Indierock | Alternative Used Vinyl 159 Items

Vinyl with scuffs and hairlines. Original inner sleeve with seam splits. Cover with seam split on top spine

Silver vinyl!

Olive green & bone vinyl!

Still in shrink, but opened, with hype sticker

Purple Vinyl with a couple of light scuffs, closer to NM.

Coloured vinyl with all extras and bonus CD. Still in shrink, but opened

Limited Edition.
Clear Vinyl.

Clear vinyl Limited edition. Original inner sleeve. Tiny wear.

Still sealed with hype sticker.

Copy closer to NM

Vinyl with a couple of light scuffs. Still in shrink, but opened, with hype sticker

Cover with seam split!

Clear Rose Vinyl Edition.
Dogeared cover.
Includes original inner sleeves.

Clear Rose Vinyl Edition.
Cover slightly dogeared with faint ring wear.

Limited Edition. Green/White/Black Marbled Vinyl.

Record close to near mint with a light suff on side A.
Includes booklet.

White & Black Pinwheel vinyl. Cover with slightly bumped bottom left corner. With inserts.

Like new, probably never played.

Cover with seam split on spine. Silver vinyl

Cover corners faintly worn.

Clear vinyl.

Still in shrink, but opened, with hype sticker

Still sealed with hype sticker. Seam split.

Limited Edition. Orange Vinyl.

Includes original insert and booklet..

Original inner sleeves with seam splits!

Small light scuff on side B.
Includes original inner sleeves with seam splits.

Small light scuff on side A.
Includes original inner sleeves.

Includes insert. Vinyl with a couple of light scuffs

Pink vinyl

Copy is close to NM !

Limited Red Edition.
Includes Red Fleix Disc and innersleeve.

Record has one light scratch

Clear Vinyl.
Includes original inner sleeve.

Still in shrink but opened. Original inner sleeve. CD is missing. tiny wear

The Quickening is an improvised work guided by emotional intuition and an ability to spin collective experience into music of potent and boundless beauty. Jim White and Marisa Anderson instrumental voices' are unmistakable and spellbindingly lyrical. Anderson unravels global guitar traditions into atmospheres all their own through improvisations and transforming melodic lines. While White implements an array of sticks, brushes, and techniques that imbue each rhythmic percussion passage with its own distinct personality. Together their melodic flourishes cascade and twist upon one another, at times trading conversational exchanges, and at others drifting in unison as if lost in the same train of thought. White and Anderson share an abounding appetite for musical exploration. White, as a member of Venom P Stinger, Dirty Three, and Xylouris White, is well known for his creative and idiosyncratic drumming. His singular abilities have also led to collaborations with Cat Power, PJ Harvey, and Bill Callahan among others. Anderson's prolific output as a solo performer, her mastery of traditional folk and blues forms and her abilities to make them entirely her own has established her as one of the most exciting and forward-thinking guitarists of the last decade. White and Anderson's considerable technical skills are used in the most inventive and unconventional manner on their debut duo recording, The Quickening. The duo' friendship and shared explorative nature inform these warm and daring improvisations. Their remarkable performances take the listener on a journey of exuberant discovery. The idea of a collaboration developed while on the road together in 2015, Anderson playing solo and White playing with Xylouris white. The Quickening began at the Portland studio Type Foundry in late 2018, where the duo initially agreed to meet and improvise and record. Happy with the recordings, the duo headed to Mexico City and into Estudios Noviembres, a time capsule of a studio from the 70's that had been largely closed before some young engineers took it over. The "slight disorientation" of working in less familiar environments mirrored their willingness to plunge headfirst into exploring new sonic territory together. Anderson purchased a new nylon string Ramos-Castillo guitar from a Mexican luthier just ahead of recording which leant to the spontaneity of "The Lucky" and "The Quickening". The duo did not rehearse or perform together prior to the recording sessions; as White puts it, "it's good to suspend disbelief at this stage of playing."