixed by Petri Majuri at E-Studios in Finland in collaboration with the band. Vocalist Michael Monroe calls this release “the longest and slowest album project ever,” stating that “40 years in the making, it's not just a remix, but the Real MIX supervised and approved by Hanoi Rocks”.

Recorded in London, UK in 1981, for 200 pounds a day, Oriental Beat was made during the height of the British punk + New Wave movement, when the band was hanging out with everyone from Phil Lynott to the Damned. Hanoi Rocks’ original drummer Gyp Casino says of Oriental Beat that: “Back in the days we gave heart, soul and a bit of pain to make this record something else” but the sound of the album, originally released in 1982, did not match their efforts at the time. Bassist Sami Yaffa called it “the worst sounding album of our career” and Michael Monroe said that “the producer of the album didn’t have a clue what the band was about and his mix of the album was horribly wrong”.

Oriental Beat’s original engineer Peter Wooliscroft, was not a rock producer, and according to Hanoi Rocks’ manager Richard Bishop he “tried to mix the album to sound like Spandau Ballet”. Released before the band could remix or rerecord it, as the label had run out of money, and the master tapes had gone missing, the band has always considered the original mix of Oriental Beat to be a “disaster”. With the tapes mysteriously showing up in the Universal vault recently, the band was finally able to mix and resequence the album the way they wanted it to sound.

Oriental Beat is a defining masterpiece made when Hanoi Rocks was about to explode onto the world scene and written at the absolute peak of lead guitarist Andy McCoy’s creativity as a songwriter. Rhythm guitarist Nasty Suicide says “only now, with stripping it down to the bare essentials and tweaking it to bring out what was really laid down it became our dream come true! This is what it's all about” as this definitive edition of Oriental Beat now fully displays the ultimate arrogance and attitude which defined the band. Monroe says: “now, 40 years after its original release in 1982, we finally got the album sounding as great as it deserves, with no overdubs or samples,” and McCoy adds that: “It's better now than ever. This is what it was meant to sound like. So enjoy it...Another shot of Hanoi Rocks”.

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Ten Cc

How Dare You!

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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LP | 1980 | EU | Reissue (Repertoire Entertainment Gmbh)

Sparks

Terminal Jive

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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LP | 1982 | EU | Reissue (Repertoire Entertainment Gmbh)

Sparks

Angst In My Pants

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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2LP | 1982 | EU | Reissue (Croatia)

Bijelo Dugme

Singl Ploce 1974 - 1980

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Isn't Anything Heavyweight Vinyl Edition

my bloody valentine

LP | 1988 | UK | Reissue (Domino)

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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LP | 1987 | EU | Reissue (P-Vine)

Yapoos

Yapoos Keikaku

Release: 1987 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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LP | 1989 | EU | Reissue (P-Vine)

Togawa Jun

Syouwa Kyounen

Isn't Anything Deluxe Edition

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Togawa Jun time travels into the vaults of yesteryear for a record of gramophone tape hiss, ballroom jazz through a lens and retrofuturistic experimentation ahead of its time. This collection of nostalgia-decayed covers span the Showa era kayokyoku boom from 1946's hit "Tokyo Flower Girl" for wartime crooner Haruo Oka to to a rendition of Grave of Fireflies author Akiyuki Nosaka's 1974 theme to the largely forgotten film "Virgin Blues".

As always is the case, Togawa stands bold and centre with her unique vocal command and haunting operatic devices. The first three tracks were produced by Koji Ueno who Togawa regularly collaborated with as a duo in their band Guernica. Keeping up pace and adding his own new-wave ingredients to the mix, the last three tracks were produced by Susumu Hirasawa P-Model fame who would work again with Togawa and let his electronic impulses run free as the producer of Yapoos' Dada Ism.

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my bloody valentine

LP | 1988 | EU | Reissue (Domino)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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LP | 1981 | JP | Reissue (P-Vine)

Phew

LP | 1989 | UK | Reissue (Silverstone)

Release: 1981 / JP – Reissue

Genre: Rock & Indie

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Undoubtedly this album is one of the important discs of Japanese new wave and German krautrock history. "Phew" is Japanese female vocalist who is well known as a member of legendary punk band "Aunt Sally". She has been active in a wide range of projects and collaborated with Ryuichi Sakamoto, Seiichi Yamamoto, DAF, and Neubauten etc. This was originally released in 1981 as her solo debut album, made in legendary Conny's Studio with Conny Plank, Holger Czukay and Jaki Liebezeit from CAN. Not only highly demanded by vinyl collectors worldwide, but also this album is outstanding in the dimension of the music. By Plank's engineering, their never fading sound-making is still innovative and no one can stand next. Now we present it as reissued LP with OBI, you can listen to the monumental work of her career in vinyl after more than 30 years since the last time it was reissued for the first time.

