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A Limited Purple Vinyl repress for 2024. The Classic 'At Les' remixed by Christian Smith with the blessing of Carl Craig.

Delivered in both Tronic Treatment and Hypnotica Remix forms, Smith has taken the originals warmth, musicality and emotion and given them the sort of energy and power which has made him one of the most bankable producers of recent years.

The Tronic Treatment remix starts slow but with careful and patient layering of melodies builds to an epic, peak time track which takes on an almost orchestral feel while the aptly titled Hypnotica Remix takes a slightly more aggressive, loopier and hypnotic take.

Metropolitan Indian & RVNG Intl. present the historics Infinidelity 12" series. Inspired by a short story of the same name by author Chris Leo, Infinidelity offers ten songs from historics late 2009 album debut, Strategies For Apprehension, transformed by an assembly of artists from the outer ether of the electronic music world. Infinidelity Pt. 3 closes out the 12" series with two monstrous remixes. UK remix maven and recent Strut Records mix maker Leo Zero turns "Skin Orders" into a sprawling, eight minute mix of rapid fire drum patterns akin to "Bombs Over Baghdad" and odyssey-like, Garcia inspired guitar work by Crow of Mountain of One. Canadian producer Andrew Allsgood's take on "Two Tons" stomps away with a heavy kick, conga-laden percussion, and fuzzed out bass line, eventually oscillating into a cosmic cataclysm and refrain. This remix fits in nicely with Allsgood's classic 12" for History Clock and features additional production by Worst Friends. Complete the Infinidelity series with this final chapter. Infinidelity was mastered by Graeme Durham at The Exchange. Each 12" comes in an extremely limited edition of 300 copies, absolutely stunning artwork by Mark McCoy.

12" comes w/ a download card with 320 kbps mp3s of the five song EP.THESE ARE POWERS lay it on thick, sweet, and sludgy for their new Candyman EP. The Brooklyn-based trio of Anna Barie (vocals & electronics), Pat Noecker (bass, electronics, vocals), and Bill Salas (beats & production) do nothing to sugar coat the grimy center of a new, bass bin rattling, electro-shock sound. THESE ARE POWERS kick off the EP with "Candyman", a naughty nursery rhyme set to a bombastic East meets West-Indies reggaeton shuffle. The rifling bass and scattered snare shots of "Gutterspaces" emerge as dancehall back from the future, followed by the sputter to mega-life Chicago juke and drone fest of "World Class Peoples". The EP also includes a runway house remix of "Candyman" by globe-trotters Teengirl Fantasy and a remix of "World Class Peoples" by Costa Rica's Cosmetics that is as much Burial as it is Scott Walker. The artwork, by Kevin O'Neill at Will Work For Good, is inspired by the slimy fetish known as sploshing. The sploshee featured on the cover will remain anonymous. Mastered by Leandro Gonzales at Brooklyn Phono.12" artwork conceived and designed by Kevin O'Neill at Will Work For Good.

Official re-issue of Rick Wade's Hustler's Lullaby, which was originally released in 2013 on Japanese Label: "Unknown Season". The record goes for 130 - 200 Bucks on Discogs, so we decided to make this available again. Strictly limited to 300 copies and no repress. Best to secure your copy for a regular price now, as they will go real quick due to heavy demand.

One of the most beloved Innervisions tracks of 2012.

2024 Repress on black Vinyl comes in IV-backcatalogue sleeve!

Christian Rinderman aka C-Rock has been a main fixture of the House Music scene in Frankfurt / Germany since the 1990s. No matter what the current trends were, he always kept it deep and funky. His first release in 1995 contained a crazy club banger that became a favourite of many local and international Djs - „Funky Dope Trakk.“ Ricardo Villalobos is just one example who couldn't stop playing it over decades. In 2012/13 the original tune got remixed and reissued on C-Rock's own imprint, „Lo-Fi Stereo.“ Both versions of the tune are long out of print and have become very Rare. So „All That Jelly“ will now reissue those four versions, carefully remastered and re-cut from the original DATs for maximum club performance and enjoyment during the next 30 years!

Following the Recent Dip Into the Theo Parrish Archives That Was the Twin Cities, Phil Weeks' Robsoul Imprint Looks to Another One of Detroit's Adopted Sons in the Form of Rick Wade. Like That Recent Parrish Reissue, Weeks Re-Releases Another Three Tracks From Wade's Bulging Discography. the Upbeat Disco Loops of "Players Theme" Was Originally Released on French Label Funky Chocolate in 2002 and Still Sound Fresher Than Anything Being Plied by the Soundcloud Dwellers Today, While "Can't You See" From 2003 Provides a More Soulful Take on House Music. on the Flip, the Tracky Funk and Cascading String Melodies of "I Feel Good" Originally Graced Wade's Own Harmonie Park Imprint in 1998, but Sound No Less Vital Today. Essential....

Comes in generic cover.

The 3rd part of the Humans Drums & Machines - Trilogy by House Master Ron Trent! The last part of the series seems to be the strongest.
Ron's unique sound spectrum in full beauty is shown here on "Dimentions & Beyond".

