Indierock | Alternative Vinyl 13553 Items

Release: 2015 / UK – Original

Genre: Rock & Indie

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12" | 2015 | US | Original (Shelflife)

Brideshead

Never Grow Up

29,99 €*

Release: 2015 / US – Original

Genre: Rock & Indie

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LP | 2015 | UK | Original (Rough Trade)

Girl Band

Holding Hands With Jamie

Release: 2015 / UK – Original

Genre: Rock & Indie

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2LP | 2015 | US | Original (Matador)

Kurt Vile

B'lieve I'm Going Down …

Release: 2015 / US – Original

Genre: Rock & Indie

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Master Musicians Of Bukkake

Further West Quad Cult

LP | 2015 | US | Original (Important)

32,99 €*

2LP | 2015 | EU | Original (Play Loud!)

Release: 2015 / US – Original

Genre: Rock & Indie

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Prefigured by the inclusion of a secret extra pocket in the original packaging of Far West, this painstakingly crafted complimentary LP is intended for synced playback with that release. Liquid synth journeys into the void.

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Die Regierung

Live 1994

27,89 €* 30,99 € -10%

Release: 2015 / EU – Original

Genre: Rock & Indie

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Johnny Kafta Anti-Vegetarian Orchestra

LP | 2015 | UK | Original (Discrepant)

28,99 €*

LP | 2015 | US | Original (Drag City)

Release: 2015 / UK – Original

Genre: Rock & Indie

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Featuring members of punk band Scrambled Eggs and free improv unit "A" Trio, this band from Lebanon has a style that includes elements of punk, krautrock, free jazz and improvisation.

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Wand

1000 Days

32,99 €*

Release: 2015 / US – Original

Genre: Rock & Indie

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LP | 2015 | DE | Original (Warner)

Beatsteaks

23 Singles

39,99 €*

Release: 2015 / DE – Original

Genre: Rock & Indie

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LP+CD | 2015 | EU | Original (Tapete)

Robert Forster

Songs To Play

Release: 2015 / EU – Original

Genre: Rock & Indie

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LP | 2015 | EU | Original (Columbia)

David Gilmour

Rattle That Lock

Release: 2015 / EU – Original

Genre: Rock & Indie

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2LP | 2015 | CZ | Original (Wind-Up)

The Revivalists

Men Amongst Mountains

42,99 €*

Release: 2015 / CZ – Original

Genre: Rock & Indie

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LP | 2015 | UK | Original (Rough Trade)

Micachu & The Shapes

Good Sad Happy Sad

Release: 2015 / UK – Original

Genre: Rock & Indie

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LP | 2015 | EU | Original (EMI)

The Libertines

Anthems For Doomed Youth

15,99 €*

Release: 2015 / EU – Original

Genre: Rock & Indie

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LP | 2015 | UK | Original (4AD)

Beirut

No No No

Release: 2015 / UK – Original

Genre: Rock & Indie

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LP | 2015 | US | Original (Kranky)

Helen

The Original Faces

LP | 2015 | US | Original (Innovative Leisure)

Release: 2015 / US – Original

Genre: Rock & Indie

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Helen is a pop group from Oregon. Liz Harris (vocals/ lead guitar - aka Grouper), Jed Bindeman (drums/ tambourine), Scott Simmons (bass/ guitar), & Helen (back up vocals). "The Original Faces" was recorded over a period of several years in Portland by the band members, their friends Nick, Chris &, largely, Justin Higgins. Written together, some songs based on Liz & Scott's demos.

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Tijuana Panthers

Poster

21,99 €*

Release: 2015 / US – Original

Genre: Rock & Indie

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LP | 2015 | US | Original (Fearless)

I Prevail

Heart Vs. Mind

Release: 2015 / US – Original

Genre: Rock & Indie

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LP | 2015 | EU | Original (Warner)

Foals

What Went Down

34,99 €*

LP+CD | 2015 | EU | Original (People Like You)

Release: 2015 / EU – Original

Genre: Rock & Indie

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It's the fourth studio album of the five-piece dance-rock band. Insiders described it as “primal, intense and sometimes harrowing."

With the help of critically acclaimed producer James Ford (known for his work with Simian Mobile Disco, The Last Shadow Puppets and Arctic Monkeys amongst others), the follow-up to their successful 2013 LP Holy Fire was recorded in a rural, 19th Century mill in Southern France.

Frontman Yannis Philippakis stated:"I wanted to tap into my inner madman and feel like I was channeling some sort of fevered creature."

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Staatspunkrott

Nordost

13,99 €*

Release: 2015 / EU – Original

Genre: Rock & Indie

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LP | 2015 | US | Original (Matador)

Yo La Tengo

Stuff Like That There

Alguien Murio Bajo Las Ruedas Del Tren En Directo

Release: 2015 / US – Original

Genre: Rock & Indie

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The 14th album by Indierock legends Yo La Tengo including cover versions, new versions of their own songs and brand new material.

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Viaje A 800

2LP | 2015 | EU | Original (Alone)

18,99 €*

LP | 2015 | US | Original (What's Your Rupture)

Release: 2015 / EU – Original

Genre: Rock & Indie

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Viaje A 800 still has a reputation as one of the greatest music acts on the Spanish classic and progressive rock scene. Not so profilic on studio albums (just 3 ones came out within 15 years), the band retired adding this gem to their discography. Alone Records show tribute to the band with this 2LP live set, now when the label celebrates 15 years of existence. This is the first official live release, recorded on April 13th, 2013. The LP-version is limited to 500 copies, including a poster and with amazing artwork from Antonio Ramirez.