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The Stone Roses

LP | 1987 | US | Reissue (Luxury Products)

Release: 1989 / UK – Reissue

Genre: Rock & Indie

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Heavyweight 180 gram vinyl!

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AXEMEN

Derry Legend

LP | 1988 | DE | Reissue (Rhino)

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Long overdue re-issue of this cracked pop classic and Flying Nun rarity, "Derry Legend" was one of Kurt Cobain's top NZ platters and a staple of his mix-tapes.

Licensed and produced in full co-operation with the band, 100% analog remaster from the original tapes.

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Jane's Addiction

Nothing's shocking

Release: 1988 / DE – Reissue

Genre: Rock & Indie

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180g vinyl

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LP | 1972 | Reissue (Rhino)

Foxtrot

Release: 1972 / Reissue

Genre: Rock & Indie

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LP | 1971 | Reissue (Rhino)

Nursery Cryme

Release: 1971 / Reissue

Genre: Rock & Indie

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LP | 1980 | Reissue (Rhino)

Duke

Release: 1980 / Reissue

Genre: Rock & Indie

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LP | 1981 | Reissue (Rhino)

Abacab

Release: 1981 / Reissue

Genre: Rock & Indie

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And Then There Were Three

LP | 1978 | Reissue (Rhino)

Release: 1978 / Reissue

Genre: Rock & Indie

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LP | 1978 | Reissue (Rhino)

Shakedown Street

Release: 1978 / Reissue

Genre: Rock & Indie

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LP | 1980 | Reissue (Rhino)

Go To Heaven

Release: 1980 / Reissue

Genre: Rock & Indie

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LP | 1980 | EU | Reissue (Rhino)

Talking Heads

Remain In Light

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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LP | 1989 | EU | Reissue (Astor Place)

Murphy's Law

Back With A Bong!

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Crime & The City Solution

Room Of Lights Yellow

LP | 1986 | UK | Reissue (Mute)

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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LP | 1974 | EU | Reissue (Sony Music Catalog)

Billy Joel

Streetlife Serenade

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Sony Music Catalog)

Billy Joel

Cold Spring Harbor

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Back In The Usa rocktober atl75 Edition

MC5

LP | 1970 | EU | Reissue (Rhino)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Never For Ever 2018 Remaster Ecopak Cd Edition

Kate Bush

CD | 1980 | EU | Reissue (Fish People)

Lionheart 2018 Remaster Cd Edition

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Never For Ever is Kate's third studio album and was released in 1980.

Never For Ever was Kate's first no.1 album. It was also the first ever album by a British female solo artist to top the UK album chart, as well as being the first album by any female solo artist to enter the chart at no.1.

It has since been certified Gold by the British Phonographic Industry.

Kate co-produced the album with Jon Kelly. Fish People are proud and excited to announce new pressings of all 10 of Kate Bush's albums, featuring a special new edition for independent retailers.

"It’s very exciting to see people appreciating the physical presence of an album released on vinyl. It’s how it’s always been for me, especially when I was a teenager. The whole buzz of the record store was part of the experience. Buying an album was an event." Kate Bush.

The records are all pressed on 180g vinyl at the world-renowned Record Industry plant in the Netherlands. New lacquers were cut from the 2018 remasters by Bernie Grundman and overseen by mastering engineer James Guthrie.

Indie editions were all designed by Kate and feature new Fish People label designs, stunning Color Vinyl combinations and obi strips with pressing date. They are protected in resealable poly-bag liners with a 'Fish People Reissue' sticker, bottom right.

These are unlimited editions and will be in production constantly.

Street date for the first batch is set at 20 November.

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Kate Bush

CD | 1978 | EU | Reissue (Fish People)

The Kick Inside 2018 Remaster Ecopak Cd Edition

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Kate's second album Lionheart was released in late 1978, just nine months after The Kick Inside.

Lionheart reached no.6 on the UK album chart and has been certified Platinum by the British Phonographic Industry. Fish People are proud and excited to announce new pressings of all 10 of Kate Bush's albums, featuring a special new edition for independent retailers.

"It’s very exciting to see people appreciating the physical presence of an album released on vinyl. It’s how it’s always been for me, especially when I was a teenager. The whole buzz of the record store was part of the experience. Buying an album was an event." Kate Bush.