3 classic Legowelt "Slam Jack Deep Chicago Ghetto Technofunk" tracks from the Clone Records vaults get the deserved remaster treatment. The early 2000's Yamaha DX Synth tribute by Scheveningens Jackmaster never sounded better...

Official re-issue of Andy Vaz's 2012 “Imaginary Beings” EP originally released on Chiwax + Bonus track. Serge from Clone called this the best authentic Chicago Acid House heard in a long time – sounding like something Jack Frost (aka Adonis) would had made.

We don't have much to add to this. If you are looking for some real Chi-Style rough and raw acid house. This IS THE Closest IT CAN GET. Comes as strictly 150 copies limited Handstamped EP.

Finally, after 5 years of break, we are back with the vinyl you were waiting for. Lofi House & Classic House Classics at its finest with 2 million streams on all platforms, don't miss that.

After 7 years and countless requests, Sneaker Social Club finally deliver a repress of Dream Cycle - Part One.

After a chance meeting at Gottwood in 2016 a bond was established between Dream Cycle (Robin Clarke) and label owner Jamie Russell over a shared love of 2 Bad Mice and Moving Shadow. It wasn't long before Clarke began channeling elements of that influence to produce his Dream Cycle Part.1 EP. Unfolding over 4 steppy tracks and an ambient closer, Clarke melds sharp snares, summery motifs, dense atmospheres and thick subs whilst keeping things suffused with a distinctly UK quality that marries his work perfectly with the Sneaker catalogue.

DJ Support: Ryan Elliott, DJ Die, The Blessed Madonna, Octo Octa, Bwana, Altered Natives, Noodles (Groove Chronicles), Liem (Lehult), Deejay Astral, La4a, 2 Bad Mice, Fred P, Matt Karmil, Flori, Marco Zenker, J.Rocc (lol at comment!), Ajukaja, Gnork, William Djoko, Till Von Sein, Fold, Asok, Gene Farris, DJ bwin, Seven Davis Jr, TRP, DJ Octopus, DJ Normal 4, Gerd, Dean Man s Chest, Poté, Doc Scott, Violet, James Welsh (Kamera), Konx-om-Pax, Etch, Raresh, Hrdvsion, Michael Serafini (Gramaphone), Frazer Ray, DJ Guy, Mak & Pasteman, Shenoda, Urulu, Mark Archer & James Zabiela, Zinc, Lehult, Jackie House, Mosca, Noodles (Groove Chronicles) & DJ Die.

Metropolitan Indian & RVNG Intl. present the historics Infinidelity 12" series. Inspired by a short story of the same name by author Chris Leo, Infinidelity offers ten songs from historics late 2009 album debut, Strategies For Apprehension, transformed by an assembly of artists from the outer ether of the electronic music world. Infinidelity pt. 2 locks into the groove in hit form with a "Taverns" remix by Sweden's Jackpot, a track that neatly pits the vocal track against a jack happy beat and arpeggios that joyfully amp up the outro. Kool Keith pops his head in the UFO! remix of "Take it to the Top", making it cool to rap about Eric Clapton over the hyper-dub marching band madness. The 12" continues on its eclectic way with a metallic revision of "Things Alright" by RVNG sound racketeers Allez-Allez and ends with a Kool Keith redux and some Miami Bass / saxophone skeeze with Montreal's CFCF at the helm of another "Take it to the Top" remix. Infinidelity was mastered by Graeme Durham at The Exchange. Each 12" comes in an extremely limited edition of 300 copies, absolutely stunning artwork by Mark McCoy.

Metropolitan Indian & RVNG Intl. present the historics Infinidelity 12" series. Inspired by a short story of the same name by author Chris Leo (Feathers Like Leather, 57 Octaves Below..., White Pigeons), Infinidelity offers ten songs from historics late 2009 album debut, Strategies For Apprehension, transformed by an assembly of artists from the outer ether of the electronic music world. The Infinidelity story is one of meditation within / without a relationship, wrapped in a transient prose that skirts comedic and tragic traditions. Strategies For Apprehension deals in related subjects, those of bonds forged and broken, of ever-shifting alliances. In keeping with those themes, the conception and recording of the record were devoutly unfaithful to any rote route of standard-fare album construction. From those sessions were born enough boundless ideas to place in the hands of others, who in turn have created their own commentaries on and reinterpretations of the music. The Infinidelity Pt. 1 12" flickers to life with a re-work of "Fan Fare" by Tom Croose, a track that swells with a massive drum loop, buzzy bass blasts, and an ominous synth line only to break itself down and accentuate a stark female vocal sample. The glimmering sensibility of Croose's track patters over into the buildup of Sir Billy and Creso's Saturday Crimson Mix of "Kinda Personal", another warm track with its roots grown thick in a heavy kick, and its wings beating to the crisp high hat on the up beat. Low Motion Disco's take on "Languages", a meditative number, recalls the even unfolding of an early morning, the calm of the evening, and the moment before you head into the night for the acid thump of Pink Stallone's remix of "City to City" and repeat the shimmering cycle. The artwork, also informed by Leo's story, was created by artist Mark McCoy. The intricate collages convey sanctity within immolation, sacrifice to nature's thorny embrace. Kevin O'Neill at Will Work For Good commanded the build & design of the packaging...