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Royal Headache

High

34,99 €*

Release: 2015 / US – Original

Genre: Rock & Indie

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LP | 2015 | US | Original (Ipecac)

Faith No More

Sol Invictus

33,99 €*

Release: 2015 / US – Original

Genre: Rock & Indie

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LP | 2015 | US | Original (The Control Group)

Cate Le Bon

Me Oh My

Release: 2015 / US – Original

Genre: Rock & Indie

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LP | 2015 | US | Original (Birth)

Drinks

Hermits On Holiday

Release: 2015 / US – Original

Genre: Rock & Indie

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2LP | 2015 | UK | Original (Rough Trade)

Sun Kil Moon

Universal Themes

LP | 2015 | US | Original (Woodsist)

Release: 2015 / UK – Original

Genre: Rock & Indie

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Universal Themes is the follow-up to Sun Kil Moon's 2014 album Benji, which unexpectedly became one of the most critically acclaimed albums of that year. Like that album, Universal Themes is extremely autobiographical, with songwriter Mark Kozelek spinning yarns about friends, family, his childhood, and other life experiences, with frequent references to boxing, music, films, television, and food. Lyrically, Universal Themes isn't as heavily fixated on death as Benji; instead, there are more songs like "Ben's My Friend," wherein Kozelek sings about his experiences traveling and playing shows. Opener "The Possum" does both, intertwining a story about an old dying possum with an anecdote about hanging out with Justin Broadrick before witnessing an incredible concert by his band Godflesh. "Little Rascals" and "Garden of Lavender" reference previous Kozelek songs by name, as well as fans' reactions to his lyrics, such as a heckler who asks if he really hates Nels Cline (he doesn't; his name just happened to rhyme). The album doesn't contain any references to Kozelek's notorious one-sided media feud with the War on Drugs, but it does include "Cry Me a River Williamsburg Sleeve Tattoo Blues" (complete with text message notification sounds), which starts out from the point of view of a jaded fan who complains that Kozelek won't play his old material, before going into several grim short stories about early deaths and tortures, in order to drive home the first-world-problems message. There's also plenty of lighter, more joyous recollections, such as Kozelek's memory of receiving his first guitar, and a multitude of stories about the best times of his life spent with family and friends. Most of the album's eight songs hover around nine or ten minutes in length, and there are stretches of spoken monologue rather than singing. Musically, Kozelek plays almost all of the instruments himself, other than drums from Steve Shelley and guest appearances by bassist Alex Schwartz and keyboards by Chris Connolly on one track each. A few of the songs rock out more aggressively than any of Kozelek's previous work, and he practically barks out "With a Sort of Grace I Walked to the Bathroom to Cry." As with all Sun Kil Moon albums, Kozelek produced the album himself, and his arrangements remain inventive and gorgeous; the lengthy songs are layered, multi-part suites that frequently switch tempos, drifting off into ethereal passages or graceful tarantellas before snapping back to the driving rhythm framing the story at hand. Like Benji, Universal Themes is a challenging listen, and some might view it as Kozelek's most indulgent album yet. But his brilliant musicianship and guitar playing combined with his fascinating storytelling skills ensure that his music is as poignant and life-affirming as ever, and the album is yet another success in his remarkable catalog. - Paul Simpson at allmusic.com

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Herbcraft

Wot Oz

18,99 €*

LP | 2015 | US | Original (Dualtone)

Release: 2015 / US – Original

Genre: Rock & Indie

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Across four LPs, Herbcraft’s trajectory has taken the form of an open-ended and perpetual trip, covering ground from the pining bedroom odes of Agartha to the psychedelic living room services of Ashram, to the full-band barn hoots of 2013’s The Astral Body Electric. On its fourth album, Wot Oz, the band undergoes another bold reinvention, shifting its locale to the Traummaschine A/B warehouse, where Matt Lajoie met with drummer Aaron Neveu and bassist / organist Joe Lindsey for the trio’s first-ever rehearsal in July 2013. The practice was intended simply as a warm-up for a live gig, but surveillance tape began rolling almost immediately, as the group’s chemistry imbued both abstract sound experiments and primitive rock- and blues-based numbers with the same heady waft of freewheeling possibility. The needle touches down on a slice of this initial meeting: “Fit Ür-Head” lands at the feral, pummeling nexus of proto- and post-punk; a live-to-tape two-chord gob of lung-tar spat inches from a flea market snakeskin, while voices howl and wah guitar razes every inch of green. From this auspicious birth the album moves through the afterhours narco-haze of “Au’s Nation” to the Zamrock-inspired groove of “Push Thru the Veil,” with Neveu rolling off an endless stream of future-classic break-beats throughout. On the flip, “No More Doors” finds a sunbaked cassette of tabla-and-bass loops melting as the band abandons Earth for hallucinogenic oblivion, and the album’s closing 12-bar blues deconsecration “Bread Don’t Rise” spins a circular framework into a sweaty Fillmore dancefloor-filler strictly for the heads. Fittingly, this trip ends only when the tape falls off the reel. Wot Oz was recorded and mixed on 1/4-inch tape and four-track cassette, mastered by Timothy Stollenwerk, and is presented in mono for optimal blare. Turn it up.

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Langhorne Slim & The Law

Spirit Moves

Release: 2015 / US – Original

Genre: Rock & Indie

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Meanwhile Back In The Lab

Slightly Stoopid

2LP | 2015 | EU | Original (Stoopid)

Release: 2015 / EU – Original

Genre: Rock & Indie

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Since We've Become Translucent

Mudhoney

LP | 2015 | US | Reissue (Sub Pop)

Release: 2015 / US – Reissue

Genre: Rock & Indie

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3LP | 2015 | US | Original (Merge)

Titus Andronicus

Most Lamentable Tragedy

57,99 €*

Demon Blues Black Vinyl Edition

Release: 2015 / US – Original

Genre: Rock & Indie

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Received an 8.1 rating from Pitchfork.

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Datura4

LP | 2015 | US | Original (Alive)

21,99 €*

LP | 2015 | EU | Original (Setalight)

Release: 2015 / US – Original

Genre: Rock & Indie

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Hailing from Fremantle in Western Australia, Datura4 is the brainchild of Dom Mariani (frontman of legendary Australian garage rockers The Stems and Power Pop favourites DM3) and Greg Hitchcock (former You Am I and one-time New Christs’ guitarist). In 2011 they joined forces combining a shared passion for full-tilt boogie, psychedelic rock and progressive blues. Along with drummer Warren Hall who previously played with The Drones and bass player Stu Loasby DATURA4 have been steadily building a reputation in their hometown with their live performances. With a healthy nod to Early ’70’s Australian Psych/Blues/Boogie, “Demon Blues” represents Mariani & Hitchcock’s love of hard hitting bell-bottom blues.