The records are all pressed on 180g vinyl at the world-renowned Record Industry plant in the Netherlands. New lacquers were cut from the 2018 remasters by Bernie Grundman and overseen by mastering engineer James Guthrie.

Indie editions were all designed by Kate and feature new Fish People label designs, stunning Color Vinyl combinations and obi strips with pressing date. They are protected in resealable poly-bag liners with a 'Fish People Reissue' sticker, bottom right.

These are unlimited editions and will be in production constantly.

Street date for the first batch is set at 20 November.

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Kate Bush

CD | 1978 | EU | Reissue (Fish People)

Talk About The Weather White Vinyl Edition

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Kate's debut album "The Kick Inside" was released on 17 February 1978 and contains the UK number one hit, "Wuthering Heights".

The album peaked at number three in the UK album charts and has been certified Platinum by the British Phonographic Industry.

The production included contributions from Duncan Mackay, Ian Bairnson, David Paton, Andrew Powell, Stuart Elliott and David Gilmour.

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Red Lorry Yellow Lorry

LP | 1985 | EU | Reissue (Audioplatter)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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LP | 1983 | Reissue (Sony Legacy)

Ozzy Osbourne

Bark At The Moon

Release: 1983 / Reissue

Genre: Rock & Indie

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LP | 1974 | EU | Reissue (Rhino)

Willie Nelson

Phases And Stages

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Original (Rhino)

John Prine

Release: 1971 / EU – Original

Genre: Rock & Indie

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Sonic Temple Green Vinyl Edition

The Cult

2LP | 1989 | UK | Reissue (Beggars Banquet)

LP | 1985 | EU | Reissue (Island)

Release: 1989 / UK – Reissue

Genre: Rock & Indie

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THE CULT is fronted by Ian Astbury on vocals and Billy Duffy on guitar.Their fourth album Sonic Temple is not just an iconic record, but a sonic tour de force that defies classification.Released in 1989, the album"s sound is rooted in classic rock and heavy metal, but incorporates a range of influences, from punk to psychedelic rock, creating a sound that is both familiar yet unique. The album"s production is slick and polished, thanks to the contributions of legendary producer Bob Rock, who helped to craft a sound that was both commercially appealing and artistically adventurous.Sonic Temple had four massive hits; "Fire Woman", "Edie (Ciao Baby)", "Sun King" and "Sweet Soul Sister".The album catapulted The Cult into superstar status and remains their most commercially successful release. Declared platinum in 1990, it was also a critical success, cementing The Cult"s place in the pantheon of hard rock and heavy metal bands and earning them a devoted following that endures to this day.

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Tom Waits

Rain Dogs

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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LP | 1987 | CZ | Reissue (Island)

Tom Waits

Frank's Wild Years

Release: 1987 / CZ – Reissue

Genre: Rock & Indie

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2LP | 1974 | EU | Reissue (Sanctuary)

The Kinks

Preservation Act 2

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Sundazed)

Crow

Crow By Crow

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Something To Believe In Transparent Blue Vinyl Edition

APB

LP | 1985 | EU | Reissue (Liberation)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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2LP | 1982 | EU | Reissue (Chrysalis)

Ultravox

Rage In Eden

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Croatia)

Time

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Red Skies Over Paradise Red Vinyl Edition

Fischer-Z

LP | 1981 | UK | Reissue (East Central One)

Translucence Record Store Day 2021 Edition

Release: 1981 / UK – Reissue

Genre: Rock & Indie

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Originally released in 1981, Fischer-Z’s “Red Skies Over Paradise” was the last album featuring the classic line-up.

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Poly Styrene

LP | 1980 | Reissue (Parlophone Label Group)

Content To Write In I Dine Weathercraft

Release: 1980 / Reissue

Genre: Rock & Indie

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Record Store Day 2021 Release.

Translucence is the first solo album from the late Poly Styrene, former lead vocalist with punk legends X-Ray Spex, it was released on United Artists in 1980 and was a jazzier more subtle affair than the material of her former band. The critically acclaimed album has been unavailable on vinyl for nearly 30 years, and will be pressed on crystal clear vinyl, exclusively for Record Store Day 2021. Tracklisting Side 1 - A1. Dreaming, A2. Toytown, A3. Sky Diver, A4. Day That Time Forgot, A5. Shades, A6. Essence Side 2 - B1. Hip City, B2. Bicycle Song, B3. Sub Tropical, B4. Translucent, B5. Age, B6. Good Bye

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Stano

LP | 1983 | EU | Reissue (Allchival)