If there is one person, who has been causing a stir on the international club circuit recently, it is Barcelona's John Talabot. Already his debut “My Old School“ (which is meant literally by the way) on Permanent Vacation in 2009 and shortly after that the single “ Sunshine”, which he put out on his own Hivern Disc imprint, made him one of the most promising musicians of the Spanish electronic scene. And those two releases also already set the mark for John Talabot’s unparalleled music: raw, loopy, heavy on the kick drum, sample based, moderate on the tempo, distorted on the drums and light years away from the clean and ever revolving house sound of today. This unique style which also blends influences from afro beat, Detroit techno, Chicago house and cosmic disco, but also northern soul or the energy of Flamenco, immediately turned some heads around. James Murphy, Âme and Aeroplane started including Talabot music in their sets like it was the most natural thing. However - and this is quite rare - he not only gained legions of fans in the house and disco community, but also amongst the leftfield pop and indie rock followers. NME and Resident Advisor both had “Breakthrough“ features on John Talabot and he can be proud of a “Best New Music“ dubbing on
Pitchfork. (Being rather elusive on showing his face in magazines or the web it also came to some funny rumors that John Talabot was the alter ego of a well-known techno producer from Detroit).
At the same time he drew the attention of like-minded artists like James Holden and Luke Abott from Border Community, Blondes or Delorean, which lead to a bunch of fertile collaborations: Luke Abbott and Blondes remixed Talabot’s “Sunshine“ single , John Talabot remixed a track by Delorean and vice versa Delorean’s Ekhi contributed vocals to the track “Journeys “ on John’s album). Another example is the Young Turks Label (home of Jamie XX, Holy Fuck, El Guincho or SBTRKT ) on which he released the “Families“ EP in 2010. It was praised beyond limits. Pitchfork for
instance hailed: “… where pop and house influences sweetly buffer up against one another to provide an unyielding sense of elation“ and even brought Talabot a comparison with artists like Four Tet or Caribou.
While staying true to his sound, John Talabot has nevertheless shown a constant evolution as a producer since his first release. He has traced a solid musical path that has turned him into one of the big references of European House and has made him also a highly in demand Remixer (for the likes of The XX, Francesco Tristano’s “Aufgang” project, Shit Robot on DFA, Thaiti 80, Joakim or Teengirl Fantasy to name just a few ).
A progression that now crystallizes in “ƒin”, his first full-length album for Permanent Vacation. A record, in which the Barcelona mastermind sets aside the danceable immediacy to expand his stylistic palette more than ever. For that purpose, Talabot melts all the elements that have constructed his distinctive sound until now and makes them emerge from a new perspective, in which the construction of complex song structures, intricate rhythms and superpositions of ever-evolving melodies and atmospheres pick up the baton of the “a kick-drum and a sampler” philosophy of his initial productions. The result brings us 11 tracks (we should call them songs really!) dominated by dark ambiances, gaseous textures and bittersweet moods that, above all, reveal a kind of vivacity that’s really hard to find in contemporary electronics. “Fin” is far from being a track collection. From the majestic opener “Depak Ine“ to it’s solemn ending with
“So Will Be Now“ , one of the two tracks that features Talabot’s soul and label mate Pional, each song traces an overall dialogue with the rest, culminating a highly emotional journey through Talabot’s always compelling and unique musical vision.

Presented are 4 previously unreleased cuts from the vault of Ben ’Cozmo D’ Cenac, producer of Newcleus, Dream 2 Science, Push/Pull & Sha-Lor. Written in the late 80’s / early 90’s these tracks have been sitting on DAT tapes for over 20 years. The tracks themselves feature Ben’s wife Yvette Cenac a/k/a Vai Cee from Dream 2 Science and Lady E of Newcleus, Gregg Fore a/k/a Buster Fhott from Dream 2 Science and Push/Pull, The Cellar Boyz a/k/a the original Jam-On DJs and finally Shareen Evans. A career musician, Ben’s instrumentation and programming is timeless, its a sound that cannot be replicated. We are humbled to be working on a project such as this. Don’t sleep, its a rare 12” vinyl weapon!!!

Fly Free is the newest EP by Jon Dixon on his Hi-Tech Jazz label, 4EVR 4WRD (Forever Forward). He collaborated with 2 good friends and Detroit legends, John "Jammin" Collins and Al Ester to create two unique edits that best suit their personal DJ style. He is no stranger to both jazz heads and techno innovators. He's played with UR's Timeline with Mad Mike, Carl Craig to jazz great Marcus Belgrave. "I wanted to make something that could be the theme song for a Detroit summer regardless of where you're going or coming from," Jon said. "I wanted to create a song that was perfect for cruising down Jefferson heading to Belle Isle, or being stuck in downtown traffic after a game." Jon Dixon took something so familiar to the people of Detroit and transformed it into a piece the world can dance to.