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Balg

The Heavy Listening

Release: 2015 / EU – Original

Genre: Rock & Indie

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2LP | 2015 | US | Reissue (Interscope)

Tame Impala

Currents

Release: 2015 / US – Reissue

Genre: Rock & Indie

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10" | 2015 | US | Original (Hit+Run)

Angels Dust

Slow Tapes

LP | 2015 | EU | Original (Bloodshot)

Release: 2015 / US – Original

Genre: Rock & Indie

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Angels Dust is vocalist Flavia Campi and producer avid Lampley. Their bewitching, hypnotizing yet soulful debut summons the same heaviness and somber darkness of Portishead & Mazzy Star. Ciampi's almost-whispered vocals are front and center, anchored by loose swinging beats that are as unnerving as they are catchy. Lampley (also known as Psychopop, one half of San Diego instrumental noise legends Skrapez, as well as a frequent Gonjasufi collaborator) handles the gritty lo-fi production duties.

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Scott H. Biram

Graveyard Shift

31,99 €*

Release: 2015 / EU – Original

Genre: Rock & Indie

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The Dirty Old One Man Band

Scott H. Biram

LP | 2015 | EU | Original (Bloodshot)

31,99 €*

Release: 2015 / EU – Original

Genre: Rock & Indie

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White Reaper Does It Again Clear Purple Vinyl Edition

White Reaper

LP | 2015 | US | Original (Polyvinyl)

Release: 2015 / US – Original

Genre: Rock & Indie

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LP | 2015 | US | Original (NNA Tapes)

Drainolith

Hysteria

LP | 2015 | US | Original (Double Double Whammy)

Release: 2015 / US – Original

Genre: Rock & Indie

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NNA is very proud to present our second release from Canadian hero Alexander Moskos’ Drainolith project. Following up 2012’s “Fighting!” full length LP (Spectrum Spools), “Hysteria” reaches new levels in the Draino sound world, resulting in his most fully realized record to date. Moskos has spent years marinating solo in the cold Northern underground, cutting his chops as lead axegrinder with Montreal-based noise punks AIDS Wolf, and most recently rolling with North American all-star clan Dan’l Boone. “Hysteria” is the result of nearly two years spent in various studios with producers and fellow ‘Boone brothers Nate Young (Wolf Eyes) and Neil Hagerty (Royal Trux), working diligently together to take a few steps beyond Trip Metal and extract the skeleton out of “rock”, inserting it into a newer, much weirder, humanoid skin. The epicenter of this sound rests humbly on the foundation of guitar and voice, two facets of sound that Moskos has carefully cultivated through years of experimentation and digestion from a wide array of musical influences. The relaxed, loose, and energetically electric technique of guitar playing is reinforced by Drainolith’s unrivaled tone, which has morphed throughout the years but now stands alone atop a mountain of shredders. It is ripe with Bluesy fuzziness and the humanity of Americana, while punctuated by the gritty stab of 80’s death metal, and further rounded out with a sprinkling of EVH-esque chorus zones and free jazz adventurousness. The result is a sound that pre-dates the internet in a fabulous way. Each note seems to leave behind a glistening impression like a spot of grease on a pizza box. A tone as unique as this is only bolstered by the vocal delivery, the literal voice of the Mind of Moskos. This beautifully cold, dripping baritone is unmistakable, it’s fried-yet-poetic articulation recalling a halfway point between a melting Dylan and a blazed Robert Ashley. Over-tired, over-wired, and over it. Moskos lets every word kerplunk into a mesmerizing puddle of observation, giving something as mundane as staring out the window or a Vancouver hotel foyer the poignancy of a published work. With guitar and voice at the core, the additional instrumentation on “Hysteria” is the bizarre glue that binds it all together, using the palette of electronics, keys, and haphazardly triggered beats and percussion in an intensely layered fashion to ensure maximum disorientation. The compositions are fully stacked, allowing little room for sparseness or tender moments. Tracks like “Qix” stagger forward in a deranged manner, it’s elastic percussion hearkening back to purple Nike foot-pounding of 2011’s “Where Are Ye Col. Leslie Groves?” cassette and the “one man band” era, for those of us fortunate enough to witness Drainolith’s live experience. Other tracks like “Joy Road” burn on patiently, disintegrating piece by piece into the ether of time amid a bed of Fender Rhodes eeriness... almost like a rare Canadian B-side to the Lizard King’s “An American Prayer”. Blues notions are confronted by Beastie-esque guitar stabs, smeared together with repetitive, angular riff rotations and flailing synth filigree, creating a densely-layered intensity that feels like the anxiety of standing in a rat’s nest of instrument cables and leaky pipe water in a moist basement. Pleasant melody is of little interest here, instead thriving on dissonance and reminding us of the OGs of post-punk, when rock met experimentation and abstraction head on, shoving a properlygreased square peg into a circular hole. While thematically cryptic, “Hysteria” drops rough clues to the heart of it’s content, filled withtales of Quebec biker wars, sinking into couches, Detroit street hassles, sneaker worship, sidewalk slush, sexual desire and seasonal affect disorder. At it’s heart, “Hysteria” is the product of a musician who has much love for the past, but also little interest in recreating it. It is a song cycle that reflects the complexities of our day to day world through the psyche of the modern jammer, fueled by the quintessentially Moskosian diet of caffeine and nicotine. Someone who isn’t content sitting stagnant in a crowd of tradition, and who acknowledges that radical ideas are necessary to propel things into the future.

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Eskimeaux

O.K.