Nick Cave & The Bad Seeds

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Former member of Dublin punk band The Threat, Stano released his debut LP on Scoff Records in 1983. Recorded in Alto Studios, the Irish artist eschewed live performances in favour of fusing collaborative, improvised, experimental music with spoken word-poetry. The LP featured contributions from fellow Irish musicians and artists such as Michael O'Shea, Roger Doyle, Donald Teskey, Vinnie Murphy, Detroit born Jerome Rimson and is a seminal document of Irish postpunk

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Kicking Against The Pricks

LP | 1986 | EU | Reissue (Mute)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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LP | 1978 | EU | Reissue (Music On Vinyl)

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Vibrators

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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LP | 1987 | EU | Reissue (Universal)

Julian Cope

St. Julian

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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If You Want Blood You've Got It Gold Nugget Vinyl Edition

AC/DC

LP | 1978 | EU | Reissue (Sony Music Catalog)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Dream Catcher)

Red Dirt

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1982 | UK | Reissue (Les Disques Du Crepuscule)

Marine

Same Beat

LP | 1972 | EU | Reissue (Ohr)

Release: 1982 / UK – Reissue

Genre: Rock & Indie

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Les Disques du Crepuscule presents a unique anthology by artful Brussels postpunk-funk band Marine, fondly remembered for their dazzling debut single ‘Life In Reverse’ in 1981, and now back with a clutch of brand new studio tracks.

The cover art is by Lddc art director Benoit Hennebert and based on the ‘Same Beat’ single sleeve from 1982. The vinyl edition s of TWI 143 is limited to 500 copies pressed on blue vinyl and includes a digital link. All tracks are newly remastered in 2023.

Formed in late 1980 around charismatic frontman Marc Desmare together with musicians from infamous punk band Mad Virgins, Marine made an early splash supporting Orange Juice and Josef K at the legendary Plan K venue, Postcard Records afterwards keeping tabs on the Sound of Young Brussels.

Snapped up instead by chic boutique label Les Disques du Crepuscule, Marine released their infectious debut single ‘Life In Reverse’ in April 1981, attracting rave reviews in the Belgian and UK press, reaching the giddy heights of #6 on the NME indie chart, and even being invited to record a radio session for John Peel - a world first for a Belgian band.

Soon favourable comparisons were being drawn with The Pop Group, A Certain Ratio, Defunkt, James White and Fire Engines, some pundits even sensing a new Haircut 100. ‘We’re not a fashion band,’ insisted Marc in UK rock weekly Sounds, ‘and it’s not really dance music. But all the same I’m glad people dance to it.’

Alas, artistic differences caused the fast-rising group to part ways in a London studio, when half the band quit to form pop-funk sophisticates Allez Allez. With new Marines on board, Marc and bassist Paul Delnoy went on to release two further singles (‘How to Keep Cool’ and ‘Same Beat’), gigged extensively around France and the Low Countries, and played a headline show at The Venue in London. ‘Fine, disciplined and gleeful rhythm workers,’ enthused Chris Bohn in NME. ‘A happy, contagiously clean aural equivalent to a Serge Clerc cartoon.’

Alas by the summer of 1982 Marine were all washed up, with Marc going on direct films and documentaries as Marco Laguna. Four decades later, finally heeding desperate pleas from Crepuscule that his sensational first band never cut an album, Marc has written and recorded another 6 remarkably authentic sounding Marine songs with help from like-minded friends in Brussels and Paris, once more drawing on a heady mix of supercool funkabilly, jazz and soundtrack influences.

‘It was an incredibly strange experience to revisit my past,’ says Marc, ‘but definitely fun. I’m glad, and I’m proud!

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Amon Düül

Disaster (Lüüd Noma)

My Life With The Thrill Kill Kult I

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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In September 1968, AMON DÜÜL played the "International Essener Songtage", Germany's first rock festival of five days duration, which was initiated by the later Ohr label boss Rolf-Ulrich Kaise...

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See Good Spirits... Green Vinyl Edtion

LP | 1988 | US | Reissue (Wax Trax!)

30,59 €* 35,99 € -15%

Release: 1988 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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LP | 1983 | EU | Reissue (Island)

Tom Waits

Swordfishtrombones

30,39 €* 31,99 € -5%

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Kiss Me, Kiss Me, Kiss Me

The Cure

2LP | 1987 | EU | Reissue (Polydor)

29,99 €*

LP | 1977 | EU | Reissue (Rhino)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.

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Television

Marquee Moon

29,99 €*

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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Come On Down Black Vinyl Edition

Green River

LP | 1985 | US | Reissue (Jackpot)

29,99 €*