LP | 2011 | US | Reissue (Agitated)

Release: 2015 / US – Original

Genre: Rock & Indie

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Eskimeaux is the recording project of songwriter & producer Gabrielle Smith, member of Told Slant & the Frankie Cosmos Band, & one of the founders of the Brooklyn-based art collective, Epoch. Since 2007, Smith has been experimenting & developing her sound into the realm of more structured songwriting, as evident with the beat driven & poetic bedroom pop that fills her new album, "O.K." Co-produced by Jack Greenleaf (SHARPLESS) & features vocal cameos from members of Epoch, Mitski & arrangement contributions from Henry Crawford & Nick Corbo (LVL Up).

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Mugstar

Lime

LP | 2015 | US | Original (Homeless)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Long overdue vinyl reissue of the last album from Mugstar. Mugstar are an instrumental rock band from Liverpool, England influenced by krautrock, 'saucerful...' era Pink Floyd, Neu!, Sonic Youth and Oneida. They have released a number of 7" records including a recent split with Mudhoney and were one of the last bands to have recorded a 'Peel Session' for John Peel. Mugstar maintain a power and heaviness and extending their musical manoeuvres and textures into new territories, the mantra-like effect driven with restraint, atmospheric shifts and verges on enlightenment and dark uneasiness. Mugstar are a total sonic assault on the senses, live shows are filled with black and white images flashed over the stages they play. Mugstar are to release a soundtrack album to the film 'Ad Marginem' and have a number of other releases confirmed through the label mid-late 2011. Cut and pressed in Germany onto high quality Audiophile 150-gram vinyl in an edition of 1,000 copies.

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Spray Paint

Punters On A Barge

24,69 €* 37,99 € -35%

Darkel (JB Dunckel of Air)

Release: 2015 / US – Original

Genre: Rock & Indie

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Extracting themselves from the dumpsters of Austin, Texas to create their “paranoid art punk”, No Wave sound—Spray Paint once again present the atonal throb “post-punk workouts” they do so well, this time with some kraut drum beats thrown in for good measure. With two albums on S-S Records in 2013 and Clean Blood, Regular Acid released Oct ’14, all of which appeared regularly on end-of-year lists—Spray Paint’s fourth album, Punters On a Barge, is released on Homeless. Touring the USA with Parquet Courts and Protomartyr and frequent tours of the States that have included two invitations to play Gonerfest, plus the annual SXSW gathering in home town of Austin, TX. The band also toured Europe Novemember 2014 and will play Japan/Australia June 2015, see them before the inevitable big time hits. "If Spray Paint's skull-ringing single 'Day of the Rope' wasn't enough to give you a damn-near stroke, their latest full-length LP Punters On a Barge will bash your head into oblivion. The Austin, Texas trio jack-hammers their way from militant post-punk to industrial noise with clanging guitars and droned-out vocals that could very well summon the robot apocalypse. Be still my cyborg heart."—Noisey

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The Man Of Sorrow

LP | 2015 | EU | Original (Prototyp)

14,99 €*

2LP | 2015 | EU | Original (Listenable)

Release: 2015 / EU – Original

Genre: Rock & Indie

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Darkel is the solo project of Jean-Benoît Dunckel, who is also known as half of the french duo AIR. His first solo album came out in 2006, at the same time as Charlotte Gainsbourg’s “5:55? album that he produced alongside with his acolyte from AIR. As well as participating to mythical soundtracks with AIR (Virgin Suicides, Lost In Translation, Marie Antoinette, Quartier Lointain, Pioneer…), Jean-Benoît composed the score of “Bee", “Je M’Appelle Hmm", and also the quirky film “Cyprien” but always in a very organic and solar electronic spirit.

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Mos Generator

In Concert 2007-2014

LP | 2015 | US | Original (Third Man)

Release: 2015 / EU – Original

Genre: Rock & Indie

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Mos Generator's 'In Concert 2007-2014' double live album sounds phenomenal and really captures the band's stunning grooves and Sabbathian hard rock and doom flavours. For fans of Black Sabbath, Kyuss, Unida, Queens Of The Stone Age.

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The Racontwoers

Third Man Live

19,99 €*

Release: 2015 / US – Original

Genre: Rock & Indie

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Damaged Bug (John Dwyer of Thee Oh Sees)

Cold Hot Plumbs

WIZZZ French Psychorama 1967 - 1970 Volume 3

Release: 2015 / US – Original

Genre: Rock & Indie

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John Dwyer has a surprise… While everyone eagerly anticipates the next Oh Sees record, he’s been working tirelessly in his synth laboratory, hand-crafting a followup to last year’s neon-noir Damaged Bug debut—one that shakes up the snow globe considerably. If Hubba Bubba was a brush with a robotic exoskeleton on deep-space patrol, Cold Hot Plumbs visits the alien world that sent it into the cosmos. Lush, textural and psychedelic, the songs breathe with a otherworldly sadness and heart. Barbed, sophisticated arrangements flower in every direction. The vintage-perfect sound palette would be window dressing if not for the songs themselves: fresh, vital, and above all catchier than the flu. Cold Hot Plumbs is a strange, beautiful, and oddly infectious addition to Dwyer’s oeuvre, and not one to be missed.

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V.A.

LP | 2015 | EU | Original (Born Bad)

18,99 €*

Tarja Turunen of Nightwish

Release: 2015 / EU – Original

Genre: Rock & Indie

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LP + 6 pages booklet.

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Luna Park Ride

2LP | 2015 | EU | Original (Earmusic)

32,99 €*

Release: 2015 / EU – Original

Genre: Rock & Indie

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LP | 2015 | US | Original (Northern Spy)

Shilpa Ray

Last Year's Savage

22,99 €*

Mutilator Defeated At Last

Release: 2015 / US – Original

Genre: Rock & Indie

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Nobody grows up wanting to be an artist’s artist. Appreciated by the sub sect of the sub sect is like being the beauty queen at the leper colony. Hell, anybody who claims they grew up wanting to even be an artist rather than an astronaut or a Cthulhu is probably lying or was a corny kid. Art is hard and degrading and generally bullshit. Your friends will find you irritating and your parents will certainly not throw you a parade. But if you’re an artist you’re an artist; the soul will fuck you every time, what can you do? Shilpa Ray is, through no fault of her own, one of our unsung great artists. Having made her bones with the gothic Sturm und Drang of Beat The Devil and moving forward to the blues erosion of “…and The Happy Hookers” Shilpa Ray has been, armed only with an incomparable voice and harmonium haunted by the ghosts of dead lovers, perpetually crying in the wind, hoisting both middle fingers in the general direction of god. It’s not a life a wise man would choose. Shilpa Ray kicks against the pricks but the pricks keep coming. But, again, what can you do? Well, that’s been the narrative until now. With Last Year’s Savage (maybe a nod to Leonard Cohen maybe a nod to Barrence Whitfield) Shilpa Ray has taken the pain and dark funk of earlier sounds and made explicit the sublimity that was always there just below the surface. The conversation has become less a break up with doors ripped rom their hinges and more the last pained pillow talk before parting. The obsessions with sex, death, bodily functions, and betrayal (not necessarily in that order) remain but Shilpa has expanded the palate to convey the resignation, the simmering discontent of an artist disenfranchised and held down. This is a quieter rage than the music Shilpa Ray has made before, more plaintive and considered, even if it’s the quiet of a hand gripped tight on the axe handle. The music remains gorgeous and stirring in its directness while Shilpa herself remains, thankfully, entirely and inappropriately threatening. Shilpa Ray has, up till this, point, yes, been a “artist’s artist.” Just about every musician in New York City, who doesn’t hate her, loves her and Nick Cave, in both words and deed (having her open up for him and his Bad Seeds often), sings her praises to all with the ears to listen. Obviously there are some who will always prefer lesser versions of the Shilpa Rays of the world (as if there could be more than one), preferably with blue eyes and On Brand Waifishness, but the truth will, eventually out. Talent this big can only be kept down by for so long before the sky cracks and we all drown in the blood of angels. Either way, this is Shilpa Ray’s year.

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Thee Oh Sees

34,99 €*

LP | 2015 | US | Original (Woodsist)

Release: 2015 / US – Original

Genre: Rock & Indie

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Here we have a new batch from Thee Oh Sees for your absorption—nine muscular tunes primed to pummel. Last year’s Drop was more schizophrenic, ranging from heavy to whimsical and back; Mutilator Defeated at Last has more in common with the monolithic hugeness of Floating Coffin. With only two brief reprieves from its onslaught, this record is made to be played loudly and demands bodily sacrifice. Despite the plutonium heavy feel, Thee Oh Sees continue to be omnivorous. Synths and acoustic guitars wind throughout the album like veins of gold through granite. Any and all that stands in its way will be devoured and assimilated. This is the sound of a band doing what they do best.

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Little Wings

Explains

19,99 €*

Release: 2015 / US – Original

Genre: Rock & Indie

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LP | 2015 | US | Original (Drag City)

Arnold Dreyblatt

Nodal Excitation

29,99 €*

Release: 2015 / US – Original

Genre: Rock & Indie

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2LP | 2010 | US | Reissue (Asthmatic Kitty)

Sufjan Stevens

The Age Of Adz

33,99 €*

Release: 2010 / US – Reissue

Genre: Rock & Indie

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LP | 2015 | US | Original (Don Giovanni)

Downtown Boys

Full Communism

Release: 2015 / US – Original

Genre: Rock & Indie

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LP+CD | 2013 | EU | Reissue (Lionel Liminana / Because)

The Liminanas

Costa Blanca

LP | 2015 | EU | Original (Bureau B)

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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The third Liminanas Album gets a reissue including the CD version!

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Die Wilde Jagd

10" | 2015 | US | Original (At The Dojo)

Release: 2015 / EU – Original

Genre: Rock & Indie

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Die Wilde Jagd (The Wild Hunt) is a joint project of Ralf Beck and Sebastian Lee Philipp, named after an ancient Germanic myth. Beck is a musician and producer from Düsseldorf. He has released several albums as part of the duo Nalin & Kane, as well as under the name Unit 4. Philipp is part of the Berlin-based electro-wave duo Noblesse Oblige. They joined forces after meeting in Düsseldorf's club Salon des Amateurs. It seems no coincidence that Düsseldorf is the duo's founding city: their music is full of subtle references to local acts, such as Kraftwerk, NEU!, DAF, Liaisons Dangereuses, Pyrolator, the Krupps and Propaganda. Using numerous analog keyboards and recording devices, and combining them with a diverse range of percussion instruments, they create their own "hunting music", which at times sounds unsettling, like swampland or a dark forest, but also urgent and pressing, like incandescent lasers or a hypnotic dance.

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Fu Manchu

Kept Between Trees

15,99 €*

LP+7" | 2015 | UK | Original (Domino)

Release: 2015 / US – Original

Genre: Rock & Indie

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Reissue of Fu Manchu's first 3-song 7-inch with one additional cut, an unreleased 1990 recording. Also included is a donwload card for another previously unissued track, 'Flashin', which dates from 1990.

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Patrick Watson

Love Songs For Robots

24,69 €* 25,99 € -5%

Release: 2015 / UK – Original

Genre: Rock & Indie

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7" | 2015 | US | Original (Lolipop)

Gap Dream / Part Time

Split

12,99 €*

Release: 2015 / US – Original

Genre: Rock & Indie

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LP | 2015 | US | Original (Sub Pop)

Metz

2LP | 2015 | US | Original (Rooster)

Release: 2015 / US – Original

Genre: Rock & Indie

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Written and recorded in 2014, after two years of constant touring behind their rightly-adored, self-titled debut, II is METZ at their most true to form-as pure an expression of what they do as can currently be committed to tape.

The guitars are titanic, the drums ill-tempered, the vocals chilling, and the volume worrisome.

II is the sound of an already monstrous band improving in both subtle and terrifying ways.

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The Heads

Nobody Knows

30,59 €* 35,99 € -15%

LP | 2015 | EU | Original (Village Green)

Release: 2015 / US – Original

Genre: Rock & Indie

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In 2014, THE HEADS reissued their 2000 album Everybody Knows We Got Nowhere in full deluxe, remastered glory and to much acclaim. To the deluxe five-LP box set edition they added a 70-minute CD packed with demos and unheard versions of material recorded in the rehearsal room on a walkman. For Record Store Day 2015, and to celebrate their rare live performances at Roadburn 2015, SIMON PRCIE took the material he edited for the bonus CD and added more tracks to the pot. With the mastering expertise / tape-polishing skills of SHAWN JOSEPH, Price created a warts 'n' all document of the time in The Heads' rehearsal space just prior to the recording of the Every Knows album. This double-LP presents ten tracks of the artists in their element: raw and alive in the rehearsal room, tracks being formed, prototype Heads riffs in the sonic gloop. Hear this era of the band in all its speaker-blowing, walkman-warping glory-a true psychedelic rock document. Nobody Knows is packaged in a Price-designed sleeve-a gatefold sleeve, naturally! Limited to 1,200 copies pressed worldwide for Record Store Day 2015. Black vinyl, no download cards, no repressings.

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Ben Chatwin

Sleeper Awakes

19,49 €* 25,99 € -25%

Release: 2015 / EU – Original

Genre: Rock & Indie

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For fans of Steve Reich, Philip Glass and Terry Riley and Arvo Pärt: Composer and producer Ben Chatwin releases his new album 'The Sleeper Awakes' through Village Green. Written and recorded at Chatwin's home studio in Scotland. Inspired by the writing of H.G. Wells, 'The Sleeper Awakes' is Chatwin's first album to appear under his own name and follows last year's highly-lauded Talvihorros project 'Eaten Alive'. Ben makes a move away from the more textured, heavily layered soundscapes of his Talvihorros work into something more succinct and melodically driven. Ben sourced a one hundred-year-old Dulcitone and used it extensively, making it sit with modern electronics and synthesis.

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Coachwhips

Bangers Vs. Fuckers

LP+CD | 2015 | EU | Original (It Sounds)

Release: 2015 / US – Original

Genre: Rock & Indie

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Feeling listless? Falling asleep behind the wheel? Need a soundtrack for your backyard Fight Club (with the lucky possibility of a muddy mid-fight kiss)? We have just the thing: a fully re-spruced version of the Coachwhips’ classic LP, Bangers Vs. Fuckers. If you’re unfamiliar, this record may be the loudest thing ever put to tape. Weasel Walter’s mastering job is more of an act of terrorism than anything else but it perfectly captures the intensity of seeing them live in, say, your bathroom. This record right here is Coachwhips at their bloody-nosed best, way past in the red, shoving white-hot heart-attack anthems like “You Gonna Get It,” “Evil Son” and “Thee Alarm” straight through your reptilian brain and into the sweaty crowd behind you. Essential listening for anyone with a pulse and a chip on their shoulder. Remastered and recut at 45 RPM for maximum blunt force. We found the artwork all beat up but we nursed it back to health. It’s never been louder, clearer or more fun than this, and it’s out on Castle Face Records on Record Store Day 2015.

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Tito & Tarantula

Tarantism

Release: 2015 / EU – Original

Genre: Rock & Indie

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Sound & Color Black Vinyl Edition

Alabama Shakes

2LP | 2015 | UK | Original (Rough Trade)

Release: 2015 / UK – Original

Genre: Rock & Indie

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Suuns & Jerusalem In My Heart

LP | 2015 | US | Original (Secretly Canadian)

Release: 2015 / US – Original

Genre: Rock & Indie

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LP | 2015 | US | Original (Merge)

Waxahatchee

Ivy Tripp

7" | 2015 | FR | Original (Because)

Release: 2015 / US – Original

Genre: Rock & Indie

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Waxahatchee, the solo musical project of Katie Crutchfield, is named after a creek not far from her childhood home in Alabama and seems to represent both where she came from and where she’s going. Ivy Tripp drifts confidently from its predecessors and brings forth a more informed and powerful recognition of where Crutchfield has currently found herself. The lament and grieving for her youth seem to have been replaced with control and sheer self-honesty. “My life has changed a lot in the last two years, and it’s been hard for me to process my feelings other than by writing songs,” says Crutchfield. “I think a running theme [of Ivy Tripp] is steadying yourself on shaky ground and reminding yourself that you have control in situations that seem overwhelming, or just being cognizant in moments of deep confusion or sadness, and learning to really feel emotions and to grow from that.”

Recorded and engineered by Kyle Gilbride of Wherever Audio at Crutchfield’s home on New York’s Long Island—with drums recorded in the gym of a local elementary school—Ivy Tripp presents a more developed and aged version of Waxahatchee. “The title Ivy Tripp is really just a term I made up for directionless-ness, specifically of the 20-something, 30-something, 40-something of today, lacking regard for the complaisant life path of our parents and grandparents. I have thought of it like this: [Waxahatchee’s last album] Cerulean Salt is a solid and Ivy Tripp is a gas.”

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Soko

Ocean Of Tears

10,99 €*

12" | 2015 | EU | Original (Mansions & Millions)

Release: 2015 / FR – Original

Genre: Rock & Indie

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Limited edition for Record Store Day 2015!

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Jack Chosef

Yeehai

9,99 €*

LP | 2015 | US | Original (Hardly Art)

Release: 2015 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Chillwave never died. It just made some new friends. "Track Your Mind" the first track on the Yeehai EP, from the laconic Jack Chosef opens with a manipulated vocal sample that could intro an experimental club track à la Night Slugs or a towering Kanyeeseque hip-hop construction. Instead, in drops the half-tempo bass kicks and portentous synths favored by meticulous 80s revivalists, the sorts that dream of a neon video-game Miami or are aficionados of Italian giallo soundtracks and John Carpenter's self-penned scores. But "Track Your Mind" could also be the sound of, for example, Pye Corner Audio's alternate history technological fantasies.

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Chastity Belt

Time To Go Home

Release: 2015 / US – Original

Genre: Rock & Indie

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Godspeed You Black Emperor

Asunder, Sweet & Other Distress

LP | 2015 | US | Original (Constellation)

24,99 €*

Primrose Green Black Vinyl Edition

Release: 2015 / US – Original

Genre: Rock & Indie

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Back in 2012, the shadowy, majestic Canadian post-rock collective Godspeed You! Black Emperor released Allelujah! Don’t Bend! Ascend!, their first album after a decade-plus hiatus, and it was just as thundering and grand and powerful as everything else they’ve ever done. The band won Canada’s Polaris Music Prize for the album, and they issued a statement about the “tone-deaf” ceremony, but that story should not overwhelm the gut-grabbing power of the album itself. And now they’ve announced that they’ll have another album for us in about a month, which is just excellent news. The new album, Asunder, Sweet And Other Distress, clocks in at an overwhelmingly brief 40 minutes, which is pretty surprising coming from a group whose individual tracks often inch past the 20-minute mark. The album only has four songs, but 10-minute songs are still concise by Godspeed standards. The band recorded the album with Electrical Audio engineer Greg Norman at studios in North Carolina and Montreal.

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Ryley Walker

LP | 2015 | US | Original (Dead Oceans)

That Black Bat Licorice / Blue Light, Red Light

Release: 2015 / US – Original

Genre: Rock & Indie

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The title sounds pastoral & quaint, but the titular green has dark hallucinogenic qualities, as does much of the LP. The band is a mixture of new & old Chicago talent, blending both jaded veterans of the post-rock & jazz mini-circuits together with a few eager, open-eared youths.

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Jack White

7" | 2015 | US | Original (Third Man)

10,99 €*

LP | 2015 | US | Original (The Flenser)

Release: 2015 / US – Original

Genre: Rock & Indie

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Third single off Jack White's second album Lazaretto with non-album B-Side "Blue Light, Red Light (Someone's There)"

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Father Murphy

Croce

28,99 €*

Will Butler of Arcade Fire

Release: 2015 / US – Original

Genre: Rock & Indie

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Father Murphy, one of the most mysterious and enigmatic musical entities to emerge from Italy in recent years, presents their fifth full-length via The Flenser. This dark psychedelic / industrial cabaret is a religion-themed concept album titled Croce (“Cross” in Italian), one side representing suffering and sacrifice and the flip reflecting what comes after—the end of suffering, resurrection, or perhaps oblivion. The work was recorded by John Dieterich in Albuquerque, NM, and mixed by Greg Saunier. From the shadowy atmospheres of Croce spring forth unexpected blurts of impossibly catchy noise pop, at times operatic like some twisted musical detailing the trials and tribulation of the crucifixion. Male and female vocals by Freddie Murphy and Chiara Lee intertwine over distorted blasts of guitar crunch, anchored by stuttering, homebuilt percussion. This sound is textural and nuanced yet noisy and chaotic, carefully sculpted into jagged shards of fragmented pop. A-side closer “In Solitude” is an appropriately dour slab of murky miserablism that sounds like a slow sonic death, a haunting dirge that dissolves into that ineffable space between the record’s two sides; the netherworld, the afterlife, Purgatory. But Father Murphy erupts from this stygian blackness with the second half of Croce—the light to the A-side’s dark.

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Policy

LP | 2015 | US | Original (Merge)

LP | 2015 | US | Original (Side One Dummy)

Release: 2015 / US – Original

Genre: Rock & Indie

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Will Butler has been a member of the band Arcade Fire for over 10 years. This is his first release under his own name.

Policy is American music—in the tradition of the Violent Femmes, The Breeders, The Modern Lovers, Bob Dylan, Smokey Robinson, The Magnetic Fields, Ghostface Killah. And John Lennon (I know, but it counts). Music where the holy fool runs afoul of the casual world.

Policy was recorded in one week in Jimi Hendrix’s old living room (upstairs at Electric Lady Studios). Jeremy Gara played drums; other musicians contributed woodwinds and backing vocals. Most everything else was played by Will.

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Jeff Rosenstock

We Cool

31,99 €*

Release: 2015 / US – Original

Genre: Rock & Indie

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A Place To Bury Strangers

Transfixiation

LP | 2015 | US | Original (Dead Oceans)

Release: 2015 / US – Original

Genre: Rock & Indie

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Kollektion 03 - Populäre Mechanik

V.A.

LP | 2015 | EU | Original (Bureau B)

LP | 2012 | US | Original (Cabin 24)

Release: 2015 / EU – Original

Genre: Rock & Indie

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Populäre Mechanik was a post-punk, jazz bastard project created by Wolfgang Seidel, friend and sometime musical partner of Conrad Schnitzler and founder member of Ton Steine Scherben. This collection has been curated by Holger Hiller, best known as vocalist for Palais Schaumburg. Hiller presents tracks from two cassette productions which Seidel released in the early 1980s. The booklet features an interview which Hiller conducted with Seidel in which they discussed the function of rock and pop music over the past 45 years.

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Ingrid Michaelson

Human Again

37,99 €*

Release: 2012 / US – Original

Genre: Rock & Indie

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10" | 2015 | EU | Original (April 77)

The Entrance Band

Incense

24,99 €*

Release: 2015 / EU – Original

Genre: Rock & Indie

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2-song 10 inch single from Los Angeles' own Entrance Band featuring Paz from A Perfect Circle and more recently The Pixies. Each one comes with an incense and one of the band member's names is printed on it. These are limited to 300 copies.

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Ex-Cult

Cigarette Machine

2LP | 2015 | US | Original (Reprise)

Release: 2015 / US – Original

Genre: Rock & Indie

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On the tail of their breakout second LP Midnight Passenger, Memphis-based punk cyclone Ex-Cult delivers a brand new batch of bruisers. Chris Shaw lends a sneering, spitting toughness to the proceedings while the band flays riffs in loose, hairy, mosh-inducing menace behind him, touching on post-punk, psych sprawl and early-’80s hardcore while remaining beholden to none. They have the power to convert even the most jaded and bored concertgoer into a sweaty mess in the pit. Punks, skate rats, scenesters, skinheads, hardcore kids, druggies—so many disparate groups dig this band it’s like an MRR cartoon waiting to happen. The adrenal-enhancers on Cigarette Machine are road warriors already, having been honed on the band’s recent tour that no doubt laid waste to a town nearby. The only problem with this sterling batch of sluggers is that it’s over too quick.

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My Chemical Romance

Black Parade

44,99 €*

Bobby Donnie Plays The Bobby Donnie Songs

Release: 2015 / US – Original

Genre: Rock & Indie

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First time on vinyl.

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Bobby Donnie

LP | 2015 | US | Original (Ehse)

18,89 €* 26,99 € -30%

LP | 2015 | US | Original (Third Man)

Release: 2015 / US – Original

Genre: Rock & Indie

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New to their instruments, Bobby Donnie had been crafting their strange pop rock songs since 2012 – the culmination being their forthcoming debut album “Bobby Donnie Sings the Bobby Donnie Songs” available on Ehse Records February 2015.

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Benjamin Booker

Third Man Live

Release: 2015 / US – Original

Genre: Rock & Indie

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LP | 2015 | UK | Original (Fortuna Pop)

Tigercats

Mysteries

Release: 2015 / UK – Original

Genre: Rock & Indie

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Another Day, Another Time: Celebrating The Music Of Inside Llewyn Davis

V.A.

3LP | 2015 | US | Original (Nonesuch)

87,99 €*

LP | 2013 | US | Reissue (Birth)

Release: 2015 / US – Original

Genre: Rock & Indie

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A one-night-only concert was held at New York City’s Town Hall last fall, to celebrate the music of the Coen brothers film Inside Llewyn Davis. The evening was filmed for a documentary that was broadcast by Showtime last winter, and now Nonesuch Records releases a live recording of the concert, Another Day, Another Time: Celebrating the Music of “Inside Llewyn Davis,” on January 13, 2015. The concert, documentary, and live album were produced by Inside Llewyn Davis writer/director/producers Joel and Ethan Coen and soundtrack producer T Bone Burnett. It features Elvis Costello, Conor Oberst, Marcus Mumford, Jack White, Willie Watson, and many others

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Jessica Pratt

24,99 €*

LP | 2015 | EU | Original (Three Four)

Release: 2013 / US – Reissue

Genre: Rock & Indie

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“I never wanted to ever start a record label. Ever. But there is something about her voice I couldn't let go of. It's an actual voice. An actual beautiful voice. This ones a classic sounding voice. Not to mention her song writing, recording and guitar playing. Jessica Pratt’s music feels like I have found a lost LP of an old forgotten mystical folk singer, that feeling of discovering a record all by myself: Without the help of friends or the Internet. Like Stevie Nicks singing over David Crosby demos, with the intimacy of a Sibylle Baier. I am in love with it. So much, that I saved up and threw all my money to get it into this world. I actually care about it, no matter which way the winds blow.”—Tim Presley, White Fence

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David & Helena Maranha

Sombras Incendiadas

19,99 €*

12" | 2015 | EU | Original

Release: 2015 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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David Maranha (Z'Ev, Carla Bozulich, Phill Niblock) & Helena Espvall (Espers. Masaki Batoh) join forces to produce "Sombras Incendiadas", a 4 song album, with David Maranha on electric organ & violin & Helena on cello. Helena has an amazing sound of cello, kind of Velvet Underground-esque, while David is in the vein of La Monte Young or Tony Conrad. As a duo, they create heavy drones with delicate harmonics behind the wall of sound. The textures are raw, the compositions are minimalistic, & the riffs are heady. The repetitive patterns played very loudly create a monolithic, hypnotic, & time-stopping album.

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Hemm Rohm

Shade Olympics

12,99 €*

LP | 2015 | US | Original (The Flenser)

Release: 2015 / EU – Original

Genre: Rock & Indie

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Hemm Rohm is a band from Berlin. Since 2014, the group has explored depictions of sound relationships and contrasts. Using washed-out loops, shimmering vastness and rough textures form shadowy sound excursions. First excerpts were published in 2015, on the EP “Shade Olympics”.

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Boduf Songs

Stench Of Exist

28,99 €*

Viet Cong Black Vinyl Edition

Release: 2015 / US – Original

Genre: Rock & Indie

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England / Ohio’s Mat Sweet presents his latest album under the Boduf Songs moniker via The Flenser! Stench of Exist is at once his most accessible and most esoteric work to date; from the opium flow of the tracks, running headily into one another like tributaries to river, to the muted-industrial-electronic-effected drums underscoring the spiraling melodies and fluttering drones, to the clean and rich guitar, abstracted cycles and feedback walls, its whispered doom metal masquerades as a lullaby. Stench of Exist unfolds languorously, laced with mysterious electronic filigree. Gorgeously intimate, it transforms the minimal into maximal with layers of electro-detritus wreathed in lush guitar strums, street-side field recordings, reverberating pianos and softly crooned vocals. It is a record of rain and cities and nighttime. The collision of arabesque tonalities with electronic sound and ambience brings to mind the promise of Blade Runner—half-asleep at 4:00 A.M. and slightly medicated, with pyramids and flame-spewing cityscapes in downpour glowing against the fluttering eyelids in the almost-dreaming consciousness. A record for saturnine commuters, on headphones, after sunset.

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Viet Cong

LP | 2015 | US | Original (Jagjaguwar)

LP | 2015 | US | Original (Sub Pop)

Release: 2015 / US – Original

Genre: Rock & Indie

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You can designate records as seasonal, and you can feel Viet Cong's bleakness and declare it wintry. But the only way you get a frost is when there's something warmer to freeze up. So yes, Viet Cong is a winter album, but only until it is a spring record, then a summer scorcher, then an autumn burner, then it ices over again. They build these buildings, and they're built to break.

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Sleater-Kinney

No Cities To Love